| The Amazing Dr. Clitterhouse (1938) | Clitterhouse Onestep | 0:33:20 - Gangsters walk through music studio | added-note chord | common-tone diminished 7th | dancer | dancing | gangster | jaunty | on-screen music | parallel double period | pianist | playing | singing | studio | transition | walking | warming up |
| Beyond the Forest (1949) | The Arkansas Traveler | 1:02:55 - Folk musicians | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Portland Fancy | 1:03:11 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Devil’s Dream | 1:03:26 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
Beyond the Forest (1949) | Little Brown Jug | 1:03:57 - People dancing | crowd | dancer | dance scene | dancing | doctor | folk music | leading lady | leading man | love interest | musician | on-screen music | party | playing | room | singing | source music | square dance caller | square dance music | upbeat | wife |
| City for Conquest (1940) | Lullaby of Broadway | 0:17:00 - A sign for Rose Gardens Casino | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Latin For Manhattan | 0:18:29 - Peggy and Danny sit down | AABA structure | blue note | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | The Continental | 0:19:53 - Peggy dances with Murray | AABA structure | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | phrase extension | playing | popular music | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:20:39 - Danny sitting at a table | ABAC structure | boxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:21:28 - Peggy dances with Murray | ABAC structure | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | Shadow Waltz | 0:21:46 - Peggy dances with Murray | ABAC structure | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat |
City for Conquest (1940) | Fanfare | 0:22:58 - A trophy is brought out | award | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:23:07 - Close-up of Lily | ABAC structure | award | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat |
City for Conquest (1940) | The Words Are in My Heart | 0:29:31 - Peggy dances with Murray | applause | augmented triad | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz |
City for Conquest (1940) | Original Rhumba | 0:29:38 - Peggy dances with Murray | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat |
City for Conquest (1940) | Original Bolero | 0:29:43 - Peggy dances with Murray | applause | bolero | chromatic mediant | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat |
City for Conquest (1940) | Jalousie | 0:29:51 - Peggy dances with Murray | added-note chord | applause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat |
City for Conquest (1940) | Original Foxtrot | 0:29:57 - Peggy dances with Murray | applause | common-tone diminished 7th | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat |
City for Conquest (1940) | I'm Just Wild About Harry | 0:34:32 - Man operating a spotlight | audience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat |
City for Conquest (1940) | Negra Consentida | 0:41:21 - The Carleton Plaza Towers | advance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat |
City for Conquest (1940) | In the Evening | 0:45:08 - Peggy in her dressing room | arguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | parallel double period | punching | source music | upbeat |
City for Conquest (1940) | A Girl Like You | 0:46:49 - Danny in Peggy's dressing room | boxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | parallel double period | source music | upbeat |
City for Conquest (1940) | Peggy runs | 0:47:31 - Peggy runs down the stairs | boxer | chromatic parallelism | chromatic sequence | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense |
City for Conquest (1940) | Tone Poem A (Romantic) | 0:47:41 - Peggy talks with Danny | boxer | conversing | dancer | leading lady | leading man | love scene | street | tense |
City for Conquest (1940) | Tone Poem A (Simplice) | 0:48:06 - Danny talks to Peggy | 9th chord | 13th chord | boxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street |
City for Conquest (1940) | Tone Poem A (Walking) | 0:48:32 - Danny and Peggy walk down the street | 11th chord | boxer | chromatic sequence | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking |
City for Conquest (1940) | Tone Poem A (Molto Expressivo) | 0:48:44 - Danny talks with Peggy | 9th chord | 64 chord | appoggiatura | boxer | countermelody | dancer | embracing | kissing | leading lady | leading man | love scene | plagal cadence | romantic | sequence | street |
City for Conquest (1940) | Adios Muchachos | 0:50:27 - Peggy arrives home | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
City for Conquest (1940) | Adios Muchachos | 0:51:19 - Peggy talks with Murray | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
City for Conquest (1940) | 42nd Street | 0:51:52 - People arriving at a dance | AABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat |
City for Conquest (1940) | Corn Pickin' | 0:53:35 - People dancing the jitterbug | AABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Japanese Sandman | 0:54:33 - Danny and Peggy at the dance | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Garden of the Moon | 1:00:04 - Backstage at the Club Madrid | AABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat |
City for Conquest (1940) | Piggy Wiggy Woo | 1:10:52 - Peggy cries | advance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat |
City for Conquest (1940) | Powder My Back | 1:23:34 - A burlesque marquee | advance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat |
| Flamingo Road (1949) | Vision of Salome | 0:02:12 - Exotic dancers | announcing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music |
Flamingo Road (1949) | Arabian Riff | 0:02:36 - Exotic dancers | announcing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music |
Flamingo Road (1949) | Vision of Salome | 0:03:12 - Two men argue | arguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | If I Could Be With You | 0:26:58 - People gamble and dance | club | dancer | dance scene | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music |
Flamingo Road (1949) | The Girl With the Spanish Drawl | 1:29:10 - Lane arrives at Lute Mae's | arriving | climax | club | dancer | dancing | leading lady | musician | on-screen music | playing | source and scoring overlap | source music | upbeat |
| Hell on Frisco Bay (1955) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:40:24 - A dance hall | advance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat |
| Her Kind of Man (1946) | Night Clubs | 0:01:12 - Montage of night clubs | bar | bluesy | club | crowd | dancer | dancing | double exposure | eating | journalist | montage | montage | performer | performing | simulated source music | street | voice-over |
Her Kind of Man (1946) | Something to Remember You By | 0:06:59 - Floor show at a night club | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Sailor's Hornpipe | 0:07:02 - Dancing sailors | club | dancer | dancing | music scene | popular music | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:07:16 - Georgia enters | AABA structure | club | dancer | dancing | leading lady | music scene | on-screen music | popular music | singer | singing | source music | stage | upbeat |
Her Kind of Man (1946) | Something to Remember You By | 0:08:02 - Georgia sings | AABA structure | club | dancer | dancing | leading lady | leading man | music scene | on-screen music | popular music | sentimental | singer | singing | source music | stage |
Her Kind of Man (1946) | Gay White Way | 0:19:54 - Georgia looks at her jewelry | advance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage |
| Lightning Strikes Twice (1951) | Chiapanecas | 0:33:40 - People dancing outside | actor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat |
| Out of the Fog (1941) | Comparsa Negra No.1 | 0:35:38 - People dancing in a conga line | ABAC structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | eating | Latin music | leading lady | leading man | musician | on-screen music | parallel double period | playing | source music | upbeat |
Out of the Fog (1941) | No Digas | 0:37:46 - Cuban dancers and musicians | AABA structure | bartender | club | conversing | criminal | crowd | dancer | dance scene | dancing | Latin music | leading lady | leading man | musician | on-screen music | playing | source music | upbeat |
| Hold ‘Em Jail (1932) | Makes You Forget Your Troubles | 0:11:18 - Spider and Curley talk to Steele | AABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Close to Me | 0:13:53 - William and Peggy talk in a dressing room | advance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear |
| State’s Attorney (1932) | Na Moku Eha | 0:01:19 - Hula dancer | cheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music |
| Sing and Like It (1934) | O Du Lieber Augustin | 0:09:09 - Annie and Oswald go in the theatre door | AABA structure | ballad | dancer | dancing | musician | music scene | on-screen music | piano | source music | stage | upbeat |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:02:44 - A man conducts the pit orchestra | AABA structure | conducting | conductor | crowd | dancer | dancing | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:10 - The audience reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:03:34 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
Sing and Like It (1934) | My Imaginary Sweetheart | 1:04:10 - The critic reacts | AABA structure | boss | conducting | conductor | critic | crowd | dancer | dancing | gangster | gun | laughing | moll | musical | musician | music scene | on-screen music | performer | performing | playing | source music | theater | threatening | upbeat | watching |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
| Half Shot at Sunrise (1930) | Doorman Dance | 0:42:01 - Dancers come on stage | dancer | dance scene | dancing | fanfare | marching | night club | source music | upbeat |
Half Shot at Sunrise (1930) | Whistling the Blues Away (Dancing) | 0:42:55 - Dancers dancing | dancer | dance scene | dancing | night club | score to source | source music | upbeat |
Half Shot at Sunrise (1930) | Domino Dance | 0:43:38 - Dancers dancing | chromatic mediant | dancer | dance scene | dancing | fanfare | night club | source music | upbeat |
Half Shot at Sunrise (1930) | Whistling the Blues Away (Dancing) | 0:43:54 - Dancers dancing | dancer | dance scene | dancing | marching | night club | source music | upbeat |
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