Tag Search

715 results for "dramatic" in 51 films — see also intense

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	The Duchess (Arguing)	1:00:32 - Henriette leaves	added-note chord \| arguing \| conflict \| dramatic \| duchess \| duke \| governess \| leading lady \| leading man \| linear chromaticism \| listening \| romantic \| room \| serious \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:01:03 - Henriette packs her things	arguing \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:01:26 - Henriette talks to the Duke	arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Pleading (Extended)	1:01:39 - The Duke responds to Henriette	9th chord \| arguing \| chromatic sequence \| conflict \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Desperation (Very Emotional)	1:02:00 - The Duke talks to Henriette	arguing \| chromatic scale \| chromatic sequence \| conflict \| dissonant bass \| dramatic \| duke \| governess \| leading lady \| leading man \| room \| trouble
All This, and Heaven Too (1940)	Underscoring (Dramatic)	1:13:19 - Henriette watches the falling snow	advance plot \| arriving \| butler \| dissonant bass \| dramatic \| duchess \| duke \| leading lady \| leading man \| outside \| panning shot \| pc set \| point-of-view shot \| room \| sigh gesture \| underscoring \| watching
All This, and Heaven Too (1940)	The Duchess (Con Moto)	1:13:45 - Henriette watches the Duke and Duchess	advance plot \| dramatic \| duchess \| duke \| leading lady \| leading man \| leaving \| painful \| point-of-view shot \| room \| sequential modulation \| watching
All This, and Heaven Too (1940)	Agitato 2	1:59:31 - Henriette is arrested	agitated \| crowd \| crying \| diminished 7th chord \| dissonant bass \| double exposure \| dramatic \| fanfare \| headline \| leading lady \| leaving \| mob \| montage \| newspaper \| soldier \| street \| suspect \| yelling
All This, and Heaven Too (1940)	Henriette (Ostinato)	2:10:09 - A carriage leaves	carriage \| crowd \| dramatic \| fragmentation \| leading lady \| mob \| ominous \| ostinato \| prisoner \| soldier \| street \| suspect \| tense \| transition \| traveling
The Amazing Dr. Clitterhouse (1938)	Cauldron 1	0:00:15 - Title of film	beaker \| bubbling \| chromatic scale \| dramatic \| half-diminished 7th chord \| main title \| ominous \| opening title sequence \| parallelism \| starring list \| title of film
The Amazing Dr. Clitterhouse (1938)	Cauldron 2	0:00:27 - Cast list	9th chord \| beaker \| bubbling \| cast list \| chromatic parallelism \| dramatic \| main title \| ominous \| opening title sequence \| ostinato \| title of film
The Amazing Dr. Clitterhouse (1938)	Shadow punch	0:45:00 - Watchman is punched by a shadowy figure	attacking \| augmented sixth chord \| crime \| criminal \| dramatic \| fighting \| gangster \| guard \| punching \| robbery \| shadow \| store \| violence \| whole-tone
The Amazing Dr. Clitterhouse (1938)	Underscoring (Dramatic)	0:47:48 - Rocks opens the safe	breaking in \| criminal \| diminished 7th chord \| doctor \| dramatic \| enharmonic modulation \| gangster \| leading man \| lock \| opening \| robbery \| safe \| safe-cracking \| stinger \| store \| tense \| thief \| underscoring \| unlocking \| vault \| wedge
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	Butch goes downstairs	0:50:22 - Butch runs downstairs	anxious \| chromatic scale \| combination of themes \| criminal \| double-cross \| down \| downstairs \| dramatic \| gangster \| mickey-mousing \| robbery \| store \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	The Motor (Butch)	0:50:45 - Butch searches for the doctor	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| motor \| ostinato \| pedal tone \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs	0:50:46 - Butch runs to the window	anxious \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| sequence \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Butch runs back	0:50:52 - Butch runs back from the window	anxious \| chromatic scale \| criminal \| dramatic \| gangster \| mickey-mousing \| robbery \| running \| searching \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Brass) + The Motor	0:51:00 - Dr. Clitterhouse in the safe	anxious \| chromatic parallelism \| chromatic scale \| combination of themes \| criminal \| dramatic \| gangster \| knocking \| motor \| ostinato \| panicking \| robbery \| store \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Lighting the Torch + The Motor	0:51:05 - Butch prepares the torch	anxious \| chromatic scale \| combination of themes \| criminal \| dramatic \| fire \| flame \| gangster \| hero \| lighting \| ostinato \| preparing \| rescuing \| robbery \| sequence \| store \| tense \| thief \| torch \| working
The Amazing Dr. Clitterhouse (1938)	The Torch (Burning)	0:51:12 - Butch opens safe with welder's torch	anxious \| burning \| chromatic parallelism \| criminal \| dramatic \| fire \| flame \| gangster \| half-diminished 7th chord \| hero \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	The Torch	0:51:17 - Torch breaks through the safe door	anxious \| burning \| criminal \| cutting \| dramatic \| fire \| flame \| gangster \| hero \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch
The Amazing Dr. Clitterhouse (1938)	Camera panning	0:51:39 - Camera pans to the watchman	anxious \| dramatic \| guard \| mickey-mousing \| panning shot \| robbery \| store \| tense \| waking
The Amazing Dr. Clitterhouse (1938)	The Torch + The Motor (Watchman Crawling)	0:51:41 - Watchman struggles to sound the alarm	alarm \| anxious \| chromatic scale \| crawling \| dramatic \| guard \| mickey-mousing \| motor \| ostinato \| pc set \| robbery \| store \| struggle \| tense
The Amazing Dr. Clitterhouse (1938)	The Torch (Off) + The Motor	0:52:24 - Butch finishes opening safe	anxious \| burning \| combination of themes \| criminal \| cutting \| dissonant bass \| dramatic \| fire \| flame \| gangster \| hero \| motor \| ostinato \| pc set \| rescuing \| robbery \| sparks \| store \| tense \| thief \| torch \| turning off
The Amazing Dr. Clitterhouse (1938)	The Motor (Rescue)	0:52:29 - Dr. Clitterhouse escapes from safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| dramatic \| escaping \| gangster \| hero \| motor \| ostinato \| rescuing \| robbery \| store \| tense \| thief
Angels With Dirty Faces (1938)	The Chase	0:04:21 - Cops chase boys through the train yard	chase scene \| chasing \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escaping \| half-diminished 7th chord \| mickey-mousing \| police \| polychord \| running \| street \| teenager \| whole-tone chord
Angels With Dirty Faces (1938)	The Gangster (Fingerprints)	0:06:17 - Montage of juvenile detention and prison life	digging \| dramatic \| establish character \| fingerprints \| foreign key modulation \| headline \| leading man \| main title \| marching \| montage \| mug shot \| newspaper \| prison \| prisoner \| reformatory \| sequence \| serious \| working
Angels With Dirty Faces (1938)	Running and shooting	0:06:52 - Police chase gangsters and Rocky shoots	agent \| augmented triad \| chasing \| dissonant bass \| dominant 7th chord \| dramatic \| establish character \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| montage \| newspaper \| quartal chord \| running \| shooting \| street \| zoom out
Angels With Dirty Faces (1938)	Explosion	0:07:16 - Building explodes after car drives by	bomb \| chromatic scale \| dissonant bass \| dramatic \| driving \| establish character \| explosion \| gangster \| mickey-mousing \| montage \| polychord \| street \| throwing
Angels With Dirty Faces (1938)	Stickup	0:42:30 - Rocky points a gun at Frazier	64 chord \| advance plot \| assaulting \| dramatic \| gangster \| garage \| grabbing \| lawyer \| leading man \| mickey-mousing
Angels With Dirty Faces (1938)	Headlines	1:10:28 - A montage of newspaper headlines	9th chord \| 42 chord \| 64 chord \| dramatic \| foreign key modulation \| headline \| mickey-mousing \| montage \| montage \| newspaper \| newspaper editor \| newspaper office \| spinning \| zooming
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:16:29 - Rocky shoots Mac and Frazier	agitated \| attacking \| casino \| chaos \| chasing \| chromatic parallelism \| chromatic scale \| climbing \| conflict \| crowd \| death \| dissonant bass \| dramatic \| dying \| escaping \| falling \| fighting \| gangster \| gun \| gunshot \| half-diminished 7th chord \| hurrying \| jumping \| landing \| lawyer \| leading man \| mickey-mousing \| pedal tone \| police \| rooftop \| room \| running \| sequence \| shooting \| sneaking \| sneaky \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Mac gets shot	1:16:35 - Mac gets shot and dies	agitated \| chromatic parallelism \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| room \| shooting
Angels With Dirty Faces (1938)	Frazier gets shot	1:16:56 - Frazier gets shot and dies	agitated \| casino \| chromatic scale \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| lawyer \| leading man \| mickey-mousing \| shooting
Angels With Dirty Faces (1938)	Going down a ladder	1:17:32 - Rocky goes down an escape ladder	agitated \| chromatic scale \| climbing \| conflict \| descending \| down \| dramatic \| escaping \| gangster \| hurrying \| ladder \| leading man \| mickey-mousing \| street
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Running on wall	1:17:55 - Rocky runs on wall	agitated \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| rooftop \| running \| sequence
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:19:00 - Rocky is trapped in a building	42 chord \| agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| escaping \| fleeing \| gangster \| half-diminished 7th chord \| leading man \| major 7th chord \| police \| running \| sequence \| stairwell \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Going down stairs	1:19:05 - Rocky runs down the stairs	agitated \| chromatic scale \| conflict \| down \| dramatic \| gangster \| half-diminished 7th chord \| leading man \| mickey-mousing \| running \| stairs \| stairwell
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Tear Gas	1:19:48 - Tear gas spreads throughout the room	agitated \| breaking \| breaking \| breathing \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| hurrying \| leading man \| mickey-mousing \| pedal tone \| police \| quartal chord \| running \| shooting \| smoke \| street \| tear gas \| throwing \| window
Angels With Dirty Faces (1938)	Machine Gun	1:20:24 - Policeman shoots at Rocky with machine gun	agitated \| building \| chromatic parallelism \| conflict \| death \| dramatic \| falling \| gangster \| gun \| gunshot \| hiding \| leading man \| police \| polychord \| shooting \| street \| underscoring
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:20:39 - Policemen shoot tear gas in through the window	agitated \| appoggiatura \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| police \| shooting \| street \| tone cluster \| underscoring
Angels With Dirty Faces (1938)	Launching tear gas	1:20:51 - Policemen shoot tear gas in through the window	agitated \| building \| conflict \| dramatic \| gangster \| gun \| gunshot \| launching \| leading man \| mickey-mousing \| police \| shooting \| street \| tear gas \| tone cluster
Angels With Dirty Faces (1938)	Jerry + Tear Gas	1:21:14 - Rocky staggers through tear gas and Jerry arrives	agitated \| arriving \| building \| chromatic parallelism \| combination of themes \| conflict \| dissonant bass \| dramatic \| gangster \| heroic \| hurrying \| leading man \| mickey-mousing \| priest \| quartal chord \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Tear Gas (Desperate)	1:21:40 - Rocky tries to hold off the cops	agitated \| building \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| pedal tone \| police \| priest \| quartal chord \| shooting \| smoke \| staggering \| street \| tear gas
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:23:10 - Jerry and Rocky confront one another	42 chord \| agitated \| arguing \| building \| conflict \| dramatic \| entering \| gangster \| leading man \| priest \| underscoring \| wedge \| yelling
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	1:25:20 - Rocky throws his gun	capturing \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| gun \| leading man \| police \| sequence \| street \| throwing \| underscoring
Are These Our Children? (1931)	Dreams (Allegro)	1:15:33 - Newspaper headlines	augmented triad \| chromatic parallelism \| double exposure \| dramatic \| fanfare \| frantic \| headline \| montage \| mother \| newspaper \| ostinato \| spinning \| tense \| whole-tone chord \| whole-tone scale
Are These Our Children? (1931)	Dreams (Transition 13) + Makes You Forget Your Troubles (Transition 13)	NIF - not in film	9th chord \| added-note chord \| chromatic sequence \| common-tone diminished 7th \| cut from film \| dramatic \| plagal cadence \| somber
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Happy Land (Chromatic)	0:00:21 - Cast list	64 chord \| cast list \| chromatic mediant \| chromatic scale \| dramatic \| familiar tune \| foreign key modulation \| opening title sequence
Arsenic and Old Lace (1944)	Happy Land (Marcato)	0:00:54 - Cast list	appoggiatura \| cast list \| dramatic \| opening title sequence \| sequence
Arsenic and Old Lace (1944)	Chromatic Fall	0:00:58 - Max Steiner's name	42 chord \| cast list \| chromatic parallelism \| chromatic scale \| dramatic \| opening title sequence \| pedal tone
Arsenic and Old Lace (1944)	Punching and falling	0:01:38 - A fight starts on the field	baseball player \| dramatic \| falling \| field \| mickey-mousing \| punching \| sporting event \| umpire
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:49:14 - Mortimer blows the bugle	bugle \| bugle call \| climax \| dramatic \| leading man \| on-screen music \| playing \| room \| source music
Beyond the Forest (1949)	Rosa	0:00:00 - WB shield	dark \| dramatic \| opening title sequence \| WB shield
Beyond the Forest (1949)	Transition	0:00:06 - Starring cast list	dark \| dramatic \| opening title sequence \| starring list
Beyond the Forest (1949)	Rosa (Meno)	0:00:25 - Cast list	cast list \| dark \| dramatic \| opening title sequence
Beyond the Forest (1949)	Rosa (Maestoso)	0:00:45 - Director of the film	cast list \| dark \| dramatic \| opening title sequence
Beyond the Forest (1949)	Rosa	0:00:54 - Title card	dark \| dramatic \| opening title sequence \| title card
Beyond the Forest (1949)	Transition	0:01:01 - Title card	dark \| dramatic \| opening title sequence \| title card
Beyond the Forest (1949)	Rosa (Meno)	0:01:19 - Scrolling text	dark \| dramatic \| opening title sequence \| title card
Beyond the Forest (1949)	Rosa (Maestoso)	0:01:39 - Title card	dark \| dramatic \| opening title sequence \| title card
Beyond the Forest (1949)	Falling down	0:14:27 - Moose falls on a bed	advance plot \| cabin \| collapsing \| dramatic \| falling \| friend \| leading lady \| mickey-mousing \| pushing \| wife
Beyond the Forest (1949)	Chicago (Misterioso)	0:38:47 - Rosa lights a match	advance plot \| contemplating \| dramatic \| familiar tune \| jealousy \| leading lady \| obsession \| obsessive \| passage of time \| popular tune \| room \| smoking \| tense \| wife
Beyond the Forest (1949)	Underscoring (Dramatic)	1:08:24 - Moose warns Rosa	anger \| dramatic \| friend \| harsh \| leading lady \| observing \| room \| stinger \| turning point \| underscoring \| warning \| warning
Beyond the Forest (1949)	Underscoring (Dramatic)	1:08:36 - Rosa hits the table	anger \| angry \| contemplating \| dramatic \| harsh \| hitting \| leading lady \| pounding \| reacting \| room \| turning point \| underscoring
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
The Big Sleep (1946)	Action	0:21:04 - Marlowe runs to the house	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| chromatic sequence \| chromatic wedge \| diminished 7th chord \| dramatic \| hurrying \| leading man \| pc set \| private eye \| running \| street \| tense \| underscoring
The Big Sleep (1946)	Running down	0:21:13 - Feet running down the stairs	action scene \| antagonist \| chromatic parallelism \| chromatic scale \| descending \| dramatic \| half-diminished 7th chord \| hurrying \| mickey-mousing \| running \| street \| tense
The Big Sleep (1946)	Marlowe (Investigating)	NIF - not in film	added-note chord \| deleted scene \| deleted scene \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| sequential modulation \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	NIF - not in film	deleted scene \| deleted scene \| diminished 7th chord \| dramatic \| investigating \| investigation \| leading man \| private eye \| room \| searching \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:24:57 - Dead body on the floor	corpse \| death \| dramatic \| femme fatale \| investigating \| investigation scene \| leading man \| private eye \| room \| searching \| stinger \| tense \| underscoring
The Big Sleep (1946)	Underscoring (Dramatic)	0:52:02 - Marlowe pushes Agnes	blackmailer \| chromatic parallelism \| chromatic scale \| conflict \| criminal \| diminished 7th chord \| dramatic \| falling \| femme fatale \| gun \| leading lady \| leading man \| private eye \| room \| suspect \| tense \| tripping \| underscoring
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| chromatic scale \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| chromatic scale \| dramatic \| leading man \| murderer \| pc set \| private eye \| running \| shooting \| street \| tense \| underscoring \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	64 chord \| assassin \| augmented sixth chord \| chase scene \| chasing \| common-tone diminished 7th \| dramatic \| fragmentation \| heroic \| leading man \| murderer \| private eye \| running \| sequential modulation \| street \| tense
The Big Sleep (1946)	Marlowe (Dramatic)	1:33:37 - Marlowe looks at sign	9th chord \| altered dominant \| car \| dramatic \| investigating \| leading man \| private eye \| street \| tense \| traveling scene
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	chromatic scale \| conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	1:41:36 - Marlowe runs to his car	9th chord \| action scene \| criminal \| diminution \| dramatic \| fragmentation \| leading lady \| leading man \| linear chromaticism \| love interest \| outside \| private eye \| running \| underscoring \| whole-tone chord
The Big Sleep (1946)	Underscoring (Dramatic)	1:43:17 - Canino shoots	action scene \| criminal \| dramatic \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| outside \| private eye \| shooting \| underscoring
The Big Sleep (1946)	Marlowe rises	1:43:19 - Marlowe rises	action scene \| criminal \| dramatic \| hostage \| leading lady \| leading man \| love interest \| outside \| pc set \| private eye \| rising
The Big Sleep (1946)	Canino's Death	1:43:22 - Canino is shot	action scene \| chromatic parallelism \| criminal \| death \| dramatic \| dying \| falling \| gun \| gunshot \| hostage \| leading lady \| leading man \| love interest \| mirroring \| outside \| pc set \| private eye \| retrograde \| stumbling \| tense
Caged (1950)	Crying	NIF - not in film	comforting \| crying \| cut from film \| deceptive resolution \| dramatic \| establish character \| leading lady \| office \| pregnancy \| prison \| prisoner \| sequential modulation \| warden
Caged (1950)	Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| breaking \| chromatic parallelism \| chromatic scale \| crazy person \| crying \| cut from film \| diminished 7th chord \| dramatic \| glass \| hallucinating \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| screaming \| smashing
Caged (1950)	Wailing + Train Whistle Hallucination	NIF - not in film	acceleration \| agitated \| bed \| chromatic parallelism \| chromatic scale \| combination of themes \| crazy person \| crying \| crying effect \| cut from film \| diminished 7th chord \| dramatic \| glass \| leading lady \| mad scene \| ostinato \| pedal tone \| polychord \| prison \| prisoner \| rushing \| unlocking \| wailing
Caged (1950)	Prison Alarm	0:32:00 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord \| whole-tone scale \| yelling
Caged (1950)	Marie (Expressivo)	0:32:12 - The prison laundry	alarm \| augmented sixth chord \| augmented triad \| bell \| double exposure \| dramatic \| guard \| leading lady \| metric displacement \| montage \| montage \| prison \| prisoner \| ringing \| roll call \| working
Caged (1950)	Prison Alarm	0:32:22 - Ringing prison alarm	agitated \| alarm \| alarm effect \| bell \| double exposure \| dramatic \| eating \| guard \| leading lady \| mickey-mousing \| montage \| montage \| prison \| prisoner \| ringing \| waking \| whole-tone chord
Caged (1950)	Underscoring (Dramatic)	0:32:30 - Marie in the prison cafeteria	alarm \| alarm effect \| bell \| chromatic parallelism \| double exposure \| dramatic \| eating \| fanning \| guard \| heat \| leading lady \| mickey-mousing \| montage \| montage \| pc set \| prison \| prisoner \| underscoring \| whole-tone scale
Caged (1950)	Prison	0:32:40 - Marie working in the prison laundry	9th chord \| double exposure \| dramatic \| leading lady \| montage \| montage \| prison \| prisoner \| suspension \| working
Caged (1950)	Underscoring (Dramatic)	0:32:47 - Marie working in the prison laundry	alarm \| alarm effect \| augmented sixth chord \| bell \| chromatic scale \| double exposure \| dramatic \| leading lady \| mickey-mousing \| montage \| montage \| pain \| prison \| prisoner \| quick cuts \| underscoring \| working
Caged (1950)	Marie (Dramatic)	0:52:43 - Marie pleads with her mother to take the baby	9th chord \| altered dominant \| chromatic scale \| chromatic wedge \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| tragic \| turning point
Caged (1950)	Prison (Tragic)	0:52:48 - Marie calls after her mother	added-note chord \| augmented sixth chord \| chromatic sequence \| despair \| dramatic \| leading lady \| mother \| nurse \| pleading \| prison \| prisoner \| sigh gesture \| tragic \| turning point
Caged (1950)	Underscoring (Dramatic)	NIF - not in film	cut from film \| cut scene \| dramatic \| underscoring
City for Conquest (1940)	Drum Roll	0:52:51 - Peggy and Danny at the dance	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Drum Roll	0:53:08 - People applaud for Danny	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Tone Poem A	1:32:32 - Violins playing	9th chord \| 11th chord \| 13th chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| sequence \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem A (Tutti)	1:33:02 - Peggy watches from the audience	9th chord \| 11th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| fragmentation \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| point-of-view shot \| romantic \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem Transition 2	1:33:48 - Orchestra playing	9th chord \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem Transition 1 (Abbreviated)	1:35:34 - Harp playing in the orchestra	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| musician \| on-screen music \| orchestra \| playing \| source music
City for Conquest (1940)	Tone Poem Transition 2 (Allargando)	1:35:58 - Orchestra playing in the concert hall	audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| direct modulation \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| pedal tone \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Tutti 2)	1:36:41 - Danny's figure appears in the concert hall	9th chord \| 13th chord \| AABA structure \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading man \| listening \| mode mixture \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Coda)	1:37:16 - The conductor leading the orchestra	added-note chord \| audience \| bold \| Carnegie Hall \| chromatic mediant \| concert \| concert hall \| concert scene \| conducting \| conductor \| diminution \| dramatic \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
Crime School (1938)	Transition	0:00:08 - Starring and cast list	9th chord \| cast list \| dissonant bass \| dominant pedal \| dramatic \| main title \| opening title sequence \| parallelism \| starring list \| tense \| title of film
Crime School (1938)	Attacking	0:08:27 - Spike attacks the junk shop owner	attacking \| conflict \| death \| dramatic \| fighting \| gang \| mickey-mousing \| polychord \| shop \| shopkeeper \| teenager \| tense
Crime School (1938)	Running away	0:09:32 - Kids run away from cops	42 chord \| chasing \| chromatic scale \| conflict \| dramatic \| fleeing \| gang \| mickey-mousing \| police \| running \| street \| teenager \| tense
Crime School (1938)	Underscoring (Tense)	0:09:40 - Spike is captured by the cops	9th chord \| arresting \| capturing \| conflict \| dramatic \| police \| street \| teenager \| tense
Crime School (1938)	Underscoring (Dramatic)	0:28:01 - Frankie escapes from the warden's office	9th chord \| chromatic parallelism \| dramatic \| escape \| escaping \| half-diminished 7th chord \| hiding \| mickey-mousing \| ostinato \| reformatory \| running \| teenager \| tense \| throwing \| tone cluster \| warden \| whole-tone scale
Crime School (1938)	Escaping	0:28:32 - Frankie runs and hides	chromatic parallelism \| chromatic wedge \| dissonant bass \| dramatic \| escape \| escaping \| hiding \| mickey-mousing \| police \| reformatory \| running \| sequence \| sneaking \| teenager \| tense \| tone cluster
Crime School (1938)	Searchlights (Sneaking)	0:28:47 - Frankie hides from the searchlight	chromatic parallelism \| dramatic \| escape \| escaping \| hiding \| jumping \| mickey-mousing \| police \| reformatory \| running \| searchlight \| sneaking \| teenager \| tense
Crime School (1938)	The Warden (Risoluto)	0:29:03 - Warden looks for Frankie	diminished 7th chord \| dramatic \| escape \| looking \| reformatory \| searching \| tense \| warden
Crime School (1938)	Underscoring (Dramatic)	0:29:09 - Frankie hides then runs	barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| escaping \| gang \| hiding \| jumping \| mickey-mousing \| reformatory \| running \| teenager \| tense
Crime School (1938)	Sue (Barbed Wire)	0:29:18 - Frankie gets caught on barbed wire	anguished \| barbed wire fence \| battle call \| chromatic parallelism \| chromatic scale \| climbing \| diminished 7th chord \| dissonant bass \| dramatic \| escape \| half-diminished 7th chord \| pain \| pc set \| reformatory \| struggling \| teenager \| tense
Crime School (1938)	The Warden (The Guards)	0:29:34 - Warden's guards run to catch Frankie	64 chord \| anguished \| barbed wire fence \| battle call \| capturing \| chromatic parallelism \| chromatic scale \| dragging \| dramatic \| escape \| falling \| pc set \| police \| reformatory \| running \| sequence \| teenager \| tense \| warden
Crime School (1938)	Dragging	0:29:51 - Warden's guards drag Frankie through the rain	accented dissonance \| anguished \| capturing \| chromatic parallelism \| dissonant bass \| dragging \| dramatic \| escape \| kicking \| mickey-mousing \| police \| reformatory \| splashing \| teenager \| tense \| warden
Crime School (1938)	The Warden (Capture)	0:29:58 - Frankie is caught and dragged to the warden	dragging \| dramatic \| escape \| police \| reformatory \| teenager \| tense \| warden
Crime School (1938)	Underscoring (Dramatic)	0:30:08 - Guards take Frankie inside	begging \| chromatic scale \| dissonant bass \| dragging \| dramatic \| escape \| fear \| reformatory \| teenager \| tense \| warden
Crime School (1938)	The Whip	0:30:15 - The warden uses his whip	begging \| dramatic \| escape \| fear \| reformatory \| teenager \| tense \| warden \| whip \| whipping
Crime School (1938)	The Warden (Office)	0:51:05 - The guard enters to talk to Mark	comedy \| dramatic \| hero \| leading man \| marching \| police \| reformatory \| walking
Crime School (1938)	Kids running down	0:56:17 - Kids run down stairs	action scene \| chromatic parallelism \| down \| dramatic \| mickey-mousing \| polychord \| quartal chord \| reformatory \| running \| stairs \| teenager
Crime School (1938)	Whistle	0:56:27 - Close up of whistle	action scene \| alarm \| blowing \| dramatic \| mickey-mousing \| reformatory \| sounding \| tone cluster \| whistle
Crime School (1938)	Underscoring (Dramatic)	0:56:50 - Mark goes to rescue Squirt	action scene \| altered dominant \| boiler room \| chromatic parallelism \| dissonant bass \| dramatic \| hero \| leading man \| linear chromaticism \| reformatory \| rushing \| saving \| teenager \| tense \| underscoring
Crime School (1938)	Going down	0:57:05 - Mark descends into the boiler room	action scene \| descending \| dramatic \| hero \| leading man \| mickey-mousing \| reformatory \| stairs \| teenager \| tense
Crime School (1938)	Temperature rising 2	0:57:12 - The temperature gauge rises	action scene \| altered dominant \| boiler room \| chromatic parallelism \| danger \| dramatic \| gauge \| heat \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| teenager \| temperature \| tense
Crime School (1938)	Explosion	0:57:21 - Mark pulls Squirt out of the boiler room	action scene \| ascending \| boiler room \| destruction \| dissonant bass \| dramatic \| exploding \| explosion \| hero \| leading man \| mickey-mousing \| reformatory \| rising \| stairs \| teenager \| tense \| tone cluster
Crime School (1938)	Underscoring (Dramatic)	1:06:55 - Frankie hits Spike	advance plot \| anger \| arguing \| chromatic parallelism \| chromatic wedge \| dramatic \| reformatory \| teenager \| underscoring
Crime School (1938)	Underscoring (Dramatic)	1:11:24 - Boys plot their escape	9th chord \| arguing \| chromatic parallelism \| chromatic scale \| dramatic \| escape \| gang \| plotting \| reformatory \| teenager \| underscoring
They Made Me a Criminal (1939)	Transition	0:00:07 - Starring list	added-note chord \| chromatic parallelism \| dissonant bass \| dramatic \| main title \| opening title sequence \| pedal tone \| starring list \| tense \| title of film
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:16:01 - Johnnie rushes inside	advance plot \| chromatic scale \| dramatic \| leading man \| minor-major 7th chord \| newspaper \| room \| rushing \| underscoring
They Made Me a Criminal (1939)	Traveling	0:22:25 - Johnnie becomes a fugitive	9th chord \| added-note chord \| altered dominant \| countryside \| double exposure \| dramatic \| leading man \| map \| mickey-mousing \| money \| montage \| montage \| purchasing \| street \| traveling \| walking
They Made Me a Criminal (1939)	Train	0:22:47 - A rushing train and a map	dramatic \| leading man \| mickey-mousing \| montage \| montage \| motoric \| polychord \| train \| train \| traveling \| whistle
They Made Me a Criminal (1939)	The Fugitive (Traveling)	0:22:51 - Johnnie's plodding feet	chromatic scale \| chromatic wedge \| countryside \| desert \| dissonant bass \| dramatic \| leading man \| linear chromaticism \| map \| mickey-mousing \| money \| montage \| montage \| traveling \| walking \| whole-tone \| whole-tone chord
They Made Me a Criminal (1939)	Jumps off train	0:24:21 - Johnnie jumps off the moving train	advance plot \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| jumping \| leading man \| mickey-mousing \| train \| train
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:26:48 - Peggy rushes to help Johnnie	64 chord \| dramatic \| establish character \| heroine \| leading lady \| mickey-mousing \| ranch \| running \| rushing \| underscoring
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:30:01 - Johnnie sneaks away	64 chord \| conflict \| dramatic \| leading man \| mysterious \| ranch \| sneaking
They Made Me a Criminal (1939)	Underscoring (Dramatic)	0:56:17 - Johnnie sees his picture in the paper	angry \| arguing \| chromatic parallelism \| dissonant bass \| dramatic \| fighting \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| photograph \| ranch \| teenager \| tense \| turning point \| underscoring
They Made Me a Criminal (1939)	Underscoring (Tense)	1:05:52 - Johnny talks to Peggy	conflict \| dramatic \| half-diminished 7th chord \| harmonic sequence \| leading lady \| leading man \| lying \| room \| tense \| underscoring
They Made Me a Criminal (1939)	On the Make (Heartbreak)	1:06:05 - Johnny talks to Peggy	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| room \| slamming \| somber \| tense
Death of a Scoundrel (1956)	Where Is Zina?	0:09:20 - Zina enters and we learn that she has married Clementi's brother	dramatic \| flashback
Death of a Scoundrel (1956)	Underscoring (Dramatic)	0:13:07 - Gerry sees police at the door / transition to police station	dramatic \| flashback \| underscoring
Deep Valley (1947)	Turns, Hits, and Falls	0:22:28 - Barry hits the guard	boss \| conflict \| convict \| dramatic \| falling \| father \| guard \| leading lady \| leading man \| mickey-mousing \| punching \| stinger \| street \| turning \| violence
Deep Valley (1947)	Barry	0:22:35 - Barry threatens the guard	angry \| arguing \| boss \| conflict \| convict \| dramatic \| father \| guard \| leading lady \| leading man \| street \| threatening \| yelling
Deep Valley (1947)	Underscoring (Dramatic)	0:31:10 - Close-up on Libby	arguing \| conflict \| crying \| dark \| dramatic \| father \| leading lady \| lightning \| room \| storm \| tense \| thunder \| underscoring
Deep Valley (1947)	Slap	0:32:20 - Cliff slaps Libby	conflict \| dramatic \| father \| leading lady \| lightning \| mickey-mousing \| room \| slapping \| storm \| thunder \| violence
Deep Valley (1947)	Earthquake	0:32:21 - An earthquake shakes the house	conflict \| dramatic \| earthquake \| father \| leading lady \| lightning \| mother \| room \| rushing \| shaking \| storm \| thunder
Deep Valley (1947)	Underscoring (Dramatic)	1:02:02 - Libby in her room	advance plot \| arriving \| dramatic \| father \| leading lady \| police \| room \| searching \| street \| tense \| underscoring \| watching
Deep Valley (1947)	Underscoring (Dramatic)	1:06:48 - Barry reacts to gunshots	action scene \| cabin \| convict \| dramatic \| forest \| fugitive \| gunfight \| hiding \| leading man \| loading \| love interest \| manhunt \| police \| shooting \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:07:20 - Barry tries to escape	action scene \| cabin \| convict \| dramatic \| fugitive \| hiding \| leading man \| love interest \| manhunt \| police \| retreating \| shooting \| tense
Deep Valley (1947)	Barry	1:07:25 - Barry climbs out of a hole	action scene \| cabin \| climbing \| convict \| dramatic \| escaping \| fugitive \| leading man \| love interest \| manhunt \| police \| tense
Deep Valley (1947)	Jumping down	1:07:32 - Barry jumps off the roof	action scene \| cabin \| convict \| dramatic \| fugitive \| jumping \| leading man \| love interest \| manhunt \| mickey-mousing \| police \| tense
Deep Valley (1947)	Law	1:07:34 - Lawmen pursue after Barry	action scene \| chasing \| convict \| dramatic \| escaping \| fanfare \| forest \| fugitive \| leading man \| love interest \| manhunt \| police \| running \| tense
Deep Valley (1947)	Underscoring (Dramatic)	1:17:55 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| sneaking \| stinger \| tense \| walking
Deep Valley (1947)	Underscoring (Dramatic)	1:23:43 - Barry hears a noise	advance plot \| barn \| convict \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| rushing \| tense \| worrying
Deep Valley (1947)	Rushing away	1:36:01 - Libby rushes out of the barn	barn \| climax \| convict \| descending \| dramatic \| fugitive \| leading lady \| leading man \| love interest \| mother \| rushing \| rushing effect \| tense
Deep Valley (1947)	Barry (Running)	1:37:23 - Libby chases Barry	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Molto Expressivo	1:37:28 - Barry pushes Libby away	arguing \| car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| running \| street
Deep Valley (1947)	Deep Valley (Climactic)	1:37:35 - Libby on the ground	car \| chasing \| climax \| convict \| crying \| dramatic \| driving \| fleeing \| fugitive \| leading lady \| leading man \| love interest \| street
Deep Valley (1947)	Car Crash	1:37:49 - Barry's car runs off the road	car \| climax \| convict \| crashing \| dramatic \| driving \| falling \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| street \| swerving
Deep Valley (1947)	Underscoring (Dramatic)	1:37:57 - Jeff gets up and looks around	car \| climax \| climbing \| convict \| dramatic \| fleeing \| fugitive \| leading man \| love interest \| mickey-mousing \| police \| searching \| street \| transcribed by ear \| underscoring
Deep Valley (1947)	Fleeing	1:38:08 - Barry makes a run for it	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading lady \| leading man \| love interest \| mickey-mousing \| police \| running \| shooting \| transcribed by ear
Deep Valley (1947)	Barry (Not in Score)	1:38:32 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| leading man \| love interest \| police \| running \| shooting \| tense \| transcribed by ear
Deep Valley (1947)	Underscoring (Tense)	1:38:41 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| police \| stinger \| tense \| underscoring
Deep Valley (1947)	Law	1:38:44 - The posse chases after Barry	chasing \| climax \| convict \| dramatic \| fleeing \| forest \| fugitive \| injury \| leading man \| love interest \| police \| running \| tense
Deep Valley (1947)	Barry is shot	1:38:57 - Barry is shot	climax \| convict \| dramatic \| falling \| forest \| fugitive \| injury \| leading man \| love interest \| mickey-mousing \| police \| shooting
Deep Valley (1947)	Law (Searching)	1:39:05 - The posse closes in on Barry	chasing \| climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| police \| searching
Deep Valley (1947)	Sunrise	1:40:46 - The sun rises	climax \| convict \| dramatic \| forest \| fugitive \| hiding \| injury \| leading man \| love interest \| sunrise effect
Dust Be My Destiny (1939)	Transition	0:00:09 - Starring list	dissonant bass \| dramatic \| dust \| main title \| mickey-mousing \| opening title sequence \| transition
Dust Be My Destiny (1939)	Dust Be My Destiny (Injustice)	0:02:29 - Joe reacts to the warden	9th chord \| 64 chord \| agitated \| chromatic parallelism \| conversing \| dramatic \| establish character \| injustice \| leading man \| prison \| prisoner \| warden
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:25:23 - Charlie grabs Mabel's arm	barn \| chromatic scale \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| underscoring \| villain \| warden
Dust Be My Destiny (1939)	Dust Be My Destiny (Fight)	0:25:41 - Charlie and Joe fight	42 chord \| barn \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| fighting \| leading lady \| leading man \| linear chromaticism \| mickey-mousing \| octatonic scale \| punching \| villain \| warden \| whole-tone scale
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Away)	0:25:55 - Joe and Mabel run	64 chord \| barn \| conflict \| diminution \| dramatic \| leading lady \| leading man \| running \| sequence
Dust Be My Destiny (1939)	Running	0:26:05 - Joe and Mabel run	9th chord \| barn \| conflict \| dramatic \| leading lady \| leading man \| mickey-mousing \| octatonic \| running
Dust Be My Destiny (1939)	Dying	0:26:09 - Charlie falls and dies	barn \| death \| death \| dramatic \| falling \| mickey-mousing \| villain \| warden
Dust Be My Destiny (1939)	Turning around	0:26:13 - Joe and Mabel turn around	64 chord \| barn \| death \| dramatic \| leading lady \| leading man \| mickey-mousing \| prisoner \| turning
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:26:38 - Car drives towards Joe and Mabel	added-note chord \| barn \| conflict \| dissonant bass \| dramatic \| headlights \| passerby \| stinger \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Running away	0:26:45 - Joe and Mabel run away	barn \| conflict \| diminished 7th chord \| dramatic \| leading lady \| leading man \| mickey-mousing \| pedal tone \| runaway \| running
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	Dust Be My Destiny (Fear and Devotion)	0:35:50 - Joe and Mabel decide to stick together	alley \| common-tone diminished 7th \| devotion \| dramatic \| escape \| fear \| fragmentation \| leading lady \| leading man \| love \| mode mixture \| obsessive \| runaway \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:38:00 - Joe and Mabel argue	9th chord \| arguing \| conflict \| dissonant bass \| dramatic \| leading lady \| leading man \| runaway \| street \| underscoring
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:46:42 - Mabel yells to Joe	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| escaping \| gun \| gunshot \| leading lady \| leading man \| police \| room \| runaway \| running \| street \| underscoring \| yelling
Dust Be My Destiny (1939)	Joe runs and falls	0:46:50 - Joe runs and falls	chromatic scale \| create suspense \| diminished 7th chord \| dissonant bass \| dramatic \| falling \| leading lady \| leading man \| mickey-mousing \| police \| runaway \| running \| stinger \| street
Dust Be My Destiny (1939)	Speeding car	0:51:08 - The car speeds off	car \| chromatic scale \| diminished 7th chord \| dramatic \| escape \| friend \| leading lady \| leading man \| mickey-mousing \| shopkeeper \| street \| traveling
Dust Be My Destiny (1939)	Speeding train	0:51:13 - A train approaches	dissonant bass \| dramatic \| escape \| mickey-mousing \| train \| train station \| traveling
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:15 - A bank alarm sounds	42 chord \| 64 chord \| action scene \| bank \| chromatic parallelism \| chromatic scale \| chromatic wedge \| crowd \| dramatic \| leading man \| photographer \| robbery \| shopkeeper \| street \| tone cluster \| underscoring
Dust Be My Destiny (1939)	Alarm	0:59:15 - Alarm sounds	action scene \| alarm \| bank \| crowd \| dramatic \| leading man \| mickey-mousing \| photographer \| robbery \| shopkeeper \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	0:59:42 - Joe takes pictures of the robbery	42 chord \| action scene \| bank \| chromatic scale \| criminal \| crowd \| dramatic \| fragmentation \| gangster \| leading man \| photographer \| retrograde \| shopkeeper \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	0:59:53 - Police arrive at the scene	64 chord \| action scene \| bank \| chromatic scale \| crowd \| dramatic \| leading man \| police \| street \| underscoring
Dust Be My Destiny (1939)	Headlines	1:03:23 - Headline about the robbery	advance plot \| augmented triad \| chromatic sequence \| diner \| dramatic \| newspaper \| newspaper boy \| selling \| street
Dust Be My Destiny (1939)	Underscoring (Dramatic)	1:10:32 - Joe runs after the car	augmented triad \| chromatic parallelism \| chromatic scale \| conflict \| dramatic \| gangster \| half-diminished 7th chord \| hero \| leading man \| mickey-mousing \| newspaper editor \| running \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Brave)	1:10:38 - Joe jumps onto the car	action scene \| augmented triad \| car \| chromatic parallelism \| dramatic \| fighting \| gangster \| hero \| leading man \| newspaper editor \| street \| whole-tone chord
Dust Be My Destiny (1939)	Dust Be My Destiny (Heroic)	1:10:32 - Joe heroically wrestles away the steering wheel	action scene \| chromatic scale \| dramatic \| fighting \| fragmentation \| gangster \| hero \| leading man \| newspaper editor \| retrograde \| street
Dust Be My Destiny (1939)	Car crash	1:10:55 - Gangsters crash the car	action scene \| car \| chromatic scale \| crashing \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| newspaper editor \| street
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:04:55 - Frank is pushed into a car	car \| chromatic scale \| conflict \| diminished 7th chord \| dissonant bass \| dramatic \| fragmentation \| gangster \| gun \| hero \| kidnapping \| leading man \| pushing \| reporter \| street \| underscoring \| violence
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Hits with bottle	0:05:26 - A bottle of alcohol is broken	9th chord \| bottle \| breaking \| conflict \| dramatic \| gangster \| hero \| leading man \| mickey-mousing \| reporter \| street \| violence
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:06:06 - Crowd accuses Frank of murder	9th chord \| accusing \| car crash \| conflict \| crowd \| dissonant bass \| dramatic \| hero \| injury \| leading man \| linear chromaticism \| police \| reporter \| sequence \| shaking \| street \| underscoring \| yelling
Each Dawn I Die (1939)	Montage	0:22:54 - Montage showing the passing of time	chromatic parallelism \| clock \| dramatic \| linear chromaticism \| mickey-mousing \| montage \| montage \| prison \| prisoner \| tense \| waiting \| whole-tone chord
Each Dawn I Die (1939)	Transition (Extended)	1:28:35 - Newspaper headline is shown	9th chord \| dissonant bass \| dramatic \| headline \| montage \| montage \| newspaper
The FBI Story (1959)	Climb Into Truck	0:36:16 - Klansmen throw newspaper editor in the truck then climb in	climbing \| dramatic \| flashback \| KKK \| mickey-mousing
The FBI Story (1959)	Symbol (Bold)	0:36:48 - Agents reveal that they are FBI men	dramatic \| FBI \| flashback
The FBI Story (1959)	Agitato	0:56:40 - Chip rushes to be with Lucy after she lost her baby	agitated \| dramatic \| emotional \| flashback \| rushing
The FBI Story (1959)	Underscoring (Dramatic)	1:02:21 - Montage of mobster mischief	dramatic \| flashback \| gangster \| gun \| gunshot \| mobster \| underscoring
The FBI Story (1959)	Underscoring (Dark)	1:20:31 - Pretty Boy Floyd takes hostages to a car	dark \| dramatic \| flashback \| gangster \| mobster \| tense \| underscoring
The FBI Story (1959)	Underscoring (Dramatic)	1:32:26 - Shootout at Ma Barker's place	dramatic \| flashback \| gangster \| gun \| mobster \| shootout \| underscoring
The FBI Story (1959)	Underscoring (Dramatic)	1:32:49 - Mobster Alvin Karpis announces that he is going to kill J. Edgar Hoover	dramatic \| flashback \| gangster \| mobster \| underscoring
The FBI Story (1959)	Underscoring (Dramatic)	1:33:19 - Agents arrest Machine Gun Kelly	dramatic \| flashback \| gangster \| mobster \| underscoring
The FBI Story (1959)	Underscoring (Dramatic)	1:57:40 - Men keep running	dramatic \| escaping \| flashback \| underscoring
Flamingo Road (1949)	Crime School	0:00:08 - Starring list	9th chord \| dramatic \| opening title sequence \| parallelism \| self-borrowing \| starring list \| tense
Flamingo Road (1949)	Titus 2 (Maestoso)	0:41:11 - Women enter the prison	advance plot \| dark \| dramatic \| leading lady \| prison \| prisoner \| self-borrowing \| walking
Flamingo Road (1949)	Train	0:42:28 - A rushing train	dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| train \| train \| traveling
Flamingo Road (1949)	Train + Titus (Rising)	0:42:43 - Field and Annabelle in a train car	combination of themes \| dark \| dramatic \| fiancée \| leading man \| montage \| montage \| ostinato \| self-borrowing \| sequence \| train \| train \| traveling
Flamingo Road (1949)	If I Could Be With You (Dramatic)	1:11:05 - Boldon Lumber Company	conflict \| dark \| dramatic \| driving \| foreshadowing \| half-diminished 7th chord \| sheriff \| street
Flamingo Road (1949)	Underscoring (Tense)	1:11:26 - Field drinks	alcohol \| arriving \| bullying \| conflict \| dramatic \| drinking \| leading man \| linear chromaticism \| politician \| room \| sheriff \| underscoring
Flamingo Road (1949)	Throwing whiskey and glass	1:12:08 - Titus throws whiskey in Field's face	alcohol \| breaking \| bullying \| conflict \| dramatic \| glass \| leading man \| mickey-mousing \| politician \| room \| sheriff \| slamming \| splashing \| throwing \| tone cluster \| whole-tone scale
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:17 - Titus grabs Field and pushes him	bullying \| conflict \| dramatic \| leading man \| politician \| pushing \| room \| sheriff \| throwing \| underscoring \| violent
Flamingo Road (1949)	Underscoring (Dramatic)	1:12:32 - Titus throws Field out the door	augmented triad \| bullying \| chromatic parallelism \| conflict \| dark \| dramatic \| leading man \| politician \| polychord \| pushing \| room \| sheriff \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:12:39 - Titus breaks the glass door	breaking \| bullying \| conflict \| door \| dramatic \| leading man \| mickey-mousing \| politician \| polychord \| room \| sheriff \| smashing \| window
Flamingo Road (1949)	Titus (Ostinato 2)	1:23:34 - Field and Lane talk about Titus and Dan	arguing \| dark \| death scene \| dramatic \| leading lady \| leading man \| love interest \| ominous \| ostinato \| room \| self-borrowing
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	Underscoring (Dramatic)	1:30:24 - Lane pulls a gun on Titus	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| sheriff \| stinger \| threatening
Flamingo Road (1949)	Titus (Slowly)	1:30:42 - Lane holds Titus at gunpoint	arguing \| climax \| club \| dark \| demanding \| dramatic \| gun \| leading lady \| ominous \| self-borrowing \| sheriff \| telephone \| threatening
Flamingo Road (1949)	Underscoring (Dramatic)	1:31:15 - Titus attacks Lane	attacking \| breaking \| chromatic parallelism \| climax \| club \| dramatic \| dropping \| gun \| leading lady \| linear chromaticism \| oscillation \| sheriff \| staggering \| stinger \| telephone \| tense \| throwing \| underscoring
Flamingo Road (1949)	Breaking door	1:31:19 - Titus throws the phone at Lane	chromatic parallelism \| climax \| club \| dramatic \| gun \| leading lady \| mickey-mousing \| sheriff \| telephone \| throwing
Flamingo Road (1949)	Lane staggers	1:31:22 - Lane staggers after being hit	climax \| club \| dramatic \| leading lady \| mickey-mousing \| oscillation \| sheriff \| staggering
Flamingo Road (1949)	Titus (Ostinato 3)	1:31:25 - Titus holds a gun on Lane	climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| menacing \| ostinato \| self-borrowing \| sequence \| sheriff \| struggling \| tense \| threatening
Flamingo Road (1949)	Titus (Climax)	1:31:43 - Lane struggles with Titus	chromatic parallelism \| chromatic wedge \| climax \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| self-borrowing \| sequence \| sheriff \| struggling \| tense
Flamingo Road (1949)	Struggling	1:31:47 - Close-up on the gun	climax \| close-up \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| mickey-mousing \| oscillation \| sheriff \| struggling \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	0:27:50 - Steve fights Hammy	action scene \| conductor score \| dramatic \| fighting \| gangster \| hurried \| leading lady \| leading man \| punching \| room \| strangling \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace (Hammy's Escape)	0:53:30 - Hammy tries to escape	action scene \| conductor score \| detective \| dramatic \| escaping \| fleeing \| gangster \| gun \| gunshot \| hurried \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Hammy Is Shot	0:53:37 - Hammy falls to the ground	action scene \| conductor score \| death \| detective \| dramatic \| dying \| falling \| gangster \| leading man \| mickey-mousing \| street \| tragic
Hell on Frisco Bay (1955)	Menace (Frantic)	0:58:48 - Bessie walks through the market	\| agitated \| chase scene \| conductor score \| detective \| dramatic \| floozy \| frantic \| gangster \| hurrying \| leading man \| market \| mysterious \| street \| tense \| walking \| worker
Hell on Frisco Bay (1955)	Menace (Screwy)	1:31:32 - Amato picks up his gun	action scene \| antagonist \| arriving \| boss \| conversing \| dramatic \| gangster \| gun \| leading man \| packing \| room
Hell on Frisco Bay (1955)	Steve (Agitato)	1:33:17 - Marcia looks for Steve	action scene \| dock \| dramatic \| leading lady \| running \| searching \| tense \| wife
Hell on Frisco Bay (1955)	Amato (Slower)	1:33:23 - Amato takes Marcia hostage	action scene \| conversing \| detective \| dock \| dramatic \| gangster \| gun \| kidnapping \| leading lady \| leading man \| ominous \| tense \| wife
Hell on Frisco Bay (1955)	Amato (Molto Marcato)	1:34:08 - Steve confronts Amato	action scene \| detective \| dock \| dramatic \| gangster \| gun \| gunshot \| kidnapping \| leading lady \| leading man \| shooting \| tense \| wife
Hell on Frisco Bay (1955)	Running	1:34:27 - Amato runs to his boat	action scene \| agitated \| boat \| chasing \| descending \| detective \| dock \| dramatic \| following \| gangster \| leading lady \| leading man \| mickey-mousing \| running \| tense \| wife
Hell on Frisco Bay (1955)	Boat Chase	1:34:33 - Amato tries to escape in a boat	action scene \| agitated \| antagonist \| boat \| boss \| chasing \| detective \| dock \| dramatic \| following \| gangster \| leading man \| running \| tense
Hell on Frisco Bay (1955)	Steve dives	1:34:48 - Steve dives in the water	action scene \| agitated \| antagonist \| boss \| detective \| diving \| dock \| dramatic \| gangster \| jumping \| leading man \| mickey-mousing \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:34:53 - Steve climbs in the boat	action scene \| antagonist \| boat \| boss \| detective \| dock \| dramatic \| driving \| gangster \| leading man \| tense \| underscoring
Hell on Frisco Bay (1955)	Menace (Fight)	1:34:57 - Steve and Amato fight	action scene \| agitated \| antagonist \| boat \| boss \| detective \| dock \| dramatic \| driving \| fighting \| gangster \| leading man \| tense
Hell on Frisco Bay (1955)	Menace (Fight)	1:35:21 - Steve and Amato fight	action scene \| agitated \| antagonist \| boat \| boss \| detective \| dock \| dramatic \| fighting \| gangster \| leading man \| strangling \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	NIF - not in film	action scene \| cut from film \| dramatic \| underscoring
Hell on Frisco Bay (1955)	Police running	1:35:32 - The policemen run	action scene \| agitated \| descending \| dock \| dramatic \| mickey-mousing \| police \| running \| tense
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:35:40 - The police boat leaves the dock	action scene \| boat \| departing \| dock \| dramatic \| driving \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato (Fighting)	1:35:47 - Steve and Amato fight	action scene \| agitated \| antagonist \| boat \| boss \| detective \| dock \| dramatic \| fighting \| gangster \| leading man \| tense
Hell on Frisco Bay (1955)	Amato (Climax)	1:35:56 - The police boat advances	action scene \| agitated \| antagonist \| boat \| boss \| chasing \| detective \| dock \| dramatic \| fighting \| following \| gangster \| leading man \| police \| tense \| underscoring
Hell on Frisco Bay (1955)	Amato (Fighting)	1:36:12 - Steve and Amato fight	action scene \| agitated \| antagonist \| boat \| boss \| climax \| detective \| dock \| dramatic \| fighting \| gangster \| leading man \| tense
Hell on Frisco Bay (1955)	Amato falls	1:36:20 - Amato falls in the water	action scene \| antagonist \| boat \| boss \| climax \| detective \| dock \| dramatic \| driving \| falling \| fighting \| gangster \| leading man \| mickey-mousing \| punching \| splashing \| tense \| water
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	antagonist \| boat \| boss \| detective \| dock \| dramatic \| gangster \| leading man \| lifting \| mickey-mousing \| police \| raising \| resolution from here on? \| tense \| water
Her Kind of Man (1946)	It Had to Be You (Transition)	0:00:08 - Starring list	bold \| cards \| dramatic \| gambling \| opening title sequence \| poker \| starring list \| transcribed by ear \| transition
Her Kind of Man (1946)	It Had to Be You (Main Title)	0:00:16 - Main title	cards \| cast list \| dramatic \| gambling \| opening title sequence \| poker \| romantic \| roulette \| sequence \| title of film
Her Kind of Man (1946)	Underscoring (Dark [Waxman])	0:17:02 - Steve fights Felix	action scene \| arguing \| conversing \| criminal \| dark \| death \| dramatic \| gambler \| gun \| gunshot \| leading lady \| leading man \| love interest \| owner \| punching \| room \| self-defense \| shooting \| singer \| stinger \| tense \| underscoring
Her Kind of Man (1946)	Underscoring (Dramatic [Waxman])	0:42:19 - Approaching headlights	action scene \| criminal \| dark \| departing \| dramatic \| driving \| henchman \| leading man \| leaving \| reporter \| street \| stumbling \| underscoring
Her Kind of Man (1946)	Night Clubs (Street Scene)	0:44:59 - Neon signs on Broadway	dramatic \| sequential modulation \| street \| transition \| upbeat
Her Kind of Man (1946)	It Had to Be You (Dramatic)	0:51:26 - Don shoves Candy	arguing \| conflict \| criminal \| departing \| dramatic \| fighting \| gambler \| henchman \| leading man \| reporter \| room \| underscoring
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	0:54:59 - Cop takes a witness	departing \| dramatic \| leading man \| letter \| mysterious \| police \| police station \| reporter \| signature \| tense \| turning point \| typing \| underscoring \| waiter \| witness
Her Kind of Man (1946)	Body and Soul (Intro)	0:56:28 - Night club sign	arriving \| crowd \| dramatic \| music scene \| sign \| street
Her Kind of Man (1946)	Steve Shoots Sister	1:03:37 - Steve shoots his sister	action scene \| chromatic scale \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	1:04:46 - Montage of policemen	action scene \| double exposure \| dramatic \| montage \| police \| searching \| street \| underscoring
Her Kind of Man (1946)	Headline	1:04:52 - Newspaper headline	action scene \| double exposure \| dramatic \| headline \| newspaper
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:14:17 - Cop looks at his watch	climax \| conversing \| criminal \| double-cross \| dramatic \| henchman \| leading lady \| leading man \| parallelism \| police \| reporter \| room \| singer \| stinger \| telephone \| tense \| underscoring \| watch \| wife
Her Kind of Man (1946)	Speeding	1:14:21 - Policeman driving	car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| dramatic \| driving \| hurrying \| leading lady \| leading man \| omnibus progression \| police \| reporter \| rushing \| singer \| tense \| wife \| yelling
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:15:53 - Joe shoots at Steve	climax \| criminal \| double-cross \| dramatic \| dying \| falling \| gambler \| gun \| gunshot \| henchman \| husband \| leading man \| murder \| murderer \| parallelism \| revenge \| shooting \| street \| widow
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
I Was a Communist for the FBI (1951)	Communist	0:00:09 - Title of film	bold \| chromatic parallelism \| chromatic scale \| dark \| dramatic \| half-diminished 7th chord \| hallway \| march \| opening title sequence \| oscillation \| parallelism \| stranger \| title of film \| tritone oscillation \| zoom in
I Was a Communist for the FBI (1951)	Undercover Agent	0:00:26 - Starring list	approaching \| bold \| cast list \| dark \| dramatic \| fanfare \| hallway \| march \| mickey-mousing \| opening title sequence \| ostinato \| polychord \| sequence \| starring list \| stranger \| tone cluster \| tritone oscillation \| walking
I Was a Communist for the FBI (1951)	Underscoring (Dramatic)	0:24:58 - Matt reacts	chromatic parallelism \| chromatic scale \| chromatic wedge \| departing \| diminished 7th chord \| dissonant bass \| dramatic \| insult \| leading man \| neighbor \| reacting \| room \| stinger \| transition \| undercover agent
I Was a Communist for the FBI (1951)	Strike	0:43:53 - Newspaper headline	dramatic \| headline \| newspaper \| polychord \| stinger \| strike \| transition
I Was a Communist for the FBI (1951)	Throws lamp	0:59:39 - Commie throws lamp at FBI man	agent \| augmented triad \| chromatic parallelism \| communist \| dramatic \| falling \| lamp \| mickey-mousing \| murder scene \| room \| spy \| throwing
I Was a Communist for the FBI (1951)	Agents Fight	0:59:39 - Communists fight the FBI man	agent \| attacking \| augmented triad \| chromatic parallelism \| communist \| death \| dramatic \| fighting \| knife \| minor-major 7th chord \| murder \| murder scene \| pc set \| polychord \| room \| spy \| stabbing \| stinger \| tritone oscillation
I Was a Communist for the FBI (1951)	Undercover Agent (Gunfight)	1:03:34 - Train tracks	augmented triad \| communist \| dissonant bass \| diving \| dramatic \| gun \| gunshot \| hiding \| leading lady \| leading man \| mickey-mousing \| minor-major 7th chord \| polychord \| running \| shooting \| shootout \| shootout \| spy \| syncopation \| teacher \| tense \| train tracks \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Running	1:03:57 - Communist runs	communist \| dramatic \| leading lady \| leading man \| mickey-mousing \| running \| shootout \| shootout \| spy \| teacher \| tense \| train tracks \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Commie is shot	1:04:01 - Communist is shot and falls dead	chromatic scale \| communist \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading lady \| leading man \| mickey-mousing \| pc set \| shooting \| shootout \| shootout \| spy \| stinger \| teacher \| tense \| tone cluster \| train tracks \| undercover agent
I Was a Communist for the FBI (1951)	Riot	1:11:05 - Communists beat up Matt	anger \| attacking \| chromatic parallelism \| chromatic scale \| chromatic sequence \| communist \| dramatic \| fighting \| interrogation \| leading man \| punching \| undercover agent \| whole-tone chord
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:11:10 - Communists beat up Matt	attacking \| communist \| dramatic \| fighting \| interrogation \| leading man \| police \| polychord \| punching \| tritone oscillation \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Tuttissimo)	1:14:31 - New York City skyline	crowd \| dramatic \| montage \| polychord \| riot \| rioting \| tritone oscillation \| violence \| voice-over
I Was a Communist for the FBI (1951)	Riot	1:14:50 - Rioters fighting	chromatic parallelism \| chromatic scale \| crowd \| dramatic \| fighting \| montage \| ostinato \| pc set \| riot \| rioting \| violence \| whole-tone scale
I Was a Communist for the FBI (1951)	Undercover Agent (Conflict)	1:15:06 - Protestors marching	arguing \| crowd \| dramatic \| montage \| polychord \| protesting \| riot \| tritone oscillation \| violence
Illegal (1955)	Underscoring (Dramatic)	1:17:50 - Vic and Hinkel gather together some papers	dramatic \| hero \| tense \| underscoring
Illegal (1955)	Frank Garland (Dramatic)	1:23:31 - Vic gets out of the car and crosses the street	car \| dramatic \| underscoring
In This Our Life (1942)	Our Life	0:00:17 - Title of the film	9th chord \| cast list \| dissonant bass \| dramatic \| opening title sequence \| sequence \| title of film
In This Our Life (1942)	Meno	0:00:34 - Cast list	64 chord \| cast list \| chromatic parallelism \| deceptive resolution \| dramatic \| fanfare \| opening title sequence \| pedal tone \| tritone
In This Our Life (1942)	Big Sweep	0:12:41 - Stanley leaves	altered dominant \| dramatic \| establish character \| leading lady \| pc set \| room \| sister \| stinger \| tense \| watching
In This Our Life (1942)	Stanley B (Slowly)	0:17:20 - Stanley talks with Craig	advance plot \| conversing \| dramatic \| fiancé \| half-diminished 7th chord \| kissing \| leading lady \| lying \| room \| sultry
In This Our Life (1942)	Underscoring (Dramatic)	1:09:01 - Stanley has an accident	car \| child \| chromatic scale \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| leading lady \| pc set \| street \| victim \| whole-tone chord \| whole-tone scale
In This Our Life (1942)	Car crash	1:09:01 - Stanley hits two pedestrians	accident \| car \| car crash \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| dying \| falling \| hit and run \| leading lady \| mickey-mousing \| street \| victim \| whole-tone chord \| whole-tone scale
In This Our Life (1942)	Turning around	1:09:06 - Stanley turns around	accident \| car \| car crash \| chromatic scale \| crime scene \| criminal \| dramatic \| drunk \| glaring \| hit and run \| leading lady \| mickey-mousing \| pc set \| stinger \| street \| turning
In This Our Life (1942)	Stanley (Valse Triste)	1:26:23 - Stanley confesses	9th chord \| altered dominant \| appoggiatura \| arguing \| circle of fifths \| climax \| confessing \| confession \| criminal \| crying \| dramatic \| father \| lawyer \| leading lady \| leading man \| mother \| room \| suspect \| whole-tone chord
In This Our Life (1942)	Big Sweep	1:28:57 - Stanley escapes	11th chord \| altered dominant \| climax \| criminal \| dramatic \| driving \| escaping \| lawyer \| leading lady \| leading man \| pc set \| room \| underscoring \| watching
In This Our Life (1942)	Maestoso	1:31:51 - Stanley runs off crying	conflict \| criminal \| crying \| departing \| dissonant bass \| dramatic \| leading lady \| polychord \| room \| running \| street \| uncle \| yelling
In This Our Life (1942)	Underscoring (Dramatic)	1:32:30 - Stanley dashes through the gate	conflict \| criminal \| dramatic \| hiding \| leading lady \| police \| running \| rushing \| street \| underscoring
In This Our Life (1942)	Stanley (Chase)	1:32:59 - The police chase after Stanley	9th chord \| acceleration \| chase scene \| chasing \| chromatic scale \| climax \| criminal \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Fleeing)	1:33:12 - The police chase after Stanley	64 chord \| chase scene \| chasing \| chromatic mediant \| climax \| criminal \| desperate \| diminution \| dramatic \| driving \| fleeing \| leading lady \| ostinato \| police \| sequential modulation \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:33:29 - Two other policeman see Stanley	chase scene \| chasing \| chromatic scale \| climax \| criminal \| dark \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| pc set \| police \| street \| tense \| underscoring \| watching
In This Our Life (1942)	Stanley (Crying)	1:33:37 - Stanley crying in her car	9th chord \| appoggiatura \| chase scene \| chasing \| climax \| criminal \| crying \| dark \| dramatic \| driving \| fleeing \| harmonic sequence \| leading lady \| police \| somber \| street \| tense
In This Our Life (1942)	Stanley + Stanley B (Rising Tension)	1:33:49 - The police in hot pursuit	chase scene \| chasing \| chromatic scale \| chromatic sequence \| climax \| combination of themes \| criminal \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| half-diminished 7th chord \| leading lady \| police \| street \| tense
In This Our Life (1942)	Stanley (Desperate)	1:34:02 - The police in hot pursuit	9th chord \| chase scene \| chasing \| chromatic parallelism \| climax \| criminal \| crying \| desperate \| dramatic \| driving \| fleeing \| fragmentation \| leading lady \| police \| street \| tense
In This Our Life (1942)	Underscoring (Dramatic)	1:34:09 - Stanley's eyes in the rear-view mirror	9th chord \| acceleration \| chase scene \| chasing \| climax \| criminal \| crying \| desperate \| dissonant bass \| dramatic \| driving \| fleeing \| leading lady \| pc set \| police \| street \| tense \| tone cluster \| underscoring
In This Our Life (1942)	Car crash 2	1:34:17 - Stanley's car crashes	9th chord \| brash \| car \| car crash \| chase scene \| climax \| crashing \| criminal \| dramatic \| driving \| dying \| falling \| fire \| leading lady \| mickey-mousing \| police \| street \| tense
In This Our Life (1942)	Stanley (Tragic)	1:34:28 - Police run to Stanley's car	9th chord \| added-note chord \| appoggiatura \| brash \| car \| car crash \| chase scene \| climax \| criminal \| dramatic \| dying \| fire \| half-diminished 7th chord \| helping \| leading lady \| mournful \| police \| reporting \| rescuing \| rushing \| sigh gesture \| somber \| street \| tragic
The Informer (1935)	Falling down the stairs	1:06:19 - Gypo falls down the stairs	9th chord \| antagonist \| chromatic scale \| courtroom scene \| down \| dramatic \| falling \| headquarters \| leading man \| mickey-mousing \| rebel \| room \| stairs \| suspect
The Informer (1935)	The Escape	1:19:46 - Gypo escapes and a chase ensues	advance plot \| antagonist \| chromatic scale \| dramatic \| escaping \| headquarters \| hurrying \| leading man \| mickey-mousing \| prison \| rebel \| room \| running \| traitor \| whole-tone \| whole-tone chord
The Informer (1935)	The Informer (Begging)	1:25:50 - Katie pleads for Gypo	advance plot \| begging \| dramatic \| leading lady \| love interest \| main theme \| rebel \| room
The Informer (1935)	The Escape (The Fight)	1:28:25 - Rebels shoot through the door	antagonist \| augmented triad \| chromatic parallelism \| chromatic scale \| climax \| down \| dramatic \| escaping \| falling \| fighting \| leading man \| linear chromaticism \| mickey-mousing \| rebel \| room \| running \| tense \| traitor \| whole-tone
Key Largo (1948)	Underscoring (Dramatic)	0:33:17 - Mr. Temple rises to attack Rocco	angry \| arguing \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| laughing \| leading lady \| leading man \| tense \| underscoring
Key Largo (1948)	Falling	0:33:38 - Mr. Temple falls to the ground	angry \| boss \| conflict \| dramatic \| falling \| father \| gangster \| hostage \| hotel \| landing \| leading lady \| leading man \| mickey-mousing \| tense
Key Largo (1948)	Underscoring (Dramatic)	0:33:43 - Nora rises to attack Rocco	angry \| attacking \| boss \| conflict \| dramatic \| father \| gangster \| hitting \| horror \| hostage \| hotel \| kissing \| leading lady \| leading man \| tense \| underscoring \| violence
Key Largo (1948)	McCloud (Dissonant)	0:40:25 - McCloud walks over to Nora	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| protecting
Key Largo (1948)	Rocco 3 (Angry)	0:40:32 - Rocco gets angry	angry \| boss \| conflict \| dramatic \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| stinger \| taunting
Key Largo (1948)	Underscoring (Dramatic)	0:48:10 - Rocco shoots Deputy Sawyer	boss \| conflict \| death \| dramatic \| father \| fear \| gangster \| gun \| gunshot \| horror \| hostage \| hotel \| leading lady \| leading man \| look of horror \| moll \| shooting \| stinger \| tense
Key Largo (1948)	Falling and dying	0:48:19 - Deputy Sawyer falls dead off-screen	boss \| conflict \| death \| dramatic \| dying \| falling \| father \| gangster \| gun \| gunshot \| hostage \| hotel \| leading lady \| leading man \| mickey-mousing \| moll \| tense
Key Largo (1948)	Storm	1:06:07 - Tree crashes through window	beach \| blowing \| crashing \| dramatic \| hurricane \| raining \| storm \| storm scene \| tense
Key Largo (1948)	Tree falls	1:06:28 - Stormy weather outside	beach \| dramatic \| falling \| hurricane \| mickey-mousing \| storm \| storm scene \| tense \| tree
Key Largo (1948)	Shelter in the Storm	1:06:41 - Storm continues outside	beach \| blowing \| crashing \| dramatic \| hurricane \| Indian \| raining \| sheltering \| storm \| storm scene \| tense
Key Largo (1948)	Storm Subsides	1:07:15 - Storm starts to die down	beach \| blowing \| calming \| dramatic \| hurricane \| raining \| storm \| storm scene \| tense
Key Largo (1948)	Underscoring (Dramatic)	1:14:48 - Sheriff finds out that it is Sawyer	conflict \| corpse \| discovering \| dramatic \| hotel \| murder \| realizing \| sheriff \| tense \| underscoring
Key Largo (1948)	Underscoring (Dramatic)	1:15:32 - Sheriff runs to talk to the Indians	conflict \| dock \| dramatic \| running \| sheriff \| underscoring
Key Largo (1948)	Underscoring (Dramatic)	1:26:10 - Gangsters board the boat with McCloud	advance plot \| boarding \| boss \| dock \| dramatic \| gangster \| hostage \| leading lady \| leading man \| moll \| storm \| tense \| underscoring \| wind
Key Largo (1948)	Tension (The Boat)	1:26:31 - McCloud tries to start the boat	advance plot \| boat \| boat \| boss \| dramatic \| gangster \| hostage \| leading man \| leaving \| motor \| sputtering \| starting \| stinger \| tense
Key Largo (1948)	Rocco exits	1:35:14 - Rocco exits	boat \| boss \| conflict \| dramatic \| exiting \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| tense
Key Largo (1948)	Rocco's Death	1:35:17 - Rocco falls	boat \| boss \| conflict \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| shooting \| stinger \| tense
The Letter (1940)	Runners	0:05:14 - Workers run through jungle	action scene \| chromatic parallelism \| dramatic \| heroic \| jungle \| running \| sequential modulation \| servant \| tense
The Letter (1940)	Underscoring (Dramatic)	0:06:04 - Robert leaves	action scene \| conversing \| death \| dramatic \| husband \| murder \| servant \| underscoring \| warehouse
The Letter (1940)	Leslie (Rising) + Deception	0:13:28 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| combination of themes \| crying \| dramatic \| emotional \| home \| leading lady \| oscillation \| ostinato \| passionate \| pc set \| recounting \| sequence
The Letter (1940)	Leslie (Risoluto)	0:14:07 - Leslie continues her story	advance plot \| augmented triad \| chromatic parallelism \| dramatic \| fragmentation \| home \| leading lady \| pc set \| polychord \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	0:14:31 - The scene of the crime	advance plot \| changing meter \| composer reference \| dramatic \| home \| leading lady \| oscillation \| point of view \| recounting \| sequence \| sequential modulation \| suspension \| tense
The Letter (1940)	Leslie B (Screwyoso)	0:14:42 - The bottom of the stairs	advance plot \| common-chord modulation \| dramatic \| emotional \| home \| leading lady \| point of view \| recounting \| sequence
The Letter (1940)	Leslie B (Appassionato)	0:19:26 - Leslie closes the blinds	changing meter \| dramatic \| emotional \| home \| leading lady \| linear chromaticism \| love scene \| sequence \| walking
The Letter (1940)	Leslie (Ominous)	0:22:58 - The site of the murder	advance plot \| augmentation \| call and response \| Chinese \| dramatic \| leading lady \| leaving \| mysterious \| plantation \| reveal \| shadow \| spying \| stinger \| tense \| watching \| widow
The Letter (1940)	Underscoring (Dramatic)	1:15:45 - Robert asks to see the letter	arguing \| augmented triad \| conflict \| diminished 7th chord \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| pc set \| sequence \| tense \| underscoring
The Letter (1940)	Leslie (Rising) + Deception	1:17:52 - Leslie confesses to Robert	augmented triad \| chromatic parallelism \| combination of themes \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| oscillation \| ostinato \| recounting \| sequence \| tense
The Letter (1940)	Leslie (Tragic)	1:17:59 - Leslie confesses to Robert	changing meter \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Dramatic)	1:18:32 - Leslie confesses to Robert	confessing \| conflict \| crying \| dramatic \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Guilty)	1:19:41 - The full moon on a dark night	dramatic \| moon \| oscillation \| panning shot \| pedal tone \| plantation \| suspension \| transition
The Letter (1940)	Leslie (Guilty) + Foxtrot No. 1	1:20:53 - Leslie looks at the full moon	advance plot \| combination of themes \| dagger \| dramatic \| home \| leading lady \| looking \| moon \| oscillation \| polytonality \| stinger \| suspension
The Letter (1940)	Leslie (Distraught)	1:25:39 - Leslie cries	augmented sixth chord \| climax \| crying \| dramatic \| emotional \| foreign key modulation \| home \| leading lady \| oscillation \| sequence
The Letter (1940)	Leslie (The Moon)	1:31:36 - Leslie sees the moon go behind a cloud	climax \| cloud \| crying \| dramatic \| half-diminished 7th chord \| leading lady \| looking \| moon \| oscillation \| pc set \| plantation \| sequence
The Letter (1940)	Letter	1:34:41 - End credits	changing meter \| closing credits \| dramatic \| end title sequence \| minor-major 7th chord \| oscillation \| plagal cadence
The Letter (1940)	Leslie (End Title)	1:34:44 - End credits	closing credits \| dramatic \| end title sequence \| plagal cadence
The Letter (1940)	Alternate Ending	NIF - not in film	closing credits \| dramatic \| end title sequence \| plagal cadence
Lightning Strikes Twice (1951)	Transition	0:00:07 - Starring list and lightning strikes	acceleration \| dramatic \| lightning \| lightning effect \| opening title sequence \| prison \| self-borrowing \| sequential modulation \| starring list \| transition
Lightning Strikes Twice (1951)	Lightning	0:00:24 - Title card, cast list and prison	cast list \| dramatic \| harmonic sequence \| lightning effect \| opening title sequence \| prison \| self-borrowing \| title of film \| transition
Lightning Strikes Twice (1951)	Molto Agitato	0:32:50 - String gets angry	actor \| anger \| arguing \| brother \| chromatic parallelism \| chromatic scale \| chromatic wedge \| conflict \| dramatic \| half-diminished 7th chord \| leading lady \| oscillation \| pc set \| priest \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Anger	0:33:15 - String gets angry	actor \| anger \| arguing \| brother \| conflict \| crying \| dramatic \| leading lady \| oscillation \| priest \| rancher \| room \| tense \| tone cluster \| whole-tone chord \| yelling
Lightning Strikes Twice (1951)	Stumbling	0:42:50 - Shelly slips on a rock and almost falls	actor \| cliff \| compound melody \| countryside \| danger \| dramatic \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| slipping \| stumbling \| suspect \| whole-tone chord
Lightning Strikes Twice (1951)	Stumbling 2	0:46:03 - Shelly starts back along path	actor \| cliff \| climbing \| countryside \| danger \| dramatic \| falling in love scene \| fragmentation \| hiking \| leading lady \| leading man \| love interest \| slipping \| stumbling \| suspect \| whole-tone chord
Lightning Strikes Twice (1951)	Rock falls	0:46:09 - A rock falls on the path	actor \| cliff \| countryside \| danger \| dramatic \| falling \| falling in love scene \| leading lady \| leading man \| love interest \| mickey-mousing \| rock \| suspect \| whole-tone chord \| whole-tone scale
Lightning Strikes Twice (1951)	Rescue	0:47:42 - Trev rescues Shelly	actor \| chromatic wedge \| cliff \| climbing \| countryside \| dramatic \| falling in love scene \| helping \| leading lady \| leading man \| linear chromaticism \| love interest \| rescue \| rescuing \| suspect \| tense \| triumphant
Lightning Strikes Twice (1951)	Afraid	1:19:02 - Shelly leaves Trev in fear	actor \| crying \| dramatic \| escaping \| fanfare \| fear \| husband \| leading lady \| leading man \| mad scene \| room \| self-borrowing \| stinger \| suspect \| worrying
Lightning Strikes Twice (1951)	Shelly (Escaping)	1:19:17 - Shelly flees from Trev	actor \| dramatic \| escaping \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| room \| running \| suspect \| unlocking
Lightning Strikes Twice (1951)	Shelly 2 (Fleeing)	1:19:32 - Shelly runs to the car	actor \| chasing \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running \| running effect \| suspect
Lightning Strikes Twice (1951)	Shelly (Fleeing)	1:19:41 - Trev sees Shelly drive away	actor \| dramatic \| driving \| fear \| fleeing \| husband \| leading lady \| leading man \| mad scene \| ranch \| running effect \| suspect
Lightning Strikes Twice (1951)	Underscoring (Dramatic)	1:26:47 - Trev runs after Liza	actor \| anger \| chasing \| climax \| dramatic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| running \| underscoring
Lightning Strikes Twice (1951)	Trev runs	1:27:01 - Trev runs after Liza	chasing \| climax \| dramatic \| husband \| leading man \| mickey-mousing \| murderer \| ranch \| rancher \| running \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (The Chase)	1:27:42 - Liza and String drive away	brother \| car \| chasing \| climax \| countryside \| dramatic \| driving \| escaping \| frantic \| motorcycle \| murderer \| police \| rancher \| speeding \| tense
Lightning Strikes Twice (1951)	Menace (The Crash)	1:28:30 - Liza drives off the hill	brother \| car \| car crash \| climax \| countryside \| crashing \| death \| dramatic \| dying \| murderer \| police \| rancher \| tense
Mildred Pierce (1945)	Underscoring (Dramatic)	0:08:53 - Wally looks for Mildred	9th chord \| action scene \| ascending \| augmented triad \| chromatic parallelism \| chromatic scale \| down \| dramatic \| falling \| friend \| half-diminished 7th chord \| hurrying \| knocking \| mickey-mousing \| room \| searching \| setup \| suspenseful \| underscoring \| walking \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Wally goes upstairs	0:09:28 - Wally ascends the spiral staircase	9th chord \| action scene \| ascending \| chromatic scale \| dramatic \| friend \| mickey-mousing \| room \| spiral staircase \| stairs \| whole-tone chord
Mildred Pierce (1945)	Wally knocks on the door	0:09:59 - Wally knocks on a door	action scene \| door \| dramatic \| friend \| knocking \| mickey-mousing \| room
Mildred Pierce (1945)	Lamp falls	0:10:03 - Wally knocks over a lamp	action scene \| body \| dramatic \| falling \| friend \| lamp \| mickey-mousing \| reveal \| room \| whole-tone chord
Mildred Pierce (1945)	Murdered Man	0:10:06 - Wally discovers the body	action scene \| corpse \| dark \| death \| dramatic \| friend \| linear chromaticism \| looking \| mickey-mousing \| murder \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Underscoring (Dramatic)	0:10:21 - Wally reacts to the situation	action scene \| breaking \| chromatic parallelism \| chromatic scale \| chromatic wedge \| death \| dramatic \| escaping \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| murder \| room \| running \| smashing \| sneaking \| telephone \| underscoring \| victim \| walking \| whole-tone chord \| worrying
Mildred Pierce (1945)	Wally walks	0:10:32 - Wally hurriedly walks away	action scene \| chromatic parallelism \| dramatic \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| room \| victim \| walking
Mildred Pierce (1945)	Breaks door with chair	0:10:47 - Wally smashes a glass door with a chair	action scene \| breaking \| chair \| door \| dramatic \| friend \| glass \| mickey-mousing \| room \| smashing \| victim
Mildred Pierce (1945)	Glass falls	0:10:49 - The glass door breaks	action scene \| breaking \| door \| dramatic \| falling \| friend \| glass \| mickey-mousing \| room \| smashing \| victim \| whole-tone chord
Mildred Pierce (1945)	Wally runs	0:11:01 - Wally runs out of the house	action scene \| beach \| chromatic scale \| chromatic wedge \| dramatic \| friend \| gun \| gunshot \| mickey-mousing \| running \| shooting \| victim
Mildred Pierce (1945)	Cops walk	0:11:08 - The cops walk down the hill	action scene \| beach \| dramatic \| lumbering \| mickey-mousing \| police \| walking
Mildred Pierce (1945)	Opens coat	0:11:12 - Policeman opens Wally's coat to frisk him	action scene \| beach \| dramatic \| friend \| mickey-mousing \| opening \| police \| searching \| victim
Mildred Pierce (1945)	Mildred (Sehr Dramatic)	0:12:06 - Mildred arrives home	advance plot \| arriving \| chromatic scale \| chromatic sequence \| dark \| daughter \| diminished 7th chord \| dramatic \| half-diminished 7th chord \| heroine \| imitation \| leading lady \| street \| tense \| tritone \| worrying
Mildred Pierce (1945)	Kay and Veda (Troubled)	NIF - not in film	altered dominant \| chromatic mediant \| chromatic scale \| common-chord modulation \| cut from film \| dissonant \| dramatic \| foreign key modulation \| fragmentation \| hopeful \| mode mixture \| sequence \| tender \| tense \| tragic \| turbulent \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Stunned Reaction	1:23:44 - Mildred is stunned after Veda slaps her	angry \| antagonist \| conflict \| daughter \| dramatic \| heroine \| leading lady \| pc set \| room \| staring \| stunned \| violence
Mildred Pierce (1945)	Mildred (Revenge)	1:43:57 - Mildred drives to the beach house	car \| chromatic scale \| common-tone diminished 7th \| dark \| dissonant bass \| dramatic \| driving \| flashback ends \| gun \| heroine \| leading lady \| pc set \| street \| transition
Mildred Pierce (1945)	Mildred (Tragic)	1:46:43 - Mildred runs away	altered dominant \| antagonist \| arguing \| betrayal \| chromatic scale \| climax \| daughter \| dramatic \| emotional \| half-diminished 7th chord \| heroine \| leading lady \| room \| running \| sequence
Mildred Pierce (1945)	Mildred (Breakdown)	1:47:11 - Mildred tries to start her car	9th chord \| climax \| crying \| dramatic \| emotional \| foreign key modulation \| heroine \| leading lady \| leaving \| street
The Life of Vergie Winters (1934)	Lullaby (Clarinet Solo)	1:00:58 - John and Laura talk about Joan	added-note chord \| conflict \| conversing \| dramatic \| gentle \| leading man \| peaceful \| room \| stinger \| transcribed by ear \| wife
Out of the Fog (1941)	Underscoring (Dramatic)	0:26:42 - Goff slaps Jonah	arguing \| chef \| conflict \| criminal \| dock \| dramatic \| extortion \| falling \| father \| fisherman \| friend \| leading man \| mickey-mousing \| punching \| slapping \| stinger \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	0:41:03 - Stella slaps Goff	criminal \| dock \| dramatic \| leading lady \| leading man \| love scene \| reacting \| slapping \| stinger \| underscoring
Out of the Fog (1941)	Underscoring (Dramatic)	0:45:13 - Goff enters	arriving \| conflict \| conversing \| criminal \| dock \| dramatic \| father \| fisherman \| friend \| leading man \| tense
Out of the Fog (1941)	Underscoring (Dramatic)	0:46:00 - Jonah calls for the cop	arguing \| conflict \| criminal \| dock \| dramatic \| extortion \| father \| fisherman \| friend \| leading man \| underscoring \| yelling
Out of the Fog (1941)	Underscoring (Dramatic)	0:49:39 - Goff stops Jonah	conflict \| conversing \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| panning shot \| stinger \| street \| threatening \| underscoring \| violence \| walking \| weapon
Out of the Fog (1941)	Beating	0:50:17 - Goff beats Jonah	beating \| conflict \| criminal \| dark \| dissonant bass \| dramatic \| extortion \| father \| fisherman \| leading man \| mickey-mousing \| street \| violence \| weapon
Out of the Fog (1941)	Underscoring (Dramatic)	0:50:24 - Goff shoves Jonah	conflict \| criminal \| dark \| dramatic \| extortion \| father \| fisherman \| leading man \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	0:51:05 - Goff gives Jonah a gun	conflict \| criminal \| dramatic \| extortion \| father \| fisherman \| gun \| leading man \| mocking \| stinger \| street \| threatening \| underscoring \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	1:06:59 - Goff hits George	boyfriend \| conflict \| criminal \| dock \| dramatic \| falling \| fighting \| fisherman \| friend \| leading man \| punching \| violence
Out of the Fog (1941)	Underscoring (Dramatic)	1:09:45 - Goff struggles with Jonah and Olaf	attempted murder \| climax \| criminal \| dramatic \| fighting \| fisherman \| friend \| leading man \| punching \| sea \| underscoring
Out of the Fog (1941)	Speeding Car (Arriving)	1:11:50 - A speeding car	action scene \| car \| dramatic \| driving \| fisherman \| friend \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Speeding Car	1:12:30 - A car racing down the street	action scene \| car \| double exposure \| dramatic \| driving \| leading lady \| point-of-view shot \| police \| rushed \| rushing \| street \| tense
Out of the Fog (1941)	Speeding Car (Extended)	1:13:32 - A car racing down the street	action scene \| car \| crowd \| double exposure \| dramatic \| driving \| leading lady \| minor-major 7th chord \| point-of-view shot \| police \| questioning \| reporter \| rushed \| rushing \| street \| tense
The Unfaithful (1947)	Unfaithful (Rising)	0:43:06 - Larry walks into his office	chromatic parallelism \| dramatic \| law office \| lawyer \| office \| ostinato \| sequence \| transition \| walking
The Unfaithful (1947)	Unfaithful (Scandal)	1:24:55 - Newspaper headlines about the murder	climax \| courtroom \| crowd \| dramatic \| hurrying \| montage \| newspaper \| ostinato \| radio \| rushing \| sequential modulation
The Unfaithful (1947)	Unfaithful (The Trial)	1:25:17 - A woman in the courtroom	chromatic wedge \| climax \| courtroom \| crowd \| dissonant bass \| dramatic \| hurrying \| knife \| lawyer \| montage \| prosecuting \| prosecutor \| rushing \| witness
The Unfaithful (1947)	Tanner	1:25:44 - Mrs. Tanner testifies	altered dominant \| climax \| courtroom \| dramatic \| fragmentation \| hurrying \| irregular meter \| montage \| prosecuting \| quartal chord \| rushing \| testifying \| witness
The Unfaithful (1947)	Underscoring (Dramatic)	1:25:51 - Art shop owner testifies	climax \| courtroom \| dramatic \| hurrying \| montage \| prosecuting \| quartal chord \| rushing \| testifying \| tritone oscillation \| underscoring \| witness
The Unfaithful (1947)	Unfaithful (Heavy)	1:26:02 - Newspaper headline	climax \| courtroom \| crowd \| dramatic \| hurrying \| montage \| newspaper \| rushing
The Unfaithful (1947)	Unfaithful (End Cast)	1:48:07 - Closing credits	closing credits \| common-chord modulation \| dramatic \| end title sequence \| Neapolitan \| ostinato \| pedal tone \| turbulent
We Are Not Alone (1939)	Allergic Reaction	0:09:04 - Tommy has an allergic reaction to the cat	9th chord \| 64 chord \| allergies \| boy \| cat \| doctor \| dramatic \| establish character \| hero \| office
We Are Not Alone (1939)	Celebre Romance (Agitato)	1:01:40 - News of the war	chaotic \| classical music \| conflict \| crowd \| dramatic \| familiar tune \| riot \| Rubinstein \| running \| street \| whole-tone \| whole-tone chord
We Are Not Alone (1939)	Agitato	1:02:31 - Crowd presses forward	11th chord \| chaotic \| classical music \| conflict \| conversing \| crowd \| dissonant bass \| dissonant bass \| dramatic \| familiar tune \| riot \| Rubinstein \| street
We Are Not Alone (1939)	Underscoring (Dramatic)	1:03:40 - Jessica takes Gerald outside	11th chord \| antagonist \| boy \| child \| conflict \| dramatic \| street \| tense \| underscoring \| walking
We Are Not Alone (1939)	Furioso	1:04:49 - Man throws rock through shop window	chromatic scale \| conflict \| crowd \| dissonant bass \| dramatic \| riot \| rioting \| street \| underscoring
White Heat (1949)	Signature	0:00:00 - WB logo	dark \| dramatic \| opening title sequence \| WB shield
White Heat (1949)	White Heat	0:00:16 - Main title over an approaching train	cast list \| countryside \| dark \| dramatic \| opening title sequence \| starring list \| title of film \| train \| tunnel
White Heat (1949)	White Heat (Maestoso)	0:00:48 - Cast list and an aerial view of the city	cast list \| countryside \| dark \| dramatic \| opening title sequence
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Underscoring (Dramatic)	0:12:57 - Cody orders Cotton to shoot Zuckie	commanding \| dark \| death \| dramatic \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| stinger \| underscoring \| victim \| yard
White Heat (1949)	Con Moto	0:17:09 - Cody gets out of his car	conflict \| dramatic \| gangster \| leading man \| murderer \| opening \| rushing \| searching \| street \| tense
White Heat (1949)	Underscoring (Dramatic)	0:21:34 - Ma speeds ahead in her car	agent \| car \| chase scene \| dramatic \| driving \| escaping \| mother \| pursuing \| street \| tense \| turning \| underscoring
White Heat (1949)	Ma (Dramatic)	0:21:49 - Ma continues driving	agent \| car \| chase scene \| chasing \| dramatic \| escaping \| frantic \| mother \| pursuing \| street
White Heat (1949)	Getaway (Bold)	0:22:01 - Agents turn quickly	agent \| car \| chase scene \| chasing \| dramatic \| escaping \| harsh \| pursuing \| street
White Heat (1949)	Danger (Escaping)	0:23:32 - Verna and Ma rush out	action scene \| agent \| dramatic \| escaping \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| room \| rushing \| street \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Driving (Extended)	0:23:46 - The gangsters speed away	action scene \| agent \| car \| chasing \| dark \| dramatic \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| speeding \| street \| wound
White Heat (1949)	Underscoring (Dramatic)	0:23:54 - Evans falls to the ground	action scene \| agent \| chasing \| dramatic \| helping \| rushing \| street \| underscoring \| wound
White Heat (1949)	Speed (Frantic)	0:24:11 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| rushing \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit	0:24:23 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| motor effect \| speeding \| street \| tense
White Heat (1949)	Speed (Frantic)	0:24:26 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit	0:24:37 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| motor effect \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate)	0:24:44 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Pursuit (Fleeing)	0:24:50 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| motor effect \| murderer \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Rising)	0:24:58 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate 2)	0:25:03 - The gangsters speed away	agent \| car \| chase scene \| chasing \| dramatic \| drive-in theater \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| tense
White Heat (1949)	Cody 2	0:29:18 - Newspaper headline	agent \| bold \| dark \| dramatic \| headline \| leading man \| newspaper \| police station \| transition \| typing
White Heat (1949)	Underscoring (Dramatic)	0:35:05 - Judge sentences Cody	courtroom \| courtroom scene \| dark \| dramatic \| gangster \| judge \| leading man \| murderer \| sentencing \| underscoring \| verdict
White Heat (1949)	T-Men (Molto Misterioso)	0:35:30 - Cody walks away	courtroom \| courtroom scene \| dramatic \| gangster \| judge \| leading man \| murderer \| prison \| prisoner \| stinger \| undercover agent \| walking
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Underscoring (Dramatic)	0:42:52 - Big Ed talks to Verna	advance plot \| anger \| angry \| arguing \| dramatic \| gangster \| leading lady \| love interest \| moll \| porch \| underscoring
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Prison	1:04:01 - The prison walls	dramatic \| ominous \| prison \| transition
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Danger (Tense)	1:05:23 - Cody forces the doctor out at gunpoint	doctor \| down \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| stinger \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Cody (Violent)	1:06:11 - Cody shoves the doctor	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| stinger \| violent
White Heat (1949)	Cody 3	1:06:43 - Cody forces men out at gunpoint	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Prison Break	1:07:19 - Cody and men go outside	dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| rushing \| self-borrowing \| warden
White Heat (1949)	Underscoring (Dramatic)	1:07:29 - Cody commands the men	car \| dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Danger (Tense)	1:07:49 - The men get in the car	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| motor effect \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Cody (Prison Gate)	1:08:17 - The prison gates open	car \| dramatic \| escaping \| gangster \| gate \| guard \| gun \| leading man \| mickey-mousing \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Running to window	1:14:22 - Verna runs to the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| opening \| room \| running \| stinger \| tense \| window
White Heat (1949)	Underscoring (Dramatic)	1:14:27 - Verna opens the window	action scene \| dramatic \| leading lady \| mickey-mousing \| moll \| room \| running \| stinger \| tense \| underscoring \| window
White Heat (1949)	Jumping out window	1:14:31 - Verna jumps out of the window	action scene \| descending \| dramatic \| jumping \| leading lady \| mickey-mousing \| moll \| tense \| window \| yard
White Heat (1949)	Big Ed's Death	1:18:41 - Big Ed runs	dark \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murder \| murderer \| murder scene \| room \| running \| rushing \| shooting \| violence
White Heat (1949)	Underscoring (Dramatic)	1:19:20 - Big Ed's body falls down the stairs	dark \| death \| dramatic \| falling \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| murder scene \| panning shot \| room \| stairs \| staring \| statue \| stinger \| undercover agent \| underscoring \| watching
White Heat (1949)	Panning	1:19:32 - Camera pans to the group	beans \| dramatic \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| panning shot \| room \| throwing \| transition \| undercover agent \| waiting
White Heat (1949)	Fight	1:26:51 - Hank attacks the gangster	action scene \| dramatic \| fighting \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| punching \| tense \| undercover agent \| yard
White Heat (1949)	Mirror	1:34:10 - Hank writes a message on the mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| rushing \| tense \| undercover agent \| writing
White Heat (1949)	Mirror	1:34:34 - Gangster goes to check on Hank	advance plot \| bathroom \| dramatic \| fanfare \| fugitive \| gangster \| gas station \| hurrying \| leading man \| message \| mirror \| murderer \| tense \| undercover agent \| worker \| writing
White Heat (1949)	Message on the Mirror	1:34:49 - Message on the washroom mirror	advance plot \| bathroom \| dramatic \| fanfare \| gas station \| leading man \| message \| mirror \| Morse code \| radio effect \| radio signal \| tense \| undercover agent \| writing
White Heat (1949)	Underscoring (Dramatic)	1:39:16 - Agent at the control board	agent \| antenna \| car \| car \| chase scene \| double exposure \| dramatic \| mapping \| montage \| police station \| pursuing \| radio \| speeding \| street \| underscoring
White Heat (1949)	Truck (Tutti)	1:39:43 - Tanker pulls up to factory	chase scene \| dramatic \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| street \| truck \| undercover agent
White Heat (1949)	Cody (Mugs)	1:39:57 - Gangsters in the tanker	arriving \| chase scene \| dramatic \| driving \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| ominous \| truck \| truck \| undercover agent \| waiting
White Heat (1949)	Underscoring (Dramatic)	1:41:22 - Agents map coordinates of the truck	agent \| chase scene \| dramatic \| fanfare \| map \| mapping \| police station \| radio \| underscoring
White Heat (1949)	White Heat (Maestoso)	1:43:03 - Police enter the factory	action scene \| agent \| dramatic \| factory \| guard \| police \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:46:13 - Cody shoots man in back	action scene \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| shooting \| tear gas \| underscoring
White Heat (1949)	Crawling	1:46:18 - Hank crawls on the floor	action scene \| agent \| crawling \| dramatic \| factory \| fugitive \| gangster \| gun \| leading man \| mickey-mousing \| murderer \| rushing \| tear gas \| tense
White Heat (1949)	Agents (Tutti)	1:46:31 - Agents watch men exiting	action scene \| agent \| aiming \| dramatic \| factory \| gun \| leading man \| police \| rushing \| stopping \| tear gas \| tense
White Heat (1949)	Climbing stairs	1:47:22 - Gangsters climb up stairs	action scene \| agent \| ascending \| dramatic \| factory \| fleeing \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| police \| running \| rushing \| stairs
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Falling and dying	1:48:09 - Gangster falls down	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| gunshot \| mickey-mousing \| police \| raid \| shootout \| tense
White Heat (1949)	Cody 2 (Brash)	1:48:12 - Agents run up the stairs	action scene \| agent \| ascending \| brash \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Falling down stairs	1:48:21 - Gangster falls down the stairs	action scene \| death \| descending \| dramatic \| dying \| factory \| falling \| gangster \| gun \| mickey-mousing \| police \| raid \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
The Woman in White (1948)	Underscoring (Dramatic)	1:09:11 - Marian is locked in	antagonist \| confining \| conflict \| conversing \| cousin \| criminal \| dark \| dramatic \| husband \| leading lady \| leading man \| prisoner \| room \| underscoring
The Woman in White (1948)	Underscoring (Dramatic)	1:31:28 - Marian sees Sir Percival spying on them	conversing \| dramatic \| friend \| leading lady \| leading man \| love scene \| lyrical \| room \| stinger \| underscoring
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Pavan (End Cast)	1:48:25 - End credits	cast list \| dramatic \| end title sequence
The Public Defender (1931)	Violence	0:00:41 - Cast list and balancing scales	balancing \| cast list \| diminished 7th chord \| dramatic \| main title \| opening title sequence \| tense \| transcribed by ear \| violence
The Public Defender (1931)	Mystery (Note)	0:16:14 - Man discovers mysterious note in sandwich	advance plot \| augmented triad \| banker \| chromaticism \| discovery \| dramatic \| eating \| mysterious \| mystery \| party \| pc set \| sandwich \| source and scoring overlap \| transcribed by ear \| waiter
Is My Face Red? (1932)	Keyhole (Gossip)	0:01:35 - Man and woman argue about a newspaper story	arguing \| argument \| dramatic \| establish setting \| gossip \| newspaper \| room \| sequence \| transcribed by ear
Men of America (1932)	Cimarron B (Transition)	0:02:19 - Smokey Joe fights the Indians	ambush \| chromatic mediant \| cowboy \| dramatic \| establish character \| establish setting \| fragmentation \| gun \| gunshot \| horse \| Indian \| leading man \| prairie \| riding \| self-borrowing \| shooting \| stagecoach \| tense \| title card \| transcribed by ear
Penguin Pool Murder (1932)	Penguin Pool Murder	0:00:23 - Main title, starring list, and cast list	cast list \| chromatic parallelism \| diminution \| diving \| double exposure \| dramatic \| hemiola \| linear chromaticism \| mysterious \| opening title sequence \| penguin \| pool \| starring list \| swimming \| tense \| thematic transformation \| through-composed \| title of film \| transcribed by ear \| whirlpool \| whole-tone \| whole-tone chord
Penguin Pool Murder (1932)	Fish	0:01:32 - Fish	augmented triad \| chromatic parallelism \| dramatic \| establish setting \| fish \| fluttering \| stinger \| transcribed by ear \| underwater \| whole-tone chord
The Phantom of Crestwood (1932)	Fanfare	0:00:16 - Fade-in to a seated orchestra	announcer \| broadcast \| dramatic \| fanfare \| on-screen music \| opening title sequence \| orchestra \| playing \| radio \| source music \| transcribed by ear
Thirteen Women (1932)	Ursula (Violent)	0:12:29 - Newspaper headline	dramatic \| half-diminished 7th chord \| headline \| murder \| murder scene \| newspaper \| transcribed by ear \| violent
Thirteen Women (1932)	Hazel murders husband	0:12:36 - Hazel murders her husband	double exposure \| dramatic \| half-diminished 7th chord \| headline \| husband \| knife \| murder \| murderer \| murdering \| murder scene \| newspaper \| room \| stabbing \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Dramatic Agitato	0:12:41 - Hazel screams	augmented sixth chord \| chromatic scale \| double exposure \| dramatic \| half-diminished 7th chord \| headline \| letter \| murder \| murderer \| murder scene \| newspaper \| room \| screaming \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Ursula (The End)	0:59:03 - Ursula jumps to her death	chromatic scale \| climax \| dark \| dramatic \| dying \| jumping \| leading lady \| murderer \| The End \| train \| transcribed by ear
Emergency Call (1933)	Ambulance	0:00:11 - Main titles over a speeding ambulance	ambulance \| augmented triad \| dissonant bass \| Dorian mode \| dramatic \| driving \| half-diminished 7th chord \| main title \| opening title sequence \| parallelism \| paramedic \| pedal tone \| siren \| street \| through-composed \| whole-tone
Emergency Call (1933)	Theme from Cimarron	1:00:41 - The end	added-note chord \| closing credits \| dramatic \| end title sequence \| The End \| transcribed by ear
Dangerous Corner (1934)	Fall of the Star	0:17:05 - Newspaper headline about a suicide	common-tone diminished 7th \| dramatic \| headline \| montage \| montage \| newspaper \| pedal tone \| somber \| transcribed by ear
Gridiron Flash (1934)	Transition 1	0:33:37 - Sports montage	dramatic \| football \| football game \| headline \| montage \| newspaper \| playing
Gridiron Flash (1934)	Transition 2	0:33:47 - Sports montage	athlete \| dramatic \| football \| football game \| headline \| montage \| newspaper \| playing \| running
Don’t Turn ‘em Loose (1936)	Underscoring (Dramatic)	0:28:05 - Bob shoots guard	breaking \| death \| dramatic \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| murder \| robbery \| robbery \| shooting \| stealing \| store \| transcribed by ear \| whole-tone chord
We're Only Human (1935)	The Escape (Hiding)	0:27:05 - Pete and Danny dodge from gunfire	action scene \| chromatic scale \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| shooting \| stinger \| street \| whole-tone chord
We're Only Human (1935)	Kong 1	0:28:23 - Pete jumps on a criminal	action scene \| bank \| chromatic parallelism \| detective \| dramatic \| fighting \| gangster \| jumping \| leading man \| pedal tone \| punching \| tense
We're Only Human (1935)	Kong 2	0:28:34 - Pete handcuffs a criminal	action scene \| bank \| detective \| dramatic \| fighting \| gangster \| leading man \| mysterious \| tense \| whole-tone \| whole-tone chord
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 1	1:01:21 - Driving in a car	car \| car \| chromatic sequence \| climax \| conflict \| detective \| dissonant bass \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| victim \| wipe
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Lost Patrol 1	1:03:12 - A man runs	climax \| conflict \| detective \| dramatic \| fleeing \| frantic \| gunshot \| leading lady \| leading man \| reporter \| running \| shooting \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
We're Only Human (1935)	The Escape	1:04:31 - Pete enters the house	chromatic scale \| climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring \| whole-tone \| whole-tone chord
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Lost Patrol 2	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| tone cluster \| underscoring
Another Face (1935)	Courage + The Iron Door	0:02:53 - Close up on the nurse	dramatic \| establish character \| gangster \| headline \| laughing \| newspaper \| nurse \| office \| pedal tone \| reacting \| reading \| stinger \| tense
Without Honor (1949)	Twilight	0:00:00 - Main titles over the shot of a valley	calm \| cast list \| dramatic \| heavy \| opening title sequene \| starring list \| title of film \| valley
Without Honor (1949)	Desperation	0:08:20 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| underscoring
Without Honor (1949)	Underscoring (Agitated)	0:09:10 - Jane threatens to kill herself	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| dark \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| suicide \| underscoring
Without Honor (1949)	Underscoring (Dramatic)	0:09:23 - Jane and Dennis struggle	addicent \| adulterer \| death \| death scene \| dramatic \| fighting \| kitchen \| knife \| leading lady \| leading man \| love interest \| skewer \| struggling \| underscoring
Without Honor (1949)	Twilight (Maestoso)	0:09:36 - Dennis on the ground	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| ominous \| reacting \| skewer \| standing \| struggling
Without Honor (1949)	Twilight (Washing Machine)	0:10:14 - Dennis by the washing machine	addicent \| adulterer \| death \| death scene \| dramatic \| dying \| kitchen \| knife \| leading lady \| leading man \| love interest \| motor effect \| ominous \| reacting \| skewer \| struggling \| washing machine
Without Honor (1949)	Desperation (Wedding Ring)	0:14:29 - Jane tries to take off her wedding ring	advance plot \| changing \| dramatic \| leading lady \| mirror \| ring \| room \| underscoring
Without Honor (1949)	Underscoring (Dramatic)	0:16:50 - Jane brings her purse	advance plot \| child \| dramatic \| leading lady \| reacting \| room \| scout \| walking
Without Honor (1949)	Underscoring (Dramatic)	0:21:29 - Bill heads towards the laundry room	antagonist \| brother \| conflict \| corpse \| door \| dramatic \| kitchen \| leading lady \| leading man \| reacting \| rushing \| tense \| underscoring
Without Honor (1949)	Rubato	0:22:34 - Bill talks with Jane	antagonist \| brother \| conflict \| dramatic \| kitchen \| leading lady \| leading man \| memory \| rushing \| taunting \| tense
Without Honor (1949)	Valse Triste (Poco Appassionato)	0:23:31 - Bill grabs Jane's arm	antagonist \| brother \| conflict \| dramatic \| grabbing \| kitchen \| leading lady \| leading man \| memory \| reacting \| recounting \| tense \| waltz
Without Honor (1949)	Jerks hand	0:23:41 - Jane jerks her arm away	antagonist \| brother \| conflict \| dramatic \| escaping \| kitchen \| leading lady \| leading man \| mickey-mousing \| reacting \| stinger
Without Honor (1949)	Grabs her	0:25:40 - Bill grabs Jane and kisses her	antagonist \| brother \| conflict \| dramatic \| grabbing \| kissing \| leading lady \| leading man \| room \| slapping \| turning
Without Honor (1949)	Chasing bus	0:38:22 - Jane runs after the bus	action scene \| bus \| chasing \| dramatic \| falling \| leading lady \| mickey-mousing \| running \| street
Without Honor (1949)	Appassionato 2 (Dramatic)	0:38:33 - Jane tries to catch the bus	action scene \| bus \| chasing \| dramatic \| leading lady \| street \| waving
Without Honor (1949)	Tension (Molto Misterioso)	0:50:03 - Bill stares at Jane	anger \| antagonist \| brother \| conflict \| conversing \| demanding \| dramatic \| husband \| leading lady \| leading man \| reveal \| room \| secret \| slapping \| tense \| wife
Without Honor (1949)	Underscoring (Dramatic)	0:53:45 - Jane screams	antagonist \| blood \| brother \| climax \| confession \| dramatic \| handprint \| husband \| leading lady \| leading man \| room \| screaming \| tense \| underscoring \| wife
Without Honor (1949)	Desperation (The Scream)	0:53:50 - They look at the bloody handprint	antagonist \| blood \| brother \| climax \| confession \| departing \| dramatic \| handprint \| husband \| investigating \| leading lady \| leading man \| room \| screaming \| searching \| tense \| wife \| yard
Without Honor (1949)	Valse Triste (Molto Appassionato)	0:58:58 - Jane stares down	antagonist \| attempted suicide \| bathroom \| brother \| climax \| conversing \| dramatic \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| suicide \| wife
Without Honor (1949)	Appassionato 2 (Molto Expressivo)	0:59:06 - Jane cuts her wrist	antagonist \| attempted suicide \| bathroom \| breaking \| brother \| climax \| committing suicide \| conversing \| cutting \| dramatic \| entering \| grabbing \| husband \| knocking \| leading lady \| leading man \| razor blade \| room \| running \| suicide \| wife \| yelling
Without Honor (1949)	Appassionato 2 (Broad)	1:05:32 - Fred gets in his car	anger \| antagonist \| brother \| car \| complaining \| departing \| dramatic \| driving \| husband \| leading man \| resolution \| street \| tense \| yard
Without Honor (1949)	Valse Triste (Agitato)	1:05:49 - Bill tries to stop Fred	anger \| antagonist \| brother \| car \| chasing \| complaining \| departing \| dramatic \| driving \| harsh \| husband \| leading man \| resolution \| running \| street \| tense \| yelling
Without Honor (1949)	The End	1:06:25 - Bill in the middle of the road	anger \| antagonist \| brother \| dramatic \| leading man \| looking \| resolution \| standing \| street \| The End
The Most Dangerous Game (1932)	Shark Attack	0:07:35 - A shark in the water	action scene \| attacking \| biting \| blood \| captain \| crew \| death \| dramatic \| drowning \| dying \| leading man \| ocean \| shark \| ship wreck \| stinger \| struggling \| swimming \| victim
The Most Dangerous Game (1932)	Swimming	0:07:56 - Bob swims away	action scene \| beach \| dramatic \| escaping \| leading man \| mickey-mousing \| ocean \| ship wreck \| swimming \| tense
The Most Dangerous Game (1932)	Russian Waltz (The Sea)	0:09:15 - The ocean	beach \| dramatic \| establish setting \| leading man \| looking \| ocean \| wave effect
The Most Dangerous Game (1932)	Decapitated Head	0:31:35 - Eve sees a decapitated head	candle \| castle \| dramatic \| head \| jump scare \| leading lady \| leading man \| screaming \| stinger \| turning point
The Most Dangerous Game (1932)	Emotions (Dramatic)	0:39:00 - Bob and Eve take one last look back	action scene \| dramatic \| jungle \| leading lady \| leading man \| looking \| walking
The Most Dangerous Game (1932)	Tree falling	0:43:14 - A tree falls	action scene \| arrow \| count \| dark \| dramatic \| falling \| jungle \| knife \| leading lady \| leading man \| mickey-mousing \| shooting \| trap \| victim \| villain
The Most Dangerous Game (1932)	Rock Falling	0:46:09 - A rock falls into a crevice	action scene \| dramatic \| falling \| jungle \| leading lady \| leading man \| mickey-mousing \| rock \| splashing \| stinger \| tumbling \| victim
The Most Dangerous Game (1932)	Trap Falling	0:47:47 - The trap collapses	action scene \| count \| dramatic \| falling \| gun \| jumping \| jungle \| leading lady \| leading man \| mickey-mousing \| stinger \| trap \| victim \| villain
The Most Dangerous Game (1932)	The Chase + The Iron Door	0:49:03 - A big door	barking \| chase scene \| chasing \| combination of themes \| dog \| door \| dramatic \| jungle \| opening \| running \| servant \| tense
The Most Dangerous Game (1932)	The Chase (Quasi Mysterioso)	0:49:16 - Bob and Eve in the fog	barking \| castle \| chase scene \| chasing \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:49:23 - Bob and Eve running away	chase scene \| combination of themes \| dark \| dramatic \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| running \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:49:30 - Bob creates a spear trap	chase scene \| dramatic \| fanfare \| jungle \| leading lady \| leading man \| preparing \| spear \| trap \| victim
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:49:40 - The Count blows his hunting horn	chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| fog \| horn \| jungle \| leading lady \| leading man \| playing \| running \| scored source music \| score to source \| servant \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase + Courage	0:50:01 - Bob and Eve stumbling through the fog	chase scene \| combination of themes \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	Zaroff (Tuttissimo)	0:50:04 - The dogs appear	chase scene \| chasing \| dog \| dramatic \| jungle \| running \| servant \| tense
The Most Dangerous Game (1932)	Zaroff (Dogs Chasing)	0:50:11 - The dogs running	chase scene \| chasing \| dog \| dramatic \| jungle \| running \| servant \| tense
The Most Dangerous Game (1932)	The Chase (Tense) + The Iron Door (Horn Call)	0:50:16 - Bob and Eve in the water	barking \| chase scene \| chasing \| combination of themes \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| scored source music \| servant \| source music \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	Zaroff (Chasing)	0:50:39 - The dogs chase after Bob and Eve	barking \| chase scene \| chasing \| count \| dog \| dramatic \| jungle \| running \| servant \| tense \| villain
The Most Dangerous Game (1932)	Zaroff (Rising)	0:50:52 - The dogs running	barking \| chase scene \| chasing \| dog \| dramatic \| jungle \| running \| servant \| tense
The Most Dangerous Game (1932)	Running into spear	0:51:01 - Ivan runs into the spear trap	chase scene \| dramatic \| jungle \| micking mousing \| rising \| servant \| spear \| tense \| trap
The Most Dangerous Game (1932)	The Chase (Allegro)	0:51:09 - Count Zaroff running	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fanfare \| fog \| jungle \| leading lady \| leading man \| running \| servant \| stumbling \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Chasing)	0:51:28 - Count Zaroff in pursuit	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Approach (Fear)	0:51:35 - Bob and Eve stop	agitated \| chase scene \| crocodile \| dark \| dramatic \| fear \| jungle \| leading lady \| leading man \| running \| stopping \| victim
The Most Dangerous Game (1932)	The Chase + Russian Waltz (Augmented)	0:52:02 - Dogs running through the swamp	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| jungle \| leading lady \| leading man \| ominous \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Furioso)	0:52:13 - Eve runs towards a log	agitated \| barking \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| falling \| jungle \| leading lady \| leading man \| log \| mickey-mousing \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Chase + The Iron Door	0:53:33 - Bob and Eve run along a clifftop	chase scene \| cliff \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:53:38 - Bob and Eve hide in the trees	barking \| chase scene \| cliff \| climbing \| cutting \| dog \| dramatic \| hiding \| jumping \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Zaroff (Climbing)	0:53:55 - Zaroff climbs to the top of the cliff	chase scene \| chasing \| cliff \| climbing \| count \| dramatic \| fanfare \| jungle \| servant \| tense \| villain
The Most Dangerous Game (1932)	The Chase (Allegro Furioso)	0:54:02 - A dog tries to climb the hill	barking \| chase scene \| chasing \| cliff \| climbing \| dog \| dramatic \| jungle \| tense
The Most Dangerous Game (1932)	Dog falling	0:54:06 - A dog falls down	chase scene \| cliff \| dog \| dramatic \| falling \| jungle \| mickey-mousing \| tense
The Most Dangerous Game (1932)	The Chase (Running) + The Iron Door	0:54:08 - Bob runs through the jungle	chase scene \| chasing \| close-up \| combination of themes \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Running)	0:54:15 - A close-up on Zaroff	chase scene \| chasing \| close-up \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase	0:54:43 - A dog falls into the water	chase scene \| dog \| dramatic \| falling \| flowing \| jungle \| mickey-mousing \| river \| splashing \| tense \| waterfall
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:54:46 - Bob and Eve run towards the waterfall	chase scene \| chasing \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| preparing \| river \| tense \| victim \| waterfall
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:54:59 - Count Zaroff by the river	chase scene \| chasing \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:55:08 - Count Zaroff approaching the waterfall	chase scene \| chasing \| combination of themes \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:19 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Zaroff (Dog Fight)	0:55:24 - Bob fights a dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Dog Fight)	0:55:33 - A barking dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog falling 2	0:55:37 - Bob kills the dog	attacking \| climax \| count \| dog \| dramatic \| falling \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:42 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| running \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Falling off cliff	0:55:47 - Bob and the dog fall off the cliff	climax \| count \| death \| dog \| dramatic \| dying \| falling \| gun \| gunshot \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| shooting \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	The Iron Door (Meno)	0:55:50 - Zaroff reacts to Bob's fall	climax \| count \| dramatic \| jungle \| murderer \| reacting \| river \| tense \| villain \| waterfall
The Most Dangerous Game (1932)	Emotions	0:55:59 - Eve reacts to Bob's fall	capturing \| climax \| count \| dramatic \| jungle \| leading lady \| reacting \| river \| servant \| tense \| victim \| villain \| watch \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Moderato Quasi Maestoso)	0:56:11 - Zaroff looks at his watch	capturing \| climax \| count \| dramatic \| jungle \| leading lady \| river \| servant \| tense \| victim \| villain \| watch \| waterfall
The Most Dangerous Game (1932)	Bob leaping	0:58:57 - Bob leaps at Zaroff	action scene \| castle \| count \| dramatic \| fighting \| gun \| jumping \| leading man \| leaping \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Allegro Furioso)	0:58:57 - Bob fights Zaroff	action scene \| castle \| count \| dog \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Fight)	0:59:04 - Bob fights Zaroff	action scene \| castle \| count \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (The Fight)	0:59:06 - Zaroff's gun	action scene \| castle \| count \| dramatic \| fighting \| gun \| leading man \| tense \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	0:59:18 - Bob fights Zaroff	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| underscoring \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (The Fight 2)	0:59:22 - Zaroff's servant attacks	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Fight 2)	0:59:27 - Bob fights Zaroff's servant	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (The Fight)	0:59:36 - Bob fights Zaroff's servant	action scene \| castle \| count \| dramatic \| fighting \| leading man \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Count rises	0:59:46 - The Count slowly rises	action scene \| arrow \| breaking \| castle \| count \| death \| dramatic \| dying \| fighting \| killing \| leading man \| rising \| servant \| sneaking \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Slow)	1:00:03 - Bob kills Zaroff's servant	action scene \| arrow \| castle \| corpse \| count \| death \| dramatic \| leading man \| preparing \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Allegro Furioso)	1:00:07 - Bob attacks Zaroff	action scene \| arrow \| castle \| corpse \| count \| death \| dramatic \| dying \| fighting \| killing \| leading man \| servant \| stabbing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Emotions (Agitato)	1:00:32 - Bob is almost hit by a knife	castle \| count \| death \| dodging \| dramatic \| escaping \| gun \| knife \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Emotions 2 (Agitato)	1:00:45 - Bob and Eve escaping	arrow \| castle \| count \| death \| dramatic \| escaping \| gun \| leading lady \| leading man \| rising \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:05 - Tartar falls dead to the ground	castle \| corpse \| death \| dramatic \| dying \| escaping \| falling \| gun \| gunshot \| knife \| leading lady \| leading man \| servant \| underscoring \| victim
The Most Dangerous Game (1932)	Zaroff (Risoluto)	1:01:10 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (The Window)	1:01:15 - Zaroff at the window	arrow \| boat \| castle \| count \| dramatic \| escaping \| fanfare \| leading lady \| leading man \| rising \| tense \| victim \| villain
The Most Dangerous Game (1932)	Courage (Allegro con Fuoco) + The Iron Door	1:01:23 - The boat leaves the dock	arrow \| boat \| castle \| count \| death \| dramatic \| dying \| escaping \| leading lady \| leading man \| motor effect \| preparing \| tense \| victim \| villain
The Most Dangerous Game (1932)	Underscoring (Dramatic)	1:01:44 - Dogs barking	barking \| boat \| castle \| count \| death \| dog \| dramatic \| dying \| leading lady \| leading man \| tense \| underscoring \| victim \| villain
The Most Dangerous Game (1932)	Falling out of window	1:01:53 - Zaroff falls out of the window	boat \| castle \| count \| death \| dramatic \| dying \| escaping \| falling \| leading lady \| leading man \| mickey-mousing \| tense \| victim \| villain
White Heat (1949)	Sliding down pole	1:48:43 - Cody slides down a pole	action scene \| agent \| descending \| dramatic \| factory \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| pole \| police \| raid \| sliding \| tense
White Heat (1949)	Danger (Tense)	1:48:48 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fanfare \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Agents + Gathering	1:49:06 - Agents in action	action scene \| agent \| chasing \| combination of themes \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Danger (Risoluto)	1:49:17 - Agents advance	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:49:19 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Maestoso 2)	1:49:55 - Police advance	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Agents (Searching)	1:50:02 - Agents plan their next move	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Cody (Climbing)	1:50:30 - Cody climbs the stairs	action scene \| agent \| ascending \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| stairs \| tense
White Heat (1949)	Headache (Explosion)	1:52:26 - Cody shoots a gas valve	agent \| climax \| dramatic \| exploding \| explosion \| factory \| fire \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| murderer \| police \| raid \| running \| rushing \| shooting
White Heat (1949)	Struggle	1:52:46 - Explosion	agent \| climax \| conversing \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid
White Heat (1949)	Cody (The End)	1:53:02 - Explosion	agent \| climax \| conversing \| dark \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| The End
Caged (1950)	Prison Alarm (The Scream)	1:00:42 - Marie covers her ears	alarm \| alarm effect \| anxiety \| chromatic parallelism \| chromatic scale \| dramatic \| fidgeting \| guard \| hysteria \| leading lady \| mad scene \| prison \| prisoner \| screaming \| tense \| tone cluster \| whole-tone chord
Caged (1950)	Hysteria	1:00:55 - Marie runs down the hall	alarm \| anxiety \| chromatic parallelism \| chromatic scale \| dissonant bass \| dramatic \| escaping \| guard \| hysteria \| leading lady \| mad scene \| pc set \| polychord \| prison \| prisoner \| running \| tense
Caged (1950)	Falling	1:01:18 - Marie falls to the ground	diminished 7th chord \| dramatic \| falling \| guard \| leading lady \| mad scene \| mickey-mousing \| octatonic scale \| prison \| prisoner \| throwing
Caged (1950)	Marie (Checking Out)	1:32:47 - Marie opens an envelope	advance plot \| chromatic parallelism \| chromatic wedge \| dramatic \| guard \| leading lady \| leaving \| looking \| polychord \| prison \| prisoner \| ring \| solemn \| throwing
Caged (1950)	Molto Expressivo (Con Moto)	1:34:42 - Marie leaves Mrs. Benton's office	climax \| dramatic \| ex-convict \| guard \| leading lady \| leaving \| prison \| prisoner \| stinger \| uneasy \| warden
Caged (1950)	Isolation Ward (The End)	NIF - not in film	chromatic parallelism \| climax \| cut from film \| dramatic \| pc set \| uneasy
Caged (1950)	Molto Expressivo (The End)	1:36:13 - The End	dark \| dramatic \| end title sequence \| pedal tone \| plagal cadence \| The End
Mara Maru (1952)	Manuelo (Stinger)	0:14:44 - Gregory arrives home	arriving \| discovering \| dramatic \| gentle \| leading man \| room \| stinger \| transition \| unconcious \| worker
Mara Maru (1952)	Underscoring (Dramatic)	0:15:56 - Gregory picks up the phone	advance plot \| arriving \| conversing \| discovering \| dramatic \| knocking \| leading man \| police \| room \| stinger \| telephone \| underscoring \| worker
Mara Maru (1952)	Murder	0:19:08 - Callahan's body is discovered	agitated \| arriving \| corpse \| discovering \| dramatic \| leading man \| murder \| murder scene \| police \| room \| stinger \| tense
Mara Maru (1952)	Grabbing	0:41:15 - Gregory grabs Ortega	arguing \| brother \| distrust \| dramatic \| establish character \| grabbing \| gun \| leading man \| mickey-mousing \| room \| tense
Mara Maru (1952)	Cross (Fragment)	0:41:40 - A cross on Ortega's keychain	arguing \| brother \| cross \| distrust \| dramatic \| establish character \| gun \| keys \| leading man \| room \| stinger
Mara Maru (1952)	Underscoring (Dramatic)	0:46:32 - A boat on fire	arriving \| crowd \| death scene \| dock \| dousing \| dramatic \| fire \| fire effect \| hurrying \| leading man \| police \| running \| tense \| underscoring
Mara Maru (1952)	Mara Maru	0:53:22 - A boat in the harbor	antagonist \| arriving \| bodyguard \| captain \| conversing \| dock \| dramatic \| harbor \| leading man \| panning shot \| private eye \| sailing \| sailor \| ship \| tense \| transition
Mara Maru (1952)	Mara Maru (Maestoso)	0:55:48 - The Mara Maru sailing	dramatic \| ocean \| sailing \| ship \| tense \| transition
Mara Maru (1952)	Benedict	0:59:00 - Benedict enters	antagonist \| conversing \| dramatic \| leading lady \| leading man \| love interest \| love scene \| sailing \| ship \| ship \| tense
Mara Maru (1952)	Mara Maru	0:59:23 - The Mara Maru sailing	dramatic \| ocean \| sailing \| ship \| tense \| transition
Mara Maru (1952)	Dropping anchor	1:00:18 - The anchor drops	action scene \| anchor \| antagonist \| bodyguard \| captain \| dramatic \| dropping \| falling \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| ship \| ship
Mara Maru (1952)	Shark	1:01:35 - A shark appears	action scene \| captain \| close-up \| diver \| diving \| dramatic \| fearful \| jump scare \| leading man \| ocean \| shark \| suspenseful \| swimming \| swimming effect \| swirling effect \| underwater
Mara Maru (1952)	Mara Maru (Maestoso)	1:07:44 - The Mara Maru sails at night	dramatic \| ocean \| sailing \| ship \| tense \| transition
Mara Maru (1952)	Charting a Course	1:10:18 - A map of Manila Bay	advance plot \| captain \| charting \| dramatic \| leading man \| map \| mapping \| planning \| rain \| ship \| ship \| tense
Mara Maru (1952)	Underscoring (Dramatic)	1:10:53 - Gregory breaks the compass	advance plot \| breaking \| captain \| compass \| dramatic \| glass \| leading man \| planning \| rain \| ship \| ship \| smashing \| thinking \| underscoring
Mara Maru (1952)	The Storm	1:11:04 - A wild storm at sea	advance plot \| double exposure \| dramatic \| ocean \| rain \| raining \| ship \| storm \| waves \| wind
Mara Maru (1952)	Dropping anchor	1:11:18 - The anchor drops	action scene \| anchor \| antogonist \| dramatic \| dropping \| falling \| leading lady \| love interest \| mickey-mousing \| private eye \| ship \| ship
Mara Maru (1952)	Gregory (Close-Up)	1:12:20 - A close-up of Gregory	action scene \| antogonist \| captain \| close-up \| diver \| diving suit \| dramatic \| leading lady \| leading man \| looking \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:13:49 - A sunken boat	action scene \| boat \| captain \| diver \| diving \| diving suit \| dramatic \| exploring \| leading man \| ocean \| ship \| stinger \| swimming \| underscoring \| underwater \| walking
Mara Maru (1952)	Beam falling	1:15:57 - A beam collapses	action scene \| beam \| boat \| captain \| collapsing \| dark \| descending \| diver \| diving \| diving suit \| dramatic \| falling \| leading man \| lighting \| mickey-mousing \| ocean \| ship \| underwater \| working
Mara Maru (1952)	Beam falling 2	1:16:34 - A beam collapses on the air hose	action scene \| beam \| boat \| captain \| collapsing \| dark \| descending \| diver \| diving \| diving suit \| dramatic \| falling \| hose \| leading man \| mickey-mousing \| ocean \| ship \| treasure \| underwater \| working
Mara Maru (1952)	Tugging	1:16:39 - Gregory tugs at the air hose	action scene \| antogonist \| beam \| boat \| captain \| dark \| diver \| diving \| diving suit \| dramatic \| hose \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| pulling \| rain \| raining \| ship \| storm \| treasure \| tugging \| underwater \| worker \| working \| yelling
Mara Maru (1952)	Gauge rising	1:16:54 - Rising air pressure on a gauge	action scene \| antogonist \| boat \| captain \| diver \| dramatic \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| raining \| rising \| ship \| storm \| tense \| worker
Mara Maru (1952)	Gregory + Struggling	1:16:57 - Gregory tries to free himself	action scene \| beam \| boat \| captain \| close-up \| combination of themes \| dark \| digging \| diver \| diving \| diving suit \| dramatic \| fanfare \| frantic \| heroic \| hose \| leading man \| mickey-mousing \| ocean \| rushing \| ship \| struggling \| treasure \| tugging \| underwater \| working
Mara Maru (1952)	Struggling 2	1:17:23 - Gregory tries to free himself	action scene \| beam \| boat \| captain \| dark \| diver \| diving \| diving suit \| dramatic \| frantic \| hose \| leading man \| ocean \| rushing \| ship \| struggling \| treasure \| tugging \| underwater \| working
Mara Maru (1952)	Gauge falling	1:17:42 - Falling air pressure on a gauge	action scene \| antogonist \| boat \| captain \| descending \| diver \| dramatic \| falling \| gauge \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rain \| relief \| ship \| storm \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:19:10 - Gregory falls to the deck floor	action scene \| antogonist \| boat \| captain \| diver \| diving suit \| dramatic \| falling \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Dramatic)	1:19:37 - The cross in a treasure chest	action scene \| antogonist \| breaking \| captain \| cross \| dark \| diver \| dramatic \| dropping \| leading lady \| leading man \| love interest \| private eye \| rain \| reveal \| ship \| storm \| throwing \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:20:01 - Benedict grabs the cross	action scene \| antogonist \| arguing \| captain \| cross \| diver \| dramatic \| falling \| leading lady \| leading man \| love interest \| ordering \| private eye \| punching \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker
Mara Maru (1952)	Underscoring (Dramatic)	1:20:13 - Fortuno grabs Gregory	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| underscoring \| wind \| worker \| yelling
Mara Maru (1952)	Rushing	1:20:29 - Benedict runs in to check the compass	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| hurrying \| leading lady \| leading man \| love interest \| private eye \| rain \| running \| rushing \| rushing effect \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Underscoring (Tense)	1:21:01 - Gregory gives orders	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| fanfare \| leading lady \| leading man \| love interest \| ordering \| private eye \| rain \| ship \| storm \| tense \| treasure \| wind \| worker \| yelling
Mara Maru (1952)	Very Stormy	1:21:22 - A waves splashes onboard	action scene \| antogonist \| captain \| cross \| diver \| dramatic \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| tense \| treasure \| walking \| wave \| wave effect \| wind \| worker
Mara Maru (1952)	Gregory + Raising Anchor	1:21:31 - The anchor is raised	action scene \| anchor \| antogonist \| captain \| combination of themes \| diver \| dramatic \| leading lady \| leading man \| love interest \| mickey-mousing \| private eye \| rising \| ship \| ship \| worker
Mara Maru (1952)	Mara Maru (Stormy)	1:22:41 - Gregory on the deck of the ship	captain \| dramatic \| gun \| leading man \| rain \| ship \| storm \| stumbling \| tense \| transition \| walking \| wave \| wind
Mara Maru (1952)	Sailing (Stormy)	1:22:59 - Gregory enters the boat	antagonist \| arriving \| captain \| dark \| dramatic \| gun \| leading man \| rain \| ship \| storm \| transition \| walking \| wave \| wind
Mara Maru (1952)	Boat crashing	1:23:31 - The boat crashes	antagonist \| captain \| chase scene \| crashing \| dark \| dramatic \| leading man \| mickey-mousing \| private eye \| rain \| rock \| ship \| ship wreck \| storm \| wave \| wind
Mara Maru (1952)	The Escape	1:23:42 - People running from the boat	antogonist \| chase scene \| chasing \| corpse \| cross \| dark \| death \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| private eye \| rain \| rock \| running \| ship \| ship wreck \| shooting \| stinger \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:04 - Wind rushing through the trees	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Benedict (Molto Marcato)	1:24:17 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Gregory (Running)	1:24:20 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| heroic \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| running effect \| storm \| wind \| worker
Mara Maru (1952)	Benedict (Chasing)	1:24:24 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Underscoring (Dramatic)	1:24:27 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| rushing effect \| storm \| wind \| worker
Mara Maru (1952)	The Wind	1:24:31 - Gregory runs from Benedict	chase scene \| chasing \| cross \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading lady \| leading man \| love interest \| rain \| running \| storm \| wind \| wind effect \| worker
Mara Maru (1952)	Benedict	1:24:37 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Pursuing	1:24:39 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fear \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| running \| running effect \| rushing effect \| storm \| tense \| wind
Mara Maru (1952)	Hiding	1:24:54 - Gregory hides in the bushes	chase scene \| cross \| dark \| dramatic \| fear \| frantic \| gun \| hiding \| jungle \| leading man \| mickey-mousing \| rain \| storm \| tense \| wind
Mara Maru (1952)	Rolling down the hill	1:24:58 - Gregory rolls down the hill	antogonist \| bodyguard \| chase scene \| cross \| dark \| descending \| dramatic \| falling \| frantic \| gun \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| rolling \| storm \| tense \| wind
Mara Maru (1952)	Benedict (Shrill)	1:25:03 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| shrill \| storm \| tense \| wind
Mara Maru (1952)	Gregory + Struggling (Dissonant)	1:25:07 - Gregory runs away	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| storm \| tense \| wind
Mara Maru (1952)	Underscoring (Dramatic)	1:31:56 - Ortega tries to escape	advance plot \| catacomb \| cave \| cross \| dramatic \| following \| leading man \| mysterious \| searching \| suspsect \| throwing \| tunnel \| underscoring
Mara Maru (1952)	Grabbing	1:32:13 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| mysterious \| suspsect \| tunnel
Mara Maru (1952)	Grabbing 2	1:32:55 - Gregory grabs Ortega	advance plot \| arguing \| catacomb \| cave \| cross \| dramatic \| grabbing \| interrogating \| leading man \| mickey-mousing \| suspsect \| tunnel
Mara Maru (1952)	Underscoring (Dramatic)	1:33:58 - Fortuno shoots at Gregory	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| murderer \| running \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	The Chase	1:34:03 - Ortega and Gregory run away	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| mickey-mousing \| murderer \| running \| running effect \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	Benedict (Menacing)	1:34:30 - Ortega tries to block the door	action scene \| antagonist \| arguing \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| defending \| dramatic \| gun \| gunshot \| leading man \| martyr \| menacing \| murderer \| ominous \| protecting \| pushing \| running \| tunnel \| victim
Mara Maru (1952)	Ortega is Shot	1:34:42 - Ortega is shot	action scene \| antagonist \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading man \| martyr \| murder \| murderer \| passionate \| sentimental \| shooting \| somber \| tunnel \| victim
Mara Maru (1952)	Police	1:34:53 - The police enter	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| gun \| gunshot \| heroic \| leading man \| martyr \| murderer \| police \| running \| shooting \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Descending the stairs	1:34:55 - Fortuno runs down the stairs	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| descending \| dramatic \| gun \| gunshot \| leading man \| martyr \| mickey-mousing \| murderer \| police \| running \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Ascending the stairs	1:35:08 - Benedict runs up the stairs	action scene \| antagonist \| ascending \| catacomb \| cave \| chasing \| climax \| dramatic \| mickey-mousing \| murderer \| ominous \| running \| stairs \| tense \| tunnel
Mara Maru (1952)	Underscoring (Dramatic)	1:35:15 - Benedict confronts Gregory	action scene \| antagonist \| attacking \| catacomb \| cave \| climax \| cross \| dramatic \| leading man \| martyr \| murderer \| tense \| tunnel \| victim
Mara Maru (1952)	The Fight	1:35:20 - Gregory fights Benedict	action scene \| antagonist \| attacking \| catacomb \| cave \| choking \| climax \| dramatic \| falling \| fighting \| hitting \| leading man \| martyr \| mickey-mousing \| murderer \| punching \| stinger \| tense \| tunnel \| victim
Mara Maru (1952)	Rolling down the stairs	1:36:05 - Benedict falls down the stairs	action scene \| antagonist \| catacomb \| cave \| climax \| corpse \| death \| descending \| dramatic \| falling \| leading man \| martyr \| mickey-mousing \| murderer \| rolling \| stinger \| tense \| tunnel \| victim
Bachelor Apartment (1931)	Kiss Me Cherie (The End)	1:16:05 - The End	dramatic \| end title sequence \| The End
Half Shot at Sunrise (1930)	Whistling the Blues Away (Waltz)	0:27:06 - Tommy, Annette, and Gilbert dance	car \| countermelody \| dancing \| dramatic \| leading lady \| leading man \| love interest \| park \| soldier \| song and dance scene \| source to score \| waltz
Roar of the Dragon (1932)	Manchuria (Maestoso)	0:00:35 - credits	dramatic \| exotic
Roar of the Dragon (1932)	Manchuria (Marcia)	0:01:12 - map of Manchuria with a zoom-in effect on city of Yolung; message being printed: "Voronsky Tartar bandit raids riverboat Sungari"	dramatic \| exotic \| in China's Heilongjiang Province. It borders the Songhua River. In Russian \| newspaper office \| The city of Yolung is probably based on what is now known as Yilan \| the Songhua River is called the Sungari \| which happens to be the name of the paddleboat that gets attacked by Voronsky's bandits. The Russian translation of Sungari also fits with Voronsky's and Natascha's assumed Russian origins.
Roar of the Dragon (1932)	Manchuria (Typewriter)	0:01:43 - a Chinese journalist writes the headline: "Bandit Voronsky still at large"	dramatic \| exotic \| frantic \| newspaper office \| tense
Roar of the Dragon (1932)	Voronsky's Theme	0:01:52 - the wanted poster for bandit Voronsky	dramatic \| ominous
Roar of the Dragon (1932)	Underscoring (Dramatic)	0:02:47 - Voronsky gets his injured ear cauterized by a hot iron	agitated \| dramatic \| frantic \| Voronsky's bandit camp
Roar of the Dragon (1932)	Voronsky's Theme (Running)	1:03:46 -	agressive \| dramatic
Roar of the Dragon (1932)	Voronsky's Theme (Tense)	1:04:06 -	dark \| dramatic \| ominous
Roar of the Dragon (1932)	Voronsky's Theme (Dramatic)	1:04:24 -	dramatic
Roar of the Dragon (1932)	Underscoring (Dramatic)	1:05:56 -	dramatic \| somber
Roar of the Dragon (1932)	Underscoring (Dramatic)	1:06:33 -	dramatic \| tense
Roar of the Dragon (1932)	Voronsky's Theme (Triumphal)	1:07:12 -	dramatic \| heroic \| triumphant

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