| Angels With Dirty Faces (1938) | Jerry | 1:11:35 - Jerry talks to Laury | 9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender |
| Deep Valley (1947) | Homestead (Sordini) | 0:16:14 - Ellie talks with Libby | advance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental |
Deep Valley (1947) | Love Theme (Memory) | 0:46:53 - Barry and Libby by the lake | conversing | convict | falling in love scene | forest | fugitive | leading lady | leading man | memory | uneasy |
| The FBI Story (1959) | Egg Hunt (Solemn) | 2:04:28 - Chip and Lucy talk about their son | child | death | flashback | memory | weeping |
| Hell on Frisco Bay (1955) | Hell on Frisco Bay (Slowly) | 0:24:15 - Steve arrives home | advance plot | arriving | conductor score | detective | leading man | memory | nostalgic | remembering | room | sentimental | source to score |
| I Was a Communist for the FBI (1951) | Family | 0:25:26 - Matt looks at a photo album | advance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Family (Molto Expressivo) | 0:26:15 - Matt writes a letter to his son | 9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
| Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 0:15:36 - Frank and Mr. Temple talk about George | advance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | Burial Place | 0:16:11 - Frank talks about George's burial place | advance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | McCloud (Noble) | 0:21:22 - Nora and Frank talk about her life | advance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling |
| Mildred Pierce (1945) | It Can't Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord |
| White Heat (1949) | Verna (Cello Solo) | 1:28:30 - Cody talks about Verna | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | somber | undercover agent | yard |
White Heat (1949) | Ma (Molto Expressivo) | 1:28:38 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Plotting (Agitato) | 1:29:03 - Cody talks about his family | advance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Cody (Climbing) | 1:29:15 - Cody talks about his past | advance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Ma (Triste) | 1:29:29 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
| Without Honor (1949) | Rubato | 0:22:34 - Bill talks with Jane | antagonist | brother | conflict | dramatic | kitchen | leading lady | leading man | memory | rushing | taunting | tense |
Without Honor (1949) | Tension | 0:22:52 - Jane gives Bill a drink | antagonist | brother | conflict | kitchen | leading lady | leading man | memory | taunting | tense | underscoring | uneasy |
Without Honor (1949) | Valse Triste | 0:23:06 - Bill talks with Jane | antagonist | brother | conflict | kitchen | leading lady | leading man | memory | recounting | somber | uneasy | waltz |
Without Honor (1949) | Valse Triste (Poco Appassionato) | 0:23:31 - Bill grabs Jane's arm | antagonist | brother | conflict | dramatic | grabbing | kitchen | leading lady | leading man | memory | reacting | recounting | tense | waltz |
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