Tag Search

473 results for "murder" in 32 films — see also execution | hit | murdering | off

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Murder	1:51:56 - The Duke advances towards the Duchess	approaching \| blur \| chromatic scale \| climax \| dark \| diminished 7th chord \| duchess \| duke \| leading lady \| leading man \| menacing \| murder \| murdering \| murder scene \| ominous \| pc set \| room \| strangling
The Amazing Dr. Clitterhouse (1938)	Rocks (Double Cross)	0:48:56 - Rocks thinks of a double-cross	antagonist \| chromatic parallelism \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| plotting \| robbery \| sinister \| store \| thief \| trapping
The Amazing Dr. Clitterhouse (1938)	Locked in vault	0:49:06 - Dr. Clitterhouse locked in safe	anxious \| chromatic parallelism \| chromatic scale \| criminal \| doctor \| double-cross \| dramatic \| gangster \| leading man \| murderer \| murdering \| panicking \| polychord \| pounding \| robbery \| safe \| store \| tense \| thief \| trapping \| vault \| yelling
The Amazing Dr. Clitterhouse (1938)	The Motor	0:49:21 - Rocks starts the refrigeration motor	antagonist \| anxious \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| mickey-mousing \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:49:36 - Dr. Clitterhouse in safe	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| robbery \| spinning \| store \| tense \| thief \| trapping \| whirling
The Amazing Dr. Clitterhouse (1938)	The Motor (Getting Colder)	0:49:43 - The vault gets colder	anxious \| chromatic scale \| criminal \| dissonant bass \| doctor \| double-cross \| dramatic \| gangster \| gauge \| leading man \| lowering \| machine \| motor \| murderer \| murdering \| ostinato \| panicking \| pedal tone \| pounding \| robbery \| spinning \| store \| temperature \| tense \| thief \| trapping \| whirling \| yelling
The Amazing Dr. Clitterhouse (1938)	Rocks goes downstairs	0:50:05 - Rocks goes down the stairs	antagonist \| anxious \| criminal \| descending \| diminished 7th chord \| double-cross \| dramatic \| gangster \| mickey-mousing \| murderer \| robbery \| stairs \| store \| temperature \| tense \| thief \| walking
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor + The Motor	0:50:11 - Butch comes back	anxious \| combination of themes \| criminal \| doctor \| double-cross \| dramatic \| gangster \| hurrying \| leading man \| motor \| murderer \| ostinato \| robbery \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	Rocks (Sneaking) + The Motor	0:50:14 - Rocks sneaks around in the dark	antagonist \| anxious \| combination of themes \| criminal \| diminished 7th chord \| doctor \| double-cross \| dramatic \| gangster \| leading man \| motor \| murderer \| ostinato \| robbery \| sneaking \| store \| temperature \| tense \| thief
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Rocks) + Rocks (The Amazing Doctor)	0:50:33 - Rocks goes out to the truck	antagonist \| anxious \| combination of themes \| criminal \| dissonant bass \| double-cross \| dramatic \| gangster \| lying \| murderer \| pc set \| robbery \| street \| tense \| thief \| tritone
The Amazing Dr. Clitterhouse (1938)	The Poison Victim	1:07:50 - Rocks is poisoned	dissonant \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| mysterious \| office \| parallel fifths \| poison \| poisoning \| quartal chord \| tense \| tone cluster \| tritone
The Amazing Dr. Clitterhouse (1938)	Poison	1:08:46 - Rocks feels the effect of the poison	blur \| chromatic parallelism \| diminution \| doctor \| dreaming \| drugs \| ethereal \| gangster \| layering \| leading lady \| leading man \| murder \| murderer \| murdering \| murder scene \| office \| oscillation \| ostinato \| pc set \| poison \| poisoning \| polychord \| stinger \| tone cluster
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Funebre)	1:10:07 - Dr. Clitterhouse talks with Jo	9th chord \| chromatic parallelism \| dark \| death \| doctor \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| pleading \| realizing \| tense
The Amazing Dr. Clitterhouse (1938)	The Amazing Doctor (Murder)	1:10:49 - Montage of newspaper headlines	chromatic parallelism \| corpse \| dark \| dissonant bass \| fingerprints \| headlines \| investigating \| montage \| morgue \| mortician \| murder \| newspaper \| police \| printing press \| tense \| triadic transformation
The Amazing Dr. Clitterhouse (1938)	Rocks (Dead)	1:11:10 - Rocks's mugshot and fingerprints	dark \| fingerprints \| investigating \| montage \| morgue \| mortician \| mug shot \| murder \| police \| tense
Angels With Dirty Faces (1938)	Underscoring (Dramatic)	0:40:50 - Gangsters shoot their own man in phone booth	chromatic sequence \| conflict \| death \| diminished 7th chord \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mickey-mousing \| murderer \| polychord \| shooting \| shop \| sneaking \| tense \| voice-exchange
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Risoluto 2)	0:53:55 - Newspaper headlines	advance plot \| arresting \| dark \| detective \| double exposure \| fragmentation \| friend \| headline \| leading man \| love interest \| murderer \| newspaper \| ominous \| room \| sequential modulation \| spinning \| thematic transformation \| underscoring
Are These Our Children? (1931)	Dreams (Eddie’s Prayer)	1:22:14 - Eddie behind bars	added-note chord \| climax \| crying \| dramatic \| jail \| leading man \| murderer \| praying \| prisoner \| religious \| sacred
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	The Aunts	0:39:01 - The aunts talk	advance plot \| aunt \| cleaning \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| room \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Screwyoso)	0:39:06 - The aunts talk	added-note chord \| advance plot \| altered dominant \| aunt \| calm \| cleaning \| conversing \| crazy person \| familiar tune \| hat \| leading lady \| murderer \| ominous \| room \| stinger \| suspension
Arsenic and Old Lace (1944)	Happy Land (String Quartet)	0:39:28 - The aunts set the table	advance plot \| aunt \| cleaning \| conversing \| crazy person \| direct modulation \| evaded cadence \| familiar tune \| hymn-like \| leading lady \| murderer \| peaceful \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:39:58 - The aunts see shadows at the door	augmentation \| aunt \| conversing \| crazy person \| dark \| establish character \| fear \| foreign key modulation \| fragmentation \| knocking \| leading lady \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| shadow \| whispering
Arsenic and Old Lace (1944)	Home Sweet Home (Expressivo) + Scar	0:41:42 - Abby talks to Jonathan	altered dominant \| augmented triad \| aunt \| brother \| combination of themes \| conversing \| convincing \| crazy person \| criminal \| distortion \| doctor \| establish character \| expressive \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| ominous \| room
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:08 - Jonathan talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| leading lady \| leading man \| murderer \| mysterious \| parallelism \| room \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Face)	0:42:29 - Jonathan talks about his scar	augmented triad \| aunt \| brother \| chromatic parallelism \| conversing \| crazy person \| criminal \| doctor \| establish character \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| scar \| tense
Arsenic and Old Lace (1944)	Mysterioso Pizzicato	0:42:41 - Martha talks about scary movies	aunt \| brother \| conversing \| crazy person \| criminal \| dissonant bass \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| mysterious \| room \| scar \| silent film music
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:42:56 - Jonathan glares at Dr. Einstein	aunt \| brother \| conversing \| crazy person \| criminal \| diminished 7th chord \| doctor \| establish character \| leading lady \| leading man \| murderer \| oscillation \| room \| scar \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:43:08 - Jonathan talks about the operation	aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| establish character \| grabbing \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| struggling \| threatening
Arsenic and Old Lace (1944)	Scar	0:43:20 - Dr. Einstein talks to the aunts	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room
Arsenic and Old Lace (1944)	Home Sweet Home (Ominous)	0:43:28 - Dr. Einstein talks to the aunts	added-note chord \| altered dominant \| aunt \| brother \| conversing \| crazy person \| criminal \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| room \| split-fifth chord \| tense
Arsenic and Old Lace (1944)	Home Sweet Home (Tranquillo)	0:43:40 - Jonathan sits down	augmented triad \| aunt \| brother \| calm \| chromatic parallelism \| conversing \| crazy person \| criminal \| direct modulation \| distortion \| doctor \| establish character \| familiar tune \| leading lady \| leading man \| murderer \| pedal tone \| room
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:44:00 - The aunts go into the kitchen	augmentation \| aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| fear \| foreign key modulation \| fragmentation \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| walking \| watching
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:45:22 - The aunts peek through the kitchen window	aunt \| brother \| conversing \| crazy person \| criminal \| doctor \| establish character \| face \| fear \| leading lady \| leading man \| murderer \| mysterious \| Neapolitan \| ominous \| parallel 63s \| pedal tone \| room \| snooping \| watching
Arsenic and Old Lace (1944)	Scar	0:45:29 - Dr. Einstein describes how he will fix Jonathan's face	aunt \| brother \| conversing \| crazy person \| criminal \| dark \| doctor \| establish character \| face \| leading lady \| leading man \| murderer \| ominous \| pc set \| planning \| polychord \| room \| wipe
Arsenic and Old Lace (1944)	Jonathan 2	0:49:12 - Jonathan threatens the aunts	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| criminal \| dark \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| threatening
Arsenic and Old Lace (1944)	Scar	0:49:36 - Dr. Einstein calls to Jonathan	advance plot \| aunt \| brother \| crazy person \| criminal \| dark \| doctor \| fear \| leading lady \| leading man \| murderer \| ominous \| pc set \| polychord \| room \| threatening
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	The Aunts (Grazioso Con Moto)	0:52:20 - The aunts move through the kitchen	advance plot \| aunt \| calm \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| pleasant \| room
Arsenic and Old Lace (1944)	Wind blowing 2	0:52:32 - The aunts walk to the window	advance plot \| aunt \| blowing \| chromatic parallelism \| crazy person \| half-diminished 7th chord \| leading lady \| looking \| murderer \| mysterious \| room \| wind \| wind effect \| window
Arsenic and Old Lace (1944)	Stinger	0:52:41 - Jonathan suddenly appears at the window	advance plot \| aunt \| brother \| crazy person \| dramatic \| harsh \| leading lady \| leading man \| murderer \| opening \| room \| stinger \| surprise \| whole-tone chord \| window
Arsenic and Old Lace (1944)	Jonathan 2	0:52:48 - Jonathan comes in the window	advance plot \| aunt \| brother \| chromatic scale \| chromatic wedge \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| staring \| tense
Arsenic and Old Lace (1944)	Jonathan (Fragmented)	0:53:35 - Jonathan and the doctor go up the stairs	advance plot \| aunt \| brother \| conversing \| crazy person \| dark \| darkness \| doctor \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| ominous \| pc set \| room \| tense
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Underscoring (Mysterious)	0:54:01 - Aunt Abby goes up the stairs	advance plot \| aunt \| brother \| crazy person \| darkness \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| room \| silhouette \| staring \| underscoring
Arsenic and Old Lace (1944)	The Aunts (Molto Misterioso)	0:54:12 - Aunt Abby faces Jonathan	advance plot \| aunt \| brother \| crazy person \| darkness \| foreign key modulation \| fragmentation \| intimidating \| leading lady \| leading man \| murderer \| mysterious \| parallel 63s \| pedal tone \| room \| staring \| walking
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:54:30 - Jonathan goes up the stairs	advance plot \| brother \| crazy person \| darkness \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster \| underscoring \| walking
Arsenic and Old Lace (1944)	Underscoring (Dark)	0:56:27 - Einstein looks around in the dark	advance plot \| brother \| crazy person \| dark \| darkness \| descending \| doctor \| leading man \| match \| murderer \| plotting \| room \| sneaking \| underscoring
Arsenic and Old Lace (1944)	Blows out match	0:56:48 - Einstein blows out the match	advance plot \| blowing \| brother \| crazy person \| darkness \| doctor \| extinguishing \| leading man \| match \| mickey-mousing \| murderer \| room \| tense \| whole-tone scale
Arsenic and Old Lace (1944)	Jonathan 2 (Dark)	0:57:04 - Jonathan exits	advance plot \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| dark \| darkness \| dissonant bass \| doctor \| falling \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| stinger
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:58:10 - Someone knocks at the door	advance plot \| brother \| chromatic scale \| conversing \| corpse \| crazy person \| darkness \| doctor \| knocking \| leading man \| murderer \| pc set \| room \| sequence \| sneaking \| tense \| underscoring
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Jonathan 2	0:58:55 - Jonathan emerges from the shadows	advance plot \| bride \| brother \| chromatic scale \| chromatic wedge \| conversing \| crazy person \| darkness \| dissonant bass \| doctor \| fear \| leading lady \| leading man \| murderer \| pc set \| questioning \| room \| sinister
Arsenic and Old Lace (1944)	Jonathan 2 (Ominous)	1:00:36 - Jonathan backs Elaine into a corner	advance plot \| anger \| augmented triad \| bride \| brother \| chromatic scale \| crazy person \| dissonant bass \| doctor \| fear \| hurting \| leading lady \| leading man \| murderer \| ominous \| polychord \| questioning \| room \| stinger \| tense \| threatening
Arsenic and Old Lace (1944)	Underscoring (Dramatic)	1:01:21 - They take Elaine into the cellar	9th chord \| aunt \| bride \| brother \| chromatic scale \| conflict \| crazy person \| darkness \| diminished 7th chord \| doctor \| dramatic \| fear \| fighting \| gagging \| harmonic sequence \| leading lady \| leading man \| metric dissonance \| murderer \| oscillation \| room \| running \| self-borrowing \| struggling \| suspenseful \| underscoring
Arsenic and Old Lace (1944)	Organ Stinger	1:01:40 - Aunts emerge in black upstairs	arguing \| aunt \| brother \| conflict \| crazy person \| leading lady \| leading man \| murderer \| ominous \| room \| stinger
Arsenic and Old Lace (1944)	The Aunts (Frightened)	1:01:49 - Aunts talk to Jonathan	arguing \| aunt \| brother \| conflict \| crazy person \| fear \| fragmentation \| leading lady \| leading man \| murderer \| Neapolitan \| parallel 63s \| pedal tone \| room \| tense
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Happy Land	1:22:17 - Mortimer talks with Elaine through her window	aunt \| bride \| calm \| conversing \| crazy person \| doctor \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| singing \| street
Arsenic and Old Lace (1944)	Molto Agitato	1:29:57 - Jonathan ties Mortimer to a chair	9th chord \| brother \| captive \| chromatic parallelism \| conflict \| crazy person \| diminished 7th chord \| doctor \| dramatic \| fear \| gagging \| leading man \| mickey-mousing \| murderer \| room \| stinger \| tying \| victim
Arsenic and Old Lace (1944)	The Victim	1:30:11 - Mortimer tied up in a chair	brother \| captive \| conflict \| crazy person \| doctor \| fear \| leading man \| murderer \| ominous \| parallel fifths \| quartal chord \| room \| tense \| tone cluster \| torturing \| tritone \| victim
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Panic	1:31:48 - Einstein agrees to do the torture	alcohol \| brother \| captive \| chromatic parallelism \| chromatic scale \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| oscillation \| panicked \| panicking \| polychord \| room \| sequence \| split-third chord \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	Scar (Fast)	1:32:11 - Einstein finds some wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| hurrying \| leading man \| murderer \| panicking \| polychord \| room \| tense \| torturing \| victim
Arsenic and Old Lace (1944)	How Dry I Am (Mysterious)	1:32:25 - Einstein and Jonathan start to drink the wine	alcohol \| brother \| captive \| conflict \| crazy person \| doctor \| drinking \| familiar tune \| fear \| leading man \| murderer \| mysterious \| polychord \| room \| victim \| whole-tone chord
Arsenic and Old Lace (1944)	Underscoring (Tense)	1:32:35 - They toast to Mortimer	alcohol \| brother \| captive \| clinking \| conflict \| crazy person \| doctor \| fear \| glass effect \| leading man \| murderer \| mysterious \| pc set \| polychord \| room \| tense \| toasting \| underscoring \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Beyond the Forest (1949)	Rosa (Misterioso)	1:09:23 - Rosa looks through the binoculars	anger \| binoculars \| forest \| friend \| hunting \| husband \| leading lady \| leading man \| looking \| murder scene \| mysterious \| ominous \| tense \| victim
Beyond the Forest (1949)	Chicago (Ominous)	1:10:01 - Rosa puts down the binoculars	aiming \| anger \| dark \| familiar tune \| forest \| friend \| husband \| leading lady \| leading man \| murder scene \| ominous \| popular tune \| victim
Beyond the Forest (1949)	Rosa (Ominous)	1:10:14 - Rosa aims her gun	aiming \| anger \| dark \| forest \| friend \| harsh \| husband \| leading lady \| leading man \| murder scene \| ominous \| stinger \| victim
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Beyond the Forest (1949)	Rosa (Sulking)	1:12:32 - Rosa and Lewis at the funeral	funeral \| graveyard \| husband \| leading lady \| leading man \| love interest \| murderer \| rain \| solemn \| sulking \| victim \| watching
Beyond the Forest (1949)	Rosa (Heavy)	1:12:58 - Rosa and Lewis drive away	arriving \| departing \| dramatic \| funeral \| husband \| leading lady \| leading man \| murderer \| room \| somber \| transition \| victim
Beyond the Forest (1949)	Lewis (Crescendo)	1:13:15 - Rosa and Lewis at home	arriving \| calm \| conversing \| dark \| dramatic \| husband \| leading lady \| leading man \| murderer \| room \| transition \| victim \| yelling
Beyond the Forest (1949)	Threat	1:16:14 - Rosa lunges forward	advance plot \| dark \| harsh \| leading lady \| lunging \| murderer \| ominous \| room \| staring \| stinger \| threatening \| violent
Beyond the Forest (1949)	Underscoring (Mysterious)	1:16:20 - Rosa stares out the window	advance plot \| departing \| leading lady \| maid \| murderer \| mysterious \| plotting \| room \| street \| underscoring \| walking \| watching
Beyond the Forest (1949)	Running (A Little Heavier)	1:16:28 - Rosa heads downstairs	advance plot \| hurrying \| leading lady \| murderer \| mysterious \| plotting \| room \| tense
Beyond the Forest (1949)	Rosa (Listesso)	1:16:48 - Rosa takes the maid's things	advance plot \| dark \| disguise \| dressing \| harsh \| leading lady \| murderer \| ominous \| room \| stealing \| violent
Beyond the Forest (1949)	Rosa (On the Run)	1:17:21 - Rosa approaches a bus	advance plot \| bus \| disguise \| doctor \| leading lady \| leading man \| murderer \| mysterious \| office \| patient \| runaway \| running away \| sneaking \| street \| watching
Beyond the Forest (1949)	Rosa (Cello Solo)	1:18:09 - Rosa sitting in a chair	advance plot \| disguise \| leading lady \| leading man \| murderer \| mysterious \| office \| sitting
Beyond the Forest (1949)	The Cliff	1:19:13 - Rosa looks out of the car window	action scene \| car \| car \| cliff \| contemplating \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Chicago (Dark)	1:19:25 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| familiar tune \| leading lady \| leading man \| murderer \| ominous \| popular tune
Beyond the Forest (1949)	The Cliff (Car Stops)	1:19:36 - Rosa sitting in a car	action scene \| car \| car \| cliff \| conversing \| descending \| driving \| leading lady \| leading man \| murderer \| tense
Beyond the Forest (1949)	Hurrying (Fleeing)	1:19:50 - Rosa leaps out of the car	action scene \| canyon \| car \| cliff \| fleeing \| leading lady \| leading man \| murderer \| runaway \| running \| rushed
Beyond the Forest (1949)	Leaping	1:19:56 - Rosa leaps off of a cliff	action scene \| canyon \| jumping \| leading lady \| murderer \| runaway \| rushed
Beyond the Forest (1949)	Rosa (Broadly)	1:19:57 - Rosa rolls down a hill	action scene \| canyon \| dark \| dramatic \| falling \| jumping \| leading lady \| leading man \| murderer \| runaway \| tense
Beyond the Forest (1949)	Rosa (Molto Tranquillo 2)	1:20:12 - Rosa in bed	advance plot \| calm \| leading lady \| murderer \| recovering \| resting \| room \| sickness \| sleeping \| sultry \| waking
Beyond the Forest (1949)	Chicago (Molto Tranquillo)	1:20:35 - Rosa in bed	advance plot \| banging \| calm \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness
Beyond the Forest (1949)	Chicago (Molto Expressivo)	1:20:43 - The maid in the kitchen	advance plot \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness \| upbeat
Beyond the Forest (1949)	Rosa (Agitato Misterioso)	1:22:49 - Rosa in bed	agitated \| fever \| illness scene \| leading lady \| murderer \| room \| sickness \| sweating \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:23:17 - Rosa opens the window	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| mickey-mousing \| murderer \| opening \| raising \| room \| sickness \| sweating \| tense \| waiting \| whistle effect
Beyond the Forest (1949)	Sawmill + Fever	1:23:26 - Rosa rubs her forehead	agitated \| combination of themes \| fever \| illness scene \| leading lady \| machinery effect \| maid \| murderer \| room \| sickness \| sickness effect \| sweating \| tense \| waiting
Beyond the Forest (1949)	Rosa (Fever)	1:23:41 - The maid sweeping	bleak \| drinking \| fever \| illness scene \| leading lady \| maid \| murderer \| oppressive \| pounding \| room \| sickness \| waiting
Beyond the Forest (1949)	Lewis (Triste 2)	1:24:09 - Lewis walks inside	arriving \| calm \| doctor \| fever \| illness scene \| leading lady \| leading man \| murderer \| room \| sickness \| solemn \| street \| waiting \| walking
Beyond the Forest (1949)	Chicago	1:27:10 - Rosa sings to herself	delirious \| familiar tune \| fever \| illness scene \| leading lady \| maid \| murderer \| on-screen music \| popular tune \| room \| score to source \| sickness \| singing \| source music
Beyond the Forest (1949)	Chicago (Echo Chambre)	1:28:20 - Rosa prepares to leave	angry \| arguing \| climax \| crazed \| delirious \| eerie \| familiar tune \| leading lady \| mad \| madness \| mad scene \| maid \| murderer \| popular tune \| preparing \| room \| stumbling \| unsettling \| yelling
Beyond the Forest (1949)	Chicago (She Walks Down)	1:29:25 - Rosa walks down the stairs	climax \| dark \| descending \| familiar tune \| leading lady \| madness \| mad scene \| maid \| mickey-mousing \| murderer \| popular tune \| room \| solemn \| stairs \| stumbling
Beyond the Forest (1949)	Sawmill	1:29:51 - Rosa opens the door	agitated \| climax \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:02 - The maid makes a phone call	agitated \| climax \| collapsing \| combination of themes \| cut from film \| falling \| leading lady \| machinery effect \| madness \| mad scene \| maid \| murderer \| street \| stumbling \| tense \| walking \| whistle effect
Beyond the Forest (1949)	Sawmill + Rosa (Stumbling)	1:30:10 - Rosa struggles to her feet	climax \| combination of themes \| dark \| leading lady \| machinery effect \| madness \| mad scene \| murderer \| ominous \| standing \| street \| stumbling \| walking
Beyond the Forest (1949)	Rosa (Fever 2)	1:30:23 - Rosa stumbles forward	climax \| dark \| leading lady \| madness \| mad scene \| murderer \| ominous \| street \| stumbling \| walking
Beyond the Forest (1949)	Sawmill + Steam Whistle	1:30:36 - Darkness	agitated \| climax \| combination of themes \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train station \| walking \| whistle effect
Beyond the Forest (1949)	Train	1:30:52 - A locomotive	agitated \| climax \| cut from film \| leading lady \| madness \| mad scene \| murderer \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train + Chicago (Shrill)	1:30:54 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| cut from film \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| shrill \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Train (Heating Up) + Chicago (Fragmented)	1:31:05 - Rosa stumbles towards the train	agitated \| climax \| combination of themes \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train effect \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:21 - Rosa stumbles towards the train	climax \| desperate \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| popular tune \| stumbling \| tense \| train \| train station \| walking
Beyond the Forest (1949)	Chicago	1:31:26 - The train leaves the station	agitated \| climax \| departing \| familiar tune \| leading lady \| madness \| mad scene \| murderer \| obsessive \| popular tune \| shrill \| tense \| train \| train station
Beyond the Forest (1949)	Stinger	1:31:51 - Rosa dead	arriving \| climax \| dark \| death \| doctor \| husband \| leading lady \| leading man \| mad scene \| murderer \| solemn \| stinger \| train \| train station \| walking
Beyond the Forest (1949)	Rosa	1:32:10 - Lewis arrives	arriving \| checking \| climax \| dark \| death \| doctor \| dramatic \| husband \| leading lady \| leading man \| mad scene \| murderer \| reacting \| tender \| train \| train station
The Big Sleep (1946)	Running out	0:56:36 - Marlowe runs after the killer	assassin \| chase scene \| chasing \| chromatic scale \| combination of themes \| dramatic \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| private eye \| room \| running \| stairs \| stinger
The Big Sleep (1946)	Down the Stairs + The Chase + Marlowe (Action)	0:56:39 - Marlowe chases the killer	assassin \| chase scene \| chasing \| chromatic parallelism \| chromatic scale \| descending \| dissonant bass \| dramatic \| gun \| gunshot \| heroic \| layering \| leading man \| murderer \| private eye \| room \| running \| stairs \| tense
The Big Sleep (1946)	Underscoring (Dramatic)	0:56:54 - Killer shoots at Marlowe	assassin \| chase scene \| chasing \| chromatic scale \| dramatic \| leading man \| murderer \| pc set \| private eye \| running \| shooting \| street \| tense \| underscoring \| whole-tone \| whole-tone chord \| whole-tone scale
The Big Sleep (1946)	Marlowe (Action)	0:57:01 - Marlowe runs to his car	64 chord \| assassin \| augmented sixth chord \| chase scene \| chasing \| common-tone diminished 7th \| dramatic \| fragmentation \| heroic \| leading man \| murderer \| private eye \| running \| sequential modulation \| street \| tense
The Big Sleep (1946)	The Pursuit	0:57:09 - Marlowe pursues killer in his car	assassin \| car \| chase scene \| chasing \| chromatic scale \| dissonant bass \| driving \| gun \| hiding \| leading man \| murderer \| ostinato \| private eye \| pursuing \| street \| syncopation \| tense
The Big Sleep (1946)	Marlowe (Sinister)	0:58:24 - Marlowe takes Carol to Geiger's house	arriving \| assassin \| conflict \| dark \| gun \| leading man \| murderer \| private eye \| punching \| sinister \| stinger \| street \| whole-tone chord
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| pc set \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	Glass drops	1:29:49 - Jones drops his glass	breaking \| death \| death scene \| dropping \| glass \| leading man \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Jones falls	1:29:50 - Jones falls and dies	chromatic parallelism \| death \| death scene \| dying \| falling \| leading man \| major 7th chord \| mickey-mousing \| murder \| mysterious \| pc set \| poison \| private eye \| room \| victim \| violent
The Big Sleep (1946)	Underscoring (Tense)	1:30:01 - Marlowe investigates the crime scene	dark \| death \| death scene \| dying \| leading man \| murder \| private eye \| room \| tense \| underscoring \| victim
The Big Sleep (1946)	Underscoring (Tense)	1:35:26 - Marlowe talks to two thugs	conflict \| criminal \| investigating \| leading man \| lying \| murderer \| pc set \| private eye \| shop \| tense \| underscoring
The Big Sleep (1946)	Jones (Suspenseful)	1:35:47 - Marlowe talks to two thugs	conflict \| criminal \| dark \| diminution \| investigating \| leading man \| lying \| murderer \| mysterious \| parallelism \| pedal tone \| private eye \| shop \| suspenseful
The Big Sleep (1946)	Marlowe (Ear Music)	1:36:04 - Marlowe talks to two thugs	conflict \| criminal \| danger \| fragmentation \| investigating \| leading man \| lying \| murderer \| mysterious \| private eye \| shop \| tense \| whole-tone chord
The Big Sleep (1946)	Marlowe (Gets Hit)	1:36:20 - The thug punches Marlowe	chromatic scale \| conflict \| criminal \| danger \| dramatic \| leading man \| mickey-mousing \| murderer \| private eye \| punching \| shop \| whole-tone chord
City for Conquest (1940)	Mysterioso	1:13:36 - Googi leaves	augmented triad \| chromatic parallelism \| criminal \| gangster \| leaving \| locker room \| manager \| murder scene \| mysterious \| parallelism \| whole-tone
City for Conquest (1940)	Googi (The Car)	1:13:38 - Googi in the car	car \| car \| conversing \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder scene \| ominous \| tense \| trill
City for Conquest (1940)	Tone Poem A (Ominous)	1:14:02 - Googi talks with the boxing managers	9th chord \| arguing \| car \| car \| criminal \| dissonant bass \| driving \| fragmentation \| gangster \| manager \| murder scene \| ominous \| tense
City for Conquest (1940)	Shooting and dying	1:14:23 - Googi shoots Dutch	car \| car \| criminal \| dramatic \| dying \| gangster \| gun \| manager \| mickey-mousing \| murder \| murderer \| murdering \| murder scene \| shooting \| stinger \| tense
City for Conquest (1940)	Googi (The Car)	1:14:32 - Googi threatens Cobb	car \| car \| criminal \| diminished 7th chord \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening \| trill
City for Conquest (1940)	Googi (Hysterical)	1:14:42 - Cobb pleads for mercy	augmented triad \| begging \| car \| car \| chromatic sequence \| criminal \| driving \| equal division of octave \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Underscoring (Tense)	1:14:48 - Googi threatens Cobb	car \| car \| chromatic parallelism \| chromatic scale \| criminal \| dissonant bass \| driving \| gangster \| manager \| murder \| murderer \| murder scene \| ominous \| tense \| threatening
City for Conquest (1940)	Slap	1:14:53 - Googi slaps Cobb	car \| car \| chromatic parallelism \| criminal \| gangster \| manager \| mickey-mousing \| murder \| murderer \| murder scene \| ominous \| pc set \| slapping \| tense
City for Conquest (1940)	Tone Poem A (Very Rough)	1:15:00 - The car pulls to a stop	arriving \| car \| criminal \| dark \| dock \| driving \| gangster \| manager \| murderer \| murder scene \| threatening \| tritone \| whole-tone chord
City for Conquest (1940)	Googi (Dead Man)	1:15:09 - They pull out the dead man	car \| chromatic scale \| conversing \| corpse \| criminal \| disposing \| dock \| gangster \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| whole-tone chord \| working
City for Conquest (1940)	Gun falls	1:15:13 - A gun falls to the ground	car \| corpse \| criminal \| dock \| dropping \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Googi (Molto Mysterioso e Screwyoso)	1:15:19 - Cobb sees the gun	car \| chromatic parallelism \| conversing \| corpse \| criminal \| disposing \| dissonant bass \| dock \| fragmentation \| gangster \| half-diminished 7th chord \| manager \| murderer \| murder scene \| ominous \| ostinato \| tense \| tritone oscillation \| working
City for Conquest (1940)	Kicks body	1:15:22 - Googi kicks the body into the water	chromatic scale \| corpse \| criminal \| dock \| dropping \| gangster \| kicking \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense
City for Conquest (1940)	Throws gun away	1:15:30 - Googi throws a gun in the water	criminal \| dock \| gangster \| gun \| manager \| mickey-mousing \| murderer \| murder scene \| ominous \| tense \| throwing
City for Conquest (1940)	Googi dies	1:15:34 - Googi is shot	chromatic parallelism \| criminal \| dock \| dying \| falling \| gangster \| gun \| gunshot \| half-diminished 7th chord \| manager \| mickey-mousing \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
City for Conquest (1940)	Tone Poem A (Death)	1:15:39 - Googi dies	criminal \| diminished 7th chord \| dissonant bass \| dock \| dying \| falling \| gangster \| gun \| gunshot \| manager \| murderer \| murdering \| murder scene \| ominous \| shooting \| slumping \| tense
They Made Me a Criminal (1939)	So Help Me (If I Don't Love You)	0:05:54 - Johnnie and Goldie relaxing	drinking \| floozy \| jaunty \| kissing \| leading man \| murder scene \| popular song \| radio \| room \| source music
They Made Me a Criminal (1939)	When a Prince of a Fella Meets a Cinderella	0:06:23 - Johnnie talks to his manager	dancing \| drinking \| floozy \| jaunty \| laughing \| leading man \| murder scene \| parallel double period \| partying \| radio \| room \| source music
They Made Me a Criminal (1939)	Saving Myself For You (I've Been)	0:08:02 - Johnnie at a party	AABA structure \| attacking \| conversing \| drinking \| fighting \| floozy \| jaunty \| leading man \| murder \| murdering \| murder scene \| partying \| radio \| room \| source music \| violence
They Made Me a Criminal (1939)	They Say	0:13:05 - Doc and Goldie in Johnnie's car	action scene \| car \| car \| criminal \| drinking \| driving \| floozy \| happy \| murderer \| radio \| source music
Death of a Scoundrel (1956)	Underscoring (Mysterious)	1:40:02 - Detectives tell Clementi of Zina's death, note, and phone call	dark \| detective \| flashback \| murder \| note \| poison \| suicide \| underscoring
Each Dawn I Die (1939)	Underscoring (Dramatic)	0:05:24 - Frank is framed for drunk driving	9th chord \| attacking \| car \| conflict \| diminished 7th chord \| dramatic \| gangster \| hero \| leading man \| minor second \| murder \| pushing \| reporter \| setup \| street \| underscoring \| violence
Each Dawn I Die (1939)	Don’t Give Up the Ship	0:26:47 - Prison orchestra plays	arriving \| entering \| military band \| murder scene \| on-screen music \| orchestra \| parallel double period \| patriotic \| prison \| prisoner \| source music
Each Dawn I Die (1939)	Wings Over the Navy	0:28:04 - Prisoners watch a movie	dying \| film music \| knife \| movie \| murdering \| murder scene \| patriotic \| prison \| prisoner \| source music \| watching
The FBI Story (1959)	Waving Goodbye	0:02:20 - Son waves goodbye to his mother on the plane	airport \| departure \| menacing \| murder \| plane \| suspense
The FBI Story (1959)	Time Bomb 1	0:02:31 - Plane takes off and flies through the air	bomb \| machine \| menacing \| murder \| plane \| suspense \| ticking \| time bomb
The FBI Story (1959)	FBI March A (Doloroso)	1:12:36 - Sam dies in Chip's arms	death \| FBI \| flashback \| murder
Hell on Frisco Bay (1955)	Steve	0:53:15 - Steve leaves	action scene \| aiming \| conductor score \| dark \| gangster \| investigator \| leading man \| murderer \| neutral \| shooting \| street \| tense \| walking
Hell on Frisco Bay (1955)	Menace	0:53:30 - Hammy tries to escape	action scene \| conductor score \| dramatic \| escaping \| fleeing \| gangster \| hurried \| investigator \| leading man \| murderer \| running \| shooting \| street \| tense
Hell on Frisco Bay (1955)	Amato	1:20:16 - News of Mario's death	brash \| cut from film \| death \| montage \| montage \| murder \| suicide \| typing
Hell on Frisco Bay (1955)	Underscoring (Dramatic)	1:30:27 - Steve tells Anna that Mario was murdered	advance plot \| conversing \| dark \| investigator \| leading man \| murder \| ominous \| priest \| room \| shock \| wife
Hell on Frisco Bay (1955)	Amato	1:32:23 - Amato shoots Lye	action scene \| brash \| gangster \| gun \| gunshot \| leading man \| murder \| murdering \| room \| shooting \| tense \| violence \| yelling
Hell on Frisco Bay (1955)	Lye's Death	1:32:58 - Lye is killed	action scene \| brash \| gangster \| harsh \| leading man \| murder \| murdering \| shooting \| street \| violence
Her Kind of Man (1946)	Steve Shoots Sister	1:03:37 - Steve shoots his sister	action scene \| chromatic scale \| club \| crowd \| dramatic \| dying \| gambler \| husband \| leading man \| murderer \| police \| reacting \| shooting \| sister \| underscoring \| victim
Her Kind of Man (1946)	The Escape	1:03:50 - Steve tries to escape	action scene \| car \| chasing \| club \| crowd \| dramatic \| driving \| escaping \| gambler \| husband \| jumping \| leading man \| mickey-mousing \| murderer \| police \| running \| sister \| street \| victim
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:07:50 - Don leaves	advance plot \| arriving \| car \| car \| criminal \| driving \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| mysterious \| popular music \| signaling \| singer \| street \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Mysterious)	1:11:11 - Georgia leaves	advance plot \| departing \| familiar tune \| gambler \| leading lady \| leading man \| murderer \| mysterious \| popular music \| singer \| warehouse \| wife
Her Kind of Man (1946)	Candy	1:11:27 - Candy approaches the warehouse	advance plot \| arriving \| criminal \| gambler \| henchman \| leading man \| murderer \| pc set \| tense \| walking \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tense)	1:11:43 - Steve talks to Candy	advance plot \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| tense \| warehouse
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| common-tone diminished 7th \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:12:07 - Steve talks to Candy	advance plot \| arguing \| chromatic parallelism \| conversing \| criminal \| gambler \| henchman \| leading man \| murderer \| pedal tone \| slapping \| tense \| underscoring \| warehouse
Her Kind of Man (1946)	Underscoring (Dark [Steiner])	1:12:32 - Candy reacts	9th chord \| advance plot \| arguing \| conversing \| criminal \| dark \| gambler \| half-diminished 7th chord \| henchman \| leading man \| murderer \| ominous \| ostinato \| underscoring \| warehouse
Her Kind of Man (1946)	Candy (Dark)	1:12:58 - Candy leaves	bar \| calling \| conversing \| criminal \| dark \| double-cross \| gambler \| henchman \| husband \| leading man \| murderer \| ominous \| pc set \| stinger \| telephone \| turning point \| warehouse
Her Kind of Man (1946)	Underscoring (Tense [Steiner])	1:15:00 - Candy in the alley	arriving \| climax \| criminal \| double-cross \| driving \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| signaling \| sneaking \| street \| syncopation \| tense \| underscoring \| warehouse \| widow
Her Kind of Man (1946)	Candy (Tragic)	1:15:28 - Candy in the shadows	chromatic scale \| climax \| conversing \| criminal \| double-cross \| gambler \| henchman \| hiding \| husband \| leading man \| murderer \| revenge \| sequence \| street \| tense \| tragic \| walking \| widow
Her Kind of Man (1946)	Underscoring (Dramatic [Steiner])	1:15:53 - Joe shoots at Steve	climax \| criminal \| double-cross \| dramatic \| dying \| falling \| gambler \| gun \| gunshot \| henchman \| husband \| leading man \| murder \| murderer \| parallelism \| revenge \| shooting \| street \| widow
Her Kind of Man (1946)	Candy (Mr. Candy)	1:16:09 - Candy bends over Steve's body	chromatic scale \| climax \| conversing \| criminal \| dark \| double-cross \| dying \| gambler \| heavy \| henchman \| leading man \| murder \| murderer \| revenge \| street
Her Kind of Man (1946)	Speeding	1:16:29 - Candy tries to run away	arriving \| capturing \| car \| chromatic parallelism \| chromatic scale \| chromatic sequence \| climax \| criminal \| double-cross \| dramatic \| gambler \| henchman \| leading man \| murder \| murderer \| omnibus progression \| police \| reporter \| revenge \| running \| street \| tense
Her Kind of Man (1946)	Candy (Agitato)	1:16:53 - Don confronts Candy	agitated \| arguing \| climax \| confronting \| criminal \| double-cross \| gambler \| henchman \| leading man \| murder \| murderer \| pc set \| police \| reporter \| revenge \| sequence \| street \| tense
Her Kind of Man (1946)	It Had to Be You (Tragic)	1:17:10 - Georgia holds Steve	9th chord \| augmented triad \| climax \| comforting \| conversing \| corpse \| cradling \| criminal \| crying \| death \| dying \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| police \| popular music \| reporter \| singer \| street \| tense \| tragic \| wife
Her Kind of Man (1946)	Water	1:17:41 - Steve's corpse	9th chord \| corpse \| criminal \| death \| flowing \| gambler \| henchman \| leading lady \| leading man \| murderer \| panning shot \| police \| reporter \| resolution \| singer \| street \| swirling \| tense \| tragic \| voice-over \| water \| water effect \| wife
Her Kind of Man (1946)	It Had to Be You (The End)	1:18:02 - The End	added-note chord \| criminal \| dark \| death \| dramatic \| end title sequence \| gambler \| henchman \| leading lady \| leading man \| mode mixture \| murderer \| police \| reporter \| singer \| street \| The End \| tragic \| wife
I Was a Communist for the FBI (1951)	FBI (Molto Marcato)	0:59:03 - FBI man enters with a gun	agent \| arresting \| communist \| gun \| leading lady \| leading man \| murder scene \| noble \| room \| sneaking \| spy \| stinger \| street \| teacher \| tense \| undercover agent
I Was a Communist for the FBI (1951)	Undercover Agent (Tense)	0:59:26 - FBI man holds gun on commie agents	acceleration \| agent \| arresting \| communist \| dark \| dialing \| gun \| murder scene \| room \| spy \| tense \| tritone oscillation
I Was a Communist for the FBI (1951)	Throws lamp	0:59:39 - Commie throws lamp at FBI man	agent \| augmented triad \| chromatic parallelism \| communist \| dramatic \| falling \| lamp \| mickey-mousing \| murder scene \| room \| spy \| throwing
I Was a Communist for the FBI (1951)	Agents Fight	0:59:39 - Communists fight the FBI man	agent \| attacking \| augmented triad \| chromatic parallelism \| communist \| death \| dramatic \| fighting \| knife \| minor-major 7th chord \| murder \| murder scene \| pc set \| polychord \| room \| spy \| stabbing \| stinger \| tritone oscillation
Illegal (1955)	Victim	0:00:25 - Woman (Gloria) brushes her hair then realizes a man is there who then shoots her	gun \| gunshot \| murder \| sinister
Illegal (1955)	Police Car (Agitato)	0:11:10 - Newspaper man reads the headline out and sells a paper to the reporter	murder \| newspaper
Illegal (1955)	The Bus	0:46:09 - Man runs to catch bus and is shot	bus \| gun \| gunshot \| murder \| traveling
Illegal (1955)	Frank Garland (Maestoso)	0:46:33 - Crowd runs to help shot man and murderer smiles and walks away with hidden gun	gun \| gunshot \| murder \| sinister
Illegal (1955)	Menace	1:21:20 - Frank orders Andy to kill Vic	murder \| villain
Key Largo (1948)	Rocco 2 (Dead Body)	1:14:20 - Sheriff discovers the dead body	alarmed \| conflict \| corpse \| discovering \| horror \| hotel \| mickey-mousing \| murder \| police \| rolling
Key Largo (1948)	Underscoring (Dramatic)	1:14:48 - Sheriff finds out that it is Sawyer	conflict \| corpse \| discovering \| dramatic \| hotel \| murder \| realizing \| sheriff \| tense \| underscoring
Key Largo (1948)	Rocco (Tense)	1:15:03 - Rocco claims the Indians murdered Sawyer	angry \| boss \| conflict \| dock \| gangster \| lying \| murder \| police \| tense \| violent
The Letter (1940)	Leslie (Shimmery)	0:02:57 - Leslie stands over the dead body	cloud \| death \| half-diminished 7th chord \| home \| leading lady \| moon \| murder \| murderer \| murder scene \| mysterious \| oscillation \| parallelism \| plantation \| sequence \| suspension \| watching
The Letter (1940)	Leslie (Revolver)	0:03:43 - A pistol lies on the steps	changing meter \| conversing \| foreign key modulation \| fragmentation \| gun \| harmonic sequence \| home \| leading lady \| murderer \| murder scene \| oscillation \| sequential modulation \| servant \| tense
The Letter (1940)	Native 2	0:04:12 - Leslie talks to the workers	conversing \| home \| leading lady \| murderer \| murder scene \| open fifth \| pentatonic \| servant \| stinger \| tense \| underscoring
The Letter (1940)	Underscoring (Mysterious)	0:04:29 - Leslie leaves the room	Dorian mode \| home \| leaving \| murder scene \| mysterious \| servant \| underscoring
The Letter (1940)	Leslie (Mysterioissimo)	0:04:42 - A shadow appears	circle of fifths \| common-chord modulation \| foreign key modulation \| fragmentation \| home \| leading lady \| light \| looking \| murder scene \| mysterious \| oscillation \| parallel fifths \| servant \| turning on
The Letter (1940)	Leslie (Lacework)	0:04:55 - Worker picks up Leslie's lacework	changing meter \| crying \| foreign key modulation \| home \| leading lady \| murder scene \| mysterious \| oscillation \| sequence \| sequential modulation
The Letter (1940)	Underscoring (Dramatic)	0:06:04 - Robert leaves	action scene \| conversing \| death \| dramatic \| husband \| murder \| servant \| underscoring \| warehouse
The Letter (1940)	Robert and Leslie	0:15:28 - Robert comforts Leslie	advance plot \| appoggiatura \| comforting \| crying \| gentle \| home \| leading lady \| love theme \| murder \| pedal tone \| sigh gesture \| suspension
The Letter (1940)	Andante Doloroso + Leslie	0:15:53 - Men go to look at dead body	advance plot \| combination of themes \| dark \| death \| murder \| parallelism \| plantation \| reveal \| servant \| sinister \| walking
The Letter (1940)	Leslie (Dark)	0:16:09 - Men look at dead body	advance plot \| augmented major 7th chord \| changing meter \| chromatic parallelism \| creeping \| dark \| death \| dissonant bass \| investigating \| murder \| pc set \| plantation \| servant \| shadow \| sinister
The Letter (1940)	Murder	0:18:36 - Leslie reacts to the mention of murder	advance plot \| eating \| home \| leading lady \| major 7th chord \| murder \| mysterious \| oscillation \| stinger \| tense
The Letter (1940)	Leslie (Tragic)	1:17:59 - Leslie confesses to Robert	changing meter \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence \| sequential modulation \| suspension
The Letter (1940)	Leslie B (Ethereal)	1:18:13 - Leslie confesses to Robert	chromatic sequence \| confessing \| conflict \| dramatic \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Leslie (Dramatic)	1:18:32 - Leslie confesses to Robert	confessing \| conflict \| crying \| dramatic \| half-diminished 7th chord \| home \| husband \| lawyer \| leading lady \| letter \| murder \| oscillation \| recounting \| sequence
The Letter (1940)	Robert and Leslie (Mournful)	1:19:00 - Robert cries after hearing the confession	conflict \| crying \| crying gesture \| home \| husband \| lawyer \| leading lady \| letter \| love theme \| mournful \| murder \| pedal tone \| retardation \| sad \| suspension
The Letter (1940)	Mrs. Hammond (Revenge)	1:33:01 - Mrs. Hammond stabs Leslie	64 chord \| antagonist \| Chinese \| Chinese \| climax \| dagger \| leading lady \| murder \| open fifth \| parallel fifths \| parallelism \| pentatonic \| plantation \| somber \| walking
Lightning Strikes Twice (1951)	Father Paul (Ominous)	1:21:26 - Liza admits to murder	brother \| confessing \| confession \| dark \| murderer \| ominous \| rancher \| room \| truth \| turning point
Lightning Strikes Twice (1951)	Molto Agitato	1:21:32 - String gets angry	anger \| angry \| brother \| murderer \| rancher \| room \| threatening \| turning point
Lightning Strikes Twice (1951)	Menace (Poco Meno)	1:21:41 - String calms down	brother \| conversing \| danger \| murderer \| rancher \| room \| tense \| thematic transference \| turning point
Lightning Strikes Twice (1951)	Anger (Extended)	1:21:51 - String plans to leave	brother \| conversing \| murderer \| plotting \| rancher \| room \| tense \| turning point \| underscoring
Lightning Strikes Twice (1951)	Liza (Dolce)	1:22:09 - Liza in a daze	disorientation \| lost love \| murderer \| rancher \| romantic \| room \| tender \| thinking \| turning point
Lightning Strikes Twice (1951)	Trev (Ethereal)	1:22:19 - Liza in a daze	disorientation \| lost love \| murderer \| rancher \| room \| thinking \| turning point \| uneasy
Lightning Strikes Twice (1951)	Menace (Tense)	1:22:36 - Liza wanders through the house	headlights \| murderer \| rancher \| room \| tense \| thinking \| turning point \| uneasy \| wandering
Lightning Strikes Twice (1951)	Menace (Expressivo)	1:22:56 - Liza looks out the window	actor \| arriving \| car \| dark \| leading lady \| looking \| menacing \| murderer \| obsessive \| ranch \| rancher \| room \| turning point \| watching \| worrying
Lightning Strikes Twice (1951)	Shelly (Frantic)	NIF - not in film	actor \| conflict \| crying \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room
Lightning Strikes Twice (1951)	Menace (Frantic)	NIF - not in film	actor \| arguing \| conflict \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room
Lightning Strikes Twice (1951)	Menace (Attack)	NIF - not in film	actor \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| leading lady \| murderer \| rancher \| room \| strangling
Lightning Strikes Twice (1951)	Shelly (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 2 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Shelly 3 (Attack)	NIF - not in film	actor \| arriving \| attacking \| attempted murder \| conflict \| cut from film \| dark \| frantic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| rushing \| strangling
Lightning Strikes Twice (1951)	Trev (Realization)	1:26:36 - Close-up on Trev's face	actor \| anger \| chasing \| climax \| close-up \| dark \| friend \| husband \| leading lady \| leading man \| menacing \| murderer \| rancher \| realizing \| room \| zoom in
Lightning Strikes Twice (1951)	Underscoring (Dramatic)	1:26:47 - Trev runs after Liza	actor \| anger \| chasing \| climax \| dramatic \| friend \| husband \| leading lady \| leading man \| murderer \| rancher \| room \| running \| underscoring
Lightning Strikes Twice (1951)	Escape	1:26:51 - Liza runs away	actor \| brother \| chasing \| climax \| dark \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Trev runs	1:27:01 - Trev runs after Liza	chasing \| climax \| dramatic \| husband \| leading man \| mickey-mousing \| murderer \| ranch \| rancher \| running \| tense
Lightning Strikes Twice (1951)	Escape (Getaway)	1:27:08 - Trev runs back inside	actor \| brother \| chasing \| climax \| dramatic \| escaping \| friend \| husband \| leading lady \| leading man \| murderer \| ranch \| rancher \| room \| tense
Lightning Strikes Twice (1951)	Menace (The Chase)	1:27:42 - Liza and String drive away	brother \| car \| chasing \| climax \| countryside \| dramatic \| driving \| escaping \| frantic \| motorcycle \| murderer \| police \| rancher \| speeding \| tense
Lightning Strikes Twice (1951)	Menace (The Crash)	1:28:30 - Liza drives off the hill	brother \| car \| car crash \| climax \| countryside \| crashing \| death \| dramatic \| dying \| murderer \| police \| rancher \| tense
Mildred Pierce (1945)	Monte is shot	0:01:50 - Monte is shot	chromatic parallelism \| collapsing \| death \| dying \| falling \| gun \| gunshot \| major 7th chord \| mickey-mousing \| murder \| murder scene \| room \| staggering \| tragic
Mildred Pierce (1945)	Mildred (Murder)	0:01:59 - Bullet holes in the mirror	11th chord \| augmented sixth chord \| dark \| death \| dying \| leaving \| murder \| murder scene \| room \| somber
Mildred Pierce (1945)	Murdered Man	0:10:06 - Wally discovers the body	action scene \| corpse \| dark \| death \| dramatic \| friend \| linear chromaticism \| looking \| mickey-mousing \| murder \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Phone rings	0:10:16 - Phone rings	action scene \| death \| friend \| mickey-mousing \| murder \| ringing \| room \| split-7th chord \| telephone \| tense \| victim
Mildred Pierce (1945)	Underscoring (Dramatic)	0:10:21 - Wally reacts to the situation	action scene \| breaking \| chromatic parallelism \| chromatic scale \| chromatic wedge \| death \| dramatic \| escaping \| friend \| half-diminished 7th chord \| hurrying \| mickey-mousing \| murder \| room \| running \| smashing \| sneaking \| telephone \| underscoring \| victim \| walking \| whole-tone chord \| worrying
Mildred Pierce (1945)	Underscoring (Tense)	0:13:03 - Mildred leaves with the detectives	advance plot \| conversing \| detective \| foreign key modulation \| heroine \| leading lady \| murder \| street \| tense \| underscoring
Mildred Pierce (1945)	Monte is shot 2	1:47:28 - Monte is shot	antagonist \| chromatic parallelism \| collapsing \| death \| dying \| falling \| gun \| gunshot \| major 7th chord \| mickey-mousing \| murder \| murderer \| murder scene \| room \| staggering \| tragic
Mildred Pierce (1945)	Kay and Veda (Ominous)	1:47:42 - Mildred rushes in to check on Veda	antagonist \| confessing \| dark \| daughter \| heroine \| leading lady \| lying \| murder \| murderer \| murder scene \| ominous \| room
Mildred Pierce (1945)	Mildred B (Angry)	1:48:06 - Veda confesses to Mildred	angry \| antagonist \| confessing \| confession \| daughter \| diminished 7th chord \| fragmentation \| heroine \| leading lady \| lying \| murderer \| murder scene \| pc set \| room \| tense
Mildred Pierce (1945)	Kay and Veda (Troubled)	1:48:22 - Veda pleads for help to escape	antagonist \| begging \| chromatic scale \| confessing \| daughter \| distressed \| fragmentation \| frantic \| heroine \| leading lady \| murderer \| murder scene \| room \| sequence \| whole-tone chord
Mildred Pierce (1945)	Mildred (Ominous)	1:48:41 - Mildred calls the police	antagonist \| begging \| chromatic sequence \| daughter \| fragmentation \| heroine \| imitation \| leading lady \| murderer \| murder scene \| ominous \| room \| tense
Mildred Pierce (1945)	Underscoring (Tense)	1:48:54 - Veda asks her mother not to turn her in	antagonist \| begging \| daughter \| foreign key modulation \| heroine \| leading lady \| murderer \| murder scene \| room \| tense \| underscoring
Mildred Pierce (1945)	Kay and Veda (Returning Home 2)	1:49:17 - Veda convinces her mother to not report her	antagonist \| crying \| daughter \| heroine \| leading lady \| loving \| mode mixture \| mother \| murderer \| murder scene \| reverse picardy \| room \| sacrificing \| tender \| warm
Mildred Pierce (1945)	Kay and Veda (Triste)	1:49:37 - Veda is led out by the police	antagonist \| conversing \| daughter \| defeat \| detective \| heroine \| leading lady \| leaving \| mother \| murderer \| police station \| resigned \| resolution \| sigh gesture \| somber
Out of the Fog (1941)	Russian Barcarolle (Menacing)	1:09:32 - Goffs sees Olaf holding a lead pipe	arguing \| attempted murder \| climax \| criminal \| dark \| fisherman \| friend \| leading man \| menacing \| ominous \| sea \| stinger
Out of the Fog (1941)	Underscoring (Dramatic)	1:09:45 - Goff struggles with Jonah and Olaf	attempted murder \| climax \| criminal \| dramatic \| fighting \| fisherman \| friend \| leading man \| punching \| sea \| underscoring
Out of the Fog (1941)	Russian Barcarolle (Drowning)	1:09:58 - Goff drowns	attempted murder \| climax \| criminal \| dark \| death \| drowning \| fisherman \| friend \| leading man \| ominous \| sea
We Are Not Alone (1939)	Frohe Botschaft (Drifting)	1:14:30 - David gives Leni money for her travels	altered dominant \| arrest \| arresting \| chromatic parallelism \| conflict \| conversing \| dark \| death \| familiar tune \| folk song \| gentle \| German \| happy \| hero \| heroine \| mode mixture \| murder \| police \| quotation \| sad \| sweet \| tense \| train station \| whole-tone chord
White Heat (1949)	Steam	0:04:54 - Man gets burned by steam from train	burning \| bursting \| countryside \| dramatic \| establish character \| falling \| gangster \| leading man \| murderer \| pain \| robbery \| steam \| steam effect \| stinger \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Danger	0:05:02 - Gangsters leap from the train	announcer \| countryside \| dramatic \| escaping \| establish character \| gangster \| jumping \| leading man \| murderer \| pain \| radio \| robbery \| tense \| train \| train engineer \| victim \| writhing
White Heat (1949)	Big Ed	0:06:00 - Big Ed talks to Cody	arriving \| dark \| establish character \| gangster \| leading man \| murderer \| room \| tense \| victim
White Heat (1949)	Thinking	0:06:23 - Cody walks across the room	establish character \| gangster \| leading man \| mother \| murderer \| room \| tense \| thinking \| victim \| walking
White Heat (1949)	Stirring the pot	0:06:29 - Ma stirs food in a pot	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| stirring \| uneasy \| victim
White Heat (1949)	Ma	0:06:34 - Ma cooks dinner	cooking \| establish character \| gangster \| leading man \| mother \| murderer \| room \| uneasy \| victim
White Heat (1949)	Moll	0:06:40 - Verna sleeps	calm \| establish character \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| sleeping \| snoring \| waking
White Heat (1949)	Verna	0:06:56 - Verna gets up	arguing \| bluesy \| complaining \| dark \| establish character \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| rising \| room \| victim \| waking
White Heat (1949)	Rushing	0:10:49 - A gangster comes in the door	advance plot \| arguing \| dark \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| punching \| room \| storm \| tense \| victim \| wind
White Heat (1949)	Plotting	0:11:21 - Cody packs up money in a suitcase	conversing \| dark \| gangster \| leading lady \| leading man \| love scene \| moll \| money \| murderer \| packing \| room \| tense \| transition
White Heat (1949)	Verna (Molto Expressivo)	0:11:38 - Verna embraces Cody	bluesy \| conversing \| dark \| embracing \| flirting \| gangster \| kissing \| leading lady \| leading man \| love scene \| moll \| money \| mother \| murderer \| room \| victim \| waltz
White Heat (1949)	Underscoring (Dark)	0:12:14 - Zuckie pleads with Cody	conversing \| dark \| death \| funereal \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| pleading \| room \| underscoring \| victim
White Heat (1949)	Zuckie's Death	0:12:29 - Cody ignores Zuckie	crying \| dark \| death \| departing \| funereal \| gangster \| leading lady \| leading man \| moaning \| moll \| mother \| murderer \| murder scene \| pleading \| room \| somber \| victim
White Heat (1949)	Plotting (Extended)	0:12:45 - Ma warns Cody that Zuckie may talk	dark \| death \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| plotting \| victim \| warning \| yard
White Heat (1949)	Underscoring (Dramatic)	0:12:57 - Cody orders Cotton to shoot Zuckie	commanding \| dark \| death \| dramatic \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| stinger \| underscoring \| victim \| yard
White Heat (1949)	Plotting (Ugly)	0:13:06 - Cotton goes to kill Zuckie	dark \| death \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| mysterious \| victim \| walking \| yard
White Heat (1949)	Zuckie's Death	0:13:32 - Gangsters get in the car	dark \| death \| departing \| funereal \| gangster \| gun \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| somber \| victim \| walking \| yard
White Heat (1949)	Cody (Molto Marcato)	0:13:59 - Cody walks to the car	bold \| dark \| departing \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| murder scene \| victim \| violent \| walking \| yard
White Heat (1949)	Verna (Glance)	0:14:04 - Verna looks at Big Ed	bluesy \| car \| dark \| female \| looking \| murder scene \| smiling
White Heat (1949)	Driving	0:14:09 - The gangsters drive away	dark \| departing \| driving \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| rushing \| self-borrowing \| street \| transition
White Heat (1949)	Speed	0:16:46 - Sign for Milbanke Motels	arriving \| car \| dark \| driving \| gangster \| leading man \| murderer \| self-borrowing \| street \| tense \| transition
White Heat (1949)	Backing up	0:17:00 - Cody backs up	arriving \| backing up \| car \| dark \| driving \| gangster \| leading man \| mickey-mousing \| murderer \| street \| tense \| transition
White Heat (1949)	Con Moto	0:17:09 - Cody gets out of his car	conflict \| dramatic \| gangster \| leading man \| murderer \| opening \| rushing \| searching \| street \| tense
White Heat (1949)	Danger (Con Moto)	0:17:39 - Cody argues with Verna	agitated \| arguing \| conflict \| gangster \| leading lady \| leading man \| moll \| murderer \| room \| tense
White Heat (1949)	Verna falls	0:18:05 - Verna falls off the chair	agitated \| chair \| conflict \| couch \| falling \| gangster \| kicking \| landing \| leading lady \| leading man \| mickey-mousing \| moll \| murderer \| room \| tense
White Heat (1949)	Danger (Molto Agitato)	0:23:25 - Evans points a gun at Cody	action scene \| agent \| agitated \| arresting \| dying \| falling \| gangster \| gun \| gunshot \| leading man \| murderer \| shooting \| street \| tense \| wound
White Heat (1949)	Danger (Escaping)	0:23:32 - Verna and Ma rush out	action scene \| agent \| dramatic \| escaping \| gangster \| leading lady \| leading man \| moll \| mother \| murderer \| room \| rushing \| street \| wound
White Heat (1949)	Agitato (Escaping)	0:23:37 - Evans struggles on the ground	action scene \| agent \| agitated \| car \| dramatic \| driving \| escaping \| gangster \| gun \| gunshot \| leading lady \| leading man \| moll \| mother \| murderer \| shooting \| street \| struggling \| tense \| wound
White Heat (1949)	Driving (Extended)	0:23:46 - The gangsters speed away	action scene \| agent \| car \| chasing \| dark \| dramatic \| gangster \| leading lady \| leading man \| menacing \| moll \| mother \| murderer \| speeding \| street \| wound
White Heat (1949)	Speed (Frantic)	0:24:11 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| rushing \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Frantic)	0:24:26 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate)	0:24:44 - The gangsters speed away	car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| street \| tense
White Heat (1949)	Pursuit (Fleeing)	0:24:50 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| motor effect \| murderer \| speeding \| street \| tense
White Heat (1949)	Agents + Pursuit (Rising)	0:24:58 - Ernie chases the gangsters	agent \| car \| chase scene \| chasing \| combination of themes \| dramatic \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| speeding \| street \| tense
White Heat (1949)	Speed (Desperate 2)	0:25:03 - The gangsters speed away	agent \| car \| chase scene \| chasing \| dramatic \| drive-in theater \| frantic \| leading lady \| leading man \| moll \| mother \| murderer \| self-borrowing \| speeding \| tense
White Heat (1949)	Underscoring (Dramatic)	0:35:05 - Judge sentences Cody	courtroom \| courtroom scene \| dark \| dramatic \| gangster \| judge \| leading man \| murderer \| sentencing \| underscoring \| verdict
White Heat (1949)	T-Men (Molto Misterioso)	0:35:30 - Cody walks away	courtroom \| courtroom scene \| dramatic \| gangster \| judge \| leading man \| murderer \| prison \| prisoner \| stinger \| undercover agent \| walking
White Heat (1949)	Prison Fight	0:37:48 - Hank sees Bo Creel	action scene \| falling \| fighting \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Punching and falling	0:38:03 - Hank punches inmate	action scene \| dramatic \| falling \| gangster \| guard \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| punching \| tense \| undercover agent
White Heat (1949)	Misterioso (Tense)	0:40:12 - Hank looks around	advance plot \| gangster \| leading man \| looking \| murderer \| mysterious \| photograph \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	T-Men (Expressivo)	0:40:26 - Hank looks at the photograph	advance plot \| conversing \| gangster \| leading man \| murderer \| photograph \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Jumping on bed	0:40:41 - Hank jumps up on his bed	advance plot \| ascending \| gangster \| jumping \| leading man \| mickey-mousing \| murderer \| prison \| prisoner \| undercover agent \| uneasy
White Heat (1949)	Misterioso (Ominous)	0:40:51 - The prisoners talk	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| ominous \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Whispering	0:41:06 - The prisoner reads lips	advance plot \| gangster \| leading man \| listening \| murderer \| prison \| prisoner \| spying \| tense \| undercover agent \| uneasy \| whisper effect \| whispering
White Heat (1949)	Thinking	0:41:34 - Prisoners talk about money	advance plot \| conversing \| gangster \| leading man \| murderer \| mysterious \| prison \| prisoner \| tense \| thinking \| undercover agent
White Heat (1949)	Underscoring (Mysterious)	0:44:42 - Parker sneaks	gangster \| leading man \| murderer \| murder scene \| mysterious \| prison \| prisoner \| sneaking \| undercover agent \| underscoring \| working
White Heat (1949)	Trap	0:44:53 - The crane moves over Cody's head	attempted \| crane \| crashing \| dramatic \| dropping \| falling \| gangster \| leading man \| machine \| machine effect \| mickey-mousing \| moving \| murder \| murderer \| murder scene \| prison \| prisoner \| saving \| stinger \| tense \| trap \| undercover agent
White Heat (1949)	Ma (Restless)	0:49:34 - Cody walks back to work	anxious \| dramatic \| gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| thinking \| threatening \| working
White Heat (1949)	Underscoring (Tense)	0:49:56 - Cody threatens Parker	gangster \| leading man \| mad scene \| murderer \| prison \| prisoner \| tense \| threatening \| underscoring
White Heat (1949)	Madness	0:50:16 - Cody hears voices	agitated \| blur \| falling \| gangster \| hallucinating \| hallucination \| headache \| headache effect \| hearing voices \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Headache	0:50:31 - Heavy machinery	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| unsettled
White Heat (1949)	Struggle	0:50:50 - Cody crawls on the floor	agitated \| crawling \| falling \| gangster \| headache \| headache effect \| helping \| leading man \| machine \| mad scene \| murderer \| pain \| prison \| prisoner \| self-borrowing \| tense \| undercover agent \| unsettled
White Heat (1949)	Cody (Headache)	0:51:15 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent
White Heat (1949)	Underscoring (Tense)	0:51:20 - Hank helps Cody	crawling \| gangster \| headache \| helping \| leading man \| mad scene \| massaging \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| underscoring
White Heat (1949)	Cody rises	0:51:40 - Hank helps Cody stand	gangster \| headache \| helping \| leading man \| mad scene \| mickey-mousing \| murderer \| pain \| prison \| prisoner \| rising \| tense \| undercover agent
White Heat (1949)	Cody (Recovering)	0:51:52 - Cody's headache subsides	gangster \| headache \| leading man \| mad scene \| murderer \| pain \| prison \| prisoner \| tense \| undercover agent \| uneasy \| waiting
White Heat (1949)	Misterioso (Straitjacket)	1:04:07 - The warden talks with Cody	conversing \| doctor \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| underscoring \| warden
White Heat (1949)	Plotting (Tense)	1:04:33 - Tommy brings food to Cody	carrying \| doctor \| feeding \| food \| gangster \| guard \| leading man \| murderer \| mysterious \| prison \| prison break \| prisoner \| straitjacket \| tense \| warden
White Heat (1949)	Misterioso (Tense 2)	1:04:48 - Tommy loosens Cody's straitjacket	doctor \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Cody (Pulls Gun)	1:05:05 - Cody stands up	doctor \| dramatic \| gangster \| guard \| gun \| leading man \| loosening \| murderer \| mysterious \| prison \| prison break \| prisoner \| releasing \| straitjacket \| tense \| untying \| warden
White Heat (1949)	Danger (Tense)	1:05:23 - Cody forces the doctor out at gunpoint	doctor \| down \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| stinger \| warden
White Heat (1949)	Gathering	1:05:39 - Inmates playing cards	conversing \| doctor \| dramatic \| gangster \| guard \| leading man \| murderer \| prison \| prison break \| prisoner \| self-borrowing \| tense \| walking
White Heat (1949)	Cody (Violent)	1:06:11 - Cody shoves the doctor	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| stinger \| violent
White Heat (1949)	Danger (Risoluto)	1:06:24 - Cody forces the guard into a cell	commanding \| doctor \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| pushing \| tense \| warden
White Heat (1949)	Cody 3	1:06:43 - Cody forces men out at gunpoint	commanding \| doctor \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Trap	1:06:47 - Cody kicks Parker	commanding \| dramatic \| gangster \| guard \| gun \| kicking \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Plotting (Extended)	1:07:13 - Cody forces men out at gunpoint	commanding \| dramatic \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| revenge \| tense \| warden
White Heat (1949)	Prison Break	1:07:19 - Cody and men go outside	dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| rushing \| self-borrowing \| warden
White Heat (1949)	Underscoring (Dramatic)	1:07:29 - Cody commands the men	car \| dramatic \| escaping \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Danger (Tense)	1:07:49 - The men get in the car	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| motor effect \| murderer \| prison \| prison break \| prisoner \| underscoring \| warden
White Heat (1949)	Underscoring (Tense)	1:07:57 - The car drives off	car \| dramatic \| escaping \| fanfare \| gangster \| guard \| gun \| leading man \| murderer \| prison \| prison break \| prisoner \| tense \| warden
White Heat (1949)	Cody (Prison Gate)	1:08:17 - The prison gates open	car \| dramatic \| escaping \| gangster \| gate \| guard \| gun \| leading man \| mickey-mousing \| murderer \| prison \| prison break \| prisoner \| warden
White Heat (1949)	Cody 2 (Molto Misterioso)	1:09:13 - Cody adjusts his hat in the mirror	dressing \| fugitive \| gangster \| hat \| leading man \| mirror \| murderer \| mysterious \| prison break \| room \| tense
White Heat (1949)	Madness (Agitato)	1:15:59 - Cody looks at Verna	agitated \| anger \| death \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| murder scene \| staring \| stinger \| tense \| yard
White Heat (1949)	Cody (Malevolent)	1:16:18 - Cody pushes Verna	dark \| gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| pushing \| yard
White Heat (1949)	Underscoring (Tense)	1:16:28 - Big Ed creates a decoy	decoy \| gangster \| gun \| love interest \| murder scene \| preparing \| room \| tense \| underscoring
White Heat (1949)	Underscoring (Mysterious)	1:16:51 - Cody and Verna climb through the window	gangster \| gun \| leading lady \| leading man \| moll \| murderer \| murder scene \| mysterious \| room \| sneaking \| sneaking effect \| tense \| underscoring \| window
White Heat (1949)	Verna (Uneasy)	1:18:05 - Big Ed kisses Verna	dark \| drinking \| embracing \| gangster \| gun \| kissing \| leading lady \| leading man \| love interest \| moll \| murderer \| murder scene \| room \| somber \| spying \| waiting
White Heat (1949)	Big Ed's Death	1:18:41 - Big Ed runs	dark \| death \| dramatic \| dying \| falling \| gangster \| gun \| gunshot \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murder \| murderer \| murder scene \| room \| running \| rushing \| shooting \| violence
White Heat (1949)	Underscoring (Dramatic)	1:19:20 - Big Ed's body falls down the stairs	dark \| death \| dramatic \| falling \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| murder scene \| panning shot \| room \| stairs \| staring \| statue \| stinger \| undercover agent \| underscoring \| watching
White Heat (1949)	Panning	1:19:32 - Camera pans to the group	beans \| dramatic \| fugitive \| gangster \| leading lady \| leading man \| love interest \| mickey-mousing \| moll \| murderer \| panning shot \| room \| throwing \| transition \| undercover agent \| waiting
White Heat (1949)	Fight	1:26:51 - Hank attacks the gangster	action scene \| dramatic \| fighting \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| punching \| tense \| undercover agent \| yard
White Heat (1949)	T-Men (Misterioso)	1:27:39 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| mysterious \| stinger \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:27:53 - Hank talks to Cody	advance plot \| arguing \| conversing \| fugitive \| gangster \| leading man \| murderer \| tense \| undercover agent \| underscoring \| yard
White Heat (1949)	Verna (Cello Solo)	1:28:30 - Cody talks about Verna	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| somber \| undercover agent \| yard
White Heat (1949)	Ma (Molto Expressivo)	1:28:38 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Plotting (Agitato)	1:29:03 - Cody talks about his family	advance plot \| conversing \| fugitive \| gangster \| insanity \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Cody (Climbing)	1:29:15 - Cody talks about his past	advance plot \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Ma (Triste)	1:29:29 - Cody talks about his mother	advance plot \| character mention \| conversing \| fugitive \| gangster \| leading man \| memory \| murderer \| tense \| undercover agent \| uneasy \| yard
White Heat (1949)	Danger (Sneaky)	1:31:56 - Hank puts the transmitter on the truck	advance plot \| fugitive \| gangster \| hiding \| leading lady \| leading man \| moll \| murderer \| sneaking \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Cody 3 (Tense)	1:32:12 - Cody approaches the truck	advance plot \| conversing \| fugitive \| gangster \| leading lady \| leading man \| lying \| moll \| murderer \| tense \| transmitter \| truck \| undercover agent \| yard
White Heat (1949)	Underscoring (Tense)	1:33:58 - Hank talks to the gas station attendant	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring \| worker \| working
White Heat (1949)	Underscoring (Tense)	1:34:25 - Attendant fixes the truck	advance plot \| conversing \| fugitive \| gangster \| gas station \| leading man \| murderer \| tense \| underscoring \| waiting \| worker \| working
White Heat (1949)	Mirror	1:34:34 - Gangster goes to check on Hank	advance plot \| bathroom \| dramatic \| fanfare \| fugitive \| gangster \| gas station \| hurrying \| leading man \| message \| mirror \| murderer \| tense \| undercover agent \| worker \| writing
White Heat (1949)	Bo Creel	1:35:51 - Bo Creel comes outside	advance plot \| conversing \| dark \| fugitive \| gangster \| leading man \| murderer \| ominous \| preparing \| stinger \| tense \| truck \| undercover agent \| worker \| working \| yard
White Heat (1949)	Verna (Gum)	1:36:15 - Verna spits out her gum	advance plot \| conversing \| fugitive \| gangster \| gum \| kissing \| leading lady \| leading man \| moll \| murderer \| preparing \| spitting \| tense \| undercover agent \| uneasy \| worker \| yard
White Heat (1949)	Danger	1:36:32 - The gangsters hide in the truck	advance plot \| fugitive \| gangster \| hiding \| leading man \| murderer \| preparing \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck	1:36:45 - The truck engine starts	advance plot \| driving \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| starting \| tense \| truck \| truck \| undercover agent \| worker
White Heat (1949)	Truck (Speeding)	1:37:36 - Tanker drives down the street	chase scene \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2 (Montage)	1:38:26 - Tanker drives down the street	car \| car \| chase scene \| dark \| double exposure \| electronic effect \| fugitive \| gangster \| leading man \| montage \| murderer \| pursuing \| radio effect \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Cody 2	1:39:10 - Tanker drives down the street	car \| chase scene \| dark \| double exposure \| driving \| fugitive \| gangster \| leading man \| montage \| murderer \| radio \| speeding \| street \| truck \| undercover agent
White Heat (1949)	Truck (Tutti)	1:39:43 - Tanker pulls up to factory	chase scene \| dramatic \| driving \| fugitive \| gangster \| leading man \| murderer \| ominous \| street \| truck \| undercover agent
White Heat (1949)	Cody (Mugs)	1:39:57 - Gangsters in the tanker	arriving \| chase scene \| dramatic \| driving \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| ominous \| truck \| truck \| undercover agent \| waiting
White Heat (1949)	Gate	1:40:15 - The factory gate opens	arriving \| chase scene \| closing \| dark \| driving \| factory \| fanfare \| fugitive \| gangster \| gate \| guard \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Underscoring (Tense)	1:40:42 - Truck pulls in to factory	arriving \| chase scene \| driving \| factory \| fugitive \| gangster \| leading man \| murderer \| tense \| truck \| undercover agent \| underscoring
White Heat (1949)	Cody	1:40:57 - Cody exits truck	arriving \| chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| opening \| tense \| truck \| undercover agent
White Heat (1949)	Rushing (Misterioso)	1:41:01 - Cody emerges from the truck	chase scene \| dark \| factory \| fugitive \| gangster \| leading man \| murderer \| rushing \| tense \| truck \| undercover agent
White Heat (1949)	Plotting (Faster)	1:41:49 - Gangsters enter the building	action scene \| anxious \| arriving \| factory \| fugitive \| gangster \| guard \| hurrying \| leading man \| murderer \| tense \| undercover agent \| working
White Heat (1949)	Underscoring (Tense)	1:42:42 - Hank looks out the window	action scene \| factory \| fugitive \| gangster \| guard \| leading man \| murderer \| tense \| undercover agent \| underscoring \| working
White Heat (1949)	Police Raid	1:43:09 - Gangster acting as lookout	action scene \| arriving \| factory \| fugitive \| gangster \| leading man \| looking \| march \| murderer \| police \| running \| rushing \| tense \| undercover agent
White Heat (1949)	Bo Creel (Misterioso)	1:43:26 - Bo Creel tells Cody that Hank is a cop	action scene \| discovering \| discovery \| factory \| fugitive \| gangster \| guard \| leading man \| looking \| murderer \| mysterious \| realizing \| undercover agent
White Heat (1949)	Underscoring (Dramatic)	1:46:13 - Cody shoots man in back	action scene \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| mickey-mousing \| murder \| murderer \| shooting \| tear gas \| underscoring
White Heat (1949)	Crawling	1:46:18 - Hank crawls on the floor	action scene \| agent \| crawling \| dramatic \| factory \| fugitive \| gangster \| gun \| leading man \| mickey-mousing \| murderer \| rushing \| tear gas \| tense
White Heat (1949)	Danger (Extended)	1:47:06 - Cody sends men out	action scene \| agent \| death \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| pushing \| rushing \| shooting \| tense
White Heat (1949)	Climbing stairs	1:47:22 - Gangsters climb up stairs	action scene \| agent \| ascending \| dramatic \| factory \| fleeing \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| police \| running \| rushing \| stairs
White Heat (1949)	Underscoring (Dramatic)	1:47:35 - Gangsters get off of ladder	action scene \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| rushing \| tense \| underscoring
White Heat (1949)	White Heat (Police Raid)	1:47:47 - Police advance on the gangsters	action scene \| advancing \| agent \| death \| dramatic \| dying \| factory \| falling \| fugitive \| gangster \| gun \| gunshot \| hidiging \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| shooting \| shootout \| tense
White Heat (1949)	Cody 2 (Brash)	1:48:12 - Agents run up the stairs	action scene \| agent \| ascending \| brash \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs
White Heat (1949)	Prison Fight + Agents	1:48:17 - Gangsters run up the stairs	action scene \| agent \| ascending \| combination of themes \| dramatic \| factory \| fleeing \| fugitive \| gangster \| gun \| gunshot \| leading man \| murderer \| police \| raid \| running \| rushing \| shootout \| stairs \| tense
White Heat (1949)	Prison Fight + Agents	1:48:30 - Agents run up the stairs	action scene \| agent \| ascending \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| stairs \| tense
The Woman in White (1948)	Ann (Dead)	1:18:55 - The woman in white lies dead	antagonist \| conversing \| criminal \| dark \| death scene \| dying \| husband \| leading lady \| murderer \| room \| somber \| victim \| wife
The Woman in White (1948)	Fosco (Con Moto)	1:23:29 - Fosco arrives in his carriage	antagonist \| arriving \| carriage \| criminal \| dark \| leading man \| murderer \| serious \| street \| transition \| traveling
The Woman in White (1948)	Asylum + Ann	1:24:50 - Close-up on Count Fosco	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| lighting change \| mad scene \| murderer \| mysterious \| thematic transference \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:25:26 - Laura looks at Sir Percival	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| victim
The Woman in White (1948)	Pavan (Distressed)	1:25:43 - Laura confronts Sir Percival	antagonist \| arguing \| asylum \| criminal \| dark \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| mad scene \| murderer \| victim
The Woman in White (1948)	Asylum + Ann + Hypnosis	1:26:10 - Count Fosco hypnotizes Laura	antagonist \| asylum \| combination of themes \| criminal \| dark \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| shrill \| staring \| victim
The Woman in White (1948)	Ann	1:26:55 - Laura speaks to Count Fosco	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| hypnotizing \| leading lady \| leading man \| mad scene \| murderer \| mysterious \| staring \| victim
The Woman in White (1948)	Ann (Waltz)	1:27:14 - Laura dashes away	antagonist \| asylum \| conversing \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim
The Woman in White (1948)	Ann 2	1:28:39 - The nurse takes Laura to her room	antagonist \| asylum \| criminal \| husband \| hypnosis \| hypnotist \| leading lady \| leading man \| leaving \| mad scene \| murderer \| nurse \| tender \| victim \| walking
The Woman in White (1948)	Ann (Quasi Misterioso)	1:29:00 - Count Fosco talks to Sir Percival	antagonist \| asylum \| conversing \| criminal \| husband \| hypnotist \| leading man \| mad scene \| murderer \| ominous
The Woman in White (1948)	Hypnosis + Fosco	1:30:32 - Count Fosco leaves	antagonist \| carriage \| combination of themes \| criminal \| dark \| husband \| hypnotist \| leading man \| leaving \| murderer \| ominous \| plotting \| spy \| spying \| street \| tense \| transition
The Woman in White (1948)	Pavan (Garden)	1:31:13 - Walter talks with Marian	conversing \| criminal \| friend \| husband \| leading lady \| leading man \| love scene \| murderer \| noble \| room \| spy \| spying
The Woman in White (1948)	The Carman's Whistle (Bassoon)	1:32:48 - A man spies on Walter	calm \| comedy \| criminal \| following \| husband \| leading man \| murderer \| sneaking \| spy \| spying \| street \| walking
The Woman in White (1948)	Underscoring (Dramatic)	1:36:15 - Laura screams when she sees Sir Percival	conflict \| criminal \| dramatic \| hitting \| husband \| leading lady \| leading man \| murderer \| patient \| screaming \| street \| struggling \| underscoring \| victim \| wife
The Woman in White (1948)	Fight	1:36:33 - Walter fights the spy	conflict \| criminal \| dramatic \| fighting \| husband \| leading lady \| leading man \| murderer \| patient \| punching \| spy \| street \| victim \| wife
The Woman in White (1948)	Fosco (Dark)	1:36:50 - Sir Percival on the ground	conflict \| criminal \| dark \| husband \| leading lady \| leading man \| murderer \| ominous \| patient \| spy \| street \| victim \| walking \| wife
The Woman in White (1948)	Fosco (Molto Moderato)	1:38:43 - Fosco looks at Marian	advance plot \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| pacing \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:39:05 - The butler enters	advance plot \| butler \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| room \| tense \| underscoring
The Woman in White (1948)	Fosco (Molto Moderato)	1:39:33 - Fosco talks to Marian	advance plot \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| menacing \| murderer \| room \| somber
The Woman in White (1948)	Underscoring (Tense)	1:44:06 - The countess enters	climax \| conversing \| criminal \| dark \| friend \| leading lady \| leading man \| love interest \| murderer \| necklace \| ominous \| room \| transcribed by ear \| wife
The Woman in White (1948)	Ann (Not in Score)	1:44:24 - Count Fosco talks to the Countess	climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| transcribed by ear \| wife
The Woman in White (1948)	Fosco (Screwy)	1:44:42 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Fosco (Sneaking)	1:44:51 - The Countess walks across the room	climax \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| sneaking \| walking \| wife
The Woman in White (1948)	Adagio	1:45:00 - The Countess picks up a knife	climax \| conversing \| criminal \| friend \| knife \| leading lady \| leading man \| love interest \| murderer \| necklace \| room \| somber \| wife
The Woman in White (1948)	Fosco (Soft)	1:45:18 - The Count talks to Marian	arriving \| climax \| conversing \| criminal \| friend \| leading lady \| leading man \| love interest \| murderer \| mysterious \| necklace \| room \| wife
The Woman in White (1948)	Stabbing	1:45:23 - The Countess stabs Count Fosco	climax \| criminal \| dramatic \| dropping \| friend \| knife \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| murdering \| necklace \| revenge \| room \| stabbing \| violent \| wife
The Woman in White (1948)	Fosco (Dying)	1:45:34 - The Countess picks up the necklace	arriving \| climax \| criminal \| death \| dramatic \| dying \| falling \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| rising \| room \| stinger \| tense \| victim \| violent \| wife
The Woman in White (1948)	Ann (Quasi Misterioso)	1:46:05 - Various close-ups	climax \| criminal \| death \| dying \| friend \| knife \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| revenge \| room \| somber \| victim \| watching \| wife
The Woman in White (1948)	Ann (Waltz 2)	1:46:13 - A close-up on the Countess	criminal \| death \| embracing \| friend \| leading lady \| leading man \| love interest \| murder \| murderer \| necklace \| reacting \| resolution \| revenge \| room \| tender \| victim \| waltz \| wife
The Woman in White (1948)	Laura	1:46:37 - Walter, Marian, and Laura together	asylum \| conversing \| friend \| happy \| murderer \| necklace \| patient \| resolution \| time lapse \| voice-over \| waltz
Transgression (1931)	Gong	0:50:00 - Don Arturo is shot	death \| dying \| gun \| gunshot \| leading lady \| love interest \| murder \| murderer \| murdering \| murder scene \| room \| tense \| victim
Thirteen Women (1932)	Ursula (Violent)	0:12:29 - Newspaper headline	dramatic \| half-diminished 7th chord \| headline \| murder \| murder scene \| newspaper \| transcribed by ear \| violent
Thirteen Women (1932)	Hazel murders husband	0:12:36 - Hazel murders her husband	double exposure \| dramatic \| half-diminished 7th chord \| headline \| husband \| knife \| murder \| murderer \| murdering \| murder scene \| newspaper \| room \| stabbing \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Dramatic Agitato	0:12:41 - Hazel screams	augmented sixth chord \| chromatic scale \| double exposure \| dramatic \| half-diminished 7th chord \| headline \| letter \| murder \| murderer \| murder scene \| newspaper \| room \| screaming \| stinger \| transcribed by ear \| victim \| violent
Thirteen Women (1932)	Ursula (Exotic) + The Train	0:23:07 - Helen points the gun at herself and cries	antagonist \| combination of themes \| crying \| exotic \| exoticism \| gun \| Gypsy major scale \| hypnotic \| murderer \| murder scene \| pedal tone \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (Suicide)	0:24:18 - Helen commits suicide	antagonist \| chromaticism \| committing suicide \| dying \| exotic \| exoticism \| gun \| gunshot \| hypnotic \| murderer \| murder scene \| pc set \| pedal tone \| stinger \| suicide \| tense \| train \| train \| transcribed by ear \| traveling \| victim
Thirteen Women (1932)	Ursula (The End)	0:59:03 - Ursula jumps to her death	chromatic scale \| climax \| dark \| dramatic \| dying \| jumping \| leading lady \| murderer \| The End \| train \| transcribed by ear
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:21:40 - Clay enters the room	advance plot \| conversing \| detective \| leading lady \| leading man \| murderer \| phonograph \| room \| score to source \| sentimental \| source music
Don’t Turn ‘em Loose (1936)	Underscoring (Dramatic)	0:28:05 - Bob shoots guard	breaking \| death \| dramatic \| gangster \| guard \| gun \| gunshot \| imposter \| leading man \| murder \| robbery \| robbery \| shooting \| stealing \| store \| transcribed by ear \| whole-tone chord
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:39:42 - Grace turns on the radio	AABA structure \| arriving \| cheerful \| common-tone diminished 7th \| confronting \| conversing \| gangster \| gun \| leading man \| moll \| murderer \| murder scene \| popular music \| room \| source music \| staring \| threatening
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	AABA structure \| cheerful \| common-tone diminished 7th \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
We're Only Human (1935)	Underscoring (Lyrical)	0:23:23 - Pete exits the store	attempted murder \| conflict \| departing \| detective \| drive by shooting \| food \| gunshot \| leading man \| mode mixture \| peaceful \| pedal tone \| shooting \| street \| underscoring \| walking
We're Only Human (1935)	The Escape	1:04:31 - Pete enters the house	chromatic scale \| climax \| conflict \| detective \| dodging \| dramatic \| gangster \| gunshot \| hiding \| leading man \| murderer \| room \| shooting \| underscoring \| whole-tone \| whole-tone chord
We're Only Human (1935)	Game 4	1:04:54 - Pete crawls on the floor	climax \| conflict \| crawling \| detective \| gangster \| leading man \| murderer \| room \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 5	1:05:03 - Pete prepares to shoot	chromatic parallelism \| climax \| conflict \| detective \| gangster \| gunshot \| leading man \| murderer \| pc set \| pedal tone \| room \| shooting \| sneaking \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Blood Money (Counting Money)	1:05:25 - Pete looks at the fallen man	climax \| conflict \| detective \| gangster \| leading man \| murderer \| mysterious \| room \| sneaking \| tense \| tone cluster
We're Only Human (1935)	Game 6	1:05:34 - Pete dodges gunfire	climax \| conflict \| dark \| detective \| gangster \| leading man \| murderer \| room \| sneaking \| taunting \| tense \| underscoring
We're Only Human (1935)	Game 7	1:05:48 - Pete runs up the stairs	9th chord \| climax \| conflict \| detective \| dramatic \| gangster \| leading man \| murderer \| parallelism \| pc set \| pedal tone \| room \| running \| rushing \| tense \| underscoring \| whole-tone chord
We're Only Human (1935)	Game 8	1:05:55 - Pete advances slowly	arguing \| chromatic scale \| climax \| conflict \| detective \| gangster \| half-diminished 7th chord \| hostage \| leading man \| murderer \| pedal tone \| polychord \| room \| sneaking \| taunting \| tense \| tricking \| underscoring
We're Only Human (1935)	Lost Patrol 2	1:06:45 - Berger falls to the ground	climax \| conflict \| death \| detective \| dramatic \| dying \| falling \| gangster \| gunshot \| hostage \| leading man \| murderer \| room \| tone cluster \| underscoring
We're Only Human (1935)	Lost Patrol 3	1:06:52 - Pete looks at Berger	64 chord \| climax \| conflict \| death \| detective \| gangster \| hostage \| leading man \| murderer \| reacting \| room \| solemn
The Most Dangerous Game (1932)	The Iron Door (Meno)	0:55:50 - Zaroff reacts to Bob's fall	climax \| count \| dramatic \| jungle \| murderer \| reacting \| river \| tense \| villain \| waterfall
White Heat (1949)	Sliding down pole	1:48:43 - Cody slides down a pole	action scene \| agent \| descending \| dramatic \| factory \| fugitive \| gangster \| leading man \| mickey-mousing \| murderer \| pole \| police \| raid \| sliding \| tense
White Heat (1949)	Danger (Tense)	1:48:48 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fanfare \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Agents + Gathering	1:49:06 - Agents in action	action scene \| agent \| chasing \| combination of themes \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Danger (Risoluto)	1:49:17 - Agents advance	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Underscoring (Dramatic)	1:49:19 - Gangsters run away	action scene \| agent \| chasing \| dramatic \| factory \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| running \| rushing \| tense \| underscoring
White Heat (1949)	Plotting (Extended)	1:49:34 - Gangsters hide	action scene \| agent \| factory \| frantic \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| running \| rushing \| tense
White Heat (1949)	Rushing + Agents	1:49:44 - Police advance	action scene \| advancing \| agent \| combination of themes \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	White Heat (Maestoso 2)	1:49:55 - Police advance	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Agents (Searching)	1:50:02 - Agents plan their next move	action scene \| advancing \| agent \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| searching \| tense
White Heat (1949)	Rushing (Searchlights)	1:50:05 - Searchlights	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| tense
White Heat (1949)	Madness	1:50:16 - Cody talks to Riley	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| madness \| murderer \| plotting \| police \| raid \| tense
White Heat (1949)	Plotting (Agitato)	1:50:27 - Cody gets up	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| laughing \| leading man \| madness \| murderer \| police \| raid \| sneaking \| tense
White Heat (1949)	Cody (Climbing)	1:50:30 - Cody climbs the stairs	action scene \| agent \| ascending \| dramatic \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| rushing \| stairs \| tense
White Heat (1949)	Plotting	1:50:41 - Cody hides	action scene \| agent \| factory \| fugitive \| gangster \| hiding \| leading man \| murderer \| police \| raid \| tense
White Heat (1949)	Rushing (Searchlights 2)	1:50:48 - Searchlights	action scene \| agent \| announcing \| death \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| killing \| laughing \| leading man \| mickey-mousing \| murder \| murderer \| police \| raid \| searching \| searchlight \| shooting \| surrendering \| tense
White Heat (1949)	Riley's Death	1:51:15 - Riley hits the ground	action scene \| agent \| dark \| death \| dying \| factory \| fugitive \| gangster \| laughing \| leading man \| murder \| murderer \| police \| raid \| stinger
White Heat (1949)	Cody 3 (Mocking)	1:51:30 - Cody shoots	action scene \| agent \| brash \| factory \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| mocking \| murderer \| police \| raid
White Heat (1949)	Trap	1:51:37 - Policeman hands Hank a rifle	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| leading man \| murderer \| police \| raid \| searching \| tense
White Heat (1949)	Rushing	1:51:44 - Searchlights	action scene \| agent \| aiming \| factory \| fugitive \| gangster \| gun \| gunshot \| hiding \| leading man \| mickey-mousing \| murderer \| police \| raid \| searching \| searchlight \| shooting \| tense
White Heat (1949)	Headache (Explosion)	1:52:26 - Cody shoots a gas valve	agent \| climax \| dramatic \| exploding \| explosion \| factory \| fire \| frantic \| fugitive \| gangster \| gun \| gunshot \| laughing \| leading man \| murderer \| police \| raid \| running \| rushing \| shooting
White Heat (1949)	Struggle	1:52:46 - Explosion	agent \| climax \| conversing \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid
White Heat (1949)	Cody (The End)	1:53:02 - Explosion	agent \| climax \| conversing \| dark \| death \| dramatic \| exploding \| explosion \| factory \| fire \| fugitive \| gangster \| leading man \| murderer \| police \| raid \| The End
Caged (1950)	Harper's Death	1:27:19 - Kitty stabs Harper with a fork	added-note chord \| dark \| death \| dying \| dying \| falling \| falling \| fork \| killing \| minor-major 7th chord \| murder \| murdering \| murder scene \| prison \| screaming \| stabbing \| stabbing \| stinger \| walking \| walking
Lightning Strikes Twice (1951)	Aftermath	1:28:48 - Man gets out of the jalopy	approaching \| brother \| bystander \| car \| car crash \| climax \| countryside \| death \| murderer \| police \| rancher \| solemn
Mara Maru (1952)	Murder	0:19:08 - Callahan's body is discovered	agitated \| arriving \| corpse \| discovering \| dramatic \| leading man \| murder \| murder scene \| police \| room \| stinger \| tense
Mara Maru (1952)	The Escape	1:23:42 - People running from the boat	antogonist \| chase scene \| chasing \| corpse \| cross \| dark \| death \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| leading lady \| leading man \| love interest \| mickey-mousing \| murder \| murderer \| private eye \| rain \| rock \| running \| ship \| ship wreck \| shooting \| stinger \| storm \| wind \| worker
Mara Maru (1952)	Benedict (Molto Marcato)	1:24:17 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Benedict (Chasing)	1:24:24 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Benedict	1:24:37 - Benedict chases Gregory	antagonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| gunshot \| hurrying \| jungle \| murderer \| rain \| running \| storm \| wind
Mara Maru (1952)	Pursuing	1:24:39 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fear \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| running \| running effect \| rushing effect \| storm \| tense \| wind
Mara Maru (1952)	Rolling down the hill	1:24:58 - Gregory rolls down the hill	antogonist \| bodyguard \| chase scene \| cross \| dark \| descending \| dramatic \| falling \| frantic \| gun \| jungle \| leading man \| mickey-mousing \| murderer \| rain \| rolling \| storm \| tense \| wind
Mara Maru (1952)	Benedict (Shrill)	1:25:03 - Benedict chases Gregory	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| shrill \| storm \| tense \| wind
Mara Maru (1952)	Gregory + Struggling (Dissonant)	1:25:07 - Gregory runs away	antogonist \| bodyguard \| chase scene \| chasing \| cross \| dark \| dramatic \| escaping \| fleeing \| frantic \| gun \| hurrying \| jungle \| leading man \| murderer \| rain \| running \| storm \| tense \| wind
Mara Maru (1952)	Benedict	1:31:19 - Benedict arrives at the church	antagonist \| arriving \| bodyguard \| car \| departing \| driver \| leading lady \| love interest \| murderer \| mysterious \| spying \| street \| tense \| transition \| watching
Mara Maru (1952)	Underscoring (Dramatic)	1:33:58 - Fortuno shoots at Gregory	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| murderer \| running \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	The Chase	1:34:03 - Ortega and Gregory run away	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| escaping \| gun \| gunshot \| leading man \| mickey-mousing \| murderer \| running \| running effect \| shooting \| suspsect \| tense \| tunnel
Mara Maru (1952)	Benedict (Menacing)	1:34:30 - Ortega tries to block the door	action scene \| antagonist \| arguing \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| defending \| dramatic \| gun \| gunshot \| leading man \| martyr \| menacing \| murderer \| ominous \| protecting \| pushing \| running \| tunnel \| victim
Mara Maru (1952)	Ortega is Shot	1:34:42 - Ortega is shot	action scene \| antagonist \| blocking \| bodyguard \| catacomb \| cave \| climax \| cross \| death \| dramatic \| dying \| falling \| gun \| gunshot \| leading man \| martyr \| murder \| murderer \| passionate \| sentimental \| shooting \| somber \| tunnel \| victim
Mara Maru (1952)	Police	1:34:53 - The police enter	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| dramatic \| gun \| gunshot \| heroic \| leading man \| martyr \| murderer \| police \| running \| shooting \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Descending the stairs	1:34:55 - Fortuno runs down the stairs	action scene \| antagonist \| bodyguard \| catacomb \| cave \| chasing \| climax \| cross \| descending \| dramatic \| gun \| gunshot \| leading man \| martyr \| mickey-mousing \| murderer \| police \| running \| stairs \| tense \| tunnel \| victim
Mara Maru (1952)	Ascending the stairs	1:35:08 - Benedict runs up the stairs	action scene \| antagonist \| ascending \| catacomb \| cave \| chasing \| climax \| dramatic \| mickey-mousing \| murderer \| ominous \| running \| stairs \| tense \| tunnel
Mara Maru (1952)	Underscoring (Dramatic)	1:35:15 - Benedict confronts Gregory	action scene \| antagonist \| attacking \| catacomb \| cave \| climax \| cross \| dramatic \| leading man \| martyr \| murderer \| tense \| tunnel \| victim
Mara Maru (1952)	The Fight	1:35:20 - Gregory fights Benedict	action scene \| antagonist \| attacking \| catacomb \| cave \| choking \| climax \| dramatic \| falling \| fighting \| hitting \| leading man \| martyr \| mickey-mousing \| murderer \| punching \| stinger \| tense \| tunnel \| victim
Mara Maru (1952)	Rolling down the stairs	1:36:05 - Benedict falls down the stairs	action scene \| antagonist \| catacomb \| cave \| climax \| corpse \| death \| descending \| dramatic \| falling \| leading man \| martyr \| mickey-mousing \| murderer \| rolling \| stinger \| tense \| tunnel \| victim

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