Tag Search

66 results for "musician" in 11 films — see also composer | performer | player

Film	Theme name	Instance	Tags
Arsenic and Old Lace (1944)	Take Me Out to the Ball Game	0:01:20 - Fans yelling at a ball game	augmented sixth chord \| baseball \| baseball player \| bass drum \| cheering \| crowd \| enharmonic modulation \| establish place \| evaded cadence \| falling \| familiar tune \| field \| fighting \| musician \| parallel double period \| pep band \| playing \| popular song \| punching \| rushed \| saxophone \| simulated source music \| source music \| sporting event \| trombone \| umpire \| upbeat \| yelling
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Breaking Point (1950)	La Adelita	0:09:56 - A Mexican village at night	arriving \| bar \| bartender \| conversing \| establish setting \| folk music \| leading man \| musician \| on-screen music \| performing \| sailor \| salesperson \| selling \| source music \| street \| upbeat \| working
The Breaking Point (1950)	Carmen, Carmela	0:11:11 - Harry talks to Duncan in a bar	AABA structure \| bar \| conversing \| criminal \| establish setting \| floozy \| folk music \| gambling \| leading lady \| leading man \| musician \| on-screen music \| performing \| pleasant \| sailor \| serenading \| singing \| source music
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| parallelism \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:40 - Eddie plays the piano	13th chord \| advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:59 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| composer \| composing \| deceptive resolution \| enharmonic respelling \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| parallel double period \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	42nd Street	0:51:52 - People arriving at a dance	AABA structure \| advance plot \| club \| crowd \| dance band \| dancer \| dancing \| musician \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Where Were You When the Moon Came Out (Fragment)	0:56:56 - Eddie plays the piano	advance plot \| composer \| composing \| musician \| on-screen music \| piano \| room \| source music
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
City for Conquest (1940)	Tone Poem Introduction	1:32:01 - Orchestra playing in a concert hall	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| common-tone dominant 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| dominant 7th chord \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| score to source \| source music \| watching
City for Conquest (1940)	Tone Poem A	1:32:32 - Violins playing	9th chord \| 11th chord \| 13th chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| sequence \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem A (Tutti)	1:33:02 - Peggy watches from the audience	9th chord \| 11th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| fragmentation \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| point-of-view shot \| romantic \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem Transition 1	1:33:15 - The conductor	9th chord \| added-note chord \| audience \| Carnegie Hall \| common-tone diminished 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| Dutch angle \| excited \| fragmentation \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem B	1:33:32 - The wind section plays	9th chord \| added-note chord \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Mixolydian mode \| musician \| on-screen music \| orchestra \| ostinato \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem Train Whistle	1:33:40 - The wind section plays	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| musician \| on-screen music \| orchestra \| pc set \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem Transition 2	1:33:48 - Orchestra playing	9th chord \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem Introduction (Abbreviated)	1:34:01 - Orchestra playing	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| source music \| watching
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Lento)	1:35:02 - Orchestra playing	9th chord \| audience \| Carnegie Hall \| chromatic parallelism \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| leading lady \| linear chromaticism \| listening \| musician \| on-screen music \| orchestra \| playing \| polychord \| romantic \| somber \| source music \| tender \| watching
City for Conquest (1940)	Tone Poem Transition 1 (Abbreviated)	1:35:34 - Harp playing in the orchestra	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| musician \| on-screen music \| orchestra \| playing \| source music
City for Conquest (1940)	Tone Poem B	1:35:43 - Danny listens to the radio	9th chord \| added-note chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Gershwinesque \| leading man \| listening \| Mixolydian mode \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| pump-up modulation \| radio \| source music \| street \| watching
City for Conquest (1940)	Tone Poem Transition 2 (Allargando)	1:35:58 - Orchestra playing in the concert hall	audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| direct modulation \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| pedal tone \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Tutti 2)	1:36:41 - Danny's figure appears in the concert hall	9th chord \| 13th chord \| AABA structure \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading man \| listening \| mode mixture \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching \| zoom out
City for Conquest (1940)	Tone Poem Introduction (Abbreviated 2)	1:37:08 - The conductor leading the orchestra	added-note chord \| audience \| bold \| Carnegie Hall \| common-tone dominant 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Coda)	1:37:16 - The conductor leading the orchestra	added-note chord \| audience \| bold \| Carnegie Hall \| chromatic mediant \| concert \| concert hall \| concert scene \| conducting \| conductor \| diminution \| dramatic \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
Flamingo Road (1949)	Lute Mae	0:01:26 - Lute Mae's Roadhouse	13th chord \| added-note chord \| altered dominant \| bluesy \| club \| countermelody \| dancing \| eating \| establish setting \| musician \| on-screen music \| playing \| self-borrowing \| simulated source music \| voice-over
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	The Girl With the Spanish Drawl	1:29:10 - Lane arrives at Lute Mae's	arriving \| climax \| club \| dancer \| dancing \| leading lady \| musician \| on-screen music \| playing \| source and scoring overlap \| source music \| upbeat
Her Kind of Man (1946)	Body and Soul	0:56:43 - Georgia sings in a night club	AABA structure \| applauding \| club \| conductor \| crowd \| leading lady \| musician \| music scene \| on-screen music \| performing \| performing \| romantic \| score to source \| singer \| singing \| source music \| watching \| wife
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Three Who Loved (1931)	St. Patrick's Day	0:18:32 - Organ grinder on street	cheerful \| musician \| on-screen music \| organ grinder \| playing \| source music \| street \| transition
State’s Attorney (1932)	Stack o' Lee Blues	0:43:17 - Jazz musicians playing in a club	club \| Dixieland \| musician \| music scene \| on-screen music \| playing \| singer \| singing \| source music \| upbeat
State’s Attorney (1932)	Bibelot	0:55:22 - Tom plays the piano	advance plot \| cheerful \| musician \| on-screen music \| playing \| room \| singing \| source music
Sing and Like It (1934)	O Du Lieber Augustin	0:09:09 - Annie and Oswald go in the theatre door	AABA structure \| ballad \| dancer \| dancing \| musician \| music scene \| on-screen music \| piano \| source music \| stage \| upbeat
Sing and Like It (1934)	Your Mother	0:10:15 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| robbery \| score to source \| sentimental \| singer \| singing \| source music \| stage \| stealing
Sing and Like It (1934)	Your Mother	0:13:55 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Your Mother	0:23:01 - Call board for a dress rehearsal	AABA structure \| arguing \| ballad \| boss \| conversing \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Liebesträume	0:34:46 - Ruby enters the room	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Your Mother	0:35:20 - Toots plays the piano	advance plot \| ballad \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| sentimental \| singing \| source music \| teasing \| tone cluster
Sing and Like It (1934)	Liebesträume	0:35:31 - Toots plays the piano	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Hearts and Flowers	0:36:11 - Toots plays the piano	advance plot \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| parallel period \| piano \| playing \| popular song \| room \| sentimental \| source music
Sing and Like It (1934)	My Imaginary Sweetheart	1:02:44 - A man conducts the pit orchestra	AABA structure \| conducting \| conductor \| crowd \| dancer \| dancing \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:10 - The audience reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:34 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:04:10 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	Your Mother	1:04:54 - A man conducts the pit orchestra	AABA structure \| ballad \| boss \| conducting \| conductor \| critic \| crowd \| crying \| dancing \| gangster \| gun \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| sentimental \| singer \| singing \| source music \| theater \| threatening \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat

Tag Search Results