| All This, and Heaven Too (1940) | Armide | 0:49:21 - The opera house | arriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching |
All This, and Heaven Too (1940) | La Parisienne (The King) | 0:50:33 - The king enters | arriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic tune | regal | source music | theater | watching |
All This, and Heaven Too (1940) | Plainte de Cloris | 0:51:08 - They listen to the musical prologue | audience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater |
All This, and Heaven Too (1940) | Air pour La Jeunesse | 0:51:43 - A montage of people applauding | audience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching |
| Dust Be My Destiny (1939) | Here Comes the Bride (Advertisement) | 0:31:07 - A marquee advertising "Marriage on Stage Tonite" | common-chord modulation | crowd | familiar tune | foreign key modulation | happy | love scene | marriage | street | theater |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:31:19 - Crowd sings and claps at a wedding | crowd | happy | leading lady | leading man | marriage | on-screen music | source music | theater | wedding |
Dust Be My Destiny (1939) | Here Comes the Bride | 0:32:48 - Joe kisses Mabel | crowd | happy | leading lady | leading man | marriage | on-screen music | pianist | source music | theater | wedding |
Dust Be My Destiny (1939) | In a Moment of Weakness | 0:33:37 - Mabel looks at her wedding ring | develop character | happy | leading lady | leading man | radio | source music | theater |
Dust Be My Destiny (1939) | Radio Fanfare | 0:34:20 - Mabel talks to Joe | chromatic mediant | develop character | happy | leading lady | leading man | radio | source music | theater |
| Her Kind of Man (1946) | Gay White Way | 0:33:01 - Don talks to some men | advance plot | cheery | conversing | crew | leading man | manager | on-screen music | playing | reporter | source music | theater |
Her Kind of Man (1946) | Underscoring (Gentle) | 0:33:47 - Don leaves | crew | departing | gentle | leading man | manager | reporter | street | theater | transition | underscoring |
| Rockabye (1932) | Run-Around | 0:52:45 - Montage of Broadway scenes | common-chord modulation | dominant pedal | montage | self-borrowing | theater | upbeat |
| White Heat (1949) | Speed (Desperate 2) | 0:25:03 - The gangsters speed away | agent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense |
| Sing and Like It (1934) | Hi-De-Ho | 0:37:46 - Fenny talks with Mr. Frink | AABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat |
Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
Sing and Like It (1934) | Hi-De-Ho | 1:01:43 - The audience | AABA structure | boss | critic | crowd | dance | dancing | gangster | moll | musical | music scene | on-screen music | performer | performing | singer | singing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | Your Mother | 1:04:54 - A man conducts the pit orchestra | AABA structure | ballad | boss | conducting | conductor | critic | crowd | crying | dancing | gangster | gun | leading lady | moll | musical | musician | music scene | on-screen music | performer | performing | playing | sentimental | singer | singing | source music | theater | threatening | watching |
Sing and Like It (1934) | Your Mother (Curtain Call) | 1:07:57 - The audience applauds | AABA structure | applauding | boss | bowing | cheering | conducting | conductor | critic | crowd | gangster | leading lady | moll | musical | musician | music scene | on-screen music | performer | playing | secondary dominant | singer | source music | theater | transcribed by ear | upbeat |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
Star of Midnight (1935) | Midnight in Manhattan (Exotic) | 0:09:14 - Clay and Donna in the audience | advance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater |
Star of Midnight (1935) | Midnight in Manhattan (Warm) | 0:09:35 - Clay in the theater lobby | advance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater |
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