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63 results for "hope" in 21 films — see also Hope | anticipation | comic | hopeful | hoping | optimistic | person | plan | promise

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The Duchess	0:00:15 - Title of film	cast list \| common-tone diminished 7th \| enharmonic modulation \| foreign key modulation \| hopeful \| opening title sequence \| romantic \| sequential modulation \| title of film
All This, and Heaven Too (1940)	Henriette (Proud)	0:08:21 - Mr. Field encourages Henriette	added-note chord \| deceptive resolution \| establish character \| hopeful \| leading lady \| minister \| mode mixture \| mysterious \| pedal tone \| principal \| reassuring \| reverse picardy \| school \| student \| teacher
All This, and Heaven Too (1940)	Henriette (Lento)	0:10:20 - Henriette on a ship	boat \| dissonant bass \| flashback \| foreign key modulation \| hopeful \| leading lady \| mysterious \| pedal tone \| storytelling \| tense \| traveling
All This, and Heaven Too (1940)	Raynald (Andante)	0:41:36 - Henriette and the Duke by Raynald's bedside	9th chord \| 64 chord \| augmented sixth chord \| child \| chromatic sequence \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| parallelism \| room \| solemn \| somber
All This, and Heaven Too (1940)	Henriette (Ethereal)	0:42:36 - Henriette asks to open the window	9th chord \| bright \| child \| conversing \| duke \| foreign key modulation \| governess \| half-diminished 7th chord \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room \| sequence \| timid
All This, and Heaven Too (1940)	Raynald (Ethereal)	0:43:04 - Raynald by the window	64 chord \| child \| conversing \| duke \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| pedal tone \| room
All This, and Heaven Too (1940)	Desperation (Calming)	0:43:35 - Henriette closes the window	calm \| caring \| child \| dark \| dissonant bass \| duke \| fragmentation \| governess \| hopeful \| illness \| illness scene \| leading lady \| leading man \| room
All This, and Heaven Too (1940)	Henriette (Ominous)	1:31:15 - Henriette talks to the Duke	9th chord \| 64 chord \| added-note chord \| conversing \| duke \| foreign key modulation \| governess \| hopeful \| leading lady \| leading man \| love scene \| ominous \| palace \| reassuring
All This, and Heaven Too (1940)	Henriette (Noble)	2:13:19 - Henriette comes into the Duke's room	arriving \| dark \| death scene \| detective \| duke \| dying \| hopeful \| leading lady \| leading man \| mode mixture \| noble \| prisoner \| room \| soldier \| suspect
All This, and Heaven Too (1940)	Henriette (Moderato Maestoso)	2:16:29 - A hand signing a release form	9th chord \| chromatic mediant \| deceptive resolution \| hopeful \| leading lady \| leaving \| noble \| prison \| resolution \| walking \| writing
All This, and Heaven Too (1940)	Heaven Theme (Expressivo)	2:17:25 - Henriette leaves with Henry Field	comforting \| death \| gravestone \| graveyard \| grieving \| hopeful \| leading lady \| minister \| resolution \| voice-over \| wave
All This, and Heaven Too (1940)	Columbia Gem of the Ocean (Somber)	2:18:19 - Children listening to Henriette	9th chord \| child \| hopeful \| leading lady \| mode change \| resolution \| school \| storytelling \| student \| teacher
Angels With Dirty Faces (1938)	Jerry (Pleading)	1:21:26 - Jerry talks to the cops	building \| conflict \| deceptive resolution \| heroic \| hopeful \| leading man \| pleading \| priest \| street
Angels With Dirty Faces (1938)	Jerry (Maestoso)	1:22:13 - Jerry enters the building	building \| conflict \| entering \| foreign key modulation \| heroic \| hopeful \| leading man \| pedal tone \| priest \| street \| walking
Beyond the Forest (1949)	Chicago (Con Moto)	1:11:06 - Rosa is relieved at the verdict	calm \| conversing \| courtroom \| courtroom scene \| expressive \| familiar tune \| hope \| hopeful \| husband \| leading lady \| leading man \| love interest \| murderer \| popular tune \| smiling \| verdict
Caged (1950)	June and Marie	0:37:06 - June and Marie talk	conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| noble \| prison \| prisoner
Caged (1950)	June	0:37:27 - June and Marie talk	11th chord \| 13th chord \| conversing \| establish character \| foreign key modulation \| friend \| hopeful \| leading lady \| melancholy \| prison \| prisoner \| sequence \| somber
Caged (1950)	Nursery	0:49:22 - Marie goes to see her newborn baby	added-note chord \| advance plot \| baby \| gentle \| hopeful \| leading lady \| nurse \| nursery \| optimistic \| prison \| prisoner \| walking
City for Conquest (1940)	Tone Poem A (Maestoso)	1:29:11 - Peggy looks up	advance plot \| friend \| hopeful \| leading lady \| mode mixture \| newspaper \| reading \| room \| suspension
They Made Me a Criminal (1939)	On the Make (Lohenblueish)	1:09:07 - Johnnie decides that he will stay	added-note chord \| augmentation \| chromatic mediant \| direct modulation \| foreign key modulation \| hero \| hopeful \| hopeless \| leading man \| linear chromaticism \| passionate \| room \| thinking \| turning point \| zoom in
Death of a Scoundrel (1956)	Apotheosis	1:59:10 - Bridget looks around Clementi's home for the last time	apotheosis \| hopeful \| redemption
Deep Valley (1947)	Deep Valley (Sostenuto)	1:16:37 - Libby talks with Barry	advance plot \| barn \| calm \| conversing \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Deep Valley	1:24:39 - Libby talks to Barry	advance plot \| barn \| calm \| convict \| fugitive \| hopeful \| hoping \| leading lady \| leading man \| love interest
Deep Valley (1947)	Deep Valley (Quasi Appassionato)	1:30:51 - Barry looks at Libby	advance plot \| barn \| comforting \| conflicted \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest
Deep Valley (1947)	Deep Valley (Delicato)	1:31:30 - Barry embraces Libby	advance plot \| barn \| comforting \| convict \| fugitive \| hopeful \| leading lady \| leading man \| love interest \| street \| tense
Dust Be My Destiny (1939)	Dust Be My Destiny (Expectant)	0:18:08 - Mabel leaves	advance plot \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| pedal tone \| prison \| prisoner \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Denied)	0:18:23 - Mabel talks to Joe	conflict \| deceptive resolution \| denial \| expectant \| gentle \| guard \| hopeful \| leading lady \| leading man \| prison \| prisoner \| stinger \| sweet
Dust Be My Destiny (1939)	Dust Be My Destiny (Fateful Decision)	0:26:17 - Joe and Mabel decide to run away together	barn \| confused \| deceptive resolution \| fragmentation \| hopeful \| leading lady \| leading man \| mode mixture \| runaway \| turning point
Dust Be My Destiny (1939)	Dust Be My Destiny (The Escape)	0:50:26 - Joe and Mabel leave the jail	64 chord \| chromatic parallelism \| dark \| escaping \| foreign key modulation \| friend \| hopeful \| jail \| jail break \| leading lady \| leading man \| shopkeeper
Dust Be My Destiny (1939)	Dust Be My Destiny (Relief)	1:06:54 - Mike talks with Joe	advance plot \| hopeful \| leading man \| mode mixture \| newspaper editor \| office \| relieved
Dust Be My Destiny (1939)	Dust Be My Destiny (Dolceeessimo)	1:08:53 - Joe and Mabel talk	advance plot \| chromatic mediant \| foreign key modulation \| hopeful \| intervallic expansion \| leading lady \| leading man \| peaceful \| room
Each Dawn I Die (1939)	Frank (Parole Denied)	1:07:58 - Frank's parole is denied	9th chord \| common-tone diminished 7th \| dark \| despair \| foreign key modulation \| half-diminished 7th chord \| hopeful \| leading man \| letter \| prison \| prisoner \| reading \| sigh gesture \| solemn \| turning point
Each Dawn I Die (1939)	Freedom	1:30:31 - Frank leaves the prison	artwork in score \| chromatic mediant \| conclusion \| dissonant bass \| freedom \| hopeful \| leading lady \| leading man \| optimistic \| peaceful \| The End \| walking
Flamingo Road (1949)	Lane (Grazioso)	0:41:46 - Lane talks to a fellow prisoner	advance plot \| conversing \| foreign key modulation \| hopeful \| leading lady \| prison \| prisoner \| upbeat
Flamingo Road (1949)	Lane (Hopeful)	0:41:58 - Lane talks to a fellow prisoner	advance plot \| conversing \| deceptive resolution \| gentle \| hopeful \| leading lady \| pedal tone \| prison \| prisoner
Flamingo Road (1949)	Titus (Ostinato)	1:17:09 - Dan looks at some papers	brooding \| conflict \| dark \| hopeful \| husband \| leading lady \| leading man \| ominous \| politician \| room \| self-borrowing \| wife
Flamingo Road (1949)	Flamingo Road (Andante)	1:24:05 - Lane goes to get a drink for Field	altered dominant \| chromatic parallelism \| dark \| death scene \| gentle \| gunshot \| hopeful \| leading lady \| leading man \| love interest \| mode mixture \| room \| self-borrowing \| suicide \| walking \| warm
Illegal (1955)	Answering Phone	1:05:00 - Ellen hopefully answers the phone	bottle \| crash \| hopeful \| telephone
Key Largo (1948)	Tension (The Boat 2)	1:35:44 - McCloud steers the boat	boat \| conflict \| hopeful \| leading man \| steering \| tense
Key Largo (1948)	Hope	1:36:11 - McCloud calls for help on the radio	boat \| calling \| conflict \| hopeful \| leading man \| radio \| steering
Key Largo (1948)	Relief	1:38:40 - Nora answers the phone	answering \| hopeful \| hotel \| leading lady \| leading man \| relieved \| resolution \| telephone
Key Largo (1948)	McCloud (Tenderly)	1:39:12 - Nora tells her father the good news	father \| hopeful \| hoping \| hotel \| leading lady \| light \| opening \| relieved \| resolution \| sunlight \| thinking \| window
Key Largo (1948)	McCloud (Maestoso)	1:39:43 - McCloud steers the boat home	boat \| hopeful \| leading man \| resolution \| returning \| sailing \| triumphant
Lightning Strikes Twice (1951)	Liza	0:02:55 - Trev is released from death row	calm \| conversing \| establish character \| guard \| hopeful \| leading man \| priest \| prison \| prisoner \| relief \| reprieve \| walking \| warden
Mildred Pierce (1945)	Mildred (Hopeful)	0:36:42 - Mildred bakes some pies	cooking \| heroine \| hopeful \| kitchen \| leading lady \| montage \| optimistic \| restaurant \| success \| voice-over \| waitress \| working
Mildred Pierce (1945)	Mildred (Regretful)	0:39:37 - Mildred regrets slapping Veda	apologizing \| child \| chromatic mediant \| conflict \| foreign key modulation \| heroine \| hopeful \| leading lady \| mode mixture \| Neapolitan \| regretting \| room \| somber \| tritone
Mildred Pierce (1945)	Kay and Veda (Hopeful)	0:40:09 - Veda asks if they are going to be rich	child \| conflict \| foreign key modulation \| greed \| heroine \| hopeful \| leading lady \| room
Mildred Pierce (1945)	Kay and Veda (Troubled)	NIF - not in film	altered dominant \| chromatic mediant \| chromatic scale \| common-chord modulation \| cut from film \| dissonant \| dramatic \| foreign key modulation \| fragmentation \| hopeful \| mode mixture \| sequence \| tender \| tense \| tragic \| turbulent \| whole-tone chord \| whole-tone scale
Mildred Pierce (1945)	Kay and Veda (Tenderly)	0:56:34 - Veda and Mildred mourn for Kay	added-note chord \| calm \| child \| death \| death scene \| ex-husband \| heroine \| hopeful \| leading lady \| mode mixture \| mourning \| plagal cadence \| room \| somber \| turning point
Mildred Pierce (1945)	Hopes Crushed	1:43:38 - Mildred realizes Monte has left her	chromatic scale \| dark \| dissonant bass \| heroine \| leading lady \| lost hope \| mickey-mousing \| realizing \| room \| tritone \| turning point
The Life of Vergie Winters (1934)	Lullaby (Cello Solo)	1:08:38 - Vergie talks with John	added-note chord \| advance plot \| common-chord modulation \| confident \| hopeful \| hoping \| leading lady \| leading man \| room \| secret lover \| sweet \| warm
The Unfaithful (1947)	Unfaithful (Dolce)	1:46:08 - Bob talks with Chris	altered dominant \| chromatic mediant \| common-chord modulation \| conversing \| foreign key modulation \| fragmentation \| hopeful \| husband \| lawyer \| mode mixture \| ostinato \| peaceful \| pedal tone \| plagal cadence \| resolution \| resolution \| romantic \| room \| triumphant \| wife
We Are Not Alone (1939)	Frohe Botschaft (Grandioso)	0:00:26 - Book pages showing main cast	altered dominant \| cast list \| familiar tune \| folk song \| German \| hopeful \| main title \| mode mixture \| opening title sequence \| parallel period \| quotation \| suspension
We Are Not Alone (1939)	Barcarolle	0:44:06 - Gerald talks about sailing	9th chord \| advance plot \| barcarolle \| boy \| child \| dissonant bass \| heroine \| home \| hopeful \| imagination \| pedal tone \| room \| telling a story
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:00:38 - Bill watches them leave	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
Without Honor (1949)	Valse Triste (Tempo de Beguin)	1:02:32 - Bill talks to Fred	antagonist \| brother \| conversing \| convincing \| hopeful \| husband \| leading man \| resolution \| room \| thinking
The Most Dangerous Game (1932)	Russian Waltz (The End)	1:02:08 - The End	castle \| door \| door knocker \| hopeful \| statue
The Most Dangerous Game (1932)	Zaroff (End Cast)	1:02:18 - The cast list	castle \| door \| door knocker \| hopeful \| statue
Mara Maru (1952)	Surfacing	0:02:34 - Gregory rises from the water	assisting \| boat \| boat \| child \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| mickey-mousing \| rising \| surfacing \| underwater \| worker \| working
Mara Maru (1952)	On Deck	0:02:52 - Gregory steps onto the boat	boat \| boat \| child \| conversing \| diver \| diving suit \| establish character \| heroic \| hopeful \| leading man \| underscoring \| worker \| working
Mara Maru (1952)	Surfacing	1:02:55 - Gregory rises from the water	action scene \| antagonist \| assisting \| bodyguard \| breaking \| captain \| diver \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| radio \| rising \| sabotaging \| saboteur \| ship \| ship \| sneaking \| surfacing \| traitor \| underwater \| worker \| working
Mara Maru (1952)	Surfacing	1:18:26 - Gregory rises to the surface	action scene \| antogonist \| assisting \| boat \| captain \| close-up \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| mickey-mousing \| ocean \| private eye \| rain \| rising \| ship \| storm \| surfacing \| treasure \| underwater \| wind \| worker \| working \| yelling
Mara Maru (1952)	On Deck	1:18:55 - Gregory emerges from the water	action scene \| antogonist \| assisting \| boat \| captain \| conversing \| diver \| diving suit \| heroic \| hopeful \| leading lady \| leading man \| love interest \| private eye \| rain \| ship \| storm \| treasure \| triumphant \| wind \| worker \| working \| yelling

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