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43 results for "serious" in 16 films — see also dangerous | decisive | resolved | solemn | somber | stern

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Desperation0:00:08 - Starring listdark | dissonant bass | opening title sequence | parallelism | serious | starring list | transition

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesadded-note chord | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | linear chromaticism | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition | whole-tone chord
Angels With Dirty Faces (1938)The Gangster (Reformatory)0:05:04 - Sign: "Society for Juvenile Delinquents"establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager

Angels With Dirty Faces (1938)

The Gangster (Fingerprints)0:06:17 - Montage of juvenile detention and prison lifedigging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working

Angels With Dirty Faces (1938)

The Gangster (Maestoso)0:08:07 - Discharge papers from the penitentiarycommon-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing

Angels With Dirty Faces (1938)

Sanctus0:09:13 - Church interior with boys singing in a choir loftboys choir | church | conducting | gangster | leading man | music scene | nun | on-screen music | organ | priest | religious | serious | singer | singing | solemn | source music

Angels With Dirty Faces (1938)

Jerry (Goodbye)1:33:12 - Jerry says goodbye to Rockyadded-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber
His Greatest Gamble (1934)Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz
Deep Valley (1947)Law (Slowly)1:06:18 - Lawmen advanceaction scene | convict | forest | fugitive | leading man | love interest | manhunt | police | searching | serious | walking
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking
In This Our Life (1942)Stanley (Peter Lies)0:13:28 - Peter talks about his trip9th chord | advance plot | appoggiatura | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Discussion0:13:57 - Roy talks with Peter9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradded-note chord | advance plot | augmented sixth chord | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley (Maestoso)0:16:11 - Peter closes the dooradvance plot | brash | dark | half-diminished 7th chord | leading lady | leading man | leaving | room | serious

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Roychromatic parallelism | conflict | conversing | dark | father | leading lady | ostinato | room | sequential modulation | serious | whole-tone chord

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsadded-note chord | appoggiatura | augmented sixth chord | conversing | father | leading lady | leading man | mode change | room | serious | somber | suicide | turning point | uncle
The Informer (1935)The Informer0:00:14 - Shadows move across the screen behind the cast listcast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film

The Informer (1935)

The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street

The Informer (1935)

The Informer (Dublin)0:01:03 - Title card establishes the setting in Dublin, Ireland9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution

The Informer (1935)

The Informer (Judas)0:01:29 - Title card with quote about Judasmysterious | opening title sequence | Scotch snap | serious | suspension | title card

The Informer (1935)

Judges (Maestoso)1:08:01 - Gypo looks at the judges64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching

The Informer (1935)

Blind Man (Tribunal)1:08:08 - Gypo looks at the blind man64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense
Key Largo (1948)Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber
The Letter (1940)Leslie (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | ostinato | recounting | sequence | serious | tritone | tritone oscillation

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallel fifths | parallelism | pentatonic | recounting | serious | somber | tritone oscillation
Mildred Pierce (1945)Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | oscillation | room | serious | somber | thinking | transition | whole-tone chord
The Life of Vergie Winters (1934)Lullaby (Dark)1:17:11 - Newspaper headline about John's murderdark | leading lady | secret lover | serious | transition
The Unfaithful (1947)Unfaithful0:00:07 - Title of the filmaltered dominant | Beverly Hills | cast list | common-chord modulation | house | main title | mode mixture | Neapolitan | opening title sequence | ostinato | pedal tone | serious | starring list | title of film
The Woman in White (1948)Pavan (Misterioso)1:23:21 - Marian and Walter leavecousin | dark | forest | leading lady | leading man | leaving | serious | spy | spying | transition

The Woman in White (1948)

Fosco (Con Moto)1:23:29 - Fosco arrives in his carriageantagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling
We're Only Human (1935)Katie (Begging)0:29:21 - Close up on Danny64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim

We're Only Human (1935)

Begging0:29:35 - Pete talks with Dannyaction scene | arguing | bank | detective | diminished 7th chord | dissonant bass | gangster | leading man | pedal tone | sequence | serious | tense | victim
Without Honor (1949)Twilight (Rubato)0:59:24 - Mrs. Williams helps Janeantagonist | attempted suicide | brother | climax | doctor | helping | husband | leading lady | leading man | razor blade | room | serious | somber | struggling | suicide | wife
Mara Maru (1952)Gregory (Hindemith in Hollywood)1:15:18 - Gregory opens a dooraction scene | boat | captain | dark | diver | diving | diving suit | exploring | fanfare | leading man | mickey-mousing | ocean | serious | ship | suspenseful | swimming | underwater | walking