| All This, and Heaven Too (1940) | Henriette (Funereal) | 2:14:27 - Henriette leaves the Duke | conversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect |
| Arsenic and Old Lace (1944) | Funeral March | 0:55:21 - Teddy carries the body down the stairs | advance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking |
Arsenic and Old Lace (1944) | Happy Land | 1:19:56 - Mortimer with the taxi driver | aunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street |
Arsenic and Old Lace (1944) | Happy Land | 1:22:17 - Mortimer talks with Elaine through her window | aunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street |
| Beyond the Forest (1949) | Religioso | 1:11:19 - A church steeple in the rain | calm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching |
Beyond the Forest (1949) | Rosa (Sulking) | 1:12:32 - Rosa and Lewis at the funeral | funeral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching |
Beyond the Forest (1949) | Rosa (Heavy) | 1:12:58 - Rosa and Lewis drive away | arriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim |
| The FBI Story (1959) | FBI March A (Honorable) | 1:14:32 - Sam's graveside funeral | cemetery | death | flashback | funeral | rain | sermon |
The FBI Story (1959) | Taps | 1:15:06 - Chip talks to Sam's sister about helping take care of Sam's son | cemetery | death | flashback | funeral | rain | sermon | taps |
| Hell on Frisco Bay (1955) | Adoramus te Christe | 0:38:32 - A funeral | church | conversing | friend | funeral | investigator | leading man | somber | source music |
Hell on Frisco Bay (1955) | Anna | 1:20:28 - Anna mourns Mario's death | conversing | crying | dark | funeral | funeral | gangster | leading man | wife |
| Lightning Strikes Twice (1951) | Menace | 0:01:23 - Priest in a prison | arriving | conversing | dark | establish character | funeral march | funereal | guard | leading man | priest | prison | prisoner | solemn | somber | walking | warden |
| The Life of Vergie Winters (1934) | Funeral March | 0:01:12 - A funeral march | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching |
The Life of Vergie Winters (1934) | Lullaby + Funeral March | 0:02:32 - Vergie in her jail cell | classical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching |
The Life of Vergie Winters (1934) | Funeral March | 1:17:18 - John's funeral procession | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | on-screen music | parallel 63s | somber | source music | street | watching |
The Life of Vergie Winters (1934) | Lullaby (Ending) + Funeral March (Ending) | 1:18:06 - Vergie in her jail cell | classical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect |
| The Woman in White (1948) | Come, Sweet Death (Funeral) | 1:20:13 - Mourners at a funeral | cemetery | church | cousin | crowd | funeral | funeral | husband | leading lady | leading man | mourning | priest | reading | somber | victim |
The Woman in White (1948) | Ann (Misterioso) | 1:21:57 - Marian talks to Walter | cemetery | cousin | crying | funeral | funeral | leading lady | leading man | mysterious | somber | spying |
| Secrets of the French Police (1932) | Taps | 0:02:18 - Taps is played at a military funeral | bugle call | familiar tune | funeral | funeral | military | on-screen music | playing | somber | source music |
| Thirteen Women (1932) | Thirteen Women | 0:00:34 - Cast list on the pages of a book | book | cast list | common-chord modulation | funeral march | funereal | harmonic sequence | opening title sequence | relative key | somber | title of film | transcribed by ear |
Thirteen Women (1932) | Ursula (Dark) | 0:11:28 - Ursula reads a horoscope | 64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear |
| Mara Maru (1952) | Adoramus te Christe | 0:49:05 - A cross and some candles | brother | church | conversing | cross | crowd | crying | embracing | evidence | funeral scene | leading man | mother | mourner | mourning | police | praying | priest | private eye | somber | source music | worker |
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