| All This, and Heaven Too (1940) | Raynald (Delicato) | 2:06:46 - Henry talks to Henriette | advance plot | conversing | delicate | leading lady | minister | mode change | prison | prisoner | suspect | tender | tense | worrying |
All This, and Heaven Too (1940) | The Duke (Maestoso) | 2:10:50 - Henriette enters the Duke's palace | arriving | countermelody | dark | hearing voices | leading lady | mode change | palace | prisoner | soldier | spooky | suspect | transition | uneasy |
All This, and Heaven Too (1940) | Columbia Gem of the Ocean (Somber) | 2:18:19 - Children listening to Henriette | 9th chord | child | hopeful | leading lady | mode change | resolution | school | storytelling | student | teacher |
| They Made Me a Criminal (1939) | The Printing Press | 0:14:10 - A printing press | 64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press |
| In This Our Life (1942) | Roy (Morendo 2) | 0:49:54 - Roy reacts to the bad news | added-note chord | appoggiatura | augmented sixth chord | conversing | father | leading lady | leading man | mode change | room | serious | somber | suicide | turning point | uncle |
In This Our Life (1942) | Minerva and Parry (Triste) | 1:22:39 - Parry talks to Stanley | 64 chord | conflict | conversing | criminal | lawyer | leading lady | leading man | lying | mode change | prison | prisoner | solemn | somber | suspect | testifying | victim |
| The Informer (1935) | Rule, Britannia! | 0:02:32 - Close-up on the 20 pound reward on the poster | British | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense |
| Key Largo (1948) | Largo Hotel | 0:02:34 - Frank arrives at the Largo hotel | bus | establish setting | hotel | mode change | peaceful | stopping | tense |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Tragic) | 0:34:05 - McCloud and Nora help Mr. Temple up | boss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber |
Key Largo (1948) | McCloud (Triste) | 0:47:23 - Rocco mocks McCloud | boss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber |
| The Life of Vergie Winters (1934) | Funeral March | 0:01:12 - A funeral march | altered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching |
| The Unfaithful (1947) | Unfaithful (Chris) | 0:01:46 - Chris answers the phone | establish character | foreshadowing | leading lady | mode change | peaceful | room |
| We Are Not Alone (1939) | Surprise Symphony (Foreboding) | 0:00:09 - Main title | classical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film |
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