Tag Search

389 results for "up" in 59 films — see also ascending | rising | uphill | upstairs

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	School Girls	0:01:12 - Young girls walking to school	added-note chord \| chatting \| child \| establish setting \| pedal tone \| pleasant \| school \| street \| upbeat \| walking
All This, and Heaven Too (1940)	Henriette (Carriage)	0:13:05 - A carriage arrives	64 chord \| carriage \| driver \| leading lady \| pleasant \| street \| transition \| traveling \| upbeat
All This, and Heaven Too (1940)	Raynald (Carriage)	0:46:53 - Horses pulling a carriage	64 chord \| carriage \| child \| chromatic mediant \| common-chord modulation \| conversing \| countermelody \| foreign key modulation \| governess \| horse \| leading lady \| mickey-mousing \| mode mixture \| pleasant \| riding \| street \| traveling scene \| trotting \| upbeat
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	Fanfan la Tulipe	0:51:48 - Henriette plays the harpsichord	advance plot \| child \| dancing \| duke \| folk music \| governess \| leading lady \| leading man \| on-screen music \| playing \| room \| upbeat
All This, and Heaven Too (1940)	Valse	1:03:32 - Montage of newspaper clippings	added-note chord \| ballroom \| cheerful \| crowd \| dancing \| double exposure \| duchess \| duke \| leading lady \| leading man \| mode mixture \| montage \| upbeat \| waltz
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	Henriette (Tristan)	1:18:13 - Henriette opens a gift	9th chord \| advance plot \| fragmentation \| gift \| governess \| happy \| leading lady \| opening \| pump-up modulation \| room \| snow globe
All This, and Heaven Too (1940)	The Carousel	1:26:22 - A spinning carousel	64 chord \| amusement park \| augmented sixth chord \| bright \| carousel \| child \| enharmonic modulation \| foreign key modulation \| fun \| mode mixture \| on-screen text \| pedal tone \| riding \| spinning \| transition \| upbeat
All This, and Heaven Too (1940)	Henriette (Tristan)	1:46:15 - Henriette greets the children	9th chord \| arriving \| child \| duke \| fragmentation \| grand \| greeting \| leading lady \| leading man \| pump-up modulation \| reunion scene \| romantic \| room
The Amazing Dr. Clitterhouse (1938)	Clitterhouse Onestep	0:33:20 - Gangsters walk through music studio	added-note chord \| common-tone diminished 7th \| dancer \| dancing \| gangster \| jaunty \| on-screen music \| parallel double period \| pianist \| playing \| singing \| studio \| transition \| walking \| warming up
The Amazing Dr. Clitterhouse (1938)	Rocks struggles and falls	1:09:52 - Rocks tries to get up, then collapses	chromatic parallelism \| chromatic scale \| death \| doctor \| down \| drugs \| dying \| falling \| gangster \| leading lady \| leading man \| murder \| murderer \| murder scene \| office \| oscillation \| poison \| rising \| split-third chord \| struggling \| tense \| up
Angels With Dirty Faces (1938)	Backing up	0:40:37 - Rocky pulls a gun on the man following him	backing up \| conflict \| gangster \| gun \| leading man \| mickey-mousing \| ominous \| sequence \| shop
Angels With Dirty Faces (1938)	Rocky and Laury	0:41:37 - Laury pushes her way through the crowd	altered dominant \| arriving \| close-up \| conflict \| heartbroken \| leading lady \| love interest \| rushing \| sentimental \| shop
Angels With Dirty Faces (1938)	Going up a ladder	1:17:41 - Rocky climbs up an escape ladder	agitated \| ascending \| chromatic parallelism \| climbing \| conflict \| dramatic \| gangster \| ladder \| leading man \| mickey-mousing \| pedal tone \| sequence \| street \| up
Angels With Dirty Faces (1938)	Going up stairs	1:19:27 - Rocky runs up the stairs	agitated \| chromatic parallelism \| chromatic scale \| conflict \| dissonant bass \| dramatic \| gangster \| leading man \| major 7th chord \| mickey-mousing \| running \| sequence \| stairs \| stairwell \| up
Angels With Dirty Faces (1938)	Sanctus (Maestoso)	1:36:06 - Jerry and the boys walk up the stairs	angelic \| ascending \| chromatic mediant \| foreign key modulation \| leading man \| priest \| resolution \| room \| stairs \| teenager \| The End \| transcendence \| triumphant \| up
Are These Our Children? (1931)	Incidental Music	NIF - not in film	ABAC structure \| added-note chord \| altered dominant \| common-tone diminished 7th \| cut from film \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Screwy Gavotte)	0:00:39 - Cast list	9th chord \| 64 chord \| added-note chord \| cast list \| happy \| opening title sequence \| ostinato \| pedal tone \| upbeat
Arsenic and Old Lace (1944)	Happy Land (Gospel)	0:00:47 - Cast list	cast list \| hymn \| opening title sequence \| parallel period \| upbeat
Arsenic and Old Lace (1944)	Take Me Out to the Ball Game	0:01:20 - Fans yelling at a ball game	augmented sixth chord \| baseball \| baseball player \| bass drum \| cheering \| crowd \| enharmonic modulation \| establish place \| evaded cadence \| falling \| familiar tune \| field \| fighting \| musician \| parallel double period \| pep band \| playing \| popular song \| punching \| rushed \| saxophone \| simulated source music \| source music \| sporting event \| trombone \| umpire \| upbeat \| yelling
Arsenic and Old Lace (1944)	Two by Two	0:02:51 - The marriage clerk sings	clerk \| establish character \| marriage \| office \| on-screen music \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:03:34 - Hiding in a telephone booth	added-note chord \| arguing \| bystander \| conversing \| deceptive resolution \| establish character \| familiar tune \| fragmentation \| leading lady \| leading man \| marriage \| office \| pump-up modulation \| running \| rushed \| rushing \| self-borrowing \| sequence
Arsenic and Old Lace (1944)	Hanging up	0:03:53 - Mortimer hangs up the phone	bystander \| diminished 7th chord \| establish character \| hanging up \| leading lady \| leading man \| marriage \| mickey-mousing \| office \| rushed
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Opens window	0:13:59 - The aunts open the window	advance plot \| aunt \| half-diminished 7th chord \| leading lady \| mickey-mousing \| opening \| raising \| room \| upbeat \| window
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:15:36 - Mortimer and Elaine talk	added-note chord \| bride \| cemetery \| conversing \| familiar tune \| flirting \| fragmentation \| groom \| hurried \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| romantic \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating 2)	NIF - not in film	added-note chord \| cut from film \| deceptive resolution \| familiar tune \| fragmentation \| love scene \| pump-up modulation \| sequence
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	The Aunts	0:39:01 - The aunts talk	advance plot \| aunt \| cleaning \| conversing \| crazy person \| foreign key modulation \| harmonic sequence \| leading lady \| murderer \| room \| upbeat
Arsenic and Old Lace (1944)	Jonathan 2	0:40:30 - Jonathan enters the house	arriving \| chromatic scale \| chromatic wedge \| close-up \| criminal \| dark \| dissonant bass \| establish character \| leading man \| observing \| ominous \| pc set \| room \| walking \| zoom in
Arsenic and Old Lace (1944)	Scar	0:40:54 - The scar on Jonathan's face	close-up \| criminal \| dark \| establish character \| horn flare \| leading man \| observing \| ominous \| pc set \| polychord \| room \| scar
Arsenic and Old Lace (1944)	The Aunts	0:53:55 - Aunt Abby goes to the front door	advance plot \| aunt \| brother \| calm \| crazy person \| darkness \| harmonic sequence \| leading lady \| leading man \| murderer \| room \| silhouette \| staring \| upbeat \| walking
Arsenic and Old Lace (1944)	Scar (Tense)	0:58:39 - Close-up on Dr. Einstein's face	advance plot \| bride \| brother \| calling \| close-up \| crazy person \| darkness \| doctor \| entering \| fear \| fragmentation \| leading lady \| leading man \| murderer \| polychord \| room \| sneaking \| tense
Arsenic and Old Lace (1944)	Knives	1:31:05 - Mortimer looks at the knives	acceleration \| brother \| captive \| chromatic parallelism \| close-up \| conflict \| crazy person \| diminution \| doctor \| fear \| layering \| leading man \| murderer \| ominous \| oscillation \| ostinato \| pc set \| polychord \| room \| tense \| tone cluster \| torturing \| victim
Arsenic and Old Lace (1944)	Happy Land	1:50:41 - Mortimer sings	bugle call \| climax \| leading man \| on-screen music \| room \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Happy Land (The End)	1:57:05 - Mortimer carries Elaine away	altered dominant \| bride \| countermelody \| driver \| end title sequence \| familiar tune \| groom \| kissing \| leading lady \| leading man \| resolution \| street \| The End \| upbeat
Arsenic and Old Lace (1944)	Happy Land (March)	1:57:20 - Cast list	cast list \| countermelody \| end title sequence \| transcribed by ear \| upbeat
Beyond the Forest (1949)	Hurrying	0:15:09 - Rosa lights a fire	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Rosa (Grazioso)	0:15:23 - Rosa gets a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Hurrying	0:15:35 - Rosa carries a drink	advance plot \| hurrying \| leading lady \| room \| upbeat \| wife \| working
Beyond the Forest (1949)	Rosa (Turbulent)	0:30:21 - Rosa checks her mail	advance plot \| leading lady \| mail \| post office \| reading \| turbulent \| upset
Beyond the Forest (1949)	Hurrying (Rather Slowly)	0:30:48 - Rosa leaves the post office	advance plot \| child \| departing \| leading lady \| mother \| neighbor \| post office \| upset
Beyond the Forest (1949)	Courthouse (Agitato Quasi Rubato)	0:31:12 - Rosa arrives home	advance plot \| angry \| arriving \| leading lady \| room \| upset \| yelling
Beyond the Forest (1949)	Rosa (Sombre)	0:32:36 - Rosa walks away	advance plot \| leading lady \| room \| somber \| sulking \| tense \| upset \| walking
Beyond the Forest (1949)	Sawmill + Rosa	0:33:25 - Rosa lies down	advance plot \| combination of themes \| factory \| fire \| leading lady \| machinery effect \| porch \| sulking \| upset \| watching
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Varsovienne	1:04:52 - Moose talks with Mr. Latimer	conversing \| dance scene \| folk music \| friend \| friend \| leading lady \| leading man \| love interest \| on-screen music \| party \| plotting \| proposal \| room \| sneaking \| source music \| square dance music \| upbeat
Beyond the Forest (1949)	Chicago (Molto Expressivo)	1:20:43 - The maid in the kitchen	advance plot \| familiar tune \| leading lady \| maid \| murderer \| popular tune \| recovering \| resting \| room \| sentimental \| sickness \| upbeat
The Big Sleep (1946)	Marlowe (Misterioso)	0:59:14 - Marlowe ties up Carol	assassin \| corpse \| dark \| half-diminished 7th chord \| investigating \| investigation scene \| leading man \| murderer \| mysterious \| pc set \| private eye \| room \| rope \| stinger \| tying up
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	Wotta Life	1:08:09 - Marlowe talks to Mars	12-bar blues \| advance plot \| club \| criminal \| investigating \| leading man \| private eye \| source music \| suspect \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	AABA structure \| conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| parallel double period \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	Hangs up phone	1:47:07 - Marlowe hangs up the phone	climax \| hanging up \| leading lady \| leading man \| love interest \| mickey-mousing \| mysterious \| private eye \| room
The Breaking Point (1950)	Fishermen	0:07:40 - Ship leaving the harbor	boat \| boat \| boating \| calm \| common-tone diminished 7th \| departing \| fisherman \| fishing \| floozy \| leading lady \| leading man \| montage \| not by Steiner \| sailor \| tense \| transcribed by ear \| upbeat
The Breaking Point (1950)	Flor de Lis	0:08:17 - A ship sailing	art song \| boat \| boat \| boating \| conversing \| establish setting \| flirting \| floozy \| leading lady \| leading man \| not by Steiner \| sailor \| upbeat \| working
The Breaking Point (1950)	En Mi Canto de Amor	0:08:57 - A dock at night	arriving \| art song \| boat \| conversing \| docking \| establish setting \| flirting \| floozy \| harbor \| leading lady \| leading man \| not by Steiner \| sailor \| source music \| upbeat \| working
The Breaking Point (1950)	La Adelita	0:09:56 - A Mexican village at night	arriving \| bar \| bartender \| conversing \| establish setting \| folk music \| leading man \| musician \| on-screen music \| performing \| sailor \| salesperson \| selling \| source music \| street \| upbeat \| working
The Breaking Point (1950)	Please Don't Talk About Me When I'm Gone	0:39:07 - Harry arrives at a bar	AABA structure \| advance plot \| bar \| bartender \| criminal \| dancing \| floozy \| jukebox \| leading lady \| leading man \| on-screen music \| sailor \| singing \| source music \| upbeat
The Breaking Point (1950)	First Call	1:15:04 - Sign for a horse race	crowd \| horse \| race track \| source music \| transition \| upbeat
Caged (1950)	June (Adagio)	0:39:34 - Inmates play cards	cards \| chromatic mediant \| chromatic scale \| close-up \| conversing \| establish character \| foreign key modulation \| friend \| leading lady \| melancholy \| playing \| prison \| prisoner \| somber \| underscoring \| uneasy
His Greatest Gamble (1934)	Bavardage	0:01:10 - The beach	AABA structure \| beach \| casino \| establish character \| establish place \| establish setting \| gambler \| gambling \| leading man \| luggage \| pleasant \| roulette wheel \| transcribed by ear \| upbeat
City for Conquest (1940)	Train	0:01:09 - An elevated train approaches	added-note chord \| bridge \| busy \| city \| hurried \| mickey-mousing \| old man \| ostinato \| police \| pump-up modulation \| train \| transition \| traveling
City for Conquest (1940)	Sidewalks of New York (Montage)	0:02:18 - A montage of New York City scenes	added-note chord \| boat \| bridge \| car \| chromatic parallelism \| city \| conversing \| Dutch angle \| establish setting \| excited \| fragmentation \| montage \| old man \| panning shot \| police \| pump-up modulation \| soliloquy \| train
City for Conquest (1940)	Sidewalks of New York	0:03:10 - A New York street corner	AABA structure \| child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	The Bowery	0:05:00 - People on a New York street	child \| conversing \| crowd \| establish character \| on-screen music \| playing \| pleasant \| source music \| street \| street organ \| upbeat
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:21:28 - Peggy dances with Murray	ABAC structure \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz	0:21:46 - Peggy dances with Murray	ABAC structure \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Fanfare	0:22:58 - A trophy is brought out	award \| bold \| chromatic mediant \| crowd \| dance band \| dance hall \| dancer \| dance scene \| fanfare \| leading lady \| on-screen music \| parallelism \| presenting \| source music \| transcribed by ear \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry (Delicato)	0:25:06 - Peggy calls Murray	11th chord \| added-note chord \| advance plot \| altered dominant \| calling \| common-tone diminished 7th \| conversing \| leading lady \| mode mixture \| pleasant \| room \| source to score \| telephone \| upbeat
City for Conquest (1940)	Original Rhumba	0:29:38 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| rhumba \| source music \| upbeat
City for Conquest (1940)	Original Bolero	0:29:43 - Peggy dances with Murray	applause \| bolero \| chromatic mediant \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:29:51 - Peggy dances with Murray	added-note chord \| applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| tango \| upbeat
City for Conquest (1940)	Original Foxtrot	0:29:57 - Peggy dances with Murray	applause \| common-tone diminished 7th \| crowd \| dance hall \| dancer \| dancing \| double exposure \| foxtrot \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:34:32 - Man operating a spotlight	audience \| clapping \| dancer \| dancing \| double exposure \| leading lady \| marquee \| montage \| source music \| stage \| upbeat
City for Conquest (1940)	Burns and Company	0:39:06 - Montage of dancing scenes	added-note chord \| dance band \| dancing \| double exposure \| headline \| montage \| newspaper \| shadow \| stage \| transcribed by ear \| upbeat
City for Conquest (1940)	Liberty Day	0:39:19 - A boxing match	boxing \| boxing ring \| contrasting double period \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| contrasting double period \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| parallel double period \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
City for Conquest (1940)	42nd Street	0:51:52 - People arriving at a dance	AABA structure \| advance plot \| club \| crowd \| dance band \| dancer \| dancing \| musician \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Garden of the Moon	1:00:04 - Backstage at the Club Madrid	AABA structure \| advance plot \| conversing \| dancer \| dressing room \| leading lady \| preparing \| source music \| upbeat
City for Conquest (1940)	Miramar	1:00:44 - Danny prepares for a fight	advance plot \| boxer \| conversing \| leading man \| locker room \| manager \| march \| parallel double period \| preparing \| source music \| upbeat
City for Conquest (1940)	Piggy Wiggy Woo	1:10:52 - Peggy cries	advance plot \| conversing \| crying \| dancer \| dressing room \| leading lady \| source music \| upbeat
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| phrase extension \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem B	1:33:32 - The wind section plays	9th chord \| added-note chord \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Mixolydian mode \| musician \| on-screen music \| orchestra \| ostinato \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem Train Whistle	1:33:40 - The wind section plays	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| musician \| on-screen music \| orchestra \| pc set \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem B	1:35:43 - Danny listens to the radio	9th chord \| added-note chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Gershwinesque \| leading man \| listening \| Mixolydian mode \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| pump-up modulation \| radio \| source music \| street \| watching
City for Conquest (1940)	Tone Poem Train Whistle	1:35:50 - Danny listens to the radio	added-note chord \| bold \| concert \| concert scene \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| leading man \| listening \| on-screen music \| pc set \| pump-up modulation \| radio \| source music \| street
City for Conquest (1940)	Tone Poem A (End Cast)	1:43:34 - End cast list	13th chord \| closing credits \| end title sequence \| jazz \| not by Steiner \| plagal cadence \| syncopation \| transcribed by ear \| upbeat
Crime School (1938)	Gangster Blues	0:01:16 - New York City streets	13th chord \| added-note chord \| altered dominant \| blues \| cut from film \| establish setting \| fun \| Gershwinesque \| main title \| setting \| street \| upbeat
Crime School (1938)	Underscoring (Tense)	0:08:20 - The kids confront the junk shop owner	attacking \| chromatic scale \| conflict \| death \| diminished 7th chord \| dissonant bass \| fighting \| gang \| mickey-mousing \| ominous \| ostinato \| running \| shop \| shopkeeper \| stairs \| stinger \| teenager \| tense \| underscoring \| up
Crime School (1938)	Policeman walks up stairs	0:12:47 - Cop walks up the stairs to Sue's flat	advance plot \| ascending \| building \| mickey-mousing \| mysterious \| police \| quartal chord \| up
Crime School (1938)	Reform School Drill	0:33:18 - Reform school boys exercise outside	comedy \| cut from film \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| split-third chord \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill	0:34:09 - Reform school boys exercise outside	comedy \| deceptive resolution \| exercising \| exercising music \| foreign key modulation \| gang \| jogging \| leading man \| polychord \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Reform School Drill (Coda)	0:35:01 - Reform school boys exercise outside	comedy \| exercising \| gang \| jogging \| leading man \| reformatory \| teenager \| upbeat \| warden
Crime School (1938)	Window opening	1:11:57 - Boys open the window	diminished 7th chord \| escape \| escaping \| gang \| mickey-mousing \| mysterious \| opening \| reformatory \| teenager \| up \| window
Crime School (1938)	Window opening 2	1:13:25 - Frankie opens the window	conflict \| mysterious \| opening \| room \| teenager \| up \| window
Crime School (1938)	Sue (Grazioso Mysterioso)	1:13:38 - Frankie confronts Sue and Mark	cheerful \| common-tone diminished 7th \| conflict \| conversing \| deceptive resolution \| dining \| gun \| happy \| hero \| heroine \| leading lady \| leading man \| room \| stick up \| stinger \| teenager \| tone cluster \| whole-tone chord
Crime School (1938)	Gangster Blues (End Title)	1:24:33 - Cast list	bluesy \| closing credits \| end title sequence \| not by Steiner \| upbeat
Crime School (1938)	Sue (End Credits)	1:24:49 - Cast list	added-note chord \| bluesy \| chromatic parallelism \| closing credits \| end title sequence \| Gershwinesque \| mode mixture \| not by Steiner \| upbeat
They Made Me a Criminal (1939)	Inspiration	1:09:53 - Johnnie has an inspiration	boxing \| foreign key modulation \| gentle \| hero \| idea \| inspiration \| leading man \| pedal tone \| pump-up modulation \| room \| shadow \| thinking \| turning point
They Made Me a Criminal (1939)	On the Make (End Cast)	1:31:03 - End titles	9th chord \| added-note chord \| closing credits \| end title \| linear chromaticism \| mode mixture \| not by Steiner \| plagal cadence \| upbeat
Death of a Scoundrel (1956)	Up the Stairs 1	0:00:56 - Bridget walks up the stairs	stairs \| tense \| up \| upstairs
Death of a Scoundrel (1956)	Gerry	0:07:35 - Clementi knocks on his brother's door in the middle of the night and wakes him up	flashback \| nighttime \| tired \| waking up
Death of a Scoundrel (1956)	Gerry	0:12:41 - Policeman knock on Gerry's door and wake him up	flashback \| nighttime \| tired \| waking up
Death of a Scoundrel (1956)	Up the Stairs 2	1:44:22 - Clementi takes his mother up the stairs to her room	flashback \| folk-like \| mickey-mousing \| stairs \| up \| upstairs
Death of a Scoundrel (1956)	Clementi A (Mother)	1:55:06 - Clementi staggers up the stairs	flashback \| mickey-mousing \| stairs \| up \| upstairs
Deep Valley (1947)	Joe	0:01:29 - A dog	cheerful \| dog \| establish character \| friendly \| leading lady \| mother \| opening \| porch \| room \| running \| upbeat \| waking
Deep Valley (1947)	Joe (Poco Meno Expressivo)	0:01:59 - Libby gets up	dog \| dressing \| establish character \| leading lady \| mother \| room \| scolding \| upbeat \| waking
Deep Valley (1947)	Drudge	0:03:59 - Libby goes downstairs	descending \| establish character \| leading lady \| room \| somber \| stairs \| upset \| walking
Deep Valley (1947)	Drudge (Kitchen)	0:04:12 - Libby works in kitchen	cooking \| dog \| establish character \| kitchen \| leading lady \| somber \| upset
Deep Valley (1947)	Joe (Very Light)	0:04:29 - Joe watches Libby work	cheerful \| cooking \| dog \| establish character \| kitchen \| leading lady \| upbeat
Deep Valley (1947)	Woods	0:08:25 - Libby leaves the house	cheerful \| dog \| establish character \| forest \| leading lady \| playing \| running \| upbeat
Deep Valley (1947)	Squirrel	0:09:26 - Libby feeds a squirrel	cheerful \| conversing \| establish character \| forest \| leading lady \| squirrel \| upbeat
Deep Valley (1947)	Woods	0:09:57 - Libby walks in the woods	cheerful \| cut from film \| dog \| establish character \| forest \| leading lady \| upbeat \| walking
Deep Valley (1947)	Joe (Running)	0:19:24 - Libby arrives at the farm	conversing \| leading lady \| lovers meet \| running \| rushed \| street \| upbeat
Deep Valley (1947)	Joe (Allegretto Grazioso)	0:39:06 - Libby in the woods	advance plot \| dog \| forest \| happy \| leading lady \| running \| upbeat \| walking
Deep Valley (1947)	Woods	0:40:58 - Libby swimming	advance plot \| cheerful \| convict \| dog \| forest \| fugitive \| leading lady \| leading man \| searching \| swimming \| upbeat
Deep Valley (1947)	Woods	0:42:41 - Libby arrives at the cabin	advance plot \| arriving \| cabin \| cheerful \| convict \| dog \| fugitive \| leading lady \| leading man \| upbeat
Dust Be My Destiny (1939)	Here Comes the Bride (Modulating)	0:29:02 - Joe and Mabel run to the courthouse	added-note chord \| deceptive resolution \| excited \| familiar tune \| foreign key modulation \| fragmentation \| leading lady \| leading man \| love scene \| marriage \| pump-up modulation \| romance \| romantic \| running \| sequence \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Running Up and Down)	0:30:12 - Man runs up the courthouse steps	64 chord \| chromatic parallelism \| chromatic scale \| courthouse \| down \| frantic \| leading lady \| leading man \| love scene \| mickey-mousing \| mode mixture \| producer \| running \| stairs \| street \| up
Dust Be My Destiny (1939)	Here Comes the Bride (Triple)	0:30:31 - Man talks to Joe and Mabel	9th chord \| 64 chord \| chromatic parallelism \| courthouse \| familiar tune \| leading lady \| leading man \| love scene \| marriage \| producer \| pump-up modulation \| romantic \| sequence \| street
Dust Be My Destiny (1939)	Fairy Music	0:30:58 - Man takes their luggage	64 chord \| courthouse \| happy \| leading lady \| leading man \| love scene \| producer \| pump-up modulation \| romantic \| street
Dust Be My Destiny (1939)	Dust Be My Destiny (Reunited)	0:40:03 - Joe runs to Mabel	64 chord \| altered dominant \| foreign key modulation \| joyful \| leading lady \| leading man \| mickey-mousing \| pump-up modulation \| resolution \| runaway \| running \| street
Dust Be My Destiny (1939)	Buzzing	1:01:05 - Men working in the dark room	64 chord \| action scene \| added-note chord \| buzzy \| chromatic parallelism \| dark room \| enharmonic modulation \| exciting \| foreign key modulation \| leading man \| mode mixture \| Neapolitan \| newspaper \| newspaper editor \| parallelism \| photographer \| photography \| pump-up modulation \| Rimsky-Korsakov \| working
Dust Be My Destiny (1939)	Dust Be My Destiny (End Credits)	1:26:54 - End credits	altered dominant \| closing credits \| common-tone diminished 7th \| end title sequence \| upbeat
Each Dawn I Die (1939)	Underscoring (Mysterious)	0:04:28 - Frank leaves the newspaper office	close-up \| conflict \| diminished 7th chord \| gangster \| hero \| leading man \| mysterious \| reading \| reporter \| street \| underscoring \| watching
The FBI Story (1959)	The Truck	0:36:11 - The truck arrives	backing up \| flashback \| truck
The FBI Story (1959)	Mario climbs uphill 1	1:54:15 - Mario climbs uphill	climbing \| flashback \| mickey-mousing \| up \| uphill \| walking
The FBI Story (1959)	Mario climbs uphill 2	1:54:39 - Mario climbs uphill	climbing \| flashback \| mickey-mousing \| up \| uphill \| walking
The FBI Story (1959)	Running uphill	1:57:24 - Men run up the hill	escaping \| flashback \| mickey-mousing \| running \| up \| uphill
The FBI Story (1959)	Mario Climbs	1:58:17 - Mario climbs uphill	climbing \| flashback \| up \| uphill
The FBI Story (1959)	Mario Climbs (Hastening)	1:58:38 - Mario climbs uphill	climbing \| flashback \| up \| uphill
The FBI Story (1959)	Time Bomb 3	1:59:10 - Mario sets two time bombs then climbs uphill out of the way	bomb \| climbing \| flashback \| hero \| machine \| mickey-mousing \| suspense \| ticking \| time bomb \| uphill
The FBI Story (1959)	Raises microfilm	2:09:07 - FBI agent looks at microfilm	flashback \| mickey-mousing \| up
Flamingo Road (1949)	Ain't We Got Fun	0:01:41 - A carnival scene	carnival \| carny \| establish setting \| on-screen music \| parallel double period \| playing \| source music \| townsfolk \| upbeat \| voice-over
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Titus (Dark)	0:33:56 - Field talks to Lane	breaking up \| breakup \| café \| dark \| leading lady \| leading man \| mysterious \| self-borrowing \| waitress
Flamingo Road (1949)	Titus 2 (Triste)	0:34:10 - Field tells Lane he is getting married	breaking up \| breakup \| café \| chromatic sequence \| dark \| leading lady \| leading man \| major 7th chord \| mysterious \| self-borrowing \| somber \| waitress
Flamingo Road (1949)	Underscoring (Tense)	0:34:30 - Lane responds to Field	breaking up \| breakup \| café \| leading lady \| leading man \| mysterious \| tense \| underscoring \| waitress
Flamingo Road (1949)	Lane (Grazioso)	0:41:46 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| hopeful \| leading lady \| prison \| prisoner \| upbeat
Flamingo Road (1949)	The Blue Room	0:44:58 - Lane dresses for work	AABA structure \| advance plot \| club \| conversing \| leading lady \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Jalousie	0:46:06 - Woman dances	club \| conversing \| dance scene \| dancing \| employer \| leading lady \| on-screen music \| playing \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	The Girl With the Spanish Drawl	1:29:10 - Lane arrives at Lute Mae's	arriving \| climax \| club \| dancer \| dancing \| leading lady \| musician \| on-screen music \| playing \| source and scoring overlap \| source music \| upbeat
Flamingo Road (1949)	Struggling	1:31:47 - Close-up on the gun	climax \| close-up \| club \| dramatic \| fighting \| gun \| gunshot \| leading lady \| major 7th chord \| mickey-mousing \| oscillation \| sheriff \| struggling \| tense
Hell on Frisco Bay (1955)	Picks up suitcase	0:26:22 - Steve picks up his suitcase	advance plot \| conductor score \| hurried \| leading man \| mickey-mousing \| picking up \| room \| rushing
Hell on Frisco Bay (1955)	Menace 2	0:28:55 - Marcia reacts to Steve's comment	action scene \| conductor score \| conversing \| leading lady \| leading man \| leaving \| room \| upset
Hell on Frisco Bay (1955)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:40:24 - A dance hall	advance plot \| club \| conversing \| dancer \| dancing \| investigator \| jazz \| jazz band \| leading man \| on screen music \| source music \| upbeat
Hell on Frisco Bay (1955)	Lifting up	1:36:50 - Amato is brought onboard	boat \| dock \| dramatic \| gangster \| inspector \| leading man \| lifting \| mickey-mousing \| police \| raising \| tense \| up \| water
Her Kind of Man (1946)	You Do Something to Me	0:02:52 - A night club	AABA structure \| celebrating \| club \| conversing \| dancing \| establish character \| flashback \| mickey-mousing \| on-screen music \| playing \| popular music \| ripple effect \| source music \| upbeat \| working
Her Kind of Man (1946)	Something to Remember You By	0:06:59 - Floor show at a night club	club \| dancer \| dancing \| music scene \| popular music \| source music \| stage \| upbeat
Her Kind of Man (1946)	Sailor's Hornpipe	0:07:02 - Dancing sailors	club \| dancer \| dancing \| music scene \| popular music \| source music \| stage \| upbeat
Her Kind of Man (1946)	Something to Remember You By	0:07:16 - Georgia enters	AABA structure \| club \| dancer \| dancing \| leading lady \| music scene \| on-screen music \| popular music \| singer \| singing \| source music \| stage \| upbeat
Her Kind of Man (1946)	Lady Play Your Mandolin	0:11:03 - Audience applauding	AABA structure \| applauding \| applauding \| club \| crowd \| dancing \| leading man \| music scene \| popular music \| source music \| upbeat
Her Kind of Man (1946)	Bulletin Board	0:32:45 - Don leaves	bluesy \| conversing \| crew \| departing \| gambler \| leading man \| reporter \| room \| source and scoring overlap \| stage \| transition \| upbeat
Her Kind of Man (1946)	Too Many Tears	0:41:11 - Saratoga Casino	AABA structure \| advance plot \| club \| conversing \| crowd \| gambler \| leading lady \| leading man \| love interest \| manager \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	Night Clubs (Street Scene)	0:44:59 - Neon signs on Broadway	dramatic \| sequential modulation \| street \| transition \| upbeat
Her Kind of Man (1946)	Can't We Talk It Over	0:45:42 - Georgia and Don in a photograph	advance plot \| club \| conversing \| crowd \| dancing \| husband \| leading lady \| newspaper \| on-screen music \| photograph \| playing \| source music \| upbeat \| waiter
Her Kind of Man (1946)	Please Don't Talk About Me When I'm Gone	0:46:03 - Steve dances with a girl	AABA structure \| advance plot \| club \| conversing \| criminal \| dancing \| floozy \| gambler \| henchman \| leading man \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	Shanty in Old Shanty Town	0:59:36 - A cop waits	advance plot \| arguing \| club \| conversing \| leading man \| observing \| on-screen music \| police \| reporter \| source music \| upbeat \| waiting
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| common-tone diminished 7th \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
I Was a Communist for the FBI (1951)	(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)	0:39:06 - Matt goes to a record shop	advance plot \| agent \| arguing \| arriving \| conversing \| jazz \| leading man \| record player \| record shop \| shopkeeper \| source music \| undercover agent \| upbeat \| walking
I Was a Communist for the FBI (1951)	Ice Cold Katy	0:53:21 - Matt follows Eve	advance plot \| arguing \| communist \| jazz \| leading lady \| leading man \| source music \| spy \| street \| teacher \| undercover agent \| upbeat
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	AABA structure \| advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Roy (Encouragement)	0:29:56 - Roy tries to cheer Craig up	9th chord \| advance plot \| common-chord modulation \| conversing \| encouraging \| leading lady \| leading man \| park \| sequential modulation \| uplifting
In This Our Life (1942)	Here Comes the Bride (A Little Shimmer)	0:31:40 - A convertible	9th chord \| 11th chord \| 64 chord \| car \| courthouse \| deceptive resolution \| happy \| leading lady \| leading man \| leaving \| pump-up modulation \| sequential modulation \| street \| wedding \| wedding
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	AABA structure \| conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blue note \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Blues in the Night	0:54:51 - Stanley dresses	advance plot \| blues \| dressing \| leading lady \| record player \| room \| source music \| upbeat \| widow
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	AABA structure \| advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	Anger	1:04:56 - Stanley gets angry	angry \| arguing \| chromatic scale \| conflict \| leading lady \| leaving \| minor-major 7th chord \| pc set \| room \| running \| tense \| uncle \| upset \| widow \| yelling
In This Our Life (1942)	South American Way	1:07:39 - Stanley in a bar	advance plot \| bar \| bartender \| dancing \| drinking \| jukebox \| leading lady \| upbeat \| waiting
In This Our Life (1942)	You're a Lucky Guy	1:16:20 - Stanley dances	AABA structure \| advance plot \| arriving \| conversing \| criminal \| dancing \| drinking \| leading lady \| popular music \| record player \| room \| source music \| upbeat
The Informer (1935)	Tearing down poster	0:02:47 - Gypo tears the reward poster off of the wall	dissonant bass \| down \| establish character \| leading man \| linear chromaticism \| mickey-mousing \| poster \| removing \| street \| tearing \| upset
The Informer (1935)	Katie (Hurt)	0:06:58 - Katie is upset with Gypo and walks away upset	agitated \| chromatic scale \| crying \| establish character \| leading lady \| leading man \| leaving \| street \| tritone \| upset
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	The Informer (Up the Stairs)	1:21:35 - Gypo goes up the stairs	64 chord \| agitated \| antagonist \| chromatic sequence \| fragmentation \| hallway \| hiding \| leading man \| mickey-mousing \| running \| sequence \| stairs \| tense \| traitor \| transition \| up
The Letter (1940)	Lento Mysterioso	0:50:37 - Leslie and Howard alone	advance plot \| altered dominant \| home \| lawyer \| leading lady \| mysterious \| planning \| sad \| upper pedal tone \| whole-tone chord
The Letter (1940)	Sociable	1:09:09 - Leslie and Robert meet with friends	64 chord \| celebrating \| dinner music \| drinking \| foreign key modulation \| happy \| home \| husband \| lawyer \| leading lady \| party \| pump-up modulation \| reverse picardy
The Letter (1940)	Foxtrot No. 2	1:22:12 - Leslie joins the party	9th chord \| AABA structure \| altered dominant \| conversing \| dance music \| dancing \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| pump-up modulation \| secondary dominant \| source music
The Letter (1940)	Leslie (Fast) + Foxtrot No. 3	1:34:18 - Leslie's lacework	calm \| combination of themes \| dance music \| fragmentation \| lacework \| oscillation \| plantation \| pump-up modulation \| resolution \| sequence \| source music
Lightning Strikes Twice (1951)	Chiapanecas	0:33:40 - People dancing outside	actor \| advance plot \| congregation \| conversing \| dancer \| dancing \| leading lady \| Mexican \| on-screen music \| performer \| playing \| priest \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	Father Paul (Carriage)	0:35:13 - Priest riding in a carriage	arriving \| carriage \| dog \| flashback \| galloping \| horse \| leading man \| mysterious \| priest \| ranch \| suspect \| traveling \| upbeat \| voice-over
Lightning Strikes Twice (1951)	Shelly (Gallop)	0:40:52 - Shelly riding on a horse	actor \| arriving \| countryside \| galloping \| galloping effect \| horse \| leading lady \| riding \| transition \| upbeat
Lightning Strikes Twice (1951)	Shelly (Gallop 2) + Shelly 2	0:42:19 - Shelly riding on a horse	actor \| arriving \| calm \| combination of themes \| countryside \| galloping \| galloping effect \| horse \| leading lady \| riding \| transition \| traveling \| upbeat
Lightning Strikes Twice (1951)	Shelly (Traveling) + Shelly 2 (Allegretto)	0:51:09 - Shelly drives away from the Tumble Moon ranch	actor \| car \| combination of themes \| driving \| leading lady \| luggage \| ranch \| rancher \| transition \| traveling \| upbeat
Lightning Strikes Twice (1951)	Mi Caballero	1:00:08 - People dancing outside	actor \| advance plot \| crowd \| dancing \| friend \| Latin American \| leading lady \| love interest \| on-screen music \| party \| playing \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	El Pregon de Santiago	1:11:53 - Johnny plays the guitar and sings	actor \| Cuban \| friend \| guitar \| husband \| leading lady \| leading man \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	La Paloma	1:12:40 - Johnny sings briefly	actor \| friend \| guitar \| husband \| leading lady \| leading man \| Mexican \| on-screen music \| party \| performer \| room \| serenading \| singing \| suspect \| upbeat
Lightning Strikes Twice (1951)	Trev (Realization)	1:26:36 - Close-up on Trev's face	actor \| anger \| chasing \| climax \| close-up \| dark \| friend \| husband \| leading lady \| leading man \| menacing \| murderer \| rancher \| realizing \| room \| zoom in
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Wally stands up and walks	0:10:21 - Wally stands up to go to the phone	action scene \| friend \| mickey-mousing \| rising \| room \| standing \| tense \| up \| victim \| walking
Mildred Pierce (1945)	Bert (Triste)	0:24:26 - Bert and Mildred separate	augmented sixth chord \| breaking up \| crying \| establish character \| fragmentation \| heroine \| husband \| leading lady \| leaving \| Neapolitan \| pedal tone \| room \| somber
Mildred Pierce (1945)	Kay and Veda	0:25:03 - Kay plays football in the street	11th chord \| added-note chord \| child \| establish character \| football \| mickey-mousing \| playing \| street \| upbeat
Mildred Pierce (1945)	Kay falls	0:25:12 - Kay falls to the ground	child \| establish character \| falling \| football \| mickey-mousing \| playing \| street \| upbeat
Mildred Pierce (1945)	Mildred (Delicate)	0:32:04 - Mildred walks up the stairs	advance plot \| gentle \| heroine \| leading lady \| parallelism \| pedal tone \| room \| up \| walking
Mildred Pierce (1945)	Work	0:36:12 - Mildred works as a waitress	64 chord \| added-note chord \| altered dominant \| chromatic mediant \| chromatic sequence \| common-chord modulation \| foreign key modulation \| hectic \| heroine \| leading lady \| montage \| restaurant \| rushing \| self-borrowing \| sequential modulation \| serving \| upbeat \| voice-over \| waitress \| working
Mildred Pierce (1945)	Work (Singing Lesson)	0:37:17 - Veda sings	added-note chord \| child \| double exposure \| heroine \| leading lady \| montage \| on-screen music \| room \| scored source music \| self-borrowing \| singing \| upbeat \| voice-over \| working
Mildred Pierce (1945)	South American Way	0:37:36 - Veda sings and plays while Kay dances	child \| dancing \| heroine \| leading lady \| music scene \| on-screen music \| playing \| popular music \| room \| sequence \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Work (Grand Opening)	0:57:26 - View of Mildred's restaurant	added-note chord \| advance plot \| foreign key modulation \| restaurant \| self-borrowing \| tritone \| upbeat \| voice-over \| working
Mildred Pierce (1945)	T'Ain't No Good	0:57:37 - Mildred at the opening of her restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	While You're Away	0:59:47 - Monte arrives at the restaurant	ABAC structure \| advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| love interest \| parallel double period \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	Work (Success)	1:01:42 - People work in Mildred's restaurant	9th chord \| added-note chord \| advance plot \| busy \| cook \| foreign key modulation \| restaurant \| secondary dominant \| self-borrowing \| server \| upbeat \| working
Mildred Pierce (1945)	Order wheel spins	1:01:45 - Restaurant order wheel spins	advance plot \| busy \| cook \| mickey-mousing \| restaurant \| server \| spinning \| upbeat
Mildred Pierce (1945)	Please Think of Me	1:01:54 - Monte dances with Veda	antagonist \| celebrating \| dance scene \| dancing \| daughter \| friend \| heroine \| jukebox \| leading lady \| love interest \| on-screen music \| popular music \| restaurant \| singing \| source music \| upbeat
Mildred Pierce (1945)	Work	1:08:00 - Montage of restaurants	added-note chord \| altered dominant \| common-chord modulation \| guest \| montage \| restaurant \| self-borrowing \| upbeat \| voice-over \| working
Mildred Pierce (1945)	French One-Step	1:08:14 - Veda at a polo match	added-note chord \| antagonist \| cheering \| common-tone diminished 7th \| daughter \| field \| heroine \| leading lady \| love interest \| montage \| playing \| polo \| secondary dominant \| sports \| upbeat \| voice-over \| watching
Mildred Pierce (1945)	Sweet Georgia Brown	1:29:05 - Mildred confronts Wally	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	It Had to Be You	1:30:25 - Mildred and Veda talk	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	Mildred stands and walks to window	1:38:02 - Mildred stands up and goes to the window	advance plot \| delicate \| graceful \| heroine \| leading lady \| mickey-mousing \| peaceful \| rising \| room \| standing \| up \| walking
The Life of Vergie Winters (1934)	There'll Be a Hot Time in the Old Town Tonight	0:12:17 - People rallying for John Shadwell	advance plot \| conversing \| crowd \| on-screen music \| popular song \| rally \| source music \| upbeat
The Life of Vergie Winters (1934)	For He's a Jolly Good Fellow	0:13:48 - Political rally for John Shadwell	advance plot \| conversing \| crowd \| folk song \| on-screen music \| politician \| rally \| source music \| spouse \| upbeat
The Life of Vergie Winters (1934)	Oh! You Beautiful Doll	0:17:47 - People in a bar	advance plot \| bar \| business man \| conversing \| mode mixture \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Ida (Sweet As Apple Cider)	0:28:55 - People in a bar	advance plot \| bar \| business man \| conversing \| parallel double period \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Darktown Strutters' Ball	0:40:06 - Sadie and Mike in a bar	advance plot \| business man \| club \| common-chord modulation \| conversing \| friend \| love interest \| plotting \| ragtime \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:33:55 - Judy at the party	advance plot \| club \| conversing \| dancing \| friend \| leading lady \| love interest \| on-screen music \| pianist \| playing \| playwright \| source music \| upbeat
Rockabye (1932)	Improvisation (in Rockabye)	0:35:35 - People at a party	advance plot \| club \| conversing \| drinking \| friend \| on-screen music \| playing \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:39:24 - Judy sings a song	AABA structure \| advance plot \| club \| dancing \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:40:21 - Judy sings on top of a truck	advance plot \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| street \| upbeat
Rockabye (1932)	Run-Around	0:52:45 - Montage of Broadway scenes	common-chord modulation \| dominant pedal \| montage \| self-borrowing \| theater \| upbeat
Out of the Fog (1941)	Concert in the Park	0:01:57 - Goff walks along the dock	arriving \| conversing \| criminal \| dock \| establish character \| gambling \| leading man \| popular music \| restaurant \| source and scoring overlap \| source music \| upbeat \| worker
Out of the Fog (1941)	Concert in the Park	0:25:09 - Jonah and Olaf walk down the street	advance plot \| arriving \| conversing \| dock \| father \| fisherman \| friend \| popular music \| source music \| upbeat \| walking
Out of the Fog (1941)	Trade Winds	0:28:40 - Stella enters a drugstore	AABA structure \| advance plot \| child \| conversing \| criminal \| leading lady \| leading man \| popular music \| shopping \| source music \| store \| upbeat \| worker
Out of the Fog (1941)	South American Way	0:30:00 - Stella listens to the radio	advance plot \| conversing \| leading lady \| mother \| popular music \| radio \| room \| source music \| upbeat
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Out of the Fog (1941)	Whistle While You Work	0:43:46 - Eddie sets the table	AABA structure \| advance plot \| arguing \| boss \| conversing \| dock \| popular music \| restaurant \| source music \| upbeat \| worker
Out of the Fog (1941)	The Merry-Go-Round Broke Down	0:49:00 - Olaf and Jonah walk to the restaurant	AABA structure \| advance plot \| conversing \| crowd \| dancing \| dock \| father \| fisherman \| friend \| popular music \| source music \| upbeat
Out of the Fog (1941)	The Merry-Go-Round Broke Down (Cast List)	1:24:39 - Cast list	cast list \| end title sequence \| upbeat
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart	0:00:00 - A rushing train under the opening credits	AABA structure \| opening title sequence \| popular song \| syncopation \| train \| transcribed by ear \| traveling \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Strings)	0:23:03 - Music is played in a night club	AABA structure \| comment on score \| dance scene \| dancing \| leading lady \| night club \| popular song \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	Dance	0:26:27 - Music is played in a night club	AB structure \| dance scene \| dancing \| Latin-American \| leading lady \| night club \| salesman \| source music \| tango \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Jazz)	0:32:29 - Music is played on the radio	altered dominant \| comedy \| comment on score \| dancing \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Dance Band)	0:32:46 - Music is played on the radio	AABA structure \| chromatic mediant \| comedy \| comment on score \| dancing \| leading lady \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Dixieland)	0:34:27 - Music is played in a night club	banjo \| countermelody \| dancing \| Dixieland \| double exposure \| drums \| improvisation \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Hello Beautiful	0:35:04 - Music is played in a taxi	AABA structure \| banjo \| dancing \| drums \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Millie	0:35:09 - Hot jazz is played in a night club	AABA structure \| banjo \| dancing \| Dixieland \| drums \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
The Unfaithful (1947)	Beverly Hills	0:01:00 - Cars driving down road in Beverly Hills	Beverly Hills \| cheerful \| establish location \| panning shot \| sequential modulation \| street \| upbeat \| voice-over
The Unfaithful (1947)	Stride Piano	0:03:20 - Larry arrives at the party	establish character \| jazz \| lawyer \| leading lady \| on-screen music \| party \| sister \| source music \| upbeat
We Are Not Alone (1939)	Jessica (Upset)	0:24:32 - Jessica enters and stops the conversation	advance plot \| antagonist \| chromatic scale \| conversing \| dark \| home \| parallelism \| upset \| wife
White Heat (1949)	Backing up	0:17:00 - Cody backs up	arriving \| backing up \| car \| dark \| driving \| gangster \| leading man \| mickey-mousing \| murderer \| street \| tense \| transition
White Heat (1949)	Five O'Clock Whistle	1:11:01 - Verna watches Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| popular music \| radio \| room \| source music \| upbeat
High Stakes (1931)	Close to Me	0:01:09 - People at a party	conversing \| establish character \| friend \| on-screen music \| playing \| source music \| upbeat \| waiting \| wedding
Three Who Loved (1931)	My One Ambition is You	0:14:21 - Phil turns on the radio	AB structure \| advance plot \| cheerful \| conversing \| dancing \| pleasant \| radio \| room \| source music \| upbeat
Hold ‘Em Jail (1932)	The Prisoner's Song	0:00:15 - Title of film, starring list, cast list	altered dominant \| cast list \| cheerful \| common-tone diminished 7th \| establish place \| opening title sequence \| starring list \| title of film \| transcribed by ear \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	0:00:46 - Cast list and prison sign	cast list \| cheerful \| common-chord modulation \| common-tone diminished 7th \| countermelody \| establish place \| opening title sequence \| transcribed by ear \| upbeat
Hold ‘Em Jail (1932)	The Prisoner's Song	0:01:11 - Prisoners in a prison yard	altered dominant \| augmented sixth chord \| cheerful \| establish place \| establish setting \| mode mixture \| prison \| somber \| transcribed by ear \| upbeat
Hold ‘Em Jail (1932)	There's a Sob in My Heart	0:05:14 - People dancing in a night club	AABA structure \| business man \| cheerful \| club \| conversing \| dance scene \| dancing \| dining \| reused recording \| upbeat
Hold ‘Em Jail (1932)	Makes You Forget Your Troubles	0:11:18 - Spider and Curley talk to Steele	AABA structure \| advance plot \| club \| comic \| dancer \| dancing \| planning \| salesman \| self-borrowing \| source music \| upbeat
Hold ‘Em Jail (1932)	A Moment in the Dark	0:14:05 - Curley turns on the radio	AABA structure \| advance plot \| comic \| goofing around \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Ain't That the Way it Goes	0:14:53 - Spider and Curley look around	AABA structure \| advance plot \| comic \| conversing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	I'm Wrapped Up in You	0:18:18 - Spider dances with Violet	advance plot \| comic \| conversing \| dancing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Eldorania	0:59:14 - A doctor tends to Spider's leg	advance plot \| athlete \| comic \| conversing \| doctor \| field \| plotting \| prisoner \| referee \| relative key \| source music \| treating \| upbeat
Hold ‘Em Jail (1932)	El Capitan March	1:01:51 - Spider makes Whitey sign a confession	advance plot \| comic \| criminal \| field \| plotting \| prisoner \| source music \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:04:44 - Bidemore celebrates their victory	celebrating \| comic \| crowd \| field \| love interest \| politician \| prisoner \| resolution \| source music \| upbeat \| warden
Hold ‘Em Jail (1932)	The Prisoner's Song	1:05:19 - Spider talks to Violet	comic \| conversing \| field \| prisoner \| resolution \| source music \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:05:33 - End titles	end title sequence \| source music \| The End \| upbeat
Is My Face Red? (1932)	Press Club	0:02:41 - Man serving beer in a bar	bar \| bartender \| establish setting \| jazz \| server \| serving \| transcribed by ear \| upbeat
Is My Face Red? (1932)	Hurrying	0:22:00 - Mildred and William hurry off	advance plot \| boat \| hurried \| hurrying \| jumping \| leading lady \| leading man \| transcribed by ear \| up
Ladies of the Jury (1932)	El Capitan March	0:28:41 - Jurors deliberate	advance plot \| conversing \| juror \| jury room \| leading lady \| march \| radio \| source music \| upbeat
Ladies of the Jury (1932)	I'm Just Wild About Harry	0:52:40 - Spencer sings	advance plot \| juror \| jury room \| on-screen music \| singing \| source music \| upbeat
Ladies of the Jury (1932)	All in Favor of Taking a Ride Say Aye	0:56:03 - Mayme sings	advance plot \| juror \| jury room \| on-screen music \| singing \| source music \| upbeat
Men of America (1932)	Cimarron B	0:00:43 - Cast list	cast list \| folk song \| opening title sequence \| self-borrowing \| transcribed by ear \| upbeat
Men of America (1932)	Hey! Hey!	0:26:27 - Man turns on car radio	advance plot \| car \| criminal \| listening \| mode mixture \| radio \| self-borrowing \| source music \| upbeat
Penguin Pool Murder (1932)	Run Around	1:01:51 - The End	9th chord \| altered dominant \| end title sequence \| mode mixture \| self-borrowing \| The End \| transcribed by ear \| upbeat
Secrets of the French Police (1932)	Beau Ideal	0:00:15 - A newspaper is opened to a detective story	cast list \| march \| newspaper \| opening title sequence \| self-borrowing \| upbeat
Secrets of the French Police (1932)	Serenade	0:56:57 - The End and Cast of Characters	closing credits \| end title sequence \| mode mixture \| self-borrowing \| The End \| upbeat
State’s Attorney (1932)	The Sidewalks of New York	0:00:15 - Title and starring list	familiar tune \| opening title sequence \| popular music \| starring list \| title of film \| transcribed by ear \| upbeat
State’s Attorney (1932)	Blues (Piano)	0:18:14 - People talking in a club	advance plot \| blue note \| club \| conversing \| gangster \| leading lady \| leading man \| mistress \| score to source \| source music \| upbeat
State’s Attorney (1932)	Stack o' Lee Blues	0:43:17 - Jazz musicians playing in a club	club \| Dixieland \| musician \| music scene \| on-screen music \| playing \| singer \| singing \| source music \| upbeat
State’s Attorney (1932)	Blues (Swinging)	0:43:46 - Jazz musicians playing in a club	club \| conversing \| dancing \| daughter \| jazz \| lawyer \| leading man \| love interest \| music scene \| on-screen music \| source music \| upbeat
Thirteen Women (1932)	The Train	0:01:33 - A rushing train	chromatic mediant \| mickey-mousing \| pedal tone \| rushing \| sorting \| train \| train \| train whistle \| transcribed by ear \| transition \| traveling \| upbeat
Thirteen Women (1932)	Blue Streak	0:01:54 - A circus poster	ABA structure \| circus \| circus music \| conversing \| cousin \| establish character \| establish place \| horoscope \| letter \| performer \| reading \| source music \| upbeat
Thirteen Women (1932)	Circus Music	0:03:44 - June talks to Hazel	AB structure \| circus \| circus music \| conversing \| cousin \| establish character \| performer \| source music \| upbeat
Thirteen Women (1932)	Spring, Beautiful Spring	0:04:48 - June and May perform	ABA structure \| circus \| circus music \| death scene \| performer \| performing \| source music \| swinging \| trapeze \| upbeat
Headline Shooter (1933)	King Kong March	1:00:16 - The End	augmented sixth chord \| end title \| march \| mode mixture \| reused recording \| The End \| upbeat
Dangerous Corner (1934)	Finishing School B	0:01:05 - Video snapshots of the actors	64 chord \| common-tone diminished 7th \| common-tone modulation \| opening title sequence \| pedal tone \| phrase extension \| pleasant \| transcribed by ear \| upbeat \| video cast list
Dangerous Corner (1934)	Finishing School B (Playful)	0:01:36 - Books being placed together	book \| opening title sequence \| pleasant \| transcribed by ear \| upbeat
Dangerous Corner (1934)	Won't You Believe	1:03:30 - A man adjusts the radio	AABA structure \| alternate timeline \| conversing \| dancing \| drinking \| friend \| popular music \| radio \| resolution \| room \| source music \| upbeat
Sing and Like It (1934)	Introduction	0:00:10 - Title of the film	added-note chord \| foreign key modulation \| introduction \| jazz \| opening title sequence \| starring list \| title of film \| transcribed by ear \| upbeat
Sing and Like It (1934)	Your Mother (Opening Title)	0:00:21 - Cast list	AABA structure \| added-note chord \| augmented sixth chord \| cast list \| jazz \| mode mixture \| opening title sequence \| radio \| room \| secondary dominant \| source music \| transcribed by ear \| upbeat
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	O Du Lieber Augustin	0:09:09 - Annie and Oswald go in the theatre door	AABA structure \| ballad \| dancer \| dancing \| musician \| music scene \| on-screen music \| piano \| source music \| stage \| upbeat
Sing and Like It (1934)	Hi-De-Ho	0:37:46 - Fenny talks with Mr. Frink	AABA structure \| advance plot \| boss \| conversing \| dancing \| gangster \| laughing \| leading man \| on-screen music \| piano \| source music \| theater \| upbeat
Sing and Like It (1934)	Hi-De-Ho	1:01:43 - The audience	AABA structure \| boss \| critic \| crowd \| dance \| dancing \| gangster \| moll \| musical \| music scene \| on-screen music \| performer \| performing \| singer \| singing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:02:44 - A man conducts the pit orchestra	AABA structure \| conducting \| conductor \| crowd \| dancer \| dancing \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:10 - The audience reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:34 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:04:10 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat
Sing and Like It (1934)	Makes You Forget Your Troubles	1:08:27 - A man pours champagne	AABA structure \| announcing \| boss \| celebrating \| common-tone diminished 7th \| conversing \| crowd \| drinking \| gangster \| leading lady \| moll \| party \| party \| room \| singer \| source music \| upbeat
Gridiron Flash (1934)	Fanfare	0:00:16 - Title of the film	fanfare \| opening title sequence \| pedal tone \| starring list \| title of film \| upbeat
Gridiron Flash (1934)	Gridiron Flash	0:00:24 - Cast list	added-note chord \| cast list \| countermelody \| march \| opening title sequence \| starring list \| title of film \| upbeat
Gridiron Flash (1934)	Swing it Sister	0:21:09 - Eddie at a party	conversing \| friend \| leading lady \| leading man \| party \| popular music \| room \| upbeat
Gridiron Flash (1934)	Gridiron Flash	0:33:51 - Sports montage	countermelody \| fanfare \| football \| football game \| headline \| montage \| newspaper \| playing \| upbeat
Gridiron Flash (1934)	Dunlap Commandery	0:43:59 - Eddie in his room	advance plot \| cheering \| leading man \| march \| room \| thinking \| upbeat
Gridiron Flash (1934)	Gridiron Flash	0:45:19 - Eddie in his room	added-note chord \| advance plot \| cheering \| countermelody \| leading man \| march \| room \| upbeat
Gridiron Flash (1934)	Marching Band Tune	0:56:19 - A marching band	advance plot \| athlete \| football \| football game \| march \| playing \| upbeat
Gridiron Flash (1934)	Gridiron Flash	1:02:36 - The scoreboard	added-note chord \| athlete \| celebrating \| countermelody \| crowd \| football \| football game \| leading lady \| leading man \| march \| resolution \| The End \| upbeat
Star of Midnight (1935)	Swing it Sister	0:10:50 - Clay talks with Jim	AABA structure \| blackmail \| blackmailing \| conversing \| criminal \| detective \| establish character \| leading man \| radio \| room \| source music \| threatening \| upbeat
Another Face (1935)	Old Fashioned Love	0:38:13 - People at a pool party	ABAB structure \| actress \| advance plot \| conversing \| crowd \| diving \| maid \| mother \| pool \| room \| source music \| swimmer \| swimming \| upbeat
Girl of the Rio (1932)	Paso Doble	0:00:00 - Title of the film	9th chord \| cast list \| common-tone diminished 7th \| opening title sequence \| Spanish \| starring list \| title of film \| upbeat
Girl of the Rio (1932)	Toreador Song	0:04:23 - A man cues the orchestra to play	arriving \| celebrity \| crowd \| establish character \| leading man \| night club \| source music \| Spanish \| three-phrase period \| upbeat \| walking
Girl of the Rio (1932)	Was it Wrong?	0:15:41 - Johnny rolls a pair of dice	conversing \| crowd \| dancing \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| night club \| on-screen music \| performing \| romantic \| singer \| source music \| syncopation \| terrace \| upbeat
Girl of the Rio (1932)	Baile	0:23:15 - A close-up on Dolores	advance plot \| conversing \| dancing \| departing \| leading lady \| manager \| on-screen music \| performing \| room \| singer \| source music \| upbeat
Without Honor (1949)	Triste	0:07:37 - Dennis tells Jane their relationship is over	adulterer \| affair \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| somber
Without Honor (1949)	Appassionato 2 (Agitato)	0:07:57 - Jane tells Dennis she still loves him	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Appassionato (Broad)	0:08:11 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Desperation	0:08:20 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| underscoring
Without Honor (1949)	Appassionato (Molto Expressivo)	0:08:35 - Jane cries	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| passionate \| somber
Without Honor (1949)	Twilight (Agitato)	0:08:54 - Jane talks to Dennis	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| death scene \| kitchen \| leading lady \| leading man \| love interest \| mysterious \| ominous \| tense
Without Honor (1949)	Underscoring (Agitated)	0:09:10 - Jane threatens to kill herself	adulterer \| affair \| arguing \| breaking up \| breakup \| crying \| dark \| death scene \| dramatic \| kitchen \| leading lady \| leading man \| love interest \| suicide \| underscoring
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
The Most Dangerous Game (1932)	A Moment In The Dark	0:04:39 - A picture of a hunting trip	boat \| conversing \| establish character \| friend \| hunter \| leading man \| radio \| radio \| source music \| upbeat
The Most Dangerous Game (1932)	Zaroff (Stinger)	0:27:05 - A closeup on Ivan	advance plot \| brother \| castle \| close-up \| conversing \| count \| drunk \| leading lady \| leading man \| mute \| mysterious \| servant \| stinger \| tense
The Most Dangerous Game (1932)	Russian Waltz (Zoom In)	0:27:16 - Zaroff looks up at Eve	advance plot \| brother \| castle \| close-up \| conversing \| count \| departing \| drunk \| frantic \| leading lady \| leading man \| mute \| ominous \| servant \| stinger \| zoom in
The Most Dangerous Game (1932)	The Chase (Running) + The Iron Door	0:54:08 - Bob runs through the jungle	chase scene \| chasing \| close-up \| combination of themes \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Running)	0:54:15 - A close-up on Zaroff	chase scene \| chasing \| close-up \| count \| dramatic \| jungle \| leading lady \| leading man \| point-of-view shot \| running \| servant \| tense \| victim \| villain
The Most Dangerous Game (1932)	Zaroff (Risolutissimo) + The Iron Door	0:56:17 - Eve is captured	capturing \| climax \| close-up \| combination of themes \| count \| jungle \| leading lady \| ominous \| river \| servant \| victim \| villain \| walking \| waterfall
The Most Dangerous Game (1932)	The Iron Door (Climax)	0:56:25 - A close-up on Eve	climax \| close-up \| count \| jungle \| leading lady \| ominous \| reacting \| river \| servant \| victim \| villain \| waterfall
Caged (1950)	Jingle Bells	1:08:01 - Woman plays harmonica	advance plot \| Christmas \| conversing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| source music \| upbeat \| warden
Caged (1950)	Bird in a Cage	1:08:07 - Woman plays harmonica	advance plot \| Christmas \| conversing \| dancing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| singing \| source music \| upbeat \| warden
All This, and Heaven Too (1940)	Henriette (End Credits)	2:22:42 - Closing credits	9th chord \| cast list \| end title sequence \| happy \| upbeat
Mara Maru (1952)	Gregory (Underwater)	0:01:16 - A diver (Gregory) underwater	boat \| close-up \| diver \| diving \| diving suit \| establish character \| fanfare \| grand \| heroic \| leading man \| ocean \| underwater \| working
Mara Maru (1952)	Underwater	0:01:48 - Gregory underwater	close-up \| dark \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Floating	0:02:21 - Gregory floating underwater	close-up \| diver \| diving \| diving suit \| establish character \| floating \| leading man \| suspenseful \| underwater \| working
Mara Maru (1952)	Baby Face	0:07:12 - Gregory arrives at a bar	advance plot \| arguing \| bar \| bartender \| conversing \| crowd \| fighting \| leading man \| partner \| sailor \| server \| source music \| upbeat
Mara Maru (1952)	Descending	1:00:51 - Gregory descends the ladder	action scene \| antagonist \| bodyguard \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| private eye \| ship \| ship \| stinger \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Shark	1:01:35 - A shark appears	action scene \| captain \| close-up \| diver \| diving \| dramatic \| fearful \| jump scare \| leading man \| ocean \| shark \| suspenseful \| swimming \| swimming effect \| swirling effect \| underwater
Mara Maru (1952)	Walking underwater	1:01:46 - Gregory walks on the ocean floor	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| ship \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| worker
Mara Maru (1952)	Benedict (Sabotage)	1:02:14 - Ranier sneaks away	action scene \| antagonist \| bodyguard \| captain \| close-up \| diver \| diving \| leading lady \| leading man \| love interest \| mysterious \| ocean \| private eye \| radio \| sabotaging \| saboteur \| ship \| ship \| sneaking \| suspenseful \| swimming \| traitor \| underscoring \| underwater \| worker
Mara Maru (1952)	Underwater	1:02:28 - Gregory walks on the ocean floor	action scene \| captain \| close-up \| conversing \| dark \| diver \| diving \| leading man \| ocean \| ship \| ship \| suspenseful \| swimming \| underwater
Mara Maru (1952)	Gregory (Close-Up)	1:12:20 - A close-up of Gregory	action scene \| antogonist \| captain \| close-up \| diver \| diving suit \| dramatic \| leading lady \| leading man \| looking \| love interest \| preparing \| private eye \| ship \| ship \| tense \| worker
Mara Maru (1952)	Descending	1:12:27 - Gregory descends into the water	action scene \| antogonist \| bubbles \| captain \| close-up \| dark \| descending \| diver \| diving \| diving suit \| heavy \| leading lady \| leading man \| love interest \| ocean \| point-of-view shot \| private eye \| ship \| ship \| suspenseful \| underwater \| worker \| working
Mara Maru (1952)	Walking underwater	1:13:08 - The murky ocean bottom	action scene \| captain \| close-up \| diver \| diving \| diving suit \| fish \| leading man \| ocean \| ship \| suspenseful \| swimming \| tense \| underwater \| walking \| water effect
Mara Maru (1952)	Underwater (Fish)	1:13:56 - Gregory moves toward the sunken boat	action scene \| captain \| close-up \| diver \| diving \| diving suit \| double exposure \| exploring \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| underwater \| walking \| water effect
Mara Maru (1952)	Gregory + Struggling	1:16:57 - Gregory tries to free himself	action scene \| beam \| boat \| captain \| close-up \| combination of themes \| dark \| digging \| diver \| diving \| diving suit \| dramatic \| fanfare \| frantic \| heroic \| hose \| leading man \| mickey-mousing \| ocean \| rushing \| ship \| struggling \| treasure \| tugging \| underwater \| working
Mara Maru (1952)	Underwater (Fish)	1:18:09 - Fish swimming	action scene \| boat \| captain \| carrying \| close-up \| diver \| diving \| diving suit \| fish \| leading man \| mysterious \| ocean \| ship \| swimming \| treasure \| underwater
Mara Maru (1952)	Surfacing	1:18:26 - Gregory rises to the surface	action scene \| antogonist \| assisting \| boat \| captain \| close-up \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| rain \| rising \| ship \| storm \| surfacing \| treasure \| underwater \| wind \| worker \| working \| yelling
Bachelor Apartment (1931)	Kiss Me Cherie	0:00:14 - Title of the film	ABAC structure \| cast list \| cheerful \| opening title sequence \| starring list \| title of film \| upbeat
Bachelor Apartment (1931)	You're Wonderful	0:44:30 - Lita in a phone booth	advance plot \| bachelor \| conversing \| leading man \| sister \| source music \| telephone \| upbeat
Half Shot at Sunrise (1930)	You're in the Army Now	0:00:16 - The title of the film over a battlefield	cast list \| opening title sequence \| patriotic \| patriotic tune \| starring list \| title of film \| upbeat
Half Shot at Sunrise (1930)	Whistling the Blues Away (Military Band)	0:00:22 - The cast list over a battlefield	AABA structure \| cast list \| opening title sequence \| patriotic \| upbeat
Half Shot at Sunrise (1930)	Doorman Dance	0:42:01 - Dancers come on stage	dancer \| dance scene \| dancing \| fanfare \| marching \| night club \| source music \| upbeat
Half Shot at Sunrise (1930)	Whistling the Blues Away (Dancing)	0:42:55 - Dancers dancing	dancer \| dance scene \| dancing \| night club \| score to source \| source music \| upbeat
Half Shot at Sunrise (1930)	Domino Dance	0:43:38 - Dancers dancing	chromatic mediant \| dancer \| dance scene \| dancing \| fanfare \| night club \| source music \| upbeat
Hook, Line and Sinker (1930)	Whistling the Blues Away	0:47:03 - People dancing at a party	AABA structure \| ballroom \| conversing \| dancing \| jazz \| leading man \| party \| party \| performing \| upbeat
Hook, Line and Sinker (1930)	Three Little Words	0:56:38 - Wilbur and Mary talk	AABA structure \| cash register \| conversing \| dancing \| hotel \| jazz \| leading lady \| leading man \| love scene \| party \| performing \| storm \| upbeat
Hook, Line and Sinker (1930)	Whistling the Blues Away	1:14:30 - The End	end title sequence \| The End \| upbeat
Too Many Cooks (1931)	Three Little Words	0:07:13 - Albert whistles a song to himself	advance plot \| leading man \| on-screen music \| source music \| upbeat \| walking \| whistling
Half Shot at Sunrise (1930)	Whistling the Blues Away (Dancing)	0:43:54 - Dancers dancing	dancer \| dance scene \| dancing \| marching \| night club \| source music \| upbeat
Half Shot at Sunrise (1930)	Springtime of Love (Dancing)	1:05:24 - Gilbert and Olga dance	dancing \| fountain \| garden \| leading man \| love interest \| meter change \| song and dance scene \| upbeat
Half Shot at Sunrise (1930)	Kiss Me Cherie (The End)	1:17:59 - The leads all embrace	embracing \| end title sequence \| father \| greeting \| kissing \| leading lady \| leading man \| love interest \| mother \| street \| The End \| upbeat

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