| City for Conquest (1940) | Sidewalks of New York (Soliloquy 2) | 0:05:44 - Old-timer talks to a stone carver | 9th chord | 13th chord | bluesy | child | chromatic parallelism | conversing | establish character | fragmentation | love | old man | romantic | sentimental | soliloquy | street | worker |
| Crime School (1938) | Boiler Overheating | 0:55:31 - Danger as the boiler gets really hot | action scene | arguing | boiler room | danger | frantic | gang | gauge | heat | hurrying | linear chromaticism | mechanical | pc set | reformatory | shoveling | teenager | temperature | tense | tone cluster | worker | working |
Crime School (1938) | Gangster Blues (Explosion) | 0:56:04 - The boiler explodes | 13th chord | action scene | added-note chord | boiler room | collapsing | escaping | exploding | explosion | foreign key modulation | frantic | gang | mechanical | reformatory | running | sequence | teenager | tense | worker | yelling |
Crime School (1938) | Running around | 0:56:37 - Boys run out of the building | action scene | chromatic parallelism | gang | linear chromaticism | mickey-mousing | reformatory | running | rushing | teenager | tense | worker |
Crime School (1938) | Fireman | 0:56:46 - Boiler room worker orders kids back | action scene | fanfare | gang | heroic | parallelism | pedal tone | protecting | reformatory | rushing | teenager | worker | yelling |
Crime School (1938) | Put on Your Old Grey Bonnet | 0:59:13 - The boys sing in the shoe repair shop | advance plot | cheerful | gang | hammering | on-screen music | reformatory | singing | source music | teenager | worker | working |
| Deep Valley (1947) | Explosion | 0:15:06 - An explosion | construction site | dark | exploding | explosion | transition | worker |
Deep Valley (1947) | Law (Working) | 1:44:28 - Libby looks at the worksite | calm | construction site | dog | leading lady | resolution | watching | worker | working |
| The FBI Story (1959) | Workers | 2:07:31 - Men leave a factory | factory | flashback | worker | working |
| Flamingo Road (1949) | Titus (Inverted) | 0:33:27 - Field arrives at the café | arriving | breakup | café | inversion | leading man | ominous | self-borrowing | sheriff | telephone | worker |
| In This Our Life (1942) | Asa | 0:02:02 - The Timberlake crest | establish character | noble | street | worker | working |
In This Our Life (1942) | Asa (Expressivo) | 0:02:33 - Asa walks | conversing | establish character | gentle | noble | street | walking | worker |
| Out of the Fog (1941) | Concert in the Park | 0:01:57 - Goff walks along the dock | arriving | conversing | criminal | dock | establish character | gambling | leading man | popular music | restaurant | source and scoring overlap | source music | upbeat | worker |
Out of the Fog (1941) | Trade Winds | 0:28:40 - Stella enters a drugstore | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker |
Out of the Fog (1941) | Whistle While You Work | 0:43:46 - Eddie sets the table | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker |
| The Woman in White (1948) | The Spring is Coming | 0:01:37 - A train station | cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker |
The Woman in White (1948) | The Carman’s Whistle | 0:02:16 - Walter asks for directions | calm | directions | establish place | establish setting | establish time | forest | gentle | leading man | Renaissance music | voice-over | walking | worker |
The Woman in White (1948) | Balmy Porter | 1:33:09 - A man locks the gate of the asylum | asylum | comedy | comical | key | shuffling | street | walking | worker | working |
The Woman in White (1948) | One, Two, Buckle My Shoe | 1:33:39 - The porter takes keys off of the wall | accompanied source music | asylum | comedy | comical | key | nursery rhyme | on screen music | singing | worker | working |
The Woman in White (1948) | Balmy Porter | 1:33:49 - The porter walks away | asylum | comedy | comical | key | maid | shuffling | walking | worker | working |
The Woman in White (1948) | Underscoring (Dark) | 1:34:10 - A patient in the asylum | asylum | comedy | key | ominous | patient | shuffling | underscoring | walking | worker | working |
The Woman in White (1948) | One, Two, Buckle My Shoe (Shuffling Around) | 1:34:17 - The porter continues his work | accompanied source music | asylum | comedy | comical | key | nursery rhyme | on screen music | shuffling | walking | worker | working |
The Woman in White (1948) | Ann (Sleeping) | 1:34:27 - Laura in her bed in the asylum | asylum | comedy | dark | key | leading lady | mysterious | patient | sleeping | victim | wife | worker | working |
The Woman in White (1948) | Balmy Porter (Minor) | 1:34:44 - The porter goes to the get the right key | asylum | comedy | comical | hurrying | key | shuffling | walking | worker |
The Woman in White (1948) | Balmy Porter | 1:35:10 - The porter returns to lock the door | asylum | comical | escape | escaping | hiding | hurrying | key | locking | shuffling | sneaking | walking | worker |
| Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
| We're Only Human (1935) | Old Lavender (Gentle) | 0:22:34 - A man scoops up some pasta | 64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working |
We're Only Human (1935) | Old Lavender | 0:22:44 - Packaged-up food | 9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working |
We're Only Human (1935) | Old Lavender (Celeste Solo) | 0:23:14 - Pete and Sally buying food | advance plot | buying | detective | direct modulation | food | leading lady | leading man | love interest | ordering | peaceful | reporter | store | street | worker | working |
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