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83 results for "turning" in 24 films — see also change | shaving | spinning | turn

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Turning on light0:44:51 - The watchman turns on a lightaugmented sixth chord | guard | lamp | light | light | mickey-mousing | mysterious | robbery | store | suspenseful | turning on

The Amazing Dr. Clitterhouse (1938)

The Torch (Off) + The Motor0:52:24 - Butch finishes opening safeanxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off
Angels With Dirty Faces (1938)Underscoring (Mysterious)1:09:33 - Jerry leaves42 chord | gangster | leading man | leaving | money | montage | mysterious | priest | room | turning point

Angels With Dirty Faces (1938)

Tossing money1:09:33 - Jerry throws Rocky's money on the table42 chord | gangster | leading man | mickey-mousing | money | mysterious | priest | room | tossing | turning point
Arsenic and Old Lace (1944)Jonathan0:23:14 - Mortimer reacts to the revealcalling | conversing | dialing | diminished 7th chord | groom | leading man | ominous | pc set | quartal chord | reveal | room | sinister | stinger | telephone effect | thinking | turning point

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | chromatic scale | dark | diminished 7th chord | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point
Beyond the Forest (1949)Underscoring (Dramatic)1:08:24 - Moose warns Rosaanger | dramatic | friend | harsh | leading lady | observing | room | stinger | turning point | underscoring | warning | warning

Beyond the Forest (1949)

Chicago (Harmonics)1:08:31 - Rosa reacts to Moose's warninganger | angry | contemplating | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point

Beyond the Forest (1949)

Underscoring (Dramatic)1:08:36 - Rosa hits the tableanger | angry | contemplating | dramatic | harsh | hitting | leading lady | pounding | reacting | room | turning point | underscoring

Beyond the Forest (1949)

Rosa (Violent)1:08:54 - Rosa slowly turnsanger | angry | contemplating | harsh | leading lady | ominous | reacting | room | turning point

Beyond the Forest (1949)

Rosa (Violent) + Chicago1:09:01 - Rosa heads outsideanger | angry | combination of themes | contemplating | departing | familiar tune | harsh | leading lady | ominous | popular tune | reacting | room | turning point
The Big Sleep (1946)Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Turns light onNIF - not in filmdeleted scene | deleted scene | investigating | investigation | leading man | light | light switch | mickey-mousing | mysterious | private eye | room | searching | turning on | whole-tone chord

The Big Sleep (1946)

Turning page0:24:20 - Marlowe turns the page in the code bookchromatic scale | clue | investigating | investigation scene | leading man | mysterious | private eye | room | searching | secret code | turning | whole-tone chord

The Big Sleep (1946)

Turns light offNIF - not in filmdeleted scene | femme fatale | investigation | leading man | light | light switch | mysterious | private eye | room | tense | turning off | whole-tone chord
Caged (1950)Marie (Dramatic)0:52:43 - Marie pleads with her mother to take the babydespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point

Caged (1950)

Prison (Tragic)0:52:48 - Marie calls after her motherdespair | dramatic | leading lady | mother | nurse | pleading | prison | prisoner | tragic | turning point
Crime School (1938)Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on
They Made Me a Criminal (1939)Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

The Fugitive (Religioso)1:09:41 - Johnnie looks at a picture9th chord | hero | leading man | Neapolitan | room | tender | thinking | turning point

They Made Me a Criminal (1939)

Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point
Death of a Scoundrel (1956)Lamp0:07:45 - Gerry turns on the lightflashback | lamp | light | mickey-mousing | nighttime | turning on

Death of a Scoundrel (1956)

Lamp0:12:47 - Gerry turns on the lightflashback | lamp | light | mickey-mousing | nighttime | turning on
Deep Valley (1947)Turns, Hits, and Falls0:22:28 - Barry hits the guardboss | conflict | convict | dramatic | falling | father | guard | leading lady | leading man | mickey-mousing | punching | stinger | street | turning | violence
Dust Be My Destiny (1939)Turning around0:26:13 - Joe and Mabel turn around64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point
Each Dawn I Die (1939)Frank (Parole Denied)1:07:58 - Frank's parole is denied9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point
Hell on Frisco Bay (1955)Kay1:28:35 - Steve leaves with Kaycomforting | gentle | investigator | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness
Her Kind of Man (1946)Underscoring (Dramatic [Deutsch])0:54:59 - Cop takes a witnessdeparting | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness

Her Kind of Man (1946)

Burning paper0:55:22 - Burning paperburning | fire effect | leading man | mickey-mousing | reporter | room | tense | turning point

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse
I Was a Communist for the FBI (1951)Turns on lights0:58:50 - Agent turns on the lightscommunist | create suspense | light | mickey-mousing | room | spy | tense | turning on
Illegal (1955)Startled1:04:38 - Ray is startled by a noise and rushes to the doorhead turning | lighter | mickey-mousing | nervous | startled
In This Our Life (1942)Phone Call0:47:29 - Asa answers the phonebad news | conversing | dark | eerie | father | mysterious | phone call | room | telephone | tense | turning point

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad newsbad news | conversing | father | leading lady | leading man | room | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | turning point | uncle | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | arguing | father | leading lady | leading man | room | suicide | tense | turning point | uncle

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsconversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning
The Letter (1940)Leslie (Mysterioissimo)0:04:42 - A shadow appearscircle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on
Lightning Strikes Twice (1951)Blows out candle0:19:35 - Shelly blows out a candleactor | blowing | candle | establish character | leading lady | light | mickey-mousing | mysterious | room | turning off

Lightning Strikes Twice (1951)

Shelly and TrevNIF - not in filmactor | blowing | candle | cut from film | establish character | leading lady | leading man | light | room | suspect | tense | turning off

Lightning Strikes Twice (1951)

Father Paul (Ominous)1:21:26 - Liza admits to murderbrother | confessing | confession | dark | murderer | ominous | rancher | room | truth | turning point

Lightning Strikes Twice (1951)

Molto Agitato1:21:32 - String gets angryanger | angry | brother | murderer | rancher | room | threatening | turning point

Lightning Strikes Twice (1951)

Menace (Poco Meno)1:21:41 - String calms downbrother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point

Lightning Strikes Twice (1951)

Anger (Extended)1:21:51 - String plans to leavebrother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring

Lightning Strikes Twice (1951)

Liza (Dolce)1:22:09 - Liza in a dazedisorientation | lost love | murderer | rancher | romantic | room | tender | thinking | turning point

Lightning Strikes Twice (1951)

Trev (Ethereal)1:22:19 - Liza in a dazedisorientation | lost love | murderer | rancher | room | thinking | turning point | uneasy

Lightning Strikes Twice (1951)

Shelly (Molto Agitato)NIF - not in filmactor | agitated | arriving | car | cut from film | dark | driving | leading lady | ranch | tense | turning point

Lightning Strikes Twice (1951)

Menace (Tense)1:22:36 - Liza wanders through the househeadlights | murderer | rancher | room | tense | thinking | turning point | uneasy | wandering

Lightning Strikes Twice (1951)

Menace (Expressivo)1:22:56 - Liza looks out the windowactor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying
Mildred Pierce (1945)Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point | whole-tone scale

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | chromatic scale | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | oscillation | patient | pc set | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watches11th chord | child | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes away9th chord | child | chromatic parallelism | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | linear chromaticism | minor-major 7th chord | nurse | oscillation | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point

Mildred Pierce (1945)

It Can't Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord

Mildred Pierce (1945)

Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | dissonant bass | half-diminished 7th chord | heroine | leading lady | room | tense | turbulent | turning point | walking

Mildred Pierce (1945)

Hopes Crushed1:43:38 - Mildred realizes Monte has left herchromatic scale | dark | dissonant bass | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point
White Heat (1949)Underscoring (Dramatic)0:21:34 - Ma speeds ahead in her caragent | car | chase scene | dramatic | driving | escaping | mother | pursuing | street | tense | turning | underscoring
Secrets of the French Police (1932)Page turn0:00:44 - The page turns and the cast list is revealedcast list | mickey-mousing | newspaper | opening title sequence | page turn | romantic | self-borrowing | turning
Without Honor (1949)Grabs her0:25:40 - Bill grabs Jane and kisses herantagonist | brother | conflict | dramatic | grabbing | kissing | leading lady | leading man | room | slapping | turning
The Most Dangerous Game (1932)Russian Waltz (Whole Tone) + The Iron Door0:29:10 - Bob wakes upbarking | bed | castle | combination of themes | door | knocking | leading lady | leading man | mysterious | opening | sleeping | turning point | waking

The Most Dangerous Game (1932)

Underscoring (Mysterious)0:29:31 - Bob gets upbarking | castle | leading lady | leading man | mysterious | rising | turning point | underscoring

The Most Dangerous Game (1932)

Emotions0:29:42 - Eve comes inagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

Emotions 20:29:59 - Eve talks with Bobagitated | candle | castle | conversing | fear | leading lady | leading man | tense | turning point

The Most Dangerous Game (1932)

The Iron Door (Mysterioso)0:30:12 - Bob talks with Evecandle | castle | conversing | foreshadowing | leading lady | leading man | mysterious | stinger | turning point

The Most Dangerous Game (1932)

Russian Waltz (Sneaking)0:30:29 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

The Approach (Sneaking)0:30:39 - Bob and Eve sneak downstairscandle | castle | descending | leading lady | leading man | mysterious | sneaking | tense | turning point | walking

The Most Dangerous Game (1932)

Zaroff (Very Mysterious)0:30:58 - Bob and Eve enter the trophy roomcandle | castle | descending | leading lady | leading man | mickey-mousing | mysterious | sneaking | turning point | walking

The Most Dangerous Game (1932)

Russian Waltz (Adagio) + The Iron Door0:31:06 - Bob and Eve descend the stairscandle | castle | dark | descending | leading lady | leading man | ominous | searching | sneaking | turning point | walking

The Most Dangerous Game (1932)

Zaroff (Sneaking)0:31:29 - Bob and Eve look aroundcandle | castle | descending | leading lady | leading man | mysterious | searching | sneaking | turning point | walking

The Most Dangerous Game (1932)

Decapitated Head0:31:35 - Eve sees a decapitated headcandle | castle | dramatic | head | jump scare | leading lady | leading man | screaming | stinger | turning point