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55 results for "kissing" — see also cuddling | hugging | snuggling

FilmTheme nameInstanceTags
Are These Our Children? (1931)Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Underscoring (Dark)0:30:25 - Eddie attacks boyarguing | clock | dark | diminished 7th chord | double exposure | dream sequence | fighting | kissing | leading man | love interest | mickey-mousing | montage | ominous | pedal tone | stinger | ticking
Arsenic and Old Lace (1944)The Old Maid0:04:17 - Mortimer talks to Elainearguing | conversing | establish character | kissing | leading lady | leading man | marriage | office | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the windowaunt | bride | cemetery | conversing | familiar tune | flirting | groom | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kissbride | cemetery | conversing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kissbride | cemetery | embracing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat
The Big Sleep (1946)Vivian1:15:22 - Marlowe and Vivian talkcar | conversing | kissing | leading lady | leading man | love | love interest | love scene | private eye | romantic

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kisscaptive | freeing | kissing | leading lady | leading man | love interest | love scene | private eye | romantic | room
City for Conquest (1940)Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)0:31:00 - Peggy apologizes to Dannyconversing | kiss | kissing | leading lady | leading man | love scene | romantic | room

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Tone Poem A1 (Dolce)0:48:06 - Danny talks to Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Molto Expressivo)0:48:44 - Danny talks with Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street
They Made Me a Criminal (1939)So Help Me (If I Don’t Love You)0:05:54 - Johnnie and Goldie relaxingdrinking | floozy | jaunty | kissing | leading man | murder scene | popular song | radio | room | source music

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Dust Be My Destiny (1939)Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic
The FBI Story (1959)Lucy A0:17:57 - Chip and Lucy kissflashback | kissing | romance

The FBI Story (1959)

Lucy A0:20:57 - Chip says he would give up anything to marry Lucyflashback | kissing | romance

The FBI Story (1959)

Lucy A (Tender)0:49:14 - Chip and Lucy talk at homeembrace | flashback | heroine | kissing | romance
Flamingo Road (1949)If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife
Hell on Frisco Bay (1955)Kay0:20:48 - Lye goes to see Kayantagonist | conductor score | conversing | establish character | gangster | kissing | love interest | lyrical | romantic | street
In This Our Life (1942)Stanley0:17:11 - Stanley comes down the stairsadvance plot | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley (Shimmery)0:32:33 - Stanley smilescar | kissing | leading lady | leading man | magical | wedding | wedding
Key Largo (1948)Underscoring (Dramatic)0:33:43 - Nora rises to attack Roccoangry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence
The Letter (1940)Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romantic | sequence | tense
Lightning Strikes Twice (1951)Shelly 3 (Love)0:47:56 - Trev and Shelly kiss, then she continues on alonehero | heroine | hugging | kissing | romance

Lightning Strikes Twice (1951)

Shelly 3 (Tenderly)1:06:50 - Trev and Shelly embrace and kisshero | heroine | hugging | kissing | love | romance

Lightning Strikes Twice (1951)

Shelly 3 (Excited)1:07:09 - Trev and Shelly kiss in the car then get out to hero | heroine | kissing | love | romance
Mildred Pierce (1945)First Kiss0:49:40 - Monte steals a kiss from Mildredcheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance

Mildred Pierce (1945)

It Can’t Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music

Mildred Pierce (1945)

It Can’t Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradvance plot | car | child | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Secret Revealed1:45:37 - Mildred finds Veda and Monte togetherantagonist | climax | dark | daughter | discovering | kissing | reveal | room | stinger | tense
Kid Galahad (1937)Heart’s Affair (Kiss)0:58:47 - Ward talks to MarieAABA structure | altered dominant | cheerful | conversing | deceptive resolution | farm | happy | kissing | leading man | love scene | mode mixture | sister | transcribed by ear

Kid Galahad (1937)

Heart’s Affair (Trouble)1:15:53 - Ward talks to Marie at the farmadvance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear
We Are Not Alone (1939)Heart Break1:40:11 - David and Leni kiss9th chord | appoggiatura | dissonant bass | first kiss | hero | heroine | kissing | love | love scene | mode mixture | passionate | pedal tone | prison | suspension
White Heat (1949)Verna0:43:41 - Verna kisses Big Ed and Ma watches from the windowbetrayal | kissing | spying

White Heat (1949)

Verna (Uneasy)1:18:05 - Big Ed kisses Vernadark | female | kissing | somber

White Heat (1949)

Verna (Carefree)1:36:15 - Cody kisses Vernacar | female | funny | gum | kissing
The Public Defender (1931)Mystery (End Title)1:08:56 - A kiss and The Endarguing | end title sequence | kissing | leading man | mode mixture | pedal tone | romantic | room | The End | transcribed by ear
Transgression (1931)Serenade0:44:16 - Elsie and Don Arturo talkingABAC structure | calm | conversing | embracing | kissing | leading lady | love interest | love scene | romantic | room | source music
Thirteen Women (1932)Ursula (Romance)0:08:37 - The swami kisses Ursulaantagonist | embracing | establish character | fortune teller | kissing | leading lady | romantic | room | secondary dominant | swami | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz
Before Dawn (1933)Wedding March0:59:55 - Two lovers kissing and The Enddetective | familiar tune | fanfare | kissing | leading lady | leading man | plagal cadence | resolution | romantic | secondary dominant | transcribed by ear | triumphant