| Arsenic and Old Lace (1944) | Home Sweet Home (Expressivo) + Scar | 0:41:42 - Abby talks to Jonathan | altered dominant | augmented triad | aunt | brother | combination of themes | conversing | convincing | crazy person | criminal | distortion | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room |
| Without Honor (1949) | Valse Triste (Tempo de Beguin) | 1:00:38 - Bill watches them leave | antagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking |
Without Honor (1949) | Valse Triste (Mexico) | 1:02:08 - Fred packs his things | antagonist | brother | cheerful | conversing | convincing | husband | leading man | Mexican | resolution | room | thinking |
Without Honor (1949) | Valse Triste (Tempo de Beguin) | 1:02:32 - Bill talks to Fred | antagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking |
| The Most Dangerous Game (1932) | Underscoring (Dramatic) | 0:45:41 - Bob catches Eve | action scene | agitated | catching | conversing | convincing | jungle | leading lady | leading man | tense | underscoring | victim |
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