Tag Search

243 results for "calm" in 43 films — see also comfort | ethereal | peace | peaceful | relaxed | relieved | resolved | tranquil | turn

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duke (Maestoso)	0:14:03 - Henriette enters the palace	arriving \| butler \| calm \| establish place \| establish setting \| gentle \| leading lady \| noble \| palace \| walking
All This, and Heaven Too (1940)	Fairy Tale	0:23:13 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Fairy Godmother	0:23:28 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| establish character \| fairy tale \| governess \| leading lady \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Henriette (Fairy Tale)	0:23:50 - Henriette reads a fairy tale	book \| calm \| child \| delicate \| duke \| establish character \| fairy tale \| governess \| leading lady \| leading man \| magical \| pleasant \| room \| storytelling
All This, and Heaven Too (1940)	Counting	0:33:30 - Henriette counts tangerine slices	advance plot \| calm \| child \| conversing \| counting \| distracting \| duke \| governess \| illness \| leading lady \| leading man \| room \| tense \| zoom in
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Raynald (Lullaby)	0:35:24 - Henrietta talks to the Duke	advance plot \| calm \| caring \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Henriette (Very Emotional)	0:35:57 - The Duke thanks Henriette	advance plot \| calm \| child \| conversing \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Lullaby	0:36:25 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| room \| singing
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Raynald (Tranquillo)	0:43:53 - Henriette puts Raynald in bed	calm \| caring \| child \| duke \| gentle \| governess \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	The Duke (Lohengrin)	0:52:53 - The Duke gives Louise his rose	advance plot \| calm \| child \| conversing \| duke \| governess \| hugging \| kind \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Music Box)	0:54:04 - Henriette puts Louise to bed	advance plot \| calm \| child \| conversing \| goodnight \| governess \| happy \| leading lady \| lullaby \| music box \| room
All This, and Heaven Too (1940)	La Parisienne (Expressivo)	1:06:51 - The children pray	advance plot \| calm \| child \| governess \| leading lady \| praying \| room
All This, and Heaven Too (1940)	Henriette (Goodnight)	1:06:59 - Henriette puts the children to bed	advance plot \| calm \| child \| goodnight \| governess \| leading lady \| peaceful \| room \| tucking in
All This, and Heaven Too (1940)	Henriette (Transition)	1:10:55 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Rubato)	1:11:14 - The Duke talks to Henriette	advance plot \| calm \| conversing \| duke \| governess \| leading lady \| leading man \| peaceful \| room
All This, and Heaven Too (1940)	Henriette + Falling Snow	1:18:26 - Snow swirling in a snow globe	advance plot \| calm \| combination of themes \| gift \| governess \| leading lady \| room \| snow \| snow globe \| snowing \| swirling
All This, and Heaven Too (1940)	The Duchess (Calm)	1:22:05 - Henriette asks about the Duchess	calm \| conflict \| conversing \| duchess \| duke \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Slowly)	1:22:19 - The Duke bids farewell to Henriette	calm \| conflict \| conversing \| duchess \| duke \| gentle \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Spring Time (Moderato)	1:35:45 - Henriette opens a gift	advance plot \| calm \| child \| gift \| governess \| leading lady \| locket \| opening \| room \| tender
All This, and Heaven Too (1940)	Henriette (Dolschissimo)	1:36:07 - Henriette reads the locket inscription	advance plot \| calm \| child \| conversing \| crying \| gift \| governess \| leading lady \| locket \| room \| stinger \| tender \| tense
All This, and Heaven Too (1940)	Henriette (Sehr Delicatessen)	1:39:12 - Henriette talks with the Duke	calm \| conversing \| duke \| gentle \| governess \| leading lady \| leading man \| love scene \| room \| sweet \| tender
All This, and Heaven Too (1940)	Henriette (Meno)	1:46:24 - Henriette talks with the children	arriving \| calm \| child \| duke \| greeting \| leading lady \| leading man \| reunion scene \| room
All This, and Heaven Too (1940)	Henriette (Calm)	1:46:38 - Henriette talks with the Duke	calm \| child \| conversing \| duke \| gentle \| leading lady \| leading man \| reunion scene \| room \| uneasy
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:05:06 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Dolce	2:05:51 - Henriette talks to Henry	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Heaven Theme (Delicato)	2:06:34 - Henry talks to Henriette	advance plot \| calm \| conversing \| gentle \| leading lady \| minister \| pleasant \| prison \| prisoner \| suspect
All This, and Heaven Too (1940)	Henriette (The Truth)	2:07:07 - Henry talks to Henriette	advance plot \| calm \| conversing \| leading lady \| minister \| prison \| prisoner \| suspect
The Amazing Dr. Clitterhouse (1938)	Una Voce Poco Fa	0:00:54 - A woman plays the piano	calm \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Last Rose of Summer	0:03:14 - A woman sings	calm \| doctor \| folk song \| Irish \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
Are These Our Children? (1931)	Humming	0:31:57 - Heinie hums	advance plot \| calm \| humming \| old man \| room \| source music
Arsenic and Old Lace (1944)	Sidewalks of New York (Expressivo)	0:01:53 - A ship sailing under a bridge	64 chord \| boat \| bridge \| calm \| card \| city \| establish place \| familiar tune \| pedal tone \| sailing \| transition
Arsenic and Old Lace (1944)	Here Comes the Bride (Marriage License Bureau)	0:01:59 - "Marriage License Bureau" sign	64 chord \| arriving \| calm \| conversing \| crowd \| direct modulation \| establish character \| familiar tune \| marriage \| office \| parallelism \| reporter \| romantic \| sequence \| spouse
Arsenic and Old Lace (1944)	Sidewalks of New York (Quasi Barcarolle)	0:05:13 - The Brewster home	64 chord \| calm \| card \| cemetery \| chromatic mediant \| common-tone diminished 7th \| enharmonic modulation \| establish setting \| familiar tune \| gravestone \| ominous \| stinger \| street \| wind \| wind effect
Arsenic and Old Lace (1944)	Sidewalks of New York (Walking)	0:05:30 - Cops patrol the neighborhood	64 chord \| calm \| establish setting \| familiar tune \| fragmentation \| police \| street \| walking
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Here Comes the Bride (Religioso)	0:14:41 - Mortimer and Elaine in the cemetery	64 chord \| bride \| calm \| cemetery \| conversing \| familiar tune \| flirting \| groom \| hymn-like \| leading lady \| leading man \| love \| love scene \| religious \| suspension
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:52:20 - The aunts move through the kitchen	advance plot \| aunt \| calm \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| pleasant \| room
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Beyond the Forest (1949)	Loyalton 2	0:02:27 - Deserted streets of Loyalton	calm \| establish setting \| street \| voice-over
Beyond the Forest (1949)	Lewis (Office)	0:02:44 - The doctor's office	calm \| establish setting \| noble \| street \| voice-over
Beyond the Forest (1949)	Lewis (Moderato Expressivo)	0:06:23 - Fishing in a stream	calm \| canoe \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| rowing \| wife
Beyond the Forest (1949)	Lewis	0:10:42 - The doctor in a canoe	calm \| canoe \| departing \| doctor \| establish character \| friend \| lake \| leading lady \| leading man \| noble \| rowing \| wife
Beyond the Forest (1949)	Rosa (Slower)	0:39:05 - Rosa in bed	advance plot \| calm \| contemplating \| dark \| leading lady \| leading man \| panning shot \| restlessness \| room \| smoking \| wife
Beyond the Forest (1949)	Lewis (Moderato Quasi Rubato)	0:42:23 - Lewis talks to some men	advance plot \| calm \| conversing \| doctor \| leading man \| room \| somber \| source and scoring overlap \| street \| townsfolk \| walking \| warm
Beyond the Forest (1949)	Chicago (City)	0:44:28 - Downtown Chicago	arriving \| bright \| calling \| calm \| city \| familiar tune \| hotel \| leading lady \| phone book \| popular tune \| telephone \| transition \| traveling
Beyond the Forest (1949)	Rosa (Molto Tranquillo)	0:57:36 - Lewis opens the door	arriving \| calm \| dark \| doctor \| leading lady \| leading man \| reunion scene \| room \| wife
Beyond the Forest (1949)	Lewis (Tender)	0:58:28 - Lewis takes care of Rosa	calm \| conversing \| doctor \| kissing \| leading lady \| leading man \| reunion scene \| room \| tender \| wife
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Religioso	1:11:19 - A church steeple in the rain	calm \| casket \| crowd \| funeral \| graveyard \| listening \| mourner \| mourning \| rain \| religious \| victim \| watching
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Rosa (Molto Tranquillo 2)	1:20:12 - Rosa in bed	advance plot \| calm \| leading lady \| murderer \| recovering \| resting \| room \| sickness \| sleeping \| sultry \| waking
Beyond the Forest (1949)	Chicago (Molto Tranquillo)	1:20:35 - Rosa in bed	advance plot \| banging \| calm \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
The Big Sleep (1946)	The Library	0:13:06 - Sign for the library	calm \| library \| on-screen text \| transition
The Big Sleep (1946)	Walking	0:13:39 - Marlowe walks down the street	advance plot \| calm \| investigating \| leading man \| private eye \| street \| walking
The Big Sleep (1946)	Walking (Extended)	0:15:03 - Marlowe walks across the street	advance plot \| calm \| investigating \| leading man \| private eye \| street \| walking
The Big Sleep (1946)	Walking	0:25:22 - Vivian walks down the hall	advance plot \| butler \| calm \| inserted scene \| leading lady \| leading man \| not in score \| private eye \| reused recording \| room \| walking
The Big Sleep (1946)	Walking	0:32:10 - Marlowe walks to his office	advance plot \| arriving \| calm \| leading lady \| leading man \| private eye \| room \| walking
The Breaking Point (1950)	Transition	0:00:07 - Birds flying	bird \| boat \| calm \| conductor score \| harbor \| opening title sequence \| starring list \| tense
The Breaking Point (1950)	The Breaking Point	0:00:25 - Title of the film	boat \| calm \| cast list \| conductor score \| gentle \| harbor \| mixed meter \| opening title sequence \| tender \| title of film
The Breaking Point (1950)	The Breaking Point (Cellos)	0:00:48 - Cast list	boat \| calm \| cast list \| conductor score \| harbor \| mixed meter \| opening title sequence
The Breaking Point (1950)	Calm	0:01:08 - Ships in a harbor	boat \| calm \| conductor score \| harbor \| opening title sequence
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| upbeat
The Breaking Point (1950)	La Golondrina	0:12:21 - Harry sits down with Leona in the bar	advance plot \| bar \| calm \| conversing \| fisherman \| flirting \| floozy \| folk music \| leading lady \| leading man \| sailor \| source music
The Breaking Point (1950)	Mi Mariposa	0:15:21 - Harry talks to the bartender	advance plot \| arguing \| art song \| bar \| bartender \| calm \| conversing \| leading man \| on-screen music \| sailor \| source music
The Breaking Point (1950)	Eres Mujer	0:15:56 - Harry talks to Duncan	advance plot \| bar \| calm \| conversing \| criminal \| leading man \| on-screen music \| performing \| sailor \| source music \| tango \| whispering
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - Harry and his wife come home	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	Humming	0:54:33 - Wesley and Harry work on the boat	arriving \| calm \| criminal \| friend \| harbor \| humming \| leading man \| on-screen music \| sailor \| source music \| transition \| walking \| working
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
City for Conquest (1940)	Transition	0:00:25 - Credits over a city skyline	64 chord \| calm \| cast list \| chromatic sequence \| city \| opening title sequence \| skyline \| suspension
City for Conquest (1940)	My Old Kentucky Home	0:16:04 - Mickey sings to himself	advance plot \| boxer \| calm \| conversing \| folk music \| leading man \| locker room \| manager \| singing \| source music
City for Conquest (1940)	Tone Poem A (Waltz)	0:31:48 - Peggy and Danny talk about the future	9th chord \| 13th chord \| added-note chord \| boat \| calm \| common-chord modulation \| conversing \| deceptive resolution \| foreign key modulation \| leading lady \| leading man \| love scene \| mode mixture \| romantic
City for Conquest (1940)	I'm Just Wild About Harry (Foxtrot)	0:33:35 - Peggy starts to leave	9th chord \| added-note chord \| boat \| calm \| chromatic mediant \| conversing \| gentle \| leading lady \| leading man \| love scene
Crime School (1938)	The Painters	0:48:02 - Boys paint their room	calm \| comedy \| foreign key modulation \| gang \| paint \| paintbrush \| painting \| peaceful \| reformatory \| see-saw \| swing \| swinging \| teenager
Crime School (1938)	Sue (Hospital)	0:57:38 - The doctor takes care of Squirt in the hospital	advance plot \| calm \| conversing \| doctor \| hero \| hospital \| leading man \| nurse \| peaceful \| reformatory \| teenager \| treating
Crime School (1938)	Resolution	1:22:31 - Sue enters the room	42 chord \| antagonist \| calm \| chromatic parallelism \| chromatic scale \| comical \| conversing \| hero \| leading man \| reformatory \| resolution \| resolution \| tense \| tritone
Deep Valley (1947)	Homestead	0:00:11 - A farmhouse	calm \| cast list \| opening title sequence \| peaceful \| relaxed \| starring list \| title of film
Deep Valley (1947)	Homestead (Dramatic)	0:00:37 - A farmhouse	barnyard \| calm \| cast list \| farmhouse \| opening title sequence \| tense
Deep Valley (1947)	Homestead (Grazioso)	0:01:02 - A rooster crowing	barnyard \| calm \| establish character \| establish place \| farmhouse
Deep Valley (1947)	Homestead (Sordini)	0:16:14 - Ellie talks with Libby	advance plot \| calm \| conversing \| delicate \| leading lady \| memory \| mother \| past \| room \| sentimental
Deep Valley (1947)	Homestead (Moderato 2)	0:18:58 - A truck arrives	arriving \| bright \| calm \| car \| crew \| driving \| leading man \| lovers meet \| street
Deep Valley (1947)	Love Theme (Full)	0:39:50 - Libby in the cabin	advance plot \| arriving \| cabin \| calm \| dog \| leading lady \| noble
Deep Valley (1947)	Joe (Calm)	0:46:14 - Joe comes in	cabin \| calm \| convict \| dog \| falling in love scene \| fugitive \| leading lady \| leading man \| watching
Deep Valley (1947)	Love Theme (Full)	0:46:30 - Barry and Libby by the lake	calm \| conversing \| convict \| falling in love scene \| forest \| fugitive \| laughing \| leading lady \| leading man \| working
Deep Valley (1947)	Deep Valley (Misterioso)	0:54:57 - Libby starts to leave	cabin \| calm \| conversing \| convict \| dog \| fugitive \| leading lady \| leading man \| love interest \| love scene \| planning
Deep Valley (1947)	Homestead (Lento)	1:07:51 - Ellie and Cliff play cards	advance plot \| calm \| cards \| conversing \| father \| leading lady \| mother \| playing \| room
Deep Valley (1947)	Deep Valley (Sostenuto)	1:16:37 - Libby talks with Barry	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Deep Valley (Misterioso)	1:23:23 - Barry looks at Libby	advance plot \| barn \| calm \| convict \| embracing \| fugitive \| kissing \| leading lady \| leading man \| love interest \| mysterious
Deep Valley (1947)	Homestead (Walking)	1:23:47 - Cliff on the porch	advance plot \| arriving \| calm \| convict \| father \| fugitive \| leading lady \| leading man \| love interest \| porch
Deep Valley (1947)	Joe (Running)	1:23:58 - Barry talks to Libby	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| leading lady \| leading man \| love interest
Deep Valley (1947)	Deep Valley	1:24:39 - Libby talks to Barry	advance plot \| barn \| calm \| convict \| fugitive \| hopeful \| hoping \| leading lady \| leading man \| love interest
Deep Valley (1947)	Law (Working)	1:44:28 - Libby looks at the worksite	calm \| construction site \| dog \| leading lady \| resolution \| watching \| worker \| working
Deep Valley (1947)	Libby 3 + Law	1:44:32 - Jeff talks to Libby	calm \| combination of themes \| conversing \| dog \| forest \| leading lady \| leading man \| peaceful \| resolution
Dust Be My Destiny (1939)	Arriving	0:26:52 - Joe and Mabel settle into their new situation	9th chord \| arriving \| calm \| dramatic \| freedom \| leading lady \| leading man \| runaway \| settling down \| street \| traveling \| traveling scene \| truck
Dust Be My Destiny (1939)	My Wild Irish Rose (Grandioso)	0:52:06 - Joe and Mabel leave on a train	9th chord \| 64 chord \| calm \| escape \| familiar tune \| friend \| leading lady \| leading man \| popular song \| shopkeeper \| sweet \| tender \| train station \| triumphant
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
In This Our Life (1942)	Roy	0:13:39 - Roy is relieved	advance plot \| calm \| conversing \| leading lady \| leading man \| room
In This Our Life (1942)	Driving	0:38:19 - Roy and Craig in a car	calm \| car \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene
In This Our Life (1942)	Driving + Love Theme	0:39:07 - Roy and Craig in a car	calm \| car \| combination of themes \| conversing \| driving \| leading lady \| leading man \| love interest \| love scene \| romantic
In This Our Life (1942)	Love Theme (Molto Expressivo)	0:40:44 - Roy and Craig sit on the ground	artwork in score \| calm \| conversing \| fire \| leading lady \| leading man \| love interest \| love scene \| outdoors \| romantic
In This Our Life (1942)	Blues in the Night (Transition)	0:43:37 - Craig's office door	arriving \| assistant \| calm \| friend \| leading lady \| love scene \| office \| pleasant \| source to score
In This Our Life (1942)	Roy (Expressivo)	0:43:43 - Roy talks with Parry	assistant \| calm \| conversing \| friend \| leading lady \| love scene \| office \| pleasant
In This Our Life (1942)	Love Theme (Valse Sentimentale)	0:44:06 - Roy and Craig embrace	calm \| conversing \| leading lady \| leading man \| love scene \| office \| romantic \| waltz
In This Our Life (1942)	Stanley	0:53:46 - Roy comforts Stanley	advance plot \| calm \| comforting \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Morendo)	0:53:56 - Roy puts Stanley to bed	advance plot \| calm \| comforting \| leading lady \| room \| sister \| widow
In This Our Life (1942)	Stanley (Molto Expressivo)	1:12:57 - Stanley talks with Roy	advance plot \| calm \| conversing \| criminal \| leading lady \| lying \| room
In This Our Life (1942)	Minerva and Parry	1:13:29 - Minerva talks with Roy	advance plot \| calm \| conversing \| leading lady \| maid \| mellow \| mother \| questioning \| room \| sentimental \| solemn \| spiritual
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	The Minstrel Boy	0:25:32 - Man sings a folk tune at the street corner	9th chord \| AABA structure \| advance plot \| angelic \| antagonist \| calm \| familiar tune \| folk song \| gentle \| leading man \| listening \| mode mixture \| mourner \| mourning \| on-screen music \| playing \| praying \| singer \| singing \| street \| violinist \| watching
Key Largo (1948)	Storm Subsides	1:07:15 - Storm starts to die down	beach \| blowing \| calming \| dramatic \| hurricane \| raining \| storm \| storm scene \| tense
The Letter (1940)	Plantation	0:00:58 - Plantation sign	calm \| establish location \| exotic \| exoticism \| gamelan \| Indonesian music \| open fifth \| pentatonic \| plantation \| quintal chord \| setting \| sign \| Singapore
The Letter (1940)	Leslie (Triste)	0:38:57 - Howard helps Leslie recover	advance plot \| calm \| conversing \| hospital \| lawyer \| leading lady \| oscillation \| sequence \| sequential modulation \| suspension
The Letter (1940)	Robert and Leslie	0:41:12 - Howard says he will help Leslie	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| deception \| hospital \| lawyer \| leading lady \| letter \| love theme \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Robert and Leslie (Triste)	0:42:17 - Leslie and Howard talk about her husband	advance plot \| appoggiatura \| calm \| chromatic mediant \| crying \| hospital \| lawyer \| leading lady \| letter \| love theme \| resolution \| sigh gesture \| somber \| suspension \| tender
The Letter (1940)	Foxtrot No. 1	1:19:49 - Leslie getting ready for the party	9th chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| sitting \| source music
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Foxtrot No. 1 B	1:20:05 - Leslie getting ready for the party	added-note chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| source music \| walking
The Letter (1940)	Foxtrot No.1 C	1:21:36 - Leslie goes to the party	added-note chord \| altered dominant \| calm \| conversing \| dance music \| dancing \| foreign key modulation \| foxtrot \| friend \| leading lady \| party \| party \| plagal cadence \| source music
The Letter (1940)	Foxtrot No. 3	1:33:58 - Camera pans to the party	added-note chord \| calm \| dance music \| foxtrot \| plantation \| resolution \| source music \| zoom in
The Letter (1940)	Leslie (Fast) + Foxtrot No. 3	1:34:18 - Leslie's lacework	calm \| combination of themes \| dance music \| fragmentation \| lacework \| oscillation \| plantation \| pump-up modulation \| resolution \| sequence \| source music
Lightning Strikes Twice (1951)	Shelly 2 (Dolce)	0:24:34 - Shelly walks around Tumblewood Ranch	calm \| freedom \| heroine \| ranch
Lightning Strikes Twice (1951)	Shelly (Dolce)	0:41:00 - Shelly walks over to meet with Pedro	calm \| heroine \| ranch
Mildred Pierce (1945)	Waves	0:51:11 - Waves crash onto the beach	64 chord \| beach \| calm \| falling in love scene \| heroine \| leading lady \| love interest \| mickey-mousing \| rolling \| splashing \| waves
Mildred Pierce (1945)	Kay and Veda (Tenderly)	0:56:34 - Veda and Mildred mourn for Kay	added-note chord \| calm \| child \| death \| death scene \| ex-husband \| heroine \| hopeful \| leading lady \| mode mixture \| mourning \| plagal cadence \| room \| somber \| turning point
The Life of Vergie Winters (1934)	Lullaby	0:00:09 - Starring cast list	AABA structure \| calm \| cast list \| common-chord modulation \| lullaby \| opening title sequence \| pleasant \| starring list \| title of film
The Life of Vergie Winters (1934)	Lullaby (Hospital Scene)	0:27:51 - The sign for a hospital	advance plot \| calm \| child \| childbirth \| conversing \| fragmentation \| hospital \| leading lady \| lullaby \| peaceful \| plagal cadence
The Life of Vergie Winters (1934)	Lullaby (Not in Score)	0:32:18 - Vergie and John look at a baby picture	AABA structure \| calm \| common-chord modulation \| conversing \| cuddling \| leading lady \| leading man \| love interest \| love scene \| lullaby \| peaceful \| room \| score to source \| secret love \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Park)	0:36:28 - Nurse and baby in the park	AABA structure \| added-note chord \| advance plot \| calm \| child \| common-chord modulation \| conversing \| leading lady \| lullaby \| nurse \| park \| peaceful \| waiting
The Life of Vergie Winters (1934)	Lullaby + Here Comes the Bride	1:10:07 - Vergie imagines the wedding	added-note chord \| bride \| calm \| chromatic mediant \| combination of themes \| common-chord modulation \| daughter \| double exposure \| familiar tune \| groom \| leading lady \| leading man \| peaceful \| secret lover \| ternary form \| transcribed by ear \| walking \| wedding \| wedding \| wedding music
The Life of Vergie Winters (1934)	Lullaby (Resolution)	1:21:03 - Joan talks about her mother	added-note chord \| calm \| conversing \| crying \| daughter \| end title sequence \| husband \| peaceful \| prison \| redemption \| resolution \| The End \| triumphant
Rockabye (1932)	Sleep, My Sweet	0:00:14 - Title of film and cast list	calm \| cast list \| deceptive resolution \| lullaby \| mode mixture \| opening title sequence \| peaceful \| starring list \| title of film
Rockabye (1932)	Sleep, My Sweet	0:01:32 - A man selling newspapers	calm \| opening title sequence
Rockabye (1932)	Improvised Lullaby	0:11:04 - Elizabeth sings a lullaby	advance plot \| calm \| daughter \| doll \| leading lady \| lullaby \| mother \| on-screen music \| room \| singing \| source music
Rockabye (1932)	Sleep, My Sweet	0:11:20 - Judy sings with her daughter	advance plot \| calm \| daughter \| humming \| leading lady \| lullaby \| mother \| on-screen music \| room \| score to source \| singing \| source music
Rockabye (1932)	Out of the Blue	0:33:38 - People at a party	advance plot \| calm \| club \| conversing \| friend \| leading lady \| on-screen music \| pianist \| playing \| playwright \| singer \| singing \| source music
Rockabye (1932)	Out of the Blue (Piano Improvisation)	0:35:57 - Judy and Jacobs talk	AABA structure \| advance plot \| calm \| club \| conversing \| leading lady \| love interest \| on-screen music \| playwright \| score to source borrowing \| source music
Rockabye (1932)	Sleep, My Sweet (The End)	1:07:07 - The end	calm \| common-tone diminished 7th \| end title sequence \| lullaby \| mode mixture
Traveling Husbands (1931)	Bicycle Built for Two	0:20:51 - Music is played in a bar room	AABC structure \| advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	Sidewalks of New York	0:21:01 - Music is played in a bar room	advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	Chimes	0:49:36 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	Chimes 2	0:51:50 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	There's a Sob in My Heart (Slow Waltz)	0:57:47 - Music is played on the radio	AABA structure \| advance plot \| arguing \| calm \| leading lady \| leading man \| mode mixture \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear
The Unfaithful (1947)	Chris	0:01:26 - Chris arrives at home	arriving \| Beverly Hills \| calm \| establish character \| house \| leading lady
The Unfaithful (1947)	Chris	0:07:27 - Chris drives home	calm \| car \| driving \| leading lady \| street \| transition
The Unfaithful (1947)	Chris (Dark)	0:07:46 - Chris walks from her car to her front door	advance plot \| antagonist \| calm \| danger \| house \| leading lady \| ominous \| shadow \| tritone \| tritone \| walking
The Unfaithful (1947)	Oh But I Do	0:32:27 - Ladies talk at a restaurant	advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| sister \| source music \| transition \| victim
The Unfaithful (1947)	Deep Night	0:35:15 - Larry answers a phone call and leaves	advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| source music \| transition \| victim
The Unfaithful (1947)	Ask Anyone Who Knows	1:34:08 - Paula reads the paper in her apartment	calm \| conversing \| friend \| husband \| radio \| reading \| resolution \| room \| source music
The Unfaithful (1947)	Would You Believe Me	1:36:54 - Paula talks with Bob	calm \| conversing \| friend \| husband \| radio \| reading \| resolution \| room \| source music
We Are Not Alone (1939)	Surprise Symphony (Calm)	0:12:01 - David's treatment is successful	calm \| classical music \| countermelody \| deceptive resolution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| quotation \| room
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside (Peaceful)	0:12:13 - David's treatment is successful	calm \| chromatic mediant \| deceptive resolution \| doctor \| establish character \| familiar tune \| foreign key modulation \| hero \| heroine \| mode mixture \| quotation \| room
We Are Not Alone (1939)	As You Walk Down the Strand	0:19:59 - David helps Leni	AABC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	Poor Old Adam Was My Father	0:20:32 - David talks to Leni by the seaside	ABAC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	Surprise Symphony (Better)	0:23:55 - David puts his son in bed	9th chord \| advance plot \| boy \| calm \| child \| classical music \| conversing \| dark \| familiar tune \| father \| foreign key modulation \| Haydn \| hero \| home \| playing \| quotation \| warm
We Are Not Alone (1939)	Die Krähe	0:52:36 - Leni asks David about his work	advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Schubert \| source music
We Are Not Alone (1939)	Celebre Romance	0:54:24 - Leni asks David for a reference	ABAC structure \| advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Rubinstein \| source music
We Are Not Alone (1939)	Surprise Symphony	0:56:18 - David whistles on his way to breakfast	advance plot \| calm \| classical music \| familiar tune \| Haydn \| hero \| home \| quotation \| room \| whistling
We Are Not Alone (1939)	Tuning	0:59:20 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
We Are Not Alone (1939)	Tuning	1:00:57 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
The Woman in White (1948)	The Carman’s Whistle	0:02:16 - Walter asks for directions	calm \| directions \| establish place \| establish setting \| establish time \| forest \| gentle \| leading man \| Renaissance music \| voice-over \| walking \| worker
The Woman in White (1948)	Ann 2	0:03:15 - The woman in white talks to Walter	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman’s Whistle (Rubato)	0:03:23 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman’s Whistle (Accompaniment)	0:03:29 - Walter talks to the woman in white	calm \| conversing \| establish character \| forest \| leading lady \| leading man
The Woman in White (1948)	The Carman’s Whistle	0:06:09 - Walter walks away	arriving \| calm \| establish character \| garden \| leading man \| mansion \| walking
The Woman in White (1948)	The Carman’s Whistle (Arriving) + Ann	0:06:22 - The woman in white appears	arriving \| calm \| combination of themes \| establish character \| garden \| leading lady \| leading man \| mansion \| sneaking \| tense \| tremolo \| walking
The Woman in White (1948)	The Self Banished (Slowly)	0:36:40 - Laura leaves with Sir Percival	advance plot \| calm \| cousin \| fiancé \| leading lady \| mansion \| walking
The Woman in White (1948)	The Self Banished (Con Moto)	0:36:48 - Marian walks outside	advance plot \| agitated \| calm \| cousin \| leading lady \| leading man \| mansion \| walking
The Woman in White (1948)	Asylum (Molto Expressivo)	1:01:37 - Laura talks to Marian	advance plot \| calm \| conversing \| cousin \| headache \| illness \| leading lady \| pain \| recovering \| recovery \| room \| victim
The Woman in White (1948)	Asylum (Dolce)	1:09:46 - Laura senses someone in the room	advance plot \| appearing \| calm \| conversing \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:09:55 - The woman in white talks to Laura	advance plot \| agitated \| calm \| conversing \| gentle \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	The Carman’s Whistle (Accompaniment)	1:32:33 - Walter walks	calm \| comedy \| criminal \| leading man \| sneaking \| spy \| spying \| street \| walking
The Woman in White (1948)	The Carman’s Whistle (Bassoon)	1:32:48 - A man spies on Walter	calm \| comedy \| criminal \| following \| husband \| leading man \| murderer \| sneaking \| spy \| spying \| street \| walking
High Stakes (1931)	Here Comes the Bride	0:04:05 - Bride walks down the aisle	advance plot \| bride \| calm \| crowd \| establish place \| familiar tune \| source music \| walking \| wedding
High Stakes (1931)	Hymn	0:04:46 - They get married	advance plot \| augmented sixth chord \| bride \| calm \| groom \| hymn \| marrying \| priest \| source music \| wedding
High Stakes (1931)	Love's Old Sweet Song	1:08:36 - End titles	calm \| end title sequence \| transcribed by ear
Transgression (1931)	Dance	0:08:10 - Elsie and Don Arturo at a club	AB structure \| calm \| club \| conversing \| establish character \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Waltz	0:18:26 - People at a party	advance plot \| calm \| club \| gambling \| leading lady \| linear chromaticism \| love interest \| parallel double period \| sophisticated \| source music \| waltz
Transgression (1931)	Igualada	0:23:20 - Elsie and Don Arturo talking	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Igualada	0:24:58 - Elsie and Don Arturo dancing	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	There's a Sob In My Heart (Ballroom)	0:28:18 - Robert arrives at the party	AABA structure \| augmented sixth chord \| calm \| club \| conversing \| dancing \| husband \| leading lady \| party \| self-borrowing \| sophisticated \| source music
Transgression (1931)	Flute Solo	0:43:22 - Don Arturo opens the door	calm \| conversing \| leading lady \| love interest \| love scene \| room \| source music
Transgression (1931)	Serenade	0:44:16 - Elsie and Don Arturo talking	ABAC structure \| calm \| conversing \| embracing \| kissing \| leading lady \| love interest \| love scene \| romantic \| room \| source music
Hell’s Highway (1932)	Frankie and Johnny	0:27:11 - Men singing in prison	advance plot \| calm \| guard \| on-screen music \| prison \| prisoner \| singing \| source music \| transcribed by ear
Hell’s Highway (1932)	Tuning of Violin	0:47:34 - A man tunes a violin	advance plot \| calm \| guard \| on-screen music \| playing \| prison \| prisoner \| source music \| tuning \| violin
Hell’s Highway (1932)	Liberty Road	1:01:16 - The End / Cast of Characters	calm \| end title sequence \| prison \| spiritual \| The End
Is My Face Red? (1932)	Mildred Waltz	0:19:03 - Mildred talks with William	ABA structure \| altered dominant \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| lovers meet \| transcribed by ear
Is My Face Red? (1932)	Sidewalks of New York (Harbor)	0:20:07 - New York City skyline	calm \| countermelody \| New York \| parallelism \| popular music \| setting \| transcribed by ear \| transition \| traveling
Is My Face Red? (1932)	Mildred Waltz	0:20:18 - Mildred has a drink with William	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| boat \| calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Sidewalks of New York (Lights)	0:21:04 - New York City skyline	calm \| diminished 7th chord \| drinking \| leading lady \| leading man \| New York \| octatonic \| popular music \| setting \| transcribed by ear \| transition
Is My Face Red? (1932)	Mildred Waltz	0:21:43 - Mildred talks with William	advance plot \| augmented sixth chord \| boat \| calm \| conversing \| diminished 7th chord \| leading lady \| leading man \| transcribed by ear
Is My Face Red? (1932)	Mildred Waltz	0:44:47 - Mildred and William ride in a motorboat	ABA structure \| advance plot \| boat \| calm \| leading lady \| leading man \| sailing \| transcribed by ear
Is My Face Red? (1932)	Comin' Thro' the Rye	0:46:54 - A man exercises to music on a boat	advance plot \| boat \| calm \| exercising \| leading lady \| leading man \| source music \| transcribed by ear
Is My Face Red? (1932)	Guilty	0:47:40 - A radio orchestra plays on a soundstage	advance plot \| band \| broadcast \| calm \| dance music \| leading lady \| leading man \| on-screen music \| radio \| source music \| stage \| transcribed by ear \| walking
Is My Face Red? (1932)	Trysting Place, The	0:50:25 - William talks to Peggy and Mildred	advance plot \| arguing \| band \| broadcast \| calm \| conversing \| dance music \| leading man \| radio \| sentence form \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	You Bunch of Fun (Serious)	1:05:05 - Cast of Characters / The End	calm \| closing credits \| end title sequence \| popular music \| The End \| transcribed by ear
Penguin Pool Murder (1932)	Sidewalks of New York	0:00:14 - New York harbor	calm \| establish setting \| harbor \| opening title sequence \| transcribed by ear
Penguin Pool Murder (1932)	Sidewalks of New York (Aquarium)	0:01:00 - Outside of aquarium	calm \| establish setting \| foreign key modulation \| harbor \| mysterious \| setting \| transcribed by ear
Thirteen Women (1932)	Serenade	0:28:11 - Jo plays the piano	advance plot \| calm \| common-tone diminished 7th \| conversing \| friend \| gentle \| on-screen music \| piano \| playing \| room \| secondary dominant \| self-borrowing \| sentence form \| source music \| transcribed by ear
Blind Adventure (1933)	My Imaginary Sweetheart (Coda)	0:01:33 - View of London	calm \| city \| deceptive resolution \| establish setting \| transcribed by ear
Blind Adventure (1933)	Marcellene	0:32:12 - Rose and Richard go downstairs	ABAC structure \| advance plot \| calm \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| source music
Blind Adventure (1933)	The Prisoner's Song	0:35:12 - Holmes sings and whistles	advance plot \| calm \| criminal \| on-screen music \| rooftop \| singing \| source music \| whistling
Blind Adventure (1933)	The Prisoner's Song	1:02:08 - Holmes sings to himself	calm \| conclusion \| criminal \| on-screen music \| rooftop \| singing \| source music
Headline Shooter (1933)	Ensemble Tuning	0:04:41 - Bill talks to business man	business man \| calm \| conversing \| establish character \| leading man \| pageant \| source music \| tuning
Headline Shooter (1933)	Come Easy, Go Easy, Love	0:46:07 - Bill talks to reporters	AABA structure \| advance plot \| calm \| conversing \| fiancé \| leading lady \| leading man \| reporter \| restaurant \| source music
Dangerous Corner (1934)	Chanson	0:22:05 - A man turns on the radio	alternate timeline \| calm \| classical music \| conversing \| pivotal scene \| radio \| room \| source music
Dangerous Corner (1934)	Chanson	1:02:06 - A man turns on the radio	alternate timeline \| calm \| classical music \| conversing \| friend \| radio \| resolution \| room \| source music \| suspect
Sing and Like It (1934)	Liebesträume	0:34:46 - Ruby enters the room	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Liebesträume	0:35:31 - Toots plays the piano	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Hat, Coat, and Glove (1934)	Wonderful	0:39:29 - Robert tells Dorothea goodbye	11th chord \| ABAC structure \| added-note chord \| advance plot \| calm \| club \| common-tone diminished 7th \| conversing \| lawyer \| leading lady \| leading man \| meeting \| self-borrowing \| source music \| transcribed by ear
Murder on the Blackboard (1934)	Clock Tower	0:02:12 - A clock tower	calm \| city \| clock tower \| source music \| tolling \| transition
Murder on the Blackboard (1934)	Clock Tower	0:12:17 - A clock tower	calm \| city \| clock tower \| source music \| tolling \| transition
Star of Midnight (1935)	Westminster Quarters	0:53:50 - Clay waits	advance plot \| calm \| detective \| detective \| leading man \| source music \| street \| waiting
Star of Midnight (1935)	Sidewalks of New York	0:54:28 - Feet walking	bus \| calm \| chromatic parallelism \| foreign key modulation \| lighthearted \| montage \| street \| transcribed by ear \| traveling \| walking
Don’t Turn ‘em Loose (1936)	Mildred Waltz	0:24:13 - Bob and Letty go for a walk	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| diminished 7th chord \| gangster \| imposter \| leading man \| love interest \| street \| transcribed by ear \| walking \| waltz
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:17 - Bob walks	added-note chord \| advance plot \| calm \| gangster \| imposter \| leading man \| mode mixture \| oscillation \| pacing \| reverse picardy \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Gimpy Walk	0:26:34 - Bob walks	added-note chord \| advance plot \| calm \| double exposure \| gangster \| imposter \| leading man \| oscillation \| pacing \| room \| waiting \| walking
Don’t Turn ‘em Loose (1936)	Souvenir No. 16	1:03:53 - John at his daughter's wedding	bride \| calm \| conversing \| father \| guest \| mother \| pedal tone \| pleasant \| resolution \| wedding \| wedding \| wedding
Don’t Turn ‘em Loose (1936)	Here Comes the Bride	1:04:36 - Mildred at her wedding	bride \| calm \| father \| guest \| mother \| parallel period \| pleasant \| resolution \| walking \| wedding \| wedding \| wedding
We're Only Human (1935)	Mildred Waltz	0:46:46 - Pete looks at police sketches	ABA structure \| advance plot \| altered dominant \| augmented sixth chord \| calm \| conversing \| detective \| diminished 7th chord \| leading lady \| leading man \| reporter \| room
We're Only Human (1935)	Waiting	0:47:49 - Sally leaves	advance plot \| calm \| conversing \| departing \| detective \| leading lady \| leading man \| reporter \| room
Without Honor (1949)	Twilight	0:00:00 - Main titles over the shot of a valley	calm \| cast list \| dramatic \| heavy \| opening title sequene \| starring list \| title of film \| valley
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Twilight (Resolution)	0:55:26 - Jane walks out of the orchard	antagonist \| brother \| calm \| child \| conversing \| husband \| leading lady \| leading man \| orchard \| resolution \| scout \| street
The Most Dangerous Game (1932)	The Open Sea	0:01:20 - A buoy on the open sea	boat \| boat \| calm \| clock \| gentle \| ocean \| sailing \| transition
The Most Dangerous Game (1932)	The Beach	0:08:11 - Bob walks onto the beach	action scene \| beach \| calm \| leading man \| ship wreck \| stumbling \| walking \| wave effect
The Most Dangerous Game (1932)	The Iron Door (Collapsing)	0:08:23 - Bob collapses on the beach	action scene \| beach \| calm \| collapsing \| falling \| foreshadowing \| leading man \| mysterious \| ship wreck
The Most Dangerous Game (1932)	Courage (Moderato)	0:44:51 - Bob tells Eve to come out	action scene \| calm \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| unsettled \| victim \| waiting \| watching

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