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95 results for "bold" in 35 films — see also brash | confident | decisive | fierce | grand | heroic | regal | triumphant

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Signature0:00:00 - Warner Brothers shieldadded-note chord | bold | chromatic mediant | fanfare | opening title sequence | oscillation | WB shield

All This, and Heaven Too (1940)

Invitation from the King1:03:46 - Invitation from the King11th chord | ballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | pedal tone | walking

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic | sequential modulation

All This, and Heaven Too (1940)

The Duchess (Tutti)1:42:34 - Newspaper headlinebold | double exposure | headline | montage | newspaper | on-screen text | romantic | sequential modulation | street

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | dissonant bass | fragmentation | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying
The Amazing Dr. Clitterhouse (1938)Signature0:00:00 - Warner Bros. shieldbold | chromatic mediant | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield
Angels With Dirty Faces (1938)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | starring list | WB shield

Angels With Dirty Faces (1938)

Transition0:00:07 - Starring cast listbold | chromatic wedge | dark | half-diminished 7th chord | linear chromaticism | opening title sequence | starring list | transition

Angels With Dirty Faces (1938)

The Gangster0:00:15 - Main titlebold | cast list | dark | foreign key modulation | main title | opening title sequence | sequence | title of film
Are These Our Children? (1931)Dreams (End Title)NIF - not in filmbold | cut from film | mode mixture | plagal cadence
Arsenic and Old Lace (1944)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | foreign key modulation | opening title sequence | phrase extension | WB shield
The Big Sleep (1946)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | opening title sequence | starring list | voice-exchange | WB shield | whole-tone chord

The Big Sleep (1946)

Transition0:00:08 - Shadows of the main characters bold | half-diminished 7th chord | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition | voice-exchange

The Big Sleep (1946)

Marlowe (Decisive)0:47:04 - Marlowe walks out the dooradded-note chord | advance plot | bold | decisive | leading man | leaving | pedal tone | private eye | room

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | common-chord modulation | determined | fragmentation | heroic | investigating | investigation scene | leading lady | leading man | parallel 63s | parallelism | private eye | sequence | stairs | street | walking

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

Marlowe (Risoluto)1:30:12 - Marlowe makes a phone calladded-note chord | bold | conversing | death scene | fragmentation | leading man | phone call | private eye | room | victim

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | chromatic scale | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phoneadded-note chord | bold | death | fragmentation | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Marlowe (The End)1:53:36 - The endbold | end title sequence | The End | triumphant
The Breaking Point (1950)Signature0:00:00 - WB shieldbold | chromatic mediant | conductor score | fanfare | fragmentation | main title | metric dissonance | opening title sequence | WB shield
Caged (1950)SignatureNIF - not in filmbold | cut from film | opening title sequence

Caged (1950)

Signature0:00:00 - WB logobold | fanfare | opening title sequence | WB shield
His Greatest Gamble (1934)Morning Glory Fanfare (The End)1:10:32 - The Endbold | end title sequence | fanfare | The End | transcribed by ear | triumphant
City for Conquest (1940)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | city | common-tone dominant 7th | fanfare | opening title sequence | oscillation | skyline | starring list | WB shield

City for Conquest (1940)

Tone Poem Introduction (Main Title)0:00:12 - Title of film over a city skylinebold | cast list | city | common-tone dominant 7th | Gershwinesque | opening title sequence | skyline | title of film

City for Conquest (1940)

Tone Poem A (Main Title)0:00:36 - Credits over a city skyline13th chord | added-note chord | bold | cast list | chromatic sequence | city | Gershwinesque | opening title sequence | skyline

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | chromatic mediant | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | parallelism | presenting | source music | transcribed by ear | upbeat

City for Conquest (1940)

Palace Gardens Fanfare0:34:31 - Marquee for Palace Gardensbold | fanfare | marquee | montage | street

City for Conquest (1940)

Tone Poem A (Headlines)0:38:25 - Sports news headlines9th chord | bold | fanfare | headline | montage | newspaper | transcribed by ear

City for Conquest (1940)

42nd Street0:38:40 - Montage of dancing scenesbold | dancing | double exposure | montage | shadow | stage

City for Conquest (1940)

Tone Poem Introduction1:32:01 - Orchestra playing in a concert hall9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti)1:33:02 - Peggy watches from the audience9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in

City for Conquest (1940)

Tone Poem Train Whistle1:33:40 - The wind section playsadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music

City for Conquest (1940)

Tone Poem Transition 21:33:48 - Orchestra playing9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem Introduction (Abbreviated)1:34:01 - Orchestra playing9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching

City for Conquest (1940)

Tone Poem Transition 3NIF - not in filmacceleration | bold | chromatic parallelism | chromatic sequence | concert scene | cut from film | diminution | dominant 7th chord | exciting | foreign key modulation | fragmentation | polyrhythm

City for Conquest (1940)

Tone Poem A (Very Broad)1:34:24 - Peggy reacts to the music9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out

City for Conquest (1940)

Tone Poem Transition 1 (Abbreviated)1:35:34 - Harp playing in the orchestraadded-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | musician | on-screen music | orchestra | playing | source music

City for Conquest (1940)

Tone Poem Train Whistle1:35:50 - Danny listens to the radioadded-note chord | bold | concert | concert scene | dissonant bass | excited | fragmentation | Gershwinesque | leading man | listening | on-screen music | pc set | pump-up modulation | radio | source music | street

City for Conquest (1940)

Tone Poem Transition 2 (Allargando)1:35:58 - Orchestra playing in the concert hallaudience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Grandioso)1:36:11 - Audience enjoying the performance9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching

City for Conquest (1940)

Tone Poem A (Tutti 2)1:36:41 - Danny's figure appears in the concert hall9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out

City for Conquest (1940)

Tone Poem Introduction (Abbreviated 2)1:37:08 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Tone Poem A (Coda)1:37:16 - The conductor leading the orchestraadded-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching

City for Conquest (1940)

Sidewalks of New York (The End)1:43:24 - The End64 chord | bold | conversing | end title sequence | grand | old man | plagal cadence | soliloquy | The End
Crime School (1938)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | main title | opening title sequence | starring list | WB shield
They Made Me a Criminal (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | dissonant bass | fanfare | main title | opening title sequence | WB shield

They Made Me a Criminal (1939)

Peggy0:00:25 - Director credit9th chord | 11th chord | 13th chord | bold | cast list | chromatic mediant | foreign key modulation | heroic | main title | opening title sequence | tritone substitution
Deep Valley (1947)Signature0:00:00 - WB shieldbold | fanfare | main title | opening title sequence | WB shield
Dust Be My Destiny (1939)Signature0:00:00 - WB shieldbold | chromatic mediant | fanfare | main title | opening title sequence | WB shield
Each Dawn I Die (1939)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | linear chromaticism | main title | opening title sequence | WB shield

Each Dawn I Die (1939)

Transition0:00:08 - Lead actorsbold | main title | opening title sequence | prison | starring list | transition

Each Dawn I Die (1939)

Headlines 20:49:31 - Newspaper headline is shownadded-note chord | bold | fanfare | headline | montage | montage | newspaper
The FBI Story (1959)FBI March A0:04:33 - Film title, main castbold | cast list | FBI | heroic | main title | march
Flamingo Road (1949)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield
Hell on Frisco Bay (1955)Steve1:37:30 - Steve gets off the boatarriving | boat | bold | dock | gangster | heroic | inspector | leading man | police
Her Kind of Man (1946)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | transcribed by ear | WB shield

Her Kind of Man (1946)

It Had to Be You (Transition)0:00:08 - Starring listbold | cards | dramatic | gambling | opening title sequence | poker | starring list | transcribed by ear | transition
I Was a Communist for the FBI (1951)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | metric dissonance | opening title sequence | oscillation | WB shield

I Was a Communist for the FBI (1951)

Communist0:00:09 - Title of filmbold | chromatic parallelism | chromatic scale | dark | dramatic | half-diminished 7th chord | hallway | march | opening title sequence | oscillation | parallelism | stranger | title of film | tritone oscillation | zoom in

I Was a Communist for the FBI (1951)

Undercover Agent0:00:26 - Starring listapproaching | bold | cast list | dark | dramatic | fanfare | hallway | march | mickey-mousing | opening title sequence | ostinato | polychord | sequence | starring list | stranger | tone cluster | tritone oscillation | walking
In This Our Life (1942)Signature0:00:00 - WB shieldadded-note chord | bold | chromatic mediant | fanfare | main title | opening title sequence | oscillation | WB shield
The Informer (1935)The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

The Informer (Quiet!)1:01:27 - The rebels enter and start an argument64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel

The Informer (1935)

The Wearin' o' the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect

The Informer (1935)

Underscoring (Dramatic)1:20:24 - Rebels plan how to catch Gypo9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense
Key Largo (1948)Signature0:00:00 - Warner Brothers shieldbold | chromatic mediant | deceptive resolution | fanfare | opening title sequence | WB shield

Key Largo (1948)

Transition0:00:08 - Starring listbold | opening title sequence | starring list | transition
The Letter (1940)Signature0:00:00 - WB Shieldbold | chromatic mediant | fanfare | foreign key modulation | main title | opening title sequence | WB shield

The Letter (1940)

Leslie (Maestoso)0:06:11 - Robert arrives at the plantationbold | brassy | changing meter | dark | driving | home | husband | oscillation | transition | tritone
Lightning Strikes Twice (1951)Signature0:00:00 - WB shieldbold | fanfare | opening title sequence | WB shield
Mildred Pierce (1945)Signature0:00:00 - WB shield and wave effectadded-note chord | bold | common-tone dominant 7th | dissonant bass | fanfare | opening title sequence | starring list | water | wave | WB shield

Mildred Pierce (1945)

Transition0:00:10 - Starring list and wave effect9th chord | bold | chromatic scale | dissonant bass | fanfare | mickey-mousing | opening title sequence | tense | title of film | water | wave

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking
The Life of Vergie Winters (1934)Watch on the Rhine (Headlines)0:28:39 - Montage of newspaper headlinesbold | direct modulation | headline | montage | newspaper | patriotic | patriotic tune | quintal chord

The Life of Vergie Winters (1934)

Lullaby (Allegro)1:18:34 - Newspaper headlinebold | conversing | daughter | dissonant bass | fragmentation | husband | montage | pedal tone | prison | waiting
Out of the Fog (1941)Signature0:00:00 - Warner Brothers logoadded-note chord | bold | chromatic mediant | fanfare | opening title sequence | oscillation | WB shield

Out of the Fog (1941)

Russian Barcarolle (Troubled)0:53:43 - Stella talks with her fatheradvance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room
Kid Galahad (1937)City Fanfare0:32:24 - Bright lights of the cityadvance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear
We Are Not Alone (1939)Max Steiner0:00:53 - Max Steiner's nameaugmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence

We Are Not Alone (1939)

Heart of Oak0:01:02 - View of London ("England, 1914")64 chord | added-note chord | bold | British | card | England | establish location | familiar tune | folk song | London | march | pedal tone | setting

We Are Not Alone (1939)

Surprise Symphony (The End)1:51:13 - Closing creditsbold | classical music | closing credits | end title sequence | familiar tune | Haydn | on-screen music | quotation | source music | transcribed by ear | whistling
White Heat (1949)Cody (Molto Marcato)0:13:59 - Cody walks to the carbold | dark | departing | gangster | leading lady | leading man | moll | mother | murderer | murder scene | victim | violent | walking | yard

White Heat (1949)

Cody 20:29:18 - Newspaper headlineagent | bold | dark | dramatic | headline | leading man | newspaper | police station | transition | typing

White Heat (1949)

Agents (Marcato)1:46:58 - Evans signals to another agentaction scene | agent | bold | commanding | factory | fanfare | leading man | police
The Woman in White (1948)Introduction0:00:00 - WB Shieldbold | book | grand | opening title sequence | transition | WB shield

The Woman in White (1948)

Fosco0:04:40 - Walter hears a carriage approachingarriving | bold | carriage | conversing | establish character | fanfare | forest | leading man | tense

The Woman in White (1948)

Limmeridge0:06:41 - Walter arrives at the mansionarriving | bold | butler | establish character | leading lady | leading man | mansion
Men of America (1932)Cimarron A0:00:14 - Title of film and starring listAmerican Indian music | bold | establish setting | fanfare | menacing | minor pentatonic | open fifth | opening title sequence | self-borrowing | starring list | title of film | transcribed by ear

Men of America (1932)

Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense
Star of Midnight (1935)Midnight in Manhattan (Fanfare)0:00:12 - Title of film; starring listbold | linear chromaticism | marquee | mode mixture | opening title sequence | starring list | title of film | transcribed by ear
Another Face (1935)Success at any Price0:00:00 - Beeping RKO radio towerbold | cast list | common-chord modulation | fanfare | lyrical | opening title sequence | radio tower | RKO tower | title of film | transcribed by ear
Caged (1950)Underscoring (Dramatic)1:32:09 - Superintendent office dooradvance plot | bold | conversing | leading lady | leaving | prison | prisoner | unpacking | walking