| Are These Our Children? (1931) | RKO Tower | 0:00:00 - RKO logo | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Are These Our Children? (1931) | Dreams (Whistling) | 0:03:29 - Eddie walks home | cheerful | establish character | gentle | leading man | love scene | on-screen music | score to source | source and scoring overlap | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Dreams (Whistling 2) | 0:03:59 - Eddie walks home | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Dreams (Marcia Maestoso) | 0:08:58 - Eddie dreams | applauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant |
Are These Our Children? (1931) | Dreams (Comical) | 0:09:17 - Eddie's dream ends abruptly | comical | double exposure | dream sequence | explosion | laughing | leading man | montage | student | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Flo Sings) | 0:17:20 - Flo sings | advance plot | cheerful | dance hall | love interest | on-screen music | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:18:46 - Eddie whistles on his way home | cheerful | leading man | on-screen music | source music | street | transcribed by ear | transition | walking | whistling |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:13 - Eddie sings to himself | cheerful | leading man | on-screen music | singing | source music | street | transcribed by ear | transition | walking |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:30 - Eddie arrives home | advance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:20:44 - Eddie eats | advance plot | cheerful | eating | humming | leading man | on-screen music | room | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:23:11 - Eddie walks away | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Introduction | 0:24:14 - Boys in the washroom | advance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear |
Are These Our Children? (1931) | Dreams (Washroom Sequence) | 0:24:25 - Eddie talks with his friends | advance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear |
Are These Our Children? (1931) | Moonbeams (Dream Sequence) | 0:27:23 - Eddie takes Flo home | added-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz |
Are These Our Children? (1931) | Dreams (Dream Sequence) | 0:27:44 - Time passes | double exposure | dream sequence | fragmentation | hectic | montage | transcribed by ear |
Are These Our Children? (1931) | Dreams (Dream Sequence 2) | 0:27:51 - Time passes | double exposure | dream sequence | hectic | montage | pedal tone | transcribed by ear |
| Arsenic and Old Lace (1944) | Happy Land (March) | 1:57:20 - Cast list | cast list | countermelody | end title sequence | transcribed by ear | upbeat |
| The Breaking Point (1950) | Fishermen | 0:07:40 - Ship leaving the harbor | boat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat |
| His Greatest Gamble (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
His Greatest Gamble (1934) | Morning Glory Fanfare | 0:00:12 - Title of film; starring list | fanfare | noble | opening title sequence | pedal tone | starring list | title of film | transcribed by ear |
His Greatest Gamble (1934) | Morning Glory Waltz | 0:00:28 - Cast list | cast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz |
His Greatest Gamble (1934) | Bavardage | 0:01:10 - The beach | AABA structure | beach | casino | establish character | establish place | establish setting | gambler | gambling | leading man | luggage | pleasant | roulette wheel | transcribed by ear | upbeat |
His Greatest Gamble (1934) | Morning Glory Waltz (Tender) | 0:02:35 - Philip in the casino | casino | child | conversing | establish character | gentle | leading man | leaving | transcribed by ear | waltz |
His Greatest Gamble (1934) | The Chase 1 | 0:29:26 - Philip escapes from prison | augmented triad | dark | escaping | frantic | leading man | montage | montage | prisoner | sequence | train | transcribed by ear | traveling | whole-tone scale |
His Greatest Gamble (1934) | The Chase 2 | 0:29:44 - Montage of Philip's escape | boat | dark | frantic | leading man | montage | montage | parallelism | prisoner | transcribed by ear | traveling |
His Greatest Gamble (1934) | Morning Glory Waltz (Radio) | 0:57:06 - Philip talks with Alice | 9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking |
His Greatest Gamble (1934) | Morning Glory Waltz (The End) | 1:10:18 - Philip leaves | detective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz |
His Greatest Gamble (1934) | Morning Glory Fanfare (The End) | 1:10:32 - The End | bold | end title sequence | fanfare | The End | transcribed by ear | triumphant |
| City for Conquest (1940) | Scales | 0:09:16 - Danny and Peggy go upstairs | arguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:10:50 - Eddie plays the piano | brother | composer | conversing | establish character | leading man | musician | piano | playing | romantic | room | score to source | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Very Broad) | 0:12:16 - Eddie plays the piano | 13th chord | brother | chromatic parallelism | chromatic scale | composer | conversing | describing | dissonant bass | establish character | explaining | leading man | musician | name of film | pentatonic | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Unattainable Stars) | 0:12:37 - Eddie plays the piano | brother | chromatic parallelism | composer | conversing | describing | establish character | explaining | leading man | musician | piano | playing | romantic | room | somber | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:13:03 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | brother | common-chord modulation | composer | conversing | deceptive resolution | establish character | leading man | musician | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Fanfare | 0:22:58 - A trophy is brought out | award | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat |
City for Conquest (1940) | Tone Poem A | 0:27:25 - Eddie composes at the piano | advance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:27:40 - Eddie plays the piano | 13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:27:59 - Eddie plays the piano | 9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Headlines) | 0:38:25 - Sports news headlines | 9th chord | bold | fanfare | headline | montage | newspaper | transcribed by ear |
City for Conquest (1940) | Tone Poem A + Sidewalks of New York | 0:38:31 - Traveling montage | combination of themes | double exposure | gentle | montage | train | transcribed by ear | traveling |
City for Conquest (1940) | Tone Poem A (Knock Out) | 0:38:33 - Montage of boxing scenes | boxing | boxing ring | common-chord modulation | double exposure | falling | march | mickey-mousing | mode mixture | montage | transcribed by ear | triumphant |
City for Conquest (1940) | Shadow Waltz (Dancing) | 0:38:57 - Montage of dancing scenes | added-note chord | altered dominant | augmented triad | dancing | double exposure | gentle | montage | shadow | stage | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Main Event) | 0:39:01 - Montage of boxing scenes | boxing ring | double exposure | linear chromaticism | montage | poster | transcribed by ear | triumphant |
City for Conquest (1940) | Burns and Company | 0:39:06 - Montage of dancing scenes | added-note chord | dance band | dancing | double exposure | headline | montage | newspaper | shadow | stage | transcribed by ear | upbeat |
City for Conquest (1940) | Tone Poem A (Resolution) | 0:39:10 - Montage of boxing scenes | 9th chord | added-note chord | boxing ring | chromatic mediant | double exposure | foreign key modulation | headline | montage | newspaper | resolution | transcribed by ear | triumphant |
City for Conquest (1940) | Tone Poem A | 0:42:10 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (The Song of the City) | 1:23:05 - Eddie plays the piano | 9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim |
City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| Deep Valley (1947) | Underscoring (Dramatic) | 1:37:57 - Jeff gets up and looks around | car | climax | climbing | convict | dramatic | fleeing | fugitive | leading man | love interest | mickey-mousing | police | searching | street | transcribed by ear | underscoring |
Deep Valley (1947) | Fleeing | 1:38:08 - Barry makes a run for it | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading lady | leading man | love interest | mickey-mousing | police | running | shooting | transcribed by ear |
Deep Valley (1947) | Barry (Not in Score) | 1:38:32 - The posse chases after Barry | chasing | climax | convict | dramatic | fleeing | forest | fugitive | leading man | love interest | police | running | shooting | tense | transcribed by ear |
| Hell on Frisco Bay (1955) | Menace | 0:04:31 - Steve gets off the bus | dark | departing | detective | dock | establish setting | friend | leading man | menacing | transcribed by ear | worker |
Hell on Frisco Bay (1955) | Steve (Investigating) | 0:04:44 - Fishermen on the dock | detective | dock | establish setting | hopeful | leading man | noble | transcribed by ear | wandering | worker |
Hell on Frisco Bay (1955) | Menace (Boats) | 0:05:06 - Steve sees some boats | dark | detective | dock | establish setting | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Menace 2 (Boats) | 0:05:12 - Steve looks at the boats | brash | dark | detective | dock | establish setting | leading man | transcribed by ear | wandering |
Hell on Frisco Bay (1955) | Steve (Wandering) | 0:05:25 - Steve wanders the dock | detective | dock | entering | establish setting | hopeful | leading man | mysterious | noble | transcribed by ear | worker |
Hell on Frisco Bay (1955) | Headline | 0:38:23 - Newspaper headline | advance plot | body | brash | dark | death | dock | headline | newspaper | stinger | transcribed by ear | violence |
| Her Kind of Man (1946) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | transcribed by ear | WB shield |
Her Kind of Man (1946) | It Had to Be You (Transition) | 0:00:08 - Starring list | bold | cards | dramatic | gambling | opening title sequence | poker | starring list | transcribed by ear | transition |
| The Informer (1935) | RKO Tower | 0:00:02 - RKO radio tower | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
The Informer (1935) | Katie (Gypo is Drunk) | 0:46:36 - Gypo tells the rebel about "somebody waiting for me" | advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking |
The Informer (1935) | He Is Me Darling-O | 0:47:03 - Gypo and another man sing drunkenly | advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking |
The Informer (1935) | Katie (Poster) | 0:47:58 - Gypo looks at the America poster | advance plot | antagonist | leading man | pondering | poster | sentimental | street | transcribed by ear |
The Informer (1935) | Katie (Mistaken Identity) | 0:52:34 - Gypo thinks he sees Katie, but it's someone else | advance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear |
| The Life of Vergie Winters (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
The Life of Vergie Winters (1934) | Lullaby (Not in Score) | 0:32:18 - Vergie and John look at a baby picture | AABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear |
The Life of Vergie Winters (1934) | Old Lavender | 1:00:07 - Joan and Ranny talk | 9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear |
The Life of Vergie Winters (1934) | Here Comes the Bride | 1:00:46 - Joan and Ranny talk about marriage | common-chord modulation | conversing | daughter | familiar tune | gentle | love interest | love scene | peaceful | proposal | proposing | romantic | room | transcribed by ear |
The Life of Vergie Winters (1934) | Lullaby (Clarinet Solo) | 1:00:58 - John and Laura talk about Joan | added-note chord | conflict | conversing | dramatic | gentle | leading man | peaceful | room | stinger | transcribed by ear | wife |
The Life of Vergie Winters (1934) | Lullaby (Agitated) | 1:01:27 - John and Laura argue about Joan | agitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife |
The Life of Vergie Winters (1934) | A Boy and a Girl | 1:07:00 - John and Vergie listen to the radio | advance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear |
The Life of Vergie Winters (1934) | Lullaby + Here Comes the Bride | 1:10:07 - Vergie imagines the wedding | added-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music |
| Rockabye (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:06:06 - Goff looks around the restaurant | chef | criminal | dark | establish character | leading man | restaurant | sneaking | transcribed by ear |
Out of the Fog (1941) | Stella Runs | 0:11:35 - Stella runs out of the restaurant | boyfriend | criminal | departing | dock | emotional | establish character | evaded cadence | leading lady | leading man | restaurant | running | transcribed by ear | watching |
Out of the Fog (1941) | Stella and George | 0:11:54 - George talks to Stella | AABA structure | arguing | boyfriend | conversing | dock | establish character | leading lady | romantic | transcribed by ear |
Out of the Fog (1941) | Stella and George (Tender) | 0:13:24 - George talks to Stella | boyfriend | conversing | crying | departing | dock | establish character | evaded cadence | leading lady | tender | transcribed by ear |
Out of the Fog (1941) | Fishing | 0:13:46 - Catching a fish | advance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear |
| Kid Galahad (1937) | Swing for Sale | 0:04:26 - Dancing at a party | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | The Ring | 0:06:38 - People at a party | AABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 1 | 0:08:50 - People at a party | blues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | The Prizefighter and the Lady | 0:09:36 - Ward helps Louise | AABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat |
Kid Galahad (1937) | Stride Piano Improvisation 2 | 0:13:24 - People dance at a party | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat |
Kid Galahad (1937) | City Fanfare | 0:32:24 - Bright lights of the city | advance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear |
Kid Galahad (1937) | New York Scene | 0:32:31 - Ward and Louise ride in a taxi | advance plot | driving | hurried | not by Steiner | street | transcribed by ear |
Kid Galahad (1937) | The Escape | 0:33:23 - Nick punches man on street | advance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Yearning) | 0:44:11 - Ward and Nick leave the farm | advance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture |
Kid Galahad (1937) | Yearning | 0:48:47 - Marie speaks with her mother | advance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning |
Kid Galahad (1937) | Heart's Affair | 0:49:16 - Marie speaks with her mother | advance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning |
Kid Galahad (1937) | The Moon Is In Tears Tonight (The Kid) | 0:50:05 - Louise looks at her Kid Galahad scrapbook | advance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear |
Kid Galahad (1937) | The Moon Is In Tears Tonight (Love's Sorrow) | 0:53:05 - Ward professes his love for Marie | conversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear |
Kid Galahad (1937) | The Split Up | 0:56:59 - Louise and Nick break up | appoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear |
Kid Galahad (1937) | The Moon Is In Tears Tonight (Tender) | 0:57:14 - Louise thinks of Ward | conversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear |
Kid Galahad (1937) | The Split Up | 0:57:45 - Louise says goodbye to Nick | appoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Arriving) | 0:58:30 - A newspaper headline | arriving | countermelody | farm | leading man | love scene | mode mixture | newspaper | playful | reading | sister | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Kiss) | 0:58:47 - Ward talks to Marie | AABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear |
Kid Galahad (1937) | The Moon Is in Tears Tonight | 1:08:40 - Louise sings in a night club | leading lady | music scene | night club | on-screen music | playing music | sentimental | singing | source music | transcribed by ear |
Kid Galahad (1937) | Sand In My Shoes | 1:10:15 - Ward, Marie, and Louise talk in the club | advance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear |
Kid Galahad (1937) | Green Lady | 1:12:08 - Ward, Marie, and Louise talk in the club | advance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear |
Kid Galahad (1937) | Doublecross | 1:15:33 - Nick reads a newspaper headline | advance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Trouble) | 1:15:53 - Ward talks to Marie at the farm | advance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear |
Kid Galahad (1937) | Doublecross (Heated) | 1:16:02 - Nick arrives at the farm | advance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear |
Kid Galahad (1937) | Doublecross (Entanglements) | 1:17:24 - Nick falls to the ground | advance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear |
| Traveling Husbands (1931) | There's a Sob in My Heart | 0:00:00 - A rushing train under the opening credits | AABA structure | opening title sequence | popular song | syncopation | train | transcribed by ear | traveling | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Whistling) | 0:01:25 - A man whistles on a train | cheerful | comment on score | establish character | on-screen music | popular song | salesman | source music | train | train | transcribed by ear | whistling |
Traveling Husbands (1931) | There's a Sob in My Heart (Singing) | 0:01:44 - A man sings on a train | cheerful | comment on score | establish character | on-screen music | popular song | salesman | singing | source music | train | train | transcribed by ear |
Traveling Husbands (1931) | Someone | 0:16:31 - Music is played in a hotel ballroom | advance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Bicycle Built for Two | 0:20:51 - Music is played in a bar room | AABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | Sidewalks of New York | 0:21:01 - Music is played in a bar room | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Strings) | 0:23:03 - Music is played in a night club | AABA structure | comment on score | dance scene | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | Dance | 0:26:27 - Music is played in a night club | AB structure | dance scene | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Duet) | 0:28:54 - Two lovers sing in a hotel room | AABA structure | comedy | comment on score | love | popular song | romantic | room | salesman | singing | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Waltz) | 0:32:02 - Music is played on the radio | comedy | comment on score | listening | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Jazz) | 0:32:29 - Music is played on the radio | altered dominant | comedy | comment on score | dancing | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Radio Dance Band) | 0:32:46 - Music is played on the radio | AABA structure | chromatic mediant | comedy | comment on score | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Dixieland) | 0:34:27 - Music is played in a night club | banjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Hello Beautiful | 0:35:04 - Music is played in a taxi | AABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | Millie | 0:35:09 - Hot jazz is played in a night club | AABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:35:46 - Music is played on the radio | AABA structure | advance plot | Arabian | comment on score | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:38:56 - Music is played on the radio | advance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Chimes | 0:49:36 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
Traveling Husbands (1931) | Chimes 2 | 0:51:50 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
Traveling Husbands (1931) | There's a Sob in My Heart (Slow Waltz) | 0:57:47 - Music is played on the radio | AABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Ring Around the Rosy | 1:09:30 - Men sing and dance | children's song | dancing | exciting | leading lady | leading man | on-screen music | resolution | room | salesman | singing | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Sentimental) | 1:10:39 - People are sad as the radio plays | AABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear |
| We Are Not Alone (1939) | Frohe Botschaft (At the Piano) | 0:34:49 - Leni plays and sings | boy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear |
We Are Not Alone (1939) | Surprise Symphony (The End) | 1:51:13 - Closing credits | bold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling |
| The Woman in White (1948) | Pavan Coda | 0:01:05 - On-screen text | book | opening title sequence | transcribed by ear |
The Woman in White (1948) | Underscoring (Tense) | 1:44:06 - The countess enters | climax | conversing | criminal | dark | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife |
The Woman in White (1948) | Ann (Not in Score) | 1:44:24 - Count Fosco talks to the Countess | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife |
| High Stakes (1931) | Impish Elves | 0:00:00 - Title of film and cast list | AABA structure | cast list | cheerful | jaunty | opening title sequence | starring list | title of film | transcribed by ear |
High Stakes (1931) | Love's Old Sweet Song | 1:08:36 - End titles | calm | end title sequence | transcribed by ear |
| The Public Defender (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
The Public Defender (1931) | Public Defender | 0:00:14 - Title and balancing scales (in motion) | balancing | deceptive resolution | main title | opening title sequence | romantic | scale | sequence | starring list | transcribed by ear |
The Public Defender (1931) | Violence | 0:00:41 - Cast list and balancing scales | balancing | cast list | diminished 7th chord | dramatic | main title | opening title sequence | tense | transcribed by ear | violence |
The Public Defender (1931) | Mystery | 0:00:45 - Cast list and balancing scales | augmented triad | balancing | cast list | chromaticism | main title | mysterious | mystery | opening title sequence | pc set | transcribed by ear | whole-tone chord |
The Public Defender (1931) | Crowd thronging | 0:01:17 - A crowd pressing towards a guarded door | arguing | chromatic scale | crowd | hurried | noise | street | tense | transcribed by ear | transition |
The Public Defender (1931) | Mystery (Bank Closed) | 0:01:25 - Notice posted on the door | arguing | chromaticism | crowd | mysterious | mystery | noise | pc set | street | transcribed by ear | transition |
The Public Defender (1931) | Beautiful Thing | 0:05:58 - Dance music played at a dinner party | advance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:12:46 - Dance music played at a dinner party | ABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter |
The Public Defender (1931) | Mystery (Sandwich) | 0:15:25 - A mysterious hand puts a secret note in a sandwich | advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:15:33 - Waiter takes sandwich to man | advance plot | banker | cheerful | dance music | party | serving | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | Mystery (Note) | 0:16:14 - Man discovers mysterious note in sandwich | advance plot | augmented triad | banker | chromaticism | discovery | dramatic | eating | mysterious | mystery | party | pc set | sandwich | source and scoring overlap | transcribed by ear | waiter |
The Public Defender (1931) | An Armchair With An Armful of You | 0:16:29 - Dance music played at a dinner party | advance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | He Walked Right In, Turned Around and Walked Right Out Again | 0:30:49 - Man sings to himself as he walks away | advance plot | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
The Public Defender (1931) | Mystery (End Title) | 1:08:56 - A kiss and The End | arguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear |
| Three Who Loved (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Three Who Loved (1931) | Impromptu | 0:00:16 - Title of film, starring list, cast list | ABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Transition | 0:00:45 - Cast list | cast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Three Who Loved (1931) | Typewriter | 0:01:02 - Person typing | cheerful | opening title sequence | pleasant | transcribed by ear | typewriter | typing |
Three Who Loved (1931) | Love Dream | 1:03:22 - The End | appoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant |
| Transgression (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Transgression (1931) | Main Title | 0:00:15 - Title of film, starring list, cast list | AABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear |
Transgression (1931) | Main Title (Ending) | 1:09:15 - The End | embracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear |
| Hell’s Highway (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
Hell’s Highway (1932) | Hikin' Jerry | 0:00:14 - Main titles and newspaper headlines | call and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
Hell’s Highway (1932) | John Henry | 0:06:08 - Men working on a chain gang | advance plot | guard | on-screen music | pentatonic | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
Hell’s Highway (1932) | Willie, the Weeper | 0:13:52 - Men singing in prison | advance plot | blue note | guard | on-screen music | prison | prisoner | singing | solemn | source music | spiritual | transcribed by ear |
Hell’s Highway (1932) | The Load is Heavy | 0:17:26 - Men singing in prison | advance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
Hell’s Highway (1932) | Frankie and Johnny | 0:27:11 - Men singing in prison | advance plot | calm | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
| Hold ‘Em Jail (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Hold ‘Em Jail (1932) | The Prisoner's Song | 0:00:15 - Title of film, starring list, cast list | altered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | Bide-More Alma Mater | 0:00:46 - Cast list and prison sign | cast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat |
Hold ‘Em Jail (1932) | The Prisoner's Song | 0:01:11 - Prisoners in a prison yard | altered dominant | augmented sixth chord | cheerful | establish place | establish setting | mode mixture | prison | somber | transcribed by ear | upbeat |
| Is My Face Red? (1932) | RKO Tower | 0:00:00 - Beeping radio tower | beeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun (Introduction) | 0:00:15 - Title and cast list on placards | 9th chord | cheerful | main title | opening title sequence | parallelism | sequence | syncopation | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun | 0:00:43 - Title and cast list on placards | ABAC structure | cheerful | main title | opening title sequence | syncopation | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun (Transition) | 0:01:08 - Cast list | excited | main title | opening title sequence | pedal tone | transcribed by ear |
Is My Face Red? (1932) | Transition | 0:01:22 - Speeding truck and a door | diminished 7th chord | establish setting | mysterious | poster | street | transcribed by ear | transition |
Is My Face Red? (1932) | Keyhole | 0:01:29 - Newspaper reads "The Keyhole to the City" | establish setting | jazz | keyhole | raucous | transcribed by ear | transition |
Is My Face Red? (1932) | Keyhole (Gossip) | 0:01:35 - Man and woman argue about a newspaper story | arguing | argument | dramatic | establish setting | gossip | newspaper | room | sequence | transcribed by ear |
Is My Face Red? (1932) | Cute! | 0:01:58 - Gossip column about a gambler | altered dominant | bluesy | conversing | establish setting | gossip | newspaper | parallelism | sultry | transcribed by ear | whole-tone |
Is My Face Red? (1932) | Geraldine Tucker | 0:02:18 - Woman in the hospital | establish setting | hospital | mellow | newspaper | transcribed by ear |
Is My Face Red? (1932) | Press Club | 0:02:41 - Man serving beer in a bar | bar | bartender | establish setting | jazz | server | serving | transcribed by ear | upbeat |
Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Close to Me | 0:13:53 - William and Peggy talk in a dressing room | advance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear |
Is My Face Red? (1932) | Steam whistle | 0:15:08 - A steam whistle blows | boat | chromatic scale | mickey-mousing | polychord | steam whistle | tense | transcribed by ear | transition |
Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | I Love Thee | 0:16:08 - Two people embrace | advance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck (Argument) | 0:16:14 - Camera moves from one window to another | advance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Argument) | 0:16:24 - Two people argue | advance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Commotion) | 0:16:39 - Four people talk at once to Mildred | advance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:19:03 - Mildred talks with William | ABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
Is My Face Red? (1932) | Sidewalks of New York (Harbor) | 0:20:07 - New York City skyline | calm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling |
Is My Face Red? (1932) | Mildred Waltz | 0:20:18 - Mildred has a drink with William | ABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Sidewalks of New York (Lights) | 0:21:04 - New York City skyline | calm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition |
Is My Face Red? (1932) | Mildred Waltz (Tipsy) | 0:21:09 - Mildred is drunk | advance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Sailing 2 | 0:21:30 - Boat cuts through the waves | boat | parallelism | sailing | sailor | tense | transcribed by ear | transition | waves | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:21:43 - Mildred talks with William | advance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Hurrying | 0:22:00 - Mildred and William hurry off | advance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
Is My Face Red? (1932) | Scenes Metropolitaine | 0:43:51 - Montage of activities in the city | ABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone |
Is My Face Red? (1932) | Mildred Waltz | 0:44:47 - Mildred and William ride in a motorboat | ABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear |
Is My Face Red? (1932) | Comin' Thro' the Rye | 0:46:54 - A man exercises to music on a boat | advance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear |
Is My Face Red? (1932) | Guilty | 0:47:40 - A radio orchestra plays on a soundstage | advance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking |
Is My Face Red? (1932) | Trysting Place, The | 0:50:25 - William talks to Peggy and Mildred | advance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear |
Is My Face Red? (1932) | You Bunch of Fun (Serious) | 1:05:05 - Cast of Characters / The End | calm | closing credits | end title sequence | popular music | The End | transcribed by ear |
| Ladies of the Jury (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Ladies of the Jury (1932) | Lady | 0:00:15 - Title of film, starring list, cast list | ABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear |
| Men of America (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Men of America (1932) | Cimarron A | 0:00:14 - Title of film and starring list | American Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear |
Men of America (1932) | Cimarron B | 0:00:43 - Cast list | cast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat |
Men of America (1932) | Cimarron C | 0:01:08 - Smokey Joe fights the Indians | ambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear |
Men of America (1932) | Cimarron B (Transition) | 0:02:19 - Smokey Joe fights the Indians | ambush | chromatic mediant | cowboy | dramatic | establish character | establish setting | fragmentation | gun | gunshot | horse | Indian | leading man | prairie | riding | self-borrowing | shooting | stagecoach | tense | title card | transcribed by ear |
Men of America (1932) | Lady with a Past Fox Trot | 0:56:42 - The End | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant |
| Penguin Pool Murder (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Penguin Pool Murder (1932) | Sidewalks of New York | 0:00:14 - New York harbor | calm | establish setting | harbor | opening title sequence | transcribed by ear |
Penguin Pool Murder (1932) | Whirlpool | 0:00:20 - Penguin in a whirlpool | chromatic scale | double exposure | hectic | opening title sequence | penguin | pool | transcribed by ear | whirling | whirlpool |
Penguin Pool Murder (1932) | Penguin Pool Murder | 0:00:23 - Main title, starring list, and cast list | cast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord |
Penguin Pool Murder (1932) | Sidewalks of New York (Aquarium) | 0:01:00 - Outside of aquarium | calm | establish setting | foreign key modulation | harbor | mysterious | setting | transcribed by ear |
Penguin Pool Murder (1932) | Penguin | 0:01:25 - A penguin | aquarium | comical | diminished 7th chord | establish setting | half-diminished 7th chord | penguin | transcribed by ear | waddling |
Penguin Pool Murder (1932) | Fish | 0:01:32 - Fish | augmented triad | chromatic parallelism | dramatic | establish setting | fish | fluttering | stinger | transcribed by ear | underwater | whole-tone chord |
Penguin Pool Murder (1932) | Sea Creatures | 0:01:39 - A shark, an octopus, and a fish | establish setting | fish | mysterious | octopus | shark | swimming | tense | transcribed by ear | tritone | underwater | whole-tone |
Penguin Pool Murder (1932) | Run Around | 1:01:51 - The End | 9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat |
| Secrets of the French Police (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| State’s Attorney (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
State’s Attorney (1932) | The Sidewalks of New York | 0:00:15 - Title and starring list | familiar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat |
State’s Attorney (1932) | Transition | 0:00:20 - Title and starring list | blues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues | 0:00:29 - Title and starring list, cast list | altered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues (Double Time) | 0:01:04 - Cast list | blue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Bluesy Transition | 0:01:15 - Black screen | blues | bluesy | exciting | Gershwinesque | opening title sequence | pedal tone | transcribed by ear |
State’s Attorney (1932) | Blues (The End) | 1:18:41 - The End | blue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear |
| The Phantom of Crestwood (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
The Phantom of Crestwood (1932) | Fanfare | 0:00:16 - Fade-in to a seated orchestra | announcer | broadcast | dramatic | fanfare | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Misterioso No. 1 | 0:00:21 - A radio broadcast | announcer | broadcast | mysterious | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Crestwood A | 0:01:51 - Title over the image of a dark seascape | diminished 7th chord | mickey-mousing | mysterious | opening title sequence | title of film | transcribed by ear |
The Phantom of Crestwood (1932) | Crestwood B | 0:02:08 - Title and Cast list | cast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear |
The Phantom of Crestwood (1932) | Crestwood C | 0:02:18 - Cast list and the first scene | cast list | Lydian mode | mysterious | opening title sequence | parallelism | transcribed by ear |
The Phantom of Crestwood (1932) | I'm Wrapped Up in You | 0:16:39 - People talk at a party | AABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Transgression | 0:18:54 - Ms. Wren descends the staircase | 9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear |
The Phantom of Crestwood (1932) | Auld Lang Syne | 0:19:50 - A man sings to himself at the party | advance plot | drinking | familiar tune | on-screen music | party | peaceful | singing | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Lady | 0:20:17 - People talk at a party | 9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear |
The Phantom of Crestwood (1932) | Sleeping Rose | 0:21:00 - People talk around the dinner table | ABA structure | advance plot | conversing | dinner | party | peaceful | radio | transcribed by ear |
The Phantom of Crestwood (1932) | Cimarron Theme | 0:23:24 - Two people look at some portraits | AABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear |
The Phantom of Crestwood (1932) | Spy Song | 1:15:20 - Cast list / The End | closing credits | end title sequence | somber | The End | transcribed by ear |
| The Roadhouse Murder (1932) | RKO Tower | 0:00:00 - RKO beeping radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Thirteen Women (1932) | RKO Tower | 0:00:00 - RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Thirteen Women (1932) | The Star | 0:00:15 - Book cover of the novel Thirteen Women | book | dark | opening title sequence | suspension | title of film | tragic | transcribed by ear |
Thirteen Women (1932) | Thirteen Women | 0:00:34 - Cast list on the pages of a book | book | cast list | common-chord modulation | funeral march | funereal | harmonic sequence | opening title sequence | relative key | somber | title of film | transcribed by ear |
Thirteen Women (1932) | Ursula | 0:01:11 - A quotation about suicide | book | chromatic mediant | dark | opening title sequence | pedal tone | psychology | tragic | transcribed by ear |
Thirteen Women (1932) | The Train | 0:01:33 - A rushing train | chromatic mediant | mickey-mousing | pedal tone | rushing | sorting | train | train | train whistle | transcribed by ear | transition | traveling | upbeat |
Thirteen Women (1932) | The Swami | 0:07:16 - The swami | Aeolian mode | antagonist | conversing | establish character | fortune | fortune teller | leading lady | parallelism | predicting | room | somber | swami | transcribed by ear |
Thirteen Women (1932) | Thirteen Women (Destiny) | 0:07:52 - Ursula talks to the swami | antagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear |
Thirteen Women (1932) | The Swami (Past Life) | 0:08:18 - The swami talks to Ursula | antagonist | chromaticism | chromatic parallelism | conversing | establish character | fortune teller | leading lady | room | somber | swami | transcribed by ear |
Thirteen Women (1932) | Ursula (Romance) | 0:08:37 - The swami kisses Ursula | antagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Horoscope) | 0:08:56 - The swami talks to Ursula | antagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | predicting | quintal chord | room | somber | swami | transcribed by ear |
Thirteen Women (1932) | Ursula (Fate) | 0:09:11 - The swami predicts Ursula's fate | antagonist | conversing | dark | establish character | fate | fortune teller | half-diminished 7th chord | leading lady | mickey-mousing | mysterious | predicting | room | somber | stinger | swami | train whistle | transcribed by ear |
Thirteen Women (1932) | The Swami (Rising Tension) | 0:09:53 - The swami shrinks from Ursula's gaze | antagonist | conversing | establish character | fate | fortune teller | leading lady | mysterious | parallelism | room | swami | tense | transcribed by ear |
Thirteen Women (1932) | Ursula (Hypnotic) | 0:10:05 - Ursula hypnotizes the swami | antagonist | diminished 7th chord | establish character | fortune teller | hypnotic | hypnotizing | leading lady | mysterious | room | seductive | sleeping | swami | transcribed by ear |
Thirteen Women (1932) | The Swami (Sleeping) | 0:10:46 - Ursula leaves the swami | antagonist | establish character | fortune teller | leading lady | mysterious | room | sleeping | swami | transcribed by ear | whole-tone | whole-tone chord |
Thirteen Women (1932) | Ursula (Horoscope) | 0:10:57 - Ursula looks at the horoscope | advance plot | antagonist | appoggiatura | horoscope | leading lady | march-like | mysterious | reading | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Agitato) | 0:11:16 - Ursula tears up the horoscope | accented dissonance | advance plot | agitated | antagonist | destroying | horoscope | leading lady | room | tearing | tense | transcribed by ear |
Thirteen Women (1932) | Ursula (Dark) | 0:11:28 - Ursula reads a horoscope | 64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:11:45 - Ursula forges the swami's signature | advance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear |
Thirteen Women (1932) | Ursula (Violent) | 0:12:29 - Newspaper headline | dramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent |
Thirteen Women (1932) | Hazel murders husband | 0:12:36 - Hazel murders her husband | double exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Dramatic Agitato | 0:12:41 - Hazel screams | augmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (Suicide) | 0:24:18 - Helen commits suicide | antagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Serenade | 0:28:11 - Jo plays the piano | advance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:32:54 - Burns enters the house | advance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Romance 2) | 0:33:10 - Burns kisses Ursula | 9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | 64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Exotic 2) | 0:33:52 - Ursula talks to Burns | advance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:34:06 - Ursula argues with Burns | advance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (The End) | 0:59:03 - Ursula jumps to her death | chromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear |
| Before Dawn (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Before Dawn (1933) | Before Dawn A | 0:00:15 - Title over the image of hands grasping money | coin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear |
Before Dawn (1933) | Before Dawn B | 0:00:32 - Title and Cast list over a skull | cast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear |
Before Dawn (1933) | Before Dawn C | 0:00:44 - Cast list over walking feet | cast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking |
Before Dawn (1933) | Wedding March | 0:59:55 - Two lovers kissing and The End | detective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant |
| Blind Adventure (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Blind Adventure (1933) | Opening Fanfare | 0:00:16 - Title of film and starring list | cast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear |
Blind Adventure (1933) | My Imaginary Sweetheart | 0:00:32 - Credits over a foggy background | AABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list |
Blind Adventure (1933) | My Imaginary Sweetheart (Coda) | 0:01:33 - View of London | calm | city | deceptive resolution | establish setting | transcribed by ear |
| Emergency Call (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Emergency Call (1933) | Fit as a Fiddle | 0:15:50 - A woman sings | advance plot | jaunty | nurse | on-screen music | popular song | singing | source music | transcribed by ear |
Emergency Call (1933) | Whistling | 1:00:04 - A commemorative sign is unveiled | advance plot | solemn | transcribed by ear | whistler | whistling |
Emergency Call (1933) | Theme from Cimarron | 1:00:41 - The end | added-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear |
| Headline Shooter (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Headline Shooter (1933) | You Bunch of Fun (Introduction) | 0:00:15 - Title and starring list over camera lens montage | 9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear |
Headline Shooter (1933) | You Bunch of Fun | 0:00:44 - Cast list over racing vehicles | ABAA structure | added-note chord | cheerful | common-tone diminished 7th | opening title sequence | reused recording | split screen | transcribed by ear | video cast list |
Headline Shooter (1933) | You Bunch of Fun (Transition) | 0:01:08 - Video cast list | augmented triad | chromatic parallelism | excited | opening title sequence | parallelism | pedal tone | reused recording | transcribed by ear | video cast list |
Headline Shooter (1933) | Transition | 0:01:23 - Video cast list | diminished 7th chord | establish setting | mysterious | poster | reused recording | street | transcribed by ear |
| Dangerous Corner (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Dangerous Corner (1934) | Introduction | 0:00:05 - Beeping RKO radio tower | opening title sequence | pedal tone | romantic | title of film | transcribed by ear |
Dangerous Corner (1934) | Finishing School | 0:00:17 - Title of the film | altered dominant | cast list | common-tone diminished 7th | mode mixture | opening title sequence | parallel double period | pedal tone | romantic | transcribed by ear |
Dangerous Corner (1934) | Finishing School B | 0:01:05 - Video snapshots of the actors | 64 chord | common-tone diminished 7th | common-tone modulation | opening title sequence | pedal tone | phrase extension | pleasant | transcribed by ear | upbeat | video cast list |
Dangerous Corner (1934) | Finishing School (Lilting) | 0:01:25 - On-screen text introducing the story | mode mixture | on-screen text | opening title sequence | pedal tone | romantic | transcribed by ear |
Dangerous Corner (1934) | Finishing School B (Playful) | 0:01:36 - Books being placed together | book | opening title sequence | pleasant | transcribed by ear | upbeat |
Dangerous Corner (1934) | Fall of the Star | 0:17:05 - Newspaper headline about a suicide | common-tone diminished 7th | dramatic | headline | montage | montage | newspaper | pedal tone | somber | transcribed by ear |
| Sing and Like It (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Sing and Like It (1934) | Introduction | 0:00:10 - Title of the film | added-note chord | foreign key modulation | introduction | jazz | opening title sequence | starring list | title of film | transcribed by ear | upbeat |
Sing and Like It (1934) | Your Mother (Opening Title) | 0:00:21 - Cast list | AABA structure | added-note chord | augmented sixth chord | cast list | jazz | mode mixture | opening title sequence | radio | room | secondary dominant | source music | transcribed by ear | upbeat |
Sing and Like It (1934) | Your Mother (Curtain Call) | 1:07:57 - The audience applauds | AABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat |
Sing and Like It (1934) | Your Mother (End Title) | 1:11:36 - The End | added-note chord | end title sequence | secondary dominant | sentimental | The End | transcribed by ear |
| Gridiron Flash (1934) | RKO Tower | 0:00:07 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Hat, Coat, and Glove (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Hat, Coat, and Glove (1934) | Transient Love | 0:00:12 - Title of film; starring list; cast list | AABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear |
Hat, Coat, and Glove (1934) | Newspaper Montage | 0:32:22 - Newspaper headlines | dark | headline | montage | newspaper | ominous | tragic | transcribed by ear | whole-tone chord | whole-tone scale |
Hat, Coat, and Glove (1934) | Wonderful | 0:39:29 - Robert tells Dorothea goodbye | 11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear |
Hat, Coat, and Glove (1934) | End Title | 1:04:02 - The End | end title sequence | The End | transcribed by ear | triumphant |
| Murder on the Blackboard (1934) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Murder on the Blackboard (1934) | Sidewalks of New York (Waltz) | 0:00:11 - Tugboats sailing under a bridge | boat | cheerful | city | establish place | establish setting | parallelism | popular song | sailing | transcribed by ear |
Murder on the Blackboard (1934) | Sidewalks of New York (Two-Step) | 0:00:17 - Buildings in New York City | cheerful | city | establish place | establish setting | linear chromaticism | popular song | transcribed by ear |
Murder on the Blackboard (1934) | Murder Fanfare | 0:00:23 - Film title zooming out from a blackboard | blackboard | dark | fanfare | opening title sequence | parallelism | pedal tone | title of film | transcribed by ear |
Murder on the Blackboard (1934) | Blackboard Murder | 0:00:31 - Title of the film and cast list | altered dominant | blackboard | dark | mysterious | opening title sequence | ostinato | transcribed by ear |
Murder on the Blackboard (1934) | Blackboard Murder (Lyrical) | 0:00:51 - Video cast list | appoggiatura | augmented triad | blackboard | opening title sequence | ostinato | pleasant | retardation | sequence | transcribed by ear | video cast list |
Murder on the Blackboard (1934) | The Janitor | 0:01:30 - A janitor gets out of bed | diminished 7th chord | dressing | establish character | janitor | mysterious | parallelism | school | transcribed by ear | waking | walking |
Murder on the Blackboard (1934) | Blackboard Murder (Mysterious) | 0:01:52 - A janitor goes about his work | establish character | janitor | mysterious | school | transcribed by ear | walking |
Murder on the Blackboard (1934) | Blackboard Murder (End Titles) | 1:10:39 - The End | added-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear |
| Star of Midnight (1935) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
Star of Midnight (1935) | Midnight in Manhattan (Fanfare) | 0:00:12 - Title of film; starring list | bold | linear chromaticism | marquee | mode mixture | opening title sequence | starring list | title of film | transcribed by ear |
Star of Midnight (1935) | Midnight in Manhattan | 0:00:34 - Cast list | added-note chord | altered dominant | cast list | chromatic scale | mode mixture | mysterious | opening title sequence | sentimental | transcribed by ear |
Star of Midnight (1935) | Rushing | 0:54:02 - Clay rushes to catch the bus | bus | detective | hurried | leading man | montage | parallelism | rushing | street | transcribed by ear |
Star of Midnight (1935) | Midnight in Manhattan (Montage) | 0:54:11 - Feet walking | bus | chromatic parallelism | fragmentation | hurried | montage | pedal tone | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Sidewalks of New York | 0:54:28 - Feet walking | bus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Midnight in Manhattan (Accelerando) | 0:54:42 - Feet walking | added-note chord | bus | chromatic parallelism | hurried | mickey-mousing | mode mixture | montage | street | transcribed by ear | traveling | walking |
Star of Midnight (1935) | Walking | 0:54:55 - Detective walking | detective | mickey-mousing | montage | street | tired | transcribed by ear | walking |
Star of Midnight (1935) | Midnight in Manhattan (The End) | 1:29:03 - The End | augmented sixth chord | end title sequence | The End | transcribed by ear | triumphant |
| Don’t Turn ‘em Loose (1936) | Crestwood A | 0:00:00 - RKO radio tower | dark | diminished 7th chord | mysterious | opening title sequence | radio tower | title of film | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Crestwood B | 0:00:17 - Cast list | cast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Crestwood C | 0:00:27 - Cast list | cast list | guard | Lydian mode | mysterious | opening title sequence | parallelism | prison | prisoner | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Mildred Waltz | 0:24:13 - Bob and Letty go for a walk | ABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz |
Don’t Turn ‘em Loose (1936) | Suicide Transition | 0:26:55 - Bob sits | augmented triad | chromatic parallelism | dissonant bass | gangster | guard | gun | gunshot | imposter | leading man | mysterious | parallelism | plotting | preparing | reading | robbery | room | sequence | shooting | store | transcribed by ear | whole-tone | whole-tone chord |
Don’t Turn ‘em Loose (1936) | Underscoring (Dramatic) | 0:28:05 - Bob shoots guard | breaking | death | dramatic | gangster | guard | gun | gunshot | imposter | leading man | murder | robbery | robbery | shooting | stealing | store | transcribed by ear | whole-tone chord |
Don’t Turn ‘em Loose (1936) | Mystery | 0:28:14 - Bob (Bat) steals a necklace | breaking | chromaticism | gangster | imposter | leading man | mysterious | necklace | pc set | robbery | robbery | room | stealing | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Suicide Transition 2 | 0:28:29 - Bob (Bat) bandanges his hand | bandaging | chromatic scale | gangster | imposter | leading man | mysterious | returning | robbery | room | transcribed by ear | whole-tone chord |
Don’t Turn ‘em Loose (1936) | Blackboard Murder (End Titles) | 1:04:52 - The End | added-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear |
| We're Only Human (1935) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
We're Only Human (1935) | Crestwood A | 0:00:13 - Title of the film | dark | diminished 7th chord | mysterious | opening title sequence | starring list | title of film | transcribed by ear |
We're Only Human (1935) | Crestwood B | 0:00:21 - Cast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear |
We're Only Human (1935) | Crestwood C | 0:00:31 - Cast list | Lydian mode | mysterious | opening title sequence | parallelism | transcribed by ear |
We're Only Human (1935) | Isn't This a Night For Love (The End) | 1:08:36 - Pete kisses Sally | 9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear |
| Another Face (1935) | Success at any Price | 0:00:00 - Beeping RKO radio tower | bold | cast list | common-chord modulation | fanfare | lyrical | opening title sequence | radio tower | RKO tower | title of film | transcribed by ear |
| The Most Dangerous Game (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| In This Our Life (1942) | Love Theme (End Title) | 1:36:17 - End title credits | cast list | cheerful | end title sequence | transcribed by ear | waltz |
| Bachelor Apartment (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| The Animal Kingdom (1932) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Christopher Strong (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Friends and Lovers (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Half Shot at Sunrise (1930) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Lucky Devils (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Too Many Cooks (1931) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
| Melody Cruise (1933) | RKO Tower | 0:00:00 - Beeping RKO radio tower | beeping | opening title sequence | radio tower | RKO tower | transcribed by ear |
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