| All This, and Heaven Too (1940) | Signature | 0:00:00 - Warner Brothers shield | added-note chord | bold | chromatic mediant | fanfare | opening title sequence | oscillation | WB shield |
All This, and Heaven Too (1940) | La Parisienne | 0:12:55 - A shot of Paris | 64 chord | augmented sixth chord | enharmonic modulation | establish place | establish time | fanfare | foreign key modulation | noble | on-screen text | patriotic tune | street | transition |
All This, and Heaven Too (1940) | Invitation from the King | 1:03:46 - Invitation from the King | 11th chord | ballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | pedal tone | walking |
All This, and Heaven Too (1940) | The Duchess (Tutti) | 1:04:02 - A concert program | ballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation |
All This, and Heaven Too (1940) | Agitato 2 | 1:59:31 - Henriette is arrested | agitated | crowd | crying | diminished 7th chord | dissonant bass | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling |
| The Amazing Dr. Clitterhouse (1938) | Signature | 0:00:00 - Warner Bros. shield | bold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield |
| Angels With Dirty Faces (1938) | Signature | 0:00:00 - WB shield | bold | chromatic mediant | fanfare | main title | opening title sequence | starring list | WB shield |
| Are These Our Children? (1931) | Dreams (Allegro) | 1:15:33 - Newspaper headlines | augmented triad | chromatic parallelism | double exposure | dramatic | fanfare | frantic | headline | montage | mother | newspaper | ostinato | spinning | tense | whole-tone chord | whole-tone scale |
| Arsenic and Old Lace (1944) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | foreign key modulation | opening title sequence | phrase extension | WB shield |
| The Big Sleep (1946) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | opening title sequence | starring list | voice-exchange | WB shield | whole-tone chord |
| The Breaking Point (1950) | Signature | 0:00:00 - WB shield | bold | chromatic mediant | conductor score | fanfare | main title | opening title sequence | oscillation | WB shield |
| Caged (1950) | Signature | 0:00:00 - WB logo | added-note chord | bold | chromatic mediant | chromatic scale | dissonant bass | fanfare | fragmentation | opening title sequence | oscillation | WB shield |
| His Greatest Gamble (1934) | Morning Glory Fanfare | 0:00:12 - Title of film; starring list | fanfare | noble | opening title sequence | pedal tone | starring list | title of film | transcribed by ear |
His Greatest Gamble (1934) | Morning Glory Fanfare (The End) | 1:10:32 - The End | bold | end title sequence | fanfare | The End | transcribed by ear | triumphant |
| City for Conquest (1940) | Signature | 0:00:00 - Warner Brothers shield | bold | chromatic mediant | city | common-tone dominant 7th | fanfare | opening title sequence | oscillation | skyline | starring list | WB shield |
City for Conquest (1940) | Fanfare | 0:22:58 - A trophy is brought out | award | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat |
City for Conquest (1940) | Palace Gardens Fanfare | 0:34:31 - Marquee for Palace Gardens | bold | fanfare | marquee | montage | street |
City for Conquest (1940) | Tone Poem A (Headlines) | 0:38:25 - Sports news headlines | 9th chord | bold | fanfare | headline | montage | newspaper | transcribed by ear |
City for Conquest (1940) | Boxing Poster | 0:38:48 - Montage of boxing scenes | boxing | boxing ring | chromatic sequence | double exposure | fanfare | montage | poster | self-borrowing | triumphant |
City for Conquest (1940) | Liberty Day | 0:39:41 - Old timer talks to worker | boxer | boxing ring | celebrating | contrasting double period | conversing | crowd | fanfare | leading man | manager | montage | parallel double period | source music | upbeat |
| Crime School (1938) | Signature | 0:00:00 - Warner Brothers shield | bold | chromatic mediant | deceptive resolution | fanfare | main title | opening title sequence | starring list | WB shield |
Crime School (1938) | The Boiler Room | 0:54:27 - Boys talk about stoking the boiler | action scene | auctioning | boiler room | chromatic parallelism | chromatic scale | dissonant bass | fanfare | gang | heroic | reformatory | teenager | working |
Crime School (1938) | Fireman | 0:56:46 - Boiler room worker orders kids back | action scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling |
| They Made Me a Criminal (1939) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | dissonant bass | fanfare | main title | opening title sequence | WB shield |
They Made Me a Criminal (1939) | The Printing Press | 0:14:10 - A printing press | 64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press |
They Made Me a Criminal (1939) | The Arena | 1:01:22 - A fight poster | advance plot | augmented sixth chord | dark | detective | fanfare | leading man | light | polytonality | poster | street | thinking |
| Death of a Scoundrel (1956) | Clementi C (Celebratory) | 0:53:17 - Worker informs Clementi that they struck oil | fanfare | flashback | joyful | newspaper | triumphant |
| Deep Valley (1947) | Signature | 0:00:00 - WB shield | bold | fanfare | main title | opening title sequence | WB shield |
Deep Valley (1947) | Law | 1:07:34 - Lawmen pursue after Barry | action scene | chasing | convict | dramatic | escaping | fanfare | forest | fugitive | leading man | love interest | manhunt | police | running | tense |
| Dust Be My Destiny (1939) | Signature | 0:00:00 - WB shield | bold | chromatic mediant | fanfare | main title | opening title sequence | WB shield |
Dust Be My Destiny (1939) | The Daily Journal | 1:00:10 - Sign for The Daily Journal | establish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant |
| Each Dawn I Die (1939) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | WB shield |
Each Dawn I Die (1939) | Newspaper Fanfare | 0:04:24 - Sign for "The Banton Record" newspaper office | conflict | fanfare | justice | newspaper office | noble | parallelism | sign |
Each Dawn I Die (1939) | Headlines | 0:41:50 - Newspaper headline is shown | 9th chord | chromatic parallelism | dark | fanfare | headline | montage | montage | newspaper | pedal tone |
Each Dawn I Die (1939) | Headlines 2 | 0:49:31 - Newspaper headline is shown | added-note chord | bold | fanfare | headline | montage | montage | newspaper |
Each Dawn I Die (1939) | Newspaper Fanfare (Extended) | 1:03:36 - Newspaper headline is shown | chromatic parallelism | fanfare | headline | justice | mickey-mousing | montage | montage | noble | zooming |
| The FBI Story (1959) | Symbol (Plane) | 0:00:00 - Warner Brothers shield, outside of airport, and inside of airport | airport | drone | fanfare | WB shield |
The FBI Story (1959) | Symbol | 0:04:25 - The FBI crest and the title of the film | fanfare | FBI | main title | march-like | starring list |
| Flamingo Road (1949) | Signature | 0:00:00 - Warner Brothers shield | bold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield |
| Hell on Frisco Bay (1955) | Menace | 0:05:06 - Steve sees some boats | conductor score | dark | dock | establish setting | fanfare | investigator | leading man | transcribed by ear | wandering |
| Her Kind of Man (1946) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | transcribed by ear | WB shield |
| I Was a Communist for the FBI (1951) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | metric dissonance | opening title sequence | oscillation | WB shield |
I Was a Communist for the FBI (1951) | Undercover Agent | 0:00:26 - Starring list | approaching | bold | cast list | dark | dramatic | fanfare | hallway | march | mickey-mousing | opening title sequence | ostinato | polychord | sequence | starring list | stranger | tone cluster | tritone oscillation | walking |
I Was a Communist for the FBI (1951) | Signature (Alternate) | NIF - not in film | added-note chord | alternate music | chromatic mediant | fanfare | metric dissonance | opening title sequence | oscillation | WB shield |
| Illegal (1955) | Scott | 0:00:00 - WB shield | fanfare | WB shield |
| In This Our Life (1942) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | main title | opening title sequence | oscillation | WB shield |
In This Our Life (1942) | Meno | 0:00:34 - Cast list | 64 chord | cast list | chromatic parallelism | deceptive resolution | dramatic | fanfare | opening title sequence | pedal tone | tritone |
| The Informer (1935) | Fanfare | 0:31:44 - Irish rebel headquarters | advance plot | fanfare | mysterious | rebel | room | underscoring | waiting |
The Informer (1935) | The Wearin' o' the Green (Rebel Jury) | 1:05:48 - Camera pans to show all of the faces of the rebel jury | 64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room |
The Informer (1935) | Blood Money (The Trial) + Blind Man (The Trial) | 1:15:13 - The rebels ask Gypo where he got the money | antagonist | axis of symmetry | blind man | combination of themes | courtroom | courtroom scene | fanfare | headquarters | interrogating | interrogation | leading man | mirroring | money | mysterious | questioning | room | suspect |
The Informer (1935) | Underscoring (Dramatic) | 1:20:24 - Rebels plan how to catch Gypo | 9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense |
| Key Largo (1948) | Signature | 0:00:00 - Warner Brothers shield | bold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield |
| The Letter (1940) | Signature | 0:00:00 - WB Shield | bold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | WB shield |
| Lightning Strikes Twice (1951) | Signature | 0:00:00 - WB shield | added-note chord | bold | chromatic mediant | fanfare | opening title sequence | oscillation | WB shield |
Lightning Strikes Twice (1951) | Afraid | 1:19:02 - Shelly leaves Trev in fear | actor | crying | dramatic | escaping | fanfare | fear | husband | leading lady | leading man | mad scene | room | self-borrowing | stinger | suspect | worrying |
| Mildred Pierce (1945) | Signature | 0:00:00 - WB shield and wave effect | added-note chord | bold | common-tone dominant 7th | dissonant bass | fanfare | opening title sequence | starring list | water | wave | WB shield |
Mildred Pierce (1945) | Transition | 0:00:10 - Starring list and wave effect | 9th chord | bold | chromatic scale | dissonant bass | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave |
| The Life of Vergie Winters (1934) | Lullaby (Military Band) | 0:45:45 - Newspaper montage | 64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant |
| Out of the Fog (1941) | Signature | 0:00:00 - Warner Brothers logo | added-note chord | bold | chromatic mediant | fanfare | opening title sequence | oscillation | WB shield |
| Kid Galahad (1937) | Kid Galahad (Introduction) | 0:00:00 - The WB shield | 9th chord | appoggiatura | fanfare | jaunty | main title | opening title sequence | starring list | WB shield |
Kid Galahad (1937) | Kid Galahad | 0:00:09 - Title of the film | 9th chord | appoggiatura | cast list | common-tone diminished 7th | fanfare | jaunty | march-like | opening title sequence | parallel period |
Kid Galahad (1937) | Kid Galahad (Montage) | 0:46:47 - Montage of newspaper headlines | 64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper |
Kid Galahad (1937) | Kid Galahad (Montage 2) | 1:18:47 - Newspaper headline montage | 64 chord | chromatic mediant | climax | fanfare | foreign key modulation | heroic | hurrying | manager | montage | newspaper | pedal tone | room | syncopation |
Kid Galahad (1937) | Kid Galahad (Tender) | 1:39:15 - Nick speaks his final words | 9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation |
Kid Galahad (1937) | Kid Galahad (End Title) | 1:41:09 - End cast | 9th chord | added-note chord | common-tone diminished 7th | end title sequence | fanfare | jaunty | march-like | mode mixture | plagal cadence |
| The Unfaithful (1947) | Signature | 0:00:00 - WB shield | added-note chord | chromatic mediant | fanfare | main title | opening title sequence | WB shield |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
| We Are Not Alone (1939) | Signature | 0:00:00 - WB shield | added-note chord | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | phrase extension | starring list | WB shield |
We Are Not Alone (1939) | Frohe Botschaft (War Bulletin) | 1:22:12 - News bulletins about the trial | advance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window |
| White Heat (1949) | Danger (Tense) | 1:07:49 - The men get in the car | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | motor effect | murderer | prison | prison break | prisoner | underscoring | warden |
White Heat (1949) | Underscoring (Tense) | 1:07:57 - The car drives off | car | dramatic | escaping | fanfare | gangster | guard | gun | leading man | murderer | prison | prison break | prisoner | tense | warden |
White Heat (1949) | Mirror | 1:34:10 - Hank writes a message on the mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | rushing | tense | undercover agent | writing |
White Heat (1949) | Mirror | 1:34:34 - Gangster goes to check on Hank | advance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing |
White Heat (1949) | Message on the Mirror | 1:34:49 - Message on the washroom mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing |
White Heat (1949) | Gate | 1:40:15 - The factory gate opens | arriving | chase scene | closing | dark | driving | factory | fanfare | fugitive | gangster | gate | guard | leading man | murderer | opening | tense | truck | undercover agent |
White Heat (1949) | Underscoring (Dramatic) | 1:41:22 - Agents map coordinates of the truck | agent | chase scene | dramatic | fanfare | map | mapping | police station | radio | underscoring |
White Heat (1949) | Agents (Marcato) | 1:46:58 - Evans signals to another agent | action scene | agent | bold | commanding | factory | fanfare | leading man | police |
| The Woman in White (1948) | Signature | NIF - not in film | cut from film | fanfare |
The Woman in White (1948) | Fosco | 0:04:40 - Walter hears a carriage approaching | arriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense |
The Woman in White (1948) | Fosco | 0:05:43 - The carriage rolls away | carriage | departing | establish character | fanfare | forest | leading man | tense |
| Men of America (1932) | Cimarron A | 0:00:14 - Title of film and starring list | American Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear |
Men of America (1932) | Cimarron C | 0:01:08 - Smokey Joe fights the Indians | ambush | common-chord modulation | cowboy | establish character | establish setting | fanfare | gun | gunshot | horse | Indian | leading man | noble | parallel double period | prairie | riding | self-borrowing | shooting | stagecoach | title card | transcribed by ear |
| State’s Attorney (1932) | Transition | 0:00:20 - Title and starring list | blues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
| The Phantom of Crestwood (1932) | Fanfare | 0:00:16 - Fade-in to a seated orchestra | announcer | broadcast | dramatic | fanfare | on-screen music | opening title sequence | orchestra | playing | radio | source music | transcribed by ear |
| Before Dawn (1933) | Wedding March | 0:59:55 - Two lovers kissing and The End | detective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant |
| Blind Adventure (1933) | Opening Fanfare | 0:00:16 - Title of film and starring list | cast list | chromatic mediant | cloud | exciting | fanfare | opening title sequence | pedal tone | title of film | transcribed by ear |
| Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
| Gridiron Flash (1934) | Fanfare | 0:00:16 - Title of the film | fanfare | opening title sequence | pedal tone | starring list | title of film | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:33:51 - Sports montage | countermelody | fanfare | football | football game | headline | montage | newspaper | playing | upbeat |
| Murder on the Blackboard (1934) | Murder Fanfare | 0:00:23 - Film title zooming out from a blackboard | blackboard | dark | fanfare | opening title sequence | parallelism | pedal tone | title of film | transcribed by ear |
| Another Face (1935) | Success at any Price | 0:00:00 - Beeping RKO radio tower | bold | cast list | common-chord modulation | fanfare | lyrical | opening title sequence | radio tower | RKO tower | title of film | transcribed by ear |
| The Most Dangerous Game (1932) | Russian Waltz (Maestoso) | 0:38:32 - Bob and Eve are taken to the jungle | action scene | conversing | fanfare | jungle | leading lady | leading man | mute | ominous | preparing | prisoner | releasing | servant | walking |
The Most Dangerous Game (1932) | Mysterioso Dramatico | 0:45:01 - Bob and Eve look for Zaroff | action scene | conversing | fanfare | heroic | jungle | leading lady | leading man | preparing | tense | victim | watching |
The Most Dangerous Game (1932) | The Approach (Risoluto) | 0:49:30 - Bob creates a spear trap | chase scene | dramatic | fanfare | jungle | leading lady | leading man | preparing | spear | trap | victim |
The Most Dangerous Game (1932) | The Chase (Allegro) | 0:51:09 - Count Zaroff running | agitated | chase scene | chasing | count | dark | dog | dramatic | fanfare | fog | jungle | leading lady | leading man | running | servant | stumbling | victim | villain |
The Most Dangerous Game (1932) | Zaroff (Climbing) | 0:53:55 - Zaroff climbs to the top of the cliff | chase scene | chasing | cliff | climbing | count | dramatic | fanfare | jungle | servant | tense | villain |
The Most Dangerous Game (1932) | Russian Waltz (The Window) | 1:01:15 - Zaroff at the window | arrow | boat | castle | count | dramatic | escaping | fanfare | leading lady | leading man | rising | tense | victim | villain |
The Most Dangerous Game (1932) | Russian Waltz (Climax) | 1:01:55 - The boat speeding away | boat | castle | dark | death | escaping | fanfare | leading lady | leading man | victim |
| White Heat (1949) | Danger (Tense) | 1:48:48 - Gangsters run away | action scene | agent | chasing | dramatic | factory | fanfare | fugitive | gangster | leading man | murderer | police | raid | running | rushing | tense |
| Key Largo (1948) | McCloud (Grandioso) | 1:40:06 - The End | end title sequence | fanfare | The End | triumphant |
| Mara Maru (1952) | Gregory | 0:00:26 - Title of film | boat | cast list | fanfare | grand | heroic | ocean | opening title sequence | title of film |
Mara Maru (1952) | Gregory (Diving) | 0:00:40 - Cast list | boat | cast list | descending | diver | diving | diving suit | fanfare | leading man | ocean | opening title sequence | point-of-view shot | sailor | somber | underwater | uneasy | working |
Mara Maru (1952) | Gregory (Underwater) | 0:01:16 - A diver (Gregory) underwater | boat | close-up | diver | diving | diving suit | establish character | fanfare | grand | heroic | leading man | ocean | underwater | working |
Mara Maru (1952) | Gregory (Sunken Boat) | 1:14:12 - Gregory enters the boat | action scene | boat | captain | diver | diving | diving suit | exploring | fanfare | heroic | leading man | ocean | ship | suspeneful | swimming | underwater | walking |
Mara Maru (1952) | Gregory (Exploring) | 1:14:48 - Gregory explores the boat | action scene | boat | captain | diver | diving | diving suit | exploring | fanfare | leading man | ocean | ship | subdued | swimming | underwater | walking |
Mara Maru (1952) | Gregory (Hindemith in Hollywood) | 1:15:18 - Gregory opens a door | action scene | boat | captain | dark | diver | diving | diving suit | exploring | fanfare | leading man | mickey-mousing | ocean | serious | ship | suspenseful | swimming | underwater | walking |
Mara Maru (1952) | Gregory + Struggling | 1:16:57 - Gregory tries to free himself | action scene | beam | boat | captain | close-up | combination of themes | dark | digging | diver | diving | diving suit | dramatic | fanfare | frantic | heroic | hose | leading man | mickey-mousing | ocean | rushing | ship | struggling | treasure | tugging | underwater | working |
Mara Maru (1952) | Gregory (Signaling) | 1:18:19 - Gregory signals to come up | action scene | antogonist | boat | captain | carrying | dark | diver | diving | diving suit | fanfare | leading lady | leading man | love interest | ocean | private eye | rain | ship | signaling | storm | swimming | treasure | underwater | wind | worker |
Mara Maru (1952) | Underscoring (Tense) | 1:21:01 - Gregory gives orders | action scene | antogonist | captain | cross | diver | dramatic | fanfare | leading lady | leading man | love interest | ordering | private eye | rain | ship | storm | tense | treasure | wind | worker | yelling |
| Half Shot at Sunrise (1930) | Doorman Dance | 0:42:01 - Dancers come on stage | dancer | dance scene | dancing | fanfare | marching | night club | source music | upbeat |
Half Shot at Sunrise (1930) | Domino Dance | 0:43:38 - Dancers dancing | chromatic mediant | dancer | dance scene | dancing | fanfare | night club | source music | upbeat |
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