Tag Search

223 results for "murderer" — see also assassin | criminal

Film	Theme name	Instance	Tags
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Risoluto 2)	0:53:55 - Newspaper headlines	advance plot \| arresting \| dark \| detective \| double exposure \| fragmentation \| friend \| headline \| leading man \| love interest \| murderer \| newspaper \| ominous \| room \| sequential modulation \| spinning \| thematic transformation \| underscoring
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	The Aunts	0:39:01 - The aunts talk	advance plot \| aunt \| cleaning \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| room \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Happy Land (String Quartet)	0:39:28 - The aunts set the table	advance plot \| aunt \| cleaning \| conversing \| crazy person \| direct modulation \| evaded cadence \| familiar tune \| hymn-like \| leading lady \| murderer \| peaceful \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:52:20 - The aunts move through the kitchen	advance plot \| aunt \| calm \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| pleasant \| room
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer down the stairs	assassin \| chase scene \| chasing \| descending \| dramatic \| gun \| gunshot \| heroic \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| dramatic \| leading man \| murderer \| private eye \| running \| shooting \| street \| tense \| underscoring
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	assassin \| chase scene \| chasing \| dramatic \| heroic \| leading man \| murderer \| private eye \| running \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| driving \| gun \| hiding \| leading man \| murderer \| private eye \| pursuing \| street \| tense
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	begging \| car \| car \| criminal \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| criminal \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| slapping \| tense
City for Conquest (1940)	Tone Poem A1 (Very Rough)	1:15:00 - The car pulls to a stop	arriving \| car \| criminal \| dark \| dock \| driving \| gangster \| manager \| murderer \| murder scene \| threatening
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| tense \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| tense \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A1 (Death)	1:15:39 - Googi dies	criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
They Made Me a Criminal (1939)	They Say	0:13:05 - Doc and Goldie in Johnnie's car	action scene \| car \| car \| criminal \| drinking \| driving \| floozy \| happy \| murderer \| radio \| source music
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
The Letter (1940)	Leslie (Shimmery)	0:02:57 - Leslie stands over the dead body	cloud \| death \| half-diminished 7th chord \| home \| moon \| murder \| murderer \| murder scene \| mysterious \| oscillation \| parallelism \| plantation \| sequence \| suspension \| watching
The Letter (1940)	Leslie (Revolver)	0:03:43 - A pistol lies on the steps	changing meter \| conversing \| foreign key modulation \| fragmentation \| gun \| harmonic sequence \| home \| murderer \| murder scene \| oscillation \| sequential modulation \| servant \| tense
The Letter (1940)	Native 2	0:04:12 - Leslie talks to the workers	conversing \| home \| murderer \| murder scene \| open fifth \| pentatonic \| servant \| stinger \| tense \| underscoring
Mildred Pierce (1945)	Monte is shot 2	1:47:28 - Monte is shot	antagonist \| collapsing \| death \| dying \| falling \| gun \| gunshot \| mickey-mousing \| murder \| murderer \| murder scene \| room \| staggering \| tragic
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:47:42 - Mildred rushes in to check on Veda	antagonist \| confessing \| dark \| daughter \| heroine \| leading lady \| lying \| murder \| murderer \| murder scene \| ominous \| room
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| heroine \| leading lady \| lying \| murderer \| murder scene \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:48:22 - Veda pleads for help to escape	antagonist \| begging \| confessing \| daughter \| distressed \| frantic \| heroine \| leading lady \| murderer \| murder scene \| room
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| daughter \| heroine \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
Mildred Pierce (1945)	Kay and Veda (Returning Home 2)	1:49:17 - Veda convinces her mother to not report her	antagonist \| crying \| daughter \| heroine \| leading lady \| loving \| mother \| murderer \| murder scene \| room \| sacrificing \| tender \| warm
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| somber
Transgression (1931)	Gong	0:50:00 - Don Arturo is shot	death \| dying \| gun \| gunshot \| leading lady \| love interest \| murder \| murderer \| murdering \| murder scene \| room \| tense \| victim
Thirteen Women (1932)	Hazel murders husband	0:12:36 - Hazel murders her husband	double exposure \| dramatic \| half-diminished 7th chord \| headline \| husband \| knife \| murder \| murderer \| murdering \| murder scene \| newspaper \| room \| stabbing \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Dramatic Agitato	0:12:41 - Hazel screams	augmented sixth chord \| chromatic scale \| double exposure \| dramatic \| half-diminished 7th chord \| headline \| letter \| murder \| murderer \| murder scene \| newspaper \| room \| screaming \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Ursula (Exotic) + The Train	0:23:07 - Helen points the gun at herself and cries	antagonist \| combination of themes \| crying \| exotic \| exoticism \| gun \| Gypsy major scale \| hypnotic \| murderer \| murder scene \| pedal tone \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (Suicide)	0:24:18 - Helen commits suicide	antagonist \| chromaticism \| committing suicide \| dying \| exotic \| exoticism \| gun \| gunshot \| hypnotic \| murderer \| murder scene \| pc set \| pedal tone \| stinger \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (The End)	0:59:03 - Ursula jumps to her death	chromatic scale \| climax \| dark \| dramatic \| dying \| jumping \| leading lady \| murderer \| The End \| train \| transcribed by ear
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:21:40 - Clay enters the room	advance plot \| conversing \| detective \| leading lady \| leading man \| murderer \| phonograph \| room \| score to source \| sentimental \| source music
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Fosco (Con Moto)	1:23:29 - Fosco arrives in his carriage	antagonist \| arriving \| carriage \| criminal \| dark \| leading man \| murderer \| serious \| street \| transition \| traveling
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Ann (Quasi Misterioso)	1:29:00 - Count Fosco talks to Sir Percival	antagonist \| asylum \| conversing \| criminal \| husband \| hypnotist \| leading man \| mad scene \| murderer \| ominous
The Woman in White (1948)	Hypnosis + Fosco	1:30:32 - Count Fosco leaves	antagonist \| carriage \| combination of themes \| criminal \| dark \| husband \| hypnotist \| leading man \| leaving \| murderer \| ominous \| plotting \| spy \| spying \| street \| tense \| transition
The Woman in White (1948)	Pavan (Garden)	1:31:13 - Walter talks with Marian	conversing \| criminal \| friend \| husband \| leading lady \| leading man \| love scene \| murderer \| noble \| room \| spy \| spying
The Woman in White (1948)	The Carman’s Whistle (Bassoon)	1:32:48 - A man spies on Walter	calm \| comedy \| criminal \| following \| husband \| leading man \| murderer \| sneaking \| spy \| spying \| street \| walking
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Fosco (Molto Moderato)	1:38:43 - Fosco looks at Marian	advance plot \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| pacing \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:39:05 - The butler enters	advance plot \| butler \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| room \| tense \| underscoring
The Woman in White (1948)	Fosco (Molto Moderato)	1:39:33 - Fosco talks to Marian	advance plot \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:44:06 - The countess enters	climax \| conversing \| criminal \| dark \| friend \| friend \| leading lady \| leading man \| love interest \| murderer \| necklace \| ominous \| room \| transcribed by ear \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Adagio	1:45:00 - The Countess picks up a knife	climax \| conversing \| criminal \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| murderer \| necklace \| room \| somber \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Laura	1:46:37 - Walter, Marian, and Laura together	asylum \| conversing \| friend \| happy \| murderer \| necklace \| patient \| resolution \| time lapse \| voice-over \| waltz
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Threat	1:16:14 - Rosa lunges forward	advance plot \| dark \| harsh \| leading lady \| lunging \| murderer \| ominous \| room \| staring \| stinger \| threatening \| violent
Beyond the Forest (1949)	Underscoring (Mysterious)	1:16:20 - Rosa stares out the window	advance plot \| departing \| leading lady \| maid \| murderer \| mysterious \| plotting \| room \| street \| underscoring \| walking \| watching
Beyond the Forest (1949)	Running (A Little Heavier)	1:16:28 - Rosa heads downstairs	advance plot \| hurrying \| leading lady \| murderer \| mysterious \| plotting \| room \| tense
Beyond the Forest (1949)	Rosa (Listesso)	1:16:48 - Rosa takes the maid's things	advance plot \| dark \| disguise \| dressing \| harsh \| leading lady \| murderer \| ominous \| room \| stealing \| violent
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Hurrying (Fleeing)	1:19:50 - Rosa leaps out of the car	action scene \| canyon \| car \| cliff \| fleeing \| leading lady \| leading man \| murderer \| runaway \| running \| rushed
Beyond the Forest (1949)	Leaping	1:19:56 - Rosa leaps off of a cliff	action scene \| canyon \| jumping \| leading lady \| murderer \| runaway \| rushed
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo 2)	1:20:12 - Rosa in bed	advance plot \| calm \| leading lady \| murderer \| recovering \| resting \| room \| sickness \| sleeping \| sultry \| waking
Beyond the Forest (1949)	Chicago (Molto Tranquillo)	1:20:35 - Rosa in bed	advance plot \| banging \| calm \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness
Beyond the Forest (1949)	Chicago (Molto Expressivo)	1:20:43 - The maid in the kitchen	advance plot \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness \| upbeat
Beyond the Forest (1949)	Rosa (Agitato Misterioso)	1:22:49 - Rosa in bed	agitated \| fever \| illness scene \| leading lady \| murderer \| room \| sickness \| sweating \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:23:17 - Rosa opens the window	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| mickey-mousing \| murderer \| opening \| raising \| room \| sickness \| sweating \| tense \| waiting \| whistle effect
Beyond the Forest (1949)	Sawmill + Fever	1:23:26 - Rosa rubs her forehead	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| maid \| murderer \| room \| sickness \| sickness effect \| sweating \| tense \| waiting
Beyond the Forest (1949)	Rosa (Fever)	1:23:41 - The maid sweeping	bleak \| drinking \| fever \| illness scene \| leading lady \| maid \| murderer \| oppressive \| pounding \| room \| sickness \| waiting
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
Beyond the Forest (1949)	Chicago	1:27:10 - Rosa sings to herself	delirious \| familiar tune \| fever \| illness scene \| leading lady \| maid \| murderer \| on-screen music \| popular tune \| room \| score to source \| sickness \| singing \| source music
Beyond the Forest (1949)	Chicago (Echo Chambre)	1:28:20 - Rosa prepares to leave	angry \| arguing \| climax \| crazed \| delirious \| eerie \| familiar tune \| leading lady \| mad \| madness \| mad scene \| maid \| murderer \| popular tune \| preparing \| room \| stumbling \| unsettling \| yelling
Beyond the Forest (1949)	Chicago (She Walks Down)	1:29:25 - Rosa walks down the stairs	climax \| dark \| descending \| familiar tune \| leading lady \| madness \| mad scene \| maid \| mickey-mousing \| murderer \| popular tune \| room \| solemn \| stairs \| stumbling
Beyond the Forest (1949)	Sawmill	1:29:51 - Rosa opens the door	agitated \| climax \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:02 - The maid makes a phone call	agitated \| climax \| collapsing \| combination of themes \| cut from film \| falling \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking \| whistle effect
Beyond the Forest (1949)	Sawmill + Rosa (Stumbling)	1:30:10 - Rosa struggles to her feet	climax \| combination of themes \| dark \| leading lady \| machinery effect \| madness \| mad scene \| murderer \| ominous \| standing \| street \| stumbling \| walking
Beyond the Forest (1949)	Rosa (Fever 2)	1:30:23 - Rosa stumbles forward	climax \| dark \| leading lady \| madness \| mad scene \| murderer \| ominous \| street \| stumbling \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:36 - Darkness	agitated \| climax \| combination of themes \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train station \| walking \| whistle effect
Beyond the Forest (1949)	Train	1:30:52 - A locomotive	agitated \| climax \| cut from film \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train + Chicago (Shrill)	1:30:54 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| cut from film \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| shrill \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train (Heating Up) + Chicago (Fragmented)	1:31:05 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:21 - Rosa stumbles towards the train	climax \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:26 - The train leaves the station	agitated \| climax \| departing \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| obsessive \| popular tune \| shrill \| tense \| train \| train station
Beyond the Forest (1949)	Stinger	1:31:51 - Rosa dead	arriving \| climax \| dark \| death \| doctor \| husband \| leading lady \| leading man \| mad scene \| murderer \| solemn \| stinger \| train \| train station \| walking
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:39:42 - Grace turns on the radio	arriving \| cheerful \| confronting \| conversing \| gangster \| gun \| leading man \| moll \| murderer \| murder scene \| popular music \| room \| source music \| staring \| threatening
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Letty	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	cheerful \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	1:03:37 - Steve shoots his sister	action scene \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	Candy	1:11:27 - Candy approaches the warehouse	advance plot \| arriving \| criminal \| gambler \| henchman \| leading man \| murderer \| tense \| walking \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tense)	1:11:43 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| tense \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Underscoring (Dark [Steiner])	1:12:32 - Candy reacts	advance plot \| arguing \| conversing \| criminal \| dark \| gambler \| henchman \| leading man \| murderer \| ominous \| underscoring \| warehouse
Her Kind of Man (1946)	Candy (Dark)	1:12:58 - Candy leaves	bar \| calling \| conversing \| criminal \| dark \| double-cross \| gambler \| henchman \| husband \| leading man \| murderer \| ominous \| stinger \| telephone \| turning point \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:15:00 - Candy in the alley	arriving \| climax \| criminal \| double-cross \| driving \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| signaling \| sneaking \| street \| tense \| underscoring \| warehouse \| widow
Her Kind of Man (1946)	Candy (Tragic)	1:15:28 - Candy in the shadows	climax \| conversing \| criminal \| double-cross \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| street \| tense \| tragic \| walking \| widow
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:15:53 - Joe shoots at Steve	climax \| criminal \| double-cross \| dramatic \| dying \| falling \| gambler \| gun \| gunshot \| henchman \| husband \| leading man \| murder \| murderer \| revenge \| shooting \| street \| widow
Her Kind of Man (1946)	Candy (Mr. Candy)	1:16:09 - Candy bends over Steve's body	climax \| conversing \| criminal \| dark \| double-cross \| dying \| gambler \| heavy \| henchman \| leading man \| murder \| murderer \| revenge \| street
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| police \| reporter \| revenge \| street \| tense
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
We're Only Human (1935)	Underscoring (Dramatic)	1:04:31 - Pete enters the house	climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring
We're Only Human (1935)	Underscoring (Tense)	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring
We're Only Human (1935)	Underscoring (Tense)	1:05:03 - Pete prepares to shoot	climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| room \| shooting \| sneaking \| tense \| underscoring
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tritone
We're Only Human (1935)	Underscoring (Dark)	1:05:34 - Pete runs	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Underscoring (Dramatic)	1:05:48 - Pete runs up the stairs	climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| room \| running \| rushing \| tense \| underscoring
We're Only Human (1935)	Underscoring (Tense)	1:05:55 - Pete advances slowly	arguing \| climax \| conflict \| detective \| gangster \| hostage \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
We're Only Human (1935)	Underscoring (Dramatic)	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| underscoring
We're Only Human (1935)	Lost Patrol 1	1:06:52 - Pete looks at Berger	climax \| conflict \| death \| detective \| gangster \| hostage \| leading man \| murderer \| reacting \| room \| solemn

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