All This, and Heaven Too (1940) | Louise | 0:52:39 - Louise hugs her father | added-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room |
All This, and Heaven Too (1940) | Louise (Poco Animato) | 0:53:39 - Louise talks to Henriette | advance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation |
All This, and Heaven Too (1940) | Henriette (Poco Animato) | 0:53:44 - Henriette puts out the lights | advance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation |
All This, and Heaven Too (1940) | Henriette (Appassionato 2) | 1:46:00 - Henriette descends the staircase | 9th chord | 11th chord | added-note chord | anxious | chromatic sequence | common-tone diminished 7th | descending | excited | foreign key modulation | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking |
Beyond the Forest (1949) | Bicycle | 0:04:03 - A boy on a bicycle | bicycle | bicycle effect | child | establish setting | excited | riding | running | street | voice-over |
Caged (1950) | Underscoring (Subtle) | 0:36:52 - June gets dressed for her parole board hearing | dressing | establish character | excited | friend | leading lady | prison | prisoner | sequential modulation | tense | underscoring |
City for Conquest (1940) | Sidewalks of New York (City Struck) | 0:02:03 - Old-timer talks with cop | 9th chord | bridge | chromatic scale | city | conversing | establish setting | excited | old man | police | soliloquy |
City for Conquest (1940) | Sidewalks of New York (Montage) | 0:02:18 - A montage of New York City scenes | added-note chord | boat | bridge | car | chromatic parallelism | city | conversing | Dutch angle | establish setting | excited | fragmentation | montage | old man | panning shot | police | pump-up modulation | soliloquy | train |
City for Conquest (1940) | Galop | 0:31:21 - Montage at an amusement park | amusement park | chromatic parallelism | chromatic scale | double exposure | excited | linear chromaticism | montage | neon light |
City for Conquest (1940) | Swinging | 0:31:32 - An amusement park ride | amusement park | excited | mickey-mousing | montage | neon light | swinging |
City for Conquest (1940) | Tone Poem Transition 1 | 1:33:15 - The conductor | 9th chord | added-note chord | audience | Carnegie Hall | common-tone diminished 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | Dutch angle | excited | fragmentation | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem B | 1:33:32 - The wind section plays | 9th chord | added-note chord | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Mixolydian mode | musician | on-screen music | orchestra | ostinato | playing | pump-up modulation | source music |
City for Conquest (1940) | Tone Poem Train Whistle | 1:33:40 - The wind section plays | added-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music |
City for Conquest (1940) | Tone Poem B | 1:35:43 - Danny listens to the radio | 9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching |
City for Conquest (1940) | Tone Poem Train Whistle | 1:35:50 - Danny listens to the radio | added-note chord | bold | concert | concert scene | dissonant bass | excited | fragmentation | Gershwinesque | leading man | listening | on-screen music | pc set | pump-up modulation | radio | source music | street |
They Made Me a Criminal (1939) | The Whip | 1:10:16 - People at the carnival | arena | boxer | cheerful | entering | excited | fighting | hero | leading man | march | sitting | source music | sport scene | teenager |
They Made Me a Criminal (1939) | World's Record | 1:13:45 - Boxers prepare for the fight | arena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene |
They Made Me a Criminal (1939) | Spirit of Independence | 1:14:53 - Johnnie marches into the ring | arena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager |
Dust Be My Destiny (1939) | Here Comes the Bride (Modulating) | 0:29:02 - Joe and Mabel run to the courthouse | added-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street |
Her Kind of Man (1946) | Gambling | 0:18:58 - Miami | beach | casino | conversing | croupier | crowd | excited | gambler | gambling | gentle | grand | jockey | leading man | montage | montage | racetrack | racing | riding |
Her Kind of Man (1946) | First Call | 0:33:53 - Horses before a race | bugle call | crowd | excited | racetrack | transition | waiting |
The Informer (1935) | Blood Money | 0:44:44 - Gypo tosses money to the pub-keeper | advance plot | antagonist | bar | bartender | excited | giving | leading man | money |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
Mildred Pierce (1945) | Work (Excited) | 0:42:35 - Mildred and Wally leave | 9th chord | added-note chord | excited | excitement | friend | heroine | leading lady | leaving | room | self-borrowing | shadow | transition | work |
Mildred Pierce (1945) | Walking | 0:42:58 - Mildred and Wally walk to the house | added-note chord | arriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | parallelism | transition | walking |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | added-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | Rushing train | 1:24:15 - A rushing train | double exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling |
Is My Face Red? (1932) | You Bunch of Fun (Transition) | 0:01:08 - Cast list | excited | main title | opening title sequence | pedal tone | transcribed by ear |
Is My Face Red? (1932) | Sailing | 0:19:56 - Boat moves through the water | boat | common-tone diminished 7th | crowd | excited | mode mixture | pedal tone | sailing | transcribed by ear | transition |
Is My Face Red? (1932) | Scenes Metropolitaine | 0:43:51 - Montage of activities in the city | ABCA structure | augmented triad | boat | boxing | Chinatown | diminished 7th chord | excited | gambling | leading lady | leading man | metric dissonance | montage | New York | night club | parallelism | transcribed by ear | transition | whole-tone |
Headline Shooter (1933) | You Bunch of Fun (Transition) | 0:01:08 - Video cast list | augmented triad | chromatic parallelism | excited | opening title sequence | parallelism | pedal tone | reused recording | transcribed by ear | video cast list |
Without Honor (1949) | Ecstatic | 0:04:07 - Jane talks with Dennis | adulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room |
Without Honor (1949) | Ecstatic (Molto Expressivo) | 0:04:21 - Jane talks with Dennis | adulterer | affair | conversing | establish character | excited | leading lady | leading man | love interest | room |