Tag Search Results


Home | Tag Data


Loading...

63 results for "hope" in 21 films — see also hopeful | hoping | optimistic

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)The Duchess0:00:15 - Title of filmcast list | common-tone diminished 7th | enharmonic modulation | foreign key modulation | hopeful | opening title sequence | romantic | sequential modulation | title of film

All This, and Heaven Too (1940)

Henriette (Proud)0:08:21 - Mr. Field encourages Henrietteadded-note chord | deceptive resolution | establish character | hopeful | leading lady | minister | mode mixture | mysterious | pedal tone | principal | reassuring | reverse picardy | school | student | teacher

All This, and Heaven Too (1940)

Henriette (Lento)0:10:20 - Henriette on a shipboat | dissonant bass | flashback | foreign key modulation | hopeful | leading lady | mysterious | pedal tone | storytelling | tense | traveling

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the window9th chord | bright | child | conversing | duke | foreign key modulation | governess | half-diminished 7th chord | hopeful | illness | illness scene | leading lady | leading man | room | sequence | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the window64 chord | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | dissonant bass | duke | fragmentation | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Duke9th chord | 64 chord | added-note chord | conversing | duke | foreign key modulation | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | mode mixture | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Moderato Maestoso)2:16:29 - A hand signing a release form9th chord | chromatic mediant | deceptive resolution | hopeful | leading lady | leaving | noble | prison | resolution | walking | writing

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:17:25 - Henriette leaves with Henry Fieldcomforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave

All This, and Heaven Too (1940)

Columbia Gem of the Ocean (Somber)2:18:19 - Children listening to Henriette9th chord | child | hopeful | leading lady | mode change | resolution | school | storytelling | student | teacher
Angels With Dirty Faces (1938)Jerry (Pleading)1:21:26 - Jerry talks to the copsbuilding | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street

Angels With Dirty Faces (1938)

Jerry (Maestoso)1:22:13 - Jerry enters the buildingbuilding | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking
Beyond the Forest (1949)Chicago (Con Moto)1:11:06 - Rosa is relieved at the verdictcalm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict
Caged (1950)June and Marie0:37:06 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | noble | prison | prisoner

Caged (1950)

June0:37:27 - June and Marie talkconversing | establish character | friend | hopeful | leading lady | melancholy | prison | prisoner | somber

Caged (1950)

Nursery0:49:22 - Marie goes to see her newborn babyadvance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking
City for Conquest (1940)Tone Poem A (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension
They Made Me a Criminal (1939)On the Make (Lohenblueish)1:09:07 - Johnnie decides that he will stayadded-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in
Death of a Scoundrel (1956)Apotheosis1:59:10 - Bridget looks around Clementi's home for the last timeapotheosis | hopeful | redemption
Deep Valley (1947)Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense
Dust Be My Destiny (1939)Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Relief)1:06:54 - Mike talks with Joeadvance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room
Each Dawn I Die (1939)Frank (Parole Denied)1:07:58 - Frank's parole is denied9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
Flamingo Road (1949)Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm
Illegal (1955)Answering Phone1:05:00 - Ellen hopefully answers the phonebottle | crash | hopeful | telephone
Key Largo (1948)Tension (The Boat 2)1:35:44 - McCloud steers the boatboat | conflict | hopeful | leading man | steering | tense

Key Largo (1948)

Hope1:36:11 - McCloud calls for help on the radioboat | calling | conflict | hopeful | leading man | radio | steering

Key Largo (1948)

Relief1:38:40 - Nora answers the phoneanswering | hopeful | hotel | leading lady | leading man | relieved | resolution | telephone

Key Largo (1948)

McCloud (Tenderly)1:39:12 - Nora tells her father the good newsfather | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window

Key Largo (1948)

McCloud (Maestoso)1:39:43 - McCloud steers the boat homeboat | hopeful | leading man | resolution | returning | sailing | triumphant
Lightning Strikes Twice (1951)Liza0:02:55 - Trev is released from death rowcalm | conversing | establish character | guard | hopeful | leading man | priest | prison | prisoner | relief | reprieve | walking | warden
Mildred Pierce (1945)Mildred (Hopeful)0:36:42 - Mildred bakes some piescooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working

Mildred Pierce (1945)

Mildred (Regretful)0:39:37 - Mildred regrets slapping Vedaapologizing | child | chromatic mediant | conflict | foreign key modulation | heroine | hopeful | leading lady | mode mixture | Neapolitan | regretting | room | somber | tritone

Mildred Pierce (1945)

Kay and Veda (Hopeful)0:40:09 - Veda asks if they are going to be richchild | conflict | foreign key modulation | greed | heroine | hopeful | leading lady | room

Mildred Pierce (1945)

Kay and Veda (Troubled)NIF - not in filmaltered dominant | chromatic mediant | chromatic scale | common-chord modulation | cut from film | dissonant | dramatic | foreign key modulation | fragmentation | hopeful | mode mixture | sequence | tender | tense | tragic | turbulent | whole-tone chord | whole-tone scale

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kayadded-note chord | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mode mixture | mourning | plagal cadence | room | somber | turning point

Mildred Pierce (1945)

Hopes Crushed1:43:38 - Mildred realizes Monte has left herchromatic scale | dark | dissonant bass | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point
The Life of Vergie Winters (1934)Lullaby (Cello Solo)1:08:38 - Vergie talks with Johnadded-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm
The Unfaithful (1947)Unfaithful (Dolce)1:46:08 - Bob talks with Chrisaltered dominant | chromatic mediant | common-chord modulation | conversing | foreign key modulation | fragmentation | hopeful | husband | lawyer | mode mixture | ostinato | peaceful | pedal tone | plagal cadence | resolution | resolution | romantic | room | triumphant | wife
We Are Not Alone (1939)Frohe Botschaft (Grandioso)0:00:26 - Book pages showing main castaltered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension

We Are Not Alone (1939)

Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story
Without Honor (1949)Valse Triste (Tempo de Beguin)1:00:38 - Bill watches them leaveantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking

Without Honor (1949)

Valse Triste (Tempo de Beguin)1:02:32 - Bill talks to Fredantagonist | brother | conversing | convincing | hopeful | husband | leading man | resolution | room | thinking
The Most Dangerous Game (1932)Russian Waltz (The End)1:02:08 - The Endcastle | door | door knocker | hopeful | statue

The Most Dangerous Game (1932)

Zaroff (End Cast)1:02:18 - The cast listcastle | door | door knocker | hopeful | statue
Mara Maru (1952)Surfacing0:02:34 - Gregory rises from the waterassisting | boat | boat | child | diver | diving suit | establish character | heroic | hopeful | leading man | mickey-mousing | rising | surfacing | underwater | worker | working

Mara Maru (1952)

On Deck0:02:52 - Gregory steps onto the boatboat | boat | child | conversing | diver | diving suit | establish character | heroic | hopeful | leading man | underscoring | worker | working

Mara Maru (1952)

Surfacing1:02:55 - Gregory rises from the wateraction scene | antagonist | assisting | bodyguard | breaking | captain | diver | heroic | hopeful | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | radio | rising | sabotaging | saboteur | ship | ship | sneaking | surfacing | traitor | underwater | worker | working

Mara Maru (1952)

Surfacing1:18:26 - Gregory rises to the surfaceaction scene | antogonist | assisting | boat | captain | close-up | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | mickey-mousing | ocean | private eye | rain | rising | ship | storm | surfacing | treasure | underwater | wind | worker | working | yelling

Mara Maru (1952)

On Deck1:18:55 - Gregory emerges from the wateraction scene | antogonist | assisting | boat | captain | conversing | diver | diving suit | heroic | hopeful | leading lady | leading man | love interest | private eye | rain | ship | storm | treasure | triumphant | wind | worker | working | yelling