| All This, and Heaven Too (1940) | Dying (Molto Expressivo) | 2:14:46 - The Duke talks to Pierre | caretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber |
All This, and Heaven Too (1940) | Henriette (Confession of Love) | 2:15:34 - The Duke confesses his love | caretaker | confessing | conversing | death bed | death scene | duke | dying | leading man | love | room | somber |
| Flamingo Road (1949) | If I Could Be With You (Tragic) | 1:18:35 - Lane tells Dan about Field | confessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife |
| In This Our Life (1942) | Stanley (Valse Triste) | 1:26:23 - Stanley confesses | arguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect |
In This Our Life (1942) | Stanley B (Slowly Extended) | 1:26:39 - Stanley confesses | agitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect |
| The Informer (1935) | The Informer (Confession) | 1:16:00 - Gypo confesses and cries | 9th chord | altered dominant | antagonist | confessing | confession | courtroom | courtroom scene | crying | deceptive resolution | diminished 7th chord | dissonant bass | guilt | half-diminished 7th chord | headquarters | leading man | pedal tone | pedal tone | remorseful | room | traitor |
The Informer (1935) | Katie (Despair) | 1:16:18 - Gypo confesses and cries | antagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor |
The Informer (1935) | The Informer (Tranquillo) | 1:16:35 - Gypo is taken away | antagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor |
The Informer (1935) | Blood Money (Ostinato) | 1:22:00 - Gypo confesses to Katie | antagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone |
The Informer (1935) | Katie (Allegro Appassionato) | 1:22:20 - Gypo talks to Katie | antagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor |
The Informer (1935) | Sancta Maria | 1:30:27 - Frankie's mother forgives Gypo | antagonist | church | climax | confessing | dying | gentle | leading man | mother | sacred | somber | suspension | traitor |
| The Letter (1940) | Leslie (Confession) | 1:16:36 - Leslie confesses to Robert | confessing | conflict | dark | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | ostinato | recounting | sequence | serious | tritone | tritone oscillation |
The Letter (1940) | Mrs. Hammond (Confession) | 1:17:35 - Leslie confesses to Robert | Chinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallel fifths | parallelism | pentatonic | recounting | serious | somber | tritone oscillation |
The Letter (1940) | Leslie (Rising) + Deception | 1:17:52 - Leslie confesses to Robert | augmented triad | chromatic parallelism | combination of themes | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | oscillation | ostinato | recounting | sequence | tense |
The Letter (1940) | Leslie (Tragic) | 1:17:59 - Leslie confesses to Robert | changing meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension |
The Letter (1940) | Leslie B (Ethereal) | 1:18:13 - Leslie confesses to Robert | chromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
The Letter (1940) | Leslie (Dramatic) | 1:18:32 - Leslie confesses to Robert | confessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
| Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room |
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