Arsenic and Old Lace (1944) | Rondo Alla Turca | 0:06:25 - Teddy plays the harpsichord | aunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim |
Arsenic and Old Lace (1944) | Happy Land (Lento) | 0:09:11 - Reverend talks about the Brewster sisters | added-note chord | aunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim |
Arsenic and Old Lace (1944) | Molto Agitato | 1:29:57 - Jonathan ties Mortimer to a chair | 9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim |
Arsenic and Old Lace (1944) | The Victim | 1:30:11 - Mortimer tied up in a chair | brother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim |
Arsenic and Old Lace (1944) | Knives | 1:31:05 - Mortimer looks at the knives | acceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim |
Arsenic and Old Lace (1944) | Panic | 1:31:48 - Einstein agrees to do the torture | alcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim |
Arsenic and Old Lace (1944) | Scar (Fast) | 1:32:11 - Einstein finds some wine | alcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | How Dry I Am (Mysterious) | 1:32:25 - Einstein and Jonathan start to drink the wine | alcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 1:32:35 - They toast to Mortimer | alcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim |
Arsenic and Old Lace (1944) | Bugle Call | 1:32:56 - Teddy plays the bugle | brother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim |
Beyond the Forest (1949) | Rosa (Misterioso) | 1:09:23 - Rosa looks through the binoculars | anger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim |
Beyond the Forest (1949) | Chicago (Ominous) | 1:10:01 - Rosa puts down the binoculars | aiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim |
Beyond the Forest (1949) | Rosa (Ominous) | 1:10:14 - Rosa aims her gun | aiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim |
Beyond the Forest (1949) | Religioso | 1:11:19 - A church steeple in the rain | calm | casket | crowd | funeral | graveyard | listening | mourner | mourning | rain | religious | victim | watching |
Beyond the Forest (1949) | Rosa (Sulking) | 1:12:32 - Rosa and Lewis at the funeral | funeral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching |
Beyond the Forest (1949) | Rosa (Heavy) | 1:12:58 - Rosa and Lewis drive away | arriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim |
Beyond the Forest (1949) | Lewis (Crescendo) | 1:13:15 - Rosa and Lewis at home | arriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling |
The Big Sleep (1946) | Glass drops | 1:29:49 - Jones drops his glass | breaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Jones falls | 1:29:50 - Jones falls and dies | death | death scene | dying | falling | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Underscoring (Tense) | 1:30:01 - Marlowe investigates the crime scene | dark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim |
The Big Sleep (1946) | Marlowe (Risoluto) | 1:30:12 - Marlowe makes a phone call | bold | conversing | death scene | leading man | phone call | private eye | room | victim |
The Big Sleep (1946) | Underscoring (Tense) | 1:30:24 - Marlowe makes a phone call | conversing | death scene | leading man | phone call | private eye | room | tense | underscoring | victim |
The Big Sleep (1946) | Wrong Address | 1:30:46 - Marlowe ends the phone call | conversing | death | death scene | leading man | phone call | private eye | room | somber | victim |
The Big Sleep (1946) | Jones (Dolce) | 1:31:04 - Marlowe sits down on the couch | death | death scene | leading man | mourning | private eye | room | somber | victim |
City for Conquest (1940) | Where Were You When the Moon Came Out | 1:19:38 - Danny resting in bed | advance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim |
City for Conquest (1940) | Where Were You When the Moon Came Out (Sad) | 1:20:48 - Eddie plays the piano | advance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching |
City for Conquest (1940) | Tone Poem A (The Song of the City) | 1:23:05 - Eddie plays the piano | 9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim |
City for Conquest (1940) | Tone Poem A (Beoootiful) | 1:40:11 - Danny working at his newsstand | 9th chord | 11th chord | blur | conversing | dissonant bass | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | tone cluster | victim | whole-tone chord |
City for Conquest (1940) | Tone Poem A (Chorus) | 1:41:14 - Danny talks with Peggy | 9th chord | 11th chord | 13th chord | chromatic sequence | conversing | crying | ethereal | foreign key modulation | gentle | leading lady | leading man | love interest | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | suspension | victim |
Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 1:03:37 - Steve shoots his sister | action scene | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
In This Our Life (1942) | Driving + Stanley | 1:08:53 - Stanley driving | car | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking |
In This Our Life (1942) | Underscoring (Dramatic) | 1:09:01 - Stanley has an accident | car | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim |
In This Our Life (1942) | Car crash | 1:09:01 - Stanley hits two pedestrians | accident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim |
In This Our Life (1942) | Stanley (Slowly 2) | 1:20:46 - Men playing checkers | checkers | conflict | criminal | dark | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim |
In This Our Life (1942) | Underscoring (Somber) | 1:21:07 - Parry in his jail cell | conflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim |
In This Our Life (1942) | Minerva and Parry | 1:21:28 - Parry in his jail cell | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim |
Mildred Pierce (1945) | Murdered Man | 0:10:06 - Wally discovers the body | action scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim |
Mildred Pierce (1945) | Phone rings | 0:10:16 - Phone rings | action scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying |
Mildred Pierce (1945) | Wally stands up and walks | 0:10:21 - Wally stands up to go to the phone | action scene | friend | mickey-mousing | rising | room | standing | tense | up | victim | walking |
Mildred Pierce (1945) | Wally walks | 0:10:32 - Wally hurriedly walks away | action scene | chromatic parallelism | dramatic | friend | half-diminished 7th chord | hurrying | mickey-mousing | room | victim | walking |
Mildred Pierce (1945) | Wally sneaks | 0:10:37 - Wally sneaks down the hall | action scene | diminished 7th chord | friend | mickey-mousing | room | sneaking | tense | victim |
Mildred Pierce (1945) | Breaks door with chair | 0:10:47 - Wally smashes a glass door with a chair | action scene | breaking | chair | door | dramatic | friend | glass | mickey-mousing | room | smashing | victim |
Mildred Pierce (1945) | Glass falls | 0:10:49 - The glass door breaks | action scene | breaking | door | dramatic | falling | friend | glass | mickey-mousing | room | smashing | victim | whole-tone chord |
Mildred Pierce (1945) | Wally runs | 0:11:01 - Wally runs out of the house | action scene | beach | chromatic scale | chromatic wedge | dramatic | friend | gun | gunshot | mickey-mousing | running | shooting | victim |
Mildred Pierce (1945) | Opens coat | 0:11:12 - Policeman opens Wally's coat to frisk him | action scene | beach | dramatic | friend | mickey-mousing | opening | police | searching | victim |
Mildred Pierce (1945) | Underscoring (Tense) | 0:11:13 - Policemen investigate the scene | action scene | altered dominant | beach | conversing | dissonant bass | friend | mysterious | police | searching | sequence | tense | underscoring | victim |
The Unfaithful (1947) | Unfaithful (Attack) | 0:08:40 - Man takes Chris inside her house and attacks her | advance plot | antagonist | attacking | criminal | danger | fighting | house | leading lady | ostinato | pc set | shadow | sinister | victim |
The Unfaithful (1947) | Chris screams | 0:08:53 - Chris screams | advance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim |
The Unfaithful (1947) | Unfaithful (Somber) | 0:22:24 - Bob comforts Chris | augmented sixth chord | comfort | comforting | husband | leading lady | love scene | ostinato | room | somber | victim |
The Unfaithful (1947) | Unfaithful (Tragic) | 0:24:34 - Mrs. Tanner walks away down the street | advance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | police station | street | transition | trolley | victim | widow |
The Unfaithful (1947) | Oh But I Do | 0:32:27 - Ladies talk at a restaurant | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim |
The Unfaithful (1947) | Deep Night | 0:35:15 - Larry answers a phone call and leaves | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim |
The Woman in White (1948) | Asylum | 1:01:26 - Laura suffers from a headache | aching | advance plot | agitated | conversing | cousin | headache | illness | illness effect | leading lady | pain | room | somber | tense | victim |
The Woman in White (1948) | Asylum (Molto Expressivo) | 1:01:37 - Laura talks to Marian | advance plot | calm | conversing | cousin | headache | illness | leading lady | pain | recovering | recovery | room | victim |
The Woman in White (1948) | Pavan (Slow) | 1:01:49 - Marian closes the door | advance plot | cousin | departing | leading lady | room | somber | victim |
The Woman in White (1948) | Asylum (Dolce) | 1:09:46 - Laura senses someone in the room | advance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Ann (Poco Agitato) | 1:09:55 - The woman in white talks to Laura | advance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
The Woman in White (1948) | Ann (Poco Agitato) | 1:11:46 - Laura mentions the woman in white | agitated | antagonist | conflict | conversing | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | servant | victim |
The Woman in White (1948) | Fosco | 1:12:05 - Fosco talks to the maid | agitated | anger | antagonist | conflict | criminal | doctor | headache | husband | illness | leading lady | leading man | pain | room | searching | servant | tense | victim | walking |
The Woman in White (1948) | Fosco (Molto Agitato) | 1:12:15 - Fosco walks | agitated | anger | antagonist | conflict | criminal | dark | doctor | headache | husband | illness | leading lady | leading man | pain | room | rushing | searching | servant | tense | victim | walking |
The Woman in White (1948) | Fosco (Screwy) | 1:13:05 - The countess enters quietly | advance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:18 - The countess sneaks into Laura's room | advance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Adagio | 1:13:26 - The countess helps Laura | advance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:48 - The maid leaves | advance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Underscoring (Mysterious) | 1:13:57 - The countess looks around | advance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife |
The Woman in White (1948) | Ann (Waltz) | 1:14:30 - The countess opens a secret door | advance plot | foreshadowing | helping | leading lady | room | secret passageway | sneaking | tender | victim | waltz | wife |
The Woman in White (1948) | Ann (Lyrical) | 1:15:15 - The countess approaches the woman in white | advance plot | gentle | helping | leading lady | lyrical | room | sleeping | sneaking | victim | wife |
The Woman in White (1948) | Ann 2 | 1:15:31 - The countess tends to the woman in white | advance plot | gentle | helping | leading lady | room | sleeping | sneaking | stinger | tender | victim | wife |
The Woman in White (1948) | Hypnosis (Misterioso con moto) | 1:16:57 - The countess talks to the woman in white | conversing | death scene | leading lady | mysterious | room | tense | victim | wife |
The Woman in White (1948) | Ann 2 | 1:17:48 - The woman in white talks to Laura | conversing | death scene | gentle | leading lady | room | tender | victim | wife |
The Woman in White (1948) | Ann | 1:17:56 - The woman in white talks to Laura | conversing | death scene | leading lady | mysterious | room | victim | wife |
The Woman in White (1948) | Hypnosis | 1:18:17 - The woman in white hears Fosco's voice | death scene | hearing voices | leading lady | madness | mysterious | room | tense | victim | wife |
The Woman in White (1948) | Fosco (Misterioso) | 1:18:29 - The woman in white hears Sir Percival's voice | antagonist | arriving | criminal | death scene | hearing voices | husband | leading lady | madness | mysterious | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Appearing | 1:18:48 - The woman in white clutches her heart | antagonist | criminal | death scene | dying | husband | leading lady | mickey-mousing | room | screaming | shock | surprise | tense | victim | wife |
The Woman in White (1948) | Ann (Dead) | 1:18:55 - The woman in white lies dead | antagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife |
The Woman in White (1948) | Ann (Slowly) | 1:19:46 - The countess enters | angry | antagonist | criminal | dark | death scene | glaring | husband | leading lady | room | shaking | victim | wife |
The Woman in White (1948) | Come, Sweet Death (Funeral) | 1:20:13 - Mourners at a funeral | cemetery | church | cousin | crowd | funeral | funeral | husband | leading lady | leading man | mourning | priest | reading | somber | victim |
The Woman in White (1948) | Asylum + Ann | 1:24:50 - Close-up on Count Fosco | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:25:26 - Laura looks at Sir Percival | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim |
The Woman in White (1948) | Pavan (Distressed) | 1:25:43 - Laura confronts Sir Percival | antagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:26:10 - Count Fosco hypnotizes Laura | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim |
The Woman in White (1948) | Ann | 1:26:55 - Laura speaks to Count Fosco | antagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim |
The Woman in White (1948) | Ann (Waltz) | 1:27:14 - Laura dashes away | antagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:27:35 - Laura hears Count Fosco's voice in her head | asylum | combination of themes | hearing voices | hypnosis | leading lady | mad scene | mysterious | sneaking | tense | victim |
The Woman in White (1948) | Ann | 1:28:02 - Laura exchanges the keys | asylum | hypnosis | key | leading lady | mad scene | mysterious | sneaking | tense | victim |
The Woman in White (1948) | Ann 2 | 1:28:39 - The nurse takes Laura to her room | antagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking |
The Woman in White (1948) | Ann (Sleeping) | 1:34:27 - Laura in her bed in the asylum | asylum | comedy | dark | key | leading lady | mysterious | patient | sleeping | victim | wife | worker | working |
The Woman in White (1948) | Appearing | 1:34:51 - Laura emerges from her room | asylum | escape | escaping | hiding | leading lady | magical | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:34:57 - Laura sneaks down the hallway | asylum | escape | escaping | hiding | leading lady | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Appearing | 1:35:26 - Laura takes a key | asylum | escape | escaping | hiding | key | leading lady | mickey-mousing | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Ann | 1:35:32 - Laura heads for the exit | asylum | escape | escaping | hiding | key | leading lady | mysterious | patient | sneaking | victim | wife |
The Woman in White (1948) | Appearing | 1:35:44 - Laura appears outside | asylum | escape | escaping | leading lady | mickey-mousing | mysterious | patient | sneaking | street | victim | wife |
The Woman in White (1948) | Ann | 1:35:51 - Laura exits the asylum gate | asylum | escape | escaping | leading lady | mysterious | patient | sneaking | street | victim | wife |
The Woman in White (1948) | Ann 2 | 1:36:07 - Laura asks a man for help | asking | escape | gentle | leading lady | patient | street | tender | victim | wife |
The Woman in White (1948) | Underscoring (Dramatic) | 1:36:15 - Laura screams when she sees Sir Percival | conflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife |
The Woman in White (1948) | Fight | 1:36:33 - Walter fights the spy | conflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
The Woman in White (1948) | Pavan (Distressed) | 1:37:17 - Walter reads a note from Marian | advance plot | dark | leading lady | leading man | note | patient | reading | room | victim | wife |
The Woman in White (1948) | Fosco (Dying) | 1:45:34 - The Countess picks up the necklace | arriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
Transgression (1931) | Gong | 0:50:00 - Don Arturo is shot | death | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim |
Thirteen Women (1932) | Hazel murders husband | 0:12:36 - Hazel murders her husband | double exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Dramatic Agitato | 0:12:41 - Hazel screams | augmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (Suicide) | 0:24:18 - Helen commits suicide | antagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim |
Murder on the Blackboard (1934) | The Clue | 0:56:42 - Hildegarde whistles | advance plot | detective | hospital | leading lady | neutral | on-screen music | professor | sleuth | source music | victim | whistling |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Grace | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | AABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
We're Only Human (1935) | Katie (Begging) | 0:29:21 - Close up on Danny | 64 chord | action scene | bank | calling | detective | gangster | leading man | sequence | serious | tense | victim |
We're Only Human (1935) | Begging | 0:29:35 - Pete talks with Danny | action scene | arguing | bank | detective | diminished 7th chord | dissonant bass | gangster | leading man | pedal tone | sequence | serious | tense | victim |
We're Only Human (1935) | Katie (Dolcissimo) | 0:30:05 - Danny talks with Pete | action scene | bank | chromatic sequence | conversing | death | detective | dying | gangster | leading man | solemn | victim |
We're Only Human (1935) | Dan and Mary (Adagio) | 0:30:44 - Pete says goodbye to Danny | 11th chord | action scene | bank | conversing | death | detective | dying | gangster | leading man | solemn | victim |
We're Only Human (1935) | Kong 3 | 1:01:06 - Pete leaves | car | chromatic parallelism | climax | conflict | departing | detective | diminished 7th chord | dramatic | hurried | leading lady | leading man | pedal tone | reporter | rushing | sequence | street | victim |
We're Only Human (1935) | Game 1 | 1:01:21 - Driving in a car | car | car | chromatic sequence | climax | conflict | detective | dissonant bass | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | victim | wipe |
We're Only Human (1935) | Game 2 | 1:01:56 - Witness threatens to kill the criminals | acceleration | arguing | car | car | chromatic parallelism | climax | conflict | detective | dramatic | driving | hurried | leading lady | leading man | pedal tone | reporter | rushing | threat | threatening | victim |
We're Only Human (1935) | Russian Waltz (Poco Agitato) | 1:02:12 - Getting out the car | car | chromatic scale | climax | conflict | dark | detective | leading lady | leading man | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Game 3 | 1:02:23 - Approaching the house | chromatic parallelism | chromatic parallelism | climax | conflict | detective | leading lady | leading man | mysterious | pc set | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Russian Waltz (Pizzicato) | 1:02:55 - Spying on the house | climax | conflict | detective | leading lady | leading man | mysterious | reporter | sneaking | tense | victim | yard |
We're Only Human (1935) | Saroff | 1:03:07 - They argue | arguing | chromatic scale | climax | conflict | detective | leading lady | leading man | mysterious | reporter | tense | victim | whole-tone | whole-tone chord | yard |
We're Only Human (1935) | Lost Patrol 1 | 1:03:12 - A man runs | climax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | reporter | running | shooting | victim | whole-tone | whole-tone chord | yard |
We're Only Human (1935) | The Informer (Burning Poster) + Blood Money | 1:03:25 - A man falls to the ground | climax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard |
We're Only Human (1935) | The Wearin' o' the Green (Fighting) | 1:03:42 - Pete prepares to advance | chromatic parallelism | climax | conflict | detective | dramatic | fragmentation | gunshot | leading lady | leading man | reporter | running | sequence | shooting | tense | underscoring | victim | yard |
The Most Dangerous Game (1932) | Shark Attack | 0:07:35 - A shark in the water | action scene | attacking | biting | blood | captain | crew | death | dramatic | drowning | dying | leading man | ocean | shark | ship wreck | stinger | struggling | swimming | victim |
The Most Dangerous Game (1932) | Courage (Tone Cluster) | 0:41:32 - Bob builds a trap | action scene | jungle | knife | leading lady | leading man | mysterious | preparing | stinger | tense | trap | victim |
The Most Dangerous Game (1932) | Russian Waltz (Poco Agitato) | 0:42:12 - The Count approaches | action scene | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Poco Agitato) | 0:42:25 - Bob and Eve hide in a cave | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Hiding) | 0:42:33 - Bob and Eve watch and wait | action scene | combination of themes | count | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | The Count Approaches | 0:42:44 - The Count approaches slowly | action scene | approaching | arrow | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | shooting | sneaking | stalking | tense | trap | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Tree falling | 0:43:14 - A tree falls | action scene | arrow | count | dark | dramatic | falling | jungle | knife | leading lady | leading man | mickey-mousing | shooting | trap | victim | villain |
The Most Dangerous Game (1932) | Emotions (Agitato Mysterioso) | 0:43:29 - Eve reacts to the arrow | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Emotions 2 (Agitato Mysterioso) | 0:43:44 - Bob and Eve watch and wait | action scene | agitated | count | hiding | hunting | jungle | knife | leading lady | leading man | sneaking | stalking | tense | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Zaroff (Hunting) + The Iron Door | 0:43:48 - Zaroff talks to Bob | action scene | combination of themes | count | dark | hiding | hunting | jungle | knife | leading lady | leading man | mysterious | sneaking | stalking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Russian Waltz (Andante) | 0:44:07 - Close up on Zaroff | action scene | count | dark | departing | hiding | jungle | knife | leading lady | leading man | ominous | sneaking | victim | villain | waiting | watching |
The Most Dangerous Game (1932) | Courage (Allegro) | 0:44:26 - Bob prepare to leave | action scene | agitated | departing | hiding | jungle | knife | leading lady | leading man | sneaking | tense | victim | waiting | watching |
The Most Dangerous Game (1932) | Courage (Moderato) | 0:44:51 - Bob tells Eve to come out | action scene | calm | hiding | jungle | knife | leading lady | leading man | sneaking | unsettled | victim | waiting | watching |
The Most Dangerous Game (1932) | Mysterioso Dramatico | 0:45:01 - Bob and Eve look for Zaroff | action scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching |
The Most Dangerous Game (1932) | Russian Waltz (Low Brass) | 0:45:12 - Bob talks with Eve | action scene | conversing | jungle | leading lady | leading man | preparing | tense | victim | watching |
The Most Dangerous Game (1932) | Emotions (Running Away) | 0:45:17 - Eve runs away | action scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | Emotions 2 (Running Away) | 0:45:34 - Eve jumps over a crevice | action scene | agitated | chasing | fleeing | following | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | Underscoring (Dramatic) | 0:45:41 - Bob catches Eve | action scene | agitated | catching | conversing | convincing | jungle | leading lady | leading man | tense | underscoring | victim |
The Most Dangerous Game (1932) | Russian Waltz (Fog Hollow) + The Iron Door | 0:45:46 - Bob and Eve see Fog Hollow | action scene | combination of themes | fog | jungle | leading lady | leading man | ominous | preparing | victim |
The Most Dangerous Game (1932) | Rock Falling | 0:46:09 - A rock falls into a crevice | action scene | dramatic | falling | jungle | leading lady | leading man | mickey-mousing | rock | splashing | stinger | tumbling | victim |
The Most Dangerous Game (1932) | The Approach (Quasi Mysterioso) | 0:46:16 - Bob jumps over the crevice | action scene | agitated | jungle | leading lady | leading man | plotting | preparing | tense | trap | victim | working |
The Most Dangerous Game (1932) | Zaroff (Hiding) | 0:46:48 - Bob and Eve hide from Zaroff | action scene | combination of themes | count | hiding | jungle | leading lady | leading man | preparing | sneaking | tense | trap | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Trembling) | 0:47:20 - A branch trembles | action scene | approaching | count | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | trembling effect | tricking | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Allegro) | 0:47:43 - The Count approaches | action scene | approaching | count | dark | gun | hiding | hunting | jungle | leading lady | leading man | shaking | shooting | tense | trap | trembling | tricking | victim | villain |
The Most Dangerous Game (1932) | Trap Falling | 0:47:47 - The trap collapses | action scene | count | dramatic | falling | gun | jumping | jungle | leading lady | leading man | mickey-mousing | stinger | trap | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Deliberate) | 0:47:51 - Bob and Eve scramble away | action scene | count | dark | escaping | gun | hiding | hunting | jungle | leading lady | leading man | pursuing | running | scrambling | tense | victim | villain |
The Most Dangerous Game (1932) | The Fog | 0:48:02 - Bob and Eve in the fog | action scene | count | dark | escaping | gun | hunting | jungle | leading lady | leading man | pursuing | running | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Tense) | 0:48:21 - The Count talks to Bob | action scene | conversing | count | dark | gun | jungle | leading lady | leading man | taunting | tense | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Horn Call) | 0:48:50 - Zaroff blows his hunting horn | action scene | count | dark | horn | horn call | jungle | leading lady | leading man | playing | scored source music | score to source | source music | tense | victim | villain |
The Most Dangerous Game (1932) | The Chase (Quasi Mysterioso) | 0:49:16 - Bob and Eve in the fog | barking | castle | chase scene | chasing | dog | dramatic | fog | jungle | leading lady | leading man | preparing | running | servant | tense | victim |
The Most Dangerous Game (1932) | Courage + Russian Waltz + Iron Door | 0:49:23 - Bob and Eve running away | chase scene | combination of themes | dark | dramatic | fog | jungle | leading lady | leading man | ominous | preparing | running | victim |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:49:30 - Bob creates a spear trap | chase scene | dramatic | fanfare | jungle | leading lady | leading man | preparing | spear | trap | victim |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:49:40 - The Count blows his hunting horn | chase scene | chasing | combination of themes | count | dog | dramatic | fog | horn | jungle | leading lady | leading man | playing | running | scored source music | score to source | servant | source music | tense | victim | villain |
The Most Dangerous Game (1932) | The Chase + Courage | 0:50:01 - Bob and Eve stumbling through the fog | chase scene | combination of themes | dramatic | fog | jungle | leading lady | leading man | running | stumbling | tense | victim |
The Most Dangerous Game (1932) | The Chase (Tense) + The Iron Door (Horn Call) | 0:50:16 - Bob and Eve in the water | barking | chase scene | chasing | combination of themes | dog | dramatic | fog | jungle | leading lady | leading man | running | scored source music | servant | source music | stumbling | tense | victim |
The Most Dangerous Game (1932) | The Chase (Allegro) | 0:51:09 - Count Zaroff running | agitated | chase scene | chasing | count | dark | dog | dramatic | fanfare | fog | jungle | leading lady | leading man | running | servant | stumbling | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Chasing) | 0:51:28 - Count Zaroff in pursuit | agitated | chase scene | chasing | count | dark | dog | dramatic | fog | jungle | leading lady | leading man | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Approach (Fear) | 0:51:35 - Bob and Eve stop | agitated | chase scene | crocodile | dark | dramatic | fear | jungle | leading lady | leading man | running | stopping | victim |
The Most Dangerous Game (1932) | The Crocodile + Courage | 0:51:36 - A crocodile | chase scene | combination of themes | crocodile | dark | jungle | leading lady | leading man | running | stumbling | victim |
The Most Dangerous Game (1932) | The Chase + Russian Waltz (Augmented) | 0:52:02 - Dogs running through the swamp | agitated | barking | chase scene | chasing | combination of themes | count | dog | dramatic | jungle | leading lady | leading man | ominous | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Chase (Furioso) | 0:52:13 - Eve runs towards a log | agitated | barking | chase scene | chasing | count | dark | dog | dramatic | falling | jungle | leading lady | leading man | log | mickey-mousing | running | servant | victim | villain |
The Most Dangerous Game (1932) | The Iron Door (Slow) | 0:52:19 - Eve falls on a log | chase scene | chasing | dark | jungle | leading lady | leading man | log | ominous | running | standing | victim |
The Most Dangerous Game (1932) | Emotions (Allegro) | 0:52:24 - Eve and Bob run over the log | agitated | barking | chase scene | chasing | dog | jungle | leading lady | leading man | log | running | tense | victim |
The Most Dangerous Game (1932) | Emotions 2 (Allegro) | 0:52:39 - Eve and Bob climb a tree | agitated | barking | chase scene | chasing | climbing | dog | jungle | leading lady | leading man | running | tense | tree | victim |
The Most Dangerous Game (1932) | Zaroff (Heavy) | 0:52:45 - The dogs bark up the tree | agitated | barking | chase scene | chasing | climbing | count | dark | dog | jungle | leading lady | leading man | running | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Dark) | 0:52:53 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Approach | 0:52:59 - Eve and Bob hiding in a tree | agitated | barking | chase scene | count | dark | dog | hiding | jungle | leading lady | leading man | servant | tense | tree | victim | villain |
The Most Dangerous Game (1932) | The Chase (Accelerando) + The Iron Door | 0:53:02 - The dogs bark up the tree | agitated | barking | chase scene | chasing | combination of themes | count | dark | dog | escaping | hiding | jumping | jungle | leading lady | leading man | lifting | log | mickey-mousing | running | servant | tense | tree | victim | villain | vine |
The Most Dangerous Game (1932) | The Chase + The Iron Door | 0:53:33 - Bob and Eve run along a clifftop | chase scene | cliff | combination of themes | dramatic | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:53:38 - Bob and Eve hide in the trees | barking | chase scene | cliff | climbing | cutting | dog | dramatic | hiding | jumping | jungle | leading lady | leading man | running | tense | victim |
The Most Dangerous Game (1932) | The Chase (Running) + The Iron Door | 0:54:08 - Bob runs through the jungle | chase scene | chasing | close-up | combination of themes | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Running) | 0:54:15 - A close-up on Zaroff | chase scene | chasing | close-up | count | dramatic | jungle | leading lady | leading man | point-of-view shot | running | servant | tense | victim | villain |
The Most Dangerous Game (1932) | The Waterfall | 0:54:20 - Rushing water | chase scene | chasing | dog | falling | flowing | jungle | leading lady | leading man | mickey-mousing | planning | river | running | shirt | splashing | tense | trap | victim | water effect | waterfall |
The Most Dangerous Game (1932) | Courage + Russian Waltz + Iron Door | 0:54:46 - Bob and Eve run towards the waterfall | chase scene | chasing | combination of themes | dramatic | jungle | leading lady | leading man | preparing | river | tense | victim | waterfall |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:54:59 - Count Zaroff by the river | chase scene | chasing | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | The Chase (Tremolo) + The Iron Door (Horn Call) | 0:55:08 - Count Zaroff approaching the waterfall | chase scene | chasing | combination of themes | count | dramatic | hiding | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog attacking | 0:55:19 - A dog rushes at Bob | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Zaroff (Dog Fight) | 0:55:24 - Bob fights a dog | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Russian Waltz (Dog Fight) | 0:55:33 - A barking dog | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog falling 2 | 0:55:37 - Bob kills the dog | attacking | climax | count | dog | dramatic | falling | fighting | jungle | leading lady | leading man | mickey-mousing | river | servant | tense | victim | villain | waterfall |
The Most Dangerous Game (1932) | Dog attacking | 0:55:42 - A dog rushes at Bob | attacking | climax | count | dog | dramatic | fighting | jungle | leading lady | leading man | mickey-mousing | river | running | servant | tense | victim | villain | waterfall |