| Flamingo Road (1949) | Titus | 0:01:22 - The Palmer House | altered dominant | dark | establish setting | ominous | politician | self-borrowing | sheriff | street | voice-over |
Flamingo Road (1949) | Titus 2 | 0:18:16 - A newspaper headline | chromatic parallelism | dark | headline | newspaper | politician | porch | self-borrowing | sheriff | throwing | transition | tritone |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | It Had to Be You | 0:23:44 - Politicians gamble and talk | ABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress |
Flamingo Road (1949) | Somebody Loves Me | 0:25:19 - Politicians plot | AABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music |
Flamingo Road (1949) | Titus 2 (Pete Lies) | 0:40:11 - Field asks why Lane was fired | advance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing |
Flamingo Road (1949) | If I Could Be With You (Somber) | 0:40:31 - Field talks to Lane's co-worker | 9th chord | 11th chord | advance plot | café | common-tone diminished 7th chord | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber |
Flamingo Road (1949) | Blue Room | 0:44:58 - Lane dresses for work | AABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | Titus (Angry) | 0:45:24 - Titus sees Lane | advance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress |
Flamingo Road (1949) | Agitato (Angry) | 0:45:50 - Dan argues with Titus | advance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress |
Flamingo Road (1949) | Drinking whiskey | 0:49:50 - Dan drinks | chromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room |
Flamingo Road (1949) | Lane (Lento) | 0:50:04 - Dan meets Lane | added-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room |
Flamingo Road (1949) | Lane (Chromatic) | 0:50:24 - Lane ties Dan's tie | 9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room |
Flamingo Road (1949) | Titus 2 (Agitato) | 0:50:41 - Lane ties Dan's tie | chromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing |
Flamingo Road (1949) | Indigestion | 0:50:48 - Lane complains of a hangover | chromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room |
Flamingo Road (1949) | Lane | 0:50:59 - Lane gives Dan his money | conversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room |
Flamingo Road (1949) | If I Could Be With You (Misterioso) | 0:51:15 - Lane asks Dan about Field | chromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy |
Flamingo Road (1949) | Molto Grazioso | 0:51:40 - Dan notices Lane | conversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room |
Flamingo Road (1949) | Lute Mae (Quasi Blues) | 0:51:46 - Dan flirts with Lane | 13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference |
Flamingo Road (1949) | Slide whistle | 0:53:00 - Dan surprises Lute Mae | comical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition |
Flamingo Road (1949) | Lute Mae (Driving) | 0:53:02 - Lane drives Dan to the construction site | 13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling |
Flamingo Road (1949) | Lane (Bell-like) | 0:54:43 - Lane gives Dan some change | fragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet |
Flamingo Road (1949) | Flamingo Road (Bluesy) | 0:55:00 - Dan buys some cold drinks | 9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing |
Flamingo Road (1949) | Flamingo Road (Romantic) | 0:55:41 - Dan kisses Lane | embracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing |
Flamingo Road (1949) | Through a Thousand Dreams | 0:56:41 - The Olympic City hotel | advance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | Don’t Take Your Love From Me | 0:58:50 - Dan and Lane sit at a table | ABAC structure | advance plot | club | conversing | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | If I Could Be With You | 0:59:52 - A woman sings with the dance band | advance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife |
Flamingo Road (1949) | I Guess I’ll Have to Change My Plan | 1:01:40 - Lane and Dan talk at their table | advance plot | club | conversing | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife |
Flamingo Road (1949) | Flamingo Road (Tense) + Titus | 1:04:16 - Titus enters the room | advance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale |
Flamingo Road (1949) | Flamingo Road (Misterioso) + Titus | 1:04:33 - Titus talks to Dan | advance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff |
Flamingo Road (1949) | Titus | 1:04:55 - Titus insults Lane | advance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening |
Flamingo Road (1949) | Titus | 1:06:35 - Titus leaves | advance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff |
Flamingo Road (1949) | Titus (Tutti) | 1:08:05 - Titus and Field arrive at the construction site | arriving | dark | dominant 7th chord | half-diminished 7th chord | leading man | ominous | politician | self-borrowing | sheriff | street | transition |
Flamingo Road (1949) | Agitato (Angry) | 1:09:25 - Titus leaves | advance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense |
Flamingo Road (1949) | Titus + Titus 2 | 1:09:43 - Titus bullies Field | advance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street |
Flamingo Road (1949) | Titus (Menacing) | 1:09:59 - Titus and Field leave | advance plot | bullying | commanding | dark | leading man | menacing | ominous | politician | self-borrowing | sheriff | street |
Flamingo Road (1949) | Underscoring (Tense) | 1:11:26 - Field drinks | alcohol | arriving | bullying | conflict | dramatic | drinking | leading man | linear chromaticism | politician | room | sheriff | underscoring |
Flamingo Road (1949) | Titus (Ominous) | 1:11:44 - Titus argues with Field | arguing | bullying | conflict | drinking | leading man | mysterious | politician | room | self-borrowing | sheriff | tense |
Flamingo Road (1949) | Underscoring (Tense) | 1:11:51 - Titus argues with Field | arguing | bullying | conflict | drinking | leading man | politician | room | sheriff | tense | underscoring |
Flamingo Road (1949) | The Sheriff | 1:12:01 - Titus stands and walks | arguing | bullying | chromatic parallelism | conflict | dark | leading man | mickey-mousing | ominous | politician | room | self-borrowing | sheriff | standing |
Flamingo Road (1949) | Throwing whiskey and glass | 1:12:08 - Titus throws whiskey in Field's face | alcohol | breaking | bullying | conflict | dramatic | glass | leading man | mickey-mousing | politician | room | sheriff | slamming | splashing | throwing | tone cluster | whole-tone scale |
Flamingo Road (1949) | Titus (Violent) | 1:12:11 - Titus and Field argue | arguing | bullying | conflict | dark | leading man | ominous | politician | room | self-borrowing | sheriff | violent |
Flamingo Road (1949) | Underscoring (Dramatic) | 1:12:17 - Titus grabs Field and pushes him | bullying | conflict | dramatic | leading man | politician | pushing | room | sheriff | throwing | underscoring | violent |
Flamingo Road (1949) | Anger | 1:12:20 - Titus and Field face off | angry | arguing | bullying | chromatic parallelism | chromatic wedge | conflict | leading man | pc set | politician | room | self-borrowing | sheriff | tense |
Flamingo Road (1949) | Rising Anger | 1:12:26 - Titus throws open the door | angry | arguing | bullying | chromatic parallelism | conflict | diminished 7th chord | leading man | politician | room | self-borrowing | sheriff |
Flamingo Road (1949) | Underscoring (Dramatic) | 1:12:32 - Titus throws Field out the door | augmented triad | bullying | chromatic parallelism | conflict | dark | dramatic | leading man | politician | polychord | pushing | room | sheriff | throwing | underscoring |
Flamingo Road (1949) | Breaking door | 1:12:39 - Titus breaks the glass door | breaking | bullying | conflict | door | dramatic | leading man | mickey-mousing | politician | polychord | room | sheriff | smashing | window |
Flamingo Road (1949) | Titus 2 (Buzzer) | 1:13:16 - Titus arrives | arriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition |
Flamingo Road (1949) | Titus (Ostinato) | 1:17:09 - Dan looks at some papers | brooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife |
Flamingo Road (1949) | Lane (Tragic) | 1:18:10 - Lane talks to Dan about Titus | angry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife |
Flamingo Road (1949) | If I Could Be With You (Tragic) | 1:18:35 - Lane tells Dan about Field | confessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife |
Flamingo Road (1949) | Flamingo Road (Agitato) | 1:18:50 - Dan gets upset with Lane | 9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife |
Flamingo Road (1949) | Appassionato | 1:19:10 - Dan argues with Lane | arguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning |
Flamingo Road (1949) | Flamingo Road (Molto Expressivo) | 1:19:32 - Dan leaves | conflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife |
Flamingo Road (1949) | Flamingo Road (Triste) | 1:19:43 - Lane watches Dan leave | altered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife |
Flamingo Road (1949) | Somber Phone Call | 1:19:54 - Dan calls Lane from the station | calling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife |
Flamingo Road (1949) | Titus (Triste 2) | 1:20:10 - Dan and Lane talk on the phone | calling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife |
Flamingo Road (1949) | If I Could Be With You (Maestoso) | 1:26:31 - Dan reads a telegram about Field's death | advance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent |
| The Life of Vergie Winters (1934) | For He’s a Jolly Good Fellow | 0:13:48 - Political rally for John Shadwell | advance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat |
The Life of Vergie Winters (1934) | Semper Fidelis | 0:30:32 - A march is played outside | advance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat |
The Life of Vergie Winters (1934) | Lullaby (Military Band) | 0:45:45 - Newspaper montage | 64 chord | fanfare | leading man | love interest | montage | pedal tone | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Over There (Military Band) | 0:45:52 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Military Band) | 0:46:01 - Newspaper montage | leading man | love interest | montage | patriotic tune | politician | soldier | triumphant |
The Life of Vergie Winters (1934) | Stars and Stripes Forever (Allegro) | 0:46:04 - Newspaper montage | 64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier |
| Hold ‘Em Jail (1932) | Bide-More Alma Mater | 1:04:44 - Bidemore celebrates their victory | celebrating | comic | crowd | field | love interest | politician | prisoner | resolution | source music | upbeat | warden |
| State’s Attorney (1932) | Na Moku Eha | 0:01:19 - Hula dancer | cheerful | club | conversing | dancer | dancing | drinking | establish character | gambling | Hawaiian | leading man | on-screen music | playing | politician | singing | source music |
