| The Letter (1940) | Leslie (Ominous) | 0:51:41 - Howard gets up to leave | advance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking |
| Mildred Pierce (1945) | Mildred (Sehr Dramatic) | 0:12:06 - Mildred arrives home | advance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying |
Mildred Pierce (1945) | Mildred (Ominous) | 0:12:43 - The detectives talk to Mildred | advance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:45:25 - Mildred walks downstairs | arriving | climax | dark | fragmentation | half-diminished 7th chord | heroine | imitation | leading lady | ominous | room |
Mildred Pierce (1945) | Mildred (Ominous) | 1:48:41 - Mildred calls the police | antagonist | begging | chromatic sequence | daughter | fragmentation | heroine | imitation | leading lady | murderer | murder scene | ominous | room | tense |
| Kid Galahad (1937) | Kid Galahad (Tender) | 1:39:15 - Nick speaks his final words | 9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation |
Tag Search Results