| All This, and Heaven Too (1940) | The Murder | 1:51:56 - The Duke advances towards the Duchess | approaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room |
| The Amazing Dr. Clitterhouse (1938) | The Poison Victim | 1:07:50 - Rocks is poisoned | dissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone |
The Amazing Dr. Clitterhouse (1938) | Poison | 1:08:46 - Rocks feels the effect of the poison | blur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster |
The Amazing Dr. Clitterhouse (1938) | Rocks struggles and falls | 1:09:52 - Rocks tries to get up, then collapses | chromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Funebre) | 1:10:07 - Dr. Clitterhouse talks with Jo | 9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Murder) | 1:10:49 - Montage of newspaper headlines | chromatic parallelism | corpse | dark | dissonant bass | fingerprints | headlines | investigating | montage | morgue | mortician | murder | newspaper | police | printing press | tense | triadic transformation |
The Amazing Dr. Clitterhouse (1938) | Rocks (Dead) | 1:11:10 - Rocks's mugshot and fingerprints | dark | fingerprints | investigating | montage | morgue | mortician | mug shot | murder | police | tense |
| Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:40:40 - The boys leave the scene of the crime | friend | leading man | murderer | murder scene | nervous | singing | source music | street | walking |
| The Big Sleep (1946) | Running out | 0:56:36 - Marlowe runs after the killer | assassin | chase scene | chasing | combination of themes | dramatic | gun | gunshot | leading man | mickey-mousing | murder | murderer | private eye | room | running | stairs | stinger |
The Big Sleep (1946) | Glass drops | 1:29:49 - Jones drops his glass | breaking | death | death scene | dropping | glass | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Jones falls | 1:29:50 - Jones falls and dies | death | death scene | dying | falling | leading man | mickey-mousing | murder | mysterious | poison | private eye | room | victim | violent |
The Big Sleep (1946) | Underscoring (Tense) | 1:30:01 - Marlowe investigates the crime scene | dark | death | death scene | dying | leading man | murder | private eye | room | tense | underscoring | victim |
| Caged (1950) | Harper's Death | 1:27:19 - Kitty stabs Evelyn with a fork | death | fork | lunchroom | murder | prison | screaming |
| City for Conquest (1940) | Misterioso | 1:13:36 - Googi leaves | criminal | gangster | leaving | locker room | manager | murder scene | mysterious |
City for Conquest (1940) | Googi (The Car) | 1:13:38 - Googi in the car | car | car | conversing | criminal | driving | gangster | manager | murder scene | ominous | tense |
City for Conquest (1940) | Tone Poem A1 (Ominous) | 1:14:02 - Googi talks with the boxing managers | arguing | car | car | criminal | driving | gangster | manager | murder scene | ominous | tense |
City for Conquest (1940) | Shooting and dying | 1:14:23 - Googi shoots Dutch | car | car | criminal | dramatic | dying | gangster | gun | manager | mickey-mousing | murder | murderer | murdering | murder scene | shooting | stinger | tense |
City for Conquest (1940) | Googi (The Car) | 1:14:32 - Googi threatens Cobb | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Googi (Hysterical) | 1:14:42 - Cobb pleads for mercy | begging | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Underscoring (Tense) | 1:14:48 - Googi threatens Cobb | car | car | criminal | driving | gangster | manager | murder | murderer | murder scene | ominous | tense | threatening |
City for Conquest (1940) | Slap | 1:14:53 - Googi slaps Cobb | car | car | criminal | gangster | manager | mickey-mousing | murder | murderer | murder scene | ominous | slapping | tense |
City for Conquest (1940) | Tone Poem A1 (Very Rough) | 1:15:00 - The car pulls to a stop | arriving | car | criminal | dark | dock | driving | gangster | manager | murderer | murder scene | threatening |
City for Conquest (1940) | Googi (Dead Man) | 1:15:09 - They pull out the dead man | car | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working |
City for Conquest (1940) | Gun falls | 1:15:13 - A gun falls to the ground | car | corpse | criminal | dock | dropping | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Googi (Molto Mysterioso e Screwyoso) | 1:15:19 - Cobb sees the gun | car | conversing | corpse | criminal | disposing | dock | gangster | manager | murderer | murder scene | ominous | tense | working |
City for Conquest (1940) | Kicks body | 1:15:22 - Googi kicks the body into the water | corpse | criminal | dock | dropping | gangster | kicking | manager | mickey-mousing | murderer | murder scene | ominous | tense |
City for Conquest (1940) | Throws gun away | 1:15:30 - Googi throws a gun in the water | criminal | dock | gangster | gun | manager | mickey-mousing | murderer | murder scene | ominous | tense | throwing |
City for Conquest (1940) | Googi dies | 1:15:34 - Googi is shot | criminal | dock | dying | falling | gangster | gun | gunshot | manager | mickey-mousing | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
City for Conquest (1940) | Tone Poem A1 (Death) | 1:15:39 - Googi dies | criminal | dock | dying | falling | gangster | gun | gunshot | manager | murderer | murdering | murder scene | ominous | shooting | slumping | tense |
| They Made Me a Criminal (1939) | So Help Me (If I Don't Love You) | 0:05:54 - Johnnie and Goldie relaxing | drinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music |
They Made Me a Criminal (1939) | When a Prince of a Fella Meets a Cinderella | 0:06:23 - Johnnie talks to his manager | dancing | drinking | floozy | jaunty | laughing | leading man | murder scene | parallel double period | partying | radio | room | source music |
They Made Me a Criminal (1939) | Saving Myself For You (I've Been) | 0:08:02 - Johnnie at a party | AABA structure | attacking | conversing | drinking | fighting | floozy | jaunty | leading man | murder | murdering | murder scene | partying | radio | room | source music | violence |
| Death of a Scoundrel (1956) | Underscoring (Mysterious) | 1:40:02 - Detectives tell Clementi of Zina's death, note, and phone call | dark | detective | flashback | murder | note | poison | suicide | underscoring |
| Each Dawn I Die (1939) | Underscoring (Dramatic) | 0:05:24 - Frank is framed for drunk driving | 9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence |
Each Dawn I Die (1939) | Don’t Give Up the Ship | 0:26:47 - Prison orchestra plays | arriving | entering | military band | murder scene | on-screen music | orchestra | parallel double period | patriotic | prison | prisoner | source music |
Each Dawn I Die (1939) | Wings Over the Navy | 0:28:04 - Prisoners watch a movie | dying | film music | knife | movie | murdering | murder scene | patriotic | prison | prisoner | source music | watching |
| The FBI Story (1959) | Waving Goodbye | 0:02:20 - Son waves goodbye to his mother on the plane | airport | departure | menacing | murder | plane | suspense |
The FBI Story (1959) | Time Bomb 1 | 0:02:31 - Plane takes off and flies through the air | bomb | machine | menacing | murder | plane | suspense | ticking | time bomb |
The FBI Story (1959) | FBI March A (Doloroso) | 1:12:36 - Sam dies in Chip's arms | death | FBI | flashback | murder |
| Hell on Frisco Bay (1955) | Amato | 1:20:16 - News of Mario's death | brash | cut from film | death | montage | montage | murder | suicide | typing |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:30:27 - Steve tells Anna that Mario was murdered | advance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife |
Hell on Frisco Bay (1955) | Amato | 1:32:23 - Amato shoots Lye | action scene | brash | gangster | gun | gunshot | leading man | murder | murdering | room | shooting | tense | violence | yelling |
Hell on Frisco Bay (1955) | Lye's Death | 1:32:58 - Lye is killed | action scene | brash | gangster | harsh | leading man | murder | murdering | shooting | street | violence |
| Illegal (1955) | Victim | 0:00:25 - Woman (Gloria) brushes her hair then realizes a man is there who then shoots her | gun | gunshot | murder | sinister |
Illegal (1955) | Police Car (Agitato) | 0:11:10 - Newspaper man reads the headline out and sells a paper to the reporter | murder | newspaper |
Illegal (1955) | The Bus | 0:46:09 - Man runs to catch bus and is shot | bus | gun | gunshot | murder | traveling |
Illegal (1955) | Frank Garland (Maestoso) | 0:46:33 - Crowd runs to help shot man and murderer smiles and walks away with hidden gun | gun | gunshot | murder | sinister |
Illegal (1955) | Menace | 1:21:20 - Frank orders Andy to kill Vic | murder | villain |
| Key Largo (1948) | Rocco 2 (Dead Body) | 1:14:20 - Sheriff discovers the dead body | alarmed | conflict | corpse | discovering | horror | hotel | mickey-mousing | murder | police | rolling |
Key Largo (1948) | Underscoring (Dramatic) | 1:14:48 - Sheriff finds out that it is Sawyer | conflict | corpse | discovering | dramatic | hotel | murder | realizing | sheriff | tense | underscoring |
Key Largo (1948) | Rocco (Tense) | 1:15:03 - Rocco claims the Indians murdered Sawyer | angry | boss | conflict | dock | gangster | lying | murder | police | tense | violent |
| The Letter (1940) | Leslie (Shimmery) | 0:02:57 - Leslie stands over the dead body | cloud | death | half-diminished 7th chord | home | moon | murder | murderer | murder scene | mysterious | oscillation | parallelism | plantation | sequence | suspension | watching |
The Letter (1940) | Leslie (Revolver) | 0:03:43 - A pistol lies on the steps | changing meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | murderer | murder scene | oscillation | sequential modulation | servant | tense |
The Letter (1940) | Native 2 | 0:04:12 - Leslie talks to the workers | conversing | home | murderer | murder scene | open fifth | pentatonic | servant | stinger | tense | underscoring |
The Letter (1940) | Underscoring (Mysterious) | 0:04:29 - Leslie leaves the room | Dorian mode | home | leaving | murder scene | mysterious | servant | underscoring |
The Letter (1940) | Leslie (Mysterioissimo) | 0:04:42 - A shadow appears | circle of fifths | common-chord modulation | foreign key modulation | fragmentation | home | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on |
The Letter (1940) | Leslie (Lacework) | 0:04:55 - Worker picks up Leslie's lacework | changing meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation |
The Letter (1940) | Underscoring (Dramatic) | 0:06:04 - Robert leaves | action scene | conversing | death | dramatic | husband | murder | servant | underscoring | warehouse |
The Letter (1940) | Robert and Leslie | 0:15:28 - Robert comforts Leslie | advance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension |
The Letter (1940) | Andante Doloroso | 0:15:53 - Men go to look at dead body | advance plot | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking |
The Letter (1940) | Leslie (Dark) | 0:16:09 - Men look at dead body | advance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister |
The Letter (1940) | Murder | 0:18:36 - Leslie reacts to the mention of murder | advance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense |
The Letter (1940) | Leslie (Tragic) | 1:17:59 - Leslie confesses to Robert | changing meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension |
The Letter (1940) | Leslie B (Ethereal) | 1:18:13 - Leslie confesses to Robert | chromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
The Letter (1940) | Leslie (Dramatic) | 1:18:32 - Leslie confesses to Robert | confessing | conflict | crying | dramatic | half-diminished 7th chord | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence |
The Letter (1940) | Robert and Leslie (Mournful) | 1:19:00 - Robert cries after hearing the confession | conflict | crying | crying gesture | home | husband | lawyer | leading lady | letter | love theme | mournful | murder | pedal tone | retardation | sad | suspension |
The Letter (1940) | Mrs. Hammond (Revenge) | 1:33:01 - Mrs. Hammond stabs Leslie | 64 chord | antagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallel fifths | parallelism | pentatonic | plantation | somber | walking |
| Lightning Strikes Twice (1951) | Menace (Somber) | 0:17:50 - Trev reveals who he is to Shelly | murder | newspaper |
| Mildred Pierce (1945) | Monte is shot | 0:01:50 - Monte is shot | collapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murder scene | room | staggering | tragic |
Mildred Pierce (1945) | Mildred (Murder) | 0:01:59 - Bullet holes in the mirror | dark | death | dying | leaving | murder | murder scene | room | somber |
Mildred Pierce (1945) | Murdered Man | 0:10:06 - Wally discovers the body | action scene | corpse | dark | death | dramatic | friend | looking | mickey-mousing | murder | room | telephone | tense | victim |
Mildred Pierce (1945) | Phone rings | 0:10:16 - Phone rings | action scene | death | friend | mickey-mousing | murder | ringing | room | telephone | tense | victim |
Mildred Pierce (1945) | Underscoring (Dramatic) | 0:10:21 - Wally reacts to the situation | action scene | breaking | death | dramatic | escaping | friend | hurrying | mickey-mousing | murder | room | running | smashing | sneaking | telephone | underscoring | victim | walking | worrying |
Mildred Pierce (1945) | Underscoring (Tense) | 0:13:03 - Mildred leaves with the detectives | advance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring |
Mildred Pierce (1945) | Monte is shot 2 | 1:47:28 - Monte is shot | antagonist | collapsing | death | dying | falling | gun | gunshot | mickey-mousing | murder | murderer | murder scene | room | staggering | tragic |
Mildred Pierce (1945) | Kay and Veda (Ominous) | 1:47:42 - Mildred rushes in to check on Veda | antagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room |
Mildred Pierce (1945) | Mildred B (Angry) | 1:48:06 - Veda confesses to Mildred | angry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense |
Mildred Pierce (1945) | Kay and Veda (Troubled) | 1:48:22 - Veda pleads for help to escape | antagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense |
Mildred Pierce (1945) | Underscoring (Tense) | 1:48:54 - Veda asks her mother not to turn her in | antagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring |
Mildred Pierce (1945) | Kay and Veda (Returning Home 2) | 1:49:17 - Veda convinces her mother to not report her | antagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm |
| We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
| White Heat (1949) | Trap | 0:44:53 - Motor slowly moves over Cody's head | machine | mickey-mousing | murder | prison | trap |
| Transgression (1931) | Gong | 0:50:00 - Don Arturo is shot | death | dying | gun | gunshot | leading lady | love interest | murder | murderer | murdering | murder scene | room | tense | victim |
| Thirteen Women (1932) | Ursula (Violent) | 0:12:29 - Newspaper headline | dramatic | half-diminished 7th chord | headline | murder | murder scene | newspaper | transcribed by ear | violent |
Thirteen Women (1932) | Hazel murders husband | 0:12:36 - Hazel murders her husband | double exposure | dramatic | half-diminished 7th chord | headline | husband | knife | murder | murderer | murdering | murder scene | newspaper | room | stabbing | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Dramatic Agitato | 0:12:41 - Hazel screams | augmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent |
Thirteen Women (1932) | Ursula (Exotic) + The Train | 0:23:07 - Helen points the gun at herself and cries | antagonist | combination of themes | crying | exotic | exoticism | gun | Gypsy major scale | hypnotic | murderer | murder scene | pedal tone | suicide | tense | train | train | transcribed by ear | traveling | victim |
Thirteen Women (1932) | Ursula (Suicide) | 0:24:18 - Helen commits suicide | antagonist | chromaticism | committing suicide | dying | exotic | exoticism | gun | gunshot | hypnotic | murderer | murder scene | pc set | pedal tone | stinger | suicide | tense | train | train | transcribed by ear | traveling | victim |
| The Woman in White (1948) | Stabbing | 1:45:23 - The Countess stabs Count Fosco | climax | criminal | dramatic | dropping | friend | friend | knife | leading lady | leading man | love interest | mickey-mousing | murder | murderer | murdering | necklace | revenge | room | stabbing | violent | wife |
The Woman in White (1948) | Fosco (Dying) | 1:45:34 - The Countess picks up the necklace | arriving | climax | criminal | death | dramatic | dying | falling | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | rising | room | stinger | tense | victim | violent | wife |
The Woman in White (1948) | Ann (Quasi Misterioso) | 1:46:05 - Various close-ups | climax | criminal | death | dying | friend | friend | knife | leading lady | leading man | love interest | murder | murderer | necklace | revenge | room | somber | victim | watching | wife |
The Woman in White (1948) | Ann (Waltz 2) | 1:46:13 - A close-up on the Countess | criminal | death | embracing | friend | friend | leading lady | leading man | love interest | murder | murderer | necklace | reacting | resolution | revenge | room | tender | victim | waltz | wife |
| Beyond the Forest (1949) | Rosa (Misterioso) | 1:09:23 - Rosa looks through the binoculars | anger | binoculars | forest | friend | hunting | husband | leading lady | leading man | looking | murder scene | mysterious | ominous | tense | victim |
Beyond the Forest (1949) | Chicago (Ominous) | 1:10:01 - Rosa puts down the binoculars | aiming | anger | dark | familiar tune | forest | friend | husband | leading lady | leading man | murder scene | ominous | popular tune | victim |
Beyond the Forest (1949) | Rosa (Ominous) | 1:10:14 - Rosa aims her gun | aiming | anger | dark | forest | friend | harsh | husband | leading lady | leading man | murder scene | ominous | stinger | victim |
| We're Only Human (1935) | Underscoring (Lyrical) | 0:23:23 - Pete exits the store | attempted murder | conflict | departing | detective | drive by shooting | food | gunshot | leading man | mode mixture | peaceful | pedal tone | shooting | street | underscoring | walking |
| Don’t Turn ‘em Loose (1936) | Suicide Transition | 0:26:55 - Bob sits | gangster | guard | gun | gunshot | imposter | leading man | murder | mysterious | plotting | preparing | reading | robbery | robbery | room | shooting | store | transcribed by ear |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:39:42 - Grace turns on the radio | arriving | cheerful | confronting | conversing | gangster | gun | leading man | moll | murderer | murder scene | popular music | room | source music | staring | threatening |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles (Dream Sequence) | 0:39:59 - Bob (Bat) pulls a gun on Letty | augmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim |
Don’t Turn ‘em Loose (1936) | Makes You Forget Your Troubles | 0:40:17 - Grace is shot | cheerful | gangster | gun | leading man | mirror shot | moll | murder | murderer | murder scene | planning | popular music | room | source music | staring | victim |
| Out of the Fog (1941) | Russian Barcarolle (Menacing) | 1:09:32 - Goffs sees Olaf holding a lead pipe | arguing | attempted murder | climax | criminal | dark | fisherman | friend | leading man | menacing | ominous | sea | stinger |
Out of the Fog (1941) | Underscoring (Dramatic) | 1:09:45 - Goff struggles with Jonah and Olaf | attempted murder | climax | criminal | dramatic | fighting | fisherman | friend | leading man | punching | sea | underscoring |
Out of the Fog (1941) | Russian Barcarolle (Drowning) | 1:09:58 - Goff drowns | attempted murder | climax | criminal | dark | death | drowning | fisherman | friend | leading man | ominous | sea |
| Her Kind of Man (1946) | Underscoring (Dramatic [Steiner]) | 1:15:53 - Joe shoots at Steve | climax | criminal | double-cross | dramatic | dying | falling | gambler | gun | gunshot | henchman | husband | leading man | murder | murderer | revenge | shooting | street | widow |
Her Kind of Man (1946) | Candy (Mr. Candy) | 1:16:09 - Candy bends over Steve's body | climax | conversing | criminal | dark | double-cross | dying | gambler | heavy | henchman | leading man | murder | murderer | revenge | street |
Her Kind of Man (1946) | Speeding | 1:16:29 - Candy tries to run away | arriving | capturing | car | climax | criminal | double-cross | dramatic | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | running | street | tense |
Her Kind of Man (1946) | Candy (Agitato) | 1:16:53 - Don confronts Candy | agitated | arguing | climax | confronting | criminal | double-cross | gambler | henchman | leading man | murder | murderer | police | reporter | revenge | street | tense |
| We're Only Human (1935) | Game 3 | 1:03:12 - A man runs | climax | conflict | detective | dramatic | fleeing | frantic | gunshot | leading lady | leading man | murder | reporter | running | shooting | victim | yard |
We're Only Human (1935) | The Informer (Burning Poster) | 1:03:25 - A man falls to the ground | climax | conflict | crawling | detective | diminished 7th chord | dying | gunshot | leading lady | leading man | murder | mysterious | octatonic | reporter | Scotch snap | shooting | tense | tone cluster | victim | yard |
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