| The Amazing Dr. Clitterhouse (1938) | Cauldron 1 (End title) | 1:26:33 - The End | beaker | bubbling | chromatic mediant | chromatic scale | closing credits | doctor | end title | foreign key modulation | leading man | mode mixture | ominous | plagal cadence |
The Amazing Dr. Clitterhouse (1938) | Jo (End Cast) | 1:26:42 - Cast list | 13th chord | added-note chord | beaker | bubbling | chromatic mediant | closing credits | end title | triadic transformation |
| Angels With Dirty Faces (1938) | Jerry (End Title) | 1:36:38 - End title | closing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant |
| Arsenic and Old Lace (1944) | Happy Land (The End) | 1:57:05 - Mortimer carries Elaine away | altered dominant | bride | countermelody | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat |
Arsenic and Old Lace (1944) | Happy Land (March) | 1:57:20 - Cast list | cast list | countermelody | end title sequence | transcribed by ear | upbeat |
| The Big Sleep (1946) | Marlowe (The End) | 1:53:36 - The end | bold | end title sequence | The End | triumphant |
| His Greatest Gamble (1934) | Morning Glory Waltz (The End) | 1:10:18 - Philip leaves | detective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz |
His Greatest Gamble (1934) | Morning Glory Fanfare (The End) | 1:10:32 - The End | bold | end title sequence | fanfare | The End | transcribed by ear | triumphant |
| City for Conquest (1940) | Sidewalks of New York (The End) | 1:43:24 - The End | 64 chord | bold | conversing | end title sequence | grand | old man | plagal cadence | soliloquy | The End |
City for Conquest (1940) | Tone Poem A (End Cast) | 1:43:34 - End cast list | 13th chord | closing credits | end title sequence | jazz | not by Steiner | plagal cadence | syncopation | transcribed by ear | upbeat |
| Crime School (1938) | Gangster Blues (End Title) | 1:24:33 - Cast list | bluesy | closing credits | end title sequence | not by Steiner | upbeat |
Crime School (1938) | Sue (End Credits) | 1:24:49 - Cast list | added-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat |
| They Made Me a Criminal (1939) | On the Make (End Cast) | 1:31:03 - End titles | 9th chord | added-note chord | closing credits | end title | linear chromaticism | mode mixture | not by Steiner | plagal cadence | upbeat |
| Deep Valley (1947) | Homestead (The End) | 1:45:25 - The End | end title sequence | The End | triumphant |
Deep Valley (1947) | Deep Valley (End Cast) | 1:45:35 - combines parts of Appassionato and Sostenuto variants | end cast | end title sequence | triumphant |
| Dust Be My Destiny (1939) | Dust Be My Destiny (The End) | 1:26:45 - "The End" | closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (End Credits) | 1:26:54 - End credits | altered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat |
| Each Dawn I Die (1939) | On the Make | 1:31:02 - Closing credits | 9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing |
| Her Kind of Man (1946) | It Had to Be You (The End) | 1:18:02 - The End | added-note chord | criminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | mode mixture | murderer | police | reporter | singer | street | The End | tragic | wife |
| I Was a Communist for the FBI (1951) | Battle Hymn of the Republic (The End) | 1:22:16 - Dick looks at his dad | brother | conversing | countermelody | end title sequence | leading man | love | patriotic | patriotic tune | plagal cadence | resolution | reuniting | son | The End | undercover agent |
| The Letter (1940) | Letter | 1:34:41 - End credits | changing meter | closing credits | dramatic | end title sequence | minor-major 7th chord | oscillation | plagal cadence |
The Letter (1940) | Leslie (End Title) | 1:34:44 - End credits | closing credits | dramatic | end title sequence | plagal cadence |
The Letter (1940) | Alternate Ending | NIF - not in film | closing credits | dramatic | end title sequence | plagal cadence |
| The Life of Vergie Winters (1934) | Lullaby (Resolution) | 1:21:03 - Joan talks about her mother | added-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant |
| Rockabye (1932) | Sleep, My Sweet (The End) | 1:07:07 - The end | calm | common-tone diminished 7th | end title sequence | lullaby | mode mixture |
| Out of the Fog (1941) | Russian Barcarolle (The End) | 1:24:24 - The dock at night | conversing | dock | end title sequence | father | fisherman | grand | leading lady | peaceful | perfect authentic cadence | resolution | street | The End | walking |
Out of the Fog (1941) | The Merry-Go-Round Broke Down (Cast List) | 1:24:39 - Cast list | cast list | end title sequence | upbeat |
| Kid Galahad (1937) | Kid Galahad (End Title) | 1:41:09 - End cast | 9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence |
| The Unfaithful (1947) | Unfaithful (End Cast) | 1:48:07 - Closing credits | closing credits | common-chord modulation | dramatic | end title sequence | Neapolitan | ostinato | pedal tone | turbulent |
| We Are Not Alone (1939) | Frohe Botschaft (The End) | 1:51:01 - The End | 9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End |
We Are Not Alone (1939) | Surprise Symphony (The End) | 1:51:13 - Closing credits | bold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling |
| The Woman in White (1948) | Pavan (End Cast) | 1:48:25 - End credits | cast list | dramatic | end title sequence |
| High Stakes (1931) | Love's Old Sweet Song | 1:08:36 - End titles | calm | end title sequence | transcribed by ear |
| The Public Defender (1931) | Mystery (End Title) | 1:08:56 - A kiss and The End | arguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear |
| Three Who Loved (1931) | Love Dream | 1:03:22 - The End | appoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant |
| Transgression (1931) | Main Title (Ending) | 1:09:15 - The End | embracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear |
| Hell’s Highway (1932) | Liberty Road | 1:01:16 - The End / Cast of Characters | calm | end title sequence | prison | spiritual | The End |
| Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:05:33 - End titles | end title sequence | source music | The End | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun (Serious) | 1:05:05 - Cast of Characters / The End | calm | closing credits | end title sequence | popular music | The End | transcribed by ear |
| Men of America (1932) | Lady with a Past Fox Trot | 0:56:42 - The End | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant |
| Penguin Pool Murder (1932) | Run Around | 1:01:51 - The End | 9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat |
| Secrets of the French Police (1932) | Serenade | 0:56:57 - The End and Cast of Characters | closing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat |
| State’s Attorney (1932) | Blues (The End) | 1:18:41 - The End | blue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear |
| The Phantom of Crestwood (1932) | Spy Song | 1:15:20 - Cast list / The End | closing credits | end title sequence | somber | The End | transcribed by ear |
| The Roadhouse Murder (1932) | Lady | 1:12:12 - End titles | common-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End |
| Blind Adventure (1933) | Isn't This a Night For Love | 1:02:18 - The End | end title | romantic | The End | triumphant |
| Emergency Call (1933) | Theme from Cimarron | 1:00:41 - The end | added-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear |
| Headline Shooter (1933) | King Kong March | 1:00:16 - The End | augmented sixth chord | end title | march | mode mixture | reused recording | The End | upbeat |
| Dangerous Corner (1934) | Wedding March | 1:06:01 - Charles kisses Ann | balcony | cheerful | classical music | end title | The End |
| Sing and Like It (1934) | Your Mother (End Title) | 1:11:36 - The End | added-note chord | end title sequence | secondary dominant | sentimental | The End | transcribed by ear |
| Hat, Coat, and Glove (1934) | End Title | 1:04:02 - The End | end title sequence | The End | transcribed by ear | triumphant |
| Murder on the Blackboard (1934) | Blackboard Murder (End Titles) | 1:10:39 - The End | added-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear |
| Star of Midnight (1935) | Midnight in Manhattan (The End) | 1:29:03 - The End | augmented sixth chord | end title sequence | The End | transcribed by ear | triumphant |
| Don’t Turn ‘em Loose (1936) | Blackboard Murder (End Titles) | 1:04:52 - The End | added-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear |
| We're Only Human (1935) | Isn't This a Night For Love (The End) | 1:08:36 - Pete kisses Sally | 9th chord | altered dominant | car | detective | end title sequence | kissing | leading lady | leading man | love interest | mode mixture | reporter | resolution | romantic | The End | transcribed by ear |
| Another Face (1935) | Transient Love (End Title) | 1:08:26 - Joe hugs Sheila | actress | embracing | end title sequence | fiancée | manager | room | sentimental |
| Girl of the Rio (1932) | Querida (The End) | 1:08:13 - The End | end title sequence | grand | The End |
| Caged (1950) | Molto Expressivo (The End) | 1:36:13 - The End | dark | dramatic | end title sequence | pedal tone | plagal cadence | The End |
| Lightning Strikes Twice (1951) | Shelly (The End) + Shelly 2 (The End) | 1:30:00 - Trev and Shelly drive away together | actor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End |
| All This, and Heaven Too (1940) | Henriette (The End) | 2:22:31 - The End | countermelody | deceptive resolution | end title sequence | grand | leading lady | looking | minister | mode mixture | plagal cadence | school | snow | teacher | The End |
All This, and Heaven Too (1940) | Henriette (End Credits) | 2:22:42 - Closing credits | 9th chord | cast list | end title sequence | happy | upbeat |
| Key Largo (1948) | McCloud (Grandioso) | 1:40:06 - The End | end title sequence | fanfare | The End | triumphant |
| In This Our Life (1942) | Love Theme (End Title) | 1:36:17 - End title credits | cast list | cheerful | end title sequence | transcribed by ear | waltz |
| Mara Maru (1952) | The End | 1:37:33 - Gregory gives the cross to Manuelo | catacomb | cave | corpse | cross | crying | death | deciding | departing | end title sequence | fade-out | leading lady | leading man | looking | love interest | map | martyr | reacting | redmption | religious | religious | resolution | The End | thinking | triumphant | tunnel | victim | worker |
| Bachelor Apartment (1931) | Kiss Me Cherie (The End) | 1:16:05 - The End | dramatic | end title sequence | The End |
| Hook, Line and Sinker (1930) | Whistling the Blues Away | 1:14:30 - The End | end title sequence | The End | upbeat |
| Too Many Cooks (1931) | Someone | 1:16:25 - The End | end title sequence | romantic | The End |
| Half Shot at Sunrise (1930) | Kiss Me Cherie (The End) | 1:17:59 - The leads all embrace | embracing | end title sequence | father | greeting | kissing | leading lady | leading man | love interest | mother | street | The End | upbeat |
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