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232 results for "hero" — see also Hero | character | grinder | leading man | male | male lead | sandwich | wedge

FilmTheme nameInstanceTags
The Amazing Dr. Clitterhouse (1938)Lighting the Torch + The Motor0:51:05 - Butch prepares the torchanxious | chromatic scale | combination of themes | criminal | dramatic | fire | flame | gangster | hero | lighting | ostinato | preparing | rescuing | robbery | sequence | store | tense | thief | torch | working

The Amazing Dr. Clitterhouse (1938)

The Torch (Burning)0:51:12 - Butch opens safe with welder's torchanxious | burning | chromatic parallelism | criminal | dramatic | fire | flame | gangster | half-diminished 7th chord | hero | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

The Torch0:51:17 - Torch breaks through the safe dooranxious | burning | criminal | cutting | dramatic | fire | flame | gangster | hero | pc set | rescuing | robbery | sparks | store | tense | thief | torch

The Amazing Dr. Clitterhouse (1938)

The Torch (Off) + The Motor0:52:24 - Butch finishes opening safeanxious | burning | combination of themes | criminal | cutting | dissonant bass | dramatic | fire | flame | gangster | hero | motor | ostinato | pc set | rescuing | robbery | sparks | store | tense | thief | torch | turning off

The Amazing Dr. Clitterhouse (1938)

The Motor (Rescue)0:52:29 - Dr. Clitterhouse escapes from safeanxious | chromatic parallelism | chromatic scale | criminal | dramatic | escaping | gangster | hero | motor | ostinato | rescuing | robbery | store | tense | thief

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord
Crime School (1938)The Discus Thrower0:48:52 - Spike announces his "work of art"announcing | comedy | fun | gang | hero | interruption | leading man | reformatory | showman | teenager

Crime School (1938)

Underscoring (Gentle)0:49:10 - Mark comes into the roomcomedy | conversing | gang | gentle | hero | leading man | paint | parallelism | reformatory | teenager | underscoring

Crime School (1938)

Spots0:49:20 - Squirt has spots on his pajamas9th chord | chromatic parallelism | comedy | comical | conversing | gang | hero | leading man | mickey-mousing | paint | reformatory | spots | teenager | tense

Crime School (1938)

Unveiling the statue0:49:31 - Mark takes the veil off of the statue64 chord | chromatic parallelism | chromatic wedge | comedy | gang | hero | leading man | mickey-mousing | reformatory | teenager | tense | uncovering | unveiling

Crime School (1938)

Marble statue0:49:40 - Fats talks to Markcomedy | comical | gang | hero | leading man | mickey-mousing | reformatory | statue | teasing | teenager

Crime School (1938)

Underscoring (Gentle)0:49:47 - Mark talks about making this room their homecomedy | deceptive resolution | gang | gentle | hero | leading man | leaving | pedal tone | reformatory | teasing | teenager | underscoring | whole-tone chord

Crime School (1938)

The Warden (Office)0:51:05 - The guard enters to talk to Markcomedy | dramatic | hero | leading man | marching | police | reformatory | walking

Crime School (1938)

Laughing0:51:11 - Mark laughs at the guard covered with paintcomedy | comical | hero | laughing | leading man | mickey-mousing | police | reformatory

Crime School (1938)

Underscoring (Dramatic)0:56:50 - Mark goes to rescue Squirtaction scene | altered dominant | boiler room | chromatic parallelism | dissonant bass | dramatic | hero | leading man | linear chromaticism | reformatory | rushing | saving | teenager | tense | underscoring

Crime School (1938)

Going down0:57:05 - Mark descends into the boiler roomaction scene | descending | dramatic | hero | leading man | mickey-mousing | reformatory | stairs | teenager | tense

Crime School (1938)

Temperature rising 20:57:12 - The temperature gauge risesaction scene | altered dominant | boiler room | chromatic parallelism | danger | dramatic | gauge | heat | hero | leading man | mickey-mousing | reformatory | rising | teenager | temperature | tense

Crime School (1938)

Explosion0:57:21 - Mark pulls Squirt out of the boiler roomaction scene | ascending | boiler room | destruction | dissonant bass | dramatic | exploding | explosion | hero | leading man | mickey-mousing | reformatory | rising | stairs | teenager | tense | tone cluster

Crime School (1938)

Mark Saves Boy0:57:29 - Mark carries Squirt up the stairsaction scene | ascending | authentic cadence | dissonant bass | hero | heroic | leading man | mickey-mousing | reformatory | rising | stairs | teenager | walking

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on

Crime School (1938)

Underscoring (Dramatic)1:15:31 - Frankie fights Spikeagitated | arguing | chromatic scale | conflict | dissonant bass | fighting | gang | hero | leading man | sequence | street | teenager | underscoring

Crime School (1938)

Resolution1:22:31 - Sue enters the room 42 chord | antagonist | calm | chromatic parallelism | chromatic scale | comical | conversing | hero | leading man | reformatory | resolution | resolution | tense | tritone
They Made Me a Criminal (1939)The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

By a Waterfall0:55:35 - A shower signadvance plot | cheerful | comical | hero | leading man | on-screen music | popular music | ranch | showering | singing | source music | teenager | whistling

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:56:17 - Johnnie sees his picture in the paperangry | arguing | chromatic parallelism | dissonant bass | dramatic | fighting | half-diminished 7th chord | hero | leading man | mickey-mousing | photograph | ranch | teenager | tense | turning point | underscoring

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room

They Made Me a Criminal (1939)

On the Make (Tenderly)1:07:57 - Tommy talks to Johnnie9th chord | ABAB structure | altered dominant | arguing | chromatic mediant | conversing | direct modulation | foreign key modulation | hero | leading man | room | tender | turning point

They Made Me a Criminal (1939)

On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in

They Made Me a Criminal (1939)

The Fugitive (Religioso)1:09:41 - Johnnie looks at a picture9th chord | hero | leading man | Neapolitan | room | tender | thinking | turning point

They Made Me a Criminal (1939)

Inspiration1:09:53 - Johnnie has an inspirationboxing | foreign key modulation | gentle | hero | idea | inspiration | leading man | pedal tone | pump-up modulation | room | shadow | thinking | turning point

They Made Me a Criminal (1939)

The Whip1:10:16 - People at the carnivalarena | boxer | cheerful | entering | excited | fighting | hero | leading man | march | sitting | source music | sport scene | teenager

They Made Me a Criminal (1939)

World's Record1:13:45 - Boxers prepare for the fightarena | boxer | cheerful | conversing | excited | hero | leading man | march | parallel double period | source music | sport scene

They Made Me a Criminal (1939)

Spirit of Independence1:14:53 - Johnnie marches into the ringarena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager
Dust Be My Destiny (1939)Underscoring (Dramatic)1:10:32 - Joe runs after the caraugmented triad | chromatic parallelism | chromatic scale | conflict | dramatic | gangster | half-diminished 7th chord | hero | leading man | mickey-mousing | newspaper editor | running | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Brave)1:10:38 - Joe jumps onto the caraction scene | augmented triad | car | chromatic parallelism | dramatic | fighting | gangster | hero | leading man | newspaper editor | street | whole-tone chord

Dust Be My Destiny (1939)

Dust Be My Destiny (Heroic)1:10:32 - Joe heroically wrestles away the steering wheelaction scene | chromatic scale | dramatic | fighting | fragmentation | gangster | hero | leading man | newspaper editor | retrograde | street

Dust Be My Destiny (1939)

Car crash1:10:55 - Gangsters crash the caraction scene | car | chromatic scale | crashing | dramatic | gangster | hero | leading man | mickey-mousing | newspaper editor | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)1:11:25 - Mabel embraces Joe after she meets him64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse

Dust Be My Destiny (1939)

Dust Be My Destiny (Simply)1:11:50 - Mabel and Joe talkadvance plot | doctor | hero | hospital | leading lady | leading man | nurse | peaceful

Dust Be My Destiny (1939)

Dust Be My Destiny (Leaving Hospital)1:11:57 - Mabel and Joe start to leave11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionato)1:12:09 - Mabel and Joe hide from the reportersconflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Disagreement)1:12:59 - Mabel and Joe arguebright | conflict | dark | foreign key modulation | hero | hospital | leading lady | leading man
Each Dawn I Die (1939)Underscoring (Mysterious)0:04:28 - Frank leaves the newspaper officeclose-up | conflict | diminished 7th chord | gangster | hero | leading man | mysterious | reading | reporter | street | underscoring | watching

Each Dawn I Die (1939)

Underscoring (Dramatic)0:04:55 - Frank is pushed into a carcar | chromatic scale | conflict | diminished 7th chord | dissonant bass | dramatic | fragmentation | gangster | gun | hero | kidnapping | leading man | pushing | reporter | street | underscoring | violence

Each Dawn I Die (1939)

Underscoring (Dramatic)0:05:24 - Frank is framed for drunk driving9th chord | attacking | car | conflict | diminished 7th chord | dramatic | gangster | hero | leading man | minor second | murder | pushing | reporter | setup | street | underscoring | violence

Each Dawn I Die (1939)

Hits with bottle0:05:26 - A bottle of alcohol is broken9th chord | bottle | breaking | conflict | dramatic | gangster | hero | leading man | mickey-mousing | reporter | street | violence

Each Dawn I Die (1939)

Car Crash0:05:40 - Two cars crashcar | car crash | chromatic scale | conflict | crashing | explosion | frantic | hero | leading man | metric dissonance | minor second | reporter | street | tone cluster

Each Dawn I Die (1939)

Confusion0:05:43 - Frank sits confused in car after crashaccusing | car | car crash | chromatic parallelism | chromatic scale | conflict | confused | crowd | dissonant bass | fire | glass | half-diminished 7th chord | hero | injury | leading man | reporter | running | street | yelling

Each Dawn I Die (1939)

Underscoring (Dramatic)0:06:06 - Crowd accuses Frank of murder9th chord | accusing | car crash | conflict | crowd | dissonant bass | dramatic | hero | injury | leading man | linear chromaticism | police | reporter | sequence | shaking | street | underscoring | yelling

Each Dawn I Die (1939)

Verdict0:08:19 - The verdict is deliveredbanging | courtroom | courtroom scene | gavel | hero | judge | justice | lawyer | leading man | noble | parallelism | reporter | verdict

Each Dawn I Die (1939)

Frank0:08:23 - Frank and Joyce embraceappoggiatura | courtroom | courtroom scene | embracing | girlfriend | handcuffs | hero | leading man | mother | reporter | reverse picardy | tender
The FBI Story (1959)FBI March A (Fanfare)0:56:18 - Chip walks out the doorFBI | flashback | hero | march

The FBI Story (1959)

Time Bomb 31:59:10 - Mario sets two time bombs then climbs uphill out of the waybomb | climbing | flashback | hero | machine | mickey-mousing | suspense | ticking | time bomb | uphill

The FBI Story (1959)

Mario2:00:16 - Mario rises above the hill and is shotdeath | flashback | gun | hero

The FBI Story (1959)

Mario (Death)2:00:33 - Mario's body falls into the riverdeath | descending tetrachord | flashback | hero
Illegal (1955)Scott (Arriving)0:01:48 - Mr. Scott and his crew get out of their car at the courthousecourthouse | hero

Illegal (1955)

Justice0:02:19 - Mr. Scott and his crew ascend the steps to the courthousecourthouse | hero | justice | law

Illegal (1955)

Ellen0:06:21 - Vic and Ellen talk about the case and marriagehero | heroine | lunch | marriage | restaurant

Illegal (1955)

Scott (Phone Call)0:09:27 - Doctor says that man will die before morningdeath | hero | hospital | stinger | telephone

Illegal (1955)

Scott (Dark)0:10:53 - Vic reacts to the news that Clary has been killeddeath | hero | shock | surprise | telephone

Illegal (1955)

Scott0:16:41 - People refuse Vic's legal serviceshero | restaurant

Illegal (1955)

Scott (Rubato)0:17:04 - Vic talks to reporter at the bardrinking | hero | reporter | restaurant

Illegal (1955)

Ellen 20:19:05 - Vic talks to Ellendrunk | hero | heroine

Illegal (1955)

Ellen (Tenderly)0:19:29 - Vic tells Ellen to marry Raydrunk | hero | heroine

Illegal (1955)

Underscoring (Dark)0:20:03 - Newspaper headline about Clary's motherbar | drunk | hero

Illegal (1955)

Scott (Transition)0:28:50 - Scott working in his officehero | transition

Illegal (1955)

Embezzler0:33:22 - Vic decides to help the embezzlerhero | money | violence

Illegal (1955)

Frank Garland0:37:03 - Vic mentions Frank Garland's nameblackmail | hero

Illegal (1955)

Scott (Blackmail)0:37:24 - Man leaves officeblackmail | hero

Illegal (1955)

Scott (Chromatic)0:37:48 - Vic tells embezzler to leave towndark | hero

Illegal (1955)

Ellen (Giocoso)0:38:24 - Vic says he has the money for a wedding present for Ellengift | hero | marriage

Illegal (1955)

Police Car (Con Moto)0:38:36 - Vic walks towards the courthousehero | rushing

Illegal (1955)

Scott (Slow)0:38:47 - Vic enters his old officehero | office

Illegal (1955)

Frank Garland (Ominous)0:41:59 - Vic talks to tough guy in lobbydark | hero | underscoring

Illegal (1955)

Menace0:42:19 - Vic sees Andy's gungun | hero | menacing | tritone

Illegal (1955)

Scott (Forceful)0:45:46 - Vic refuses Garland's dealhero | menacing

Illegal (1955)

Scott (Triumph)0:50:37 - Judge calls for a recess and Vic packs up his thingshero

Illegal (1955)

In a Hurry0:52:15 - Vic walks quickly through the streets with two mencrescendo | hero | rushing | tense | trills

Illegal (1955)

Ellen (Tragic)0:57:22 - Ellen confronts Vic about how he changedhero | heroine

Illegal (1955)

Ellen B0:57:58 - Ellen confronts Vic about how he changedhero | heroine

Illegal (1955)

Ellen (Very Slow)0:58:19 - Ellen confronts Vic about how he changedhero | heroine

Illegal (1955)

Ellen (Disturbed)0:58:26 - Ellen leaves Vic's officehero | heroine

Illegal (1955)

Frank Garland (Ominous)1:12:28 - Vic talks with Andydark | hero | underscoring

Illegal (1955)

Scott (Ominous)1:13:42 - Vic talks to Frank in the back of his carhero | villain

Illegal (1955)

Double Stinger1:14:04 - Frank gives Vic a veiled threathero | stinger | villain

Illegal (1955)

Ellen (Lonely)1:17:33 - Ellen and Vic talk during court recesscourtroom | hero | heroine | trial

Illegal (1955)

Underscoring (Dramatic)1:17:50 - Vic and Hinkel gather together some papersdramatic | hero | tense | underscoring

Illegal (1955)

Frank Garland (Ominous)1:20:57 - Frank threatens Vichero | stinger | threat | villain

Illegal (1955)

Vic gets shot1:23:46 - Andy shoots Vicgun | gunshot | hero | mickey-mousing | stinger

Illegal (1955)

Vic collapses1:26:17 - Vic clutches his side and falls to the floorcourtroom | death | hero | mickey-mousing

Illegal (1955)

Ellen (The End)1:26:30 - The case is dimissed and there is a happy endingcourtroom | hero | heroine
The Informer (1935)The Wearin’ o’ the Green0:07:32 - Frankie looks at reward poster with his picture on it64 chord | dark | establish character | folk song | hero | Irish | marching | mickey-mousing | mysterious | source music | street | thinking

The Informer (1935)

Running and hiding0:07:54 - Frankie runs and hides in the shadowschromatic scale | establish character | familiar tune | folk song | hero | hiding | mickey-mousing | running | soldier | street | tense

The Informer (1935)

Running (Not in Film)NIF - not in filmchromatic scale | establish character | hero | mickey-mousing | running | street

The Informer (1935)

The Wearin’ o’ the Green (Mysterious)0:08:57 - Frankie enters the Dunboy house to join the rebelsarriving | diminished 7th chord | dissonant bass | establish character | familiar tune | folk song | hero | Irish | leading man | mysterious | parallelism | room | street | tense

The Informer (1935)

Dan and Mary0:55:53 - Dan and Mary talk aloneABA structure | chromatic parallelism | deceptive resolution | diminished 7th chord | dissonant bass | embracing | half-diminished 7th chord | hero | love interest | love scene | love theme | mode mixture | passionate | pedal tone | romantic | room

The Informer (1935)

The Informer (Dan Talking)0:56:57 - Dan and Mary talk about an informerconversing | hero | love interest | love scene | mysterious | room | walking bass

The Informer (1935)

The Wearin’ o’ the Green (Somber)0:57:08 - Dan and Mary talk about the rebel organization64 chord | conversing | diminished 7th chord | familiar tune | folk song | hero | heroic | love interest | love scene | room | tense

The Informer (1935)

The Informer (Pedal Tone)0:57:34 - Dan and Mary talk about Gypoconversing | hero | love interest | love scene | mysterious | room

The Informer (1935)

The Wearin’ o’ the Green (Fragment)0:57:42 - Dan and Mary talk about a rebel meetingconversing | familiar tune | folk song | hero | love interest | love scene | room | sentimental

The Informer (1935)

Dan and Mary (Dolce)0:57:51 - Dan tells Mary: "I'll come back for you"11th chord | common-tone diminished 7th | crying | dissonant bass | embracing | hero | love interest | love scene | love theme | mode mixture | romantic | room

The Informer (1935)

Dan and Mary (Descending)1:05:08 - Mary enters, looking for Danchromatic sequence | courtroom scene | dissonant bass | down | headquarters | hero | love interest | love theme | mickey-mousing | romantic | stairs | street | suspect | walking

The Informer (1935)

The Informer (Tranquillo)1:16:35 - Gypo is taken awayantagonist | arresting | authentic cadence | climax | confessing | confession | courtroom | courtroom scene | crying | guilt | headquarters | hero | leading man | leaving | love interest | pleading | remorseful | room | traitor
Lightning Strikes Twice (1951)Trev (Appassionato)0:38:59 - Trev enters the store and everyone notices himcombination of themes | hero | romance | store

Lightning Strikes Twice (1951)

Trev + Shelly0:39:51 - Shelly watches as Trev leaves the storecombination of themes | hero | heroine | store

Lightning Strikes Twice (1951)

Shelly 2 (Helpful)0:43:44 - Shelly speaks with Trevhero | heroine

Lightning Strikes Twice (1951)

Shelly (Aspiring)0:44:07 - Shelly tells Trev she believes he is innocenthero | heroine | romance

Lightning Strikes Twice (1951)

Underscoring (Tense)0:44:51 - Trev questions Shelly about her belief in himhero | heroine | suspense | tense | underscoring

Lightning Strikes Twice (1951)

Shelly 3 (Taken Aback)0:45:08 - Trev wants his case kept closedhero | heroine

Lightning Strikes Twice (1951)

Shelly (Menacing)0:45:23 - Trev alludes that he could kill Shellyhero | heroine | menacing

Lightning Strikes Twice (1951)

Shelly (Romantic)0:45:51 - Shelly says that she can prove Trev didn't kill his wifehero | heroine | romance | underscoring

Lightning Strikes Twice (1951)

Trev (Heroic)0:46:33 - Trev climbs to help Shellyclimbing | danger | hero | rescue | romance

Lightning Strikes Twice (1951)

Trev + Shelly0:47:16 - Trev helps Shelly climb to safetycliff | combination of themes | danger | hero | heroine | resue | romance

Lightning Strikes Twice (1951)

Shelly (Tense)0:47:28 - Trev helps Shelly climb to safetycliff | danger | hero | heroine

Lightning Strikes Twice (1951)

Rescue0:47:42 - Trev helps Shelly climb to safetyhero | heroine | rescue

Lightning Strikes Twice (1951)

Shelly 3 (Love)0:47:56 - Trev and Shelly kiss, then she continues on alonehero | heroine | hugging | kissing | romance

Lightning Strikes Twice (1951)

Shelly (Anxious)1:03:34 - Shelly runs away and into Trevhero | heroine

Lightning Strikes Twice (1951)

Emotion1:05:10 - Shelly criescrying | hero | heroine

Lightning Strikes Twice (1951)

Prison1:05:38 - Trev tells Shelly of a recurring dreamhero | heroine

Lightning Strikes Twice (1951)

Menace (Prison)1:05:54 - Trev tells Shelly of how she brought him peacehero | heroine

Lightning Strikes Twice (1951)

Trev (Love)1:06:09 - Trev tells Shelly that he is in love with herhero | heroine | love | romance

Lightning Strikes Twice (1951)

Shelly 3 (Tenderly)1:06:50 - Trev and Shelly embrace and kisshero | heroine | hugging | kissing | love | romance

Lightning Strikes Twice (1951)

Shelly 3 (Excited)1:07:09 - Trev and Shelly kiss in the car then get out to hero | heroine | kissing | love | romance

Lightning Strikes Twice (1951)

Shelly 3 (Tranquillo)1:07:22 - Trev and Shelly talk outside the ranchhero | heroine | love | romance

Lightning Strikes Twice (1951)

Shelly (Expressivo)1:07:58 - Trev and Shelly kisshero | heroine | love | romance

Lightning Strikes Twice (1951)

Underscoring (Somber)1:17:15 - Trev's eyes go wild as she mentions murderangry | hero

Lightning Strikes Twice (1951)

Shelly 3 (Tenderly)1:17:31 - Trev says that they are going to have to forget their pasthero | heroine | romance

Lightning Strikes Twice (1951)

Trev Runs 11:26:47 - Trev runs after Lizahero | running

Lightning Strikes Twice (1951)

Trev Runs 21:27:01 - Trev runs after Lizahero | mickey-mousing | running

Lightning Strikes Twice (1951)

Shelly 3 (Triumph)1:29:33 - Trev and Shelly drive away togetherhero | heroine | peace

Lightning Strikes Twice (1951)

Shelly (The End)1:30:00 - Trev and Shelly drive away togetherhero | heroine | peace
We Are Not Alone (1939)Surprise Symphony (Glissando)0:02:20 - David rides his bike homebicycle | classical music | establish character | familiar tune | fragmentation | glissando | Haydn | hero | playful | quotation | score to source | sequence | source music | street

We Are Not Alone (1939)

Surprise Symphony (Theme and Variations)0:02:37 - David enters his homeaugmented triad | classical music | deceptive resolution | establish character | familiar tune | Haydn | hero | home | playful | quotation | scored source music | source music | street | whistling

We Are Not Alone (1939)

Appassionato0:03:13 - Gerald is scolded by his motherantagonist | boy | child | chromatic parallelism | chromatic scale | deceptive resolution | dominant 7th chord | establish character | fragmentation | harmonic sequence | hero | home | linear chromaticism | mother | passionate | scolding | sequence | telling a story | tense

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:03:55 - David talks to his sonboy | child | chromatic parallelism | establish character | father | gentle | hero | home | playful | sweet | telling a story

We Are Not Alone (1939)

Playful0:04:39 - David asks his son to find a catboy | child | establish character | father | foreign key modulation | fragmentation | hero | home | playful | sequence | step modulation

We Are Not Alone (1939)

Boy runs back and forth0:04:52 - Gerald runs to the door and backback and forth | boy | child | establish character | father | hero | home | mickey-mousing | playful | running

We Are Not Alone (1939)

Surprise Symphony (Hushed)0:04:59 - David talks to his sonboy | child | classical music | establish character | familiar tune | father | half-diminished 7th chord | Haydn | hero | home | hushed | quotation | subtle

We Are Not Alone (1939)

Surprise Symphony (Hug)0:05:14 - David hugs his sonboy | child | classical music | establish character | familiar tune | father | gentle | Haydn | hero | home | mode mixture | quotation

We Are Not Alone (1939)

Surprise Symphony (Innocent)0:06:36 - Gerald runs inside9th chord | boy | child | classical music | comforting | common-tone diminished 7th | establish character | familiar tune | father | foreign key modulation | fragmentation | Haydn | hero | home | innocent | mode mixture | nagging | parallel fifths | playful | quotation | step modulation | tritone | Wagner

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office

We Are Not Alone (1939)

Tommy0:08:41 - David and Tommy talk about cats64 chord | boy | cat | deceptive resolution | doctor | establish character | hero | mode mixture | office | parallelism | playful

We Are Not Alone (1939)

Allergic Reaction0:09:04 - Tommy has an allergic reaction to the cat9th chord | 64 chord | allergies | boy | cat | doctor | dramatic | establish character | hero | office

We Are Not Alone (1939)

Tommy (Recovering)0:09:17 - David tells Tommy he is allergic to cats11th chord | boy | cat | cheerful | doctor | establish character | fragmentation | hero | office | playful | sequence

We Are Not Alone (1939)

Tommy (Lyrical)0:09:34 - David gets some medicine for Tommy9th chord | boy | cat | doctor | establish character | gentle | hero | lyrical | Mozart | office | peaceful

We Are Not Alone (1939)

Surprise Symphony (Chromatic Shift)0:09:49 - David puts the cat outsidecat | classical music | establish character | familiar tune | foreign key modulation | Haydn | hero | office | playful | quotation | step modulation

We Are Not Alone (1939)

Surprise Symphony (Imagination)0:10:16 - Jessica rushes David awayantagonist | chromatic parallelism | classical music | establish character | familiar tune | Haydn | hero | office | playful | quotation

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:10:56 - David visits an injured Lenichromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | gentle | hero | heroine | mode mixture | quotation | room | step modulation

We Are Not Alone (1939)

Surprise Symphony (Not Afraid)0:11:24 - David sets Leni's wristchromatic scale | classical music | delicate | doctor | establish character | familiar tune | foreign key modulation | fragmentation | Haydn | hero | heroine | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Calm)0:12:01 - David's treatment is successfulcalm | classical music | countermelody | deceptive resolution | doctor | establish character | familiar tune | Haydn | hero | heroine | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Not in film)NIF - not in filmclassical music | cut from film | doctor | establish character | familiar tune | Haydn | hero | heroine | pedal tone | quotation | room

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Peaceful)0:12:13 - David's treatment is successfulcalm | chromatic mediant | deceptive resolution | doctor | establish character | familiar tune | foreign key modulation | hero | heroine | mode mixture | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Quasi Rubato)0:12:46 - David treats Leni's legclassical music | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | parallelism | playful | quotation | room

We Are Not Alone (1939)

Surprise Symphony (Humbly)0:13:10 - David treats Leni's legclassical music | common-tone diminished 7th | doctor | establish character | familiar tune | fragmentation | gentle | Haydn | hero | heroine | hymn-like | quotation | room | sweet

We Are Not Alone (1939)

Tenderness0:13:40 - David talks to Leni64 chord | doctor | establish character | friendly | hero | heroine | mode mixture | room | sequence | tender

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Tragico)0:14:05 - Leni talks with Daviddoctor | establish character | familiar tune | hero | heroine | minor-major 7th chord | quotation | room | tragic

We Are Not Alone (1939)

Frohe Botschaft (Tenderly)0:14:22 - Leni takes off her wig64 chord | doctor | establish character | familiar tune | folk song | German | hero | heroine | pedal tone | quotation | room | tender

We Are Not Alone (1939)

Blue Danube0:14:52 - Leni says she is from Austriaclassical music | doctor | establish character | familiar tune | hero | heroine | mode mixture | peaceful | quotation | room | Strauss

We Are Not Alone (1939)

Surprise Symphony (Gute Nacht)0:15:00 - David says goodnight in German to Leniclassical music | doctor | establish character | familiar tune | Haydn | hero | heroine | peaceful | perfect authentic cadence | quotation | room

We Are Not Alone (1939)

Surprise Symphony0:17:34 - David whistles while helping a patientclassical music | comical | diminution | doctor | establish character | familiar tune | Haydn | hero | heroine | office | on-screen music | quotation | source music | whistling

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside0:17:49 - Exterior of a British dance hallABAC structure | conflict | doctor | familiar tune | helping | hero | heroine | score to source | source music | street | tense

We Are Not Alone (1939)

As You Walk Down the Strand0:19:59 - David helps LeniAABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Poor Old Adam Was My Father0:20:32 - David talks to Leni by the seasideABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Whee!0:23:57 - David flips his son upside down playfullyadvance plot | boy | child | father | hero | home | jumping | mickey-mousing | parallel 63s | parallelism | playful | playing | spinning

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It’s Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

Tuning0:27:56 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:03 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:17 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:31 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Surprise Symphony0:29:13 - David whistles advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife

We Are Not Alone (1939)

Tuning0:29:20 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | tuning | violin | wife

We Are Not Alone (1939)

Minuet0:29:28 - David plays the violinadvance plot | hero | home | on-screen music | playing | source music | violin | warm | wife

We Are Not Alone (1939)

Surprise Symphony0:29:45 - David plays the violinadvance plot | hero | home | on-screen music | playing | source music | violin | warm | wife

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Subconscious)0:31:36 - Jessica says goodnight to David added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife

We Are Not Alone (1939)

Surprise Symphony (Newspaper)0:31:52 - David sits and whistles9th chord | classical music | deceptive resolution | familiar tune | foreshadowing | happy | Haydn | hero | home | ominous | quotation | reveal | transition | whistling

We Are Not Alone (1939)

Surprise Symphony (Galloping)0:32:07 - David arrives in a carriagecarriage | classical music | familiar tune | galloping | happy | Haydn | hero | horse | quotation | street | transition | traveling

We Are Not Alone (1939)

Frohe Botschaft (At the Piano)0:34:49 - Leni plays and singsboy | cheerful | child | establish character | familiar tune | father | folk song | foreign key modulation | German | hero | heroine | home | on-screen music | piano | playing | score to source | singing | source music | transcribed by ear

We Are Not Alone (1939)

Surprise Symphony (Turbulent)0:50:14 - Jessica reacts to David's departure11th chord | angry | antagonist | chromatic parallelism | classical music | conflict | crying | dark | familiar tune | Haydn | hero | home | husband | leaving | quotation | room | sad | tragic | wife

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Surprise Symphony0:56:18 - David whistles on his way to breakfastadvance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling

We Are Not Alone (1939)

Tuning0:59:20 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Tuning1:00:57 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied)1:01:56 - Gerald sneaks insideboy | child | classical music | common-tone modulation | familiar tune | hero | heroine | home | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | secondary dominant | source music | violin

We Are Not Alone (1939)

Celebre Romance (Accompanied B)1:02:47 - Gerald accidentally mixes up the contents of two bottlesboy | child | classical music | deceptive resolution | familiar tune | hero | heroine | home | linear chromaticism | mode mixture | on-screen music | peaceful | pivotal scene | playing | romantic | room | Rubinstein | source music | violin

We Are Not Alone (1939)

Underscoring (Tense)1:03:56 - The crowd outsideagitated | chromatic scale | conflict | confused | crowd | hero | linear chromaticism | metric dissonance | pedal tone | polychord | riot | rioting | street | tense | underscoring

We Are Not Alone (1939)

Underscoring (Tense)1:05:17 - David scolds Susan64 chord | antagonist | chromatic scale | conflict | conversing | foreign key modulation | hero | street | tense | underscoring

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

Frohe Botschaft (Drifting)1:14:30 - David gives Leni money for her travels altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord

We Are Not Alone (1939)

Underscoring (Tense)1:15:25 - David is taken away by the police9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring

We Are Not Alone (1939)

In Love1:30:55 - David realizes he is in love with Leni 9th chord | courtroom | courtroom scene | hero | heroine | linear chromaticism | love scene | realization | realizing | romantic | suspension | testifying | tone cluster

We Are Not Alone (1939)

Underscoring (Mysterious)1:36:37 - David walks down a prison corridoradvance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking

We Are Not Alone (1939)

Celebre Romance (Love)1:37:12 - David and Leni express their love for each otherclassical music | conversing | familiar tune | fragmentation | guard | hero | heroine | love scene | prison | quotation | romantic | Rubinstein

We Are Not Alone (1939)

Underscoring (Somber)1:37:44 - David and Leni talkconversing | harmonic sequence | hero | heroine | love scene | prison | somber | triadic transformation | underscoring

We Are Not Alone (1939)

Execution1:38:10 - Leni talks to Davidcomforting | conversing | drone | execution | hero | heroine | love scene | name of film | prison | somber

We Are Not Alone (1939)

Frohe Botschaft (Hopeful)1:38:41 - David comforts Leni9th chord | comforting | conversing | familiar tune | folk song | German | hero | heroine | love scene | mode mixture | pedal tone | plagal cadence | prison | quotation | somber

We Are Not Alone (1939)

Underscoring (Romantic)1:39:42 - David comforts Leni9th chord | 13th chord | comforting | conversing | hero | heroine | love scene | prison | romantic | underscoring

We Are Not Alone (1939)

Surprise Symphony (Someday)1:39:55 - David is hopeful64 chord | classical music | comforting | conversing | deceptive resolution | dream-like | familiar tune | foreign key modulation | gentle | Haydn | hero | heroine | imagining | love scene | prison | quotation | sweet

We Are Not Alone (1939)

Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension

We Are Not Alone (1939)

Fainting1:40:41 - Leni faintsadded-note chord | fainting | falling | hero | heroine | love scene | mickey-mousing | prison | sequence | tense

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - David helps Leni9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Restful)1:41:47 - David watches Leni sleep9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching

We Are Not Alone (1939)

Fife and Drums1:44:42 - David talks with the guardsadvance plot | hero | patriotic | pentatonic | prison | source music | war

We Are Not Alone (1939)

It’s a Long Long Way to Tipperary1:45:21 - David talks with the guardsadvance plot | familiar tune | hero | patriotic | prison | source music | war

We Are Not Alone (1939)

Waiting1:46:39 - David asks about his execution9th chord | advance plot | hero | prison | somber | waiting

We Are Not Alone (1939)

Surprise Symphony (Acceptance)1:47:27 - David talks to the prison guardsadvance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling