Tag Search

218 results for "victim" in 16 films — see also person

Film	Theme name	Instance	Tags
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Happy Land (Lento)	0:09:11 - Reverend talks about the Brewster sisters	added-note chord \| aunt \| brother \| calm \| conversing \| crazy person \| establish character \| familiar tune \| gentle \| kindness \| leading lady \| old man \| room \| victim
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Rosa (Ominous)	1:10:14 - Rosa aims her gun	aiming \| anger \| dark \| forest \| friend \| harsh \| husband \| leading lady \| leading man \| murder scene \| ominous \| stinger \| victim
Beyond the Forest (1949)	Religioso	1:11:19 - A church steeple in the rain	calm \| casket \| crowd \| funeral \| graveyard \| listening \| mourner \| mourning \| rain \| religious \| victim \| watching
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	death \| death scene \| dying \| falling \| leading man \| mickey-mousing \| murder \| mysterious \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Marlowe (Risoluto)	1:30:12 - Marlowe makes a phone call	bold \| conversing \| death scene \| leading man \| phone call \| private eye \| room \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:30:24 - Marlowe makes a phone call	conversing \| death scene \| leading man \| phone call \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Wrong Address	1:30:46 - Marlowe ends the phone call	conversing \| death \| death scene \| leading man \| phone call \| private eye \| room \| somber \| victim
The Big Sleep (1946)	Jones (Dolce)	1:31:04 - Marlowe sits down on the couch	death \| death scene \| leading man \| mourning \| private eye \| room \| somber \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
City for Conquest (1940)	Tone Poem A (Beoootiful)	1:40:11 - Danny working at his newsstand	9th chord \| 11th chord \| blur \| conversing \| dissonant bass \| ethereal \| gentle \| into focus \| leading lady \| leading man \| love scene \| reunion \| reuniting \| shimmery \| squinting \| street \| tone cluster \| victim \| whole-tone chord
City for Conquest (1940)	Tone Poem A (Chorus)	1:41:14 - Danny talks with Peggy	9th chord \| 11th chord \| 13th chord \| chromatic sequence \| conversing \| crying \| ethereal \| foreign key modulation \| gentle \| leading lady \| leading man \| love interest \| love scene \| optimistic \| reunion \| reuniting \| romantic \| shimmery \| street \| suspension \| victim
Her Kind of Man (1946)	Underscoring (Dramatic [Deutsch])	1:03:37 - Steve shoots his sister	action scene \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
In This Our Life (1942)	Driving + Stanley	1:08:53 - Stanley driving	car \| car \| child \| combination of themes \| crime scene \| criminal \| driving \| drunk \| leading lady \| mysterious \| street \| tense \| uneasy \| victim \| walking
In This Our Life (1942)	Underscoring (Dramatic)	1:09:01 - Stanley has an accident	car \| child \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| leading lady \| street \| victim
In This Our Life (1942)	Car crash	1:09:01 - Stanley hits two pedestrians	accident \| car \| car crash \| crashing \| crime scene \| criminal \| dramatic \| driving \| drunk \| dying \| falling \| hit and run \| leading lady \| mickey-mousing \| street \| victim
In This Our Life (1942)	Stanley (Slowly 2)	1:20:46 - Men playing checkers	checkers \| conflict \| criminal \| dark \| game \| lawyer \| leading lady \| leading man \| playing \| prison \| prisoner \| somber \| suspect \| victim
In This Our Life (1942)	Underscoring (Somber)	1:21:07 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| prison \| prisoner \| somber \| suspect \| underscoring \| victim
In This Our Life (1942)	Minerva and Parry	1:21:28 - Parry in his jail cell	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| somber \| suspect \| tender \| testifying \| victim
In This Our Life (1942)	Minerva and Parry (Triste)	1:22:39 - Parry talks to Stanley	conflict \| conversing \| criminal \| lawyer \| leading lady \| leading man \| lying \| prison \| prisoner \| solemn \| somber \| suspect \| testifying \| victim
Mildred Pierce (1945)	Murdered Man	0:10:06 - Wally discovers the body	action scene \| corpse \| dark \| death \| dramatic \| friend \| linear chromaticism \| looking \| mickey-mousing \| murder \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Phone rings	0:10:16 - Phone rings	action scene \| death \| friend \| mickey-mousing \| murder \| ringing \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Underscoring (Dramatic)	0:10:21 - Wally reacts to the situation	action scene \| breaking \| chromatic parallelism \| chromatic scale \| chromatic wedge \| death \| dramatic \| escaping \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| murder \| room \| running \| smashing \| sneaking \| telephone \| underscoring \| victim \| walking \| whole-tone chord \| worrying
Mildred Pierce (1945)	Wally stands up and walks	0:10:21 - Wally stands up to go to the phone	action scene \| friend \| mickey-mousing \| rising \| room \| standing \| tense \| up \| victim \| walking
Mildred Pierce (1945)	Wally walks	0:10:32 - Wally hurriedly walks away	action scene \| chromatic parallelism \| dramatic \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| room \| victim \| walking
Mildred Pierce (1945)	Wally sneaks	0:10:37 - Wally sneaks down the hall	action scene \| diminished 7th chord \| friend \| mickey-mousing \| room \| sneaking \| tense \| victim
Mildred Pierce (1945)	Breaks door with chair	0:10:47 - Wally smashes a glass door with a chair	action scene \| breaking \| chair \| door \| dramatic \| friend \| glass \| mickey-mousing \| room \| smashing \| victim
Mildred Pierce (1945)	Glass falls	0:10:49 - The glass door breaks	action scene \| breaking \| door \| dramatic \| falling \| friend \| glass \| mickey-mousing \| room \| smashing \| victim \| whole-tone chord
Mildred Pierce (1945)	Wally runs	0:11:01 - Wally runs out of the house	action scene \| beach \| chromatic scale \| chromatic wedge \| dramatic \| friend \| gun \| gunshot \| mickey-mousing \| running \| shooting \| victim
Mildred Pierce (1945)	Opens coat	0:11:12 - Policeman opens Wally's coat to frisk him	action scene \| beach \| dramatic \| friend \| mickey-mousing \| opening \| police \| searching \| victim
Mildred Pierce (1945)	Underscoring (Tense)	0:11:13 - Policemen investigate the scene	action scene \| altered dominant \| beach \| conversing \| dissonant bass \| friend \| mysterious \| police \| searching \| sequence \| tense \| underscoring \| victim
The Unfaithful (1947)	Unfaithful (Attack)	0:08:40 - Man takes Chris inside her house and attacks her	advance plot \| antagonist \| attacking \| criminal \| danger \| fighting \| house \| leading lady \| ostinato \| pc set \| shadow \| sinister \| victim
The Unfaithful (1947)	Chris screams	0:08:53 - Chris screams	advance plot \| antagonist \| criminal \| danger \| house \| leading lady \| mickey-mousing \| pc set \| screaming \| shadow \| sinister \| victim
The Unfaithful (1947)	Unfaithful (Somber)	0:22:24 - Bob comforts Chris	augmented sixth chord \| comfort \| comforting \| husband \| leading lady \| love scene \| ostinato \| room \| somber \| victim
The Unfaithful (1947)	Unfaithful (Tragic)	0:24:34 - Mrs. Tanner walks away down the street	advance plot \| antagonist \| husband \| leading lady \| newspaper \| ostinato \| panicked \| panicking \| police station \| street \| transition \| trolley \| victim \| widow
The Unfaithful (1947)	Oh But I Do	0:32:27 - Ladies talk at a restaurant	advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| sister \| source music \| transition \| victim
The Unfaithful (1947)	Deep Night	0:35:15 - Larry answers a phone call and leaves	advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| source music \| transition \| victim
The Woman in White (1948)	Asylum	1:01:26 - Laura suffers from a headache	aching \| advance plot \| agitated \| conversing \| cousin \| headache \| illness \| illness effect \| leading lady \| pain \| room \| somber \| tense \| victim
The Woman in White (1948)	Asylum (Molto Expressivo)	1:01:37 - Laura talks to Marian	advance plot \| calm \| conversing \| cousin \| headache \| illness \| leading lady \| pain \| recovering \| recovery \| room \| victim
The Woman in White (1948)	Pavan (Slow)	1:01:49 - Marian closes the door	advance plot \| cousin \| departing \| leading lady \| room \| somber \| victim
The Woman in White (1948)	Asylum (Dolce)	1:09:46 - Laura senses someone in the room	advance plot \| appearing \| calm \| conversing \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:09:55 - The woman in white talks to Laura	advance plot \| agitated \| calm \| conversing \| gentle \| headache \| illness \| leading lady \| pain \| room \| superimposed shot \| victim
The Woman in White (1948)	Appearing	1:10:28 - The woman in white disappears	advance plot \| antagonist \| criminal \| doctor \| hiding \| husband \| leading lady \| leading man \| magical \| mysterious \| room \| running \| superimposed shot \| victim
The Woman in White (1948)	Ann (Poco Agitato)	1:11:46 - Laura mentions the woman in white	agitated \| antagonist \| conflict \| conversing \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| servant \| victim
The Woman in White (1948)	Fosco	1:12:05 - Fosco talks to the maid	agitated \| anger \| antagonist \| conflict \| criminal \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Molto Agitato)	1:12:15 - Fosco walks	agitated \| anger \| antagonist \| conflict \| criminal \| dark \| doctor \| headache \| husband \| illness \| leading lady \| leading man \| pain \| room \| rushing \| searching \| servant \| tense \| victim \| walking
The Woman in White (1948)	Fosco (Screwy)	1:13:05 - The countess enters quietly	advance plot \| arriving \| helping \| mysterious \| room \| sneaking \| tense \| time lapse \| victim \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:18 - The countess sneaks into Laura's room	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Adagio	1:13:26 - The countess helps Laura	advance plot \| gentle \| helping \| illness \| leading lady \| room \| servant \| sleeping \| tense \| victim \| whispering \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:13:48 - The maid leaves	advance plot \| departing \| helping \| illness \| leading lady \| mysterious \| room \| servant \| sleeping \| sneaking \| tense \| victim \| wife
The Woman in White (1948)	Underscoring (Mysterious)	1:13:57 - The countess looks around	advance plot \| helping \| illness \| leading lady \| mysterious \| room \| sleeping \| sneaking \| tense \| underscoring \| victim \| wife
The Woman in White (1948)	Ann (Waltz)	1:14:30 - The countess opens a secret door	advance plot \| foreshadowing \| helping \| leading lady \| room \| secret passageway \| sneaking \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Ann (Lyrical)	1:15:15 - The countess approaches the woman in white	advance plot \| gentle \| helping \| leading lady \| lyrical \| room \| sleeping \| sneaking \| victim \| wife
The Woman in White (1948)	Ann 2	1:15:31 - The countess tends to the woman in white	advance plot \| gentle \| helping \| leading lady \| room \| sleeping \| sneaking \| stinger \| tender \| victim \| wife
The Woman in White (1948)	Hypnosis (Misterioso con moto)	1:16:57 - The countess talks to the woman in white	conversing \| death scene \| leading lady \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Ann 2	1:17:48 - The woman in white talks to Laura	conversing \| death scene \| gentle \| leading lady \| room \| tender \| victim \| wife
The Woman in White (1948)	Ann	1:17:56 - The woman in white talks to Laura	conversing \| death scene \| leading lady \| mysterious \| room \| victim \| wife
The Woman in White (1948)	Hypnosis	1:18:17 - The woman in white hears Fosco's voice	death scene \| hearing voices \| leading lady \| madness \| mysterious \| room \| tense \| victim \| wife
The Woman in White (1948)	Fosco (Misterioso)	1:18:29 - The woman in white hears Sir Percival's voice	antagonist \| arriving \| criminal \| death scene \| hearing voices \| husband \| leading lady \| madness \| mysterious \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Appearing	1:18:48 - The woman in white clutches her heart	antagonist \| criminal \| death scene \| dying \| husband \| leading lady \| mickey-mousing \| room \| screaming \| shock \| surprise \| tense \| victim \| wife
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Ann (Slowly)	1:19:46 - The countess enters	angry \| antagonist \| criminal \| dark \| death scene \| glaring \| husband \| leading lady \| room \| shaking \| victim \| wife
The Woman in White (1948)	Come, Sweet Death (Funeral)	1:20:13 - Mourners at a funeral	cemetery \| church \| cousin \| crowd \| funeral \| funeral \| husband \| leading lady \| leading man \| mourning \| priest \| reading \| somber \| victim
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:27:35 - Laura hears Count Fosco's voice in her head	asylum \| combination of themes \| hearing voices \| hypnosis \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann	1:28:02 - Laura exchanges the keys	asylum \| hypnosis \| key \| leading lady \| mad scene \| mysterious \| sneaking \| tense \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Ann (Sleeping)	1:34:27 - Laura in her bed in the asylum	asylum \| comedy \| dark \| key \| leading lady \| mysterious \| patient \| sleeping \| victim \| wife \| worker \| working
The Woman in White (1948)	Appearing	1:34:51 - Laura emerges from her room	asylum \| escape \| escaping \| hiding \| leading lady \| magical \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:34:57 - Laura sneaks down the hallway	asylum \| escape \| escaping \| hiding \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:26 - Laura takes a key	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Ann	1:35:32 - Laura heads for the exit	asylum \| escape \| escaping \| hiding \| key \| leading lady \| mysterious \| patient \| sneaking \| victim \| wife
The Woman in White (1948)	Appearing	1:35:44 - Laura appears outside	asylum \| escape \| escaping \| leading lady \| mickey-mousing \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann	1:35:51 - Laura exits the asylum gate	asylum \| escape \| escaping \| leading lady \| mysterious \| patient \| sneaking \| street \| victim \| wife
The Woman in White (1948)	Ann 2	1:36:07 - Laura asks a man for help	asking \| escape \| gentle \| leading lady \| patient \| street \| tender \| victim \| wife
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Pavan (Distressed)	1:37:17 - Walter reads a note from Marian	advance plot \| dark \| leading lady \| leading man \| note \| patient \| reading \| room \| victim \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
Transgression (1931)	Gong	0:50:00 - Don Arturo is shot	death \| dying \| gun \| gunshot \| leading lady \| love interest \| murder \| murderer \| murdering \| murder scene \| room \| tense \| victim
Thirteen Women (1932)	Hazel murders husband	0:12:36 - Hazel murders her husband	double exposure \| dramatic \| half-diminished 7th chord \| headline \| husband \| knife \| murder \| murderer \| murdering \| murder scene \| newspaper \| room \| stabbing \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Dramatic Agitato	0:12:41 - Hazel screams	augmented sixth chord \| chromatic scale \| double exposure \| dramatic \| half-diminished 7th chord \| headline \| letter \| murder \| murderer \| murder scene \| newspaper \| room \| screaming \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Ursula (Exotic) + The Train	0:23:07 - Helen points the gun at herself and cries	antagonist \| combination of themes \| crying \| exotic \| exoticism \| gun \| Gypsy major scale \| hypnotic \| murderer \| murder scene \| pedal tone \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (Suicide)	0:24:18 - Helen commits suicide	antagonist \| chromaticism \| committing suicide \| dying \| exotic \| exoticism \| gun \| gunshot \| hypnotic \| murderer \| murder scene \| pc set \| pedal tone \| stinger \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Murder on the Blackboard (1934)	The Clue	0:56:42 - Hildegarde whistles	advance plot \| detective \| hospital \| leading lady \| neutral \| on-screen music \| professor \| sleuth \| source music \| victim \| whistling
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	AABA structure \| cheerful \| common-tone diminished 7th \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
We're Only Human (1935)	Katie (Begging)	0:29:21 - Close up on Danny	64 chord \| action scene \| bank \| calling \| detective \| gangster \| leading man \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Begging	0:29:35 - Pete talks with Danny	action scene \| arguing \| bank \| detective \| diminished 7th chord \| dissonant bass \| gangster \| leading man \| pedal tone \| sequence \| serious \| tense \| victim
We're Only Human (1935)	Katie (Dolcissimo)	0:30:05 - Danny talks with Pete	action scene \| bank \| chromatic sequence \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	Dan and Mary (Adagio)	0:30:44 - Pete says goodbye to Danny	11th chord \| action scene \| bank \| conversing \| death \| detective \| dying \| gangster \| leading man \| solemn \| victim
We're Only Human (1935)	Kong 3	1:01:06 - Pete leaves	car \| chromatic parallelism \| climax \| conflict \| departing \| detective \| diminished 7th chord \| dramatic \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| sequence \| street \| victim
We're Only Human (1935)	Game 1	1:01:21 - Driving in a car	car \| car \| chromatic sequence \| climax \| conflict \| detective \| dissonant bass \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| victim \| wipe
We're Only Human (1935)	Game 2	1:01:56 - Witness threatens to kill the criminals	acceleration \| arguing \| car \| car \| chromatic parallelism \| climax \| conflict \| detective \| dramatic \| driving \| hurried \| leading lady \| leading man \| pedal tone \| reporter \| rushing \| threat \| threatening \| victim
We're Only Human (1935)	Russian Waltz (Poco Agitato)	1:02:12 - Getting out the car	car \| chromatic scale \| climax \| conflict \| dark \| detective \| leading lady \| leading man \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Game 3	1:02:23 - Approaching the house	chromatic parallelism \| chromatic parallelism \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| pc set \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Russian Waltz (Pizzicato)	1:02:55 - Spying on the house	climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| sneaking \| tense \| victim \| yard
We're Only Human (1935)	Saroff	1:03:07 - They argue	arguing \| chromatic scale \| climax \| conflict \| detective \| leading lady \| leading man \| mysterious \| reporter \| tense \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	Lost Patrol 1	1:03:12 - A man runs	climax \| conflict \| detective \| dramatic \| fleeing \| frantic \| gunshot \| leading lady \| leading man \| reporter \| running \| shooting \| victim \| whole-tone \| whole-tone chord \| yard
We're Only Human (1935)	The Informer (Burning Poster) + Blood Money	1:03:25 - A man falls to the ground	climax \| conflict \| crawling \| detective \| diminished 7th chord \| dying \| gunshot \| leading lady \| leading man \| mysterious \| octatonic \| reporter \| Scotch snap \| shooting \| tense \| tone cluster \| victim \| yard
We're Only Human (1935)	The Wearin' o' the Green (Fighting)	1:03:42 - Pete prepares to advance	chromatic parallelism \| climax \| conflict \| detective \| dramatic \| fragmentation \| gunshot \| leading lady \| leading man \| reporter \| running \| sequence \| shooting \| tense \| underscoring \| victim \| yard
The Most Dangerous Game (1932)	Shark Attack	0:07:35 - A shark in the water	action scene \| attacking \| biting \| blood \| captain \| crew \| death \| dramatic \| drowning \| dying \| leading man \| ocean \| shark \| ship wreck \| stinger \| struggling \| swimming \| victim
The Most Dangerous Game (1932)	Courage (Tone Cluster)	0:41:32 - Bob builds a trap	action scene \| jungle \| knife \| leading lady \| leading man \| mysterious \| preparing \| stinger \| tense \| trap \| victim
The Most Dangerous Game (1932)	Russian Waltz (Poco Agitato)	0:42:12 - The Count approaches	action scene \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Poco Agitato)	0:42:25 - Bob and Eve hide in a cave	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Hiding)	0:42:33 - Bob and Eve watch and wait	action scene \| combination of themes \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	The Count Approaches	0:42:44 - The Count approaches slowly	action scene \| approaching \| arrow \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| shooting \| sneaking \| stalking \| tense \| trap \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Tree falling	0:43:14 - A tree falls	action scene \| arrow \| count \| dark \| dramatic \| falling \| jungle \| knife \| leading lady \| leading man \| mickey-mousing \| shooting \| trap \| victim \| villain
The Most Dangerous Game (1932)	Emotions (Agitato Mysterioso)	0:43:29 - Eve reacts to the arrow	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Emotions 2 (Agitato Mysterioso)	0:43:44 - Bob and Eve watch and wait	action scene \| agitated \| count \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| sneaking \| stalking \| tense \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Zaroff (Hunting) + The Iron Door	0:43:48 - Zaroff talks to Bob	action scene \| combination of themes \| count \| dark \| hiding \| hunting \| jungle \| knife \| leading lady \| leading man \| mysterious \| sneaking \| stalking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Russian Waltz (Andante)	0:44:07 - Close up on Zaroff	action scene \| count \| dark \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| ominous \| sneaking \| victim \| villain \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Allegro)	0:44:26 - Bob prepare to leave	action scene \| agitated \| departing \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| tense \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Courage (Moderato)	0:44:51 - Bob tells Eve to come out	action scene \| calm \| hiding \| jungle \| knife \| leading lady \| leading man \| sneaking \| unsettled \| victim \| waiting \| watching
The Most Dangerous Game (1932)	Mysterioso Dramatico	0:45:01 - Bob and Eve look for Zaroff	action scene \| conversing \| fanfare \| heroic \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Russian Waltz (Low Brass)	0:45:12 - Bob talks with Eve	action scene \| conversing \| jungle \| leading lady \| leading man \| preparing \| tense \| victim \| watching
The Most Dangerous Game (1932)	Emotions (Running Away)	0:45:17 - Eve runs away	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Running Away)	0:45:34 - Eve jumps over a crevice	action scene \| agitated \| chasing \| fleeing \| following \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	Underscoring (Dramatic)	0:45:41 - Bob catches Eve	action scene \| agitated \| catching \| conversing \| convincing \| jungle \| leading lady \| leading man \| tense \| underscoring \| victim
The Most Dangerous Game (1932)	Russian Waltz (Fog Hollow) + The Iron Door	0:45:46 - Bob and Eve see Fog Hollow	action scene \| combination of themes \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| victim
The Most Dangerous Game (1932)	Rock Falling	0:46:09 - A rock falls into a crevice	action scene \| dramatic \| falling \| jungle \| leading lady \| leading man \| mickey-mousing \| rock \| splashing \| stinger \| tumbling \| victim
The Most Dangerous Game (1932)	The Approach (Quasi Mysterioso)	0:46:16 - Bob jumps over the crevice	action scene \| agitated \| jungle \| leading lady \| leading man \| plotting \| preparing \| tense \| trap \| victim \| working
The Most Dangerous Game (1932)	Zaroff (Hiding)	0:46:48 - Bob and Eve hide from Zaroff	action scene \| combination of themes \| count \| hiding \| jungle \| leading lady \| leading man \| preparing \| sneaking \| tense \| trap \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Trembling)	0:47:20 - A branch trembles	action scene \| approaching \| count \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| trembling effect \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Allegro)	0:47:43 - The Count approaches	action scene \| approaching \| count \| dark \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| shaking \| shooting \| tense \| trap \| trembling \| tricking \| victim \| villain
The Most Dangerous Game (1932)	Trap Falling	0:47:47 - The trap collapses	action scene \| count \| dramatic \| falling \| gun \| jumping \| jungle \| leading lady \| leading man \| mickey-mousing \| stinger \| trap \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Deliberate)	0:47:51 - Bob and Eve scramble away	action scene \| count \| dark \| escaping \| gun \| hiding \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| scrambling \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Fog	0:48:02 - Bob and Eve in the fog	action scene \| count \| dark \| escaping \| gun \| hunting \| jungle \| leading lady \| leading man \| pursuing \| running \| tense \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Tense)	0:48:21 - The Count talks to Bob	action scene \| conversing \| count \| dark \| gun \| jungle \| leading lady \| leading man \| taunting \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Horn Call)	0:48:50 - Zaroff blows his hunting horn	action scene \| count \| dark \| horn \| horn call \| jungle \| leading lady \| leading man \| playing \| scored source music \| score to source \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Quasi Mysterioso)	0:49:16 - Bob and Eve in the fog	barking \| castle \| chase scene \| chasing \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| preparing \| running \| servant \| tense \| victim
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:49:23 - Bob and Eve running away	chase scene \| combination of themes \| dark \| dramatic \| fog \| jungle \| leading lady \| leading man \| ominous \| preparing \| running \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:49:30 - Bob creates a spear trap	chase scene \| dramatic \| fanfare \| jungle \| leading lady \| leading man \| preparing \| spear \| trap \| victim
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:49:40 - The Count blows his hunting horn	chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| fog \| horn \| jungle \| leading lady \| leading man \| playing \| running \| scored source music \| score to source \| servant \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase + Courage	0:50:01 - Bob and Eve stumbling through the fog	chase scene \| combination of themes \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Tense) + The Iron Door (Horn Call)	0:50:16 - Bob and Eve in the water	barking \| chase scene \| chasing \| combination of themes \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| scored source music \| servant \| source music \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Allegro)	0:51:09 - Count Zaroff running	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fanfare \| fog \| jungle \| leading lady \| leading man \| running \| servant \| stumbling \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Chasing)	0:51:28 - Count Zaroff in pursuit	agitated \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Approach (Fear)	0:51:35 - Bob and Eve stop	agitated \| chase scene \| crocodile \| dark \| dramatic \| fear \| jungle \| leading lady \| leading man \| running \| stopping \| victim
The Most Dangerous Game (1932)	The Crocodile + Courage	0:51:36 - A crocodile	chase scene \| combination of themes \| crocodile \| dark \| jungle \| leading lady \| leading man \| running \| stumbling \| victim
The Most Dangerous Game (1932)	The Chase + Russian Waltz (Augmented)	0:52:02 - Dogs running through the swamp	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| jungle \| leading lady \| leading man \| ominous \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Furioso)	0:52:13 - Eve runs towards a log	agitated \| barking \| chase scene \| chasing \| count \| dark \| dog \| dramatic \| falling \| jungle \| leading lady \| leading man \| log \| mickey-mousing \| running \| servant \| victim \| villain
The Most Dangerous Game (1932)	The Iron Door (Slow)	0:52:19 - Eve falls on a log	chase scene \| chasing \| dark \| jungle \| leading lady \| leading man \| log \| ominous \| running \| standing \| victim
The Most Dangerous Game (1932)	Emotions (Allegro)	0:52:24 - Eve and Bob run over the log	agitated \| barking \| chase scene \| chasing \| dog \| jungle \| leading lady \| leading man \| log \| running \| tense \| victim
The Most Dangerous Game (1932)	Emotions 2 (Allegro)	0:52:39 - Eve and Bob climb a tree	agitated \| barking \| chase scene \| chasing \| climbing \| dog \| jungle \| leading lady \| leading man \| running \| tense \| tree \| victim
The Most Dangerous Game (1932)	Zaroff (Heavy)	0:52:45 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| climbing \| count \| dark \| dog \| jungle \| leading lady \| leading man \| running \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	Russian Waltz (Dark)	0:52:53 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Approach	0:52:59 - Eve and Bob hiding in a tree	agitated \| barking \| chase scene \| count \| dark \| dog \| hiding \| jungle \| leading lady \| leading man \| servant \| tense \| tree \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Accelerando) + The Iron Door	0:53:02 - The dogs bark up the tree	agitated \| barking \| chase scene \| chasing \| combination of themes \| count \| dark \| dog \| escaping \| hiding \| jumping \| jungle \| leading lady \| leading man \| lifting \| log \| mickey-mousing \| running \| servant \| tense \| tree \| victim \| villain \| vine
The Most Dangerous Game (1932)	The Chase + The Iron Door	0:53:33 - Bob and Eve run along a clifftop	chase scene \| cliff \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:53:38 - Bob and Eve hide in the trees	barking \| chase scene \| cliff \| climbing \| cutting \| dog \| dramatic \| hiding \| jumping \| jungle \| leading lady \| leading man \| running \| tense \| victim
The Most Dangerous Game (1932)	The Chase (Running) + The Iron Door	0:54:08 - Bob runs through the jungle	chase scene \| chasing \| close-up \| combination of themes \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Running)	0:54:15 - A close-up on Zaroff	chase scene \| chasing \| close-up \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Waterfall	0:54:20 - Rushing water	chase scene \| chasing \| dog \| falling \| flowing \| jungle \| leading lady \| leading man \| mickey-mousing \| planning \| river \| running \| shirt \| splashing \| tense \| trap \| victim \| water effect \| waterfall
The Most Dangerous Game (1932)	Courage + Russian Waltz + Iron Door	0:54:46 - Bob and Eve run towards the waterfall	chase scene \| chasing \| combination of themes \| dramatic \| jungle \| leading lady \| leading man \| preparing \| river \| tense \| victim \| waterfall
The Most Dangerous Game (1932)	The Approach (Risoluto)	0:54:59 - Count Zaroff by the river	chase scene \| chasing \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:55:08 - Count Zaroff approaching the waterfall	chase scene \| chasing \| combination of themes \| count \| dramatic \| hiding \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:19 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Zaroff (Dog Fight)	0:55:24 - Bob fights a dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Russian Waltz (Dog Fight)	0:55:33 - A barking dog	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog falling 2	0:55:37 - Bob kills the dog	attacking \| climax \| count \| dog \| dramatic \| falling \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| servant \| tense \| victim \| villain \| waterfall
The Most Dangerous Game (1932)	Dog attacking	0:55:42 - A dog rushes at Bob	attacking \| climax \| count \| dog \| dramatic \| fighting \| jungle \| leading lady \| leading man \| mickey-mousing \| river \| running \| servant \| tense \| victim \| villain \| waterfall

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