| Are These Our Children? (1931) | Underscoring (Dark) | 0:30:25 - Eddie attacks boy | arguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking |
| Death of a Scoundrel (1956) | The Clock | 0:37:31 - Close up of a clock on the wall while Clementi waits for Mr. O'Hara | clock | flashback | mickey-mousing |
| Dust Be My Destiny (1939) | Patrol | 0:55:50 - Cop checks on a shop | clock | crime scene | criminal | leading man | police | shopkeeper | street | tense |
| Each Dawn I Die (1939) | Montage | 0:22:54 - Montage showing the passing of time | chromatic parallelism | clock | dramatic | linear chromaticism | mickey-mousing | montage | montage | prison | prisoner | tense | waiting | whole-tone chord |
Each Dawn I Die (1939) | Clock ticking | 1:03:50 - Prisoners waiting | anxious | clock | leading man | mickey-mousing | montage | montage | polychord | prisoner | ticking | waiting |
| Murder on the Blackboard (1934) | Clock Tower | 0:02:12 - A clock tower | calm | city | clock tower | source music | tolling | transition |
Murder on the Blackboard (1934) | Clock Tower | 0:12:17 - A clock tower | calm | city | clock tower | source music | tolling | transition |
| The Most Dangerous Game (1932) | The Open Sea | 0:01:20 - A buoy on the open sea | boat | boat | calm | clock | gentle | ocean | sailing | transition |
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