| All This, and Heaven Too (1940) | The Duchess (Expressivo con Schmalzo) | 0:39:24 - The Duchess writes a letter | angry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing |
All This, and Heaven Too (1940) | Desperation | 0:39:54 - The Duchess writes a letter | angry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing |
All This, and Heaven Too (1940) | Rushing | 0:40:15 - The Duchess rushes to the Abbe | angry | arguing | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room |
All This, and Heaven Too (1940) | Pleading (Extended) | 0:40:26 - The Abbe talks with the Duchess | angry | arguing | despair | duchess | leading lady | mad scene | priest | room |
All This, and Heaven Too (1940) | Desperation (Very Emotional) | 0:41:00 - The Duchess pleads with the Abbe | angry | arguing | crying | despair | illness | leading lady | mad scene | priest | room |
All This, and Heaven Too (1940) | Desperation (Furioso) | 0:43:28 - The Duchess rushes out of the room | angry | child | despair | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room |
All This, and Heaven Too (1940) | The Duchess (Expressivo) | 1:10:42 - The Duke complains to Henriette | abrupt | advance plot | angry | complaining | duke | governess | leading lady | leading man | room |
All This, and Heaven Too (1940) | Rushing | 1:19:33 - The Duchess rushes forward | angry | arguing | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing |
| The Amazing Dr. Clitterhouse (1938) | Rocks (Annoyed) | 0:48:25 - Rocks is annoyed by flashlight | anger | angry | annoyance | criminal | doctor | flashlight | gangster | leading man | ominous | robbery | shining | store | tense | thief | tritone | whole-tone chord |
| Are These Our Children? (1931) | Dreams (Montage) | 0:29:57 - Eddie drinks | angry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Listesso Tempo) | 0:30:13 - Eddie commits a crime | angry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room |
| The Big Sleep (1946) | Questions | 1:16:16 - Marlowe and Vivian argue | angry | car | conversing | leading lady | leading man | love interest | love scene | private eye | tense |
| They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:56:17 - Johnnie sees his picture in the paper | angry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring |
| Death of a Scoundrel (1956) | Clementi A (Tragic) | 0:10:52 - Clementi goes away | angry | flashback | male lead | tired |
| Flamingo Road (1949) | Titus 2 (Agitato) | 0:37:11 - Lane goes to confront Titus | agitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking |
Flamingo Road (1949) | Agitato | 0:39:09 - Lane storms off angrily | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking |
Flamingo Road (1949) | Titus 2 (Walking) | 0:39:17 - Lane storms off angrily | agitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking |
Flamingo Road (1949) | Titus (Angry) | 0:45:24 - Titus sees Lane | advance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress |
Flamingo Road (1949) | Agitato (Angry) | 0:45:50 - Dan argues with Titus | advance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress |
Flamingo Road (1949) | Agitato (Angry) | 1:09:25 - Titus leaves | advance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense |
Flamingo Road (1949) | Anger | 1:12:20 - Titus and Field face off | angry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense |
Flamingo Road (1949) | Rising Anger | 1:12:26 - Titus throws open the door | angry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff |
Flamingo Road (1949) | Lane (Tragic) | 1:18:10 - Lane talks to Dan about Titus | angry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife |
Flamingo Road (1949) | Flamingo Road (Agitato) | 1:18:50 - Dan gets upset with Lane | 9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife |
Flamingo Road (1949) | Mob | 1:28:20 - A mob forms outside of Lane's home | advance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord |
Flamingo Road (1949) | Agitato (Angry) | 1:29:00 - Lane goes to confront Titus | advance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense |
| Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 0:51:36 - Amato yells at Steve | action scene | angry | arguing | conductor score | fighting | gangster | investigator | leading man | room | underscoring | violence | yelling |
| In This Our Life (1942) | Stanley (Con Moto) | 0:22:19 - Roy talks about Stanley's letter | angry | bitter | conflict | conversing | father | leading lady | letter | room |
In This Our Life (1942) | Anger | 1:04:56 - Stanley gets angry | angry | arguing | conflict | leading lady | leaving | room | running | tense | uncle | upset | widow | yelling |
In This Our Life (1942) | Roy (Molto Modto) | 1:15:51 - Roy leaves | angry | conflict | lawyer | leading lady | leading man | leaving | office |
In This Our Life (1942) | Anger (Agitato) | 1:31:34 - Stanley yells at her uncle | agitated | angry | arguing | conflict | criminal | distressed | leading lady | room | uncle | yelling |
| The Informer (1935) | Throwing man down | 0:05:31 - Gypo picks the man up and throws him in the street | angry | down | establish character | falling | leading man | mickey-mousing | street | throwing | whole-tone | whole-tone chord |
| Key Largo (1948) | Rocco 2 (Slowly) + McCloud (Tritone) | 0:32:57 - McCloud quotes FDR | angry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:17 - Mr. Temple rises to attack Rocco | angry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring |
Key Largo (1948) | Falling | 0:33:38 - Mr. Temple falls to the ground | angry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense |
Key Largo (1948) | Underscoring (Dramatic) | 0:33:43 - Nora rises to attack Rocco | angry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence |
Key Largo (1948) | Underscoring (Dramatic) | 0:40:21 - Nora spits in Rocco's face | angry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring |
Key Largo (1948) | McCloud (Dissonant) | 0:40:25 - McCloud walks over to Nora | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting |
Key Largo (1948) | Rocco 3 (Angry) | 0:40:32 - Rocco gets angry | angry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting |
Key Largo (1948) | Rocco (Agitato) | 1:08:53 - Gangsters see that their boat is missing | advance plot | angry | announcing | boss | danger | discovering | gangster | hotel | stinger | tense | violent |
Key Largo (1948) | Rocco (Tense) | 1:15:03 - Rocco claims the Indians murdered Sawyer | angry | boss | conflict | dock | gangster | lying | murder | police | tense | violent |
| The Letter (1940) | Leslie (Rising) + Deception | 0:40:57 - Leslie talks to Howard | advance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense |
| Lightning Strikes Twice (1951) | Underscoring (Somber) | 1:17:15 - Trev's eyes go wild as she mentions murder | angry | hero |
Lightning Strikes Twice (1951) | String (Angry) | 1:21:26 - String gets angy when he learns that Liza killed Trev's first wife | angry | outburst |
| Mildred Pierce (1945) | Secret Revealed | 0:39:10 - Mildred argues with Veda | angry | arguing | child | conflict | harsh | heroine | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Appassionato) | 0:39:22 - Mildred argues with Veda | angry | arguing | child | conflict | heroine | leading lady | raising | room | standing | tense |
Mildred Pierce (1945) | Mildred raises Veda | 0:39:22 - Mildred lifts her daughter up by the arm | angry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense |
Mildred Pierce (1945) | Mildred B (Angry) | 0:39:30 - Mildred argues with Veda | angry | arguing | child | conflict | heroine | leading lady | room | slapping | tense |
Mildred Pierce (1945) | Mildred (Angry) | 1:18:21 - Mildred walks out of an argument | aggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking |
Mildred Pierce (1945) | Mildred (Appassionato) | 1:23:00 - Veda expresses her disgust with her mother | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense |
Mildred Pierce (1945) | Mildred B (Angry 2) | 1:23:09 - Mildred gets angry at Veda | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense |
Mildred Pierce (1945) | Mildred (Vicious) | 1:23:21 - Veda insults her mother | angry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense |
Mildred Pierce (1945) | Mildred B (Angry) | 1:23:38 - Mildred tears up Veda's check | angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | room | slapping | tearing | tense | violence | yelling |
Mildred Pierce (1945) | Stunned Reaction | 1:23:44 - Mildred is stunned after Veda slaps her | angry | antagonist | conflict | daughter | dramatic | heroine | leading lady | room | staring | stunned | violence |
Mildred Pierce (1945) | Runs upstairs | 1:24:04 - Veda runs up the stairs | angry | antagonist | ascending | conflict | daughter | mickey-mousing | room | stern |
Mildred Pierce (1945) | Mildred (Tragic) | 1:24:04 - Veda watches her daughter leave | angry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | room | stern |
Mildred Pierce (1945) | Mildred (Mad) | 1:43:19 - Mildred makes a phone call | anger | angry | calling | heroine | leading lady | room | tense | turbulent | turning point | walking |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
| The Unfaithful (1947) | Unfaithful (Attack) | 1:13:06 - Bob attacks the art shop owner | angry | antagonist | attacking | fighting | husband | ostinato | pc set | pivotal scene | room | widow | zoom in |
The Unfaithful (1947) | Unfaithful (Risoluto) | 1:14:27 - Bob arrives home | angry | arriving | car | driving | house | husband | monophonic | transition |
The Unfaithful (1947) | Unfaithful (Angry) | 1:15:00 - Bob walks around his home | angry | husband | intense | meandering | room | transition | walking |
The Unfaithful (1947) | Unfaithful (Rising Anger) | 1:15:35 - Bob walks around his home | angry | half-diminished 7th chord | husband | intense | meandering | room | transition | walking |
| We Are Not Alone (1939) | Surprise Symphony (Turbulent) | 0:50:14 - Jessica reacts to David's departure | 11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife |
We Are Not Alone (1939) | God Save the King (Angry) | 1:05:06 - British mobs in the street | 9th chord | angry | British | conflict | crowd | diminished 7th chord | familiar tune | mode mixture | patriotic | riot | rioting | street |
We Are Not Alone (1939) | Rule, Britannia (Throwing Stones) | 1:05:14 - Susan throws a rock at the shop | 64 chord | angry | antagonist | conflict | mickey-mousing | rock | street | throwing |
| White Heat (1949) | Underscoring (Dramatic) | 0:42:52 - Verna and Big Ed argue | angry | dramatic | gangster | underscoring |
| Deep Valley (1947) | Barry | 0:22:35 - Barry threatens the guard | angry | arguing | boss | conflict | convict | dramatic | father | guard | leading lady | leading man | street | threatening | yelling |
| The Woman in White (1948) | Ann (Molto Marcato) | 0:50:03 - Walter storms out of the room | angry | antagonist | butler | conflict | cousin | departing | fiancé | leading lady | leading man | mansion |
The Woman in White (1948) | Ann (Slowly) | 1:19:46 - The countess enters | angry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife |
| Beyond the Forest (1949) | Courthouse (Agitato Quasi Rubato) | 0:31:12 - Rosa arrives home | advance plot | angry | arriving | leading lady | room | upset | yelling |
Beyond the Forest (1949) | Chicago (Somber) | 0:48:32 - Rosa sits in a coffee shop | advance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | somber | thinking |
Beyond the Forest (1949) | Chicago (Tense) | 0:49:00 - Rosa drinks coffee | advance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | tense | thinking |
Beyond the Forest (1949) | Chicago (Harmonics) | 1:08:31 - Rosa reacts to Moose's warning | anger | angry | contemplating | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point |
Beyond the Forest (1949) | Underscoring (Dramatic) | 1:08:36 - Rosa hits the table | anger | angry | contemplating | dramatic | harsh | hitting | leading lady | pounding | reacting | room | turning point | underscoring |
Beyond the Forest (1949) | Rosa (Violent) | 1:08:54 - Rosa slowly turns | anger | angry | contemplating | harsh | leading lady | ominous | reacting | room | turning point |
Beyond the Forest (1949) | Rosa (Violent) + Chicago | 1:09:01 - Rosa heads outside | anger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point |
Beyond the Forest (1949) | Chicago (Echo Chambre) | 1:28:20 - Rosa prepares to leave | angry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling |
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