All This, and Heaven Too (1940) | The Murder | 1:51:56 - The Duke advances towards the Duchess | approaching | blur | chromatic scale | climax | dark | diminished 7th chord | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | pc set | room | strangling |
The Amazing Dr. Clitterhouse (1938) | Rocks (Double Cross) | 0:48:56 - Rocks thinks of a double-cross | antagonist | chromatic parallelism | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | plotting | robbery | sinister | store | thief | trapping |
The Amazing Dr. Clitterhouse (1938) | Locked in vault | 0:49:06 - Dr. Clitterhouse locked in safe | anxious | chromatic parallelism | chromatic scale | criminal | doctor | double-cross | dramatic | gangster | leading man | murderer | murdering | panicking | polychord | pounding | robbery | safe | store | tense | thief | trapping | vault | yelling |
The Amazing Dr. Clitterhouse (1938) | The Motor | 0:49:21 - Rocks starts the refrigeration motor | antagonist | anxious | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | mickey-mousing | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:49:36 - Dr. Clitterhouse in safe | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | gauge | leading man | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | robbery | spinning | store | tense | thief | trapping | whirling |
The Amazing Dr. Clitterhouse (1938) | The Motor (Getting Colder) | 0:49:43 - The vault gets colder | anxious | chromatic scale | criminal | dissonant bass | doctor | double-cross | dramatic | gangster | gauge | leading man | lowering | machine | motor | murderer | murdering | ostinato | panicking | pedal tone | pounding | robbery | spinning | store | temperature | tense | thief | trapping | whirling | yelling |
The Amazing Dr. Clitterhouse (1938) | Rocks goes downstairs | 0:50:05 - Rocks goes down the stairs | antagonist | anxious | criminal | descending | diminished 7th chord | double-cross | dramatic | gangster | mickey-mousing | murderer | robbery | stairs | store | temperature | tense | thief | walking |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor + The Motor | 0:50:11 - Butch comes back | anxious | combination of themes | criminal | doctor | double-cross | dramatic | gangster | hurrying | leading man | motor | murderer | ostinato | robbery | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | Rocks (Sneaking) + The Motor | 0:50:14 - Rocks sneaks around in the dark | antagonist | anxious | combination of themes | criminal | diminished 7th chord | doctor | double-cross | dramatic | gangster | leading man | motor | murderer | ostinato | robbery | sneaking | store | temperature | tense | thief |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor) | 0:50:33 - Rocks goes out to the truck | antagonist | anxious | combination of themes | criminal | dissonant bass | double-cross | dramatic | gangster | lying | murderer | pc set | robbery | street | tense | thief | tritone |
The Amazing Dr. Clitterhouse (1938) | The Poison Victim | 1:07:50 - Rocks is poisoned | dissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone |
The Amazing Dr. Clitterhouse (1938) | Poison | 1:08:46 - Rocks feels the effect of the poison | blur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster |
The Amazing Dr. Clitterhouse (1938) | Rocks struggles and falls | 1:09:52 - Rocks tries to get up, then collapses | chromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Funebre) | 1:10:07 - Dr. Clitterhouse talks with Jo | 9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Murder) | 1:10:49 - Montage of newspaper headlines | chromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation |
The Amazing Dr. Clitterhouse (1938) | Rocks (Dead) | 1:11:10 - Rocks's mugshot and fingerprints | dark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | 0:40:50 - Gangsters shoot their own man in phone booth | chromatic sequence | conflict | death | diminished 7th chord | falling | gangster | gun | gunshot | half-diminished 7th chord | leading man | mickey-mousing | murderer | polychord | shooting | shop | sneaking | tense | voice-exchange |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:40:40 - The boys leave the scene of the crime | friend | leading man | murderer | murder scene | nervous | singing | source music | street | walking |
Are These Our Children? (1931) | St. James Infirmary | 0:41:24 - Young people lounging around | advance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | St. James Infirmary | 0:42:08 - Young people talking | advance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | Hey! Hey! | 0:50:14 - Eddie and Flo dance | 9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:50:55 - Young people dancing | AABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
Are These Our Children? (1931) | Dreams (Risoluto 2) | 0:53:55 - Newspaper headlines | advance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring |
Are These Our Children? (1931) | Dreams (Eddie’s Prayer) | 1:22:14 - Eddie behind bars | added-note chord | climax | crying | dramatic | jail | leading man | murderer | praying | prisoner | religious | sacred |
Arsenic and Old Lace (1944) | Here Comes the Bride (Running) | 0:23:58 - Mortimer runs to the door | 9th chord | 13th chord | aunt | bride | child | chromatic scale | crazy person | dark | familiar tune | groom | Halloween | intervallic expansion | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | turning point |
Arsenic and Old Lace (1944) | Happy Land | 0:24:16 - Abby, Martha, and Mortimer in the kitchen | advance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | The Aunts | 0:39:01 - The aunts talk | advance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Screwyoso) | 0:39:06 - The aunts talk | added-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension |
Arsenic and Old Lace (1944) | Happy Land (String Quartet) | 0:39:28 - The aunts set the table | advance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:39:58 - The aunts see shadows at the door | augmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering |
Arsenic and Old Lace (1944) | Home Sweet Home (Expressivo) + Scar | 0:41:42 - Abby talks to Jonathan | altered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:08 - Jonathan talks to the aunts | aunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | parallelism | room | tense | underscoring |
Arsenic and Old Lace (1944) | Scar (Face) | 0:42:29 - Jonathan talks about his scar | augmented triad | aunt | brother | chromatic parallelism | conversing | crazy person | criminal | doctor | establish character | fragmentation | leading lady | leading man | murderer | mysterious | pc set | polychord | room | scar | tense |
Arsenic and Old Lace (1944) | Mysterioso Pizzicato | 0:42:41 - Martha talks about scary movies | aunt | brother | conversing | crazy person | criminal | dissonant bass | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:42:56 - Jonathan glares at Dr. Einstein | aunt | brother | conversing | crazy person | criminal | diminished 7th chord | doctor | establish character | leading lady | leading man | murderer | oscillation | room | scar | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:43:08 - Jonathan talks about the operation | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | pc set | room | struggling | threatening |
Arsenic and Old Lace (1944) | Scar | 0:43:20 - Dr. Einstein talks to the aunts | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | pc set | polychord | room |
Arsenic and Old Lace (1944) | Home Sweet Home (Ominous) | 0:43:28 - Dr. Einstein talks to the aunts | added-note chord | altered dominant | aunt | brother | conversing | crazy person | criminal | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | split-fifth chord | tense |
Arsenic and Old Lace (1944) | Home Sweet Home (Tranquillo) | 0:43:40 - Jonathan sits down | augmented triad | aunt | brother | calm | chromatic parallelism | conversing | crazy person | criminal | direct modulation | distortion | doctor | establish character | familiar tune | leading lady | leading man | murderer | pedal tone | room |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | augmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:45:22 - The aunts peek through the kitchen window | aunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching |
Arsenic and Old Lace (1944) | Scar | 0:45:29 - Dr. Einstein describes how he will fix Jonathan's face | aunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | pc set | planning | polychord | room | wipe |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:49:12 - Jonathan threatens the aunts | advance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening |
Arsenic and Old Lace (1944) | Scar | 0:49:36 - Dr. Einstein calls to Jonathan | advance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:49:45 - Jonathan follows Dr. Einstein | advance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling |
Arsenic and Old Lace (1944) | When Johnny Comes Marching Home | 0:49:45 - Dr. Einstein spies on Teddy | advance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:50:20 - Jonathan and Dr. Einstein talk | advance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:52:20 - The aunts move through the kitchen | advance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room |
Arsenic and Old Lace (1944) | Wind blowing 2 | 0:52:32 - The aunts walk to the window | advance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window |
Arsenic and Old Lace (1944) | Stinger | 0:52:41 - Jonathan suddenly appears at the window | advance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:52:48 - Jonathan comes in the window | advance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense |
Arsenic and Old Lace (1944) | Jonathan (Fragmented) | 0:53:35 - Jonathan and the doctor go up the stairs | advance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense |
Arsenic and Old Lace (1944) | The Aunts | 0:53:55 - Aunt Abby goes to the front door | advance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking |
Arsenic and Old Lace (1944) | Underscoring (Mysterious) | 0:54:01 - Aunt Abby goes up the stairs | advance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring |
Arsenic and Old Lace (1944) | The Aunts (Molto Misterioso) | 0:54:12 - Aunt Abby faces Jonathan | advance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:54:30 - Jonathan goes up the stairs | advance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking |
Arsenic and Old Lace (1944) | Underscoring (Dark) | 0:56:27 - Einstein looks around in the dark | advance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring |
Arsenic and Old Lace (1944) | Blows out match | 0:56:48 - Einstein blows out the match | advance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale |
Arsenic and Old Lace (1944) | Jonathan 2 (Dark) | 0:57:04 - Jonathan exits | advance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:58:10 - Someone knocks at the door | advance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring |
Arsenic and Old Lace (1944) | Scar (Tense) | 0:58:39 - Close-up on Dr. Einstein's face | advance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:58:55 - Jonathan emerges from the shadows | advance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister |
Arsenic and Old Lace (1944) | Jonathan 2 (Ominous) | 1:00:36 - Jonathan backs Elaine into a corner | advance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening |
Arsenic and Old Lace (1944) | Underscoring (Dramatic) | 1:01:21 - They take Elaine into the cellar | 9th chord | aunt | bride | brother | chromatic scale | conflict | crazy person | darkness | diminished 7th chord | doctor | dramatic | fear | fighting | gagging | harmonic sequence | leading lady | leading man | metric dissonance | murderer | oscillation | room | running | self-borrowing | struggling | suspenseful | underscoring |
Arsenic and Old Lace (1944) | Organ Stinger | 1:01:40 - Aunts emerge in black upstairs | arguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 1:01:49 - Aunts talk to Jonathan | arguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense |
Arsenic and Old Lace (1944) | Happy Land | 1:19:56 - Mortimer with the taxi driver | aunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street |
Arsenic and Old Lace (1944) | Happy Land | 1:22:17 - Mortimer talks with Elaine through her window | aunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street |
Arsenic and Old Lace (1944) | Molto Agitato | 1:29:57 - Jonathan ties Mortimer to a chair | 9th chord | brother | captive | chromatic parallelism | conflict | crazy person | diminished 7th chord | doctor | dramatic | fear | gagging | leading man | mickey-mousing | murderer | room | stinger | tying | victim |
Arsenic and Old Lace (1944) | The Victim | 1:30:11 - Mortimer tied up in a chair | brother | captive | conflict | crazy person | doctor | fear | leading man | murderer | ominous | parallel fifths | quartal chord | room | tense | tone cluster | torturing | tritone | victim |
Arsenic and Old Lace (1944) | Knives | 1:31:05 - Mortimer looks at the knives | acceleration | brother | captive | chromatic parallelism | close-up | conflict | crazy person | diminution | doctor | fear | layering | leading man | murderer | ominous | oscillation | ostinato | pc set | polychord | room | tense | tone cluster | torturing | victim |
Arsenic and Old Lace (1944) | Panic | 1:31:48 - Einstein agrees to do the torture | alcohol | brother | captive | chromatic parallelism | chromatic scale | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | oscillation | panicked | panicking | polychord | room | sequence | split-third chord | tense | torturing | victim |
Arsenic and Old Lace (1944) | Scar (Fast) | 1:32:11 - Einstein finds some wine | alcohol | brother | captive | conflict | crazy person | doctor | dramatic | fear | hurrying | leading man | murderer | panicking | polychord | room | tense | torturing | victim |
Arsenic and Old Lace (1944) | How Dry I Am (Mysterious) | 1:32:25 - Einstein and Jonathan start to drink the wine | alcohol | brother | captive | conflict | crazy person | doctor | drinking | familiar tune | fear | leading man | murderer | mysterious | polychord | room | victim | whole-tone chord |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 1:32:35 - They toast to Mortimer | alcohol | brother | captive | clinking | conflict | crazy person | doctor | fear | glass effect | leading man | murderer | mysterious | pc set | polychord | room | tense | toasting | underscoring | victim |
Arsenic and Old Lace (1944) | Bugle Call | 1:32:56 - Teddy plays the bugle | brother | bugle | bugle call | captive | conflict | crazy person | doctor | dramatic | fear | leading man | murderer | on-screen music | playing | room | source music | victim |
Beyond the Forest (1949) | Rosa (Misterioso) | 1:09:23 - Rosa looks through the binoculars | anger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim |
Beyond the Forest (1949) | Chicago (Ominous) | 1:10:01 - Rosa puts down the binoculars | aiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim |
Beyond the Forest (1949) | Rosa (Ominous) | 1:10:14 - Rosa aims her gun | aiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim |
Beyond the Forest (1949) | Chicago (Con Moto) | 1:11:06 - Rosa is relieved at the verdict | calm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict |
Beyond the Forest (1949) | Rosa (Sulking) | 1:12:32 - Rosa and Lewis at the funeral | funeral | graveyard | husband | leading lady | leading man | love interest | murderer | rain | solemn | sulking | victim | watching |
Beyond the Forest (1949) | Rosa (Heavy) | 1:12:58 - Rosa and Lewis drive away | arriving | departing | dramatic | funeral | husband | leading lady | leading man | murderer | room | somber | transition | victim |
Beyond the Forest (1949) | Lewis (Crescendo) | 1:13:15 - Rosa and Lewis at home | arriving | calm | conversing | dark | dramatic | husband | leading lady | leading man | murderer | room | transition | victim | yelling |
Beyond the Forest (1949) | Threat | 1:16:14 - Rosa lunges forward | advance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent |
Beyond the Forest (1949) | Underscoring (Mysterious) | 1:16:20 - Rosa stares out the window | advance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching |
Beyond the Forest (1949) | Running (A Little Heavier) | 1:16:28 - Rosa heads downstairs | advance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense |
Beyond the Forest (1949) | Rosa (Listesso) | 1:16:48 - Rosa takes the maid's things | advance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent |
Beyond the Forest (1949) | Rosa (On the Run) | 1:17:21 - Rosa approaches a bus | advance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching |
Beyond the Forest (1949) | Rosa (Cello Solo) | 1:18:09 - Rosa sitting in a chair | advance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting |
Beyond the Forest (1949) | The Cliff | 1:19:13 - Rosa looks out of the car window | action scene | car | car | cliff | contemplating | descending | driving | leading lady | leading man | murderer | tense |
Beyond the Forest (1949) | Chicago (Dark) | 1:19:25 - Rosa sitting in a car | action scene | car | car | cliff | conversing | descending | driving | familiar tune | leading lady | leading man | murderer | ominous | popular tune |
Beyond the Forest (1949) | The Cliff (Car Stops) | 1:19:36 - Rosa sitting in a car | action scene | car | car | cliff | conversing | descending | driving | leading lady | leading man | murderer | tense |
Beyond the Forest (1949) | Hurrying (Fleeing) | 1:19:50 - Rosa leaps out of the car | action scene | canyon | car | cliff | fleeing | leading lady | leading man | murderer | runaway | running | rushed |
Beyond the Forest (1949) | Leaping | 1:19:56 - Rosa leaps off of a cliff | action scene | canyon | jumping | leading lady | murderer | runaway | rushed |
Beyond the Forest (1949) | Rosa (Broadly) | 1:19:57 - Rosa rolls down a hill | action scene | canyon | dark | dramatic | falling | jumping | leading lady | leading man | murderer | runaway | tense |
Beyond the Forest (1949) | Rosa (Molto Tranquillo 2) | 1:20:12 - Rosa in bed | advance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking |
Beyond the Forest (1949) | Chicago (Molto Tranquillo) | 1:20:35 - Rosa in bed | advance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness |
Beyond the Forest (1949) | Chicago (Molto Expressivo) | 1:20:43 - The maid in the kitchen | advance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat |
Beyond the Forest (1949) | Rosa (Agitato Misterioso) | 1:22:49 - Rosa in bed | agitated | fever | illness scene | leading lady | murderer | room | sickness | sweating | tense | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:23:17 - Rosa opens the window | agitated | combination of themes | fever | illness scene | leading lady | machinery effect | mickey-mousing | murderer | opening | raising | room | sickness | sweating | tense | waiting | whistle effect |
Beyond the Forest (1949) | Sawmill + Fever | 1:23:26 - Rosa rubs her forehead | agitated | combination of themes | fever | illness scene | leading lady | machinery effect | maid | murderer | room | sickness | sickness effect | sweating | tense | waiting |
Beyond the Forest (1949) | Rosa (Fever) | 1:23:41 - The maid sweeping | bleak | drinking | fever | illness scene | leading lady | maid | murderer | oppressive | pounding | room | sickness | waiting |
Beyond the Forest (1949) | Lewis (Triste 2) | 1:24:09 - Lewis walks inside | arriving | calm | doctor | fever | illness scene | leading lady | leading man | murderer | room | sickness | solemn | street | waiting | walking |
Beyond the Forest (1949) | Chicago | 1:27:10 - Rosa sings to herself | delirious | familiar tune | fever | illness scene | leading lady | maid | murderer | on-screen music | popular tune | room | score to source | sickness | singing | source music |
Beyond the Forest (1949) | Chicago (Echo Chambre) | 1:28:20 - Rosa prepares to leave | angry | arguing | climax | crazed | delirious | eerie | familiar tune | leading lady | mad | madness | mad scene | maid | murderer | popular tune | preparing | room | stumbling | unsettling | yelling |
Beyond the Forest (1949) | Chicago (She Walks Down) | 1:29:25 - Rosa walks down the stairs | climax | dark | descending | familiar tune | leading lady | madness | mad scene | maid | mickey-mousing | murderer | popular tune | room | solemn | stairs | stumbling |
Beyond the Forest (1949) | Sawmill | 1:29:51 - Rosa opens the door | agitated | climax | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:02 - The maid makes a phone call | agitated | climax | collapsing | combination of themes | cut from film | falling | leading lady | machinery effect | madness | mad scene | maid | murderer | street | stumbling | tense | walking | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa (Stumbling) | 1:30:10 - Rosa struggles to her feet | climax | combination of themes | dark | leading lady | machinery effect | madness | mad scene | murderer | ominous | standing | street | stumbling | walking |
Beyond the Forest (1949) | Rosa (Fever 2) | 1:30:23 - Rosa stumbles forward | climax | dark | leading lady | madness | mad scene | murderer | ominous | street | stumbling | walking |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:36 - Darkness | agitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect |
Beyond the Forest (1949) | Train | 1:30:52 - A locomotive | agitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train + Chicago (Shrill) | 1:30:54 - Rosa stumbles towards the train | agitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train (Heating Up) + Chicago (Fragmented) | 1:31:05 - Rosa stumbles towards the train | agitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:21 - Rosa stumbles towards the train | climax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:26 - The train leaves the station | agitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station |
Beyond the Forest (1949) | Stinger | 1:31:51 - Rosa dead | arriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking |
Beyond the Forest (1949) | Rosa | 1:32:10 - Lewis arrives | arriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station |
The Big Sleep (1946) | Running out | 0:56:36 - Marlowe runs after the killer | assassin | chase scene | chasing | chromatic scale | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger |
The Big Sleep (1946) | Down the Stairs + The Chase + Marlowe (Action) | 0:56:39 - Marlowe chases the killer | assassin | chase scene | chasing | chromatic parallelism | chromatic scale | descending | dissonant bass | dramatic | gun | gunshot | heroic | layering | leading man | murderer | private eye | room | running | stairs | tense |
The Big Sleep (1946) | Underscoring (Dramatic) | 0:56:54 - Killer shoots at Marlowe | assassin | chase scene | chasing | chromatic scale | dramatic | leading man | murderer | pc set | private eye | running | shooting | street | tense | underscoring | whole-tone | whole-tone chord | whole-tone scale |
The Big Sleep (1946) | Marlowe (Action) | 0:57:01 - Marlowe runs to his car | 64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense |
The Big Sleep (1946) | The Pursuit | 0:57:09 - Marlowe pursues killer in his car | assassin | car | chase scene | chasing | chromatic scale | dissonant bass | driving | gun | hiding | leading man | murderer | ostinato | private eye | pursuing | street | syncopation | tense |
The Big Sleep (1946) | Marlowe (Sinister) | 0:58:24 - Marlowe takes Carol to Geiger's house | arriving | assassin | conflict | dark | gun | leading man | murderer | private eye | punching | sinister | stinger | street | whole-tone chord |
The Big Sleep (1946) | Marlowe (Misterioso) | 0:59:14 - Marlowe ties up Carol | assassin | corpse | dark | half-diminished 7th chord | investigating | investigation scene | leading man | murderer | mysterious | pc set | private eye | room | rope | stinger | tying up |
The Big Sleep (1946) | Glass drops | 1:29:49 - Jones drops his glass | breaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Jones falls | 1:29:50 - Jones falls and dies | chromatic parallelism | death | death scene | dying | falling | leading man | major 7th chord | mickey-mousing | murder | mysterious | pc set | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Underscoring (Tense) | 1:30:01 - Marlowe investigates the crime scene | dark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim |
The Big Sleep (1946) | Underscoring (Tense) | 1:35:26 - Marlowe talks to two thugs | conflict | criminal | investigating | leading man | lying | murderer | pc set | private eye | shop | tense | underscoring |
The Big Sleep (1946) | Jones (Suspenseful) | 1:35:47 - Marlowe talks to two thugs | conflict | criminal | dark | diminution | investigating | leading man | lying | murderer | mysterious | parallelism | pedal tone | private eye | shop | suspenseful |
The Big Sleep (1946) | Marlowe (Ear Music) | 1:36:04 - Marlowe talks to two thugs | conflict | criminal | danger | fragmentation | investigating | leading man | lying | murderer | mysterious | private eye | shop | tense | whole-tone chord |
The Big Sleep (1946) | Marlowe (Gets Hit) | 1:36:20 - The thug punches Marlowe | chromatic scale | conflict | criminal | danger | dramatic | leading man | mickey-mousing | murderer | private eye | punching | shop | whole-tone chord |
City for Conquest (1940) | Mysterioso | 1:13:36 - Googi leaves | augmented triad | chromatic parallelism | criminal | gangster | leaving | locker room | manager | murder scene | mysterious | parallelism | whole-tone |
City for Conquest (1940) | Googi (The Car) | 1:13:38 - Googi in the car | car | car | conversing | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder scene | ominous | tense | trill |
City for Conquest (1940) | Tone Poem A (Ominous) | 1:14:02 - Googi talks with the boxing managers | 9th chord | arguing | car | car | criminal | dissonant bass | driving | fragmentation | gangster | manager | murder scene | ominous | tense |
City for Conquest (1940) | Shooting and dying | 1:14:23 - Googi shoots Dutch | car | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense |
City for Conquest (1940) | Googi (The Car) | 1:14:32 - Googi threatens Cobb | car | car | criminal | diminished 7th chord | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening | trill |
City for Conquest (1940) | Googi (Hysterical) | 1:14:42 - Cobb pleads for mercy | augmented triad | begging | car | car | chromatic sequence | criminal | driving | equal division of octave | gangster | manager | murder | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Underscoring (Tense) | 1:14:48 - Googi threatens Cobb | car | car | chromatic parallelism | chromatic scale | criminal | dissonant bass | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Slap | 1:14:53 - Googi slaps Cobb | car | car | chromatic parallelism | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | pc set | slapping | tense |
City for Conquest (1940) | Tone Poem A (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening | tritone | whole-tone chord |
City for Conquest (1940) | Googi (Dead Man) | 1:15:09 - They pull out the dead man | car | chromatic scale | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | ostinato | tense | whole-tone chord | working |
City for Conquest (1940) | Gun falls | 1:15:13 - A gun falls to the ground | car | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Googi (Molto Mysterioso e Screwyoso) | 1:15:19 - Cobb sees the gun | car | chromatic parallelism | conversing | corpse | criminal | disposing | dissonant bass | dock | fragmentation | gangster | half-diminished 7th chord | manager | murderer | murder scene | ominous | ostinato | tense | tritone oscillation | working |
City for Conquest (1940) | Kicks body | 1:15:22 - Googi kicks the body into the water | chromatic scale | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Throws gun away | 1:15:30 - Googi throws a gun in the water | criminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing |
City for Conquest (1940) | Googi dies | 1:15:34 - Googi is shot | chromatic parallelism | criminal | dock | dying | falling | gangster | gun | gunshot | half-diminished 7th chord | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
City for Conquest (1940) | Tone Poem A (Death) | 1:15:39 - Googi dies | criminal | diminished 7th chord | dissonant bass | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
They Made Me a Criminal (1939) | So Help Me (If I Don't Love You) | 0:05:54 - Johnnie and Goldie relaxing | drinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music |
They Made Me a Criminal (1939) | When a Prince of a Fella Meets a Cinderella | 0:06:23 - Johnnie talks to his manager | dancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music |
They Made Me a Criminal (1939) | Saving Myself For You (I've Been) | 0:08:02 - Johnnie at a party | AABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence |
They Made Me a Criminal (1939) | They Say | 0:13:05 - Doc and Goldie in Johnnie's car | action scene | car | car | criminal | drinking | driving | floozy | happy | murderer | radio | source music |
Death of a Scoundrel (1956) | Underscoring (Mysterious) | 1:40:02 - Detectives tell Clementi of Zina's death, note, and phone call | dark | detective | flashback | murder | note | poison | suicide | underscoring |
Each Dawn I Die (1939) | Underscoring (Dramatic) | 0:05:24 - Frank is framed for drunk driving | 9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence |
Each Dawn I Die (1939) | Don’t Give Up the Ship | 0:26:47 - Prison orchestra plays | arriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music |
Each Dawn I Die (1939) | Wings Over the Navy | 0:28:04 - Prisoners watch a movie | dying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching |
The FBI Story (1959) | Waving Goodbye | 0:02:20 - Son waves goodbye to his mother on the plane | airport | departure | menacing | murder | plane | suspense |
The FBI Story (1959) | Time Bomb 1 | 0:02:31 - Plane takes off and flies through the air | bomb | machine | menacing | murder | plane | suspense | ticking | time bomb |
The FBI Story (1959) | FBI March A (Doloroso) | 1:12:36 - Sam dies in Chip's arms | death | FBI | flashback | murder |
Hell on Frisco Bay (1955) | Steve | 0:53:15 - Steve leaves | action scene | aiming | conductor score | dark | gangster | investigator | leading man | murderer | neutral | shooting | street | tense | walking |
Hell on Frisco Bay (1955) | Menace | 0:53:30 - Hammy tries to escape | action scene | conductor score | dramatic | escaping | fleeing | gangster | hurried | investigator | leading man | murderer | running | shooting | street | tense |
Hell on Frisco Bay (1955) | Amato | 1:20:16 - News of Mario's death | brash | cut from film | death | montage | montage | murder | suicide | typing |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:30:27 - Steve tells Anna that Mario was murdered | advance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife |
Hell on Frisco Bay (1955) | Amato | 1:32:23 - Amato shoots Lye | action scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling |
Hell on Frisco Bay (1955) | Lye's Death | 1:32:58 - Lye is killed | action scene | brash | gangster | harsh | leading man | murder | murdering | shooting | street | violence |
Her Kind of Man (1946) | Steve Shoots Sister | 1:03:37 - Steve shoots his sister | action scene | chromatic scale | club | crowd | dramatic | dying | gambler | husband | leading man | murderer | police | reacting | shooting | sister | underscoring | victim |
Her Kind of Man (1946) | The Escape | 1:03:50 - Steve tries to escape | action scene | car | chasing | club | crowd | dramatic | driving | escaping | gambler | husband | jumping | leading man | mickey-mousing | murderer | police | running | sister | street | victim |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
Her Kind of Man (1946) | Candy | 1:11:27 - Candy approaches the warehouse | advance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tense) | 1:11:43 - Steve talks to Candy | advance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:12:07 - Steve talks to Candy | advance plot | arguing | chromatic parallelism | conversing | criminal | gambler | henchman | leading man | murderer | pedal tone | slapping | tense | underscoring | warehouse |
Her Kind of Man (1946) | Underscoring (Dark [Steiner]) | 1:12:32 - Candy reacts | 9th chord | advance plot | arguing | conversing | criminal | dark | gambler | half-diminished 7th chord | henchman | leading man | murderer | ominous | ostinato | underscoring | warehouse |
Her Kind of Man (1946) | Candy (Dark) | 1:12:58 - Candy leaves | bar | calling | conversing | criminal | dark | double-cross | gambler | henchman | husband | leading man | murderer | ominous | pc set | stinger | telephone | turning point | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:15:00 - Candy in the alley | arriving | climax | criminal | double-cross | driving | gambler | henchman | hiding | husband | leading man | murderer | revenge | signaling | sneaking | street | syncopation | tense | underscoring | warehouse | widow |
Her Kind of Man (1946) | Candy (Tragic) | 1:15:28 - Candy in the shadows | chromatic scale | climax | conversing | criminal | double-cross | gambler | henchman | hiding | husband | leading man | murderer | revenge | sequence | street | tense | tragic | walking | widow |
Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:15:53 - Joe shoots at Steve | climax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | parallelism | revenge | shooting | street | widow |
Her Kind of Man (1946) | Candy (Mr. Candy) | 1:16:09 - Candy bends over Steve's body | chromatic scale | climax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | chromatic parallelism | chromatic scale | chromatic sequence | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | omnibus progression | police | reporter | revenge | running | street | tense |
Her Kind of Man (1946) | Candy (Agitato) | 1:16:53 - Don confronts Candy | agitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | pc set | police | reporter | revenge | sequence | street | tense |
Her Kind of Man (1946) | It Had to Be You (Tragic) | 1:17:10 - Georgia holds Steve | 9th chord | augmented triad | climax | comforting | conversing | corpse | cradling | criminal | crying | death | dying | familiar tune | gambler | henchman | leading lady | leading man | murderer | police | popular music | reporter | singer | street | tense | tragic | wife |
Her Kind of Man (1946) | Water | 1:17:41 - Steve's corpse | 9th chord | corpse | criminal | death | flowing | gambler | henchman | leading lady | leading man | murderer | panning shot | police | reporter | resolution | singer | street | swirling | tense | tragic | voice-over | water | water effect | wife |
Her Kind of Man (1946) | It Had to Be You (The End) | 1:18:02 - The End | added-note chord | criminal | dark | death | dramatic | end title sequence | gambler | henchman | leading lady | leading man | mode mixture | murderer | police | reporter | singer | street | The End | tragic | wife |
I Was a Communist for the FBI (1951) | FBI (Molto Marcato) | 0:59:03 - FBI man enters with a gun | agent | arresting | communist | gun | leading lady | leading man | murder scene | noble | room | sneaking | spy | stinger | street | teacher | tense | undercover agent |
I Was a Communist for the FBI (1951) | Undercover Agent (Tense) | 0:59:26 - FBI man holds gun on commie agents | acceleration | agent | arresting | communist | dark | dialing | gun | murder scene | room | spy | tense | tritone oscillation |
I Was a Communist for the FBI (1951) | Throws lamp | 0:59:39 - Commie throws lamp at FBI man | agent | augmented triad | chromatic parallelism | communist | dramatic | falling | lamp | mickey-mousing | murder scene | room | spy | throwing |
I Was a Communist for the FBI (1951) | Agents Fight | 0:59:39 - Communists fight the FBI man | agent | attacking | augmented triad | chromatic parallelism | communist | death | dramatic | fighting | knife | minor-major 7th chord | murder | murder scene | pc set | polychord | room | spy | stabbing | stinger | tritone oscillation |
Illegal (1955) | Victim | 0:00:25 - Woman (Gloria) brushes her hair then realizes a man is there who then shoots her | gun | gunshot | murder | sinister |
Illegal (1955) | Police Car (Agitato) | 0:11:10 - Newspaper man reads the headline out and sells a paper to the reporter | murder | newspaper |
Illegal (1955) | The Bus | 0:46:09 - Man runs to catch bus and is shot | bus | gun | gunshot | murder | traveling |
Illegal (1955) | Frank Garland (Maestoso) | 0:46:33 - Crowd runs to help shot man and murderer smiles and walks away with hidden gun | gun | gunshot | murder | sinister |
Illegal (1955) | Menace | 1:21:20 - Frank orders Andy to kill Vic | murder | villain |
Key Largo (1948) | Rocco 2 (Dead Body) | 1:14:20 - Sheriff discovers the dead body | alarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling |
Key Largo (1948) | Underscoring (Dramatic) | 1:14:48 - Sheriff finds out that it is Sawyer | conflict | corpse | discovering | dramatic | hotel | murder | realizing | sheriff | tense | underscoring |
Key Largo (1948) | Rocco (Tense) | 1:15:03 - Rocco claims the Indians murdered Sawyer | angry | boss | conflict | dock | gangster | lying | murder | police | tense | violent |
The Letter (1940) | Leslie (Shimmery) | 0:02:57 - Leslie stands over the dead body | cloud | death | half-diminished 7th chord | home | leading lady | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching |
The Letter (1940) | Leslie (Revolver) | 0:03:43 - A pistol lies on the steps | changing meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense |
The Letter (1940) | Native 2 | 0:04:12 - Leslie talks to the workers | conversing | home | leading lady | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring |
The Letter (1940) | Underscoring (Mysterious) | 0:04:29 - Leslie leaves the room | Dorian mode | home | leaving | murder scene | mysterious | servant | underscoring |
The Letter (1940) | Leslie (Mysterioissimo) | 0:04:42 - A shadow appears | circle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on |
The Letter (1940) | Leslie (Lacework) | 0:04:55 - Worker picks up Leslie's lacework | changing meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation |
The Letter (1940) | Underscoring (Dramatic) | 0:06:04 - Robert leaves | action scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse |
The Letter (1940) | Robert and Leslie | 0:15:28 - Robert comforts Leslie | advance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension |
The Letter (1940) | Andante Doloroso + Leslie | 0:15:53 - Men go to look at dead body | advance plot | combination of themes | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking |
The Letter (1940) | Leslie (Dark) | 0:16:09 - Men look at dead body | advance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister |
The Letter (1940) | Murder | 0:18:36 - Leslie reacts to the mention of murder | advance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense |
The Letter (1940) | Leslie (Tragic) | 1:17:59 - Leslie confesses to Robert | changing meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension |
The Letter (1940) | Leslie B (Ethereal) | 1:18:13 - Leslie confesses to Robert | chromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
The Letter (1940) | Leslie (Dramatic) | 1:18:32 - Leslie confesses to Robert | confessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
The Letter (1940) | Robert and Leslie (Mournful) | 1:19:00 - Robert cries after hearing the confession | conflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension |
The Letter (1940) | Mrs. Hammond (Revenge) | 1:33:01 - Mrs. Hammond stabs Leslie | 64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking |
Lightning Strikes Twice (1951) | Father Paul (Ominous) | 1:21:26 - Liza admits to murder | brother | confessing | confession | dark | murderer | ominous | rancher | room | truth | turning point |
Lightning Strikes Twice (1951) | Molto Agitato | 1:21:32 - String gets angry | anger | angry | brother | murderer | rancher | room | threatening | turning point |
Lightning Strikes Twice (1951) | Menace (Poco Meno) | 1:21:41 - String calms down | brother | conversing | danger | murderer | rancher | room | tense | thematic transference | turning point |
Lightning Strikes Twice (1951) | Anger (Extended) | 1:21:51 - String plans to leave | brother | conversing | murderer | plotting | rancher | room | tense | turning point | underscoring |
Lightning Strikes Twice (1951) | Liza (Dolce) | 1:22:09 - Liza in a daze | disorientation | lost love | murderer | rancher | romantic | room | tender | thinking | turning point |
Lightning Strikes Twice (1951) | Trev (Ethereal) | 1:22:19 - Liza in a daze | disorientation | lost love | murderer | rancher | room | thinking | turning point | uneasy |
Lightning Strikes Twice (1951) | Menace (Tense) | 1:22:36 - Liza wanders through the house | headlights | murderer | rancher | room | tense | thinking | turning point | uneasy | wandering |
Lightning Strikes Twice (1951) | Menace (Expressivo) | 1:22:56 - Liza looks out the window | actor | arriving | car | dark | leading lady | looking | menacing | murderer | obsessive | ranch | rancher | room | turning point | watching | worrying |
Lightning Strikes Twice (1951) | Shelly (Frantic) | NIF - not in film | actor | conflict | crying | cut from film | dark | frantic | leading lady | murderer | rancher | room |
Lightning Strikes Twice (1951) | Menace (Frantic) | NIF - not in film | actor | arguing | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room |
Lightning Strikes Twice (1951) | Menace (Attack) | NIF - not in film | actor | attacking | attempted murder | conflict | cut from film | dark | frantic | leading lady | murderer | rancher | room | strangling |
Lightning Strikes Twice (1951) | Shelly (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
Lightning Strikes Twice (1951) | Shelly 2 (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
Lightning Strikes Twice (1951) | Shelly 3 (Attack) | NIF - not in film | actor | arriving | attacking | attempted murder | conflict | cut from film | dark | frantic | friend | husband | leading lady | leading man | murderer | rancher | room | rushing | strangling |
Lightning Strikes Twice (1951) | Trev (Realization) | 1:26:36 - Close-up on Trev's face | actor | anger | chasing | climax | close-up | dark | friend | husband | leading lady | leading man | menacing | murderer | rancher | realizing | room | zoom in |
Lightning Strikes Twice (1951) | Underscoring (Dramatic) | 1:26:47 - Trev runs after Liza | actor | anger | chasing | climax | dramatic | friend | husband | leading lady | leading man | murderer | rancher | room | running | underscoring |
Lightning Strikes Twice (1951) | Escape | 1:26:51 - Liza runs away | actor | brother | chasing | climax | dark | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense |
Lightning Strikes Twice (1951) | Trev runs | 1:27:01 - Trev runs after Liza | chasing | climax | dramatic | husband | leading man | mickey-mousing | murderer | ranch | rancher | running | tense |
Lightning Strikes Twice (1951) | Escape (Getaway) | 1:27:08 - Trev runs back inside | actor | brother | chasing | climax | dramatic | escaping | friend | husband | leading lady | leading man | murderer | ranch | rancher | room | tense |
Lightning Strikes Twice (1951) | Menace (The Chase) | 1:27:42 - Liza and String drive away | brother | car | chasing | climax | countryside | dramatic | driving | escaping | frantic | motorcycle | murderer | police | rancher | speeding | tense |
Lightning Strikes Twice (1951) | Menace (The Crash) | 1:28:30 - Liza drives off the hill | brother | car | car crash | climax | countryside | crashing | death | dramatic | dying | murderer | police | rancher | tense |
Mildred Pierce (1945) | Monte is shot | 0:01:50 - Monte is shot | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murder scene | room | staggering | tragic |
Mildred Pierce (1945) | Mildred (Murder) | 0:01:59 - Bullet holes in the mirror | 11th chord | augmented sixth chord | dark | death | dying | leaving | murder | murder scene | room | somber |
Mildred Pierce (1945) | Murdered Man | 0:10:06 - Wally discovers the body | action scene | corpse | dark | death | dramatic | friend | linear chromaticism | looking | mickey-mousing | murder | room | split-7th chord | telephone | tense | victim |
Mildred Pierce (1945) | Phone rings | 0:10:16 - Phone rings | action scene | death | friend | mickey-mousing | murder | ringing | room | split-7th chord | telephone | tense | victim |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | chromatic parallelism | chromatic scale | chromatic wedge | death | dramatic | escaping | friend | half-diminished 7th chord | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | whole-tone chord | worrying |
Mildred Pierce (1945) | Underscoring (Tense) | 0:13:03 - Mildred leaves with the detectives | advance plot | conversing | detective | foreign key modulation | heroine | leading lady | murder | street | tense | underscoring |
Mildred Pierce (1945) | Monte is shot 2 | 1:47:28 - Monte is shot | antagonist | chromatic parallelism | collapsing | death | dying | falling | gun | gunshot | major 7th chord | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic |
Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | diminished 7th chord | fragmentation | heroine | leading lady | lying | murderer | murder scene | pc set | room | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | chromatic scale | confessing | daughter | distressed | fragmentation | frantic | heroine | leading lady | murderer | murder scene | room | sequence | whole-tone chord |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:48:54 - Veda asks her mother not to turn her in | antagonist | begging | daughter | foreign key modulation | heroine | leading lady | murderer | murder scene | room | tense | underscoring |
Mildred Pierce (1945) | Kay and Veda (Returning Home 2) | 1:49:17 - Veda convinces her mother to not report her | antagonist | crying | daughter | heroine | leading lady | loving | mode mixture | mother | murderer | murder scene | reverse picardy | room | sacrificing | tender | warm |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber |
Out of the Fog (1941) | Russian Barcarolle (Menacing) | 1:09:32 - Goffs sees Olaf holding a lead pipe | arguing | attempted murder | climax | criminal | dark | fisherman | friend | leading man | menacing | ominous | sea | stinger |
Out of the Fog (1941) | Underscoring (Dramatic) | 1:09:45 - Goff struggles with Jonah and Olaf | attempted murder | climax | criminal | dramatic | fighting | fisherman | friend | leading man | punching | sea | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Drowning) | 1:09:58 - Goff drowns | attempted murder | climax | criminal | dark | death | drowning | fisherman | friend | leading man | ominous | sea |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
White Heat (1949) | Steam | 0:04:54 - Man gets burned by steam from train | burning | bursting | countryside | dramatic | establish character | falling | gangster | leading man | murderer | pain | robbery | steam | steam effect | stinger | tense | train | train engineer | victim | writhing |
White Heat (1949) | Danger | 0:05:02 - Gangsters leap from the train | announcer | countryside | dramatic | escaping | establish character | gangster | jumping | leading man | murderer | pain | radio | robbery | tense | train | train engineer | victim | writhing |
White Heat (1949) | Big Ed | 0:06:00 - Big Ed talks to Cody | arriving | dark | establish character | gangster | leading man | murderer | room | tense | victim |
White Heat (1949) | Thinking | 0:06:23 - Cody walks across the room | establish character | gangster | leading man | mother | murderer | room | tense | thinking | victim | walking |
White Heat (1949) | Stirring the pot | 0:06:29 - Ma stirs food in a pot | cooking | establish character | gangster | leading man | mother | murderer | room | stirring | uneasy | victim |
White Heat (1949) | Ma | 0:06:34 - Ma cooks dinner | cooking | establish character | gangster | leading man | mother | murderer | room | uneasy | victim |
White Heat (1949) | Moll | 0:06:40 - Verna sleeps | calm | establish character | gangster | leading lady | leading man | moll | murderer | room | sleeping | snoring | waking |
White Heat (1949) | Verna | 0:06:56 - Verna gets up | arguing | bluesy | complaining | dark | establish character | gangster | leading lady | leading man | moll | mother | murderer | rising | room | victim | waking |
White Heat (1949) | Rushing | 0:10:49 - A gangster comes in the door | advance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind |
White Heat (1949) | Plotting | 0:11:21 - Cody packs up money in a suitcase | conversing | dark | gangster | leading lady | leading man | love scene | moll | money | murderer | packing | room | tense | transition |
White Heat (1949) | Verna (Molto Expressivo) | 0:11:38 - Verna embraces Cody | bluesy | conversing | dark | embracing | flirting | gangster | kissing | leading lady | leading man | love scene | moll | money | mother | murderer | room | victim | waltz |
White Heat (1949) | Underscoring (Dark) | 0:12:14 - Zuckie pleads with Cody | conversing | dark | death | funereal | gangster | leading lady | leading man | moll | mother | murderer | murder scene | pleading | room | underscoring | victim |
White Heat (1949) | Zuckie's Death | 0:12:29 - Cody ignores Zuckie | crying | dark | death | departing | funereal | gangster | leading lady | leading man | moaning | moll | mother | murderer | murder scene | pleading | room | somber | victim |
White Heat (1949) | Plotting (Extended) | 0:12:45 - Ma warns Cody that Zuckie may talk | dark | death | gangster | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | plotting | victim | warning | yard |
White Heat (1949) | Underscoring (Dramatic) | 0:12:57 - Cody orders Cotton to shoot Zuckie | commanding | dark | death | dramatic | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | stinger | underscoring | victim | yard |
White Heat (1949) | Plotting (Ugly) | 0:13:06 - Cotton goes to kill Zuckie | dark | death | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | mysterious | victim | walking | yard |
White Heat (1949) | Zuckie's Death | 0:13:32 - Gangsters get in the car | dark | death | departing | funereal | gangster | gun | leading lady | leading man | moll | mother | murderer | murder scene | somber | victim | walking | yard |
White Heat (1949) | Cody (Molto Marcato) | 0:13:59 - Cody walks to the car | bold | dark | departing | gangster | leading lady | leading man | moll | mother | murderer | murder scene | victim | violent | walking | yard |
White Heat (1949) | Verna (Glance) | 0:14:04 - Verna looks at Big Ed | bluesy | car | dark | female | looking | murder scene | smiling |
White Heat (1949) | Driving | 0:14:09 - The gangsters drive away | dark | departing | driving | gangster | leading lady | leading man | menacing | moll | mother | murderer | rushing | self-borrowing | street | transition |
White Heat (1949) | Speed | 0:16:46 - Sign for Milbanke Motels | arriving | car | dark | driving | gangster | leading man | murderer | self-borrowing | street | tense | transition |
White Heat (1949) | Backing up | 0:17:00 - Cody backs up | arriving | backing up | car | dark | driving | gangster | leading man | mickey-mousing | murderer | street | tense | transition |
White Heat (1949) | Con Moto | 0:17:09 - Cody gets out of his car | conflict | dramatic | gangster | leading man | murderer | opening | rushing | searching | street | tense |
White Heat (1949) | Danger (Con Moto) | 0:17:39 - Cody argues with Verna | agitated | arguing | conflict | gangster | leading lady | leading man | moll | murderer | room | tense |
White Heat (1949) | Verna falls | 0:18:05 - Verna falls off the chair | agitated | chair | conflict | couch | falling | gangster | kicking | landing | leading lady | leading man | mickey-mousing | moll | murderer | room | tense |
White Heat (1949) | Danger (Molto Agitato) | 0:23:25 - Evans points a gun at Cody | action scene | agent | agitated | arresting | dying | falling | gangster | gun | gunshot | leading man | murderer | shooting | street | tense | wound |
White Heat (1949) | Danger (Escaping) | 0:23:32 - Verna and Ma rush out | action scene | agent | dramatic | escaping | gangster | leading lady | leading man | moll | mother | murderer | room | rushing | street | wound |
White Heat (1949) | Agitato (Escaping) | 0:23:37 - Evans struggles on the ground | action scene | agent | agitated | car | dramatic | driving | escaping | gangster | gun | gunshot | leading lady | leading man | moll | mother | murderer | shooting | street | struggling | tense | wound |
White Heat (1949) | Driving (Extended) | 0:23:46 - The gangsters speed away | action scene | agent | car | chasing | dark | dramatic | gangster | leading lady | leading man | menacing | moll | mother | murderer | speeding | street | wound |
White Heat (1949) | Speed (Frantic) | 0:24:11 - The gangsters speed away | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | rushing | self-borrowing | speeding | street | tense |
White Heat (1949) | Speed (Frantic) | 0:24:26 - The gangsters speed away | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense |
White Heat (1949) | Speed (Desperate) | 0:24:44 - The gangsters speed away | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | street | tense |
White Heat (1949) | Pursuit (Fleeing) | 0:24:50 - Ernie chases the gangsters | agent | car | chase scene | chasing | dramatic | frantic | leading lady | leading man | moll | mother | motor effect | murderer | speeding | street | tense |
White Heat (1949) | Agents + Pursuit (Rising) | 0:24:58 - Ernie chases the gangsters | agent | car | chase scene | chasing | combination of themes | dramatic | frantic | leading lady | leading man | moll | mother | murderer | speeding | street | tense |
White Heat (1949) | Speed (Desperate 2) | 0:25:03 - The gangsters speed away | agent | car | chase scene | chasing | dramatic | drive-in theater | frantic | leading lady | leading man | moll | mother | murderer | self-borrowing | speeding | tense |
White Heat (1949) | Underscoring (Dramatic) | 0:35:05 - Judge sentences Cody | courtroom | courtroom scene | dark | dramatic | gangster | judge | leading man | murderer | sentencing | underscoring | verdict |
White Heat (1949) | T-Men (Molto Misterioso) | 0:35:30 - Cody walks away | courtroom | courtroom scene | dramatic | gangster | judge | leading man | murderer | prison | prisoner | stinger | undercover agent | walking |
White Heat (1949) | Prison Fight | 0:37:48 - Hank sees Bo Creel | action scene | falling | fighting | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent |
White Heat (1949) | Punching and falling | 0:38:03 - Hank punches inmate | action scene | dramatic | falling | gangster | guard | leading man | mickey-mousing | murderer | prison | prisoner | punching | tense | undercover agent |
White Heat (1949) | Misterioso (Tense) | 0:40:12 - Hank looks around | advance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | T-Men (Expressivo) | 0:40:26 - Hank looks at the photograph | advance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Jumping on bed | 0:40:41 - Hank jumps up on his bed | advance plot | ascending | gangster | jumping | leading man | mickey-mousing | murderer | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Misterioso (Ominous) | 0:40:51 - The prisoners talk | advance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Whispering | 0:41:06 - The prisoner reads lips | advance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering |
White Heat (1949) | Thinking | 0:41:34 - Prisoners talk about money | advance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent |
White Heat (1949) | Underscoring (Mysterious) | 0:44:42 - Parker sneaks | gangster | leading man | murderer | murder scene | mysterious | prison | prisoner | sneaking | undercover agent | underscoring | working |
White Heat (1949) | Trap | 0:44:53 - The crane moves over Cody's head | attempted | crane | crashing | dramatic | dropping | falling | gangster | leading man | machine | machine effect | mickey-mousing | moving | murder | murderer | murder scene | prison | prisoner | saving | stinger | tense | trap | undercover agent |
White Heat (1949) | Ma (Restless) | 0:49:34 - Cody walks back to work | anxious | dramatic | gangster | leading man | mad scene | murderer | prison | prisoner | tense | thinking | threatening | working |
White Heat (1949) | Underscoring (Tense) | 0:49:56 - Cody threatens Parker | gangster | leading man | mad scene | murderer | prison | prisoner | tense | threatening | underscoring |
White Heat (1949) | Madness | 0:50:16 - Cody hears voices | agitated | blur | falling | gangster | hallucinating | hallucination | headache | headache effect | hearing voices | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Headache | 0:50:31 - Heavy machinery | agitated | crawling | falling | gangster | headache | headache effect | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | unsettled |
White Heat (1949) | Struggle | 0:50:50 - Cody crawls on the floor | agitated | crawling | falling | gangster | headache | headache effect | helping | leading man | machine | mad scene | murderer | pain | prison | prisoner | self-borrowing | tense | undercover agent | unsettled |
White Heat (1949) | Cody (Headache) | 0:51:15 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent |
White Heat (1949) | Underscoring (Tense) | 0:51:20 - Hank helps Cody | crawling | gangster | headache | helping | leading man | mad scene | massaging | murderer | pain | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Cody rises | 0:51:40 - Hank helps Cody stand | gangster | headache | helping | leading man | mad scene | mickey-mousing | murderer | pain | prison | prisoner | rising | tense | undercover agent |
White Heat (1949) | Cody (Recovering) | 0:51:52 - Cody's headache subsides | gangster | headache | leading man | mad scene | murderer | pain | prison | prisoner | tense | undercover agent | uneasy | waiting |
White Heat (1949) | Misterioso (Straitjacket) | 1:04:07 - The warden talks with Cody | conversing | doctor | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | underscoring | warden |
White Heat (1949) | Plotting (Tense) | 1:04:33 - Tommy brings food to Cody | carrying | doctor | feeding | food | gangster | guard | leading man | murderer | mysterious | prison | prison break | prisoner | straitjacket | tense | warden |
White Heat (1949) | Misterioso (Tense 2) | 1:04:48 - Tommy loosens Cody's straitjacket | doctor | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Cody (Pulls Gun) | 1:05:05 - Cody stands up | doctor | dramatic | gangster | guard | gun | leading man | loosening | murderer | mysterious | prison | prison break | prisoner | releasing | straitjacket | tense | untying | warden |
White Heat (1949) | Danger (Tense) | 1:05:23 - Cody forces the doctor out at gunpoint | doctor | down | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | stinger | warden |
White Heat (1949) | Gathering | 1:05:39 - Inmates playing cards | conversing | doctor | dramatic | gangster | guard | leading man | murderer | prison | prison break | prisoner | self-borrowing | tense | walking |
White Heat (1949) | Cody (Violent) | 1:06:11 - Cody shoves the doctor | commanding | doctor | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | stinger | violent |
White Heat (1949) | Danger (Risoluto) | 1:06:24 - Cody forces the guard into a cell | commanding | doctor | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | pushing | tense | warden |
White Heat (1949) | Cody 3 | 1:06:43 - Cody forces men out at gunpoint | commanding | doctor | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | warden |
White Heat (1949) | Trap | 1:06:47 - Cody kicks Parker | commanding | dramatic | gangster | guard | gun | kicking | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Plotting (Extended) | 1:07:13 - Cody forces men out at gunpoint | commanding | dramatic | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | revenge | tense | warden |
White Heat (1949) | Prison Break | 1:07:19 - Cody and men go outside | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | rushing | self-borrowing | warden |
White Heat (1949) | Underscoring (Dramatic) | 1:07:29 - Cody commands the men | car | dramatic | escaping | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Danger (Tense) | 1:07:49 - The men get in the car | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | motor effect | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Underscoring (Tense) | 1:07:57 - The car drives off | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden |
White Heat (1949) | Cody (Prison Gate) | 1:08:17 - The prison gates open | car | dramatic | escaping | gangster | gate | guard | gun | leading man | mickey-mousing | murderer | prison | prison break | prisoner | warden |
White Heat (1949) | Cody 2 (Molto Misterioso) | 1:09:13 - Cody adjusts his hat in the mirror | dressing | fugitive | gangster | hat | leading man | mirror | murderer | mysterious | prison break | room | tense |
White Heat (1949) | Madness (Agitato) | 1:15:59 - Cody looks at Verna | agitated | anger | death | gangster | leading lady | leading man | lying | moll | murderer | murder scene | staring | stinger | tense | yard |
White Heat (1949) | Cody (Malevolent) | 1:16:18 - Cody pushes Verna | dark | gangster | gun | leading lady | leading man | moll | murderer | murder scene | pushing | yard |
White Heat (1949) | Underscoring (Tense) | 1:16:28 - Big Ed creates a decoy | decoy | gangster | gun | love interest | murder scene | preparing | room | tense | underscoring |
White Heat (1949) | Underscoring (Mysterious) | 1:16:51 - Cody and Verna climb through the window | gangster | gun | leading lady | leading man | moll | murderer | murder scene | mysterious | room | sneaking | sneaking effect | tense | underscoring | window |
White Heat (1949) | Verna (Uneasy) | 1:18:05 - Big Ed kisses Verna | dark | drinking | embracing | gangster | gun | kissing | leading lady | leading man | love interest | moll | murderer | murder scene | room | somber | spying | waiting |
White Heat (1949) | Big Ed's Death | 1:18:41 - Big Ed runs | dark | death | dramatic | dying | falling | gangster | gun | gunshot | leading lady | leading man | love interest | mickey-mousing | moll | murder | murderer | murder scene | room | running | rushing | shooting | violence |
White Heat (1949) | Underscoring (Dramatic) | 1:19:20 - Big Ed's body falls down the stairs | dark | death | dramatic | falling | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | murder scene | panning shot | room | stairs | staring | statue | stinger | undercover agent | underscoring | watching |
White Heat (1949) | Panning | 1:19:32 - Camera pans to the group | beans | dramatic | fugitive | gangster | leading lady | leading man | love interest | mickey-mousing | moll | murderer | panning shot | room | throwing | transition | undercover agent | waiting |
White Heat (1949) | Fight | 1:26:51 - Hank attacks the gangster | action scene | dramatic | fighting | fugitive | gangster | leading man | mickey-mousing | murderer | punching | tense | undercover agent | yard |
White Heat (1949) | T-Men (Misterioso) | 1:27:39 - Hank talks to Cody | advance plot | arguing | conversing | fugitive | gangster | leading man | murderer | mysterious | stinger | undercover agent | yard |
White Heat (1949) | Underscoring (Tense) | 1:27:53 - Hank talks to Cody | advance plot | arguing | conversing | fugitive | gangster | leading man | murderer | tense | undercover agent | underscoring | yard |
White Heat (1949) | Verna (Cello Solo) | 1:28:30 - Cody talks about Verna | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | somber | undercover agent | yard |
White Heat (1949) | Ma (Molto Expressivo) | 1:28:38 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Plotting (Agitato) | 1:29:03 - Cody talks about his family | advance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Cody (Climbing) | 1:29:15 - Cody talks about his past | advance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Ma (Triste) | 1:29:29 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Danger (Sneaky) | 1:31:56 - Hank puts the transmitter on the truck | advance plot | fugitive | gangster | hiding | leading lady | leading man | moll | murderer | sneaking | tense | transmitter | truck | undercover agent | yard |
White Heat (1949) | Cody 3 (Tense) | 1:32:12 - Cody approaches the truck | advance plot | conversing | fugitive | gangster | leading lady | leading man | lying | moll | murderer | tense | transmitter | truck | undercover agent | yard |
White Heat (1949) | Underscoring (Tense) | 1:33:58 - Hank talks to the gas station attendant | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working |
White Heat (1949) | Underscoring (Tense) | 1:34:25 - Attendant fixes the truck | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working |
White Heat (1949) | Mirror | 1:34:34 - Gangster goes to check on Hank | advance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing |
White Heat (1949) | Bo Creel | 1:35:51 - Bo Creel comes outside | advance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard |
White Heat (1949) | Verna (Gum) | 1:36:15 - Verna spits out her gum | advance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard |
White Heat (1949) | Danger | 1:36:32 - The gangsters hide in the truck | advance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker |
White Heat (1949) | Truck | 1:36:45 - The truck engine starts | advance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker |
White Heat (1949) | Truck (Speeding) | 1:37:36 - Tanker drives down the street | chase scene | driving | fugitive | gangster | leading man | murderer | ominous | speeding | street | truck | undercover agent |
White Heat (1949) | Cody 2 (Montage) | 1:38:26 - Tanker drives down the street | car | car | chase scene | dark | double exposure | electronic effect | fugitive | gangster | leading man | montage | murderer | pursuing | radio effect | speeding | street | truck | undercover agent |
White Heat (1949) | Cody 2 | 1:39:10 - Tanker drives down the street | car | chase scene | dark | double exposure | driving | fugitive | gangster | leading man | montage | murderer | radio | speeding | street | truck | undercover agent |
White Heat (1949) | Truck (Tutti) | 1:39:43 - Tanker pulls up to factory | chase scene | dramatic | driving | fugitive | gangster | leading man | murderer | ominous | street | truck | undercover agent |
White Heat (1949) | Cody (Mugs) | 1:39:57 - Gangsters in the tanker | arriving | chase scene | dramatic | driving | factory | fugitive | gangster | guard | leading man | murderer | ominous | truck | truck | undercover agent | waiting |
White Heat (1949) | Gate | 1:40:15 - The factory gate opens | arriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent |
White Heat (1949) | Underscoring (Tense) | 1:40:42 - Truck pulls in to factory | arriving | chase scene | driving | factory | fugitive | gangster | leading man | murderer | tense | truck | undercover agent | underscoring |
White Heat (1949) | Cody | 1:40:57 - Cody exits truck | arriving | chase scene | dark | factory | fugitive | gangster | leading man | murderer | opening | tense | truck | undercover agent |
White Heat (1949) | Rushing (Misterioso) | 1:41:01 - Cody emerges from the truck | chase scene | dark | factory | fugitive | gangster | leading man | murderer | rushing | tense | truck | undercover agent |
White Heat (1949) | Plotting (Faster) | 1:41:49 - Gangsters enter the building | action scene | anxious | arriving | factory | fugitive | gangster | guard | hurrying | leading man | murderer | tense | undercover agent | working |
White Heat (1949) | Underscoring (Tense) | 1:42:42 - Hank looks out the window | action scene | factory | fugitive | gangster | guard | leading man | murderer | tense | undercover agent | underscoring | working |
White Heat (1949) | Police Raid | 1:43:09 - Gangster acting as lookout | action scene | arriving | factory | fugitive | gangster | leading man | looking | march | murderer | police | running | rushing | tense | undercover agent |
White Heat (1949) | Bo Creel (Misterioso) | 1:43:26 - Bo Creel tells Cody that Hank is a cop | action scene | discovering | discovery | factory | fugitive | gangster | guard | leading man | looking | murderer | mysterious | realizing | undercover agent |
White Heat (1949) | Underscoring (Dramatic) | 1:46:13 - Cody shoots man in back | action scene | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | mickey-mousing | murder | murderer | shooting | tear gas | underscoring |
White Heat (1949) | Crawling | 1:46:18 - Hank crawls on the floor | action scene | agent | crawling | dramatic | factory | fugitive | gangster | gun | leading man | mickey-mousing | murderer | rushing | tear gas | tense |
White Heat (1949) | Danger (Extended) | 1:47:06 - Cody sends men out | action scene | agent | death | dying | factory | falling | fugitive | gangster | gun | gunshot | leading man | murderer | police | pushing | rushing | shooting | tense |
White Heat (1949) | Climbing stairs | 1:47:22 - Gangsters climb up stairs | action scene | agent | ascending | dramatic | factory | fleeing | fugitive | gangster | leading man | mickey-mousing | murderer | police | running | rushing | stairs |
White Heat (1949) | Underscoring (Dramatic) | 1:47:35 - Gangsters get off of ladder | action scene | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | rushing | tense | underscoring |
White Heat (1949) | White Heat (Police Raid) | 1:47:47 - Police advance on the gangsters | action scene | advancing | agent | death | dramatic | dying | factory | falling | fugitive | gangster | gun | gunshot | hidiging | leading man | mickey-mousing | murder | murderer | police | raid | searching | shooting | shootout | tense |
White Heat (1949) | Cody 2 (Brash) | 1:48:12 - Agents run up the stairs | action scene | agent | ascending | brash | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | shootout | stairs |
White Heat (1949) | Prison Fight + Agents | 1:48:17 - Gangsters run up the stairs | action scene | agent | ascending | combination of themes | dramatic | factory | fleeing | fugitive | gangster | gun | gunshot | leading man | murderer | police | raid | running | rushing | shootout | stairs | tense |
White Heat (1949) | Prison Fight + Agents | 1:48:30 - Agents run up the stairs | action scene | agent | ascending | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | stairs | tense |
The Woman in White (1948) | Ann (Dead) | 1:18:55 - The woman in white lies dead | antagonist | conversing | criminal | dark | death scene | dying | husband | leading lady | murderer | room | somber | victim | wife |
The Woman in White (1948) | Fosco (Con Moto) | 1:23:29 - Fosco arrives in his carriage | antagonist | arriving | carriage | criminal | dark | leading man | murderer | serious | street | transition | traveling |
The Woman in White (1948) | Asylum + Ann | 1:24:50 - Close-up on Count Fosco | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:25:26 - Laura looks at Sir Percival | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | victim |
The Woman in White (1948) | Pavan (Distressed) | 1:25:43 - Laura confronts Sir Percival | antagonist | arguing | asylum | criminal | dark | husband | hypnosis | hypnotist | leading lady | leading man | mad scene | murderer | victim |
The Woman in White (1948) | Asylum + Ann + Hypnosis | 1:26:10 - Count Fosco hypnotizes Laura | antagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | shrill | staring | victim |
The Woman in White (1948) | Ann | 1:26:55 - Laura speaks to Count Fosco | antagonist | asylum | criminal | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | mad scene | murderer | mysterious | staring | victim |
The Woman in White (1948) | Ann (Waltz) | 1:27:14 - Laura dashes away | antagonist | asylum | conversing | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim |
The Woman in White (1948) | Ann 2 | 1:28:39 - The nurse takes Laura to her room | antagonist | asylum | criminal | husband | hypnosis | hypnotist | leading lady | leading man | leaving | mad scene | murderer | nurse | tender | victim | walking |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:29:00 - Count Fosco talks to Sir Percival | antagonist | asylum | conversing | criminal | husband | hypnotist | leading man | mad scene | murderer | ominous |
The Woman in White (1948) | Hypnosis + Fosco | 1:30:32 - Count Fosco leaves | antagonist | carriage | combination of themes | criminal | dark | husband | hypnotist | leading man | leaving | murderer | ominous | plotting | spy | spying | street | tense | transition |
The Woman in White (1948) | Pavan (Garden) | 1:31:13 - Walter talks with Marian | conversing | criminal | friend | husband | leading lady | leading man | love scene | murderer | noble | room | spy | spying |
The Woman in White (1948) | The Carman's Whistle (Bassoon) | 1:32:48 - A man spies on Walter | calm | comedy | criminal | following | husband | leading man | murderer | sneaking | spy | spying | street | walking |
The Woman in White (1948) | Underscoring (Dramatic) | 1:36:15 - Laura screams when she sees Sir Percival | conflict | criminal | dramatic | hitting | husband | leading lady | leading man | murderer | patient | screaming | street | struggling | underscoring | victim | wife |
The Woman in White (1948) | Fight | 1:36:33 - Walter fights the spy | conflict | criminal | dramatic | fighting | husband | leading lady | leading man | murderer | patient | punching | spy | street | victim | wife |
The Woman in White (1948) | Fosco (Dark) | 1:36:50 - Sir Percival on the ground | conflict | criminal | dark | husband | leading lady | leading man | murderer | ominous | patient | spy | street | victim | walking | wife |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:38:43 - Fosco looks at Marian | advance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber |
The Woman in White (1948) | Underscoring (Tense) | 1:39:05 - The butler enters | advance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:39:33 - Fosco talks to Marian | advance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber |
The Woman in White (1948) | Underscoring (Tense) | 1:44:06 - The countess enters | climax | conversing | criminal | dark | friend | leading lady | leading man | love interest | murderer | necklace | ominous | room | transcribed by ear | wife |
The Woman in White (1948) | Ann (Not in Score) | 1:44:24 - Count Fosco talks to the Countess | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | transcribed by ear | wife |
The Woman in White (1948) | Fosco (Screwy) | 1:44:42 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:44:51 - The Countess walks across the room | climax | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | sneaking | walking | wife |
The Woman in White (1948) | Adagio | 1:45:00 - The Countess picks up a knife | climax | conversing | criminal | friend | knife | leading lady | leading man | love interest | murderer | necklace | room | somber | wife |
The Woman in White (1948) | Fosco (Soft) | 1:45:18 - The Count talks to Marian | arriving | climax | conversing | criminal | friend | leading lady | leading man | love interest | murderer | mysterious | necklace | room | wife |
The Woman in White (1948) | Stabbing | 1:45:23 - The Countess stabs Count Fosco | climax | criminal | dramatic | dropping | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife |
The Woman in White (1948) | Fosco (Dying) | 1:45:34 - The Countess picks up the necklace | arriving | climax | criminal | death | dramatic | dying | falling | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
The Woman in White (1948) | Laura | 1:46:37 - Walter, Marian, and Laura together | asylum | conversing | friend | happy | murderer | necklace | patient | resolution | time lapse | voice-over | waltz |
Transgression (1931) | Gong | 0:50:00 - Don Arturo is shot | death | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim |
Thirteen Women (1932) | Ursula (Violent) | 0:12:29 - Newspaper headline | dramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent |
Thirteen Women (1932) | Hazel murders husband | 0:12:36 - Hazel murders her husband | double exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Dramatic Agitato | 0:12:41 - Hazel screams | augmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (Suicide) | 0:24:18 - Helen commits suicide | antagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (The End) | 0:59:03 - Ursula jumps to her death | chromatic scale | climax | dark | dramatic | dying | jumping | leading lady | murderer | The End | train | transcribed by ear |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:21:40 - Clay enters the room | advance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music |
Don’t Turn ‘em Loose (1936) | Underscoring (Dramatic) | 0:28:05 - Bob shoots guard | breaking | death | dramatic | gangster | guard | gun | gunshot | imposter | leading man | murder | robbery | robbery | shooting | stealing | store | transcribed by ear | whole-tone chord |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:39:42 - Grace turns on the radio | AABA structure | arriving | cheerful | common-tone diminished 7th | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Grace | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | AABA structure | cheerful | common-tone diminished 7th | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
We're Only Human (1935) | Underscoring (Lyrical) | 0:23:23 - Pete exits the store | attempted murder | conflict | departing | detective | drive by shooting | food | gunshot | leading man | mode mixture | peaceful | pedal tone | shooting | street | underscoring | walking |
We're Only Human (1935) | The Escape | 1:04:31 - Pete enters the house | chromatic scale | climax | conflict | detective | dodging | dramatic | gangster | gunshot | hiding | leading man | murderer | room | shooting | underscoring | whole-tone | whole-tone chord |
We're Only Human (1935) | Game 4 | 1:04:54 - Pete crawls on the floor | climax | conflict | crawling | detective | gangster | leading man | murderer | room | tense | underscoring | whole-tone chord |
We're Only Human (1935) | Game 5 | 1:05:03 - Pete prepares to shoot | chromatic parallelism | climax | conflict | detective | gangster | gunshot | leading man | murderer | pc set | pedal tone | room | shooting | sneaking | tense | underscoring | whole-tone chord |
We're Only Human (1935) | Blood Money (Counting Money) | 1:05:25 - Pete looks at the fallen man | climax | conflict | detective | gangster | leading man | murderer | mysterious | room | sneaking | tense | tone cluster |
We're Only Human (1935) | Game 6 | 1:05:34 - Pete dodges gunfire | climax | conflict | dark | detective | gangster | leading man | murderer | room | sneaking | taunting | tense | underscoring |
We're Only Human (1935) | Game 7 | 1:05:48 - Pete runs up the stairs | 9th chord | climax | conflict | detective | dramatic | gangster | leading man | murderer | parallelism | pc set | pedal tone | room | running | rushing | tense | underscoring | whole-tone chord |
We're Only Human (1935) | Game 8 | 1:05:55 - Pete advances slowly | arguing | chromatic scale | climax | conflict | detective | gangster | half-diminished 7th chord | hostage | leading man | murderer | pedal tone | polychord | room | sneaking | taunting | tense | tricking | underscoring |
We're Only Human (1935) | Lost Patrol 2 | 1:06:45 - Berger falls to the ground | climax | conflict | death | detective | dramatic | dying | falling | gangster | gunshot | hostage | leading man | murderer | room | tone cluster | underscoring |
We're Only Human (1935) | Lost Patrol 3 | 1:06:52 - Pete looks at Berger | 64 chord | climax | conflict | death | detective | gangster | hostage | leading man | murderer | reacting | room | solemn |
The Most Dangerous Game (1932) | The Iron Door (Meno) | 0:55:50 - Zaroff reacts to Bob's fall | climax | count | dramatic | jungle | murderer | reacting | river | tense | villain | waterfall |
White Heat (1949) | Sliding down pole | 1:48:43 - Cody slides down a pole | action scene | agent | descending | dramatic | factory | fugitive | gangster | leading man | mickey-mousing | murderer | pole | police | raid | sliding | tense |
White Heat (1949) | Danger (Tense) | 1:48:48 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Agents + Gathering | 1:49:06 - Agents in action | action scene | agent | chasing | combination of themes | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Danger (Risoluto) | 1:49:17 - Agents advance | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Underscoring (Dramatic) | 1:49:19 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense | underscoring |
White Heat (1949) | Plotting (Extended) | 1:49:34 - Gangsters hide | action scene | agent | factory | frantic | fugitive | gangster | hiding | leading man | murderer | police | raid | running | rushing | tense |
White Heat (1949) | Rushing + Agents | 1:49:44 - Police advance | action scene | advancing | agent | combination of themes | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | White Heat (Maestoso 2) | 1:49:55 - Police advance | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Agents (Searching) | 1:50:02 - Agents plan their next move | action scene | advancing | agent | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | searching | tense |
White Heat (1949) | Rushing (Searchlights) | 1:50:05 - Searchlights | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | tense |
White Heat (1949) | Madness | 1:50:16 - Cody talks to Riley | action scene | agent | factory | fugitive | gangster | hiding | leading man | madness | murderer | plotting | police | raid | tense |
White Heat (1949) | Plotting (Agitato) | 1:50:27 - Cody gets up | action scene | agent | factory | fugitive | gangster | hiding | laughing | leading man | madness | murderer | police | raid | sneaking | tense |
White Heat (1949) | Cody (Climbing) | 1:50:30 - Cody climbs the stairs | action scene | agent | ascending | dramatic | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | rushing | stairs | tense |
White Heat (1949) | Plotting | 1:50:41 - Cody hides | action scene | agent | factory | fugitive | gangster | hiding | leading man | murderer | police | raid | tense |
White Heat (1949) | Rushing (Searchlights 2) | 1:50:48 - Searchlights | action scene | agent | announcing | death | factory | fugitive | gangster | gun | gunshot | hiding | killing | laughing | leading man | mickey-mousing | murder | murderer | police | raid | searching | searchlight | shooting | surrendering | tense |
White Heat (1949) | Riley's Death | 1:51:15 - Riley hits the ground | action scene | agent | dark | death | dying | factory | fugitive | gangster | laughing | leading man | murder | murderer | police | raid | stinger |
White Heat (1949) | Cody 3 (Mocking) | 1:51:30 - Cody shoots | action scene | agent | brash | factory | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | mocking | murderer | police | raid |
White Heat (1949) | Trap | 1:51:37 - Policeman hands Hank a rifle | action scene | agent | aiming | factory | fugitive | gangster | gun | leading man | murderer | police | raid | searching | tense |
White Heat (1949) | Rushing | 1:51:44 - Searchlights | action scene | agent | aiming | factory | fugitive | gangster | gun | gunshot | hiding | leading man | mickey-mousing | murderer | police | raid | searching | searchlight | shooting | tense |
White Heat (1949) | Headache (Explosion) | 1:52:26 - Cody shoots a gas valve | agent | climax | dramatic | exploding | explosion | factory | fire | frantic | fugitive | gangster | gun | gunshot | laughing | leading man | murderer | police | raid | running | rushing | shooting |
White Heat (1949) | Struggle | 1:52:46 - Explosion | agent | climax | conversing | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid |
White Heat (1949) | Cody (The End) | 1:53:02 - Explosion | agent | climax | conversing | dark | death | dramatic | exploding | explosion | factory | fire | fugitive | gangster | leading man | murderer | police | raid | The End |
Caged (1950) | Harper's Death | 1:27:19 - Kitty stabs Harper with a fork | added-note chord | dark | death | dying | dying | falling | falling | fork | killing | minor-major 7th chord | murder | murdering | murder scene | prison | screaming | stabbing | stabbing | stinger | walking | walking |
Lightning Strikes Twice (1951) | Aftermath | 1:28:48 - Man gets out of the jalopy | approaching | brother | bystander | car | car crash | climax | countryside | death | murderer | police | rancher | solemn |
Mara Maru (1952) | Murder | 0:19:08 - Callahan's body is discovered | agitated | arriving | corpse | discovering | dramatic | leading man | murder | murder scene | police | room | stinger | tense |
Mara Maru (1952) | The Escape | 1:23:42 - People running from the boat | antogonist | chase scene | chasing | corpse | cross | dark | death | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | leading lady | leading man | love interest | mickey-mousing | murder | murderer | private eye | rain | rock | running | ship | ship wreck | shooting | stinger | storm | wind | worker |
Mara Maru (1952) | Benedict (Molto Marcato) | 1:24:17 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Benedict (Chasing) | 1:24:24 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Benedict | 1:24:37 - Benedict chases Gregory | antagonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | gunshot | hurrying | jungle | murderer | rain | running | storm | wind |
Mara Maru (1952) | Pursuing | 1:24:39 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fear | fleeing | frantic | gun | hurrying | jungle | leading man | mickey-mousing | murderer | rain | running | running effect | rushing effect | storm | tense | wind |
Mara Maru (1952) | Rolling down the hill | 1:24:58 - Gregory rolls down the hill | antogonist | bodyguard | chase scene | cross | dark | descending | dramatic | falling | frantic | gun | jungle | leading man | mickey-mousing | murderer | rain | rolling | storm | tense | wind |
Mara Maru (1952) | Benedict (Shrill) | 1:25:03 - Benedict chases Gregory | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | shrill | storm | tense | wind |
Mara Maru (1952) | Gregory + Struggling (Dissonant) | 1:25:07 - Gregory runs away | antogonist | bodyguard | chase scene | chasing | cross | dark | dramatic | escaping | fleeing | frantic | gun | hurrying | jungle | leading man | murderer | rain | running | storm | tense | wind |
Mara Maru (1952) | Benedict | 1:31:19 - Benedict arrives at the church | antagonist | arriving | bodyguard | car | departing | driver | leading lady | love interest | murderer | mysterious | spying | street | tense | transition | watching |
Mara Maru (1952) | Underscoring (Dramatic) | 1:33:58 - Fortuno shoots at Gregory | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | murderer | running | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | The Chase | 1:34:03 - Ortega and Gregory run away | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | escaping | gun | gunshot | leading man | mickey-mousing | murderer | running | running effect | shooting | suspsect | tense | tunnel |
Mara Maru (1952) | Benedict (Menacing) | 1:34:30 - Ortega tries to block the door | action scene | antagonist | arguing | blocking | bodyguard | catacomb | cave | climax | cross | defending | dramatic | gun | gunshot | leading man | martyr | menacing | murderer | ominous | protecting | pushing | running | tunnel | victim |
Mara Maru (1952) | Ortega is Shot | 1:34:42 - Ortega is shot | action scene | antagonist | blocking | bodyguard | catacomb | cave | climax | cross | death | dramatic | dying | falling | gun | gunshot | leading man | martyr | murder | murderer | passionate | sentimental | shooting | somber | tunnel | victim |
Mara Maru (1952) | Police | 1:34:53 - The police enter | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | dramatic | gun | gunshot | heroic | leading man | martyr | murderer | police | running | shooting | stairs | tense | tunnel | victim |
Mara Maru (1952) | Descending the stairs | 1:34:55 - Fortuno runs down the stairs | action scene | antagonist | bodyguard | catacomb | cave | chasing | climax | cross | descending | dramatic | gun | gunshot | leading man | martyr | mickey-mousing | murderer | police | running | stairs | tense | tunnel | victim |
Mara Maru (1952) | Ascending the stairs | 1:35:08 - Benedict runs up the stairs | action scene | antagonist | ascending | catacomb | cave | chasing | climax | dramatic | mickey-mousing | murderer | ominous | running | stairs | tense | tunnel |
Mara Maru (1952) | Underscoring (Dramatic) | 1:35:15 - Benedict confronts Gregory | action scene | antagonist | attacking | catacomb | cave | climax | cross | dramatic | leading man | martyr | murderer | tense | tunnel | victim |
Mara Maru (1952) | The Fight | 1:35:20 - Gregory fights Benedict | action scene | antagonist | attacking | catacomb | cave | choking | climax | dramatic | falling | fighting | hitting | leading man | martyr | mickey-mousing | murderer | punching | stinger | tense | tunnel | victim |
Mara Maru (1952) | Rolling down the stairs | 1:36:05 - Benedict falls down the stairs | action scene | antagonist | catacomb | cave | climax | corpse | death | descending | dramatic | falling | leading man | martyr | mickey-mousing | murderer | rolling | stinger | tense | tunnel | victim |