| The Informer (1935) | The Informer | 0:00:14 - Shadows move across the screen behind the cast list | cast list | Dorian mode | folk-like | informer | marching | minor pentatonic | mysterious | opening title sequence | Scotch snap | searching | serious | shadow | soldier | street | title of film |
| The Letter (1940) | Native | 0:01:21 - Men sleeping in hammocks | Dorian mode | dripping | establish location | exoticism | gamelan | gunshot | Indonesian music | melodic cell | mysterious | native | on-screen music | panning shot | pentatonic | plantation | playing music | quintal chord | setting | Singapore | sleeping |
The Letter (1940) | Native (Uncut) | NIF - not in film | cut from film | Dorian mode | exoticism | melodic cell | ostinato | pentatonic | quintal chord | setting |
The Letter (1940) | Underscoring (Mysterious) | 0:04:29 - Leslie leaves the room | Dorian mode | home | leaving | murder scene | mysterious | servant | underscoring |
The Letter (1940) | Sociable | 0:48:42 - People having dinner | ABA structure | cheerful | conversing | deceptive resolution | dinner | Dorian mode | foreign key modulation | happy | home | husband | lacework | lawyer | leading lady | party | whole-tone chord |
The Letter (1940) | Native (Climactic) | 1:30:42 - Leslie walks through her garden | climax | crying | Dorian mode | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking |
| Emergency Call (1933) | Ambulance | 0:00:11 - Main titles over a speeding ambulance | ambulance | augmented triad | dissonant bass | Dorian mode | dramatic | driving | half-diminished 7th chord | main title | opening title sequence | parallelism | paramedic | pedal tone | siren | street | through-composed | whole-tone |
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