| Mildred Pierce (1945) | It Can't Be Wrong (Molto Misterioso) | 1:42:42 - Mildred learns that Monte has betrayed her | 9th chord | bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | pc set | popular music | realizing | room | somber | turning point | whole-tone chord |
Mildred Pierce (1945) | Kay and Veda (Agitato) | 1:46:05 - Veda reveals that she is in love with Monte | antagonist | augmented sixth chord | betrayal | betraying | chromatic scale | chromatic sequence | climax | dark | daughter | fragmentation | heroine | leading lady | revealing | room | tense |
Mildred Pierce (1945) | Kay and Veda (Very Slow) | 1:46:22 - Mildred reacts to Veda's betrayal | antagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | parallel 63s | room |
Mildred Pierce (1945) | Mildred (Tragic) | 1:46:43 - Mildred runs away | altered dominant | antagonist | arguing | betrayal | chromatic scale | climax | daughter | dramatic | emotional | half-diminished 7th chord | heroine | leading lady | room | running | sequence |
| White Heat (1949) | Verna (Slowly) | 0:43:41 - Verna kisses Big Ed | betrayal | bluesy | gangster | kissing | leading lady | love interest | love scene | moll | mother | porch | romantic | spying | sultry |
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