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41 results for "Neapolitan" in 16 films — see also Italian | Neapolitan | city

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Agitato0:06:49 - Henriette leaves the classroomagitated | appoggiatura | chromatic scale | distressed | establish character | hurrying | leading lady | leaving | minister | Neapolitan | principal | school | teacher | walking

All This, and Heaven Too (1940)

Henriette (Gentle)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | chromatic sequence | conversing | duke | foreign key modulation | forest | gentle | governess | leading lady | leading man | Neapolitan | tender | underscoring

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palace64 chord | arriving | bright | carriage | chattering | cheerful | child | duke | foreign key modulation | governess | happy | leading lady | leading man | Neapolitan | palace | pedal tone | riding | transition

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriage64 chord | bright | cheerful | child | chromatic sequence | conversing | duke | governess | happy | leading lady | leading man | Neapolitan | palace | pentatonic | transition

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henriettechromatic mediant | chromatic parallelism | conversing | duke | governess | leading lady | leading man | love scene | mode mixture | Neapolitan | palace | pedal tone | reassuring | romantic | sigh gesture | stinger | tender

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | mode mixture | Neapolitan | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | Neapolitan | parallelism | pedal tone | prisoner | questioning | room | sad | sigh gesture | soldier | suspect
Angels With Dirty Faces (1938)The Gangster (Reformatory)0:05:04 - Sign: "Society for Juvenile Delinquents"establish character | main title | Neapolitan | prisoner | reformatory | serious | sign | somber | teenager
Arsenic and Old Lace (1944)The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraugmentation | aunt | conversing | crazy person | dark | establish character | fear | foreign key modulation | fragmentation | knocking | leading lady | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaugmentation | aunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | foreign key modulation | fragmentation | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | Neapolitan | ominous | parallel 63s | pedal tone | room | snooping | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | fragmentation | leading lady | leading man | murderer | Neapolitan | parallel 63s | pedal tone | room | tense
The Big Sleep (1946)The Big Sleep0:00:13 - Starring actors and main title9th chord | ABA structure | cast list | chromatic mediant | chromatic sequence | dark | heavy | leading lady | leading man | Neapolitan | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Sternwood0:02:31 - Carmen walks away9th chord | added-note chord | altered dominant | bluesy | daughter | establish character | femme fatale | leading man | Neapolitan | private eye | retardation | room | seductive | walking

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talk9th chord | 13th chord | AABA structure | added-note chord | altered dominant | car | chromatic mediant | chromatic parallelism | common-tone dominant 7th | conversing | foreign key modulation | kissing | leading lady | leading man | love | love interest | love scene | Neapolitan | private eye | romantic | suspension

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kiss9th chord | 13th chord | AABA structure | added-note chord | altered dominant | captive | chromatic mediant | chromatic parallelism | common-tone dominant 7th | foreign key modulation | freeing | kissing | leading lady | leading man | love interest | love scene | Neapolitan | private eye | romantic | room | suspension

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivian9th chord | 13th chord | chromatic parallelism | conversing | leading lady | leading man | love | love interest | Neapolitan | private eye | resolution | romantic | room
City for Conquest (1940)Sidewalks of New York (Waltz Grazioso)0:06:09 - Two children playing9th chord | child | conversing | establish character | foreign key modulation | love | Neapolitan | old man | romantic | sentimental | soliloquy | street | waltz
They Made Me a Criminal (1939)The Fugitive0:24:29 - Johnnie walks9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering

They Made Me a Criminal (1939)

The Fugitive (Religioso)1:09:41 - Johnnie looks at a picture9th chord | hero | leading man | Neapolitan | room | tender | thinking | turning point
Dust Be My Destiny (1939)The Daily Journal1:00:10 - Sign for The Daily Journalestablish setting | fanfare | heroic | mode mixture | Neapolitan | newspaper | sign | street | triumphant

Dust Be My Destiny (1939)

Buzzing1:01:05 - Men working in the dark room64 chord | action scene | added-note chord | buzzy | chromatic parallelism | dark room | enharmonic modulation | exciting | foreign key modulation | leading man | mode mixture | Neapolitan | newspaper | newspaper editor | parallelism | photographer | photography | pump-up modulation | Rimsky-Korsakov | working
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful
The Informer (1935)The Informer (Bridge)0:00:46 - Shadows move across the screen behind the cast list9th chord | cast list | informer | march | marching | mysterious | Neapolitan | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street
The Letter (1940)Robert and Leslie (Tense)1:27:06 - Leslie talks to Robertchromatic mediant | climax | conversing | gentle | home | husband | leading lady | love theme | Neapolitan | suspension | tender | tense

The Letter (1940)

Robert and Leslie (The Body)NIF - not in filmalternate music | body | chromatic mediant | climax | death | foreign key modulation | love theme | Neapolitan | pedal tone | plantation | somber
Mildred Pierce (1945)Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Kay and Veda (Ashamed)0:28:13 - Mildred overhears Veda complaining about her new dressadvance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching

Mildred Pierce (1945)

Mildred (Regretful)0:39:37 - Mildred regrets slapping Vedaapologizing | child | chromatic mediant | conflict | foreign key modulation | heroine | hopeful | leading lady | mode mixture | Neapolitan | regretting | room | somber | tritone

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argument9th chord | aggressive | angry | arriving | chromatic parallelism | conflict | heroine | hurrying | leading lady | leaving | Neapolitan | room | walking
The Unfaithful (1947)Unfaithful0:00:07 - Title of the filmaltered dominant | Beverly Hills | cast list | common-chord modulation | house | main title | mode mixture | Neapolitan | opening title sequence | ostinato | pedal tone | serious | starring list | title of film

The Unfaithful (1947)

Unfaithful (Angry)1:15:00 - Bob looks aroundangry | common-chord modulation | deceptive resolution | husband | intense | meandering | Neapolitan | ostinato | room | sequential modulation | transition | walking

The Unfaithful (1947)

Unfaithful (Not in Film)NIF - not in filmacceleration | arguing | climax | cut from film | husband | Neapolitan | ostinato | room | sequential modulation | tense | wife

The Unfaithful (1947)

Unfaithful (End Cast)1:48:07 - Closing creditsclosing credits | common-chord modulation | dramatic | end title sequence | Neapolitan | ostinato | pedal tone | turbulent
Is My Face Red? (1932)Mildred Waltz (Rushing)0:22:05 - Mildred and William leaveadvance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear
Thirteen Women (1932)Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz
Star of Midnight (1935)Midnight in Manhattan (Tango)0:08:56 - Dancers in a Broadway showadvance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater

Star of Midnight (1935)

Midnight in Manhattan (Warm)0:09:35 - Clay in the theater lobbyadvance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater
We're Only Human (1935)Midnight in Manhattan (Warm)0:36:50 - Mary and Pete in a restaurantadvance plot | altered dominant | arguing | conversing | detective | leading lady | leading man | mode mixture | Neapolitan | reporter | restaurant | sentimental | source music