| The Amazing Dr. Clitterhouse (1938) | Clitterhouse Onestep | 0:33:20 - Gangsters walk through music studio | added-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up |
| Arsenic and Old Lace (1944) | Break the News to Mother | 0:18:44 - Teddy sings | advance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song |
| Beyond the Forest (1949) | Lewis (Moderato Quasi Rubato) | 0:42:23 - Lewis talks to some men | advance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm |
Beyond the Forest (1949) | Underscoring (Dramatic) | 1:08:24 - Moose warns Rosa | anger | dramatic | friend | harsh | leading lady | observing | room | stinger | turning point | underscoring | warning | warning |
| Caged (1950) | Mrs. Benton (Not in Film) | NIF - not in film | 9th chord | added-note chord | altered dominant | augmented sixth chord | comforting | common-tone modulation | crying | cut from film | disbelief | establish character | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | realization | warden |
Caged (1950) | Crying | NIF - not in film | comforting | crying | cut from film | deceptive resolution | dramatic | establish character | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 2) | NIF - not in film | comforting | crying | cut from film | establish character | foreign key modulation | gentle | leading lady | mode mixture | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Marie 2 (Not in Film) | NIF - not in film | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | warden |
Caged (1950) | Lullaby | NIF - not in film | 9th chord | added-note chord | conversing | cut from film | establish character | gentle | leading lady | office | pregnancy | prison | prisoner | sequential modulation | warden |
Caged (1950) | Mrs. Benton (Not in Film 3) | NIF - not in film | altered dominant | chromatic mediant | conversing | cut from film | establish character | gentle | guard | leading lady | mode mixture | office | pregnancy | prison | prisoner | reading | room | sigh gesture | warden |
Caged (1950) | Swimmy (Poco Agitato) | 0:43:53 - Mrs. Benton on the phone | advance plot | calling | cards | chromatic parallelism | conversing | dissonant bass | phone call | playing | prison | telephone | tense | warden |
Caged (1950) | Mrs. Benton | 0:44:07 - Mrs. Benton on the phone | added-note chord | advance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden |
Caged (1950) | Crying (Poco Agitato) | 0:44:27 - Mrs. Benton paces | baby | childbirth | conversing | crying | doctor | infirmary | leading lady | mickey-mousing | operation scene | oscillation | pacing | prison | prisoner | tense | triadic transformation | uneasy | walking | warden |
Caged (1950) | Marie (Tragic) | 0:44:36 - Mrs. Benton paces | baby | childbirth | doctor | foreign key modulation | infirmary | leading lady | operation scene | pacing | prison | prisoner | tense | uneasy | warden | worrying |
Caged (1950) | Marie | 0:44:54 - The doctor washes up | baby | childbirth | cleaning | conversing | doctor | infirmary | leading lady | operation scene | prison | prisoner | sigh gesture | solemn | warden |
Caged (1950) | Caged (Main Title) | 0:49:00 - Mrs. Benton at her desk | advance plot | chromatic scale | dark | dissonant bass | nursery | oscillation | prison | sigh gesture | thinking | uneasy | warden | whole-tone chord |
| Crime School (1938) | The Warden | 0:23:15 - Warden stands up to face the boys | antagonist | arguing | augmented triad | authority | chromatic parallelism | establish character | falling | gang | lightning | ominous | police | reformatory | slapping | stinger | teenager | warden | whole-tone chord |
Crime School (1938) | Underscoring (Tense) | 0:27:20 - Frankie is taken to the warden's office | develop character | reformatory | teenager | tense | threatening | underscoring | warden | whip |
Crime School (1938) | The Warden (Quasi Mysterioso) | 0:27:46 - Warden approaches Frankie with a whip | chromatic parallelism | develop character | reformatory | rising | standing | teenager | tense | threatening | warden | whip |
Crime School (1938) | Underscoring (Dramatic) | 0:28:01 - Frankie escapes from the warden's office | 9th chord | chromatic parallelism | dramatic | escape | escaping | half-diminished 7th chord | hiding | mickey-mousing | ostinato | reformatory | running | teenager | tense | throwing | tone cluster | warden | whole-tone scale |
Crime School (1938) | The Warden (Risoluto) | 0:29:03 - Warden looks for Frankie | diminished 7th chord | dramatic | escape | looking | reformatory | searching | tense | warden |
Crime School (1938) | The Warden (The Guards) | 0:29:34 - Warden's guards run to catch Frankie | 64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden |
Crime School (1938) | Dragging | 0:29:51 - Warden's guards drag Frankie through the rain | accented dissonance | anguished | capturing | chromatic parallelism | dissonant bass | dragging | dramatic | escape | kicking | mickey-mousing | police | reformatory | splashing | teenager | tense | warden |
Crime School (1938) | The Warden (Capture) | 0:29:58 - Frankie is caught and dragged to the warden | dragging | dramatic | escape | police | reformatory | teenager | tense | warden |
Crime School (1938) | Underscoring (Dramatic) | 0:30:08 - Guards take Frankie inside | begging | chromatic scale | dissonant bass | dragging | dramatic | escape | fear | reformatory | teenager | tense | warden |
Crime School (1938) | The Whip | 0:30:15 - The warden uses his whip | begging | dramatic | escape | fear | reformatory | teenager | tense | warden | whip | whipping |
Crime School (1938) | Reform School Drill | 0:33:18 - Reform school boys exercise outside | comedy | cut from film | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | split-third chord | teenager | upbeat | warden |
Crime School (1938) | Reform School Drill | 0:34:09 - Reform school boys exercise outside | comedy | deceptive resolution | exercising | exercising music | foreign key modulation | gang | jogging | leading man | polychord | reformatory | teenager | upbeat | warden |
Crime School (1938) | Reform School Drill (Coda) | 0:35:01 - Reform school boys exercise outside | comedy | exercising | gang | jogging | leading man | reformatory | teenager | upbeat | warden |
Crime School (1938) | Underscoring (Gentle) | 0:35:46 - Mark visits Frankie in the sick room | advance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden |
Crime School (1938) | Marks | 0:36:14 - Mark looks at the whip marks on Frankie's back | advance plot | dark | hospital | leading man | looking | reformatory | teenager | violence | warden | wounded |
Crime School (1938) | The Warden (Punishment) | 0:36:22 - Warden defends his punishment | advance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord |
Crime School (1938) | Underscoring (Subtle) | 0:37:09 - Transition to cafeteria | advance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden |
Crime School (1938) | Underscoring (Tense) | 1:12:21 - Cooper talks with the warden | chromatic parallelism | escape | half-diminished 7th chord | phone call | plotting | police | reformatory | telephone | tense | warden |
| Dust Be My Destiny (1939) | Mysterioso | 0:02:00 - Warden talks to Joe | conversing | drone | establish character | leading man | mysterious | parallelism | polytonality | prison | prisoner | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Injustice) | 0:02:29 - Joe reacts to the warden | 9th chord | 64 chord | agitated | chromatic parallelism | conversing | dramatic | establish character | injustice | leading man | prison | prisoner | warden |
Dust Be My Destiny (1939) | Charlie | 0:10:58 - Charlie talks to inmates | conversing | dark | drunk | establish character | leading man | polychord | prison | prisoner | warden |
Dust Be My Destiny (1939) | Hiccough | 0:11:35 - Charlie hiccups | comical | drunk | establish character | hiccuping | leading man | mickey-mousing | prison | prisoner | warden |
Dust Be My Destiny (1939) | Cow | 0:11:39 - Man calls Charlie a cow | comical | cow | drunk | establish character | leading man | mickey-mousing | mooing | prison | prisoner | stinger | warden |
Dust Be My Destiny (1939) | Charlie (Extended) | 0:11:41 - Charlie talks to inmates | chromatic parallelism | dark | drunk | establish character | leading man | prison | prisoner | sequence | slapping | stinger | warden |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:14:40 - Charlie enters | barn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Tense) | 0:14:53 - Joe talks to Charlie | barn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pleading) | 0:17:41 - Mabel pleads for Joe | advance plot | intervallic expansion | leading lady | pleading | prison | sincere | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Medical Report) | 0:17:58 - Warden talks about Charlie | advance plot | leading lady | oppressive | parallelism | prison | warden |
Dust Be My Destiny (1939) | Underscoring (Dark) | 0:25:03 - Charlie interrupts the lovers | barn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden |
Dust Be My Destiny (1939) | Underscoring (Dramatic) | 0:25:23 - Charlie grabs Mabel's arm | barn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fight) | 0:25:41 - Charlie and Joe fight | 42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale |
Dust Be My Destiny (1939) | Dying | 0:26:09 - Charlie falls and dies | barn | death | death | dramatic | falling | mickey-mousing | villain | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Sordini) | 0:48:21 - Joe talks to the jailer | chromatic parallelism | jail | jail break | leading man | major triad | mysterious | pedal tone | tense | warden |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:48:34 - Joe talks to the jailer | jail | jail break | leading man | pedal tone | tense | underscoring | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Trickery) | 0:48:45 - Joe talks to the jailer | distortion | friend | half-diminished 7th chord | jail | jail break | leading man | parallelism | passerby | shopkeeper | tense | warden |
Dust Be My Destiny (1939) | Underscoring (Tense) | 0:49:05 - Joe enters the jail | 64 chord | jail | jail break | leading man | tense | underscoring | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Jail Break) | 0:49:16 - Mabel looks up and sees Joe | chromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Stick Up) | 0:50:12 - Joe pulls out a gun | gun | half-diminished 7th chord | jail | jail break | leading lady | leading man | tense | warden |
| The FBI Story (1959) | FBI March A (Wreckage) | 0:05:25 - Agents work through airplane wreckage in a warehouse | FBI | investigation | march | warehouse | wreckage |
The FBI Story (1959) | Wreckage | 0:05:38 - Agents work through airplane wreckage in a warehouse | FBI | investigation | warehouse | wreckage |
The FBI Story (1959) | Symbol (Dramatic) | 1:39:36 - Bombing of Pearl Harbor announced on radio | FBI | flashback | war |
The FBI Story (1959) | FBI March A (Preparation) | 1:39:43 - FBI headquarters | FBI | flashback | war |
| Flamingo Road (1949) | Flamingo Road (Andante) | 1:24:05 - Lane goes to get a drink for Field | altered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm |
| Hell on Frisco Bay (1955) | Anna | 0:46:05 - Anna talks with Amato | antagonist | conductor score | conversing | establish character | gangster | gentle | leading man | room | sentimental | warning | wife | worrying |
| Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
Her Kind of Man (1946) | Candy | 1:11:27 - Candy approaches the warehouse | advance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tense) | 1:11:43 - Steve talks to Candy | advance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:12:07 - Steve talks to Candy | advance plot | arguing | chromatic parallelism | conversing | criminal | gambler | henchman | leading man | murderer | pedal tone | slapping | tense | underscoring | warehouse |
Her Kind of Man (1946) | Underscoring (Dark [Steiner]) | 1:12:32 - Candy reacts | 9th chord | advance plot | arguing | conversing | criminal | dark | gambler | half-diminished 7th chord | henchman | leading man | murderer | ominous | ostinato | underscoring | warehouse |
Her Kind of Man (1946) | Candy (Dark) | 1:12:58 - Candy leaves | bar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | pc set | stinger | telephone | turning point | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow |
| Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 0:15:36 - Frank and Mr. Temple talk about George | advance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | Burial Place | 0:16:11 - Frank talks about George's burial place | advance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 1:07:31 - McCloud wakes Nora after the storm | conversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm |
Key Largo (1948) | McCloud (Delicato) | 1:08:14 - McCloud talks with Nora | conversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm |
| The Letter (1940) | Mr. Hammond Has Been Shot | 0:05:45 - Worker runs in | 11th chord | action scene | altered dominant | dark | death | husband | ominous | reacting | servant | warehouse |
The Letter (1940) | Underscoring (Dramatic) | 0:06:04 - Robert leaves | action scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse |
| Lightning Strikes Twice (1951) | Lightning 3 | 0:01:02 - Title card, cast list and prison | cast list | conversing | dark | guard | opening title sequence | priest | prison | somber | warden |
Lightning Strikes Twice (1951) | Menace | 0:01:23 - Priest in a prison | arriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden |
Lightning Strikes Twice (1951) | Liza | 0:02:55 - Trev is released from death row | calm | conversing | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | walking | warden |
| Mildred Pierce (1945) | Kay and Veda (Returning Home) | 1:38:10 - Mildred looks at Veda through the window | advance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching |
Mildred Pierce (1945) | Mildred (Happy Homecoming) | 1:38:50 - Mildred and her daughter embrace | added-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm |
Mildred Pierce (1945) | Kay and Veda (Returning Home 2) | 1:49:17 - Veda convinces her mother to not report her | antagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm |
| The Life of Vergie Winters (1934) | Lullaby (Cello Solo) | 1:08:38 - Vergie talks with John | added-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm |
| We Are Not Alone (1939) | Surprise Symphony (Better) | 0:23:55 - David puts his son in bed | 9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm |
We Are Not Alone (1939) | Minuet | 0:29:28 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | Surprise Symphony | 0:29:45 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | Frohe Botschaft | 0:36:41 - Leni plays the piano | boy | child | establish character | familiar tune | folk song | German | heroine | home | on-screen music | piano | playing | source music | warm |
We Are Not Alone (1939) | La Marseillaise | 1:15:41 - News bulletins in a window | advance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window |
We Are Not Alone (1939) | Fife and Drums | 1:44:42 - David talks with the guards | advance plot | hero | patriotic | pentatonic | prison | source music | war |
We Are Not Alone (1939) | It's a Long Long Way to Tipperary | 1:45:21 - David talks with the guards | advance plot | familiar tune | hero | patriotic | prison | source music | war |
| White Heat (1949) | Plotting (Extended) | 0:12:45 - Ma warns Cody that Zuckie may talk | dark | death | gangster | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | plotting | victim | warning | yard |
White Heat (1949) | Misterioso (Straitjacket) | 1:04:07 - The warden talks with Cody | conversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden |
White Heat (1949) | Plotting (Tense) | 1:04:33 - Tommy brings food to Cody | carrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden |
White Heat (1949) | Misterioso (Tense 2) | 1:04:48 - Tommy loosens Cody's straitjacket | doctor | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Cody (Pulls Gun) | 1:05:05 - Cody stands up | doctor | dramatic | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Danger (Tense) | 1:05:23 - Cody forces the doctor out at gunpoint | doctor | down | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | stinger | warden |
White Heat (1949) | Danger (Risoluto) | 1:06:24 - Cody forces the guard into a cell | commanding | doctor | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | tense | warden |
White Heat (1949) | Cody 3 | 1:06:43 - Cody forces men out at gunpoint | commanding | doctor | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | warden |
White Heat (1949) | Trap | 1:06:47 - Cody kicks Parker | commanding | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Plotting (Extended) | 1:07:13 - Cody forces men out at gunpoint | commanding | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Prison Break | 1:07:19 - Cody and men go outside | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | rushing | self-borrowing | warden |
White Heat (1949) | Underscoring (Dramatic) | 1:07:29 - Cody commands the men | car | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Danger (Tense) | 1:07:49 - The men get in the car | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | motor effect | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Underscoring (Tense) | 1:07:57 - The car drives off | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden |
White Heat (1949) | Cody (Prison Gate) | 1:08:17 - The prison gates open | car | dramatic | escaping | gangster | gate | guard | gun | leading man | mickey-mousing | murderer | prison | prison break | prisoner | warden |
| The Woman in White (1948) | Ann 2 | 0:04:13 - The woman in white talks to Walter | conversing | establish character | forest | gentle | leading lady | leading man | warm |
The Woman in White (1948) | Fairlie (Meno) | 0:51:08 - Marian looks at Limmeridge House | advance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm |
| Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:04:44 - Bidemore celebrates their victory | celebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden |
| Without Honor (1949) | Misterioso (Molto Rubato) | 0:43:10 - Bill talks with Fred | antagonist | brother | conflict | conversing | husband | leading lady | leading man | reveal | room | secret | tense | warning |
| The Most Dangerous Game (1932) | Russian Waltz | 0:24:22 - Zaroff plays the piano | brother | castle | conversing | count | dog | drunk | establish character | leading lady | leading man | on-screen music | piano | playing | recounting | score to source | somber | source music | warning |
| Caged (1950) | Jingle Bells | 1:08:01 - Woman plays harmonica | advance plot | Christmas | conversing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | source music | upbeat | warden |
Caged (1950) | Bird in a Cage | 1:08:07 - Woman plays harmonica | advance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden |
Caged (1950) | Molto Expressivo (Slowly) | 1:32:59 - Marie's mugshot | advance plot | leading lady | leaving | looking | mode mixture | mug shot | Neapolitan | prison | prisoner | solemn | throwing | warden |
Caged (1950) | Molto Expressivo (Con Moto) | 1:34:42 - Marie leaves Mrs. Benton's office | climax | dramatic | ex-convict | guard | leading lady | leaving | prison | prisoner | stinger | uneasy | warden |
Caged (1950) | Molto Expressivo (Quasi Blues) | 1:35:01 - Marie leaves the prison | added-note chord | bluesy | bluesy | car | climax | ex-convict | freedom | leading lady | leaving | prison | smoking | street | warden | watching |
Caged (1950) | Marie (The End) | 1:36:04 - Mrs. Benton and her secretary | augmented sixth chord | climax | closing credits | conversing | prison | somber | warden |
| Mara Maru (1952) | Appassionato (Tenderly 2) | 1:07:51 - Stella approaches | arguing | captain | conversing | leading lady | leading man | love interest | love scene | rushing | sailing | ship | ship | uneasy | walking | warning |
Mara Maru (1952) | Appassionato (Extended) | 1:08:25 - Stella talks with Gregory | arguing | captain | conversing | leading lady | leading man | love interest | love scene | passionate | sailing | ship | ship | warning |
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