| The Amazing Dr. Clitterhouse (1938) | Cauldron 1 (End title) | 1:26:33 - The End | beaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence |
The Amazing Dr. Clitterhouse (1938) | Jo (End Cast) | 1:26:42 - Cast list | 13th chord | added-note chord | beaker | bubbling | chromatic mediant | closing credits | end title | triadic transformation |
| Angels With Dirty Faces (1938) | Jerry (End Title) | 1:36:38 - End title | closing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant |
| City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| Crime School (1938) | Gangster Blues (End Title) | 1:24:33 - Cast list | bluesy | closing credits | end title sequence | not by Steiner | upbeat |
Crime School (1938) | Sue (End Credits) | 1:24:49 - Cast list | added-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat |
| They Made Me a Criminal (1939) | On the Make (End Cast) | 1:31:03 - End titles | 9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat |
| Dust Be My Destiny (1939) | Dust Be My Destiny (The End) | 1:26:45 - "The End" | closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (End Credits) | 1:26:54 - End credits | altered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat |
| Each Dawn I Die (1939) | On the Make | 1:31:02 - Closing credits | 9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing |
| The FBI Story (1959) | FBI March A (Pomposo) | 2:28:22 - The FBI crest | closing credits | crest | FBI | march |
| The Letter (1940) | Letter | 1:34:41 - End credits | changing meter | closing credits | dramatic | end title sequence | minor-major 7th chord | oscillation | plagal cadence |
The Letter (1940) | Leslie (End Title) | 1:34:44 - End credits | closing credits | dramatic | end title sequence | plagal cadence |
The Letter (1940) | Alternate Ending | NIF - not in film | closing credits | dramatic | end title sequence | plagal cadence |
| The Unfaithful (1947) | Unfaithful (End Cast) | 1:48:07 - Closing credits | closing credits | common-chord modulation | dramatic | end title sequence | Neapolitan | ostinato | pedal tone | turbulent |
| We Are Not Alone (1939) | Surprise Symphony (The End) | 1:51:13 - Closing credits | bold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling |
| Is My Face Red? (1932) | You Bunch of Fun (Serious) | 1:05:05 - Cast of Characters / The End | calm | closing credits | end title sequence | popular music | The End | transcribed by ear |
| Secrets of the French Police (1932) | Serenade | 0:56:57 - The End and Cast of Characters | closing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat |
| The Phantom of Crestwood (1932) | Spy Song | 1:15:20 - Cast list / The End | closing credits | end title sequence | somber | The End | transcribed by ear |
| Emergency Call (1933) | Theme from Cimarron | 1:00:41 - The end | added-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear |
| Caged (1950) | Marie (The End) | 1:36:04 - Mrs. Benton and her secretary | augmented sixth chord | climax | closing credits | conversing | prison | somber | warden |
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