| All This, and Heaven Too (1940) | Rushing 2 | 0:43:14 - The Duchess rushes into the room | arguing | child | duchess | duke | governess | half-diminished 7th chord | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing |
All This, and Heaven Too (1940) | Rushing | 1:19:33 - The Duchess rushes forward | angry | arguing | augmented triad | compound melody | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing | turn figure |
| Angels With Dirty Faces (1938) | Hurrying | 1:10:54 - A newspaper editor gives orders to his men | assigning | chromatic scale | commanding | dissonant bass | hurried | mickey-mousing | montage | montage | newspaper editor | newspaper office |
Angels With Dirty Faces (1938) | Pleading (Extended) | 1:21:00 - Jerry arrives on the scene | 9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Modulating) | 0:15:36 - Mortimer and Elaine talk | added-note chord | bride | cemetery | conversing | familiar tune | flirting | fragmentation | groom | hurried | leading lady | leading man | love | love scene | pump-up modulation | romantic | sequence |
| Beyond the Forest (1949) | Chicago (Mail) | 0:30:30 - Rosa reads her mail | advance plot | familiar tune | hurried | leading lady | mail | optimistic | popular tune | post office | reading |
Beyond the Forest (1949) | Hurrying (Molto Agitato) | 0:44:13 - Rosa picks up the money | frantic | grabbing | hurried | leading lady | money | room | transition |
Beyond the Forest (1949) | Train (Whistle) + Chicago | 0:44:23 - A speeding train | combination of themes | familiar tune | hurried | popular tune | train | train | train effect | transition | traveling |
| The Big Sleep (1946) | Door slam | 1:33:12 - Marlowe closes the car door | closing | half-diminished 7th chord | hurried | informer | leading man | mickey-mousing | private eye | slamming | street | tense | traveling scene |
The Big Sleep (1946) | Hurrying (Car) | 1:33:13 - Marlowe drives in a car | added-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene |
The Big Sleep (1946) | Hurrying (Car) | 1:33:25 - Marlowe continues driving | added-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene |
The Big Sleep (1946) | Hurrying (Car) | 1:33:50 - Marlowe drives off the road | car | chromatic scale | driving | fragmentation | hurried | leading man | private eye | sequence | street | tense | traveling scene |
| City for Conquest (1940) | Train | 0:01:09 - An elevated train approaches | added-note chord | bridge | busy | city | hurried | mickey-mousing | old man | ostinato | police | pump-up modulation | train | transition | traveling |
City for Conquest (1940) | Tone Poem B + Train | 0:01:19 - Sign for the Williamsburg Bridge | 9th chord | added-note chord | bridge | busy | chromatic parallelism | city | combination of themes | countermelody | hurried | Mixolydian mode | old man | police | train | transition | traveling |
City for Conquest (1940) | Tone Poem Transition 1 (Short) | 0:34:25 - A rushing train | added-note chord | hurried | montage | ostinato | rushing | train | train | traveling |
City for Conquest (1940) | Tone Poem Train Whistle | 0:34:28 - Danny on the train | added-note chord | blaring | hurried | leading man | mickey-mousing | montage | ostinato | pc set | rushing | train | train | traveling |
| Hell on Frisco Bay (1955) | Amato | 0:14:48 - Mario runs to talk to Amato | conductor score | establish character | fearful | hurried | office |
Hell on Frisco Bay (1955) | Picks up suitcase | 0:26:22 - Steve picks up his suitcase | advance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing |
Hell on Frisco Bay (1955) | Walking | 0:26:31 - Marcia walks to the door | advance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 0:27:50 - Steve fights Hammy | action scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring |
Hell on Frisco Bay (1955) | Boy running | 0:36:50 - Georgie runs down the stairs | advance plot | child | conductor score | down | hurried | mickey-mousing | running | street |
Hell on Frisco Bay (1955) | Climbing and jumping | 0:53:27 - Steve runs from Hammy | action scene | climbing | conductor score | hiding | hurried | investigator | jumping | leading man | mickey-mousing | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:53:30 - Hammy tries to escape | action scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense |
| In This Our Life (1942) | Stanley (She Runs) | 0:07:32 - Stanley runs inside | arriving | chromatic parallelism | chromatic sequence | diminution | establish character | hurried | leading lady | mickey-mousing | room | running | sequence | street |
| Kid Galahad (1937) | New York Scene | 0:32:31 - Ward and Louise ride in a taxi | advance plot | driving | hurried | not by Steiner | street | transcribed by ear |
Kid Galahad (1937) | The Escape | 0:33:23 - Nick punches man on street | advance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear |
| The Woman in White (1948) | Laura runs | 0:34:56 - Laura runs off | falling in love scene | garden | hurried | leading lady | leading man | mickey-mousing | running | rushing |
| The Public Defender (1931) | Crowd thronging | 0:01:17 - A crowd pressing towards a guarded door | arguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition |
| Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Commotion) | 0:16:39 - Four people talk at once to Mildred | advance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Hurrying | 0:22:00 - Mildred and William hurry off | advance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
| Star of Midnight (1935) | Rushing | 0:54:02 - Clay rushes to catch the bus | bus | detective | hurried | leading man | montage | parallelism | rushing | street | transcribed by ear |
Star of Midnight (1935) | Midnight in Manhattan (Montage) | 0:54:11 - Feet walking | bus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Midnight in Manhattan (Accelerando) | 0:54:42 - Feet walking | added-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking |
| We're Only Human (1935) | Kong 3 | 1:01:06 - Pete leaves | car | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim |
We're Only Human (1935) | Game 1 | 1:01:21 - Driving in a car | car | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe |
We're Only Human (1935) | Game 2 | 1:01:56 - Witness threatens to kill the criminals | acceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim |
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