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70 results for "augmented sixth chord" in 29 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)La Parisienne0:12:55 - A shot of Paris64 chord | augmented sixth chord | enharmonic modulation | establish place | establish time | fanfare | foreign key modulation | noble | on-screen text | patriotic tune | street | transition

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | augmented sixth chord | carriage | driver | enharmonic modulation | foreign key modulation | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedside9th chord | 64 chord | augmented sixth chord | child | chromatic sequence | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | parallelism | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesadded-note chord | augmented sixth chord | chromatic mediant | conflict | conversing | deceptive resolution | duke | foreign key modulation | governess | leading lady | leading man | mode mixture | pedal tone | romance | romantic | room

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

The Carousel1:26:22 - A spinning carousel64 chord | amusement park | augmented sixth chord | bright | carousel | child | enharmonic modulation | foreign key modulation | fun | mode mixture | on-screen text | pedal tone | riding | spinning | transition | upbeat

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palace9th chord | 64 chord | augmented sixth chord | bright | cheerful | child | common-chord modulation | conversing | deceptive resolution | diminished third chord | duke | governess | leading lady | leading man | mode mixture | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | augmented sixth chord | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense
The Amazing Dr. Clitterhouse (1938)Walking0:44:39 - The watchman walksaugmented sixth chord | darkness | flashlight | guard | half-diminished 7th chord | mickey-mousing | mysterious | robbery | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Turning on light0:44:51 - The watchman turns on a lightaugmented sixth chord | guard | lamp | light | light | mickey-mousing | mysterious | robbery | store | suspenseful | turning on

The Amazing Dr. Clitterhouse (1938)

Night Watchman (Light and Shadow)0:44:51 - The watchman goes about his workaugmented sixth chord | criminal | flashlight | gangster | guard | mysterious | robbery | shadow | store | suspenseful | walking | working

The Amazing Dr. Clitterhouse (1938)

Shadow punch0:45:00 - Watchman is punched by a shadowy figureattacking | augmented sixth chord | crime | criminal | dramatic | fighting | gangster | guard | punching | robbery | shadow | store | violence | whole-tone
Angels With Dirty Faces (1938)Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Jerry (Hostage)1:25:07 - Rocky pushes Jerry augmented sixth chord | conflict | double-cross | gangster | hostage | leading man | mysterious | priest | pushing | street | tense
Are These Our Children? (1931)Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Hey! Hey!0:50:14 - Eddie and Flo dance9th chord | AABA structure | altered dominant | augmented sixth chord | cheerful | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles0:50:55 - Young people dancingAABA structure | arguing | augmented sixth chord | cheerful | common-tone diminished 7th | dance hall | dance scene | dancing | friend | leading man | love interest | murderer | on-screen music | source music
Arsenic and Old Lace (1944)Take Me Out to the Ball Game0:01:20 - Fans yelling at a ball gameaugmented sixth chord | baseball | baseball player | bass drum | cheering | crowd | enharmonic modulation | establish place | evaded cadence | falling | familiar tune | field | fighting | musician | parallel double period | pep band | playing | popular song | punching | rushed | saxophone | simulated source music | source music | sporting event | trombone | umpire | upbeat | yelling
The Big Sleep (1946)EnteringNIF - not in filmarriving | augmented sixth chord | deleted scene | entering | gentle | leading man | not in score | parallel 63s | parallelism | private eye | room | transition | walking

The Big Sleep (1946)

Marlowe (Action)0:57:01 - Marlowe runs to his car64 chord | assassin | augmented sixth chord | chase scene | chasing | common-tone diminished 7th | dramatic | fragmentation | heroic | leading man | murderer | private eye | running | sequential modulation | street | tense

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the caraugmented sixth chord | car | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | oscillation | ostinato | private eye | tense
City for Conquest (1940)Tone Poem A (Stride Piano)0:43:27 - Eddie plays the piano9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat

City for Conquest (1940)

Tone Poem A (Farewell)0:55:31 - Peggy bids farewell to Danny9th chord | appoggiatura | augmented sixth chord | conversing | crying | embracing | enharmonic respelling | farewell scene | leading lady | leading man | leaving | mode mixture | plagal cadence | romantic | sentimental | street
Crime School (1938)Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial
They Made Me a Criminal (1939)The Arena1:01:22 - A fight posteradvance plot | augmented sixth chord | dark | detective | fanfare | leading man | light | polytonality | poster | street | thinking

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent
Dust Be My Destiny (1939)Dust Be My Destiny (Opening B)0:00:49 - Cast list9th chord | augmented sixth chord | blues | bluesy | cast list | dust | main title | mode mixture | opening title sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Thankful)0:51:24 - Joe, Mabel, and Nick talk in the caraugmented sixth chord | escape | friend | leading lady | leading man | shopkeeper | thankful | train station
Flamingo Road (1949)Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife
The Informer (1935)Poster blowing 10:03:05 - Torn poster blows down the street onto Gypo's legaugmented sixth chord | blowing | establish character | leading man | mickey-mousing | mysterious | parallelism | poster | street | wind

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Katie (Gypo is Drunk)0:46:36 - Gypo tells the rebel about "somebody waiting for me"advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking

The Informer (1935)

Katie (Mistaken Identity)0:52:34 - Gypo thinks he sees Katie, but it's someone elseadvance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear

The Informer (1935)

The Informer (Laughing)1:09:04 - Gypo laughs at Peteraccusing | antagonist | augmented sixth chord | bold | courtroom | courtroom scene | headquarters | leading man | octatonic | room | serious | suspect
The Letter (1940)Leslie (Distraught)1:25:39 - Leslie criesaugmented sixth chord | climax | crying | dramatic | emotional | foreign key modulation | home | leading lady | oscillation | sequence

The Letter (1940)

Leslie (Very Slow)1:29:01 - Leslie rejects Robertaugmented sixth chord | changing meter | climax | enharmonic respelling | home | leading lady | oscillation | sequence | somber | stern | weeping
Mildred Pierce (1945)Mildred (Murder)0:01:59 - Bullet holes in the mirror11th chord | augmented sixth chord | dark | death | dying | leaving | murder | murder scene | room | somber

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separateaugmented sixth chord | breaking up | crying | establish character | fragmentation | heroine | husband | leading lady | leaving | Neapolitan | pedal tone | room | somber

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's death9th chord | augmented sixth chord | child | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | augmented sixth chord | blackmail | chromatic sequence | conflict | daughter | fragmentation | heroine | leading lady | room | tense

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense
The Life of Vergie Winters (1934)Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid
Out of the Fog (1941)Russian Barcarolle0:00:14 - Title of the filmadded-note chord | augmented sixth chord | cast list | folk-like | harbor | opening title sequence | peaceful | pedal tone | title of film
Traveling Husbands (1931)There's a Sob in My Heart (Sentimental)1:10:39 - People are sad as the radio playsAABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear
The Unfaithful (1947)Unfaithful (Somber)0:22:24 - Bob comforts Chris9th chord | augmented sixth chord | comfort | comforting | common-chord modulation | husband | leading lady | love scene | mode mixture | ostinato | pedal tone | room | somber | victim

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender
We Are Not Alone (1939)Transition0:00:18 - Book pages showing main castaugmented sixth chord | cast list | chromatic scale | linear chromaticism | main title | opening title sequence | tense

We Are Not Alone (1939)

Max Steiner0:00:53 - Max Steiner's nameaugmented sixth chord | bold | cast list | common-chord modulation | deceptive resolution | foreign key modulation | main title | opening title sequence

We Are Not Alone (1939)

Doctor0:08:10 - David sees Tommy (his patient)augmented sixth chord | boy | cat | delicate | establish character | foreign key modulation | gentle | hero | office
High Stakes (1931)Hymn0:04:46 - They get marriedadvance plot | augmented sixth chord | bride | calm | groom | hymn | marrying | priest | source music | wedding
Transgression (1931)There's a Sob In My Heart (Ballroom)0:28:18 - Robert arrives at the partyAABA structure | augmented sixth chord | calm | club | conversing | dancing | husband | leading lady | party | self-borrowing | sophisticated | source music
Hold ‘Em Jail (1932)The Prisoner's Song0:01:11 - Prisoners in a prison yardaltered dominant | augmented sixth chord | cheerful | establish place | establish setting | mode mixture | prison | somber | transcribed by ear | upbeat
Is My Face Red? (1932)Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:19:03 - Mildred talks with WilliamABA structure | altered dominant | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | lovers meet | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:20:18 - Mildred has a drink with WilliamABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear
Thirteen Women (1932)Dramatic Agitato0:12:41 - Hazel screamsaugmented sixth chord | chromatic scale | double exposure | dramatic | half-diminished 7th chord | headline | letter | murder | murderer | murder scene | newspaper | room | screaming | stinger | transcribed by ear | victim | violent
Headline Shooter (1933)King Kong March1:00:16 - The Endaugmented sixth chord | end title | march | mode mixture | reused recording | The End | upbeat
Sing and Like It (1934)Your Mother (Opening Title)0:00:21 - Cast listAABA structure | added-note chord | augmented sixth chord | cast list | jazz | mode mixture | opening title sequence | radio | room | secondary dominant | source music | transcribed by ear | upbeat
Star of Midnight (1935)Midnight in Manhattan (The End)1:29:03 - The Endaugmented sixth chord | end title sequence | The End | transcribed by ear | triumphant
Don’t Turn ‘em Loose (1936)Mildred Waltz0:24:13 - Bob and Letty go for a walkABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz

Don’t Turn ‘em Loose (1936)

Makes You Forget Your Troubles (Dream Sequence)0:39:59 - Bob (Bat) pulls a gun on Graceaugmented sixth chord | cheerful | confronting | fragmentation | frantic | gangster | gun | gunshot | half-diminished 7th chord | leading man | mirror shot | moll | murder | murderer | murder scene | popular music | reacting | room | screaming | sequence | shooting | simulated source music | source music | staring | tense | threatening | victim
We're Only Human (1935)Mildred Waltz0:46:46 - Pete looks at police sketchesABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | detective | diminished 7th chord | leading lady | leading man | reporter | room