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372 results for "sequence" — see also chromatic sequence | film | harmonic sequence | ordering | place

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Signature0:00:00 - Warner Brothers shieldbold | fanfare | opening title sequence | WB shield

All This, and Heaven Too (1940)

Desperation0:00:08 - Starring listdark | opening title sequence | serious | starring list | transition

All This, and Heaven Too (1940)

The Duchess0:00:15 - Title of filmcast list | hopeful | opening title sequence | romantic | title of film

All This, and Heaven Too (1940)

Henriette0:00:28 - Cast listcast list | opening title sequence | pleasant | romantic

All This, and Heaven Too (1940)

Henriette (The End)2:22:31 - The Endend title sequence | grand | leading lady | looking | minister | school | snow | teacher | The End

All This, and Heaven Too (1940)

Henriette (End Credits)2:22:42 - Closing creditscast list | end title sequence | happy | upbeat
The Amazing Dr. Clitterhouse (1938)Signature0:00:00 - Warner Bros. shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield

The Amazing Dr. Clitterhouse (1938)

Cauldron 10:00:15 - Title of filmbeaker | bubbling | chromatic scale | dramatic | half-diminished 7th chord | main title | ominous | opening title sequence | parallelism | starring list | title of film

The Amazing Dr. Clitterhouse (1938)

Cauldron 20:00:27 - Cast list9th chord | beaker | bubbling | cast list | chromatic parallelism | dramatic | main title | ominous | opening title sequence | ostinato | title of film

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Montage)0:33:03 - A news article about the doctorchromatic parallelism | dissonant bass | Gershwinesque | jaunty | journal | montage | montage | newspaper | sequence | sign

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Comical)0:46:08 - Doctor examines a criminal64 chord | chromatic parallelism | comical | criminal | doctor | examining | fragmentation | gangster | leading man | pedal tone | robbery | rooftop | sequence | thief | underscoring

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Giving Orders)0:48:32 - Doctor gives orders to the criminals64 chord | anger | annoyance | chromatic parallelism | commanding | criminal | doctor | fragmentation | gangster | leading man | ordering | pedal tone | robbery | sequence | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Butch runs0:50:46 - Butch runs to the windowanxious | criminal | dramatic | gangster | mickey-mousing | robbery | running | searching | sequence | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender
Angels With Dirty Faces (1938)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | starring list | WB shield

Angels With Dirty Faces (1938)

Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Gangster0:00:15 - Main titlebold | cast list | dark | foreign key modulation | main title | opening title sequence | sequence | title of film

Angels With Dirty Faces (1938)

The Gangster (Fingerprints)0:06:17 - Montage of juvenile detention and prison lifedigging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working

Angels With Dirty Faces (1938)

Roulette0:07:01 - Roulette wheel spinsclub | double exposure | establish character | frantic | gambling | gangster | leading man | mickey-mousing | montage | parallelism | pedal tone | sequence | spinning

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmchromatic parallelism | chromatic scale | chromatic sequence | conflict | cut from film | diminished 7th chord | dissonant bass | evading | following | gangster | leading man | linear chromaticism | setup | shop | street | underscoring | walking

Angels With Dirty Faces (1938)

Backing up0:40:37 - Rocky pulls a gun on the man following himbacking up | conflict | gangster | gun | leading man | mickey-mousing | ominous | sequence | shop

Angels With Dirty Faces (1938)

Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange

Angels With Dirty Faces (1938)

Crowd rushing0:41:09 - Crowd rushes to the crime scenechromatic sequence | conflict | crowd | dissonant bass | hurrying | mickey-mousing | running | street | tense

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Flyers1:12:27 - Montage of flyers for a public meeting42 chord | agitated | chromatic sequence | dissonant bass | dropping | flyer | flying | montage | montage

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:16:29 - Rocky shoots Mac and Frazieragitated | attacking | casino | chaos | chasing | chromatic parallelism | chromatic scale | climbing | conflict | crowd | death | dissonant bass | dramatic | dying | escaping | falling | fighting | gangster | gun | gunshot | half-diminished 7th chord | hurrying | jumping | landing | lawyer | leading man | mickey-mousing | pedal tone | police | rooftop | room | running | sequence | shooting | sneaking | sneaky | street | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going up a ladder1:17:41 - Rocky climbs up an escape ladderagitated | ascending | chromatic parallelism | climbing | conflict | dramatic | gangster | ladder | leading man | mickey-mousing | pedal tone | sequence | street | up

Angels With Dirty Faces (1938)

Running on wall1:17:55 - Rocky runs on wallagitated | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | leading man | mickey-mousing | rooftop | running | sequence

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:19:00 - Rocky is trapped in a building42 chord | agitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | escaping | fleeing | gangster | half-diminished 7th chord | leading man | major 7th chord | police | running | sequence | stairwell | tone cluster | underscoring

Angels With Dirty Faces (1938)

Going up stairs1:19:27 - Rocky runs up the stairsagitated | chromatic parallelism | chromatic scale | conflict | dissonant bass | dramatic | gangster | leading man | major 7th chord | mickey-mousing | running | sequence | stairs | stairwell | up

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning

Angels With Dirty Faces (1938)

Rocky runs1:25:13 - Rocky makes a run for itagitated | chromatic scale | conflict | falling | gangster | gun | gunshot | hostage | leading man | octatonic | priest | running | sequence | shooting | street | whole-tone chord

Angels With Dirty Faces (1938)

Underscoring (Dramatic)1:25:20 - Rocky throws his guncapturing | chromatic scale | conflict | dissonant bass | dramatic | gangster | gun | leading man | police | sequence | street | throwing | underscoring

Angels With Dirty Faces (1938)

Jerry (End Title)1:36:38 - End titleclosing credits | diminished 7th chord | end title sequence | foreign key modulation | heroic | plagal cadence | triumphant
Are These Our Children? (1931)RKO Tower0:00:00 - RKO logobeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Are These Our Children? (1931)

Dreams0:00:15 - Title of the film and opening credits11th chord | AABA structure | card | cast list | conductor score | gentle | mode mixture | opening title sequence | title of film

Are These Our Children? (1931)

Dreams (Marcia Maestoso)0:08:58 - Eddie dreamsapplauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant

Are These Our Children? (1931)

Dreams (Comical)0:09:17 - Eddie's dream ends abruptlycomical | double exposure | dream sequence | explosion | laughing | leading man | montage | student | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Dreams (Dream Sequence)0:27:44 - Time passesdouble exposure | dream sequence | fragmentation | hectic | montage | transcribed by ear

Are These Our Children? (1931)

Dreams (Dream Sequence 2)0:27:51 - Time passesdouble exposure | dream sequence | hectic | montage | pedal tone | transcribed by ear

Are These Our Children? (1931)

Dreams (Montage)0:29:57 - Eddie drinksangry | diminished 7th chord | double exposure | dreaming | dream sequence | drinking | fragmentation | gun | hectic | leading man | montage | pedal tone | room | sequence

Are These Our Children? (1931)

Makes You Forget Your Troubles (Listesso Tempo)0:30:13 - Eddie commits a crimeangry | chromatic scale | double exposure | dreaming | dream sequence | fragmentation | hectic | leading man | montage | room

Are These Our Children? (1931)

Moonbeams (Flashback)0:30:18 - Eddie dances with Flodance hall | dancing | double exposure | dream sequence | flashback | hectic | leading man | love interest | montage | room | waltz

Are These Our Children? (1931)

Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking

Are These Our Children? (1931)

Dreams (Newspaper Montage 2)NIF - not in filmcut from film | dissonant bass | fragmentation | sequence | thematic transformation

Are These Our Children? (1931)

Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)NIF - not in film9th chord | added-note chord | chromatic sequence | common-tone diminished 7th | cut from film | dramatic | plagal cadence | somber
Arsenic and Old Lace (1944)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | opening title sequence | WB shield

Arsenic and Old Lace (1944)

Happy Land (Allegretto)0:00:13 - Main titlecast list | familiar tune | opening title sequence | starring list | title of film | upbeat

Arsenic and Old Lace (1944)

Happy Land (Chromatic)0:00:21 - Cast listcast list | chromatic | dramatic | familiar tune | opening title sequence

Arsenic and Old Lace (1944)

Transition0:00:29 - Cast listcast list | ominous | opening title sequence | sinister

Arsenic and Old Lace (1944)

Happy Land (Screwy Gavotte)0:00:39 - Cast listcast list | happy | opening title sequence | upbeat

Arsenic and Old Lace (1944)

Happy Land (Gospel)0:00:47 - Cast listcast list | hymn | opening title sequence | upbeat

Arsenic and Old Lace (1944)

Happy Land (Marcato)0:00:54 - Cast listcast list | dramatic | opening title sequence

Arsenic and Old Lace (1944)

Chromatic Fall0:00:58 - Max Steiner's namecast list | dramatic | opening title sequence

Arsenic and Old Lace (1944)

Sidewalks of New York (Misterioso)0:01:10 - New York Citycard | city | establish place | familiar tune | mysterious | New York City | opening title sequence | tense

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat

Arsenic and Old Lace (1944)

Happy Land (March)1:57:20 - Cast listcast list | end title sequence | upbeat
The Big Sleep (1946)Signature0:00:00 - WB shieldbold | fanfare | opening title sequence | starring list | WB shield

The Big Sleep (1946)

Transition0:00:08 - Shadows of the main characters bold | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition

The Big Sleep (1946)

The Big Sleep0:00:13 - Starring actors and main titlecast list | dark | heavy | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Marlowe (The End)1:53:36 - The endbold | end title sequence | The End | triumphant
His Greatest Gamble (1934)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

His Greatest Gamble (1934)

Morning Glory Fanfare0:00:12 - Title of film; starring listfanfare | noble | opening title sequence | pedal tone | starring list | title of film | transcribed by ear

His Greatest Gamble (1934)

Morning Glory Waltz0:00:28 - Cast listcast list | gentle | mode mixture | opening title sequence | transcribed by ear | waltz

His Greatest Gamble (1934)

The Chase 10:29:26 - Philip escapes from prisonaugmented triad | dark | escaping | frantic | leading man | montage | montage | prisoner | sequence | train | transcribed by ear | traveling | whole-tone scale

His Greatest Gamble (1934)

Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering

His Greatest Gamble (1934)

Morning Glory Waltz (The End)1:10:18 - Philip leavesdetective | end title sequence | fugitive | leading man | leaving | mode mixture | secondary dominant | transcribed by ear | triumphant | waltz

His Greatest Gamble (1934)

Morning Glory Fanfare (The End)1:10:32 - The Endbold | end title sequence | fanfare | The End | transcribed by ear | triumphant
City for Conquest (1940)Signature0:00:00 - Warner Brothers shieldbold | city | fanfare | opening title sequence | skyline | starring list | WB shield

City for Conquest (1940)

Tone Poem Transition0:00:12 - Title of film over a city skylinebold | cast list | city | Gershwinesque | opening title sequence | skyline | title of film

City for Conquest (1940)

Transition0:00:25 - Credits over a city skylinecalm | cast list | city | opening title sequence | skyline

City for Conquest (1940)

Tone Poem A1 (Main Title) + Tone Poem A2 (Main Title)0:00:36 - Credits over a city skylinebold | cast list | city | Gershwinesque | opening title sequence | skyline

City for Conquest (1940)

Tone Poem D (Main Title)0:01:00 - Credits over a city skylinebluesy | cast list | city | opening title sequence | sentimental | skyline

City for Conquest (1940)

Sidewalks of New York (The End)1:43:24 - The Endconversing | end title sequence | grand | old man | soliloquy | The End

City for Conquest (1940)

Tone Poem A1 (End Cast) + Tone Poem A2 (End Cast)1:43:34 - End cast listend credits | end title sequence | jazz | upbeat
Crime School (1938)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | main title | opening title sequence | starring list | WB shield

Crime School (1938)

Transition0:00:08 - Starring and cast list9th chord | cast list | dissonant bass | dominant pedal | dramatic | main title | opening title sequence | parallelism | starring list | tense | title of film

Crime School (1938)

Sue0:00:37 - Mugshots of main charactersblues | bluesy | main title | mode mixture | mug shot | opening title sequence | parallelism | starring list

Crime School (1938)

Escaping0:28:32 - Frankie runs and hideschromatic parallelism | chromatic wedge | dissonant bass | dramatic | escape | escaping | hiding | mickey-mousing | police | reformatory | running | sequence | sneaking | teenager | tense | tone cluster

Crime School (1938)

The Warden (The Guards)0:29:34 - Warden's guards run to catch Frankie64 chord | anguished | barbed wire fence | battle call | capturing | chromatic parallelism | chromatic scale | dragging | dramatic | escape | falling | pc set | police | reformatory | running | sequence | teenager | tense | warden

Crime School (1938)

Gangster Blues (Mechanical)0:54:46 - Boys get to work13th chord | action scene | added-note chord | altered dominant | boiler room | coal | danger | fire | fire | frantic | gang | gauge | heat | hurrying | mechanical | reformatory | sequence | shoveling | smoke | teenager | temperature | temperature | working

Crime School (1938)

Gangster Blues (Explosion)0:56:04 - The boiler explodes13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried

Crime School (1938)

Sue (Whispering)1:10:38 - Frankie hears voicesanxious | fragmentation | gun | hearing voices | insanity | mad scene | mental breakdown | ostinato | pc set | reformatory | sequence | sound mass | teenager | tone cluster | whispering | worrying

Crime School (1938)

Sue (Sneaky)1:13:28 - Frankie sneaks in with his gunbreaking in | conflict | distortion | fragmentation | gun | room | sequence | sneaking | teenager | tense

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring

Crime School (1938)

Sue (Allegretto)1:24:18 - Boys talk about Sue9th chord | chromatic parallelism | conversing | courthouse | fragmentation | gang | optimistic | resolution | sequence | teenager

Crime School (1938)

Gangster Blues (End Title)1:24:33 - Cast listbluesy | closing credits | end title sequence | not by Steiner | upbeat

Crime School (1938)

Sue (End Credits)1:24:49 - Cast listadded-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat
They Made Me a Criminal (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | dissonant bass | fanfare | main title | opening title sequence | WB shield

They Made Me a Criminal (1939)

Transition0:00:07 - Starring listadded-note chord | chromatic parallelism | dissonant bass | dramatic | main title | opening title sequence | pedal tone | starring list | tense | title of film

They Made Me a Criminal (1939)

Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution

They Made Me a Criminal (1939)

The Street0:14:31 - Newspaper boy on street64 chord | chromatic sequence | dark | newspaper | newspaper boy | selling | street | tense | transition

They Made Me a Criminal (1939)

Date picking0:25:21 - Boys picking dates9th chord | establish character | light | ranch | sequence | step modulation | teenager | working

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring
Dust Be My Destiny (1939)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | WB shield

Dust Be My Destiny (1939)

Transition0:00:09 - Starring listdissonant bass | dramatic | dust | main title | mickey-mousing | opening title sequence | transition

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A)0:00:21 - Main title64 chord | chromatic mediant | dissonant bass | dust | main title | mickey-mousing | opening title sequence | romantic | title of film

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening B)0:00:49 - Cast list9th chord | augmented sixth chord | blues | bluesy | cast list | dust | main title | mode mixture | opening title sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening A2)0:01:04 - Cast list9th chord | common-tone diminished 7th | dust | main title | mickey-mousing | opening title sequence | romantic

Dust Be My Destiny (1939)

Dust Be My Destiny (Opening B2)0:01:18 - Cast listcast list | main title | mode mixture | opening title sequence | romantic

Dust Be My Destiny (1939)

Charlie (Extended)0:11:41 - Charlie talks to inmateschromatic parallelism | dark | drunk | establish character | leading man | prison | prisoner | sequence | slapping | stinger | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)NIF - not in filmbarn | cut from film | deceptive resolution | foreign key modulation | intervallic expansion | love scene | pedal tone | sequence | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Away)0:25:55 - Joe and Mabel run64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

Whistling (Suspenseful)0:46:25 - Mabel looks out the windowanxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling

Dust Be My Destiny (1939)

Dust Be My Destiny (Not In Film)NIF - not in film9th chord | common-tone diminished 7th | conflict | cut from film | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Sehr Ominous)0:56:14 - Joe walks towards the shop9th chord | chromatic parallelism | crime scene | criminal | leading man | mysterious | sequence | shop | shopkeeper | street | walking

Dust Be My Destiny (1939)

Headlines1:03:23 - Headline about the robberyadvance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Gangsters walk1:10:26 - The gangsters walk to their carchromatic parallelism | chromatic scale | chromatic sequence | conflict | gangster | mickey-mousing | newspaper editor | street | tense | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicate)1:22:18 - Mabel rises to testify for Joecourtroom | crowd | delicate | judge | jury | leading lady | leading man | sequence | somber | suspect | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Train)1:26:17 - Joe and Mabel on the train11th chord | added-note chord | happy | leading lady | leading man | resolution | sequence | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (The End)1:26:45 - "The End"closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (End Credits)1:26:54 - End creditsaltered dominant | closing credits | common-tone diminished 7th | end title sequence | upbeat
Each Dawn I Die (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | WB shield

Each Dawn I Die (1939)

Transition0:00:08 - Lead actorsbold | main title | opening title sequence | prison | starring list | transition

Each Dawn I Die (1939)

Each Dawn A0:00:14 - Title of filmaugmented triad | cast list | dark | diminished 7th chord | main title | opening title sequence | parallelism | prison | title of film

Each Dawn I Die (1939)

Each Dawn B0:00:29 - Cast listcast list | main title | opening title sequence | prison | tragic

Each Dawn I Die (1939)

Each Dawn B (Augmented)0:00:36 - Cast listaugmentation | bleak | cast list | countermelody | dark | diminished 7th chord | main title | opening title sequence | prison

Each Dawn I Die (1939)

Creeping0:04:47 - Two men sneak up behind Frankchromatic scale | chromatic sequence | conflict | creeping | gangster | mickey-mousing | mysterious | pizzicato | sneaking | street | walking

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling

Each Dawn I Die (1939)

Calendar Pages0:59:53 - Pages falling from a calendarcalendar | chromatic parallelism | diminished 7th chord | falling | leading man | mickey-mousing | montage | montage | mysterious | prisoner | sequence

Each Dawn I Die (1939)

On the Make1:31:02 - Closing credits9th chord | 11th chord | ABAB structure | added-note chord | altered dominant | closing credits | end title sequence | jaunty | linear chromaticism | self-borrowing
Flamingo Road (1949)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield

Flamingo Road (1949)

Crime School0:00:08 - Starring list9th chord | dramatic | opening title sequence | parallelism | self-borrowing | starring list | tense

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Train + Titus (Rising)0:42:43 - Field and Annabelle in a train carcombination of themes | dark | dramatic | fiancée | leading man | montage | montage | ostinato | self-borrowing | sequence | train | train | traveling

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic
Hell on Frisco Bay (1955)Menace0:00:00 - Starring listconductor score | dark | menacing | opening title sequence | starring list | title of film

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:00:24 - Title of film and cast listcast list | conductor score | gentle | lyrical | opening title sequence
In This Our Life (1942)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield

In This Our Life (1942)

Transition0:00:08 - Starring listgrand | opening title sequence | starring list | transition

In This Our Life (1942)

Our Life0:00:17 - Title of the filmcast list | dramatic | opening title sequence | title of film

In This Our Life (1942)

Meno0:00:34 - Cast listcast list | dramatic | fanfare | opening title sequence

In This Our Life (1942)

Love Theme (End Title)1:36:17 - End title creditscast list | cheerful | end title sequence | waltz
The Informer (1935)RKO Tower0:00:02 - RKO radio towermain title | opening title sequence | radio tower | RKO tower | transcribed by ear

The Informer (1935)

The Informer0:00:14 - Shadows move across the screen behind the cast listcast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film

The Informer (1935)

The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Informer (Judas)0:01:29 - Title card with quote about Judasmysterious | opening title sequence | Scotch snap | serious | suspension | title card

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

Katie (Despair)1:16:18 - Gypo confesses and criesantagonist | climax | confessing | confession | courtroom | courtroom scene | crying | dissonant bass | guilt | headquarters | leading man | remorseful | room | sequence | traitor

The Informer (1935)

Gypo runs away1:21:26 - Gypo runs and hidesagitated | antagonist | chromatic parallelism | diminished 7th chord | hiding | leading man | mickey-mousing | running | sequence | street | tense | traitor | transition

The Informer (1935)

The Informer (Up the Stairs)1:21:35 - Gypo goes up the stairs64 chord | agitated | antagonist | chromatic sequence | fragmentation | hallway | hiding | leading man | mickey-mousing | running | sequence | stairs | tense | traitor | transition | up

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord
Key Largo (1948)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield

Key Largo (1948)

Transition0:00:08 - Starring listbold | opening title sequence | starring list | transition

Key Largo (1948)

Key Largo0:00:15 - Main titledark | main theme | opening title sequence | title of film | tragic

Key Largo (1948)

Rocco (Main Title)0:00:30 - Cast listcast list | dark | opening title sequence | tragic

Key Largo (1948)

Rocco (Augmented)0:00:44 - Cast listcast list | dark | opening title sequence | tragic

Key Largo (1948)

Key Largo0:00:59 - Cast listcast list | dark | opening title sequence | tragic

Key Largo (1948)

McCloud (Grandioso)1:40:06 - The Endend title sequence | fanfare | The End | triumphant
The Letter (1940)Signature0:00:00 - WB Shieldfanfare | main title | opening title sequence | WB shield

The Letter (1940)

Letter0:00:08 - Bette Davismain title | opening title sequence | starring list | tense | yearning

The Letter (1940)

Hammond A0:00:11 - The Lettermain title | opening title sequence | oscillation | sequence | tense | title of film

The Letter (1940)

Hammond B0:00:25 - Cast listcast list | chromatic sequence | main title | opening title sequence | romantic

The Letter (1940)

Hammond A0:00:44 - Cast listcast list | main title | opening title sequence | oscillation | sequence | tense

The Letter (1940)

Hammond A (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | home | moon | murder | murderer | murder scene | mysterious | oscillation | plantation | sequence | watching

The Letter (1940)

Hammond A (Revolver)0:03:43 - Leslie talks with the workersconversing | gun | home | murderer | murder scene | oscillation | sequence | servant | tense

The Letter (1940)

Hammond A (Deception)0:13:28 - Leslie gets emotional and talks about the struggleadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | passionate | recounting | sequence

The Letter (1940)

Hammond A (Tragic)0:14:31 - Leslie tells her storyadvance plot | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:14:42 - Leslie tells her storyadvance plot | dramatic | emotional | home | leading lady | point of view | recounting | sequence

The Letter (1940)

Letter (Sarcastic)0:15:10 - Men accept Leslie's storyadvance plot | chromatic sequence | conversing | home | leading lady | mysterious

The Letter (1940)

Hammond A (Shimmery)0:18:55 - Leslie stares at the moonhome | leading lady | love scene | moon | mysterious | oscillation | sequence | staring

The Letter (1940)

Hammond B (Screwyoso)0:19:26 - Leslie closes the blindsdramatic | emotional | home | leading lady | love scene | sequence | walking

The Letter (1940)

Letter (Sarcastic)0:19:45 - Leslie looks at Robertchromatic sequence | glance | home | leading lady | longing | love scene | mysterious | staring

The Letter (1940)

Hammond A (Delicato)0:21:46 - Men admire needlepointadvance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | oscillation | polychord | sequence

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | home | lawyer | leading lady | leaving | mysterious | passionate

The Letter (1940)

Hammond B (Screwyoso)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Hammond A (Deception)0:34:47 - Leslie starts to worry about the letteraugmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie changes her mind and admits to having written the letterdeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie defends her actions as having written the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Tragic)0:37:21 - Howard talks to Leslieanxious | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Resigned)0:38:57 - Howard talks to Leslie in the hospitaladvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence

The Letter (1940)

Hammond B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Hammond A (Plotting)0:39:32 - Howard and Leslie plot their next moveadvance plot | buildup | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honestadvance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Hammond A (Deception)0:40:57 - Howard says he doesn't despise Leslieadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Hammond B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond A (Glass Curtains)1:01:27 - Leslie removes the shawl from her headantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting

The Letter (1940)

Hammond A (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Hammond A (Tragic)1:17:59 - Leslie confesses to Robertconfessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Hammond B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting

The Letter (1940)

Hammond A (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Hammond A (Foxtrot No.3)1:25:08 - Leslie leaves the party, stares at the moon, and is worriedclimax | combination of themes | dance music | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking

The Letter (1940)

Hammond A (Distraught)1:25:39 - Leslie criesclimax | crying | dramatic | emotional | home | leading lady | oscillation | sequence

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romantic | sequence | tense

The Letter (1940)

Hammond A (Very Slow)1:29:01 - Leslie says she loves the man she killed then criesclimax | home | leading lady | oscillation | sequence | somber | stern | weeping

The Letter (1940)

Hammond A (The Moon)1:31:36 - Leslie watches the moon go behind a cloudclimax | cloud | crying | dramatic | leading lady | looking | moon | oscillation | plantation | sequence

The Letter (1940)

Letter1:34:41 - End creditsclosing credits | dramatic | end title sequence

The Letter (1940)

Hammond A (End Title)1:34:44 - End creditsclosing credits | dramatic | end title sequence | plagal cadence
Mildred Pierce (1945)Signature0:00:00 - WB shield and wave effectbold | fanfare | opening title sequence | starring list | water | wave | WB shield

Mildred Pierce (1945)

Transition0:00:10 - Starring list and wave effectbold | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave

Mildred Pierce (1945)

Mildred0:00:23 - Main title, cast list, and wave effectcast list | mickey-mousing | opening title sequence | optimistic | romantic | triumphant | water | wave

Mildred Pierce (1945)

Mildred B0:00:52 - Cast list and wave effectcast list | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | water | wave

Mildred Pierce (1945)

Mildred0:01:23 - Cast list and wave effectcast list | mickey-mousing | opening title sequence | optimistic | romantic | triumphant | water | wave
The Life of Vergie Winters (1934)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby0:00:09 - Starring cast listAABA structure | calm | cast list | common-chord modulation | lullaby | opening title sequence | pleasant | starring list | title of film

The Life of Vergie Winters (1934)

Lullaby + Funeral March0:02:32 - Vergie in her jail cellclassical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Old Lavender1:00:07 - Joan and Ranny talk9th chord | added-note chord | altered dominant | common-chord modulation | conversing | daughter | direct modulation | harmonic sequence | light | love interest | love scene | optimistic | proposal | proposing | room | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Agitated)1:01:27 - John and Laura argue about Joanagitated | arguing | common-tone diminished 7th | conflict | diminished 7th chord | direct modulation | fragmentation | harmonic sequence | leading man | octatonic scale | room | tense | transcribed by ear | wife

The Life of Vergie Winters (1934)

Old Lavender1:02:11 - Joan and Ranny enter9th chord | added-note chord | altered dominant | arguing | common-chord modulation | conflict | conversing | daughter | direct modulation | harmonic sequence | leading man | light | love interest | optimistic | room | surprise | wife

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Rockabye (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Rockabye (1932)

Sleep, My Sweet0:00:14 - Title of film and cast listcalm | cast list | deceptive resolution | lullaby | mode mixture | opening title sequence | peaceful | starring list | title of film

Rockabye (1932)

Sleep, My Sweet0:01:32 - A man selling newspaperscalm | opening title sequence

Rockabye (1932)

Sleep, My Sweet (The End)1:07:07 - The endcalm | common-tone diminished 7th | end title sequence | lullaby | mode mixture
Kid Galahad (1937)Kid Galahad (Introduction)0:00:00 - The WB shield9th chord | appoggiatura | fanfare | jaunty | main title | opening title sequence | starring list | WB shield

Kid Galahad (1937)

Kid Galahad0:00:09 - Title of the film9th chord | appoggiatura | cast list | common-tone diminished 7th | fanfare | jaunty | march-like | opening title sequence | parallel period

Kid Galahad (1937)

Boxing poster0:00:41 - Boxing poster64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in

Kid Galahad (1937)

Kid Galahad (Montage)0:46:47 - Montage of newspaper headlines64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper

Kid Galahad (1937)

Heart’s Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

Doublecross1:15:33 - Nick reads a newspaper headlineadvance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear

Kid Galahad (1937)

Kid Galahad (End Title)1:41:09 - End cast9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence
Traveling Husbands (1931)There’s a Sob In My Heart0:00:00 - A rushing train under the opening creditsAABA structure | opening title sequence | popular song | syncopation | train | transcribed by ear | traveling | upbeat
The Unfaithful (1947)Signature0:00:00 - WB shieldfanfare | main title | opening title sequence | WB shield

The Unfaithful (1947)

Unfaithful0:00:07 - Credits, including main titleBeverly Hills | cast list | house | main title | opening title sequence | ostinato | serious | starring list | title of film

The Unfaithful (1947)

Unfaithful (End Cast)1:48:07 - Closing creditsclosing credits | dramatic | end title sequence | ostinato | turbulent
We Are Not Alone (1939)Signature0:00:00 - WB shieldadded-note chord | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | phrase extension | starring list | WB shield

We Are Not Alone (1939)

Surprise Symphony (Foreboding)0:00:09 - Main titleclassical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film

We Are Not Alone (1939)

Transition0:00:18 - Book pages showing main castaugmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense

We Are Not Alone (1939)

Frohe Botschaft (Grandioso)0:00:26 - Book pages showing main castaltered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension

We Are Not Alone (1939)

Max Steiner0:00:53 - Max Steiner's nameaugmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Tenderness0:13:40 - David talks to Leni64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Fainting1:40:41 - Leni faintsadded-note chord | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | sequence | tense

We Are Not Alone (1939)

Frohe Botschaft (The End)1:51:01 - The End9th chord | end title sequence | familiar tune | folk song | German | grand | home | mode mixture | quotation | room | suspension | The End

We Are Not Alone (1939)

Surprise Symphony (The End)1:51:13 - Closing creditsbold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling
High Stakes (1931)Impish Elves0:00:00 - Title of film and cast listAABA structure | cast list | cheerful | jaunty | opening title sequence | starring list | title of film | transcribed by ear

High Stakes (1931)

Love’s Old Sweet Song1:08:36 - End titlescalm | end title sequence | transcribed by ear
The Public Defender (1931)RKO Tower0:00:00 - Beeping RKO radio towermain title | opening title sequence | radio tower | RKO tower | transcribed by ear

The Public Defender (1931)

Public Defender0:00:14 - Title and balancing scales (in motion)balancing | deceptive resolution | main title | opening title sequence | romantic | scale | sequence | starring list | transcribed by ear

The Public Defender (1931)

Violence0:00:41 - Cast list and balancing scalesbalancing | cast list | diminished 7th chord | dramatic | main title | opening title sequence | tense | transcribed by ear | violence

The Public Defender (1931)

Mystery0:00:45 - Cast list and balancing scalesaugmented triad | balancing | cast list | chromaticism | main title | mysterious | mystery | opening title sequence | pc set | transcribed by ear | whole-tone chord

The Public Defender (1931)

Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Three Who Loved (1931)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Three Who Loved (1931)

Impromptu0:00:16 - Title of film, starring list, cast listABAC structure | cast list | cheerful | mode mixture | not by steiner | opening title sequence | pleasant | starring list | title of film | transcribed by ear

Three Who Loved (1931)

Transition0:00:45 - Cast listcast list | cheerful | linear chromaticism | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear

Three Who Loved (1931)

Typewriter0:01:02 - Person typingcheerful | opening title sequence | pleasant | transcribed by ear | typewriter | typing

Three Who Loved (1931)

Love Dream1:03:22 - The Endappoggiatura | end title sequence | self-borrowing | The End | transcribed by ear | triumphant
Transgression (1931)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Transgression (1931)

Main Title0:00:15 - Title of film, starring list, cast listAABA structure | altered dominant | cast list | gentle | happy | harmonic sequence | leading lady | mode mixture | opening title sequence | plagal cadence | pleasant | running | starring list | title of film | transcribed by ear

Transgression (1931)

Main Title (Ending)1:09:15 - The Endembracing | end title sequence | gentle | happy | husband | leading lady | pleasant | The End | transcribed by ear
Hell’s Highway (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear

Hell’s Highway (1932)

Hikin’ Jerry0:00:14 - Main titles and newspaper headlinescall and response | establish setting | guard | headline | montage | newspaper | opening title sequence | prison | prisoner | singing | solemn | source music | transcribed by ear | working

Hell’s Highway (1932)

Liberty Road1:01:16 - The End / Cast of Characterscalm | end title sequence | prison | spiritual | The End
Hold ‘Em Jail (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Hold ‘Em Jail (1932)

The Prisoner’s Song0:00:15 - Title of film, starring list, cast listaltered dominant | cast list | cheerful | common-tone diminished 7th | establish place | opening title sequence | starring list | title of film | transcribed by ear | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater0:00:46 - Cast list and prison signcast list | cheerful | common-chord modulation | common-tone diminished 7th | countermelody | establish place | opening title sequence | transcribed by ear | upbeat

Hold ‘Em Jail (1932)

Bide-More Alma Mater1:05:33 - End titlesend title sequence | source music | The End | upbeat
Is My Face Red? (1932)RKO Tower0:00:00 - Beeping radio towerbeeping | main title | opening title sequence | radio tower | RKO tower | transcribed by ear

Is My Face Red? (1932)

You Bunch of Fun (Introduction)0:00:15 - Title and cast list on placards9th chord | cheerful | main title | opening title sequence | parallelism | sequence | syncopation | transcribed by ear

Is My Face Red? (1932)

You Bunch of Fun0:00:43 - Title and cast list on placardsABAC structure | cheerful | main title | opening title sequence | syncopation | transcribed by ear

Is My Face Red? (1932)

You Bunch of Fun (Transition)0:01:08 - Cast listexcited | main title | opening title sequence | pedal tone | transcribed by ear

Is My Face Red? (1932)

Keyhole (Gossip)0:01:35 - Man and woman argue about a newspaper storyarguing | argument | dramatic | establish setting | gossip | newspaper | room | sequence | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic0:15:16 - William on the deck of a busy shipAB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

You Bunch of Fun (Serious)1:05:05 - Cast of Characters / The Endcalm | closing credits | end title sequence | popular music | The End | transcribed by ear
Ladies of the Jury (1932)RKO Tower0:00:00 - RKO beeping radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Ladies of the Jury (1932)

Lady0:00:15 - Title of film, starring list, cast listABA structure | cast list | common-tone diminished 7th | mode mixture | opening title sequence | sentimental | starring list | title of film | transcribed by ear
Men of America (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Men of America (1932)

Cimarron A0:00:14 - Title of film and starring listAmerican Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear

Men of America (1932)

Cimarron B0:00:43 - Cast listcast list | folk song | opening title sequence | self-borrowing | transcribed by ear | upbeat

Men of America (1932)

Lady with a Past Fox Trot0:56:42 - The Endend title sequence | mode mixture | self-borrowing | The End | transcribed by ear | triumphant
Penguin Pool Murder (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Penguin Pool Murder (1932)

Sidewalks of New York0:00:14 - New York harborcalm | establish setting | harbor | opening title sequence | transcribed by ear

Penguin Pool Murder (1932)

Whirlpool0:00:20 - Penguin in a whirlpoolchromatic scale | double exposure | hectic | opening title sequence | penguin | pool | transcribed by ear | whirling | whirlpool

Penguin Pool Murder (1932)

Penguin Pool Murder0:00:23 - Main title, starring list, and cast listcast list | chromatic parallelism | diminution | diving | double exposure | dramatic | hemiola | linear chromaticism | mysterious | opening title sequence | penguin | pool | starring list | swimming | tense | thematic transformation | through-composed | title of film | transcribed by ear | whirlpool | whole-tone | whole-tone chord

Penguin Pool Murder (1932)

Run Around1:01:51 - The End9th chord | altered dominant | end title sequence | mode mixture | self-borrowing | The End | transcribed by ear | upbeat
Secrets of the French Police (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Secrets of the French Police (1932)

Beau Ideal0:00:15 - A newspaper is opened to a detective storycast list | march | newspaper | opening title sequence | self-borrowing | upbeat

Secrets of the French Police (1932)

La Marseillaise0:00:30 - The title of the film, superimposed on a newspaper illustrationfamiliar tune | France | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

You're In the Army Now0:00:35 - The title of the filmfamiliar tune | newspaper | opening title sequence | patriotic | patriotic tune | self-borrowing | title of film

Secrets of the French Police (1932)

Drumroll0:00:38 - The title of the filmdrumroll | newspaper | opening title sequence | patriotic | self-borrowing | title of film

Secrets of the French Police (1932)

Page turn0:00:44 - The page turns and the cast list is revealedcast list | mickey-mousing | newspaper | opening title sequence | page turn | romantic | self-borrowing | turning

Secrets of the French Police (1932)

Romance0:00:46 - Cast listcast list | dissonant bass | hemiola | newspaper | opening title sequence | page turn | romantic | self-borrowing

Secrets of the French Police (1932)

La marseillaise (Distressed)0:01:00 - Cast listcast list | diminished 7th chord | drumroll | France | newspaper | on-screen music | opening title sequence | page turn | patriotic tune | source music | tense

Secrets of the French Police (1932)

Serenade0:56:57 - The End and Cast of Charactersclosing credits | end title sequence | mode mixture | self-borrowing | The End | upbeat
State’s Attorney (1932)RKO Tower0:00:00 - RKO beeping radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

State’s Attorney (1932)

The Sidewalks of New York0:00:15 - Title and starring listfamiliar tune | opening title sequence | popular music | starring list | title of film | transcribed by ear | upbeat

State’s Attorney (1932)

Transition0:00:20 - Title and starring listblues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Blues0:00:29 - Title and starring list, cast listaltered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Blues (Double Time)0:01:04 - Cast listblue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear

State’s Attorney (1932)

Bluesy Transition0:01:15 - Black screenblues | bluesy | exciting | Gershwinesque | opening title sequence | pedal tone | transcribed by ear

State’s Attorney (1932)

Blues (The End)1:18:41 - The Endblue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear
The Phantom of Crestwood (1932)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

The Phantom of Crestwood (1932)

Fanfare0:00:16 - Fade-in to a seated orchestraannouncer | broadcast | dramatic | fanfare | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Misterioso No. 10:00:21 - A radio broadcastannouncer | broadcast | mysterious | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood A0:01:51 - Title over the image of a dark seascapediminished 7th chord | mickey-mousing | mysterious | opening title sequence | title of film | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood B0:02:08 - Title and Cast listcast list | diminished 7th chord | mysterious | opening title sequence | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Crestwood C0:02:18 - Cast list and the first scenecast list | Lydian mode | mysterious | opening title sequence | parallelism | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Spy Song1:15:20 - Cast list / The Endclosing credits | end title sequence | somber | The End | transcribed by ear
The Roadhouse Murder (1932)RKO Tower0:00:00 - RKO beeping radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

The Roadhouse Murder (1932)

Storm Music0:00:14 - Main title and cast listcast list | not by Steiner | opening title sequence | parallelism | storm | title of film | tremolo | wind

The Roadhouse Murder (1932)

Lady1:12:12 - End titlescommon-tone diminished 7th | end title sequence | mode mixture | self-borrowing | sentimental | The End
Thirteen Women (1932)RKO Tower0:00:00 - RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Thirteen Women (1932)

The Star0:00:15 - Book cover of the novel Thirteen Womenbook | dark | opening title sequence | suspension | title of film | tragic | transcribed by ear

Thirteen Women (1932)

Thirteen Women0:00:34 - Cast list on the pages of a bookbook | cast list | common-chord modulation | funeral march | funereal | harmonic sequence | opening title sequence | relative key | somber | title of film | transcribed by ear

Thirteen Women (1932)

Ursula0:01:11 - A quotation about suicidebook | chromatic mediant | dark | opening title sequence | pedal tone | psychology | tragic | transcribed by ear

Thirteen Women (1932)

Thirteen Women (Destiny)0:07:52 - Ursula talks to the swamiantagonist | common-chord modulation | conversing | destiny | establish character | fortune teller | harmonic sequence | leading lady | predicting | relative key | room | somber | swami | transcribed by ear
Before Dawn (1933)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Before Dawn (1933)

Before Dawn A0:00:15 - Title over the image of hands grasping moneycoin | dark | diminished 7th chord | double exposure | grabbing | hand | money | mysterious | opening title sequence | self-borrowing | title of film | transcribed by ear

Before Dawn (1933)

Before Dawn B0:00:32 - Title and Cast list over a skullcast list | diminished 7th chord | double exposure | mysterious | opening title sequence | self-borrowing | sequence | skull | transcribed by ear

Before Dawn (1933)

Before Dawn C0:00:44 - Cast list over walking feetcast list | double exposure | Lydian mode | mysterious | opening title sequence | parallelism | self-borrowing | transcribed by ear | walking
Blind Adventure (1933)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Blind Adventure (1933)

Opening Fanfare0:00:16 - Title of film and starring listcast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear

Blind Adventure (1933)

My Imaginary Sweetheart0:00:32 - Credits over a foggy backgroundAABA structure | cast list | cheerful | chromatic parallelism | mode mixture | opening title sequence | popular music | secondary dominant | transcribed by ear | video cast list
Emergency Call (1933)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Emergency Call (1933)

Ambulance0:00:11 - Main titles over a speeding ambulanceambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone

Emergency Call (1933)

Theme from Cimarron1:00:41 - The endadded-note chord | closing credits | dramatic | end title sequence | The End | transcribed by ear
Headline Shooter (1933)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Headline Shooter (1933)

You Bunch of Fun (Introduction)0:00:15 - Title and starring list over camera lens montage9th chord | boat | camera lens | car | cast list | cheerful | chromatic parallelism | kaleidoscope effect | opening title sequence | plane | racing | reused recording | sequence | split screen | title of film | transcribed by ear

Headline Shooter (1933)

You Bunch of Fun0:00:44 - Cast list over racing vehiclesABAA structure | added-note chord | cheerful | common-tone diminished 7th | opening title sequence | reused recording | split screen | transcribed by ear | video cast list

Headline Shooter (1933)

You Bunch of Fun (Transition)0:01:08 - Video cast listaugmented triad | chromatic parallelism | excited | opening title sequence | parallelism | pedal tone | reused recording | transcribed by ear | video cast list
Dangerous Corner (1934)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear
Gridiron Flash (1934)RKO Tower0:00:07 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Gridiron Flash (1934)

Fanfare0:00:16 - Title of the filmfanfare | opening title sequence | pedal tone | starring list | title of film | upbeat

Gridiron Flash (1934)

Gridiron Flash0:00:24 - Cast listadded-note chord | cast list | countermelody | march | opening title sequence | starring list | title of film | upbeat
Hat, Coat, and Glove (1934)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Hat, Coat, and Glove (1934)

Transient Love0:00:12 - Title of film; starring list; cast listAABA structure | added-note chord | altered dominant | cast list | chromatic mediant | common-tone diminished 7th | opening title sequence | pedal tone | pleasant | starring list | title of film | transcribed by ear

Hat, Coat, and Glove (1934)

End Title1:04:02 - The Endend title sequence | The End | transcribed by ear | triumphant
Murder on the Blackboard (1934)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Murder on the Blackboard (1934)

Murder Fanfare0:00:23 - Film title zooming out from a blackboardblackboard | dark | fanfare | opening title sequence | parallelism | pedal tone | title of film | transcribed by ear

Murder on the Blackboard (1934)

Blackboard Murder0:00:31 - Title of the film and cast listaltered dominant | blackboard | dark | mysterious | opening title sequence | ostinato | transcribed by ear

Murder on the Blackboard (1934)

Blackboard Murder (Lyrical)0:00:51 - Video cast listappoggiatura | augmented triad | blackboard | opening title sequence | ostinato | pleasant | retardation | sequence | transcribed by ear | video cast list

Murder on the Blackboard (1934)

Blackboard Murder (End Titles)1:10:39 - The Endadded-note chord | augmented triad | end title sequence | grand | The End | transcribed by ear
Star of Midnight (1935)RKO Tower0:00:00 - Beeping RKO radio towerbeeping | opening title sequence | radio tower | RKO tower | transcribed by ear

Star of Midnight (1935)

Midnight in Manhattan (Fanfare)0:00:12 - Title of film; starring listbold | linear chromaticism | marquee | mode mixture | opening title sequence | starring list | title of film | transcribed by ear

Star of Midnight (1935)

Midnight in Manhattan0:00:34 - Cast listadded-note chord | altered dominant | cast list | chromatic scale | mode mixture | mysterious | opening title sequence | sentimental | transcribed by ear

Star of Midnight (1935)

Midnight in Manhattan (The End)1:29:03 - The Endaugmented sixth chord | end title sequence | The End | transcribed by ear | triumphant