| All This, and Heaven Too (1940) | Desperation | 0:00:08 - Starring list | dark | opening title sequence | serious | starring list | transition |
All This, and Heaven Too (1940) | The Duchess (Arguing) | 1:00:32 - Henriette leaves | arguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | listening | romantic | room | serious | trouble |
All This, and Heaven Too (1940) | Isabelle | 1:07:33 - Isabelle cries | advance plot | child | comforting | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | Isabelle 2 | 1:08:44 - Isabelle talks to Henriette | advance plot | child | comforting | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | Henriette (Serious) | 2:11:50 - Henriette arrives upstairs | arriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition |
| Angels With Dirty Faces (1938) | The Gangster (Reformatory) | 0:05:04 - Sign: "Society for Juvenile Delinquents" | establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager |
Angels With Dirty Faces (1938) | The Gangster (Fingerprints) | 0:06:17 - Montage of juvenile detention and prison life | digging | dramatic | establish character | fingerprints | foreign key modulation | headline | leading man | main title | marching | montage | mug shot | newspaper | prison | prisoner | reformatory | sequence | serious | working |
Angels With Dirty Faces (1938) | The Gangster (Maestoso) | 0:08:07 - Discharge papers from the penitentiary | common-chord modulation | common-tone diminished 7th | ledger | main title | marching | mickey-mousing | montage | prison | prisoner | serious | solemn | transition | writing |
Angels With Dirty Faces (1938) | Sanctus | 0:09:13 - Church interior with boys singing in a choir loft | boys choir | church | conducting | gangster | leading man | music scene | nun | on-screen music | organ | priest | religious | serious | singer | singing | solemn | source music |
Angels With Dirty Faces (1938) | Jerry (Goodbye) | 1:33:12 - Jerry says goodbye to Rocky | added-note chord | climax | conversing | dissonant bass | execution chamber | gangster | leading man | priest | prison | serious | sigh gesture | somber |
| His Greatest Gamble (1934) | Waltz in C-sharp Minor | 0:40:28 - Philip talks with Alice and Florence | advance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz |
| Hell on Frisco Bay (1955) | Prison Gate | 0:01:25 - Steve exits the prison gate | conductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking |
| In This Our Life (1942) | Stanley (Peter Lies) | 0:13:28 - Peter talks about his trip | advance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber |
In This Our Life (1942) | Discussion | 0:14:09 - Roy talks with Peter | advance plot | conversing | leading lady | leading man | room | serious | somber |
In This Our Life (1942) | Roy (Morendo) | 0:15:43 - Roy responds to Peter | advance plot | conversing | embracing | leading lady | leading man | room | serious | somber |
In This Our Life (1942) | Stanley (Maestoso) | 0:16:11 - Peter closes the door | advance plot | brash | dark | leading lady | leading man | leaving | room | serious |
In This Our Life (1942) | Asa (Ostinato) | 0:23:26 - Asa talks to Roy | conflict | conversing | dark | father | leading lady | room | serious |
In This Our Life (1942) | Roy (Morendo 2) | 0:49:54 - Roy reacts to the bad news | conversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle |
| The Informer (1935) | The Informer | 0:00:14 - Shadows move across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
The Informer (1935) | The Informer (Bridge) | 0:00:46 - Shadows move across the screen behind the cast list | 9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street |
The Informer (1935) | The Informer (Dublin) | 0:01:03 - Title card establishes the setting in Dublin, Ireland | 9th chord | 11th chord | establish setting | informer | marching | minor pentatonic | mysterious | nun | opening title sequence | religious symbolism | Scotch snap | searching | serious | shadow | street | title card | tritone substitution |
The Informer (1935) | The Informer (Judas) | 0:01:29 - Title card with quote about Judas | mysterious | opening title sequence | Scotch snap | serious | suspension | title card |
The Informer (1935) | Judges (Maestoso) | 1:08:01 - Gypo looks at the judges | 64 chord | chromatic scale | courtroom | courtroom scene | headquarters | judge | judging | pedal tone | room | serious | somber | watching |
The Informer (1935) | Blind Man (Tribunal) | 1:08:08 - Gypo looks at the blind man | 64 chord | accusing | antagonist | blind man | chromatic scale | courtroom | courtroom scene | headquarters | leading man | pedal tone | room | serious | suspect | watching |
The Informer (1935) | The Informer (Laughing) | 1:09:04 - Gypo laughs at Peter | accusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect |
The Informer (1935) | Katie (Begging) | 1:24:42 - Katie pleads for Gypo | 64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense |
The Informer (1935) | Begging | 1:25:13 - Katie pleads for Gypo | advance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense |
| Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
Key Largo (1948) | McCloud (Triste) | 0:47:23 - Rocco mocks McCloud | boss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber |
| The Letter (1940) | Hammond A (Confession) | 1:16:36 - Leslie confesses to Robert | confessing | conflict | dark | home | husband | lawyer | leading lady | letter | ostinato | recounting | serious | tritone | tritone |
The Letter (1940) | Mrs. Hammond (Confession) | 1:17:35 - Leslie confesses to Robert | Chinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallelism | pentatonic | recounting | serious | somber |
| Mildred Pierce (1945) | Bert (Sentimentale) | 0:48:03 - Mildred watches her children leave | heroine | husband | leading lady | leaving | room | serious | somber | thinking | transition |
| The Life of Vergie Winters (1934) | Lullaby (Dark) | 1:17:11 - Newspaper headline about John's murder | dark | leading lady | secret lover | serious | transition |
| The Unfaithful (1947) | Unfaithful | 0:00:07 - Credits, including main title | Beverly Hills | cast list | house | main title | opening title sequence | ostinato | serious | starring list | title of film |
