| The Amazing Dr. Clitterhouse (1938) | Rocks (Double Cross) | 0:48:56 - Rocks thinks of a double-cross | antagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping |
The Amazing Dr. Clitterhouse (1938) | Locked in vault | 0:49:06 - Dr. Clitterhouse locked in safe | anxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor | 0:49:21 - Rocks starts the refrigeration motor | antagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:49:36 - Dr. Clitterhouse in safe | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling |
The Amazing Dr. Clitterhouse (1938) | The Motor (Getting Colder) | 0:49:43 - The vault gets colder | anxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | Rocks goes downstairs | 0:50:05 - Rocks goes down the stairs | antagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:11 - Butch comes back | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone |
The Amazing Dr. Clitterhouse (1938) | The Poison Victim | 1:07:50 - Rocks is poisoned | dissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone |
The Amazing Dr. Clitterhouse (1938) | Poison | 1:08:46 - Rocks feels the effect of the poison | blur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster |
The Amazing Dr. Clitterhouse (1938) | Rocks struggles and falls | 1:09:52 - Rocks tries to get up, then collapses | chromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Funebre) | 1:10:07 - Dr. Clitterhouse talks with Jo | 9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense |
| Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 0:40:50 - Gangsters shoot their own man in phone booth | chromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange |
| Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:40:40 - The boys leave the scene of the crime | friend | leading man | murderer | murder scene | nervous | singing | source music | street | walking |
Are These Our Children? (1931) | St. James Infirmary | 0:41:24 - Young people lounging around | advance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | St. James Infirmary | 0:42:08 - Young people talking | advance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | Hey! Hey! | 0:50:14 - Eddie and Flo dance | 9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | AABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
Are These Our Children? (1931) | Dreams (Risoluto 2) | 0:53:55 - Newspaper headlines | advance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring |
Are These Our Children? (1931) | Dreams (Eddie’s Prayer) | 1:22:14 - Eddie behind bars | added-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred |
| Arsenic and Old Lace (1944) | Here Comes the Bride (Tritone) | 0:23:58 - Mortimer runs to the door | aunt | bride | child | crazy person | dark | familiar tune | groom | Halloween | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | tritone | turning point |
Arsenic and Old Lace (1944) | Happy Land | 0:24:16 - Abby, Martha, and Mortimer in the kitchen | advance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | The Aunts | 0:39:01 - The aunts talk | advance plot | aunt | cleaning | conversing | crazy person | leading lady | murderer | room | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Screwyoso) | 0:39:06 - The aunts talk | advance plot | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger |
Arsenic and Old Lace (1944) | Happy Land (String Quartet) | 0:39:28 - The aunts set the table | advance plot | aunt | cleaning | conversing | crazy person | familiar tune | hymn-like | leading lady | murderer | peaceful | room |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:39:58 - The aunts see shadows at the door | aunt | conversing | crazy person | dark | establish character | fear | knocking | leading lady | murderer | mysterious | ominous | pedal tone | room | shadow | whispering |
Arsenic and Old Lace (1944) | Home Sweet Home (Expressivo) + Scar | 0:41:42 - Abby talks to Jonathan | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:08 - Jonathan talks to the aunts | aunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | tense | underscoring |
Arsenic and Old Lace (1944) | Scar (Face) | 0:42:29 - Jonathan talks about his scar | aunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | scar | tense |
Arsenic and Old Lace (1944) | Mysterioso Pizzicato | 0:42:41 - Martha talks about scary movies | aunt | brother | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:56 - Jonathan glares at Dr. Einstein | aunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | room | scar | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:43:08 - Jonathan talks about the operation | aunt | brother | crazy person | criminal | dark | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | room | struggling | threatening |
Arsenic and Old Lace (1944) | Scar | 0:43:20 - Dr. Einstein talks to the aunts | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | room |
Arsenic and Old Lace (1944) | Home Sweet Home (Ominous) | 0:43:28 - Dr. Einstein talks to the aunts | aunt | brother | conversing | crazy person | criminal | distorted | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | tense |
Arsenic and Old Lace (1944) | Home Sweet Home (Tranquillo) | 0:43:40 - Jonathan sits down | aunt | brother | calm | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | room |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | leading lady | leading man | murderer | mysterious | ominous | room | walking | watching |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:45:22 - The aunts peek through the kitchen window | aunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | ominous | room | snooping | watching |
Arsenic and Old Lace (1944) | Scar | 0:45:29 - Dr. Einstein describes how he will fix Jonathan's face | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | planning | room | wipe |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:49:12 - Jonathan threatens the aunts | advance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | room | threatening |
Arsenic and Old Lace (1944) | Scar | 0:49:36 - Dr. Einstein calls to Jonathan | advance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | room | threatening |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:49:45 - Jonathan follows Dr. Einstein | advance plot | brother | conversing | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | plotting | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | When Johnny Comes Marching Home | 0:49:45 - Dr. Einstein spies on Teddy | advance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:50:20 - Jonathan and Dr. Einstein talk | advance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | plotting | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:52:20 - The aunts move through the kitchen | advance plot | aunt | calm | conversing | crazy person | leading lady | murderer | pleasant | room |
Arsenic and Old Lace (1944) | Wind blowing 2 | 0:52:32 - The aunts walk to the window | advance plot | aunt | blowing | crazy person | leading lady | looking | murderer | mysterious | room | wind | wind effect | window |
Arsenic and Old Lace (1944) | Stinger | 0:52:41 - Jonathan suddenly appears at the window | advance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | window |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:52:48 - Jonathan comes in the window | advance plot | aunt | brother | crazy person | dark | darkness | doctor | intimidating | leading lady | leading man | murderer | ominous | room | staring | tense |
Arsenic and Old Lace (1944) | Jonathan (Fragmented) | 0:53:35 - Jonathan and the doctor go up the stairs | advance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | intimidating | leading lady | leading man | murderer | ominous | room | tense |
Arsenic and Old Lace (1944) | The Aunts | 0:53:55 - Aunt Abby goes to the front door | advance plot | aunt | brother | calm | crazy person | darkness | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking |
Arsenic and Old Lace (1944) | Underscoring (Mysterious) | 0:54:01 - Aunt Abby goes up the stairs | advance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring |
Arsenic and Old Lace (1944) | The Aunts (Molto Misterioso) | 0:54:12 - Aunt Abby faces Jonathan | advance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | staring | walking |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:54:30 - Jonathan goes up the stairs | advance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | underscoring | walking |
Arsenic and Old Lace (1944) | Underscoring (Dark) | 0:56:27 - Einstein looks around in the dark | advance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring |
Arsenic and Old Lace (1944) | Blows out match | 0:56:48 - Einstein blows out the match | advance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense |
Arsenic and Old Lace (1944) | Jonathan 2 (Dark) | 0:57:04 - Jonathan exits | advance plot | brother | conversing | crazy person | dark | darkness | doctor | falling | leading man | murderer | mysterious | room | stinger |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:58:10 - Someone knocks at the door | advance plot | brother | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | room | sneaking | tense | underscoring |
Arsenic and Old Lace (1944) | Scar (Tense) | 0:58:39 - Close-up on Dr. Einstein's face | advance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | leading lady | leading man | murderer | room | sneaking | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:58:55 - Jonathan emerges from the shadows | advance plot | bride | brother | conversing | crazy person | darkness | doctor | fear | leading lady | leading man | murderer | questioning | room | sinister |
Arsenic and Old Lace (1944) | Underscoring (Dark) | 1:00:36 - Jonathan backs Elaine into a corner | advance plot | anger | bride | brother | crazy person | doctor | fear | hurting | leading lady | leading man | murderer | ominous | questioning | room | stinger | tense | threatening |
Arsenic and Old Lace (1944) | Underscoring (Dramatic) | 1:01:21 - They take Elaine into the cellar | aunt | bride | brother | conflict | crazy person | darkness | doctor | dramatic | fear | fighting | gagging | leading lady | leading man | murderer | room | running | self-borrowing | struggling | suspenseful | underscoring |
Arsenic and Old Lace (1944) | Organ Stinger | 1:01:40 - Aunts emerge in black upstairs | arguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 1:01:49 - Aunts talk to Jonathan | arguing | aunt | brother | conflict | crazy person | fear | leading lady | leading man | murderer | room | tense |
Arsenic and Old Lace (1944) | Happy Land | 1:19:56 - Mortimer with the taxi driver | aunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street |
Arsenic and Old Lace (1944) | Happy Land | 1:22:17 - Mortimer talking with Elaine through her window | aunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street |
Arsenic and Old Lace (1944) | Molto Agitato | 1:29:57 - Jonathan ties Mortimer to a chair | brother | captive | conflict | crazy person | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim |
Arsenic and Old Lace (1944) | The Victim | 1:30:11 - Mortimer tied up in a chair | brother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | Knives | 1:31:05 - Mortimer looks at the knives | brother | captive | close-up | conflict | crazy person | doctor | fear | leading man | murderer | ominous | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | Panic | 1:31:48 - Einstein agrees to do the torture | alcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | panicked | panicking | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | Scar (Fast) | 1:32:11 - Einstein finds some wine | alcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | How Dry I Am (Mysterious) | 1:32:25 - Einstein and Jonathan start to drink the wine | alcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | room | victim |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 1:32:35 - They toast to Mortimer | alcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | room | tense | toasting | underscoring | victim |
Arsenic and Old Lace (1944) | Bugle Call | 1:32:56 - Teddy plays the bugle | brother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim |
| The Big Sleep (1946) | Running out | 0:56:36 - Marlowe runs after the killer | assassin | chase scene | chasing | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger |
The Big Sleep (1946) | Down the Stairs + The Chase + Marlowe (Action) | 0:56:39 - Marlowe chases the killer down the stairs | assassin | chase scene | chasing | descending | dramatic | gun | gunshot | heroic | leading man | murderer | private eye | room | running | stairs | tense |
The Big Sleep (1946) | Underscoring (Dramatic) | 0:56:54 - Killer shoots at Marlowe | assassin | chase scene | chasing | dramatic | leading man | murderer | private eye | running | shooting | street | tense | underscoring |
The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | assassin | chase scene | chasing | dramatic | heroic | leading man | murderer | private eye | running | street | tense |
The Big Sleep (1946) | The Pursuit | 0:57:09 - Marlowe pursues killer in his car | assassin | car | chase scene | chasing | driving | gun | hiding | leading man | murderer | private eye | pursuing | street | tense |
The Big Sleep (1946) | Marlowe (Sinister) | 0:58:24 - Marlowe takes Carol to Geiger's house | arriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street |
The Big Sleep (1946) | Marlowe (Misterioso) | 0:59:14 - Marlowe ties up Carol | assassin | corpse | dark | investigating | investigation scene | leading man | murderer | mysterious | private eye | room | rope | stinger | tying up |
The Big Sleep (1946) | Underscoring (Tense) | 1:35:26 - Marlowe talks to two thugs | conflict | criminal | investigating | leading man | lying | murderer | private eye | shop | tense | underscoring |
The Big Sleep (1946) | Jones (Suspenseful) | 1:35:47 - Marlowe talks to two thugs | conflict | criminal | dark | investigating | leading man | lying | murderer | mysterious | private eye | shop | suspenseful |
The Big Sleep (1946) | Marlowe (Ear Music) | 1:36:04 - Marlowe talks to two thugs | conflict | criminal | danger | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense |
The Big Sleep (1946) | Marlowe (Gets Hit) | 1:36:20 - The thug punches Marlowe | conflict | criminal | danger | dramatic | leading man | mickey-mousing | murderer | private eye | punching | shop |
| City for Conquest (1940) | Shooting and dying | 1:14:23 - Googi shoots Dutch | car | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense |
City for Conquest (1940) | Googi (The Car) | 1:14:32 - Googi threatens Cobb | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Googi (Hysterical) | 1:14:42 - Cobb pleads for mercy | begging | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Underscoring (Tense) | 1:14:48 - Googi threatens Cobb | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Slap | 1:14:53 - Googi slaps Cobb | car | car | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | slapping | tense |
City for Conquest (1940) | Tone Poem A1 (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening |
City for Conquest (1940) | Googi (Dead Man) | 1:15:09 - They pull out the dead man | car | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working |
City for Conquest (1940) | Gun falls | 1:15:13 - A gun falls to the ground | car | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Googi (Molto Mysterioso e Screwyoso) | 1:15:19 - Cobb sees the gun | car | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working |
City for Conquest (1940) | Kicks body | 1:15:22 - Googi kicks the body into the water | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Throws gun away | 1:15:30 - Googi throws a gun in the water | criminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing |
City for Conquest (1940) | Googi dies | 1:15:34 - Googi is shot | criminal | dock | dying | falling | gangster | gun | gunshot | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
City for Conquest (1940) | Tone Poem A1 (Death) | 1:15:39 - Googi dies | criminal | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
| They Made Me a Criminal (1939) | They Say | 0:13:05 - Doc and Goldie in Johnnie's car | action scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music |
| Hell on Frisco Bay (1955) | Steve | 0:53:15 - Steve leaves | action scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking |
Hell on Frisco Bay (1955) | Menace | 0:53:30 - Hammy tries to escape | action scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense |
| The Letter (1940) | Hammond A (Shimmery) | 0:02:57 - Leslie stands over the dead body | cloud | death | home | moon | murder | murderer | murder scene | mysterious | oscillation | plantation | sequence | watching |
The Letter (1940) | Hammond A (Revolver) | 0:03:43 - Leslie talks with the workers | conversing | gun | home | murderer | murder scene | oscillation | sequence | servant | tense |
The Letter (1940) | Native 2 | 0:04:12 - Leslie talks with the workers and asks them to leave | conversing | home | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring |
| Mildred Pierce (1945) | Monte is shot 2 | 1:47:28 - Monte is shot | antagonist | collapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic |
Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:48:54 - Veda asks her mother not to turn her in | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring |
Mildred Pierce (1945) | Kay and Veda (Returning Home 2) | 1:49:17 - Veda convinces her mother to not report her | antagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber |
| Transgression (1931) | Gong | 0:50:00 - Don Arturo is shot | death | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim |
| Thirteen Women (1932) | Hazel murders husband | 0:12:36 - Hazel murders her husband | double exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Dramatic Agitato | 0:12:41 - Hazel screams | augmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (Suicide) | 0:24:18 - Helen commits suicide | antagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (The End) | 0:59:03 - Ursula jumps to her death | chromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear |
| Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:21:40 - Clay enters the room | advance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music |
