| All This, and Heaven Too (1940) | Creeping | 1:25:02 - A stranger approaches | child | create suspense | creeping | duke | forest | governess | leading lady | leading man | mickey-mousing | scary | sneaking | spooky |
| The Amazing Dr. Clitterhouse (1938) | Una Voce Poco Fa | 0:00:54 - A woman plays the piano | calm | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief |
The Amazing Dr. Clitterhouse (1938) | The Last Rose of Summer | 0:03:14 - A woman sings | calm | doctor | folk song | Irish | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief |
The Amazing Dr. Clitterhouse (1938) | Sneaking | 0:45:13 - Criminals steal furs | ascending | carrying | chromatic parallelism | crime | criminal | diminished 7th chord | dissonant bass | gangster | pedal tone | robbery | sneaking | sneaky | stairs | stealing | store | thief | walking |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Mysterious) | 0:45:26 - Criminals on the rooftop | 42 chord | carrying | chromatic parallelism | chromatic scale | crime | criminal | dissonant bass | gangster | half-diminished 7th chord | mysterious | robbery | rooftop | sneaking | sneaky | stairs | stealing | thief | tossing | underscoring | walking | whole-tone |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief |
| Angels With Dirty Faces (1938) | Bootlegging | 0:06:46 - Bootlegging liquor | alcohol | boat | dock | establish character | gangster | leading man | mickey-mousing | montage | sneaking | sneaky |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 0:40:50 - Gangsters shoot their own man in phone booth | chromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange |
Angels With Dirty Faces (1938) | Sneaking away | 0:41:02 - Rocky sneaks away | conflict | diminished 7th chord | gangster | leading man | mickey-mousing | shop | sneaking | tense |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 1:16:29 - Rocky shoots Mac and Frazier | agitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring |
Angels With Dirty Faces (1938) | Breaking in | 1:18:11 - Rocky enters the building | conflict | down | gangster | jumping | landing | leading man | mickey-mousing | room | sneaking | sneaky |
| Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:54:30 - Jonathan goes up the stairs | advance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | underscoring | walking |
Arsenic and Old Lace (1944) | Happy Land (Dirge) | 0:54:54 - Teddy looks for the body in the dark | advance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | room | sneaking | tense | walking |
Arsenic and Old Lace (1944) | Underscoring (Dark) | 0:56:27 - Einstein looks around in the dark | advance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:58:10 - Someone knocks at the door | advance plot | brother | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | room | sneaking | tense | underscoring |
Arsenic and Old Lace (1944) | Here Comes the Bride (Tense) | 0:58:28 - Elaine comes in the door | advance plot | bride | calling | darkness | entering | familiar tune | leading lady | room | sneaking | tense |
Arsenic and Old Lace (1944) | Scar (Tense) | 0:58:39 - Close-up on Dr. Einstein's face | advance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | leading lady | leading man | murderer | room | sneaking | tense |
| The Big Sleep (1946) | Marlowe (Sneaking) | 0:28:16 - Marlowe investigates the crime scene | dark | investigating | investigation scene | leading man | mysterious | private eye | room | sneaking | tritone |
The Big Sleep (1946) | Jones (Eavesdropping) | 1:27:22 - Marlowe hears Jones talking to someone | eavesdropping | hallway | investigation scene | leading man | mysterious | private eye | sneaking | tense |
The Big Sleep (1946) | Underscoring (Tense) | 1:41:55 - Thug looks for Marlowe | action scene | criminal | outside | sneaking | tense | underscoring |
The Big Sleep (1946) | Marlowe (Misterioso) | 1:48:55 - Marlowe sneaks up behind Mars | climax | criminal | fear | hiding | leading man | mysterious | private eye | room | sneaking | tense |
The Big Sleep (1946) | Marlowe 2 | 1:49:05 - Marlowe holds a gun on Mars | climax | criminal | fear | leading man | mysterious | ominous | private eye | room | sneaking | tense |
| City for Conquest (1940) | Shadow Waltz (Ethereal) | 0:24:48 - Peggy peeks out of her door | advance plot | arriving | entering | gentle | leading lady | mysterious | room | sneaking | source to score |
| Crime School (1938) | Underscoring (Mysterious) | 0:09:53 - Frankie sneaks in the house | concern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale |
Crime School (1938) | Escaping | 0:28:32 - Frankie runs and hides | chromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster |
Crime School (1938) | Searchlights (Sneaking) | 0:28:47 - Frankies hides from the searchlight | chromatic parallelism | dramatic | escape | escaping | hiding | jumping | mickey-mousing | police | reformatory | running | searchlight | sneaking | teenager | tense |
Crime School (1938) | The Escape | 1:12:03 - Boys escape | down | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager | whole-tone chord |
Crime School (1938) | Jumping down | 1:12:03 - Boys jump out of the window | diminished 7th chord | down | escape | escaping | gang | half-diminished 7th chord | jumping | mickey-mousing | mysterious | reformatory | sneaking | teenager |
Crime School (1938) | Underscoring (Mysterious) | 1:12:35 - The boys walk through the city | escape | gang | mysterious | pedal tone | plotting | sneaking | street | teenager | tense |
Crime School (1938) | Sue (Sneaky) | 1:13:28 - Frankie sneaks in with his gun | breaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense |
| They Made Me a Criminal (1939) | Underscoring (Mysterious) | 0:23:21 - Men at the diner stand up | added-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord |
They Made Me a Criminal (1939) | The Fugitive (Leaving) | 0:29:45 - Johnnie prepares to leaves | conflict | foreign key modulation | leading man | ranch | room | sneaking | yearning |
They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:30:01 - Johnnie sneaks away | 64 chord | conflict | dramatic | leading man | mysterious | ranch | sneaking |
| Each Dawn I Die (1939) | Creeping | 0:04:47 - Two men sneak up behind Frank | chromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking |
| The FBI Story (1959) | The Bureau (Surveillance) | 2:10:25 - Communist works down a dark alley | communist | FBI | flashback | mysterious | sneaking |
| Hell on Frisco Bay (1955) | Sneaking and following | 0:58:30 - Bessie sneaks away | chase scene | conductor score | descending | floozy | following | hiding | investigator | leading man | mysterious | sneaking | street | tense |
| I Was a Communist for the FBI (1951) | Down the stairs | 0:57:47 - Eve sneaks down the stairs | down | downstairs | mickey-mousing | sneaking |
I Was a Communist for the FBI (1951) | Undercover Agent (Sneaking) | 0:57:54 - Matt and Eve see the commie agents | agent | main title | sneaking | tritone |
I Was a Communist for the FBI (1951) | Undercover Agent (Marcia) | 0:58:12 - The communist agents go upstairs | agent | main title | sneaking | tritone | up | upstairs |
I Was a Communist for the FBI (1951) | Sneaking | 0:58:53 - The communist agents search the room | communist | sneaking |
| In This Our Life (1942) | Stanley | 1:09:49 - Policemen enter the house | arriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching |
In This Our Life (1942) | Love Theme (Gentle) | 1:27:58 - Roy talks to Craig | accusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender |
| The Informer (1935) | Blood Money (Ostinato) | 1:27:32 - Rebels come to capture Gypo | antagonist | climax | leading man | mysterious | ostinato | rebel | room | sneaking | tense | traitor | whispering |
| Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | death | dramatic | escaping | friend | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | worrying |
Mildred Pierce (1945) | Wally sneaks | 0:10:37 - Wally sneaks down the hall | action scene | friend | mickey-mousing | room | sneaking | tense | victim |
| We Are Not Alone (1939) | Surprise Symphony (Sneaky) | 0:51:52 - David goes to bed | added-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber |
| White Heat (1949) | Underscoring (Tense) | 1:13:51 - Verna sneaks out of her bedroom | sneaking | tense | underscoring |
White Heat (1949) | Underscoring (Tense) | 1:14:13 - Verna looks for a way out | sneaking | tense | underscoring |
White Heat (1949) | Underscoring (Mysterious) | 1:16:51 - Cody and Verna enter the house and prepare to trick Big Ed | mysterious | sneaking | tense | underscoring |
| The Public Defender (1931) | Mystery (Sandwich) | 0:15:25 - A mysterious hand puts a secret note in a sandwich | advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear |
