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270 results for "calm" in 45 films — see also comfort | ethereal | peace | peaceful | relaxed | relieved | resolved | tranquil | turn

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

Fairy Tale0:23:13 - Henriette reads a fairy taleadded-note chord | book | calm | child | delicate | establish character | fairy tale | governess | leading lady | pentatonic | pleasant | room | storytelling

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy tale9th chord | altered dominant | book | calm | child | delicate | establish character | fairy tale | foreign key modulation | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Henriette (Fairy Tale)0:23:50 - Henriette reads a fairy talebook | calm | child | countermelody | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

La Parisienne (Expressivo)1:06:51 - The children prayadvance plot | calm | child | governess | leading lady | mode mixture | praying | room

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | dissonant bass | duchess | duke | foreign key modulation | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriette64 chord | calm | conflict | conversing | deceptive resolution | duchess | duke | gentle | leading lady | leading man | mode mixture | room | sigh gesture

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a gift9th chord | 64 chord | advance plot | augmentation | calm | child | chromatic mediant | foreign key modulation | gift | governess | leading lady | locket | opening | parallelism | room | tender

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscription64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | mode mixture | Neapolitan | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henry9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | deceptive resolution | leading lady | minister | prison | prisoner | suspect
The Amazing Dr. Clitterhouse (1938)Una Voce Poco Fa0:00:54 - A woman plays the pianocalm | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief

The Amazing Dr. Clitterhouse (1938)

The Last Rose of Summer0:03:14 - A woman singscalm | doctor | folk song | Irish | leading man | listening | on-screen music | party | pianist | room | singer | singing | sneaking | source music | stealing | thief
Are These Our Children? (1931)Humming0:31:57 - Heinie humsadvance plot | calm | humming | old man | room | source music
Arsenic and Old Lace (1944)Sidewalks of New York (Expressivo)0:01:53 - A ship sailing under a bridge64 chord | boat | bridge | calm | card | city | establish place | familiar tune | pedal tone | sailing | transition

Arsenic and Old Lace (1944)

Here Comes the Bride (Marriage License Bureau)0:01:59 - "Marriage License Bureau" sign64 chord | arriving | calm | conversing | crowd | direct modulation | establish character | familiar tune | marriage | office | parallelism | reporter | romantic | sequence | spouse

Arsenic and Old Lace (1944)

Sidewalks of New York (Quasi Barcarolle)0:05:13 - The Brewster home64 chord | calm | card | cemetery | chromatic mediant | common-tone diminished 7th | enharmonic modulation | establish setting | familiar tune | gravestone | ominous | stinger | street | wind | wind effect

Arsenic and Old Lace (1944)

Sidewalks of New York (Walking)0:05:30 - Cops patrol the neighborhood64 chord | calm | establish setting | familiar tune | fragmentation | police | street | walking

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersadded-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemetery64 chord | bride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious | suspension

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaugmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talks with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street
Beyond the Forest (1949)Loyalton 20:02:27 - Deserted streets of Loyaltoncalm | establish setting | street | voice-over

Beyond the Forest (1949)

Lewis (Office)0:02:44 - The doctor's officecalm | establish setting | noble | street | voice-over

Beyond the Forest (1949)

Lewis (Moderato Expressivo)0:06:23 - Fishing in a streamcalm | canoe | doctor | establish character | friend | lake | leading lady | leading man | rowing | wife

Beyond the Forest (1949)

Lewis0:10:42 - The doctor in a canoecalm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife

Beyond the Forest (1949)

Rosa (Slower)0:39:05 - Rosa in bedadvance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife

Beyond the Forest (1949)

Lewis (Moderato Quasi Rubato)0:42:23 - Lewis talks to some menadvance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm

Beyond the Forest (1949)

Chicago (City)0:44:28 - Downtown Chicagoarriving | bright | calling | calm | city | familiar tune | hotel | leading lady | phone book | popular tune | telephone | transition | traveling

Beyond the Forest (1949)

Rosa (Molto Tranquillo)0:57:36 - Lewis opens the doorarriving | calm | dark | doctor | leading lady | leading man | reunion scene | room | wife

Beyond the Forest (1949)

Lewis (Tender)0:58:28 - Lewis takes care of Rosacalm | conversing | doctor | kissing | leading lady | leading man | reunion scene | room | tender | wife

Beyond the Forest (1949)

Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict

Beyond the Forest (1949)

Religioso1:11:19 - A church steeple in the raincalm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching

Beyond the Forest (1949)

Lewis (Crescendo)1:13:15 - Rosa and Lewis at homearriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling

Beyond the Forest (1949)

Rosa (Molto Tranquillo 2)1:20:12 - Rosa in bedadvance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking

Beyond the Forest (1949)

Chicago (Molto Tranquillo)1:20:35 - Rosa in bedadvance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness

Beyond the Forest (1949)

Lewis (Triste 2)1:24:09 - Lewis walks insidearriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking
The Big Sleep (1946)The Library0:13:06 - Sign for the librarycalm | deceptive resolution | foreign key modulation | library | on-screen text | transition

The Big Sleep (1946)

Walking0:13:39 - Marlowe walks down the streetadvance plot | calm | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | chromatic sequence | foreign key modulation | fragmentation | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking
The Breaking Point (1950)Transition0:00:07 - Birds flyingbird | boat | calm | chromatic scale | conductor score | harbor | opening title sequence | sequential modulation | starring list | tense

The Breaking Point (1950)

The Breaking Point0:00:25 - Title of the filmboat | calm | cast list | conductor score | gentle | harbor | mixed meter | mode mixture | opening title sequence | tender | title of film

The Breaking Point (1950)

The Breaking Point (Cellos)0:00:48 - Opening creditsboat | calm | cast list | chromatic mediant | conductor score | foreign key modulation | harbor | mixed meter | opening title sequence

The Breaking Point (1950)

Calm0:01:08 - Ships in a harboraugmented triad | boat | calm | conductor score | harbor | opening title sequence | pedal tone

The Breaking Point (1950)

Fishermen0:07:40 - Ship leaving the harborboat | boat | boating | calm | common-tone diminished 7th | departing | fisherman | fishing | floozy | leading lady | leading man | montage | not by Steiner | sailor | tense | transcribed by ear | upbeat

The Breaking Point (1950)

La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Eres Mujer0:15:56 - Harry talks to DuncanAABA structure | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - A boy plays the accordionadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

Humming0:54:33 - Wesley and Harry work on the boatarriving | calm | criminal | friend | harbor | humming | leading man | on-screen music | sailor | source music | transition | walking | working
His Greatest Gamble (1934)Russian Waltz0:30:05 - Philip arrives at Florence's home9th chord | arriving | calm | chromatic sequence | common-tone diminished 7th | establish setting | fugitive | leading man | mansion | mode mixture | on-screen music | piano | playing | pleasant | source music | waltz | wandering

His Greatest Gamble (1934)

Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering
City for Conquest (1940)Transition0:00:25 - Credits over a city skyline64 chord | calm | cast list | chromatic sequence | city | opening title sequence | skyline | suspension

City for Conquest (1940)

My Old Kentucky Home0:16:04 - Mickey sings to himselfadvance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music

City for Conquest (1940)

Tone Poem A (Waltz)0:31:48 - Peggy and Danny talk about the future9th chord | 13th chord | added-note chord | boat | calm | common-chord modulation | conversing | deceptive resolution | foreign key modulation | leading lady | leading man | love scene | mode mixture | romantic

City for Conquest (1940)

I'm Just Wild About Harry (Foxtrot)0:33:35 - Peggy starts to leave9th chord | added-note chord | boat | calm | chromatic mediant | conversing | gentle | leading lady | leading man | love scene
Crime School (1938)The Painters0:48:02 - Boys paint their roomcalm | comedy | foreign key modulation | gang | paint | paintbrush | painting | peaceful | reformatory | see-saw | swing | swinging | teenager

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone
Deep Valley (1947)Homestead0:00:11 - A farmhousecalm | cast list | opening title sequence | peaceful | relaxed | starring list | title of film

Deep Valley (1947)

Homestead (Dramatic)0:00:37 - A farmhousebarnyard | calm | cast list | farmhouse | opening title sequence | tense

Deep Valley (1947)

Homestead (Grazioso)0:01:02 - A rooster crowingbarnyard | calm | establish character | establish place | farmhouse

Deep Valley (1947)

Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Homestead (Moderato 2)0:18:58 - A truck arrivesarriving | bright | calm | car | crew | driving | leading man | lovers meet | street

Deep Valley (1947)

Love Theme (Full)0:39:50 - Libby in the cabinadvance plot | arriving | cabin | calm | dog | leading lady | noble

Deep Valley (1947)

Joe (Calm)0:46:14 - Joe comes incabin | calm | convict | dog | falling in love scene | fugitive | leading lady | leading man | watching

Deep Valley (1947)

Love Theme (Full)0:46:30 - Barry and Libby by the lakecalm | conversing | convict | falling in love scene | forest | fugitive | laughing | leading lady | leading man | working

Deep Valley (1947)

Deep Valley (Misterioso)0:54:57 - Libby starts to leavecabin | calm | conversing | convict | dog | fugitive | leading lady | leading man | love interest | love scene | planning

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Law (Working)1:44:28 - Libby looks at the worksitecalm | construction site | dog | leading lady | resolution | watching | worker | working

Deep Valley (1947)

Libby 3 + Law1:44:32 - Jeff talks to Libbycalm | combination of themes | conversing | dog | forest | leading lady | leading man | peaceful | resolution
Dust Be My Destiny (1939)Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant
Hell on Frisco Bay (1955)It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

It Had to Be You1:17:06 - Marcia sings at a clubadvance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score
In This Our Life (1942)Roy (In Love)0:13:39 - Roy is relieved64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a car9th chord | calm | car | conversing | driving | leading lady | leading man | love interest | love scene | oscillation

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a car9th chord | altered dominant | calm | car | combination of themes | conversing | driving | iii chord | leading lady | leading man | love interest | love scene | oscillation | pedal tone | romantic | suspension

In This Our Life (1942)

Love Theme0:40:44 - Roy and Craig sit on the ground9th chord | altered dominant | artwork in score | calm | conversing | fire | iii chord | leading lady | leading man | love interest | love scene | outdoors | romantic | suspension

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office door9th chord | arriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parry64 chord | assistant | calm | conversing | deceptive resolution | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embrace9th chord | altered dominant | calm | conversing | iii chord | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanley9th chord | advance plot | appoggiatura | calm | circle of fifths | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bed9th chord | advance plot | calm | comforting | harmonic sequence | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Roy13th chord | advance plot | augmented sixth chord | calm | chromatic parallelism | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Roy9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual
The Informer (1935)The Rose of Tralee0:02:54 - Man sings an Irish folk song by a lamp postcalm | establish character | familiar tune | folk song | Irish | leading man | on-screen music | poster | singing | source music | street | walking

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching
Key Largo (1948)Storm Subsides1:07:15 - Storm starts to die downbeach | blowing | calming | dramatic | hurricane | raining | storm | storm scene | tense
The Letter (1940)Plantation0:00:58 - Plantation signcalm | establish location | exotic | exoticism | gamelan | Indonesian music | open fifth | pentatonic | plantation | quintal chord | setting | sign | Singapore

The Letter (1940)

Leslie (Triste)0:38:57 - Howard helps Leslie recoveradvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension

The Letter (1940)

Robert and Leslie0:41:12 - Howard says he will help Leslieadvance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender

The Letter (1940)

Robert and Leslie (Triste)0:42:17 - Leslie and Howard talk about her husbandadvance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender

The Letter (1940)

Foxtrot No. 11:19:49 - Leslie getting ready for the party9th chord | advance plot | calm | dance music | foxtrot | home | leading lady | sitting | source music

The Letter (1940)

Mrs. Hammond + Foxtrot No. 11:20:02 - Ong is seen in the mirroradvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music

The Letter (1940)

Foxtrot No. 1 B1:20:05 - Leslie getting ready for the partyadded-note chord | advance plot | calm | dance music | foxtrot | home | leading lady | source music | walking

The Letter (1940)

Foxtrot No.1 C1:21:36 - Leslie goes to the partyadded-note chord | altered dominant | calm | conversing | dance music | dancing | foreign key modulation | foxtrot | friend | leading lady | party | party | plagal cadence | source music

The Letter (1940)

Foxtrot No. 31:33:58 - Camera pans to the partyadded-note chord | calm | dance music | foxtrot | plantation | resolution | source music | zoom in

The Letter (1940)

Leslie (Fast) + Foxtrot No. 31:34:18 - Leslie's laceworkcalm | combination of themes | dance music | fragmentation | lacework | oscillation | plantation | pump-up modulation | resolution | sequence | source music
Lightning Strikes Twice (1951)Liza0:02:55 - Trev is released from death rowcalm | conversing | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | walking | warden

Lightning Strikes Twice (1951)

Shelly0:07:42 - Shelly wakes upactor | calm | establish character | leading lady | owner | room | waking

Lightning Strikes Twice (1951)

Shelly and Trev (Smile)0:20:20 - Shelly looks at Trevactor | calm | establish character | leading lady | leading man | looking | morning | peaceful | room | sleeping | smiling | staring | suspect | thinking | waking

Lightning Strikes Twice (1951)

Shelly + Shelly 2 (Molto Misterioso)0:24:05 - Shelly looks around the ranchactor | arriving | calm | combination of themes | leading lady | mysterious | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:24:34 - Shelly walks around the ranchactor | arriving | brother | calm | conversing | leading lady | ranch | rancher | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:24:43 - Shelly sees Lizaactor | arriving | brother | calm | conversing | feeding | goat | leading lady | ranch | rancher | transition | watching

Lightning Strikes Twice (1951)

Shelly (Dolce) + Shelly 20:41:00 - Shelly gets off of her horseactor | arriving | calm | combination of themes | horse | leading lady | ranch | transition | walking | worker

Lightning Strikes Twice (1951)

Shelly (Gallop 2) + Shelly 20:42:19 - Shelly riding on a horseactor | arriving | calm | combination of themes | countryside | galloping | galloping effect | horse | leading lady | riding | transition | traveling | upbeat

Lightning Strikes Twice (1951)

Shelly (Legato) + Shelly 2 (Legato)0:42:32 - Shelly gets off of her horseactor | arriving | calm | combination of themes | countryside | hiking | horse | leading lady | leading man | love interest | suspect | transition | walking

Lightning Strikes Twice (1951)

Shelly (Expressivo) + Shelly 2 (Expressivo)0:43:13 - Shelly talks with Trevactor | calm | cliff | combination of themes | conversing | countryside | falling in love scene | leading lady | leading man | love interest | romance | suspect | tense

Lightning Strikes Twice (1951)

Shelly 2 (Dolce)0:51:36 - Shelly arrives at the Nolan ranchactor | arriving | calm | leading lady | ranch | transition | walking

Lightning Strikes Twice (1951)

Shelly 3 (Dolce)0:51:45 - Shelly walks to the ranch houseactor | arriving | butler | calm | conversing | leading lady | ranch | stinger | transition | waiting | walking

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Too Much Love0:59:02 - Shelly looks at Trev's portraitactor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music

Lightning Strikes Twice (1951)

Shelly (Agitato)1:03:34 - Shelly runs awayactor | agitated | calm | conflict | embracing | escaping | friend | hurrying | leading lady | leading man | love interest | ranch | reuniting | suspect

Lightning Strikes Twice (1951)

Shelly and Trev (Molto Tranquillo)1:07:22 - Trev and Shelly get out of the caractor | calm | conversing | embracing | leading lady | leading man | love interest | love scene | ranch | romantic | suspect

Lightning Strikes Twice (1951)

Shelly (Peaceful) + Shelly 2 (Peaceful)1:07:58 - Trev and Shelly embraceactor | calm | combination of themes | conversing | embracing | kissing | leading lady | leading man | love interest | love scene | mother | owner | ranch | romantic | room | suspect

Lightning Strikes Twice (1951)

Mournful (Quasi Misterioso)1:16:09 - Trev talks with Shellyactor | calm | conversing | fear | husband | leading lady | leading man | love scene | room | suspect | suspicion | worrying

Lightning Strikes Twice (1951)

Shelly and Trev (Dolce)1:16:52 - Trev embraces Shellyactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | relief | room | suspect

Lightning Strikes Twice (1951)

Shelly (Molto Grazioso) + Shelly 21:17:01 - Shelly smiles at Trevactor | calm | conversing | embracing | happy | husband | leading lady | leading man | love scene | room | suspect
Mildred Pierce (1945)Waves0:51:11 - Waves crash onto the beach64 chord | beach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point
The Life of Vergie Winters (1934)Lullaby0:00:09 - Starring cast listAABA structure | calm | cast list | common-chord modulation | lullaby | opening title sequence | pleasant | starring list | title of film

The Life of Vergie Winters (1934)

Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Park)0:36:28 - Nurse and baby in the parkAABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting

The Life of Vergie Winters (1934)

Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music

The Life of Vergie Winters (1934)

Lullaby (Resolution)1:21:03 - Joan talks about her motheradded-note chord | calm | conversing | crying | daughter | end title sequence | husband | peaceful | prison | redemption | resolution | The End | triumphant
Rockabye (1932)Sleep, My Sweet0:00:14 - Title of film and cast listcalm | cast list | deceptive resolution | lullaby | mode mixture | opening title sequence | peaceful | starring list | title of film

Rockabye (1932)

Sleep, My Sweet0:01:32 - A man selling newspaperscalm | opening title sequence

Rockabye (1932)

Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

Sleep, My Sweet (The End)1:07:07 - The endcalm | common-tone diminished 7th | end title sequence | lullaby | mode mixture
Traveling Husbands (1931)Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Chimes0:49:36 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

Chimes 20:51:50 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

There's a Sob in My Heart (Slow Waltz)0:57:47 - Music is played on the radioAABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear
The Unfaithful (1947)Chris0:01:26 - Chris arrives at home9th chord | arriving | Beverly Hills | calm | establish character | foreign key modulation | house | leading lady

The Unfaithful (1947)

Chris0:07:27 - Chris drives home9th chord | calm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris (Dark)0:07:46 - Chris continues driving9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Ask Anyone Who Knows1:34:08 - Paula reads the paperABA structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music

The Unfaithful (1947)

Would You Believe Me1:36:54 - Paula talks with BobABAC structure | calm | conversing | friend | husband | radio | reading | resolution | room | source music
We Are Not Alone (1939)Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

As You Walk Down the Strand0:19:59 - David helps LeniAABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Poor Old Adam Was My Father0:20:32 - David talks to Leni by the seasideABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Surprise Symphony0:56:18 - David whistles on his way to breakfastadvance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling

We Are Not Alone (1939)

Tuning0:59:20 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Tuning1:00:57 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin
White Heat (1949)Moll0:06:40 - Verna sleepscalm | establish character | gangster | leading lady | leading man | moll | murderer | room | sleeping | snoring | waking
The Woman in White (1948)The Carman's Whistle0:02:16 - Walter asks for directionscalm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker

The Woman in White (1948)

Ann 20:03:15 - The woman in white talks to Waltercalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman's Whistle (Rubato)0:03:23 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman's Whistle (Accompaniment)0:03:29 - Walter talks to the woman in whitecalm | conversing | establish character | forest | leading lady | leading man

The Woman in White (1948)

The Carman's Whistle0:06:09 - Walter walks awayarriving | calm | establish character | garden | leading man | mansion | walking

The Woman in White (1948)

The Carman's Whistle (Arriving) + Ann0:06:22 - The woman in white appearsarriving | calm | combination of themes | establish character | garden | leading lady | leading man | mansion | sneaking | tense | tremolo | walking

The Woman in White (1948)

The Self Banished (Slowly)0:36:40 - Laura leaves with Sir Percivaladvance plot | calm | cousin | fiancé | leading lady | mansion | walking

The Woman in White (1948)

The Self Banished (Con Moto)0:36:48 - Marian walks outsideadvance plot | agitated | calm | cousin | leading lady | leading man | mansion | walking

The Woman in White (1948)

Asylum (Molto Expressivo)1:01:37 - Laura talks to Marianadvance plot | calm | conversing | cousin | headache | illness | leading lady | pain | recovering | recovery | room | victim

The Woman in White (1948)

Asylum (Dolce)1:09:46 - Laura senses someone in the roomadvance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:09:55 - The woman in white talks to Lauraadvance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

The Carman's Whistle (Accompaniment)1:32:33 - Walter walkscalm | comedy | criminal | leading man | sneaking | spy | spying | street | walking

The Woman in White (1948)

The Carman's Whistle (Bassoon)1:32:48 - A man spies on Waltercalm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking
High Stakes (1931)Here Comes the Bride0:04:05 - Bride walks down the aisleadvance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding

High Stakes (1931)

Hymn0:04:46 - They get marriedadvance plot | augmented sixth chord | bride | calm | groom | hymn | marrying | priest | source music | wedding

High Stakes (1931)

Love's Old Sweet Song1:08:36 - End titlescalm | end title sequence | transcribed by ear
Transgression (1931)Dance0:08:10 - Elsie and Don Arturo at a clubAB structure | calm | club | conversing | establish character | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz

Transgression (1931)

Igualada0:23:20 - Elsie and Don Arturo talkingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

Igualada0:24:58 - Elsie and Don Arturo dancingcalm | club | conversing | dance scene | dancing | leading lady | love interest | sophisticated | source music | tango

Transgression (1931)

There's a Sob In My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music

Transgression (1931)

Flute Solo0:43:22 - Don Arturo opens the doorcalm | conversing | leading lady | love interest | love scene | room | source music

Transgression (1931)

Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Hell’s Highway (1932)Frankie and Johnny0:27:11 - Men singing in prisonadvance plot | calm | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear

Hell’s Highway (1932)

Tuning of Violin0:47:34 - A man tunes a violinadvance plot | calm | guard | on-screen music | playing | prison | prisoner | source music | tuning | violin

Hell’s Highway (1932)

Liberty Road1:01:16 - The End / Cast of Characterscalm | end title sequence | prison | spiritual | The End
Is My Face Red? (1932)Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Sidewalks of New York (Harbor)0:20:07 - New York City skylinecalm | countermelody | New York | parallelism | popular music | setting | transcribed by ear | transition | traveling

Is My Face Red? (1932)

Mildred Waltz0:20:18 - Mildred has a drink with WilliamABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Sidewalks of New York (Lights)0:21:04 - New York City skylinecalm | diminished 7th chord | drinking | leading lady | leading man | New York | octatonic | popular music | setting | transcribed by ear | transition

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:44:47 - Mildred and William ride in a motorboatABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear

Is My Face Red? (1932)

Comin' Thro' the Rye0:46:54 - A man exercises to music on a boatadvance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear

Is My Face Red? (1932)

Guilty0:47:40 - A radio orchestra plays on a soundstageadvance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear

Is My Face Red? (1932)

You Bunch of Fun (Serious)1:05:05 - Cast of Characters / The Endcalm | closing credits | end title sequence | popular music | The End | transcribed by ear
Penguin Pool Murder (1932)Sidewalks of New York0:00:14 - New York harborcalm | establish setting | harbor | opening title sequence | transcribed by ear

Penguin Pool Murder (1932)

Sidewalks of New York (Aquarium)0:01:00 - Outside of aquariumcalm | establish setting | foreign key modulation | harbor | mysterious | setting | transcribed by ear
Thirteen Women (1932)Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear
Blind Adventure (1933)My Imaginary Sweetheart (Coda)0:01:33 - View of Londoncalm | city | deceptive resolution | establish setting | transcribed by ear

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music

Blind Adventure (1933)

The Prisoner's Song0:35:12 - Holmes sings and whistlesadvance plot | calm | criminal | on-screen music | rooftop | singing | source music | whistling

Blind Adventure (1933)

The Prisoner's Song1:02:08 - Holmes sings to himselfcalm | conclusion | criminal | on-screen music | rooftop | singing | source music
Headline Shooter (1933)Ensemble Tuning0:04:41 - Bill talks to business manbusiness man | calm | conversing | establish character | leading man | pageant | source music | tuning

Headline Shooter (1933)

Come Easy, Go Easy, Love0:46:07 - Bill talks to reportersAABA structure | advance plot | calm | conversing | fiancé | leading lady | leading man | reporter | restaurant | source music
Dangerous Corner (1934)Chanson0:22:05 - A man turns on the radioalternate timeline | calm | classical music | conversing | pivotal scene | radio | room | source music

Dangerous Corner (1934)

Chanson1:02:06 - A man turns on the radioalternate timeline | calm | classical music | conversing | friend | radio | resolution | room | source music | suspect
Sing and Like It (1934)Liebesträume0:34:46 - Ruby enters the roomadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music

Sing and Like It (1934)

Liebesträume0:35:31 - Toots plays the pianoadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music
Hat, Coat, and Glove (1934)Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear
Murder on the Blackboard (1934)Clock Tower0:02:12 - A clock tower calm | city | clock tower | source music | tolling | transition

Murder on the Blackboard (1934)

Clock Tower0:12:17 - A clock tower calm | city | clock tower | source music | tolling | transition
Star of Midnight (1935)Westminster Quarters0:53:50 - Clay waitsadvance plot | calm | detective | detective | leading man | source music | street | waiting

Star of Midnight (1935)

Sidewalks of New York0:54:28 - Feet walkingbus | calm | chromatic parallelism | foreign key modulation | lighthearted | montage | street | transcribed by ear | traveling | walking
Don’t Turn ‘em Loose (1936)Mildred Waltz0:24:13 - Bob and Letty go for a walkABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:17 - Bob walksadded-note chord | advance plot | calm | gangster | imposter | leading man | mode mixture | oscillation | pacing | reverse picardy | room | waiting | walking

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:34 - Bob walksadded-note chord | advance plot | calm | double exposure | gangster | imposter | leading man | oscillation | pacing | room | waiting | walking

Don’t Turn ‘em Loose (1936)

Souvenir No. 161:03:53 - John at his daughter's weddingbride | calm | conversing | father | guest | mother | pedal tone | pleasant | resolution | wedding | wedding | wedding

Don’t Turn ‘em Loose (1936)

Here Comes the Bride1:04:36 - Mildred at her weddingbride | calm | father | guest | mother | parallel period | pleasant | resolution | walking | wedding | wedding | wedding
We're Only Human (1935)Mildred Waltz0:46:46 - Pete looks at police sketchesABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | detective | diminished 7th chord | leading lady | leading man | reporter | room

We're Only Human (1935)

Waiting0:47:49 - Sally leavesadvance plot | calm | conversing | departing | detective | leading lady | leading man | reporter | room
Without Honor (1949)Twilight0:00:00 - Main titles over the shot of a valleycalm | cast list | dramatic | heavy | opening title sequene | starring list | title of film | valley

Without Honor (1949)

Liszt Waltz0:29:28 - Bill talks to Janeantagonist | arriving | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | taunting | wife | zoom in

Without Honor (1949)

Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"0:33:17 - Mrs. Williams talks to Janeantagonist | brother | calm | classical music | conflict | conversing | leading lady | leading man | radio | room | source music | wife

Without Honor (1949)

Twilight (Resolution)0:55:26 - Jane walks out of the orchardantagonist | brother | calm | child | conversing | husband | leading lady | leading man | orchard | resolution | scout | street
The Most Dangerous Game (1932)The Open Sea0:01:20 - A buoy on the open seaboat | boat | calm | clock | gentle | ocean | sailing | transition

The Most Dangerous Game (1932)

The Beach0:08:11 - Bob walks onto the beachaction scene | beach | calm | leading man | ship wreck | stumbling | walking | wave effect

The Most Dangerous Game (1932)

The Iron Door (Collapsing)0:08:23 - Bob collapses on the beachaction scene | beach | calm | collapsing | falling | foreshadowing | leading man | mysterious | ship wreck

The Most Dangerous Game (1932)

Courage (Moderato)0:44:51 - Bob tells Eve to come outaction scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching

The Most Dangerous Game (1932)

Piano Improvisation0:56:39 - The Count plays the pianocalm | castle | count | listening | on-screen music | piano | playing | servant | source music | transition | villain

The Most Dangerous Game (1932)

Russian Waltz (Grandioso)0:57:09 - The Count plays the pianoadvance plot | calm | castle | count | entering | leading man | on-screen music | piano | playing | sneaking | source music | victim | villain
Caged (1950)He Leadeth Me1:27:53 - Women in prisonadvance plot | calm | conversing | crying | hymn | leading lady | prison | prisoner | singing | source music

Caged (1950)

Rock of Ages1:30:31 - Women in prisonadvance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching
Lightning Strikes Twice (1951)Shelly and Trev (Appassionato 2)1:29:33 - Trev and Shelly embraceactor | calm | comforting | countryside | departing | driving | embracing | husband | kissing | leading lady | leading man | mother | owner | peace | peaceful | police | priest | resolution | smiling

Lightning Strikes Twice (1951)

Shelly (The End) + Shelly 2 (The End)1:30:00 - Trev and Shelly drive away togetheractor | calm | comforting | countryside | driving | embracing | end title sequence | husband | leading lady | leading man | peace | peaceful | resolution | resolved | The End
Mara Maru (1952)Gregory (Tranquillo)0:56:00 - Gregory steering the shipadvance plot | calm | conversing | distraction | leading man | peaceful | pondering | sailing | ship | ship | worker

Mara Maru (1952)

Appassionato (Tenderly)0:56:26 - Gregory looks aheadadvance plot | calm | conversing | distraction | leading man | peaceful | pondering | sailing | ship | ship | worker

Mara Maru (1952)

Struggling 2 (Escape)1:25:17 - Gregory emerges from the junglecalm | chase scene | cross | escaping | jungle | leading lady | leading man | love interest | tense | walking | wind | worker

Mara Maru (1952)

Cross1:26:54 - Manuelo holds the crossarguing | calm | cross | hut | hymn-like | leading lady | leading man | love interest | religious | turning point | worker