| All This, and Heaven Too (1940) | The War of the Roses | 0:27:13 - Henriette plays the harpsichord | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | The War of the Roses | 0:28:23 - The girls sing | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | Fanfan la Tulipe | 0:51:48 - Henriette plays the harpsichord | advance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat |
All This, and Heaven Too (1940) | Valse | 1:03:32 - Montage of newspaper clippings | added-note chord | ballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | mode mixture | montage | upbeat | waltz |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | 9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching |
| The Amazing Dr. Clitterhouse (1938) | Clitterhouse Onestep | 0:33:20 - Gangsters walk through music studio | added-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up |
| Angels With Dirty Faces (1938) | Night Club Music | 0:07:05 - Rocky gambles in a nightclub | altered dominant | club | dancing | double exposure | drinking | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | pouring |
| Are These Our Children? (1931) | Moonbeams | 0:25:39 - Eddie dances with Flo | added-note chord | altered dominant | common-tone diminished 7th | dance hall | dance scene | dancing | leading man | love interest | mode mixture | on-screen music | parallel double period | romantic | source music | waltz |
Are These Our Children? (1931) | Moonbeams (Flashback) | 0:30:18 - Eddie dances with Flo | dance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz |
Are These Our Children? (1931) | Hey! Hey! | 0:50:14 - Eddie and Flo dance | 9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | AABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
| Beyond the Forest (1949) | The Arkansas Traveler | 1:02:55 - Folk musicians | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Portland Fancy | 1:03:11 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Devil’s Dream | 1:03:26 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Little Brown Jug | 1:03:57 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
| The Breaking Point (1950) | Please Don't Talk About Me When I'm Gone | 0:39:07 - Harry arrives at a bar | AABA structure | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
| City for Conquest (1940) | Sidewalks of New York | 0:03:10 - A New York street corner | AABA structure | child | conversing | crowd | dancing | old man | on-screen music | organ grinder | playing | pleasant | score to source | source music | street | street organ | thief | transition | upbeat | walking |
City for Conquest (1940) | Lullaby of Broadway | 0:17:00 - A sign for Rose Gardens Casino | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Latin For Manhattan | 0:18:29 - Peggy and Danny sit down | AABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Continental | 0:19:53 - Peggy dances with Murray | AABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:20:39 - Danny sitting at a table | ABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:21:28 - Peggy dances with Murray | ABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | Shadow Waltz | 0:21:46 - Peggy dances with Murray | ABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Words Are in My Heart | 0:29:31 - Peggy dances with Murray | applause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz |
City for Conquest (1940) | Original Rhumba | 0:29:38 - Peggy dances with Murray | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat |
City for Conquest (1940) | Original Bolero | 0:29:43 - Peggy dances with Murray | applause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:29:51 - Peggy dances with Murray | added-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat |
City for Conquest (1940) | Original Foxtrot | 0:29:57 - Peggy dances with Murray | applause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:34:32 - Man operating a spotlight | audience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat |
City for Conquest (1940) | 42nd Street | 0:38:40 - Montage of dancing scenes | bold | dancing | double exposure | montage | shadow | stage |
City for Conquest (1940) | Shadow Waltz (Dancing) | 0:38:57 - Montage of dancing scenes | added-note chord | altered dominant | augmented triad | dancing | double exposure | gentle | montage | shadow | stage | transcribed by ear |
City for Conquest (1940) | Burns and Company | 0:39:06 - Montage of dancing scenes | added-note chord | dance band | dancing | double exposure | headline | montage | newspaper | shadow | stage | transcribed by ear | upbeat |
City for Conquest (1940) | Negra Consentida | 0:41:21 - The Carleton Plaza Towers | advance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat |
City for Conquest (1940) | 42nd Street | 0:51:52 - People arriving at a dance | AABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat |
City for Conquest (1940) | Corn Pickin' | 0:53:35 - People dancing the jitterbug | AABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Japanese Sandman | 0:54:33 - Danny and Peggy at the dance | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Where Were You When the Moon Came Out | 1:19:38 - Danny resting in bed | advance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim |
City for Conquest (1940) | Powder My Back | 1:23:34 - A burlesque marquee | advance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat |
| They Made Me a Criminal (1939) | When a Prince of a Fella Meets a Cinderella | 0:06:23 - Johnnie talks to his manager | dancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music |
| Death of a Scoundrel (1956) | Waltz | 0:59:28 - People dancing at a fancy party | dancing | flashback | on screen music | source music | waltz |
Death of a Scoundrel (1956) | Waltz 2 | 1:02:27 - Bridget talks with a rich man at the party | dancing | flashback | on screen music | source music | waltz |
Death of a Scoundrel (1956) | Waltz 3 | 1:03:04 - Stephanie (Mrs. Ryan's secretary) joins the party | dancing | flashback | on screen music | source music | waltz |
| Flamingo Road (1949) | Lute Mae | 0:01:26 - Lute Mae's Roadhouse | 13th chord | added-note chord | altered dominant | bluesy | club | countermelody | dancing | eating | establish setting | musician | on-screen music | playing | self-borrowing | simulated source music | voice-over |
Flamingo Road (1949) | Vision of Salome | 0:02:12 - Exotic dancers | announcing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music |
Flamingo Road (1949) | Arabian Riff | 0:02:36 - Exotic dancers | announcing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | If I Could Be With You | 0:26:58 - People gamble and dance | club | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music |
Flamingo Road (1949) | Jalousie | 0:46:06 - Woman dances | club | conversing | dance scene | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | Through a Thousand Dreams | 0:56:41 - The Olympic City hotel | club | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | If I Could Be With You | 0:59:52 - A woman sings with the dance band | club | conversing | dance scene | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife |
Flamingo Road (1949) | The Girl With the Spanish Drawl | 1:29:10 - Lane arrives at Lute Mae's | arriving | climax | club | dancer | dancing | leading lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat |
| Hell on Frisco Bay (1955) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:40:24 - A dance hall | advance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat |
| Her Kind of Man (1946) | Night Clubs | 0:01:12 - Montage of night clubs | bar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over |
Her Kind of Man (1946) | You Do Something to Me | 0:02:52 - A night club | AABA structure | celebrating | club | conversing | dancing | establish character | flashback | mickey-mousing | on-screen music | playing | popular music | ripple effect | source music | upbeat | working |
Her Kind of Man (1946) | Something to Remember You By | 0:06:59 - Floor show at a night club | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Sailor's Hornpipe | 0:07:02 - Dancing sailors | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:07:16 - Georgia enters | AABA structure | club | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:08:02 - Georgia sings | AABA structure | club | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage |
Her Kind of Man (1946) | Lady Play Your Mandolin | 0:11:03 - Audience applauding | AABA structure | applauding | applauding | club | crowd | dancing | leading man | music scene | popular music | source music | upbeat |
Her Kind of Man (1946) | Can't We Talk It Over | 0:45:42 - Georgia and Don in a photograph | advance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter |
Her Kind of Man (1946) | Please Don't Talk About Me When I'm Gone | 0:46:03 - Steve dances with a girl | AABA structure | advance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat |
| In This Our Life (1942) | South American Way | 0:24:06 - A spinning record | AABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Java Jive | 0:32:41 - A dance hall | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | This Time the Dream's on Me | 0:33:03 - Stanley and Peter sit at a table | AABA structure | conversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | Uncle Fitzroy | 1:04:26 - Uncle Fitzroy talks to Stanley | augmented sixth chord | conflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | whole-tone chord | widow |
In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
| The Letter (1940) | Foxtrot No.1 C | 1:21:36 - Leslie goes to the party | added-note chord | altered dominant | calm | conversing | dance music | dancing | foreign key modulation | foxtrot | friend | leading lady | party | party | plagal cadence | source music |
The Letter (1940) | Foxtrot No. 2 | 1:22:12 - Leslie joins the party | 9th chord | AABA structure | altered dominant | conversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | pump-up modulation | secondary dominant | source music |
| Lightning Strikes Twice (1951) | Chiapanecas | 0:33:40 - People dancing outside | actor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat |
Lightning Strikes Twice (1951) | Mi Caballero | 1:00:08 - People dancing outside | actor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat |
| Mildred Pierce (1945) | Waltz Brillante | 0:26:39 - Veda plays the piano | advance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz |
Mildred Pierce (1945) | Ballet Lesson | 0:37:25 - Kay dances | 9th chord | 11th chord | ballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over |
Mildred Pierce (1945) | South American Way | 0:37:36 - Veda sings and plays while Kay dances | child | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | sequence | singing | source music | upbeat |
Mildred Pierce (1945) | Please Think of Me | 1:01:54 - Monte dances with Veda | antagonist | celebrating | dance scene | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat |
Mildred Pierce (1945) | How Sweet You Are | 1:08:28 - Veda dances at a club | ABAB structure | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music |
Mildred Pierce (1945) | Oceana Roll | 1:27:46 - Veda sings at a restaurant | advance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music |
| The Life of Vergie Winters (1934) | London Bridge is Falling Down | 0:03:31 - Children dancing in a circle | cheerful | child | children's song | dancing | establish setting | parallelism | park | pedal tone | playing |
The Life of Vergie Winters (1934) | Yankee Doodle | 0:03:37 - Children playing | 64 chord | cheerful | child | children's song | dancing | direct modulation | establish place | establish setting | flashback | park | playing | wipe |
The Life of Vergie Winters (1934) | Kuckuck, Kuckuck | 0:03:43 - An old car drives by | cheerful | child | children's song | common-chord modulation | dancing | establish setting | establish time | park | playing |
| Rockabye (1932) | Till the Real Thing Comes My Way | 0:33:55 - Judy at the party | advance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:39:24 - Judy sings a song | AABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat |
| Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | ABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | AABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
| Kid Galahad (1937) | Swing for Sale | 0:04:26 - Dancing at a party | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 1 | 0:08:50 - People at a party | blues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | The Prizefighter and the Lady | 0:09:36 - Ward helps Louise | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 2 | 0:13:24 - People dance at a party | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | Sand In My Shoes | 1:10:15 - Ward, Marie, and Louise talk in the club | advance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear |
| Traveling Husbands (1931) | Someone | 0:16:31 - Music is played in a hotel ballroom | advance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Strings) | 0:23:03 - Music is played in a night club | AABA structure | comment on score | dance scene | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | Dance | 0:26:27 - Music is played in a night club | AB structure | dance scene | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Jazz) | 0:32:29 - Music is played on the radio | altered dominant | comedy | comment on score | dancing | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Dance Band) | 0:32:46 - Music is played on the radio | AABA structure | chromatic mediant | comedy | comment on score | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Dixieland) | 0:34:27 - Music is played in a night club | banjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Hello Beautiful | 0:35:04 - Music is played in a taxi | AABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Millie | 0:35:09 - Hot jazz is played in a night club | AABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:35:46 - Music is played on the radio | AABA structure | advance plot | Arabian | comment on score | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:38:56 - Music is played on the radio | advance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Ring Around the Rosy | 1:09:30 - Men sing and dance | children's song | dancing | exciting | leading lady | leading man | on-screen music | resolution | room | salesman | singing | source music | transcribed by ear |
| Three Who Loved (1931) | My One Ambition is You | 0:14:21 - Phil turns on the radio | AB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat |
| Transgression (1931) | Igualada | 0:23:20 - Elsie and Don Arturo talking | calm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango |
Transgression (1931) | Igualada | 0:24:58 - Elsie and Don Arturo dancing | calm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango |
Transgression (1931) | There's a Sob In My Heart (Ballroom) | 0:28:18 - Robert arrives at the party | AABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music |
| Hold ‘Em Jail (1932) | There's a Sob in My Heart | 0:05:14 - People dancing in a night club | AABA structure | business man | cheerful | club | conversing | dance scene | dancing | dining | reused recording | upbeat |
Hold ‘Em Jail (1932) | Makes You Forget Your Troubles | 0:11:18 - Spider and Curley talk to Steele | AABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat |
Hold ‘Em Jail (1932) | I'm Wrapped Up in You | 0:18:18 - Spider dances with Violet | advance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
| Ladies of the Jury (1932) | There's a Sob in My Heart (Radio) | 0:45:27 - Jurors deliberate | AABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music |
| State’s Attorney (1932) | Na Moku Eha | 0:01:19 - Hula dancer | cheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music |
State’s Attorney (1932) | Blues (Swinging) | 0:43:46 - Jazz musicians playing in a club | club | conversing | dancing | daughter | jazz | lawyer | leading man | love interest | music scene | on-screen music | source music | upbeat |
| The Roadhouse Murder (1932) | Lady With a Past Fox Trot | 0:35:34 - Chick and Mary talking | AABA structure | cheerful | conversing | dancing | diner | girlfriend | leading lady | leading man | love scene | on-screen music | reporter | romantic | self-borrowing | source music |
| Dangerous Corner (1934) | Won't You Believe | 1:03:30 - A man adjusts the radio | AABA structure | alternate timeline | conversing | dancing | drinking | friend | popular music | radio | resolution | room | source music | upbeat |
| Sing and Like It (1934) | O Du Lieber Augustin | 0:09:09 - Annie and Oswald go in the theatre door | AABA structure | ballad | dancer | dancing | musician | music scene | on-screen music | piano | source music | stage | upbeat |
Sing and Like It (1934) | Hi-De-Ho | 0:37:46 - Fenny talks with Mr. Frink | AABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat |
Sing and Like It (1934) | Hi-De-Ho | 1:01:43 - The audience | AABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother | 1:04:54 - A man conducts the pit orchestra | AABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
| Girl of the Rio (1932) | Was it Wrong? | 0:15:41 - Johnny rolls a pair of dice | conversing | crowd | dancing | flirting | leading lady | leading man | love interest | lovers meet | night club | on-screen music | performing | romantic | singer | source music | syncopation | terrace | upbeat |
Girl of the Rio (1932) | Baile | 0:23:15 - A close-up on Dolores | advance plot | conversing | dancing | departing | leading lady | manager | on-screen music | performing | room | singer | source music | upbeat |
| Caged (1950) | Bird in a Cage | 1:08:07 - Woman plays harmonica | advance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden |
| Half Shot at Sunrise (1930) | Whistling the Blues Away | 0:21:44 - Tommy and Annette sing to each other | AABA structure | car | dancing | leading lady | leading man | love interest | on-screen music | playful | singing | soldier | song and dance scene | source music | street | whistling |
Half Shot at Sunrise (1930) | Whistling the Blues Away (Waltz) | 0:27:06 - Tommy, Annette, and Gilbert dance | car | countermelody | dancing | dramatic | leading lady | leading man | love interest | park | soldier | song and dance scene | source to score | waltz |
Half Shot at Sunrise (1930) | Doorman Dance | 0:42:01 - Dancers come on stage | dancer | dance scene | dancing | fanfare | marching | night club | source music | upbeat |
Half Shot at Sunrise (1930) | Whistling the Blues Away (Dancing) | 0:42:55 - Dancers dancing | dancer | dance scene | dancing | night club | score to source | source music | upbeat |
Half Shot at Sunrise (1930) | Domino Dance | 0:43:38 - Dancers dancing | chromatic mediant | dancer | dance scene | dancing | fanfare | night club | source music | upbeat |
| Hook, Line and Sinker (1930) | Whistling the Blues Away | 0:47:03 - People dancing at a party | AABA structure | ballroom | conversing | dancing | jazz | leading man | party | party | performing | upbeat |
Hook, Line and Sinker (1930) | Three Little Words | 0:56:38 - Wilbur and Mary talk | AABA structure | cash register | conversing | dancing | hotel | jazz | leading lady | leading man | love scene | party | performing | storm | upbeat |
| Half Shot at Sunrise (1930) | Whistling the Blues Away (Dancing) | 0:43:54 - Dancers dancing | dancer | dance scene | dancing | marching | night club | source music | upbeat |
Half Shot at Sunrise (1930) | Springtime of Love | 1:03:49 - Gilbert and Olga dance | ABAC structure | comical | dancing | fountain | garden | leading man | love interest | romantic | singing | song and dance scene |
Half Shot at Sunrise (1930) | Springtime of Love (Dancing) | 1:05:24 - Gilbert and Olga dance | dancing | fountain | garden | leading man | love interest | meter change | song and dance scene | upbeat |
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