| All This, and Heaven Too (1940) | The Duchess | 0:00:15 - Title of film | cast list | hopeful | opening title sequence | romantic | title of film |
All This, and Heaven Too (1940) | Henriette (Proud) | 0:08:21 - Mr. Field encourages Henriette | establish character | hopeful | leading lady | minister | mysterious | principal | reassuring | school | student | teacher |
All This, and Heaven Too (1940) | Henriette (Lento) | 0:10:20 - Henriette on a ship | boat | flashback | hopeful | leading lady | mysterious | storytelling | tense | traveling |
All This, and Heaven Too (1940) | Raynald (Andante) | 0:41:36 - Henriette and the Duke by Raynald's bedside | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | solemn | somber |
All This, and Heaven Too (1940) | Henriette (Ethereal) | 0:42:36 - Henriette asks to open the window | bright | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | timid |
All This, and Heaven Too (1940) | Raynald (Ethereal) | 0:43:04 - Raynald by the window | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room |
All This, and Heaven Too (1940) | Desperation (Calming) | 0:43:35 - Henriette closes the window | calm | caring | child | dark | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room |
All This, and Heaven Too (1940) | Henriette (Ominous) | 1:31:15 - Henriette talks to the Duke | conversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring |
All This, and Heaven Too (1940) | Henriette (Noble) | 2:13:19 - Henriette comes into the Duke's room | arriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect |
All This, and Heaven Too (1940) | Henriette (Moderato Maestoso) | 2:16:29 - A hand signing a release form | hopeful | leading lady | leaving | noble | prison | resolution | walking | writing |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:17:25 - Henriette leaves with Henry Field | comforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave |
All This, and Heaven Too (1940) | Columbia Gem of the Ocean | 2:18:19 - Children listening to Henriette | child | hopeful | leading lady | resolution | school | storytelling | student | teacher |
| Angels With Dirty Faces (1938) | Jerry (Pleading) | 1:21:26 - Jerry talks to the cops | building | conflict | deceptive resolution | heroic | hopeful | leading man | pleading | priest | street |
Angels With Dirty Faces (1938) | Jerry (Maestoso) | 1:22:13 - Jerry enters the building | building | conflict | entering | foreign key modulation | heroic | hopeful | leading man | pedal tone | priest | street | walking |
| Caged (1950) | Parole | 0:37:06 - June and Marie talk | hopeful | noble | prison |
Caged (1950) | June | 0:37:27 - June and Marie talk | hopeful | melancholy | prison | sad |
| City for Conquest (1940) | Tone Poem A (Maestoso) | 1:29:11 - Peggy looks up | advance plot | friend | hopeful | leading lady | newspaper | reading | room |
| They Made Me a Criminal (1939) | On the Make (Lohenblueish) | 1:09:07 - Johnnie decides that he will stay | added-note chord | augmentation | chromatic mediant | direct modulation | foreign key modulation | hero | hopeful | hopeless | leading man | linear chromaticism | passionate | room | thinking | turning point | zoom in |
| Death of a Scoundrel (1956) | Apotheosis | 1:59:10 - Bridget looks around Clementi's home for the last time | apotheosis | hopeful | redemption |
| Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Denied) | 0:18:23 - Mabel talks to Joe | conflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (Fateful Decision) | 0:26:17 - Joe and Mabel decide to run away together | barn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point |
Dust Be My Destiny (1939) | Dust Be My Destiny (The Escape) | 0:50:26 - Joe and Mabel leave the jail | 64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper |
Dust Be My Destiny (1939) | Dust Be My Destiny (Relief) | 1:06:54 - Mike talks with Joe | advance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | 1:08:53 - Joe and Mabel talk | advance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room |
| Each Dawn I Die (1939) | Frank (Parole Denied) | 1:07:58 - Frank's parole is denied | 9th chord | common-tone diminished 7th | dark | despair | foreign key modulation | half-diminished 7th chord | hopeful | leading man | letter | prison | prisoner | reading | sigh gesture | solemn | turning point |
Each Dawn I Die (1939) | Freedom | 1:30:31 - Frank leaves the prison | artwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking |
| Flamingo Road (1949) | Lane (Grazioso) | 0:41:46 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat |
Flamingo Road (1949) | Lane (Hopeful) | 0:41:58 - Lane talks to a fellow prisoner | advance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner |
Flamingo Road (1949) | Titus (Ostinato) | 1:17:09 - Dan looks at some papers | brooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife |
Flamingo Road (1949) | Flamingo Road (Andante) | 1:24:05 - Lane goes to get a drink for Field | altered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm |
| Illegal (1955) | Answering Phone | 1:05:00 - Ellen hopefully answers the phone | bottle | crash | hopeful | telephone |
| Key Largo (1948) | Tension (The Boat 2) | 1:35:44 - McCloud steers the boat | boat | conflict | hopeful | leading man | steering | tense |
Key Largo (1948) | Hope | 1:36:11 - McCloud calls for help on the radio | boat | calling | conflict | hopeful | leading man | radio | steering |
Key Largo (1948) | Relief | 1:38:40 - Nora answers the phone | answering | hopeful | hotel | leading lady | leading man | relieved | resolution | telephone |
Key Largo (1948) | McCloud (Tenderly) | 1:39:12 - Nora tells her father the good news | father | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window |
Key Largo (1948) | McCloud (Maestoso) | 1:39:43 - McCloud steers the boat home | boat | hopeful | leading man | resolution | returning | sailing | triumphant |
| Lightning Strikes Twice (1951) | Liza | 0:02:55 - Trevelyan goes back to his cell | hopeful | prison | prisoner | reprieve |
| Mildred Pierce (1945) | Mildred (Hopeful) | 0:36:42 - Mildred bakes some pies | cooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working |
Mildred Pierce (1945) | Mildred (Regretful) | 0:39:37 - Mildred regrets slapping Veda | apologizing | child | conflict | heroine | hopeful | leading lady | regretting | room | somber |
Mildred Pierce (1945) | Kay and Veda (Hopeful) | 0:40:09 - Veda asks if they are going to be rich | child | conflict | greed | heroine | hopeful | leading lady | room |
Mildred Pierce (1945) | Kay and Veda (Troubled) | NIF - not in film | cut from film | dissonant | dramatic | hopeful | tender | tense | tragic | turbulent |
Mildred Pierce (1945) | Kay and Veda (Tenderly) | 0:56:34 - Veda and Mildred mourn for Kay | calm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mourning | room | somber | turning point |
Mildred Pierce (1945) | Hopes Crushed | 1:43:38 - Mildred realizes Monte has left her | dark | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point |
| The Life of Vergie Winters (1934) | Lullaby (Cello Solo) | 1:08:38 - Vergie talks with John | added-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm |
| The Unfaithful (1947) | Unfaithful (Dolce) | 1:46:08 - Bob talks with Chris | conversing | hopeful | husband | lawyer | ostinato | peaceful | plagal cadence | resolution | resolution | resolution | romantic | room | triumphant | wife |
| We Are Not Alone (1939) | Frohe Botschaft (Grandioso) | 0:00:26 - Book pages showing main cast | altered dominant | cast list | familiar tune | folk song | German | hopeful | main title | mode mixture | opening title sequence | parallel period | quotation | suspension |
We Are Not Alone (1939) | Barcarolle | 0:44:06 - Gerald talks about sailing | 9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story |
| Deep Valley (1947) | Deep Valley (Sostenuto) | 1:16:37 - Libby talks with Barry | advance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Deep Valley | 1:24:39 - Libby talks to Barry | advance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest |
Deep Valley (1947) | Deep Valley (Quasi Appassionato) | 1:30:51 - Barry looks at Libby | advance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Deep Valley (Delicato) | 1:31:30 - Barry embraces Libby | advance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense |
| Beyond the Forest (1949) | Chicago (Con Moto) | 1:11:06 - Rosa is relieved at the verdict | calm | conversing | courtroom | courtroom scene | expressive | familiar tune | hope | hopeful | husband | leading lady | leading man | love interest | murderer | popular tune | smiling | verdict |
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