| Flamingo Road (1949) | Titus 2 (Ominous) | 1:30:55 - Titus pretends to make a phone call | calling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone |
| Key Largo (1948) | Moanin’ Low (Appassionato) | 1:25:01 - Gaye pleads for Rocco to take her along | advance plot | boss | deceiving | deception | desperate | desperation | familiar tune | gangster | hotel | moll | pleading | sentimental |
Key Largo (1948) | Moanin’ Low (Ominous) | 1:25:21 - Gaye hands Rocco's gun to McCloud | advance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense |
| Mildred Pierce (1945) | Kay and Veda (Deception) | 0:33:08 - Veda lies to her mother | 64 chord | advance plot | child | chromatic parallelism | deceiving | deception | heroine | leading lady | room | selfishness | unstable | whole-tone |
Mildred Pierce (1945) | Kay and Veda (Coy 2) | 1:44:37 - Veda is brought in by the police | antagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense |
| The Life of Vergie Winters (1934) | Lullaby (Harp Solo) | 1:03:33 - John tells Joan about her parents | conflict | daughter | deceiving | deceptive resolution | leading man | love interest | lullaby | lying | revealing | room | secondary dominant | surprise | tender | wife |
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