| All This, and Heaven Too (1940) | Henry | 0:07:41 - Henriette looks at Henry Field | establish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | secondary dominant | teacher |
All This, and Heaven Too (1940) | La Parisienne | 0:12:55 - A shot of Paris | 64 chord | augmented sixth chord | enharmonic modulation | establish place | establish time | fanfare | foreign key modulation | noble | on-screen text | patriotic tune | street | transition |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 0:14:03 - Henriette enters the palace | arriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking |
All This, and Heaven Too (1940) | The Duke (Dignified) | 1:23:09 - A carriage arrives at the chateau | arriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Moderato Maestoso) | 2:16:29 - A hand signing a release form | 9th chord | chromatic mediant | deceptive resolution | hopeful | leading lady | leaving | noble | prison | resolution | walking | writing |
| Beyond the Forest (1949) | Lewis (Office) | 0:02:44 - The doctor's office | calm | establish setting | noble | street | voice-over |
Beyond the Forest (1949) | Lewis | 0:10:42 - The doctor in a canoe | calm | canoe | departing | doctor | establish character | friend | lake | leading lady | leading man | noble | rowing | wife |
| The Big Sleep (1946) | Marlowe (Major) | 0:28:47 - Marlowe's name on his apartment door | arriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition |
| Caged (1950) | June and Marie | 0:37:06 - June and Marie talk | conversing | establish character | foreign key modulation | friend | hopeful | leading lady | noble | prison | prisoner |
| His Greatest Gamble (1934) | Morning Glory Fanfare | 0:00:12 - Title of film; starring list | fanfare | noble | opening title sequence | pedal tone | starring list | title of film | transcribed by ear |
| Crime School (1938) | The Courthouse | NIF - not in film | cut from film | deceptive resolution | noble | parallelism |
Crime School (1938) | The Courthouse (Judge) | 1:22:53 - Door to the judge's chambers | courthouse | cut from film | entering | judge | noble | resolution |
| Deep Valley (1947) | Love Theme (Full) | 0:39:50 - Libby in the cabin | advance plot | arriving | cabin | calm | dog | leading lady | noble |
| Each Dawn I Die (1939) | Newspaper Fanfare | 0:04:24 - Sign for "The Banton Record" newspaper office | conflict | fanfare | justice | newspaper office | noble | parallelism | sign |
Each Dawn I Die (1939) | Verdict | 0:08:19 - The verdict is delivered | banging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | parallelism | reporter | verdict |
Each Dawn I Die (1939) | Newspaper Fanfare (Extended) | 1:03:36 - Newspaper headline is shown | chromatic parallelism | fanfare | headline | justice | mickey-mousing | montage | montage | noble | zooming |
| The FBI Story (1959) | FBI March B | 0:04:51 - Cast list | cast list | FBI | lyrical | march | noble |
The FBI Story (1959) | FBI March A (Maestoso) | 0:12:31 - Views of a hallway in an FBI building | FBI | noble |
The FBI Story (1959) | The Bureau (Patriotic) | 0:13:40 - Chip gestures towards a photograph | FBI | march | noble |
The FBI Story (1959) | FBI March A (Triste) | 1:24:06 - Lucy says that she is going to leave Chip | faithful | FBI | flashback | noble | plain | somber |
| Flamingo Road (1949) | The Capitol | 0:56:03 - The Olympic City capitol building | chromatic mediant | courthouse | deceptive resolution | establish setting | Mixolydian mode | noble | self-borrowing |
| Hell on Frisco Bay (1955) | Steve (Investigating) | 0:04:44 - Fishermen on the dock | detective | dock | establish setting | hopeful | leading man | noble | transcribed by ear | wandering | worker |
Hell on Frisco Bay (1955) | Steve (Wandering) | 0:05:25 - Steve wanders the dock | detective | dock | entering | establish setting | hopeful | leading man | mysterious | noble | transcribed by ear | worker |
| I Was a Communist for the FBI (1951) | FBI | 0:02:10 - FBI building | agent | chromatic mediant | conversing | establish setting | noble | office | oscillation | secretary | tense | triadic transformation | typing | working |
I Was a Communist for the FBI (1951) | FBI (Extended) | 0:02:33 - Pittsburgh FBI office sign | agent | chromatic mediant | conversing | establish setting | noble | office | oscillation | tense | triadic transformation | typing | working |
I Was a Communist for the FBI (1951) | FBI (Molto Marcato) | 0:59:03 - FBI man enters with a gun | agent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent |
| In This Our Life (1942) | Asa | 0:02:02 - The Timberlake crest | 64 chord | added-note chord | common-chord modulation | establish character | noble | plagal cadence | street | worker | working |
In This Our Life (1942) | Asa (Expressivo) | 0:02:33 - Asa walks | conversing | deceptive resolution | establish character | gentle | mode mixture | noble | pedal tone | street | walking | worker |
| The Informer (1935) | The Wearin' o' the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
The Informer (1935) | Judges | 1:06:10 - Camera pans to the faces of the judges | courtroom | courtroom scene | deceptive resolution | headquarters | judge | judging | justice | noble | room |
| Key Largo (1948) | McCloud | 0:11:41 - Nora talks about her husband George | conversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble |
Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Noble) | 0:21:22 - Nora and Frank talk about her life | advance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling |
Key Largo (1948) | Expressivo | 0:52:37 - Mr. Temple is helped down the stairs | advance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs |
| The Letter (1940) | Law Office | 0:24:33 - Sign for a law firm | city | justice | lawyer | noble | office | setting | sign | transition |
| Mildred Pierce (1945) | Mildred (Risoluto) | 0:33:23 - Mildred resolves to give her daughter nice things | 64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room |
| White Heat (1949) | T-Men | 0:15:01 - Aerial view of the city | city | heroic | noble | panning shot | transition |
White Heat (1949) | T-Men (Agitato) | 0:16:28 - Agents picks up the death mask | agent | clue | death mask | heroic | investigation scene | noble | office | walking |
White Heat (1949) | T-Men (Marcia) | 0:19:03 - Agents see the marker on the car | advance plot | agent | car | following | heroic | noble | observing | planning | street | telephone |
White Heat (1949) | T-Men (The Map) | 1:38:58 - Agents map coordinates of the truck | agent | chase scene | map | mapping | noble | planning | police station | radio |
| The Woman in White (1948) | Fairlie | 0:11:53 - The butler takes Walter to see Mr. Fairlie | butler | conversing | establish character | grand | leading man | mansion | noble |
The Woman in White (1948) | Limmeridge 2 | 0:19:36 - Walter walks outside | establish character | garden | leading lady | leading man | mansion | noble | walking | watching |
The Woman in White (1948) | Limmeridge | 0:30:46 - Marian talks to Walter | advance plot | conversing | cousin | leading lady | leading man | noble | refined | room |
The Woman in White (1948) | Pavan (Garden) | 1:31:13 - Walter talks with Marian | conversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying |
The Woman in White (1948) | Pavan (Major) | 1:47:33 - Walter with his daughter Ann | child | conversing | father | greeting | husband | leading man | noble | resolution | voice-over | yard |
| Men of America (1932) | Cimarron C | 0:01:08 - Smokey Joe fights the Indians | ambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear |
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