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223 results for "murderer" — see also assassin | criminal

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Rocks (Double Cross)0:48:56 - Rocks thinks of a double-crossantagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping

The Amazing Dr. Clitterhouse (1938)

Locked in vault0:49:06 - Dr. Clitterhouse locked in safeanxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling

The Amazing Dr. Clitterhouse (1938)

The Motor0:49:21 - Rocks starts the refrigeration motorantagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:49:36 - Dr. Clitterhouse in safeanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling

The Amazing Dr. Clitterhouse (1938)

The Motor (Getting Colder)0:49:43 - The vault gets colderanxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling

The Amazing Dr. Clitterhouse (1938)

Rocks goes downstairs0:50:05 - Rocks goes down the stairsantagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor + The Motor0:50:11 - Butch comes backanxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

Rocks (Sneaking) + The Motor0:50:14 - Rocks sneaks around in the darkantagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)0:50:33 - Rocks goes out to the truckantagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)Underscoring (Dramatic)0:40:50 - Gangsters shoot their own man in phone boothchromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange
Are These Our Children? (1931)Makes You Forget Your Troubles (Eddie Sings)0:40:40 - The boys leave the scene of the crimefriend | leading man | murderer | murder scene | nervous | singing | source music | street | walking

Are These Our Children? (1931)

St. James Infirmary0:41:24 - Young people lounging aroundadvance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Stars and Stripes Forever0:52:14 - Young people cavorting in the streetadvance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street

Are These Our Children? (1931)

Makes You Forget Your Troubles0:53:07 - Drunken young peopleadvance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring

Are These Our Children? (1931)

Dreams (Eddie’s Prayer)1:22:14 - Eddie behind barsadded-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred
Arsenic and Old Lace (1944)Here Comes the Bride (Running)0:23:58 - Mortimer runs to the door9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaltered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraugmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsadded-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Underscoring (Dark)0:56:27 - Einstein looks around in the darkadvance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring

Arsenic and Old Lace (1944)

Blows out match0:56:48 - Einstein blows out the matchadvance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellar9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talks with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street

Arsenic and Old Lace (1944)

Molto Agitato1:29:57 - Jonathan ties Mortimer to a chair9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim

Arsenic and Old Lace (1944)

The Victim1:30:11 - Mortimer tied up in a chairbrother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim

Arsenic and Old Lace (1944)

Knives1:31:05 - Mortimer looks at the knivesacceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim

Arsenic and Old Lace (1944)

Panic1:31:48 - Einstein agrees to do the torturealcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim

Arsenic and Old Lace (1944)

Scar (Fast)1:32:11 - Einstein finds some winealcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim

Arsenic and Old Lace (1944)

How Dry I Am (Mysterious)1:32:25 - Einstein and Jonathan start to drink the winealcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord

Arsenic and Old Lace (1944)

Underscoring (Tense)1:32:35 - They toast to Mortimeralcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim

Arsenic and Old Lace (1944)

Bugle Call1:32:56 - Teddy plays the buglebrother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim
The Big Sleep (1946)Running out0:56:36 - Marlowe runs after the killerassassin | chase scene | chasing | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger

The Big Sleep (1946)

Down the Stairs + The Chase + Marlowe (Action)0:56:39 - Marlowe chases the killer down the stairsassassin | chase scene | chasing | descending | dramatic | gun | gunshot | heroic | leading man | murderer | private eye | room | running | stairs | tense

The Big Sleep (1946)

Underscoring (Dramatic)0:56:54 - Killer shoots at Marloweassassin | chase scene | chasing | dramatic | leading man | murderer | private eye | running | shooting | street | tense | underscoring

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his carassassin | chase scene | chasing | dramatic | heroic | leading man | murderer | private eye | running | street | tense

The Big Sleep (1946)

The Pursuit0:57:09 - Marlowe pursues killer in his carassassin | car | chase scene | chasing | driving | gun | hiding | leading man | murderer | private eye | pursuing | street | tense

The Big Sleep (1946)

Marlowe (Sinister)0:58:24 - Marlowe takes Carol to Geiger's housearriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street

The Big Sleep (1946)

Marlowe (Misterioso)0:59:14 - Marlowe ties up Carolassassin | corpse | dark | investigating | investigation scene | leading man | murderer | mysterious | private eye | room | rope | stinger | tying up

The Big Sleep (1946)

Underscoring (Tense)1:35:26 - Marlowe talks to two thugsconflict | criminal | investigating | leading man | lying | murderer | private eye | shop | tense | underscoring

The Big Sleep (1946)

Jones (Suspenseful)1:35:47 - Marlowe talks to two thugsconflict | criminal | dark | investigating | leading man | lying | murderer | mysterious | private eye | shop | suspenseful

The Big Sleep (1946)

Marlowe (Ear Music)1:36:04 - Marlowe talks to two thugsconflict | criminal | danger | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense

The Big Sleep (1946)

Marlowe (Gets Hit)1:36:20 - The thug punches Marloweconflict | criminal | danger | dramatic | leading man | mickey-mousing | murderer | private eye | punching | shop
City for Conquest (1940)Shooting and dying1:14:23 - Googi shoots Dutchcar | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense

City for Conquest (1940)

Googi (The Car)1:14:32 - Googi threatens Cobbcar | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Googi (Hysterical)1:14:42 - Cobb pleads for mercybegging | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense

City for Conquest (1940)

Underscoring (Tense)1:14:48 - Googi threatens Cobbcar | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening

City for Conquest (1940)

Slap1:14:53 - Googi slaps Cobbcar | car | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | slapping | tense

City for Conquest (1940)

Tone Poem A1 (Very Rough)1:15:00 - The car pulls to a stoparriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening

City for Conquest (1940)

Googi (Dead Man)1:15:09 - They pull out the dead mancar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Gun falls1:15:13 - A gun falls to the groundcar | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Googi (Molto Mysterioso e Screwyoso)1:15:19 - Cobb sees the guncar | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working

City for Conquest (1940)

Kicks body1:15:22 - Googi kicks the body into the watercorpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense

City for Conquest (1940)

Throws gun away1:15:30 - Googi throws a gun in the watercriminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing

City for Conquest (1940)

Googi dies1:15:34 - Googi is shotcriminal | dock | dying | falling | gangster | gun | gunshot | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense

City for Conquest (1940)

Tone Poem A1 (Death)1:15:39 - Googi diescriminal | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense
They Made Me a Criminal (1939)They Say0:13:05 - Doc and Goldie in Johnnie's caraction scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music
Hell on Frisco Bay (1955)Steve0:53:15 - Steve leavesaction scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking

Hell on Frisco Bay (1955)

Menace0:53:30 - Hammy tries to escapeaction scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense
The Letter (1940)Leslie (Shimmery)0:02:57 - Leslie stands over the dead bodycloud | death | half-diminished 7th chord | home | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching

The Letter (1940)

Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Native 20:04:12 - Leslie talks to the workersconversing | home | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring
Mildred Pierce (1945)Monte is shot 21:47:28 - Monte is shot antagonist | collapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber
Transgression (1931)Gong0:50:00 - Don Arturo is shotdeath | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim
Thirteen Women (1932)Hazel murders husband0:12:36 - Hazel murders her husbanddouble exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent

Thirteen Women (1932)

Ursula (Exotic) + The Train0:23:07 - Helen points the gun at herself and criesantagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (Suicide)0:24:18 - Helen commits suicideantagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim

Thirteen Women (1932)

Ursula (The End)0:59:03 - Ursula jumps to her deathchromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear
Star of Midnight (1935)Midnight in Manhattan (Phonograph)1:21:40 - Clay enters the roomadvance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music
The Woman in White (1948)Ann (Dead)1:18:55 - The woman in white lies deadantagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling

The Woman in White (1948)

Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:25:26 - Laura looks at Sir Percivalantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim

The Woman in White (1948)

Pavan (Distressed)1:25:43 - Laura confronts Sir Percivalantagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim

The Woman in White (1948)

Asylum + Ann + Hypnosis1:26:10 - Count Fosco hypnotizes Lauraantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim

The Woman in White (1948)

Ann1:26:55 - Laura speaks to Count Foscoantagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim

The Woman in White (1948)

Ann (Waltz)1:27:14 - Laura dashes awayantagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim

The Woman in White (1948)

Ann 21:28:39 - The nurse takes Laura to her roomantagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking

The Woman in White (1948)

Ann (Quasi Misterioso)1:29:00 - Count Fosco talks to Sir Percivalantagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous

The Woman in White (1948)

Hypnosis + Fosco1:30:32 - Count Fosco leavesantagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition

The Woman in White (1948)

Pavan (Garden)1:31:13 - Walter talks with Marianconversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying

The Woman in White (1948)

The Carman’s Whistle (Bassoon)1:32:48 - A man spies on Waltercalm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking

The Woman in White (1948)

Underscoring (Dramatic)1:36:15 - Laura screams when she sees Sir Percivalconflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife

The Woman in White (1948)

Fight1:36:33 - Walter fights the spyconflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife

The Woman in White (1948)

Fosco (Dark)1:36:50 - Sir Percival on the groundconflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife

The Woman in White (1948)

Fosco (Molto Moderato)1:38:43 - Fosco looks at Marianadvance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Molto Moderato)1:39:33 - Fosco talks to Marianadvance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber

The Woman in White (1948)

Underscoring (Tense)1:44:06 - The countess entersclimax | conversing | criminal | dark | friend | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife

The Woman in White (1948)

Ann (Not in Score)1:44:24 - Count Fosco talks to the Countessclimax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife

The Woman in White (1948)

Fosco (Screwy)1:44:42 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Fosco (Sneaking)1:44:51 - The Countess walks across the roomclimax | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife

The Woman in White (1948)

Adagio1:45:00 - The Countess picks up a knifeclimax | conversing | criminal | friend | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife

The Woman in White (1948)

Fosco (Soft)1:45:18 - The Count talks to Marianarriving | climax | conversing | criminal | friend | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife

The Woman in White (1948)

Stabbing1:45:23 - The Countess stabs Count Foscoclimax | criminal | dramatic | dropping | friend | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife

The Woman in White (1948)

Fosco (Dying)1:45:34 - The Countess picks up the necklacearriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife

The Woman in White (1948)

Ann (Quasi Misterioso)1:46:05 - Various close-upsclimax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife

The Woman in White (1948)

Ann (Waltz 2)1:46:13 - A close-up on the Countesscriminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife

The Woman in White (1948)

Laura1:46:37 - Walter, Marian, and Laura togetherasylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz
Beyond the Forest (1949)Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Rosa (Sulking)1:12:32 - Rosa and Lewis at the funeralfuneral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching

Beyond the Forest (1949)

Rosa (Heavy)1:12:58 - Rosa and Lewis drive awayarriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Threat1:16:14 - Rosa lunges forwardadvance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

Rosa (Listesso)1:16:48 - Rosa takes the maid's thingsadvance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent

Beyond the Forest (1949)

Rosa (On the Run)1:17:21 - Rosa approaches a busadvance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching

Beyond the Forest (1949)

Rosa (Cello Solo)1:18:09 - Rosa sitting in a chairadvance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting

Beyond the Forest (1949)

The Cliff1:19:13 - Rosa looks out of the car windowaction scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Chicago (Dark)1:19:25 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune

Beyond the Forest (1949)

The Cliff (Car Stops)1:19:36 - Rosa sitting in a caraction scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense

Beyond the Forest (1949)

Hurrying (Fleeing)1:19:50 - Rosa leaps out of the caraction scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed

Beyond the Forest (1949)

Leaping1:19:56 - Rosa leaps off of a cliffaction scene | canyon | jumping | leading lady | murderer | runaway | rushed

Beyond the Forest (1949)

Rosa (Broadly)1:19:57 - Rosa rolls down a hillaction scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense

Beyond the Forest (1949)

Rosa (Molto Tranquillo 2)1:20:12 - Rosa in bedadvance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking

Beyond the Forest (1949)

Chicago (Molto Tranquillo)1:20:35 - Rosa in bedadvance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness

Beyond the Forest (1949)

Chicago (Molto Expressivo)1:20:43 - The maid in the kitchenadvance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat

Beyond the Forest (1949)

Rosa (Agitato Misterioso)1:22:49 - Rosa in bedagitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:23:17 - Rosa opens the windowagitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect

Beyond the Forest (1949)

Sawmill + Fever1:23:26 - Rosa rubs her forehead agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting

Beyond the Forest (1949)

Rosa (Fever)1:23:41 - The maid sweepingbleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking

Beyond the Forest (1949)

Chicago1:27:10 - Rosa sings to herselfdelirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music

Beyond the Forest (1949)

Chicago (Echo Chambre)1:28:20 - Rosa prepares to leaveangry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling

Beyond the Forest (1949)

Chicago (She Walks Down)1:29:25 - Rosa walks down the stairsclimax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling

Beyond the Forest (1949)

Sawmill1:29:51 - Rosa opens the dooragitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:02 - The maid makes a phone callagitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa (Stumbling)1:30:10 - Rosa struggles to her feetclimax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking

Beyond the Forest (1949)

Rosa (Fever 2)1:30:23 - Rosa stumbles forwardclimax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking

Beyond the Forest (1949)

Sawmill + Steam Whistle1:30:36 - Darknessagitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect

Beyond the Forest (1949)

Train1:30:52 - A locomotiveagitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train + Chicago (Shrill)1:30:54 - Rosa stumbles towards the trainagitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Train (Heating Up) + Chicago (Fragmented)1:31:05 - Rosa stumbles towards the trainagitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking

Beyond the Forest (1949)

Chicago1:31:21 - Rosa stumbles towards the trainclimax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking

Beyond the Forest (1949)

Chicago1:31:26 - The train leaves the stationagitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station

Beyond the Forest (1949)

Stinger1:31:51 - Rosa deadarriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking

Beyond the Forest (1949)

Rosa1:32:10 - Lewis arrivesarriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station
Don’t Turn ‘em Loose (1936)Makes You Forget Your Troubles0:39:42 - Grace turns on the radioarriving | cheerful | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Lettyaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles0:40:17 - Grace is shotcheerful | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim
Her Kind of Man (1946)Underscoring (Dramatic [Deutsch])1:03:37 - Steve shoots his sisteraction scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim

Her Kind of Man (1946)

The Escape1:03:50 - Steve tries to escapeaction scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

It Had to Be You1:09:05 - Georgia approaches the warehouseadvance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:11:11 - Georgia leavesadvance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife

Her Kind of Man (1946)

Candy1:11:27 - Candy approaches the warehouseadvance plot | arriving | criminal | gambler | henchman | leading man | murderer | tense | walking | warehouse

Her Kind of Man (1946)

It Had to Be You (Tense)1:11:43 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse

Her Kind of Man (1946)

It Had to Be You (Tempo di Foxtrot)1:11:50 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:12:07 - Steve talks to Candyadvance plot | arguing | conversing | criminal | gambler | henchman | leading man | murderer | slapping | tense | underscoring | warehouse

Her Kind of Man (1946)

Underscoring (Dark [Steiner])1:12:32 - Candy reactsadvance plot | arguing | conversing | criminal | dark | gambler | henchman | leading man | murderer | ominous | underscoring | warehouse

Her Kind of Man (1946)

Candy (Dark)1:12:58 - Candy leavesbar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | stinger | telephone | turning point | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:15:00 - Candy in the alleyarriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | tense | underscoring | warehouse | widow

Her Kind of Man (1946)

Candy (Tragic)1:15:28 - Candy in the shadowsclimax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | street | tense | tragic | walking | widow

Her Kind of Man (1946)

Underscoring (Dramatic [Steiner])1:15:53 - Joe shoots at Steveclimax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | revenge | shooting | street | widow

Her Kind of Man (1946)

Candy (Mr. Candy)1:16:09 - Candy bends over Steve's bodyclimax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street

Her Kind of Man (1946)

Speeding1:16:29 - Candy tries to run awayarriving | capturing | car | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | running | street | tense

Her Kind of Man (1946)

Candy (Agitato)1:16:53 - Don confronts Candyagitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | street | tense

Her Kind of Man (1946)

It Had to Be You (Tragic)1:17:10 - Georgia holds Steveclimax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife

Her Kind of Man (1946)

Water1:17:41 - Steve's corpsecorpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife

Her Kind of Man (1946)

It Had to Be You (The End)1:18:02 - The Endcriminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | murderer | police | reporter | singer | street | The End | tragic | wife
We're Only Human (1935)Underscoring (Dramatic)1:04:31 - Pete enters the houseclimax | conflict | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | murderer | room | shooting | underscoring

We're Only Human (1935)

Underscoring (Tense)1:04:54 - Pete crawls on the floorclimax | conflict | crawling | detective | gangster | leading man | murderer | room | tense | underscoring

We're Only Human (1935)

Underscoring (Tense)1:05:03 - Pete prepares to shootclimax | conflict | detective | gangster | gunshot | leading man | murderer | room | shooting | sneaking | tense | underscoring

We're Only Human (1935)

Blood Money (Counting Money)1:05:25 - Pete looks at the fallen manclimax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tritone

We're Only Human (1935)

Underscoring (Dark)1:05:34 - Pete runsclimax | conflict | dark | detective | gangster | leading man | murderer | room | sneaking | taunting | tense | underscoring

We're Only Human (1935)

Underscoring (Dramatic)1:05:48 - Pete runs up the stairsclimax | conflict | detective | dramatic | gangster | leading man | murderer | room | running | rushing | tense | underscoring

We're Only Human (1935)

Underscoring (Tense)1:05:55 - Pete advances slowlyarguing | climax | conflict | detective | gangster | hostage | leading man | murderer | room | sneaking | taunting | tense | tricking | underscoring

We're Only Human (1935)

Underscoring (Dramatic)1:06:45 - Berger falls to the groundclimax | conflict | death | detective | dramatic | dying | falling | gangster | gunshot | hostage | leading man | murderer | room | underscoring

We're Only Human (1935)

Lost Patrol 11:06:52 - Pete looks at Bergerclimax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn