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43 results for "sequential modulation" in 6 films — see also foreign key modulation

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess0:00:15 - Title of filmcast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | chromatic mediant | chromatic sequence | countermelody | establish place | establish setting | foreign key modulation | gentle | leading lady | noble | palace | sequential modulation | walking

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | chromatic sequence | crying | despair | duchess | foreign-key modulation | leading lady | mad scene | on-screen text | room | sequence | sequential modulation | writing

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Expressivo)1:10:42 - The Duke complains to Henrietteabrupt | advance plot | angry | chromatic parallelism | complaining | duke | governess | leading lady | leading man | room | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching
Are These Our Children? (1931)Dreams (Risoluto)0:48:55 - Newspaper headlinesdouble exposure | fragmentation | headline | montage | mysterious | newspaper | sequential modulation | spinning | tense | thematic transformation

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
The Big Sleep (1946)Marlowe (Investigating)NIF - not in filmadded-note chord | deleted scene | deleted scene | dramatic | investigating | investigation | leading man | private eye | room | searching | sequential modulation | tense

The Big Sleep (1946)

Walking (The Car)NIF - not in filmcar | deleted scene | driving | femme fatale | foreign key modulation | leading man | parallelism | pedal tone | private eye | room | sequential modulation | tense | transition

The Big Sleep (1946)

Marlowe (Major)0:28:47 - Marlowe's name on his apartment doorarriving | leading man | mode mixture | mysterious | name on screen | noble | private eye | room | sequential modulation | transition

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his car64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense

The Big Sleep (1946)

Walking (Hesitant)1:26:55 - Marlowe walks into a buildingfragmentation | hallway | investigation scene | leading man | neutral | pain | parallelism | pedal tone | private eye | sequential modulation | walking

The Big Sleep (1946)

Hurrying (Car)1:33:13 - Marlowe drives in a caradded-note chord | car | driving | hurried | leading man | parallelism | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Hurrying (Car)1:33:25 - Marlowe continues drivingadded-note chord | car | driving | fragmentation | hurried | leading man | parallelism | picardy third | private eye | sequential modulation | street | tense | traveling scene

The Big Sleep (1946)

Walking (Extended)1:45:45 - Marlowe and Vivian walk up to housefragmentation | leading lady | leading man | love interest | outside | parallelism | pedal tone | private eye | sequential modulation | tense | transition | walking
The Letter (1940)Leslie (Rubato)0:00:44 - Cast list9th chord | cast list | changing meter | main title | minor-major 7th chord | opening title sequence | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Revolver)0:03:43 - A pistol lies on the stepschanging meter | conversing | foreign key modulation | fragmentation | gun | harmonic sequence | home | leading lady | murderer | murder scene | oscillation | sequential modulation | servant | tense

The Letter (1940)

Leslie (Lacework)0:04:55 - Worker picks up Leslie's laceworkchanging meter | crying | foreign key modulation | home | leading lady | murder scene | mysterious | oscillation | sequence | sequential modulation

The Letter (1940)

Runners0:05:14 - Workers run through jungleaction scene | chromatic parallelism | dramatic | heroic | jungle | running | sequential modulation | servant | tense

The Letter (1940)

Leslie (Tragic)0:14:31 - The scene of the crimeadvance plot | changing meter | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | sequential modulation | suspension | tense

The Letter (1940)

Creeping0:16:38 - Man creeping in the darkadvance plot | creeping | exoticism | Locrian mode | mickey-mousing | open fifth | parallel fifths | parallelism | pedal tone | plantation | sequential modulation | servant | sneaky

The Letter (1940)

Leslie (Shimmery 2)0:18:55 - Leslie stares at the full moonchanging meter | home | leading lady | love scene | moon | mysterious | oscillation | sequence | sequential modulation | staring | suspension

The Letter (1940)

Leslie (Tragic)0:37:21 - Howard talks to Leslieanxious | changing meter | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Shimmery 3)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | sequential modulation | stinger | suspension | tense

The Letter (1940)

Leslie (Triste)0:38:57 - Howard helps Leslie recoveradvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension

The Letter (1940)

Leslie (Tragic)0:52:55 - Howard and Leslie talkadvance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie (Leaving)0:53:20 - Howard and Leslie leave the houseadded-note chord | fragmentation | lawyer | leading lady | leaving | mysterious | plantation | sequence | sequential modulation | transition

The Letter (1940)

Leslie (Tragic)1:17:59 - Leslie confesses to Robertchanging meter | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence | sequential modulation | suspension
Mildred Pierce (1945)Mildred B0:00:52 - Cast list and wave effect9th chord | appoggiatura | cast list | chromatic mediant | deceptive resolution | enharmonic modulation | foreign key modulation | gentle | mickey-mousing | name on screen | opening title sequence | optimistic | romantic | sequential modulation | water | wave

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitress64 chord | added-note chord | altered dominant | chromatic mediant | chromatic sequence | common-chord modulation | foreign key modulation | hectic | heroine | leading lady | montage | restaurant | rushing | self-borrowing | sequential modulation | serving | upbeat | voice-over | waitress | working
The Unfaithful (1947)Beverly Hills0:01:00 - Cars driving down road in Beverly HillsBeverly Hills | cheerful | establish location | panning shot | sequential modulation | street | upbeat | voice-over

The Unfaithful (1947)

Beverly Hills (Leggiero)0:01:10 - A car pulls into the drivewayBeverly Hills | car | cheerful | establish location | panning shot | sequential modulation | street | traveling | voice-over

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives home9th chord | antagonist | car | cheerful | dark | driving | house | leading lady | sequential modulation | suspension | transition

The Unfaithful (1947)

Chris (Dark)0:07:46 - Chris continues driving9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to Larry's office9th chord | law office | leading lady | office | peaceful | pedal tone | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Agitated)0:53:11 - Chris sees the place where the body wasadvance plot | distressed | fearful | leading lady | obsession | ostinato | room | sequential modulation | staring

The Unfaithful (1947)

Unfaithful (Triste)1:13:36 - Bob walks slowly awaydirge | heartbroken | hotel | husband | ostinato | pedal tone | polychord | sad | sequential modulation | somber | transition | walking

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob looks aroundangry | common-chord modulation | deceptive resolution | husband | intense | meandering | Neapolitan | ostinato | room | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Unfaithful (Scandal)1:24:55 - Newspaper headlines about the murderclimax | courtroom | crowd | dramatic | hurrying | montage | newspaper | ostinato | radio | rushing | sequential modulation