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138 results for "self-borrowing" in 22 films — see also quotation

FilmTheme nameInstanceTags
Arsenic and Old Lace (1944)Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone boothadded-note chord | arguing | bystander | conversing | deceptive resolution | establish character | familiar tune | fragmentation | leading lady | leading man | marriage | office | pump-up modulation | running | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elaineadded-note chord | arguing | conversing | enharmonic modulation | establish character | kissing | leading lady | leading man | marriage | mode mixture | office | parallel period | pedal tone | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | foreign key modulation | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing | sequence

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring
City for Conquest (1940)Boxing Poster0:38:48 - Montage of boxing scenesboxing | boxing ring | chromatic sequence | double exposure | fanfare | montage | poster | self-borrowing | triumphant
Each Dawn I Die (1939)On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
Flamingo Road (1949)Crime School0:00:08 - Starring list9th chord | dramatic | opening title sequence | parallelism | self-borrowing | starring list | tense

Flamingo Road (1949)

Flamingo Road0:00:18 - Book cover for Flamingo Roadblues | bluesy | book cover | cast list | establish setting | Gershwinesque | mode mixture | parallelism | self-borrowing | title of film

Flamingo Road (1949)

Flamingo Road (Chapter One)0:00:54 - Chapter one from Flamingo Roadchromatic mediant | common-chord modulation | establish setting | gentle | mode mixture | self-borrowing | street | voice-over

Flamingo Road (1949)

Titus0:01:22 - The Palmer Housealtered dominant | dark | establish setting | ominous | politician | self-borrowing | sheriff | street | voice-over

Flamingo Road (1949)

Lute Mae0:01:26 - Lute Mae's Roadhouse13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over

Flamingo Road (1949)

Titus 20:18:16 - A newspaper headlinechromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone

Flamingo Road (1949)

Titus (Inverted)0:30:13 - Townsfolk talk about Titusadvance plot | dark | inversion | newspaper | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus (Inverted)0:33:27 - Field arrives at the caféarriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus (Dark)0:33:56 - Field talks to Lanebreaking up | breakup | café | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Titus 2 (Pete Lies)0:40:11 - Field asks why Lane was firedadvance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing

Flamingo Road (1949)

Titus 2 (Maestoso)0:41:11 - Women enter the prison advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Train + Titus (Rising)0:42:43 - Field and Annabelle in a train carcombination of themes | dark | dramatic | fiancée | leading man | montage | montage | ostinato | self-borrowing | sequence | train | train | traveling

Flamingo Road (1949)

Titus (Angry)0:45:24 - Titus sees Laneadvance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Lute Mae (Not in Film)NIF - not in film13th chord | added-note chord | altered dominant | common-chord modulation | countermelody | cut from film | cut from film | deceptive resolution | lovers meet | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

The Capitol0:56:03 - The Olympic City capitol buildingchromatic mediant | courthouse | deceptive resolution | establish setting | Mixolydian mode | noble | self-borrowing

Flamingo Road (1949)

Flamingo Road (Expressivo)1:02:07 - The gate to 32 Flamingo Road11th chord | added-note chord | arriving | gentle | husband | leading man | self-borrowing | sign | street | transition

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense) + Titus1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus1:04:55 - Titus insults Laneadvance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening

Flamingo Road (1949)

Titus1:06:35 - Titus leavesadvance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Titus (Tutti)1:08:05 - Titus and Field arrive at the construction sitearriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition

Flamingo Road (1949)

Titus + Titus 21:09:43 - Titus bullies Fieldadvance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus (Menacing)1:09:59 - Titus and Field leaveadvance plot | bullying | commanding | dark | leading man | menacing | ominous | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus1:11:01 - Annabelle leaves Titusadvance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife

Flamingo Road (1949)

Titus (Ominous)1:11:44 - Titus argues with Fieldarguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

The Sheriff1:12:01 - Titus stands and walksarguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing

Flamingo Road (1949)

Titus (Violent)1:12:11 - Titus and Field arguearguing | bullying | conflict | dark | leading man | ominous | politician | room | self-borrowing | sheriff | violent

Flamingo Road (1949)

Anger1:12:20 - Titus and Field face offangry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense

Flamingo Road (1949)

Rising Anger1:12:26 - Titus throws open the doorangry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Flamingo Road (Expressivo)NIF - not in filmaltered dominant | cut from film | cut from film | self-borrowing | transition

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic

Flamingo Road (1949)

Titus 2 (Triste)NIF - not in filmcut from film | cut from film | police station | resolution | self-borrowing

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife
I Was a Communist for the FBI (1951)Family0:25:26 - Matt looks at a photo albumadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his sonadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Triste)0:38:00 - Matt enters his homeadvance plot | leading man | pacing | room | self-borrowing | solemn | somber | thinking | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Ominous) + Family0:38:46 - Matt leaves his apartmentadvance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone

I Was a Communist for the FBI (1951)

Family1:21:44 - Matt is reunited with his son and brotherbrother | conversing | gentle | leading man | love | resolution | reuniting | self-borrowing | son | tender | undercover agent

I Was a Communist for the FBI (1951)

Family (Con Moto)1:22:03 - Matt talks to his sonbrother | conversing | gentle | leading man | love | peaceful | resolution | reuniting | self-borrowing | son | tender | undercover agent
Lightning Strikes Twice (1951)Transition0:00:07 - Starring list and lightning strikesdramatic | lightning | lightning effect | opening title sequence | prison | self-borrowing | starring list | transition

Lightning Strikes Twice (1951)

Lightning0:00:24 - Title card, cast list and prisoncast list | dramatic | lightning effect | opening title sequence | prison | self-borrowing | title of film | transition

Lightning Strikes Twice (1951)

Lightning 20:00:41 - Title card, cast list and prisoncast list | dark | opening title sequence | self-borrowing | thunder effect

Lightning Strikes Twice (1951)

Afraid1:19:02 - Shelly leaves Trev in fearactor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying
Mildred Pierce (1945)Bert0:20:18 - Bert comes home9th chord | added-note chord | arriving | common-chord modulation | cooking | establish character | flashback | gentle | heroine | husband | leading lady | mode mixture | room | self-borrowing | street

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitress64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singsadded-note chord | child | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | self-borrowing | singing | upbeat | voice-over | working

Mildred Pierce (1945)

AllegrettoNIF - not in filmcut from film | self-borrowing

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | common-tone diminished 7th | friend | heroine | ladder | leading lady | legs | pedal tone | restaurant | self-borrowing | transition | working

Mildred Pierce (1945)

Work (Grand Opening)0:57:26 - View of Mildred's restaurantadded-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working

Mildred Pierce (1945)

Work (Success)1:01:42 - People work in Mildred's restaurant9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working

Mildred Pierce (1945)

Work1:08:00 - Montage of restaurantsadded-note chord | altered dominant | common-chord modulation | guest | montage | restaurant | self-borrowing | upbeat | voice-over | working

Mildred Pierce (1945)

Work (Montage)1:34:44 - Montage of Mildred and Monte's marriageadded-note chord | cheerful | deceptive resolution | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | mode mixture | montage | newspaper | self-borrowing | shadow
Rockabye (1932)Run-Around0:52:45 - Montage of Broadway scenescommon-chord modulation | dominant pedal | montage | self-borrowing | theater | upbeat
White Heat (1949)Driving0:14:09 - The gangsters drive awaydark | departing | driving | gangster | leading lady | leading man | menacing | moll | mother | murderer | rushing | self-borrowing | street | transition

White Heat (1949)

Morgue0:14:17 - Tahoe County Morgue signconversing | corpse | dark | detective | investigation scene | menacing | morgue | mortician | police | self-borrowing | transition

White Heat (1949)

Speed0:16:46 - Sign for Milbanke Motelsarriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition

White Heat (1949)

Speed (Frantic)0:24:11 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense

White Heat (1949)

Speed (Frantic)0:24:26 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Speed (Desperate)0:24:44 - The gangsters speed awaycar | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense

White Heat (1949)

Speed (Desperate 2)0:25:03 - The gangsters speed awayagent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense

White Heat (1949)

Madness0:50:16 - Cody hears voicesagitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Headache0:50:31 - Heavy machineryagitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled

White Heat (1949)

Struggle0:50:50 - Cody crawls on the flooragitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled

White Heat (1949)

Gathering1:05:39 - Inmates playing cardsconversing | doctor | dramatic | gangster | guard | leading man | murderer | prison | prison break | prisoner | self-borrowing | tense | walking

White Heat (1949)

Prison Break1:07:19 - Cody and men go outsidedramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | rushing | self-borrowing | warden
Three Who Loved (1931)Love Dream1:03:22 - The Endappoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant
Transgression (1931)There's a Sob In My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music
Hold ‘Em Jail (1932)Makes You Forget Your Troubles0:11:18 - Spider and Curley talk to SteeleAABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat
Ladies of the Jury (1932)There's a Sob in My Heart (Radio)0:45:27 - Jurors deliberateAABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music
Men of America (1932)Cimarron A0:00:14 - Title of film and starring listAmerican Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear

Men of America (1932)

Cimarron B0:00:43 - Cast listcast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat

Men of America (1932)

Cimarron C0:01:08 - Smokey Joe fights the Indiansambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear

Men of America (1932)

Cimarron B (Transition)0:02:19 - Smokey Joe fights the Indiansambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear

Men of America (1932)

Hey! Hey!0:26:27 - Man turns on car radioadvance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat

Men of America (1932)

Lady with a Past Fox Trot0:56:42 - The Endend title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant
Penguin Pool Murder (1932)Run Around1:01:51 - The End9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat
Secrets of the French Police (1932)Beau Ideal0:00:15 - A newspaper is opened to a detective storycast list | march | newspaper | opening title sequence | self-borrowing | upbeat

Secrets of the French Police (1932)

La Marseillaise0:00:30 - The title of the film, superimposed on a newspaper illustrationfamiliar tune | France | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

You're In the Army Now0:00:35 - The title of the filmfamiliar tune | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

Drumroll0:00:38 - The title of the filmdrumroll | newspaper | opening title sequence | patriotic | self-borrowing | title of film

Secrets of the French Police (1932)

Page turn0:00:44 - The page turns and the cast list is revealedcast list | mickey-mousing | newspaper | opening title sequence | page turn | romantic | self-borrowing | turning

Secrets of the French Police (1932)

Romance0:00:46 - Cast listcast list | dissonant bass | hemiola | newspaper | opening title sequence | page turn | romantic | self-borrowing

Secrets of the French Police (1932)

Serenade0:56:57 - The End and Cast of Charactersclosing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat
The Phantom of Crestwood (1932)Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear

The Phantom of Crestwood (1932)

Cimarron Theme0:23:24 - Two people look at some portraitsAABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear
The Roadhouse Murder (1932)Lady With a Past Fox Trot0:35:34 - Chick and Mary talkingAABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music

The Roadhouse Murder (1932)

Lady1:12:12 - End titlescommon-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End
Thirteen Women (1932)Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear
Before Dawn (1933)Before Dawn A0:00:15 - Title over the image of hands grasping moneycoin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear

Before Dawn (1933)

Before Dawn B0:00:32 - Title and Cast list over a skullcast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear

Before Dawn (1933)

Before Dawn C0:00:44 - Cast list over walking feetcast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking
Sing and Like It (1934)King Kong March0:58:31 - Annie's name in lights9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker
Hat, Coat, and Glove (1934)Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear