| Are These Our Children? (1931) | Dreams (Newspaper Montage) | 0:45:04 - Newspaper headlines | augmentation | comforting | common-chord modulation | crying | double exposure | grandmother | headline | love interest | mickey-mousing | montage | newspaper | room | somber | spinning |
| Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:39:58 - The aunts see shadows at the door | augmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:44:00 - The aunts go into the kitchen | augmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching |
| They Made Me a Criminal (1939) | On the Make (Lohenblueish) | 1:09:07 - Johnnie decides that he will stay | added-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in |
| Each Dawn I Die (1939) | Each Dawn B (Augmented) | 0:00:36 - Cast list | augmentation | bleak | cast list | countermelody | dark | diminished 7th chord | main title | opening title sequence | prison |
| Flamingo Road (1949) | Lane | 0:30:02 - Lane and Field kiss in the moonlight | added-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic |
Flamingo Road (1949) | If I Could Be With You (Dead) | 1:24:41 - Lane sees Field has committed suicide | augmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent |
| The Letter (1940) | Leslie (Ominous) | 0:22:58 - The site of the murder | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
The Letter (1940) | Leslie (Reckoning) | 1:33:42 - Mrs. Hammond walks away | 11th chord | antagonist | augmentation | body | changing meter | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber | suspension |
| Kid Galahad (1937) | Boxing poster | 0:00:41 - Boxing poster | 64 chord | augmentation | chromatic sequence | diminution | establish character | jaunty | poster | street | zoom in |
| We Are Not Alone (1939) | Surprise Symphony (Death Bed) | 0:24:11 - David discusses death with his son | advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation |
We Are Not Alone (1939) | Birds | NIF - not in film | augmentation | birds | chromatic mediant | cut from film | inversion | layering | pastoral | pentatonic |
We Are Not Alone (1939) | Birds (Extended) | NIF - not in film | augmentation | birds | chromatic mediant | chromatic parallelism | cut from film | inversion | pastoral | pentatonic |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks | advance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling |
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