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1385 results for "leading lady" — see also heroine

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Agitato0:06:49 - Henriette leaves the classroomagitated | distressed | establish character | hurrying | leading lady | leaving | minister | principal | school | teacher | walking

All This, and Heaven Too (1940)

Molto Agitato0:07:21 - Henriette talks to Miss Hainesagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henry0:07:41 - Henriette looks at Henry Fieldestablish character | gentle | hymn-like | leading lady | minister | noble | principal | reassuring | school | teacher

All This, and Heaven Too (1940)

Henry (Agitated)0:07:52 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Moderato)0:08:03 - Henriette talks to Henry Fieldagitated | conversing | distressed | establish character | leading lady | minister | principal | school | teacher

All This, and Heaven Too (1940)

Henriette (Proud)0:08:21 - Mr. Field encourages Henrietteestablish character | hopeful | leading lady | minister | mysterious | principal | reassuring | school | student | teacher

All This, and Heaven Too (1940)

The Duke0:09:55 - Henriette tells the girls her storyestablish place | flashback | gentle | leading lady | light | peaceful | school | storytelling | student | teacher

All This, and Heaven Too (1940)

The Duke (Ocean Waves)0:10:10 - Ocean wavesboat | establish place | flashback | gentle | leading lady | light | peaceful | storytelling | student | teacher | traveling

All This, and Heaven Too (1940)

Henriette (Lento)0:10:20 - Henriette on a shipboat | flashback | hopeful | leading lady | mysterious | storytelling | tense | traveling

All This, and Heaven Too (1940)

Henriette (Dolce)0:12:43 - Henriette talks to Henryboat | conversing | gentle | leading lady | leaving | minister | peaceful | transition

All This, and Heaven Too (1940)

Henriette (Carriage)0:13:05 - A carriage arrivescarriage | driver | leading lady | pleasant | street | transition | traveling | upbeat

All This, and Heaven Too (1940)

Arriving0:13:14 - Henriette gets out of the carriagearriving | carriage | driver | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Arriving 20:13:24 - Henriette walks to the front doorarriving | caretaker | gentle | leading lady | pleasant | street | transition

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:13:37 - Henriette meets the caretakercaretaker | conversing | leading lady | mysterious | street | transition | underscoring

All This, and Heaven Too (1940)

Pierre0:13:47 - Pierre introduces himselfcaretaker | conversing | introducing | leading lady | pleasant | street | tense | transition

All This, and Heaven Too (1940)

The Duke (Maestoso)0:14:03 - Henriette enters the palacearriving | butler | calm | establish place | establish setting | gentle | leading lady | noble | palace | walking

All This, and Heaven Too (1940)

The Duke (Quasi Mysterioso)0:14:49 - Henriette hears the Duke and Duchess arguingarriving | butler | duchess | duke | establish setting | interrupting | leading lady | leading man | mysterious | room | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:22:02 - The Duchess argues with the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Underscoring (Agitato)0:22:23 - The Duke rebukes the Duchessagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing0:22:31 - The Duchess rushes after the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | mickey-mousing | rising | room | rushing

All This, and Heaven Too (1940)

Pleading0:22:41 - The Duchess pleads with the Duke to stayagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | pleading | room

All This, and Heaven Too (1940)

Desperation (Furioso)0:22:53 - The Duchess curses the Dukeagitated | arguing | distressed | duchess | duke | establish character | leading lady | leading man | pleading | priest | room | tense

All This, and Heaven Too (1940)

Fairy Tale0:23:13 - Henriette reads a fairy talebook | calm | child | delicate | establish character | fairy tale | governess | leading lady | pleasant | room | storytelling

All This, and Heaven Too (1940)

Fairy Godmother0:23:28 - Henriette reads a fairy talebook | calm | child | delicate | establish character | fairy tale | governess | leading lady | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Henriette (Fairy Tale)0:23:50 - Henriette reads a fairy talebook | calm | child | delicate | duke | establish character | fairy tale | governess | leading lady | leading man | magical | pleasant | room | storytelling

All This, and Heaven Too (1940)

Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadvance plot | conversing | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

The War of the Roses0:27:13 - Henriette plays the harpsichordadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

The War of the Roses0:28:23 - The girls singadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

Not in film segmentNIF - not in filmadvance plot | arguing | child | cut from film | duchess | governess | leading lady | room

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynaldadvance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | duke | gentle | governess | illness | leading lady | leading man | room | tense | underscoring

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadvance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henrietteadvance plot | apologizing | child | conversing | duke | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Dukeadvance plot | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | room | tense | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | child | comforting | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henrietta talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | conversing | duke | gentle | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

The Prayer0:36:36 - The Abbe prays for Raynaldchild | duke | governess | hymn-like | illness | leading lady | leading man | praying | priest | religious scene | room | somber

All This, and Heaven Too (1940)

Underscoring (Tense)0:37:37 - They rise from prayerchild | conversing | duchess | duke | governess | illness | leading lady | leading man | leaving | priest | religious scene | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Agitato)0:38:09 - The Duchess argues with the doctorarguing | doctor | duchess | illness | leading lady | religious scene | room | tense

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulseadvance plot | caring | child | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henrietteadvance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Duchess (Expressivo con Schmalzo)0:39:24 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Desperation0:39:54 - The Duchess writes a letterangry | crying | despair | duchess | leading lady | mad scene | on-screen text | room | writing

All This, and Heaven Too (1940)

Rushing0:40:15 - The Duchess rushes to the Abbeangry | arguing | despair | duchess | leading lady | mad scene | mickey-mousing | priest | room

All This, and Heaven Too (1940)

Pleading (Extended)0:40:26 - The Abbe talks with the Duchessangry | arguing | despair | duchess | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)0:41:00 - The Duchess pleads with the Abbeangry | arguing | crying | despair | illness | leading lady | mad scene | priest | room

All This, and Heaven Too (1940)

Raynald (Andante)0:41:36 - Henriette and the Duke by Raynald's bedsidechild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | solemn | somber

All This, and Heaven Too (1940)

Henriette (Ethereal)0:42:36 - Henriette asks to open the windowbright | child | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room | timid

All This, and Heaven Too (1940)

Raynald (Ethereal)0:43:04 - Raynald by the windowchild | conversing | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Rushing 20:43:14 - The Duchess rushes into the roomarguing | child | duchess | duke | governess | hurried | illness | illness scene | leading lady | leading man | mickey-mousing | room | rushing

All This, and Heaven Too (1940)

Desperation (Furioso)0:43:28 - The Duchess rushes out of the roomangry | child | despair | duchess | duke | governess | hurrying | illness | illness scene | leading lady | leading man | leaving | room

All This, and Heaven Too (1940)

Desperation (Calming)0:43:35 - Henriette closes the windowcalm | caring | child | dark | duke | governess | hopeful | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Raynald (Tranquillo)0:43:53 - Henriette puts Raynald in bedcalm | caring | child | duke | gentle | governess | illness | illness scene | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Appassionato)0:44:08 - Raynald plays outsideadvance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | passionate | playing

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

The Duchess (Molto Expressivo)0:44:33 - Henriette reads a letter from the Duchessadvance plot | governess | leading lady | letter | on-screen text | positive | reading | room

All This, and Heaven Too (1940)

The Duchess (Molto Screwieoso)0:44:50 - Henriette looks at a gift from the Duchessadvance plot | distressed | gift | governess | leading lady | looking | opening | room | stinger

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:46:43 - The Duchess stares at Henrietteconversing | duchess | governess | leading lady | mysterious | room | transition | underscoring

All This, and Heaven Too (1940)

Henriette (Carriage)0:46:53 - Horses pulling a carriagecarriage | child | conversing | governess | horse | leading lady | mickey-mousing | pleasant | riding | street | traveling scene | trotting | upbeat

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Armide0:49:21 - The opera housearriving | audience | child | concert scene | conversing | duke | governess | leading lady | leading man | opera | regal | source music | theater | upbeat | watching

All This, and Heaven Too (1940)

La Parisienne (The King)0:50:33 - The king entersarriving | audience | bowing | child | concert scene | duke | governess | king | leading lady | leading man | not by Steiner | patriotic music | regal | source music | theater | watching

All This, and Heaven Too (1940)

Plainte de Cloris0:51:08 - They listen to the musical prologueaudience | calm | child | classical music | concert scene | conversing | duke | governess | leading lady | leading man | listening | passionate | source music | theater

All This, and Heaven Too (1940)

Air pour La Jeunesse0:51:43 - A montage of people applaudingaudience | child | classical music | concert scene | dramatic | duke | governess | leading lady | leading man | listening | source music | theater | watching

All This, and Heaven Too (1940)

Fanfan la Tulipe0:51:48 - Henriette plays the harpsichordadvance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradvance plot | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | duke | governess | hugging | kind | leading lady | leading man | room

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | governess | happy | leading lady | room

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | calm | child | conversing | goodnight | governess | happy | leading lady | lullaby | music box | room

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

The Duchess (Arguing)1:00:32 - Henriette leavesarguing | conflict | dramatic | duchess | duke | governess | leading lady | leading man | listening | romantic | room | serious | trouble

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:01:03 - Henriette packs her thingsarguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:01:26 - Henrietta talks to the Dukearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Pleading (Extended)1:01:39 - The Duke responds to Henriettearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:02:00 - The Duke talks to Henriettearguing | conflict | dramatic | duke | governess | leading lady | leading man | room | trouble

All This, and Heaven Too (1940)

Henriette (Emotional)1:02:28 - The Duke talks to Henrietteconflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:02:57 - Henriette with tears in her eyesconflict | conversing | duke | governess | leading lady | leading man | romance | romantic | room

All This, and Heaven Too (1940)

Valse1:03:32 - Montage of newspaper clippingsballroom | cheerful | crowd | dancing | double exposure | duchess | duke | leading lady | leading man | montage | upbeat | waltz

All This, and Heaven Too (1940)

Invitation from the King1:03:46 - Invitation from the Kingballroom | bold | double exposure | duchess | duke | fanfare | leading lady | leading man | montage | walking

All This, and Heaven Too (1940)

Ascending1:03:57 - The Duke and Duchess ascendascending | ballroom | double exposure | duchess | duke | leading lady | leading man | mickey-mousing | montage | stairs | tense

All This, and Heaven Too (1940)

The Duchess (Tutti)1:04:02 - A concert programballroom | bold | carriage | duchess | duke | fanfare | leading lady | leading man | montage | riding | romantic

All This, and Heaven Too (1940)

Invitation to the Dance1:04:19 - People waltzingadvance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz

All This, and Heaven Too (1940)

La Parisienne (The King)1:06:08 - The children watch from the balconyadvance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music

All This, and Heaven Too (1940)

La Parisienne (Expressivo)1:06:51 - The children prayadvance plot | calm | child | governess | leading lady | praying | room

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | goodnight | governess | leading lady | peaceful | room | tucking in

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | child | comforting | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Duet)1:09:26 - Isabelle talks to Henrietteadvance plot | child | comforting | crying | gentle | governess | leading lady | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | room

All This, and Heaven Too (1940)

The Duchess (Expressivo)1:10:42 - The Duke complains to Henrietteabrupt | advance plot | angry | complaining | duke | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | conversing | duke | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henrietteadvance plot | calm | conversing | duke | governess | leading lady | leading man | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snowadvance plot | conversing | duke | governess | leading lady | leading man | mickey-mousing | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancingadvance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | point-of-view shot | room | underscoring | watching

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | watching

All This, and Heaven Too (1940)

Henriette (Somber)1:15:09 - Henriette looks out the windowadvance plot | governess | leading lady | longing | room | somber

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyadvance plot | agitated | conflicted | gift | governess | leading lady | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a giftadvance plot | gift | governess | happy | leading lady | opening | room | snow globe

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | combination of themes | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

Rushing1:19:33 - The Duchess rushes forwardangry | arguing | conflict | desperate | duchess | duke | hurried | leading lady | leading man | room | rushing

All This, and Heaven Too (1940)

Pleading (Extended 2)1:19:43 - The Duchess pleads with the Dukearguing | conflict | desperate | duchess | duke | leading lady | leading man | room

All This, and Heaven Too (1940)

Desperation (Very Emotional)1:20:06 - The Duchess threatens the Dukearguing | conflict | desperate | duchess | duke | leading lady | leading man | room | tense | threatening

All This, and Heaven Too (1940)

Desperation (Sempre Accelerando1:20:39 - The Duke and Duchess arguearguing | conflict | desperate | duchess | duke | leading lady | leading man | panning shot | room | screaming | tense | threatening

All This, and Heaven Too (1940)

Underscoring (Tense)1:20:55 - Henriette calms the children downcaretaker | child | conflict | crying | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:21:26 - The Duke descends the stairschild | conflict | conversing | crying gesture | descending | governess | leading lady | room | somber | tense

All This, and Heaven Too (1940)

The Duchess (Calm)1:22:05 - Henriette asks about the Duchesscalm | conflict | conversing | duchess | duke | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Slowly)1:22:19 - The Duke bids farewell to Henriettecalm | conflict | conversing | duchess | duke | gentle | leading lady | leading man | room

All This, and Heaven Too (1940)

The Duke (Dignified)1:23:09 - A carriage arrives at the chateauarriving | child | dignified | driver | governess | leading lady | noble | on-screen text | palace | transition

All This, and Heaven Too (1940)

All Hallows’ Eve1:23:22 - A forest scene at nightchild | conversing | create suspense | forest | governess | Halloween | hiding | leading lady | ombra topic | on-screen text | scaring | scary | spooky | walking

All This, and Heaven Too (1940)

Spring Time1:24:18 - The children laughcheerful | child | conversing | create suspense | forest | governess | leading lady | walking

All This, and Heaven Too (1940)

Loti’s Song1:24:31 - Apples roasting on a firechild | cooking | create suspense | forest | governess | leading lady | old man | scary | scored source music | singer | singing | spooky

All This, and Heaven Too (1940)

Creeping1:25:02 - A stranger approacheschild | create suspense | creeping | duke | forest | governess | leading lady | leading man | mickey-mousing | scary | sneaking | spooky

All This, and Heaven Too (1940)

Spring Time1:25:18 - The Duke talks with his childrenadvance plot | cheerful | child | duke | forest | governess | leading lady | leading man | recognizing | relief

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | conversing | duke | forest | gentle | governess | leading lady | leading man | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows’ Eve)1:25:46 - The Duke talks with Henrietteadvance plot | conversing | duke | forest | gentle | governess | leading lady | leading man | spooky | sweet | tender

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the childrenadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynaldadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Heaven Theme1:28:16 - Henriette tells the Duke about herselfduke | falling in love scene | gentle | governess | leading lady | leading man | room | storytelling

All This, and Heaven Too (1940)

Triste1:28:51 - Henriette talks about a mysteryduke | falling in love scene | governess | leading lady | leading man | room | somber | storytelling

All This, and Heaven Too (1940)

Henriette (Very Romantic)1:29:07 - Henriette talks with the Dukeconversing | duke | falling in love scene | gentle | governess | leading lady | leading man | romantic | room | sweet

All This, and Heaven Too (1940)

Spring Time1:30:22 - A carriage approaches the palacearriving | bright | carriage | chattering | cheerful | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Raynald1:30:33 - The carriage arrivesarriving | bright | carriage | chattering | child | duke | governess | happy | leading lady | leading man | palace | riding | transition

All This, and Heaven Too (1940)

Spring Time1:30:41 - The children get out of the carriagebright | cheerful | child | conversing | duke | governess | happy | leading lady | leading man | palace | transition

All This, and Heaven Too (1940)

Raynald (Extended)1:30:51 - The children talk to Henriettebright | child | conversing | duke | governess | leading lady | leading man | palace | surprise | tense | transition

All This, and Heaven Too (1940)

Spring Time (Ominous)1:31:04 - The children enter the palacebright | cheerful | child | conversing | duke | governess | leading lady | leading man | ominous | palace | surprise | transition

All This, and Heaven Too (1940)

Henriette (Ominous)1:31:15 - Henriette talks to the Dukeconversing | duke | governess | hopeful | leading lady | leading man | love scene | ominous | palace | reassuring

All This, and Heaven Too (1940)

Henriette (Molto Expressivo)1:31:48 - The Duke talks to Henrietteconversing | duke | governess | leading lady | leading man | love scene | palace | reassuring | romantic | stinger | tender

All This, and Heaven Too (1940)

Henriette (Expressivo)1:32:32 - Henriette enters the palacegoverness | leading lady | love scene | ominous | palace | somber | walking

All This, and Heaven Too (1940)

The Duchess (Agitato)1:34:41 - Henriette rushes away from the Duchesschattering | child | conflict | conversing | duchess | governess | leading lady | room | somber | worried

All This, and Heaven Too (1940)

Underscoring (Agitato)1:35:05 - Henriette with the childrenadvance plot | agitated | child | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a giftadvance plot | cheerful | child | conversing | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | gift | governess | happy | leading lady | opening | room | tense | unwrapping

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a giftadvance plot | calm | child | gift | governess | leading lady | locket | opening | room | tender

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscriptionadvance plot | calm | child | conversing | crying | gift | governess | leading lady | locket | room | stinger | tender | tense

All This, and Heaven Too (1940)

Underscoring (Somber)1:37:35 - Henriette talks with the Dukeconversing | duke | governess | leading lady | leading man | love scene | room | somber | underscoring

All This, and Heaven Too (1940)

Expressivo1:38:15 - Henriette talks with the Dukeconversing | desperate | duke | governess | leading lady | leading man | love scene | romantic | room

All This, and Heaven Too (1940)

The Duchess (Tender)1:38:39 - Henriette talks with the Dukeconversing | duke | gentle | governess | leading lady | leading man | love scene | room | tender

All This, and Heaven Too (1940)

Desperation (Ethereal)1:38:54 - Henriette talks with the Dukeconversing | duke | ethereal | governess | leading lady | leading man | love scene | room

All This, and Heaven Too (1940)

Henriette (Sehr Delicatessen)1:39:12 - Henriette talks with the Dukecalm | conversing | duke | gentle | governess | leading lady | leading man | love scene | room | sweet | tender

All This, and Heaven Too (1940)

Henriette (Romantic)1:39:53 - The Duke reads the locket inscriptionconversing | crying | crying gesture | duke | gentle | governess | leading lady | leading man | love scene | romantic | room | tender

All This, and Heaven Too (1940)

Underscoring (Gentle)1:41:02 - Henriette talks with the childrenchild | conversing | farewell scene | gentle | governess | leading lady | room | tender | underscoring

All This, and Heaven Too (1940)

Raynald1:41:25 - Henriette says goodbye to the childrenchild | conversing | crying | farewell scene | gentle | governess | leading lady | room | tender

All This, and Heaven Too (1940)

Raynald (Dark)1:41:54 - Raynald talks with Henriettechild | conversing | crying | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Lullaby (Tender)1:42:13 - Henriette says goodbye to the childrenchild | conversing | farewell scene | governess | leading lady | room | somber

All This, and Heaven Too (1940)

Henriette (Sweepingly)1:45:32 - Henriette reads a lettercheerful | leading lady | letter | pleasant | room | transition

All This, and Heaven Too (1940)

Henriette (Appassionato 2)1:46:00 - Henriette descends the staircaseanxious | descending | excited | hurrying | leading lady | not mickey-moused | room | stairs | transition | walking

All This, and Heaven Too (1940)

Henriette (Tristan)1:46:15 - Henriette greets the childrenarriving | child | duke | grand | greeting | leading lady | leading man | reunion scene | romantic | room

All This, and Heaven Too (1940)

Henriette (Meno)1:46:24 - Henriette talks with the childrenarriving | calm | child | duke | greeting | leading lady | leading man | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Calm)1:46:38 - Henriette talks with the Dukecalm | child | conversing | duke | gentle | leading lady | leading man | reunion scene | room | uneasy

All This, and Heaven Too (1940)

Spring Time (Flowers)1:47:09 - The children give flowers to Henriettecheerful | child | conversing | leading lady | pleasant | reunion scene | room

All This, and Heaven Too (1940)

Henriette (Gossiping) + Spring Time (Gossiping)1:47:25 - Henriette's landlady talks to the Dukeawkward | child | combination of themes | duke | gossiper | gossiping | landlady | leading lady | leading man | mysterious | reunion scene | room | somber | tense | watching

All This, and Heaven Too (1940)

Henriette (Tense)1:47:51 - The Duke argues with Henriettearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

The Duchess (Tense)1:48:04 - Henriette talks with the Dukearguing | conflict | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Desperation (Tense)1:48:14 - The Duke talks with Henrietteconflict | conversing | duke | leading lady | leading man | room | tense

All This, and Heaven Too (1940)

Screwissimo1:48:47 - The Duke goes madconflict | conversing | creepy | disturbing | duke | leading lady | leading man | madness | ominous | room

All This, and Heaven Too (1940)

Desperation (Slow)1:48:58 - The Duke leavesconflict | duke | leading lady | leading man | leaving | ominous | room | tense

All This, and Heaven Too (1940)

The Murder1:51:56 - The Duke advances towards the Duchessapproaching | blur | climax | dark | duchess | duke | leading lady | leading man | menacing | murder | murdering | murder scene | ominous | room

All This, and Heaven Too (1940)

Desperation (Subito)1:52:22 - Soldiers climb the stairsascending | conflict | landlady | leading lady | not mickey-moused | room | soldier | suspect | tense

All This, and Heaven Too (1940)

The Duchess (Dramatic)1:52:48 - Soldiers confront Henrietteaccusing | arresting | conflict | landlady | leading lady | ominous | realizing | room | soldier | suspect | tense

All This, and Heaven Too (1940)

Henriette (Dark)1:52:57 - A police wagon approachesarresting | carriage | conflict | crowd | dark | landlady | leading lady | soldier | street | suspect

All This, and Heaven Too (1940)

Henriette (Grandioso) + Desperation (Grandioso)1:53:13 - The police wagon leavesarresting | bold | carriage | conflict | conversing | crowd | crying | dark | landlady | leading lady | ominous | soldier | street | suspect | tense | testifying

All This, and Heaven Too (1940)

Agitato 21:59:31 - Henriette is arrestedagitated | crowd | crying | double exposure | dramatic | fanfare | headline | leading lady | leaving | mob | montage | newspaper | soldier | street | suspect | yelling

All This, and Heaven Too (1940)

Henriette (Molto Moderato)1:04:10 - Women in prisondouble exposure | headline | leading lady | montage | newspaper | pacing | prison | prisoner | solemn | suspect | walking

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henryadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | leading lady | minister | prison | prisoner | suspect | tense | underscoring

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (Ostinato)2:10:09 - A carriage leavescarriage | crowd | dramatic | leading lady | mob | ominous | ostinato | prisoner | soldier | street | suspect | tense | transition | traveling

All This, and Heaven Too (1940)

Underscoring (Tense)2:10:17 - A carriage arrives at the palacearriving | carriage | leading lady | prisoner | soldier | street | suspect | tense | transition | traveling | underscoring

All This, and Heaven Too (1940)

The Duke (Maestoso)2:10:50 - Henriette enters the Duke's palacearriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Ghostly)2:11:23 - Henriette hears voicesarriving | dark | hearing voices | leading lady | palace | prisoner | soldier | spooky | suspect | transition | uneasy

All This, and Heaven Too (1940)

Henriette (Serious)2:11:50 - Henriette arrives upstairsarriving | detective | hearing voices | leading lady | palace | prisoner | serious | soldier | solemn | somber | suspect | transition

All This, and Heaven Too (1940)

Crying2:12:15 - Pierre looks at Henriettecaretaker | crying | detective | devastated | leading lady | looking | palace | prisoner | soldier | somber | suspect | transition

All This, and Heaven Too (1940)

Henriette (Noble)2:13:19 - Henriette comes into the Duke's roomarriving | dark | death scene | detective | duke | dying | hopeful | leading lady | leading man | noble | prisoner | room | soldier | suspect

All This, and Heaven Too (1940)

Dying2:13:46 - The Duke in his death bedconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Duet)2:14:06 - A close-up on Henrietteconversing | death bed | death scene | detective | duke | dying | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect | tender

All This, and Heaven Too (1940)

Henriette (Funereal)2:14:27 - Henriette leaves the Dukeconversing | death bed | death scene | detective | duke | dying | funeral march | leading lady | leading man | prisoner | questioning | room | sad | soldier | suspect

All This, and Heaven Too (1940)

Henriette (Moderato Maestoso)2:16:29 - A hand signing a release formhopeful | leading lady | leaving | noble | prison | resolution | walking | writing

All This, and Heaven Too (1940)

The Duke (Gravestone)2:16:48 - The Duke's gravestonedeath | gentle | gravestone | graveyard | grieving | leading lady | resolution | somber | voice-over

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:17:25 - Henriette leaves with Henry Fieldcomforting | death | gravestone | graveyard | grieving | hopeful | leading lady | minister | resolution | voice-over | wave

All This, and Heaven Too (1940)

Desperation (Mysterioso)2:17:47 - Henriette narrates her storychild | leading lady | mysterious | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

The Duchess2:17:58 - Henriette narrates her storychild | leading lady | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Underscoring (Tense)2:18:09 - Children listening to Henriettechild | leading lady | resolution | school | storytelling | student | teacher | tense

All This, and Heaven Too (1940)

Columbia Gem of the Ocean2:18:19 - Children listening to Henriettechild | hopeful | leading lady | resolution | school | storytelling | student | teacher

All This, and Heaven Too (1940)

Henriette (Adagio)2:18:52 - A child begins cryingchild | crying | leading lady | resolution | school | somber | storytelling | student | teacher

All This, and Heaven Too (1940)

Henriette (Dolschissimo)2:21:00 - Henriette kisses a child on the cheekchild | conversing | gentle | leading lady | leaving | minister | resolution | school | student | sweet | teacher

All This, and Heaven Too (1940)

Heaven Theme (Resolution)2:21:31 - Henriette reacts to Henrygentle | leading lady | looking | minister | resolution | school | sweet | teacher

All This, and Heaven Too (1940)

Henriette + Falling Snow2:21:43 - Henriette sees the falling snowcombination of themes | hearing voices | leading lady | minister | resolution | school | snow | teacher | tense

All This, and Heaven Too (1940)

Henriette (Resolution) + Falling Snow (Resolution)2:22:03 - Henry talks to Henriettecombination of themes | conversing | gentle | leading lady | minister | promising | resolution | school | snow | teacher

All This, and Heaven Too (1940)

Henriette (The End)2:22:31 - The Endend title sequence | grand | leading lady | looking | minister | school | snow | teacher | The End
The Amazing Dr. Clitterhouse (1938)Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Underscoring (Mysterious)0:57:58 - Dr. Clitterhouse talks with Joconversing | doctor | gangster | leading lady | leading man | love scene | mysterious | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo0:58:18 - Dr. Clitterhouse talks with Jo13th chord | added-note chord | altered dominant | chromatic mediant | conversing | doctor | foreign key modulation | gangster | leading lady | leading man | love scene | room | sequence | tender

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense

The Amazing Dr. Clitterhouse (1938)

The Poison Victim1:07:50 - Rocks is poisoneddissonant | doctor | gangster | leading lady | leading man | murder | murderer | murdering | murder scene | mysterious | office | parallel fifths | poison | poisoning | quartal chord | tense | tone cluster | tritone

The Amazing Dr. Clitterhouse (1938)

Poison1:08:46 - Rocks feels the effect of the poisonblur | chromatic parallelism | diminution | doctor | dreaming | drugs | ethereal | gangster | layering | leading lady | leading man | murder | murderer | murdering | murder scene | office | oscillation | ostinato | pc set | poison | poisoning | polychord | stinger | tone cluster

The Amazing Dr. Clitterhouse (1938)

Rocks struggles and falls1:09:52 - Rocks tries to get up, then collapseschromatic parallelism | chromatic scale | death | doctor | down | drugs | dying | falling | gangster | leading lady | leading man | murder | murderer | murder scene | office | oscillation | poison | rising | split-third chord | struggling | tense | up

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Funebre)1:10:07 - Dr. Clitterhouse talks with Jo9th chord | chromatic parallelism | dark | death | doctor | gangster | leading lady | leading man | murder | murderer | murder scene | office | pleading | realizing | tense
Angels With Dirty Faces (1938)Rocky and Laury (Not In Film 1)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | common-chord modulation | conversing | cut from film | establish character | following | gangster | leading lady | leading man | mode mixture | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury (Not In Film 2)NIF - not in filmadded-note chord | altered dominant | augmented sixth chord | chromatic scale | conversing | cut from film | establish character | following | gangster | leading lady | leading man | street | walking

Angels With Dirty Faces (1938)

Rocky and Laury0:41:37 - Laury pushes her way through the crowdaltered dominant | arriving | close-up | conflict | heartbroken | leading lady | love interest | rushing | sentimental | shop

Angels With Dirty Faces (1938)

Underscoring (Romantic)1:01:43 - Rocky and Laury talkaltered dominant | conversing | dissonant bass | gangster | leading lady | leading man | linear chromaticism | love scene | romantic | room | underscoring

Angels With Dirty Faces (1938)

Rocky and Laury (Sentimental)1:01:59 - Rocky and Laury talkadded-note chord | altered dominant | conversing | gangster | leading lady | leading man | love scene | parallel period | romantic | room

Angels With Dirty Faces (1938)

Foxtrot1:02:20 - Rocky and Laury look out the windowadded-note chord | altered dominant | common-tone diminished 7th | dreaming | foxtrot | gangster | hoping | leading lady | leading man | looking | love scene | mode mixture | romantic | room

Angels With Dirty Faces (1938)

Saving Myself For You (I’ve Been)1:02:30 - Rocky and Laury at a night clubAABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender

Angels With Dirty Faces (1938)

Pleading (Extended)1:21:00 - Jerry arrives on the scene9th chord | appoggiatura | arriving | chromatic sequence | circle of fifths | concerned | conflict | crowd | gun | gunshot | hurried | hurrying | leading lady | leading man | love interest | polychord | priest | pushing | street | yearning
Are These Our Children? (1931)Dreams B0:01:33 - Two young people in lovecommon-chord modulation | common-tone diminished 7th | conductor score | conversing | establish character | gentle | leading lady | leading man | lovers | love scene | snuggling | street

Are These Our Children? (1931)

Dreams0:02:11 - Eddie and Mary talk11th chord | AABA structure | conductor score | establish character | gentle | leading lady | leading man | leaving | lovers | love scene | mode mixture | street | waiting
Arsenic and Old Lace (1944)Underscoring (Comical)0:02:20 - Mortimer hides from the reporterscomical | disguise | establish character | hiding | leading lady | leading man | looking | marriage | office | reporter | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:03:34 - Hiding in a telephone bootharguing | bystander | conversing | establish character | familiar tune | leading lady | leading man | marriage | office | running | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Pushing0:03:53 - Mortimer pushes manbystander | establish character | leading lady | leading man | marriage | mickey-mousing | office | pushing | rushed

Arsenic and Old Lace (1944)

The Old Maid0:04:17 - Mortimer talks to Elainearguing | conversing | establish character | kissing | leading lady | leading man | marriage | office | romantic | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:04:54 - Mortimer and Elaine rush offestablish character | familiar tune | leading lady | leading man | marriage | office | rushed | rushing | self-borrowing

Arsenic and Old Lace (1944)

Here Comes the Bride (Chinese)0:05:00 - Chinese girl turns aroundChinese | establish character | exotic | familiar tune | leading lady | leading man | marriage | office | smiling | stereotype | winking

Arsenic and Old Lace (1944)

Here Comes the Bride (Comical)0:05:05 - Goofy man turns aroundcomical | establish character | familiar tune | leading lady | leading man | marriage | office | smiling | winking

Arsenic and Old Lace (1944)

Rondo Alla Turca0:06:25 - Teddy plays the harpsichordaunt | brother | classical music | conversing | crazy person | establish character | harpsichord | leading lady | old man | on-screen music | playing | room | source music | upbeat | victim

Arsenic and Old Lace (1944)

The Aunts0:09:05 - Aunt Abby scurries across the roomaunt | crazy person | delicate | establish character | gentle | hurrying | leading lady | room | scurrying

Arsenic and Old Lace (1944)

Happy Land (Lento)0:09:11 - Reverend talks about the Brewster sistersaunt | brother | calm | conversing | crazy person | establish character | familiar tune | gentle | kindness | leading lady | old man | room | victim

Arsenic and Old Lace (1944)

The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | gentle | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Meno)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | gentle | leading lady | mysterious | plotting | room | tender

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | gentle | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

The Aunts (Allegretto)0:13:52 - The aunts run to the windowadvance plot | aunt | cheerful | leading lady | room | running

Arsenic and Old Lace (1944)

Opens window0:13:59 - The aunts open the windowadvance plot | aunt | leading lady | mickey-mousing | opening | raising | room | upbeat | window

Arsenic and Old Lace (1944)

Here Comes the Bride (Full)0:14:00 - Elaine appears in the windowaunt | bride | cheerful | conversing | crazy person | familiar tune | greeting | groom | leading lady | leading man | love | love scene | on-screen music | pleasant | room | score to source | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:14:10 - Mortimer calls to Elaineaunt | bride | cemetery | conversing | driver | familiar tune | flirting | groom | hurrying | leading lady | leading man | love | love scene | rushed | rushing | source to score | street

Arsenic and Old Lace (1944)

Here Comes the Bride (Religioso)0:14:41 - Mortimer and Elaine in the cemeterybride | calm | cemetery | conversing | familiar tune | flirting | groom | hymn-like | leading lady | leading man | love | love scene | religious

Arsenic and Old Lace (1944)

Chasing0:14:48 - Mortimer chases Elaine around a treebride | cemetery | chasing | comical | flirting | groom | leading lady | leading man | love | love scene | mickey-mousing

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:14:51 - Mortimer flirts with Elainebride | cemetery | conversing | flirting | groom | leading lady | leading man | love | love scene | mysterious | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:02 - The aunts peek out of the windowaunt | bride | cemetery | conversing | familiar tune | flirting | groom | kissing | leading lady | leading man | love | love scene | peeking | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:15:17 - Mortimer follows Elainebride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:15:25 - Mortimer and Elaine kissbride | cemetery | conversing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Modulating)0:15:36 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | hurried | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Appassionato)0:16:10 - Mortimer and Elaine kissbride | cemetery | embracing | familiar tune | groom | kissing | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Here Comes the Bride (Church Bells)0:16:22 - Mortimer and Elaine talkbride | cemetery | conversing | familiar tune | flirting | groom | leading lady | leading man | love | love scene | romantic

Arsenic and Old Lace (1944)

Chasing 20:16:31 - Elaine runs offbride | groom | hurrying | leading lady | leading man | light | love | love scene | running | street

Arsenic and Old Lace (1944)

Here Comes the Bride0:16:37 - Elaine whistlesbride | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | source music | street | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride0:17:02 - Mortimer whistlesaunt | cheerful | familiar tune | groom | leading lady | leading man | love | love scene | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | groom | leading lady | leading man | ominous | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Happy Land0:20:06 - Abby singsadvance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride (Elaine Whistles)0:23:44 - Elaine whistles out of her windowagitated | bride | cheerful | dark | familiar tune | groom | leading lady | leading man | on-screen music | room | scored source music | source music | turning point | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride (Tritone)0:23:58 - Mortimer runs to the dooraunt | bride | child | crazy person | dark | familiar tune | groom | Halloween | leading lady | leading man | murderer | room | running | rushing | source music | source to score | trick-or-treating | tritone | turning point

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:26:22 - Elaine whistles on the phoneadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling

Arsenic and Old Lace (1944)

Here Comes the Bride0:31:04 - Elaine whistles in Mortimer's earadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadvance plot | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:39:58 - The aunts see shadows at the dooraunt | conversing | crazy person | dark | establish character | fear | knocking | leading lady | murderer | mysterious | ominous | pedal tone | room | shadow | whispering

Arsenic and Old Lace (1944)

Home Sweet Home (Expressivo) + Scar0:41:42 - Abby talks to Jonathanaunt | brother | combination of themes | conversing | convincing | crazy person | criminal | doctor | establish character | expressive | familiar tune | leading lady | leading man | murderer | mysterious | ominous | room

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:08 - Jonathan talks to the auntsaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | tense | underscoring

Arsenic and Old Lace (1944)

Scar (Face)0:42:29 - Jonathan talks about his scaraunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | mysterious | room | scar | tense

Arsenic and Old Lace (1944)

Mysterioso Pizzicato0:42:41 - Martha talks about scary moviesaunt | brother | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | mysterious | room | scar | silent film music

Arsenic and Old Lace (1944)

Underscoring (Tense)0:42:56 - Jonathan glares at Dr. Einsteinaunt | brother | conversing | crazy person | criminal | doctor | establish character | leading lady | leading man | murderer | room | scar | tense

Arsenic and Old Lace (1944)

Jonathan 20:43:08 - Jonathan talks about the operationaunt | brother | crazy person | criminal | dark | doctor | establish character | grabbing | leading lady | leading man | murderer | ominous | room | struggling | threatening

Arsenic and Old Lace (1944)

Scar0:43:20 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | leading lady | leading man | murderer | ominous | room

Arsenic and Old Lace (1944)

Home Sweet Home (Ominous)0:43:28 - Dr. Einstein talks to the auntsaunt | brother | conversing | crazy person | criminal | distorted | doctor | establish character | familiar tune | leading lady | leading man | murderer | room | tense

Arsenic and Old Lace (1944)

Home Sweet Home (Tranquillo)0:43:40 - Jonathan sits downaunt | brother | calm | conversing | crazy person | criminal | doctor | establish character | familiar tune | leading lady | leading man | murderer | room

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:44:00 - The aunts go into the kitchenaunt | brother | conversing | crazy person | criminal | doctor | establish character | fear | leading lady | leading man | murderer | mysterious | ominous | room | walking | watching

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:45:22 - The aunts peek through the kitchen windowaunt | brother | conversing | crazy person | criminal | doctor | establish character | face | fear | leading lady | leading man | murderer | mysterious | ominous | room | snooping | watching

Arsenic and Old Lace (1944)

Scar0:45:29 - Dr. Einstein describes how he will fix Jonathan's faceaunt | brother | conversing | crazy person | criminal | dark | doctor | establish character | face | leading lady | leading man | murderer | ominous | planning | room | wipe

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | room | threatening

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | crazy person | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | crazy person | dark | darkness | doctor | intimidating | leading lady | leading man | murderer | ominous | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | intimidating | leading lady | leading man | murderer | ominous | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | staring | walking

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | leading lady | room | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | leading lady | leading man | murderer | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | conversing | crazy person | darkness | doctor | fear | leading lady | leading man | murderer | questioning | room | sinister

Arsenic and Old Lace (1944)

Underscoring (Dark)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | bride | brother | crazy person | doctor | fear | hurting | leading lady | leading man | murderer | ominous | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Underscoring (Dramatic)1:01:21 - They take Elaine into the cellaraunt | bride | brother | conflict | crazy person | darkness | doctor | dramatic | fear | fighting | gagging | leading lady | leading man | murderer | room | running | self-borrowing | struggling | suspenseful | underscoring

Arsenic and Old Lace (1944)

Organ Stinger1:01:40 - Aunts emerge in black upstairsarguing | aunt | brother | conflict | crazy person | leading lady | leading man | murderer | ominous | room | stinger

Arsenic and Old Lace (1944)

The Aunts (Frightened)1:01:49 - Aunts talk to Jonathanarguing | aunt | brother | conflict | crazy person | fear | leading lady | leading man | murderer | room | tense

Arsenic and Old Lace (1944)

Happy Land1:19:56 - Mortimer with the taxi driveraunt | brother | calm | conversing | crazy person | doctor | driver | funeral | groom | hymn | leading lady | leading man | murderer | on-screen music | score to source | singing | source music | street

Arsenic and Old Lace (1944)

Happy Land1:22:17 - Mortimer talking with Elaine through her windowaunt | bride | calm | conversing | crazy person | doctor | funeral | groom | hymn | leading lady | leading man | murderer | singing | street

Arsenic and Old Lace (1944)

Happy Land (The End)1:57:05 - Mortimer carries Elaine awaybride | driver | end title sequence | familiar tune | groom | kissing | leading lady | leading man | resolution | street | The End | upbeat
The Big Sleep (1946)Transition0:00:08 - Shadows of the main characters bold | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list | transition

The Big Sleep (1946)

The Big Sleep0:00:13 - Starring actors and main titlecast list | dark | heavy | leading lady | leading man | opening title sequence | silhouette | smoke | smoking | starring list

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadvance plot | butler | conversing | femme fatale | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | private eye | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Running0:47:40 - Vivian enters the apartment buildinghurrying | investigating | investigation scene | leading lady | leading man | mysterious | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Determined)0:47:56 - Marlowe enters the apartment buildingarriving | ascending | bold | determined | heroic | investigating | investigation scene | leading lady | leading man | private eye | stairs | street | walking

The Big Sleep (1946)

Underscoring (Tense)0:51:31 - Joe reacts to the doorbell ringingblackmailer | conflict | conversing | criminal | doorbell | gun | leading lady | leading man | mysterious | private eye | room | suspect | tense | underscoring

The Big Sleep (1946)

Sternwood (Threatening)0:51:52 - Carmen enters holding a gun on Brodyblackmailer | conflict | criminal | dark | femme fatale | gun | leading lady | leading man | private eye | room | sinister | stinger | suspect | threatening

The Big Sleep (1946)

Underscoring (Dramatic)0:52:02 - Marlowe pushes Agnes and Joe trips Carmenblackmailer | conflict | criminal | dramatic | falling | femme fatale | gun | leading lady | leading man | private eye | room | suspect | tense | tripping | underscoring

The Big Sleep (1946)

Carmen (Misterioso)0:52:18 - Joe gives the picture to Marloweblackmail | blackmailer | conflict | conversing | criminal | evidence | femme fatale | leading lady | leading man | mysterious | private eye | room | suspect

The Big Sleep (1946)

Sternwood (Extended)0:52:29 - Carmen asks for her picture backblackmail | conflict | evidence | femme fatale | flirting | leading lady | leading man | mysterious | private eye | room | seductive

The Big Sleep (1946)

Carmen (Violent)0:52:58 - Vivian and Carmen leaveblackmailer | conflict | criminal | femme fatale | leading lady | leading man | leaving | mysterious | private eye | room | suspect

The Big Sleep (1946)

Slapping0:53:02 - Carmen slaps Joe with her purseblackmailer | conflict | criminal | femme fatale | leading lady | leading man | mickey-mousing | private eye | room | slamming | slapping | suspect | tense | violence

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking

The Big Sleep (1946)

I Guess I'll Have to Change My Plan1:00:50 - Vivian enters a restaurantarriving | club | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

The Blue Room1:02:15 - Vivan pays Marloweclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

You Go to My Head1:04:25 - Vivian and Marlowe talk in a restaurantclub | conversing | falling in love scene | leading lady | leading man | love interest | pleasant | private eye | source music

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat

The Big Sleep (1946)

Liza (All the Clouds'll Roll Away)1:12:27 - Marlowe leaves the gambling jointconflict | criminal | investigating | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

What Are You Doin' the Rest of Your Life1:14:35 - Marlowe and Vivian leaveconflict | conversing | leading lady | leading man | love interest | private eye | source music | street | upbeat

The Big Sleep (1946)

Driving1:14:54 - Marlowe and Vivian in the carcar | car | driving | leading lady | leading man | love interest | love scene | mickey-mousing | private eye | tense

The Big Sleep (1946)

Vivian1:15:22 - Marlowe and Vivian talkcar | conversing | kissing | leading lady | leading man | love | love interest | love scene | private eye | romantic

The Big Sleep (1946)

Questions1:16:16 - Marlowe and Vivian argueangry | car | conversing | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Sternwood (Tense)1:16:26 - Marlowe asks about Eddie Marsaccusing | car | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Underscoring (Tense)1:16:43 - Marlowe and Vivian argueaccusing | car | leading lady | leading man | love interest | love scene | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | cafe | conversing | leading lady | leading man | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Whole Tone)1:39:25 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | private eye | room | tense | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)1:39:39 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | mysterious | octatonic | private eye | room | tense

The Big Sleep (1946)

Carmen1:39:52 - Marlowe talks to Viviancaptive | conversing | leading lady | leading man | love interest | love scene | musical clue | music reveals thoughts | mysterious | private eye | room

The Big Sleep (1946)

Vivian1:40:03 - Marlowe and Vivian kisscaptive | freeing | kissing | leading lady | leading man | love interest | love scene | private eye | romantic | room

The Big Sleep (1946)

Questions1:40:44 - Vivian tries to free Marlowecaptive | freeing | leading lady | leading man | love interest | love scene | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:41:01 - Marlowe plans his escapeaction scene | leading lady | leading man | love interest | mysterious | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe 21:41:18 - Marlowe goes outsideaction scene | escaping | leading lady | leading man | love interest | mysterious | private eye | room | screaming | tense

The Big Sleep (1946)

Underscoring (Dramatic)1:41:36 - Marlowe runs to his caraction scene | criminal | dramatic | leading lady | leading man | love interest | outside | private eye | running | underscoring

The Big Sleep (1946)

Hostage + Marlowe (Fragment)1:42:34 - Canino brings Vivian out as a hostageaction scene | criminal | hostage | leading lady | leading man | love interest | outside | private eye | tense | walking

The Big Sleep (1946)

Underscoring (Dramatic)1:43:17 - Canino shootsaction scene | criminal | dramatic | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | shooting | underscoring

The Big Sleep (1946)

Marlowe (Rises)1:43:19 - Marlowe risesaction scene | criminal | dramatic | hostage | leading lady | leading man | love interest | outside | private eye | rising

The Big Sleep (1946)

Canino's Death1:43:22 - Canino is shotaction scene | criminal | death | dramatic | dying | falling | gun | gunshot | hostage | leading lady | leading man | love interest | outside | private eye | stumbling | tense

The Big Sleep (1946)

Underscoring (Tense)1:43:35 - Marlowe gets the keys to the handcuffsaction scene | criminal | death | escaping | gun | hostage | leading lady | leading man | love interest | outside | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Escaping)1:43:48 - Vivian takes off the handcuffsaction scene | escaping | leading lady | leading man | love interest | mysterious | outside | private eye | tense

The Big Sleep (1946)

Driving 21:43:54 - Marlowe and Vivian drive awaycar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:16 - Vivian tells Marlowe she loves himcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:32 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:44:44 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Driving 21:44:51 - Vivian and Marlowe talk in the carcar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Carmen1:45:06 - Marlowe talks about Carmencar | conversing | driving | leading lady | leading man | love interest | love scene | private eye | tense

The Big Sleep (1946)

Driving 2 + Vivian1:45:21 - Marlowe tells Vivian he loves herearriving | car | conversing | driving | leading lady | leading man | love | love interest | love scene | private eye | romantic | tense

The Big Sleep (1946)

Marlowe (Bold)1:45:44 - Marlowe and Vivian get out of the carbold | heroic | leading lady | leading man | love interest | outside | private eye | transition | walking

The Big Sleep (1946)

Walking1:45:45 - Marlowe and Vivian walk up to houseleading lady | leading man | love interest | outside | private eye | tense | transition | walking

The Big Sleep (1946)

Hangs up phone1:47:07 - Marlowe hangs up the phoneclimax | hanging up | leading lady | leading man | love interest | mickey-mousing | mysterious | private eye | room

The Big Sleep (1946)

Hurrying1:47:07 - Marlowe and Vivian make a planclimax | hurrying | leading lady | leading man | love interest | planning | private eye | room | tense

The Big Sleep (1946)

Marlowe (Misterioso)1:47:26 - Marlowe drops a bulletclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense

The Big Sleep (1946)

Marlowe 21:47:31 - Car pulls up outsideclimax | fear | leading lady | leading man | love interest | mysterious | private eye | room | shaking | tense | tritone

The Big Sleep (1946)

Carmen (Drugged)1:48:08 - Marlowe watches men outsideclimax | criminal | fear | leading lady | leading man | love interest | mysterious | ominous | planning | private eye | room | tense | waiting

The Big Sleep (1946)

Mars Dies1:51:43 - Mars falls dead to the groundcriminal | death | dying | falling | leading lady | leading man | love interest | mysterious | ominous | private eye | resolution | room | stinger | tense | underscoring

The Big Sleep (1946)

Marlowe (Risoluto)1:52:01 - Marlowe walks to the phonebold | death | leading lady | leading man | love interest | mysterious | plotting | private eye | resolution | room | tense

The Big Sleep (1946)

Carmen (Tense)1:52:28 - Marlowe talks on the phoneconversing | leading lady | leading man | love interest | lying | mysterious | phone call | private eye | resolution | room | tense | uneasy

The Big Sleep (1946)

Vivian1:52:48 - Marlowe talks to Vivianconversing | leading lady | leading man | love | love interest | private eye | resolution | romantic | room

The Big Sleep (1946)

Vivian (Expressivo)1:53:20 - Marlowe pulls Vivian closeconversing | leading lady | leading man | love | love interest | private eye | resolution | romantic | room
His Greatest Gamble (1934)Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering

His Greatest Gamble (1934)

Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)Scales0:09:16 - Danny and Peggy go upstairsarguing | conversing | establish character | leading lady | leading man | mother | on-screen music | piano | room | source music | tedious

City for Conquest (1940)

Lullaby of Broadway0:17:00 - A sign for Rose Gardens Casinoboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Latin For Manhattan0:18:29 - Peggy and Danny sit downboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

The Continental0:19:53 - Peggy dances with Murrayboxer | conversing | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Jalousie0:20:39 - Danny sitting at a tableboxer | crowd | dance band | dance hall | dancer | dance scene | dancing | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:21:28 - Peggy dances with Murraycrowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz0:21:46 - Peggy dances with Murrayconversing | crowd | dance band | dance hall | dancer | dance scene | dancing | leading lady | on-screen music | playing | popular music | source music | upbeat

City for Conquest (1940)

Fanfare0:22:58 - A trophy is brought outaward | bold | crowd | dance band | dance hall | dancer | dance scene | fanfare | leading lady | on-screen music | presenting | source music | upbeat

City for Conquest (1940)

I’m Just Wild About Harry0:23:07 - Close-up of Lilyaward | boxer | conversing | crowd | dance band | dance hall | dancer | dance scene | friend | leading lady | leading man | on-screen music | popular music | source music | upbeat

City for Conquest (1940)

Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradvance plot | arriving | entering | gentle | leading lady | mysterious | room | sneaking | source to score

City for Conquest (1940)

I’m Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murrayadvance plot | calling | conversing | leading lady | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

The Words Are in My Heart0:29:31 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | gentle | leading lady | montage | source music | waltz

City for Conquest (1940)

Original Rhumba0:29:38 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | rhumba | source music | upbeat

City for Conquest (1940)

Original Bolero0:29:43 - Peggy dances with Murrayapplause | bolero | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | upbeat

City for Conquest (1940)

Original Tango0:29:51 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | leading lady | montage | source music | tango | upbeat

City for Conquest (1940)

Original Foxtrot0:29:57 - Peggy dances with Murrayapplause | crowd | dance hall | dancer | dancing | double exposure | foxtrot | leading lady | montage | source music | upbeat

City for Conquest (1940)

Tone Poem A1 (Grazioso)0:30:04 - Danny shavesconversing | delicate | gentle | leading lady | leading man | love scene | room | shaving

City for Conquest (1940)

Tone Poem A1 + Tone Poem A20:30:28 - Peggy talks to Dannyarguing | conversing | flirting | gentle | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Peggy Pokes Danny0:30:47 - Peggy pokes Dannyflirting | leading lady | leading man | love scene | mickey-mousing | playful | room | shaving | teasing

City for Conquest (1940)

Only Fooling0:30:54 - Peggy cleans Danny's facearguing | conversing | flirting | leading lady | leading man | love scene | playful | room | shaving

City for Conquest (1940)

Tone Poem A1 (Expressivo) + Tone Poem A2 (Expressivo)0:31:00 - Peggy apologizes to Dannyconversing | kiss | kissing | leading lady | leading man | love scene | romantic | room

City for Conquest (1940)

Tranquillo0:31:35 - Peggy and Danny on a boatboat | conversing | delicate | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Waltz)0:31:48 - Peggy and Danny talk about the futureboat | calm | conversing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

Shadow Waltz (Dark)0:33:22 - Peggy talks with Dannyboat | conversing | dark | leading lady | leading man | love scene | somber

City for Conquest (1940)

I’m Just Wild About Harry0:33:35 - Peggy starts to leaveboat | calm | conversing | gentle | leading lady | leading man | love scene

City for Conquest (1940)

Tone Poem A1 (Dolcissimo)0:34:02 - Danny talks with Peggyboat | conversing | gentle | kissing | leading lady | leading man | love scene | romantic

City for Conquest (1940)

I’m Just Wild About Harry0:34:32 - Man operating a spotlightaudience | clapping | dancer | dancing | double exposure | leading lady | marquee | montage | source music | stage | upbeat

City for Conquest (1940)

In the Evening0:45:08 - Peggy in her dressing roomarguing | boxer | conflict | conversing | crying | dancer | dressing room | leading lady | leading man | punching | source music | upbeat

City for Conquest (1940)

A Girl Like You0:46:49 - Danny in Peggy's dressing roomboxer | conflict | crying | dancer | dressing room | leading lady | leading man | leaving | source music | upbeat

City for Conquest (1940)

Peggy runs0:47:31 - Peggy runs down the stairsboxer | dancer | descending | leading lady | leading man | love scene | mickey-mousing | running | source and scoring overlap | street | tense

City for Conquest (1940)

Tone Poem A1 (Romantic)0:47:41 - Peggy talks with Dannyboxer | conversing | dancer | leading lady | leading man | love scene | street | tense

City for Conquest (1940)

Tone Poem A1 (Dolce)0:48:06 - Danny talks to Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Tone Poem A1 (Walking)0:48:32 - Danny and Peggy walk down the streetboxer | conversing | dancer | leading lady | leading man | love scene | romantic | street | walking

City for Conquest (1940)

Tone Poem A1 (Molto Expressivo)0:48:44 - Danny talks with Peggyboxer | dancer | embracing | kissing | leading lady | leading man | love scene | romantic | street

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | record player | room | source music | tango

City for Conquest (1940)

Corn Pickin’0:53:35 - People dancing the jitterbugadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Japanese Sandman0:54:33 - Danny and Peggy at the danceadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Underscoring (Gentle)0:55:19 - A taxi approachesarriving | farewell scene | gentle | leading lady | leading man | source and scoring overlap | street | taxi | underscoring

City for Conquest (1940)

Tone Poem A1 (Farewell) + Tone Poem A20:55:31 - Peggy bids farewell to Dannyconversing | crying | embracing | farewell scene | leading lady | leading man | leaving | romantic | sentimental | street

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club Madridadvance plot | conversing | dancer | dressing room | leading lady | preparing | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A11:28:11 - Peggy criesadvance plot | conversing | crying | friend | leading lady | room | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggyadvance plot | comforting | conversing | crying | friend | gentle | leading lady | newspaper | room | sweet

City for Conquest (1940)

Tone Poem A1 (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | newspaper | reading | room

City for Conquest (1940)

Tone Poem A1 (Beoootiful) + Tone Poem A2 (Beoootiful)1:40:11 - Danny working at his newsstandblur | conversing | ethereal | gentle | into focus | leading lady | leading man | love scene | reunion | reuniting | shimmery | squinting | street | victim

City for Conquest (1940)

Tone Poem A1 (Chorus) + Tone Poem A2 (Chorus)1:41:14 - Danny talks with Peggyconversing | ethereal | gentle | leading lady | leading man | love scene | optimistic | reunion | reuniting | romantic | shimmery | street | victim
Crime School (1938)Underscoring (Mysterious)0:09:53 - Frankie sneaks in the houseconcern | conversing | dissonant bass | establish character | heroine | leading lady | mysterious | pedal tone | room | sister | sneaking | sneaky | teenager | underscoring | whole-tone chord | whole-tone scale

Crime School (1938)

Sue (Quasi Blues)0:11:08 - Sue talks to Frankiebluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber

Crime School (1938)

Sue (Minor)0:20:38 - Judge sentences boys to the reformatoryaugmented sixth chord | chromatic parallelism | courthouse | crying | dissonant bass | gang | heroine | judge | leading lady | leading man | sister | somber | stinger | teenager | trial

Crime School (1938)

Sue (Grazioso)1:13:10 - Sue and Mark talk in the kitchencheerful | conflict | conversing | cooking | happy | hero | heroine | kitchen | leading lady | leading man | mode mixture | secondary dominant

Crime School (1938)

Sue (Grazioso Mysterioso)1:13:38 - Frankie confronts Sue and Markcheerful | common-tone diminished 7th | conflict | conversing | deceptive resolution | dining | gun | happy | hero | heroine | leading lady | leading man | room | stick up | stinger | teenager | tone cluster | whole-tone chord

Crime School (1938)

Underscoring (Tense)1:14:26 - Mark talks to policemanchromatic scale | conflict | deceptive resolution | gun | hero | heroine | hiding | knocking | leading lady | leading man | lying | mode mixture | pedal tone | police | room | teenager | tense | underscoring

Crime School (1938)

Lights on1:15:26 - Sue turns the lights onconflict | hero | heroine | leading lady | leading man | light | mickey-mousing | room | tense | turning on
They Made Me a Criminal (1939)The Fugitive (Looking Around)0:25:11 - The young man sees Johnnie9th chord | deceptive resolution | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired | walking

They Made Me a Criminal (1939)

The Fugitive (Arriving)0:25:42 - Johnnie arrives at the ranch9th chord | arriving | establish character | foreign key modulation | leading lady | leading man | ranch | teenager | tired

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:26:48 - Peggy rushes to help Johnnie64 chord | dramatic | establish character | heroine | leading lady | mickey-mousing | ranch | running | rushing | underscoring

They Made Me a Criminal (1939)

Underscoring (Tender)0:26:58 - Peggy helps Johnnie9th chord | 64 chord | heroine | leading lady | leading man | lovers meet | mode mixture | nursing | room | tender | underscoring

They Made Me a Criminal (1939)

The Fugitive (Recovering)0:27:13 - Peggy takes care of Johnnie9th chord | foreign key modulation | heroine | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | waking

They Made Me a Criminal (1939)

Peggy (Dolce)0:28:20 - Peggy talks to Johnnie9th chord | 11th chord | 13th chord | deceptive resolution | foreign key modulation | heroine | kissing | leading lady | leading man | lovers meet | nursing | recovering | romance | room | sweet | tender

They Made Me a Criminal (1939)

The Fugitive (Apology)0:48:31 - Johnnie and Peggy talk9th chord | conversing | hero | leading lady | leading man | love scene | romantic | room | secondary dominant | tender

They Made Me a Criminal (1939)

Peggy (Delicatissimo)0:49:16 - Johnnie and Peggy kiss9th chord | 11th chord | 13th chord | hero | kissing | leading lady | leading man | love scene | romantic | room

They Made Me a Criminal (1939)

On the Make0:49:40 - Johnnie and Peggy drive in a carABAB structure | added-note chord | altered dominant | car | car | cheerful | conversing | driving | hero | leading lady | leading man | linear chromaticism | love scene | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

The Fugitive (Ashamed)1:03:55 - Johnnie tells them he can't fight9th chord | conflict | dark | foreign key modulation | harmonic sequence | leading lady | leading man | lying | room | somber | teenager

They Made Me a Criminal (1939)

On the Make (Dolce)1:05:13 - Peggy talks to Johnnieadded-note chord | altered dominant | arguing | conflict | leading lady | leading man | linear chromaticism | lying | room | tender

They Made Me a Criminal (1939)

Underscoring (Tense)1:05:52 - Johnny talks to Peggyconflict | dramatic | half-diminished 7th chord | harmonic sequence | leading lady | leading man | lying | room | tense | underscoring

They Made Me a Criminal (1939)

On the Make (Heartbreak)1:06:05 - Johnny talks to Peggy9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | room | slamming | somber | tense

They Made Me a Criminal (1939)

On the Make (Crying)1:06:29 - Peggy cries after Johnnie leaves11th chord | conflict | crying | leading lady | leading man | room | somber

They Made Me a Criminal (1939)

Spirit of Independence1:14:53 - Johnnie marches into the ringarena | cheerful | excited | hero | leading lady | leading man | march | preparing | source music | sport scene | teenager

They Made Me a Criminal (1939)

Peggy (Waiting)1:24:39 - The detective talks to Johnniechromatic scale | climax | dark | detective | diminished 7th chord | dissonant | dissonant bass | leading lady | leading man | lying | ominous | room | waiting

They Made Me a Criminal (1939)

Lying1:25:16 - Johnnie lies to Peggy about where he's goingadded-note chord | augmented sixth chord | climax | common-chord modulation | detective | dissonant bass | foreign key modulation | leading lady | leading man | lying | minor-major 7th chord | room | turbulent

They Made Me a Criminal (1939)

On the Make (Appassionato)1:25:51 - Peggy wants to go with Johnnie9th chord | altered dominant | climax | detective | embracing | kissing | leading lady | leading man | leaving | linear chromaticism | mode mixture | pedal tone | romantic | room | sentimental | sigh gesture | tender
Dust Be My Destiny (1939)Comedy fall0:13:08 - Joe falls over while milking the cowbarn | chromatic parallelism | chromatic scale | comical | falling | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Playful)0:13:38 - Mabel talks to Joebarn | comical | common-tone diminished 7th | cow | laughing | leading lady | leading man | lovers meet | playful | prisoner | romantic

Dust Be My Destiny (1939)

Joe fights cow0:13:56 - Joe fights cow (off-screen)augmented triad | barn | chromatic parallelism | chromatic scale | comical | cow | diminished 7th chord | fighting | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Laughing)0:14:07 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | prisoner

Dust Be My Destiny (1939)

Laughing0:14:10 - Mabel laughs at Joebarn | chromatic parallelism | comical | diminished 7th chord | laughing | leading lady | leading man | lovers meet | mickey-mousing | prisoner

Dust Be My Destiny (1939)

Dust Be My Destiny (Agitated)0:14:22 - Joe argues with Mabelagitated | arguing | barn | fragmentation | leading lady | leading man | lovers meet | prisoner | sequence

Dust Be My Destiny (1939)

Underscoring (Tense)0:14:40 - Charlie entersbarn | leading lady | leading man | lovers meet | prisoner | stinger | tense | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Tense)0:14:53 - Joe talks to Charliebarn | dark | dissonant | leading lady | leading man | lovers meet | prisoner | tense | tritone | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Pleading)0:17:41 - Mabel pleads for Joeadvance plot | intervallic expansion | leading lady | pleading | prison | sincere | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Medical Report)0:17:58 - Warden talks about Charlieadvance plot | leading lady | oppressive | parallelism | prison | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Denied)0:18:23 - Mabel talks to Joeconflict | deceptive resolution | denial | expectant | gentle | guard | hopeful | leading lady | leading man | prison | prisoner | stinger | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (Somber)0:18:36 - Mabel reactsconflict | inversion | leading lady | prison | sigh gesture | somber

Dust Be My Destiny (1939)

Underscoring (Romantic)0:21:46 - Mabel talks with Joebarn | leading lady | leading man | love scene | pedal tone | romantic | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:22:04 - Mabel and Joe talk9th chord | added-note chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant

Dust Be My Destiny (1939)

Dust Be My Destiny (Pensive)0:23:08 - Joe tells Mabel about his dreams11th chord | barn | chromatic mediant | dreaming | foreign key modulation | leading lady | leading man | love scene | mode mixture | pensive

Dust Be My Destiny (1939)

Dust Be My Destiny (Expressivo)0:23:38 - Joe and Mabel talk9th chord | added-note chord | augmented sixth chord | barn | common-tone diminished 7th | leading lady | leading man | love scene | mode mixture | romantic | secondary dominant | sequence

Dust Be My Destiny (1939)

Dust Be My Destiny (Ethereal)0:24:50 - Joe tells Mabel he loves herbarn | common-tone diminished 7th | deceptive resolution | inversion | kissing | leading lady | leading man | love scene | romantic

Dust Be My Destiny (1939)

Underscoring (Dark)0:25:03 - Charlie interrupts the loversbarn | chromatic scale | conflict | dark | diminished 7th chord | hexatonic scale | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:25:23 - Charlie grabs Mabel's armbarn | chromatic scale | conflict | diminished 7th chord | dramatic | leading lady | leading man | underscoring | villain | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Fight)0:25:41 - Charlie and Joe fight42 chord | barn | chromatic parallelism | chromatic scale | chromatic wedge | conflict | dramatic | fighting | leading lady | leading man | linear chromaticism | mickey-mousing | octatonic scale | punching | villain | warden | whole-tone scale

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Away)0:25:55 - Joe and Mabel run64 chord | barn | conflict | diminution | dramatic | leading lady | leading man | running | sequence

Dust Be My Destiny (1939)

Running0:26:05 - Joe and Mabel run9th chord | barn | conflict | dramatic | leading lady | leading man | mickey-mousing | octatonic | running

Dust Be My Destiny (1939)

Turning around0:26:13 - Joe and Mabel turn around64 chord | barn | death | dramatic | leading lady | leading man | mickey-mousing | prisoner | turning

Dust Be My Destiny (1939)

Dust Be My Destiny (Fateful Decision)0:26:17 - Joe and Mabel decide to run away togetherbarn | confused | deceptive resolution | fragmentation | hopeful | leading lady | leading man | mode mixture | runaway | turning point

Dust Be My Destiny (1939)

Running away0:26:45 - Joe and Mabel run awaybarn | conflict | diminished 7th chord | dramatic | leading lady | leading man | mickey-mousing | pedal tone | runaway | running

Dust Be My Destiny (1939)

Arriving0:26:52 - Joe and Mabel settle into their new situation9th chord | arriving | calm | dramatic | freedom | leading lady | leading man | runaway | settling down | street | traveling | traveling scene | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Milkman)0:27:38 - Joe and Mabel talk to the milkmanadvance plot | comical | glass | leading lady | leading man | milk | milkman | pizzicato | street

Dust Be My Destiny (1939)

Dust Be My Destiny (A Hotel)0:28:47 - Joe mentions going to a hoteladvance plot | altered dominant | concerned | leading lady | leading man | street

Dust Be My Destiny (1939)

Here Comes the Bride (Modulating)0:29:02 - Joe and Mabel run to the courthouseadded-note chord | deceptive resolution | excited | familiar tune | foreign key modulation | fragmentation | leading lady | leading man | love scene | marriage | pump-up modulation | romance | romantic | running | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Waiting)0:29:38 - Joe and Mabel talk about getting marriedadded-note chord | augmented sixth chord | chromatic mediant | common-tone diminished 7th | foreign key modulation | leading lady | leading man | love scene | romantic | street | waiting

Dust Be My Destiny (1939)

Dust Be My Destiny (Running Up and Down)0:30:12 - Man runs up the courthouse steps64 chord | chromatic parallelism | chromatic scale | courthouse | down | frantic | leading lady | leading man | love scene | mickey-mousing | mode mixture | producer | running | stairs | street | up

Dust Be My Destiny (1939)

Here Comes the Bride (Triple)0:30:31 - Man talks to Joe and Mabel9th chord | 64 chord | chromatic parallelism | courthouse | familiar tune | leading lady | leading man | love scene | marriage | producer | pump-up modulation | romantic | sequence | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Got Each Other)0:30:49 - Mabel proclaims her love for Joecourthouse | leading lady | leading man | love scene | producer | romantic | street

Dust Be My Destiny (1939)

Fairy Music0:30:58 - Man takes their luggage64 chord | courthouse | happy | leading lady | leading man | love scene | producer | pump-up modulation | romantic | street

Dust Be My Destiny (1939)

Here Comes the Bride0:31:19 - Crowd sings and claps at a weddingcrowd | happy | leading lady | leading man | marriage | on-screen music | source music | theater | wedding

Dust Be My Destiny (1939)

Here Comes the Bride0:32:48 - Joe kisses Mabelcrowd | happy | leading lady | leading man | marriage | on-screen music | pianist | source music | theater | wedding

Dust Be My Destiny (1939)

In a Moment of Weakness0:33:37 - Mabel looks at her wedding ringdevelop character | happy | leading lady | leading man | radio | source music | theater

Dust Be My Destiny (1939)

Radio Fanfare0:34:20 - Mabel talks to Joechromatic mediant | develop character | happy | leading lady | leading man | radio | source music | theater

Dust Be My Destiny (1939)

Fleeing0:34:56 - Joe and Mabel fleealley | chromatic scale | danger | down | escape | fearful | fleeing | leading lady | leading man | linear chromaticism | mickey-mousing | police | runaway | running | street | suspenseful

Dust Be My Destiny (1939)

Agitato Risoluto0:35:11 - Joe and Mabel hide under the stairsagitated | alley | chromatic parallelism | concerned | danger | escape | hiding | leading lady | leading man | pedal tone | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Injustice)0:35:25 - Joe and Mabel talk in the alley9th chord | alley | chromatic parallelism | escape | fearful | leading lady | leading man | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Fear and Devotion)0:35:50 - Joe and Mabel decide to stick togetheralley | common-tone diminished 7th | devotion | dramatic | escape | fear | fragmentation | leading lady | leading man | love | mode mixture | obsessive | runaway | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)0:36:28 - A speeding trainadded-note chord | foreign key modulation | frantic | hitch-hiking | leading lady | leading man | linear chromaticism | map | montage | pc set | runaway | sign | train | train | train whistle | traveling | traveling scene | truck | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Wandering)0:37:16 - Joe and Mabel walk down the roadcar | car horn | diminished 7th chord | leading lady | leading man | montage | oscillation | runaway | street | tired | traveling scene | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Weary)0:37:38 - They rest by the side of the roadchromatic parallelism | conflict | leading lady | leading man | resting | runaway | street | tired

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:38:00 - Joe and Mabel argue9th chord | arguing | conflict | dissonant bass | dramatic | leading lady | leading man | runaway | street | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny0:38:38 - Joe and Mabel partcommon-tone diminished 7th | conflict | leading lady | leading man | leaving | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Parting Ways)0:38:56 - Joe and Mabel partaltered dominant | common-tone diminished 7th | conflict | dark | leading lady | leading man | leaving | mode mixture | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Running)0:39:33 - Mabel runs across the streetconflict | leading lady | leading man | mickey-mousing | runaway | running | somber | street | truck

Dust Be My Destiny (1939)

Dust Be My Destiny (Regret)0:39:53 - Joe walks away sadlyconflict | dark | leading lady | leading man | parallelism | pedal tone | runaway | somber | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:40:03 - Joe runs to Mabel64 chord | altered dominant | foreign key modulation | joyful | leading lady | leading man | mickey-mousing | pump-up modulation | resolution | runaway | running | street

Dust Be My Destiny (1939)

The Poster0:40:39 - Joe and Mabel see a sign for the trainchromatic sequence | comedy | comical | laughing | leading lady | leading man | runaway | sign | street

Dust Be My Destiny (1939)

My Wild Irish Rose0:40:51 - Joe and Mabel in Nick's Dineraccompanied source music | altered dominant | common-chord modulation | diner | establish character | familiar tune | friend | happy | leading lady | leading man | mode mixture | parallel double period | popular song | radio | shopkeeper | singing | source music | ternary form

Dust Be My Destiny (1939)

Dust Be My Destiny (Irish Rose)0:42:25 - They go to work in the kitchendiner | establish character | friend | happy | leading lady | leading man | score to source | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:43:38 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:43:51 - Mabel and Nick talk9th chord | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicatessen)0:44:01 - Mabel and Nick talkcommon-tone diminished 7th | develop character | diner | friend | gentle | leading lady | leading man | secondary dominant | shopkeeper

Dust Be My Destiny (1939)

My Wild Irish Rose (Waltz)0:44:17 - Mabel and Nick talkdevelop character | diner | familiar tune | friend | gentle | leading lady | leading man | on-screen music | pedal tone | popular song | shopkeeper | singing | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Calm)0:44:32 - Mabel and Nick talkadded-note chord | altered dominant | develop character | diner | friend | gentle | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Worried)0:46:02 - Mabel talks to the police11th chord | create suspense | leading lady | police | room | somber

Dust Be My Destiny (1939)

Whistling (Suspenseful)0:46:25 - Mabel looks out the windowanxious | cheerful | concerned | create suspense | harmonic sequence | leading lady | leading man | on-screen music | police | polytonality | room | scored source music | source music | whistling

Dust Be My Destiny (1939)

Underscoring (Dramatic)0:46:42 - Mabel yells to Joechromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | escaping | gun | gunshot | leading lady | leading man | police | room | runaway | running | street | underscoring | yelling

Dust Be My Destiny (1939)

Joe runs and falls0:46:50 - Joe runs and fallschromatic scale | create suspense | diminished 7th chord | dissonant bass | dramatic | falling | leading lady | leading man | mickey-mousing | police | runaway | running | stinger | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Jail Break)0:49:16 - Mabel looks up and sees Joechromatic wedge | dissonant bass | jail | jail break | leading lady | leading man | linear chromaticism | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Stick Up)0:50:12 - Joe pulls out a gungun | half-diminished 7th chord | jail | jail break | leading lady | leading man | tense | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (The Escape)0:50:26 - Joe and Mabel leave the jail64 chord | chromatic parallelism | dark | escaping | foreign key modulation | friend | hopeful | jail | jail break | leading lady | leading man | shopkeeper

Dust Be My Destiny (1939)

Dust Be My Destiny (Grandioso)0:50:50 - Joe and Mabel outside42 chord | 64 chord | deceptive resolution | escaping | friend | heroic | jail break | leading lady | leading man | pedal tone | shopkeeper | street | triumphant

Dust Be My Destiny (1939)

Stinger0:51:01 - They see approaching headlights42 chord | danger | friend | jail break | leading lady | leading man | ominous | shopkeeper | siren | stinger | street

Dust Be My Destiny (1939)

Speeding car0:51:08 - The car speeds offcar | chromatic scale | diminished 7th chord | dramatic | escape | friend | leading lady | leading man | mickey-mousing | shopkeeper | street | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Thankful)0:51:24 - Joe, Mabel, and Nick talk in the caraugmented sixth chord | escape | friend | leading lady | leading man | shopkeeper | thankful | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Goodbye)0:51:35 - Joe and Mabel say goodbye to Nick9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station

Dust Be My Destiny (1939)

My Wild Irish Rose (Grandioso)0:52:06 - Joe and Mabel leave on a train9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Radio)0:52:28 - Mabel in an apartmentconflict | leading lady | leading man | popular song | radio | room | score to source | somber | source music

Dust Be My Destiny (1939)

Dust Be My Destiny (Arguing)0:55:00 - Mabel confronts Joeagitated | arguing | conflict | dark | leading lady | leading man | parallelism | pc set | pleading | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Transformation)0:57:38 - Joe comes back to the apartmentdissonant bass | foreign key modulation | leading lady | leading man | linear chromaticism | love scene | mysterious | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)0:58:04 - Joe embraces Mabel9th chord | 64 chord | added-note chord | embracing | foreign key modulation | leading lady | leading man | love scene | romantic | room | triumphant

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Emergency Room)1:11:01 - The hospital waiting room64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)1:11:25 - Mabel embraces Joe after she meets him64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse

Dust Be My Destiny (1939)

Dust Be My Destiny (Simply)1:11:50 - Mabel and Joe talkadvance plot | doctor | hero | hospital | leading lady | leading man | nurse | peaceful

Dust Be My Destiny (1939)

Dust Be My Destiny (Leaving Hospital)1:11:57 - Mabel and Joe start to leave11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionato)1:12:09 - Mabel and Joe hide from the reportersconflict | countermelody | hero | hiding | hospital | leading lady | leading man | passionate | underscoring

Dust Be My Destiny (1939)

Dust Be My Destiny (Cornered)1:12:21 - Mabel and Joe decide what to do9th chord | conflict | hero | hospital | inversion | leading lady | leading man | pedal tone | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)1:12:42 - Mabel talks with Joe about surrendering42 chord | conflict | diminished 7th chord | fragmentation | hero | hospital | leading lady | leading man | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Disagreement)1:12:59 - Mabel and Joe arguebright | conflict | dark | foreign key modulation | hero | hospital | leading lady | leading man

Dust Be My Destiny (1939)

Dust Be My Destiny (Appassionatissimo)1:13:14 - Joe makes a run for itchromatic parallelism | chromatic scale | climax | conflict | diminished 7th chord | dissonant bass | escaping | hospital | intervallic expansion | leading lady | leading man | runaway | sequence | tense

Dust Be My Destiny (1939)

Dust Be My Destiny (Tragico)1:13:35 - Mabel turns Joe in to the policeconfession | conflict | dark | hospital | leading lady | leading man | parallelism | pedal tone | suspect | tragic

Dust Be My Destiny (1939)

Dust Be My Destiny (Delicate)1:22:18 - Mabel rises to testify for Joecourtroom | crowd | delicate | judge | jury | leading lady | leading man | sequence | somber | suspect | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Religioso)1:22:41 - Mabel testifies for Joe11th chord | chromatic parallelism | common-tone diminished 7th | courtroom | crowd | diminished 7th chord | gentle | judge | jury | leading lady | leading man | loving | mode mixture | parallel double period | plagal cadence | sincere | suspect | tender | trial

Dust Be My Destiny (1939)

Dust Be My Destiny (Travel Montage)1:26:04 - Train approaches the screenadded-note chord | foreign key modulation | happy | leading lady | leading man | pc set | resolution | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Train)1:26:17 - Joe and Mabel on the train11th chord | added-note chord | happy | leading lady | leading man | resolution | sequence | train | train | traveling

Dust Be My Destiny (1939)

Dust Be My Destiny (Hanging Hats)1:26:31 - Joe and Mabel toss their hats11th chord | chromatic mediant | foreign key modulation | happy | hat | hook | leading lady | leading man | mickey-mousing | resolution | throwing | train | traveling | whistle effect

Dust Be My Destiny (1939)

Dust Be My Destiny (The End)1:26:45 - "The End"closing credits | end title sequence | foreign key modulation | happy | leading lady | leading man | The End | train | traveling
Each Dawn I Die (1939)Frank (Released)1:28:49 - Frank is released9th chord | altered dominant | artwork in score | conclusion | embracing | friend | gentle | goodbye | leading lady | leading man | Neapolitan | passionate | peaceful

Each Dawn I Die (1939)

Freedom1:30:31 - Frank leaves the prisonartwork in score | chromatic mediant | conclusion | dissonant bass | freedom | hopeful | leading lady | leading man | optimistic | peaceful | The End | walking
Flamingo Road (1949)Vision of Salome0:02:12 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Arabian Riff0:02:36 - Exotic dancersannouncing | carnival | carny | dancer | dancing | establish setting | exotic | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

Vision of Salome0:03:12 - Two men arguearguing | carnival | carny | dancer | establish setting | exotic | Gypsy minor scale | leading lady | mysterious | on-screen music | source music

Flamingo Road (1949)

If I Could Be With You0:07:53 - Field hears music playingcarny | conversing | establish character | leading lady | leading man | on-screen music | parallel period | police | radio | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Lane (Moderato Grazioso)NIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | Picardy third | police | room

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in film9th chord | altered dominant | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

Lane (Poco Con Moto)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | parallelism | police | room

Flamingo Road (1949)

Arabian Riff (Not in Film)NIF - not in filmconversing | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room | source to score

Flamingo Road (1949)

Underscoring (Lyrical)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | underscoring

Flamingo Road (1949)

LaneNIF - not in filmconversing | cut from film | cut from film | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

If I Could Be With You (Timidly)NIF - not in filmchromatic parallelism | conversing | cut from film | cut from film | leading lady | leading man | lovers meet | police | room | source to score

Flamingo Road (1949)

If I Could Be With You (Lightly)NIF - not in filmaltered dominant | common-tone diminished 7th chord | cut from film | cut from film | flirting | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Lane (Not in Film)NIF - not in filmconversing | cut from film | cut from film | foreign key modulation | leading lady | leading man | lovers meet | mode mixture | police | room

Flamingo Road (1949)

TravelingNIF - not in filmadded-note chord | chromatic mediant | common-tone diminished 7th | cut from film | cut from film | deceptive resolution | leading lady | leading man | lovers meet | pedal tone | police | room

Flamingo Road (1949)

Put ‘Em in a Box, Tie ‘Em with a Ribbon, and Throw ‘Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Lane (Sentimentale)NIF - not in film9th chords | chromatic parallelism | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

Lane (Molto Expressivo)NIF - not in film11th chord | conversing | cut from film | cut from film | falling in love | leading lady | leading man | police

Flamingo Road (1949)

If I Could Be With You (Dolce)0:17:22 - Lane and Field talkconversing | falling in love scene | leading lady | leading man | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Goodnight0:17:45 - Lane and Field talkblue note | conversing | falling in love scene | leading lady | leading man | love interest | peaceful | pedal tone | police | porch

Flamingo Road (1949)

Lane (Dolce)0:17:58 - Lane flirts with Fieldfalling in love scene | flirting | leading lady | leading man | love interest | pedal tone | playful | police | porch | sweet

Flamingo Road (1949)

If I Could Be With You (Ethereal)0:18:06 - Lane watches Field drive awaycommon-tone diminished 7th chord | falling in love scene | leading lady | leading man | leaving | love interest | pedal tone | police | porch | sentimental | source to score

Flamingo Road (1949)

Cheatin’ on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

If I Could Be With You0:26:58 - People gamble and danceadvance plot | club | dancer | dancing | fighting | gambling | leading lady | leading man | musician | on-screen music | playing | police | sentimental | sheriff | singer | singing | source music

Flamingo Road (1949)

DrivingNIF - not in filmcar | cut from film | driving | foreign key modulation | leading lady | leading man | love interest | love scene

Flamingo Road (1949)

Tranquillo0:29:07 - Lane and Field talk at the lakesideappoggiatura | conversing | lake | leading lady | leading man | love interest | love scene | romance | yearning

Flamingo Road (1949)

If I Could Be With You (Tenderly)0:29:32 - Lane and Field prepare to leave11th chord | 13th chord | altered dominant | common-tone diminished 7th chord | kissing | lake | leading lady | leading man | love interest | love scene | romance | romantic | secondary dominant | source to score

Flamingo Road (1949)

Lane0:30:02 - Lane and Field kiss in the moonlightadded-note chord | augmentation | kissing | lake | leading lady | leading man | love interest | love scene | pedal tone | romance | romantic

Flamingo Road (1949)

Titus 20:33:41 - Field sits downbreakup | café | conversing | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus (Dark)0:33:56 - Field talks to Lanebreaking up | breakup | café | dark | leading lady | leading man | mysterious | self-borrowing | waitress

Flamingo Road (1949)

Titus 2 (Triste)0:34:10 - Field tells Lane he is getting marriedbreaking up | breakup | café | chromatic sequence | dark | leading lady | leading man | major 7th chord | mysterious | self-borrowing | somber | waitress

Flamingo Road (1949)

Underscoring (Tense)0:34:30 - Lane responds to Fieldbreaking up | breakup | café | leading lady | leading man | mysterious | tense | underscoring | waitress

Flamingo Road (1949)

If I Could Be With You (Triste)0:34:51 - Lane goes to the kitchenbreakup | café | dark | diminished 7th chord | foreign key modulation | leading lady | pondering | somber | waitress | working

Flamingo Road (1949)

Lane (Triste)0:35:13 - Lane comes back and Field is gonebreakup | café | dark | employer | firing | leading lady | somber | waitress

Flamingo Road (1949)

Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Agitato)0:37:11 - Lane goes to confront Titusagitated | angry | chromatic sequence | hurrying | leading lady | self-borrowing | street | transition | walking

Flamingo Road (1949)

Agitato0:39:09 - Lane storms off angrilyagitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | conflict | hurrying | leading lady | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus 2 (Walking)0:39:17 - Lane storms off angrilyagitated | angry | chromatic parallelism | conflict | diminished 7th chord | hurrying | leading lady | mickey-mousing | self-borrowing | sheriff | street | walking

Flamingo Road (1949)

Titus (Setup)0:39:31 - A car follows Laneconflict | dark | leading lady | police | self-borrowing | setup | street | walking

Flamingo Road (1949)

Titus + Agitato (Extended)0:39:55 - Police take Lane awayarresting | combination of themes | conflict | driving | leading lady | police | self-borrowing | street | tense | turbulent

Flamingo Road (1949)

Titus 2 (Maestoso)0:41:11 - Women enter the prison advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

If I Could Be With You (Slowly)0:43:04 - Lane lies in bedleading lady | montage | montage | prison | prisoner | staring | tragic

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Titus (Angry)0:45:24 - Titus sees Laneadvance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Jalousie0:46:06 - Woman dancesadvance plot | club | conversing | dancing | employer | leading lady | on-screen music | playing | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Drinking whiskey0:49:50 - Dan drinkschromatic parallelism | comical | distressed | drinking | leading lady | leading man | love interest | lovers meet | mickey-mousing | politician | quintal chord | room

Flamingo Road (1949)

Lane (Lento)0:50:04 - Dan meets Laneadded-note chord | conversing | countermelody | gentle | graceful | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane (Chromatic)0:50:24 - Lane ties Dan's tie9th chord | chromatic parallelism | conversing | dark | gentle | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Titus 2 (Agitato)0:50:41 - Lane ties Dan's tiechromatic parallelism | conversing | leading lady | leading man | love interest | lovers meet | mysterious | politician | room | self-borrowing

Flamingo Road (1949)

Indigestion0:50:48 - Lane complains of a hangoverchromatic parallelism | chromatic scale | comical | distressed | grumbling | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lane0:50:59 - Lane gives Dan his moneyconversing | delicate | gentle | leading lady | leading man | love interest | lovers meet | mode mixture | pleasant | politician | room

Flamingo Road (1949)

If I Could Be With You (Misterioso)0:51:15 - Lane asks Dan about Fieldchromatic parallelism | conversing | diminished 7th chord | leading lady | leading man | love interest | lovers meet | politician | room | uneasy

Flamingo Road (1949)

Molto Grazioso0:51:40 - Dan notices Laneconversing | delicate | flirting | leading lady | leading man | love interest | lovers meet | politician | room

Flamingo Road (1949)

Lute Mae (Quasi Blues)0:51:46 - Dan flirts with Lane13th chord | added-note chord | conversing | countermelody | flirting | flirty | leading lady | leading man | love interest | lovers meet | politician | room | self-borrowing | sultry | thematic transference

Flamingo Road (1949)

Slide whistle0:53:00 - Dan surprises Lute Maecomical | employer | leading lady | leading man | love interest | mickey-mousing | politician | room | surprising | transition

Flamingo Road (1949)

Lute Mae (Driving)0:53:02 - Lane drives Dan to the construction site13th chord | added-note chord | arriving | car | car | comical | common-chord modulation | driving | leading lady | leading man | love interest | politician | rushed | self-borrowing | transition | traveling

Flamingo Road (1949)

Lane (Bell-like)0:54:43 - Lane gives Dan some changefragmentation | gentle | giving | leading lady | leading man | love interest | love scene | politician | porch | receiving | sweet

Flamingo Road (1949)

Flamingo Road (Bluesy)0:55:00 - Dan buys some cold drinks9th chord | altered dominant | bluesy | flirting | foreshadowing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | self-borrowing

Flamingo Road (1949)

Flamingo Road (Romantic)0:55:41 - Dan kisses Laneembracing | foreign key modulation | foreshadowing | kissing | leading lady | leading man | love interest | love scene | mode mixture | parallelism | politician | porch | romantic | self-borrowing

Flamingo Road (1949)

Through a Thousand Dreams0:56:41 - The Olympic City hoteladvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Don’t Take Your Love From Me0:58:50 - Dan and Lane sit at a tableABAC structure | advance plot | club | conversing | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

If I Could Be With You0:59:52 - A woman sings with the dance bandadvance plot | club | conversing | dancing | dining | leading lady | leading man | love interest | on-screen music | politician | sentimental | sheriff | singer | singing | source music | wife

Flamingo Road (1949)

I Guess I’ll Have to Change My Plan1:01:40 - Lane and Dan talk at their tableadvance plot | club | conversing | leading lady | leading man | love interest | politician | sentimental | sheriff | source music | wife

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense) + Titus1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus1:04:55 - Titus insults Laneadvance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Lute Mae (Tenderly)1:07:55 - Dan kisses Lane13th chord | added-note chord | bluesy | husband | kissing | leading lady | leading man | love scene | room | self-borrowing | tender | wife

Flamingo Road (1949)

Titus 2 (Buzzer)1:13:16 - Titus arrivesarriving | chromatic parallelism | dark | entering | leading lady | maid | ominous | politician | room | self-borrowing | sheriff | transition

Flamingo Road (1949)

Titus (Ostinato)1:17:09 - Dan looks at some papersbrooding | conflict | dark | hopeful | husband | leading lady | leading man | ominous | politician | room | self-borrowing | wife

Flamingo Road (1949)

Lane (Tragic)1:18:10 - Lane talks to Dan about Titusangry | anxious | conflict | conversing | husband | leading lady | leading man | ostinato | politician | room | tragic | wife

Flamingo Road (1949)

If I Could Be With You (Tragic)1:18:35 - Lane tells Dan about Fieldconfessing | conflict | diminished 7th chord | husband | leading lady | leading man | love | politician | room | tragic | wife

Flamingo Road (1949)

Flamingo Road (Agitato)1:18:50 - Dan gets upset with Lane9th chord | accusing | angry | augmented sixth chord | conflict | fragmentation | husband | leading lady | leading man | politician | quartal chord | room | self-borrowing | wife

Flamingo Road (1949)

Appassionato1:19:10 - Dan argues with Lanearguing | chromatic parallelism | conflict | diminished 7th chord | harmonic sequence | husband | leading lady | leading man | passionate | politician | room | wife | yearning

Flamingo Road (1949)

Flamingo Road (Molto Expressivo)1:19:32 - Dan leavesconflict | husband | leading lady | leading man | leaving | politician | room | self-borrowing | tragic | wife

Flamingo Road (1949)

Flamingo Road (Triste)1:19:43 - Lane watches Dan leavealtered dominant | conflict | husband | leading lady | leading man | politician | room | self-borrowing | somber | waiting | wife

Flamingo Road (1949)

Somber Phone Call1:19:54 - Dan calls Lane from the stationcalling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife

Flamingo Road (1949)

Titus (Triste 2)1:20:10 - Dan and Lane talk on the phonecalling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife

Flamingo Road (1949)

Lane (Lonely)1:21:12 - Lane in her roomadvance plot | leading lady | lonely | mickey-mousing | pondering | rising | room | somber | waiting

Flamingo Road (1949)

Lane (Ominous)1:21:22 - A hand rings the doorbelladvance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

If I Could Be With You (Triste)1:22:18 - Field enters the housedeath scene | diminished 7th chord | drunk | drunk | foreign key modulation | leading lady | leading man | love interest | room | somber | stumbling

Flamingo Road (1949)

Underscoring (Somber)1:22:33 - Field stumbles through the housechromatic parallelism | conversing | death scene | drunk | drunk | leading lady | leading man | love interest | room | somber | underscoring

Flamingo Road (1949)

If I Could Be With You (Drunk)1:22:58 - Field and Lane talk about their past lovearguing | chromatic parallelism | death scene | diminished 7th chord | drunk | leading lady | leading man | love interest | room | somber

Flamingo Road (1949)

Titus (Ostinato 2)1:23:34 - Field and Lane talk about Titus and Danarguing | dark | death scene | dramatic | leading lady | leading man | love interest | ominous | ostinato | room | self-borrowing

Flamingo Road (1949)

Flamingo Road (Andante)1:24:05 - Lane goes to get a drink for Fieldaltered dominant | chromatic parallelism | dark | death scene | gentle | gunshot | hopeful | leading lady | leading man | love interest | mode mixture | room | self-borrowing | suicide | walking | warm

Flamingo Road (1949)

If I Could Be With You (Dead)1:24:41 - Lane sees Field has committed suicideaugmentation | death scene | discovering | gunshot | leading lady | leading man | love interest | reacting | room | suicide | surprise | tragic | violent

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense

Flamingo Road (1949)

Titus (Fragmented) + Titus 2 (Fragmented)1:29:47 - Lane confronts Titusarguing | climax | club | combination of themes | dark | fragmentation | inversion | leading lady | motivic transformation | mysterious | ominous | retrograde | self-borrowing | sheriff

Flamingo Road (1949)

Titus (Rising Tension)1:30:09 - Lane confronts Titusarguing | climax | club | dark | half-diminished 7th chord | leading lady | ominous | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Underscoring (Dramatic)1:30:24 - Lane pulls a gun on Titusarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | sheriff | stinger | threatening

Flamingo Road (1949)

Titus (Slowly)1:30:42 - Lane holds Titus at gunpointarguing | climax | club | dark | demanding | dramatic | gun | leading lady | ominous | self-borrowing | sheriff | telephone | threatening

Flamingo Road (1949)

Titus 2 (Ominous)1:30:55 - Titus pretends to make a phone callcalling | chromatic parallelism | climax | club | dark | deceiving | gun | leading lady | mysterious | self-borrowing | sheriff | telephone

Flamingo Road (1949)

Underscoring (Dramatic)1:31:15 - Titus attacks Laneattacking | breaking | chromatic parallelism | climax | club | dramatic | dropping | gun | leading lady | linear chromaticism | oscillation | sheriff | staggering | stinger | telephone | tense | throwing | underscoring

Flamingo Road (1949)

Breaking door1:31:19 - Titus throws the phone at Lanechromatic parallelism | climax | club | dramatic | gun | leading lady | mickey-mousing | sheriff | telephone | throwing

Flamingo Road (1949)

Lane staggers1:31:22 - Lane staggers after being hitclimax | club | dramatic | leading lady | mickey-mousing | oscillation | sheriff | staggering

Flamingo Road (1949)

Titus (Ostinato 3)1:31:25 - Titus holds a gun on Laneclimax | club | dramatic | fighting | gun | gunshot | leading lady | menacing | ostinato | self-borrowing | sequence | sheriff | struggling | tense | threatening

Flamingo Road (1949)

Titus (Climax)1:31:43 - Lane struggles with Tituschromatic parallelism | chromatic wedge | climax | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | self-borrowing | sequence | sheriff | struggling | tense

Flamingo Road (1949)

Struggling1:31:47 - Close-up on the gunclimax | close up | club | dramatic | fighting | gun | gunshot | leading lady | major 7th chord | mickey-mousing | oscillation | sheriff | struggling | tense

Flamingo Road (1949)

Titus 2 (Sinks)1:31:50 - Titus collapses to the floorclimax | club | death | dying | falling | gun | gunshot | leading lady | self-borrowing | sequence | sheriff | sinking | tragic

Flamingo Road (1949)

Flamingo Road (Appassionato)1:32:54 - Dan visits Lane in prisoncrying | embracing | foreign key modulation | husband | joyous | kissing | leading lady | leading man | pedal tone | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Flamingo Road (Dolce)1:33:08 - Dan and Lane embracecrying | dark | embracing | husband | kissing | leading lady | leading man | mode mixture | peaceful | prison | resolution | reuniting | self-borrowing | wife

Flamingo Road (1949)

Lute Mae (Delicato)1:33:28 - Lane smiles as Dan13th chord | added-note chord | crying | delicate | husband | kissing | leading lady | leading man | prison | resolution | reuniting | romance | self-borrowing | sentimental | wife

Flamingo Road (1949)

If I Could Be With You (Ecstatic)1:33:37 - Lane walks awayadded-note chord | altered dominant | artwork in score | chromatic parallelism | friend | husband | joyous | leading lady | leading man | leaving | prison | resolution | reuniting | romance | secondary dominant | The End | thematic transference | triumphant | wife
Hell on Frisco Bay (1955)Prison Gate0:01:25 - Steve exits the prison gateconductor score | establish character | friend | gate | leading lady | leading man | leaving | prison | serious | walking

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:02:01 - Marcia embraces Steveconductor score | embracing | establish character | friend | gentle | leading lady | leading man | street

Hell on Frisco Bay (1955)

The Very Thought of You0:21:51 - Marcia singing at a clubclub | conductor score | establish character | familiar tune | investigator | leading lady | leading man | on-screen music | pianist | popular music | romantic | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:23:26 - Marcia talks to Steveclub | conductor score | conversing | establish character | investigator | leading lady | leading man | on-screen music | pianist | playing | popular music | sentimental | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:44 - Steve packsadvance plot | conductor score | leading lady | leading man | packing | room | troubled

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:00 - Marcia entersadvance plot | conductor score | entering | leading lady | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Walking0:26:31 - Marcia walks to the dooradvance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking

Hell on Frisco Bay (1955)

Underscoring (Dramatic)0:27:50 - Steve fights Hammyaction scene | conductor score | dramatic | fighting | gangster | hurried | leading lady | leading man | room | strangling | tense | underscoring

Hell on Frisco Bay (1955)

Underscoring (Tense)0:28:03 - The gangsters leaveaction scene | conductor score | conversing | gangster | leading lady | leading man | leaving | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:28:43 - Marcia talks to Steveaction scene | conductor score | conversing | leading lady | leading man | leaving | room | somber

Hell on Frisco Bay (1955)

Menace 20:28:55 - Marcia reacts to Steve's commentaction scene | conductor score | conversing | leading lady | leading man | leaving | room | upset

Hell on Frisco Bay (1955)

Steve1:01:01 - Steve talks to Marciaconductor score | conversing | entering | gentle | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Underscoring (Subtle)1:01:30 - Marcia talks to Steveconductor score | conversing | gentle | leading lady | leading man | love scene | room | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:41 - Steve talks to Marciaconductor score | conversing | leading lady | leading man | love scene | room | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:01:53 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | somber

Hell on Frisco Bay (1955)

Menace1:02:28 - Steve talks to Marciaconductor score | conversing | dark | leading lady | leading man | love scene | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:02:45 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | romantic | room | tender

Hell on Frisco Bay (1955)

Pleading1:03:30 - Marcia talks to Steveconductor score | conversing | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:03:46 - Marcia talks to Steveconductor score | conversing | dark | leading lady | leading man | love scene | room | tender

Hell on Frisco Bay (1955)

It Had to Be You1:17:06 - Marcia sings at a clubadvance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:18:13 - Marcia and Steve talkcalm | club | conductor score | conversing | leading lady | leading man | love scene | source to score

Hell on Frisco Bay (1955)

Underscoring (Dark)1:19:09 - Marcia and Steve talkclub | conductor score | conversing | dark | leading lady | leading man | love scene | ominous | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:19:28 - Marcia talks to Steveclub | conductor score | conversing | gentle | grand | leading lady | leading man | love scene

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:28:48 - Marcia wakes up and answers the doorgentle | leading lady | room | turning point | waking

Hell on Frisco Bay (1955)

Kay1:29:11 - Steve enters with Kayarriving | entering | investigator | leading lady | leading man | love interest | room | somber | turning point | witness

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:29:23 - Marcia calls the policeagitated | calling | investigator | leading lady | leading man | leaving | love interest | room | turning point | witness

Hell on Frisco Bay (1955)

Underscoring (Tense)1:29:55 - Marcia talks to Kayconversing | leading lady | love interest | room | tense | turning point | witness

Hell on Frisco Bay (1955)

Steve1:33:17 - Marcia looks for Steveaction scene | dock | dramatic | leading lady | running | tense

Hell on Frisco Bay (1955)

Amato1:33:23 - Amato takes Marcia hostageaction scene | dock | gangster | inspector | kidnapping | leading lady | leading man | ominous | tense

Hell on Frisco Bay (1955)

Amato1:34:01 - Steve confronts Amatoaction scene | dock | dramatic | gangster | inspector | kidnapping | leading lady | leading man | tense

Hell on Frisco Bay (1955)

Amato1:34:08 - Steve confronts Amatoaction scene | dock | dramatic | gangster | gun | gunshot | inspector | kidnapping | leading lady | leading man | shooting | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:35:05 - The police arriveaction scene | arriving | conversing | dock | leading lady | police | tense | underscoring

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:36 - Steve goes to his wifearriving | dock | gentle | inspector | leading lady | leading man | romantic

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:37:52 - Steve and Marcia leave togetherdock | gentle | inspector | leading lady | leading man | peaceful | romantic | walking
In This Our Life (1942)Roy0:02:59 - Roy descends a staircaseconversing | daughter | delicate | establish character | father | gentle | greeting | leading lady | maid | room

In This Our Life (1942)

Stanley Introduction0:06:35 - A car arrivesarriving | car | conversing | establish character | leading lady | leading man | love interest | stinger | tense

In This Our Life (1942)

Stanley0:06:56 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley B0:07:06 - Stanley talks with Petercar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley0:07:23 - Stanley drives awaycar | conversing | establish character | leading lady | leading man | love interest | sultry

In This Our Life (1942)

Stanley (She Runs)0:07:32 - Stanley runs insidearriving | establish character | hurried | leading lady | mickey-mousing | room | running | street

In This Our Life (1942)

Stanley (Rubato)0:11:58 - Stanley talks with Royconversing | establish character | leading lady | mysterious | room | sister | stinger

In This Our Life (1942)

Roy (Dolce)0:12:06 - Roy talks with Stanleyconversing | establish character | gentle | leading lady | room | sister | sweet

In This Our Life (1942)

Expressivo0:12:28 - Stanley talks with Royconversing | establish character | expressive | leading lady | room | sister

In This Our Life (1942)

Underscoring (Tense)0:12:41 - Stanley leavesestablish character | leading lady | room | sister | stinger | tense | watching

In This Our Life (1942)

Roy (Triste)0:12:54 - Roy walks up the stairsestablish character | gentle | leading lady | room | somber | walking

In This Our Life (1942)

Caring0:13:08 - Roy talks to Peteradvance plot | conversing | leading lady | leading man | packing | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his tripadvance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy0:13:39 - Roy is relievedadvance plot | calm | conversing | leading lady | leading man | room

In This Our Life (1942)

Stanley (Divisi)0:13:57 - Roy helps Peter packadvance plot | conversing | leading lady | leading man | passionate | room

In This Our Life (1942)

Discussion0:14:09 - Roy talks with Peteradvance plot | conversing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peteradvance plot | conversing | dark | leading lady | leading man | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their futureadvance plot | conversing | dark | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | leading lady | leading man | room | tense

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradvance plot | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley (Maestoso)0:16:11 - Peter closes the dooradvance plot | brash | dark | leading lady | leading man | leaving | room | serious

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the windowadvance plot | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrivesadvance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley (Valse Triste)0:16:44 - Craig comes insideadvance plot | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asaadvance plot | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairsadvance plot | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Asa (Triste)0:21:45 - Asa arrives homearriving | conflict | father | leading lady | room | solemn | somber | tense

In This Our Life (1942)

Stanley (Con Moto)0:22:19 - Roy talks about Stanley's letterangry | bitter | conflict | conversing | father | leading lady | letter | room

In This Our Life (1942)

Roy (Risoluto)0:22:40 - Roy talks to Asaconflict | conversing | father | gentle | leading lady | room

In This Our Life (1942)

Expressivo (Extended)0:22:51 - Roy talks to Asaconflict | conversing | expressive | father | leading lady | room

In This Our Life (1942)

Roy (Grazioso)0:23:08 - Roy looks at herself in the mirrorconflict | conversing | father | leading lady | mysterious | room

In This Our Life (1942)

Caring0:23:19 - Asa talks to Royconflict | conversing | father | leading lady | room | sentimental | underscoring

In This Our Life (1942)

Asa (Ostinato)0:23:26 - Asa talks to Royconflict | conversing | dark | father | leading lady | room | serious

In This Our Life (1942)

Asa (Molto Expressivo)0:23:49 - Roy leavesconflict | dark | father | leading lady | leaving | room | somber

In This Our Life (1942)

South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Stanley0:28:32 - Roy walking in the parkadvance plot | dark | depressed | leading lady | leading man | park | sitting

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Pleadingly0:29:23 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Royadvance plot | conversing | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig upadvance plot | conversing | encouraging | leading lady | leading man | park | uplifting

In This Our Life (1942)

Roy0:30:21 - Craig talks to Royadvance plot | conversing | gentle | leading lady | leading man | park | sweet

In This Our Life (1942)

Here Comes the Bride (A Little Shimmer)0:31:40 - A convertiblecar | courthouse | happy | leading lady | leading man | leaving | street | wedding | wedding

In This Our Life (1942)

Stanley (Stringy)0:32:14 - Stanley and Peter in the carcar | conversing | leading lady | leading man | sultry | wedding | wedding

In This Our Life (1942)

Stanley (She Runs)0:32:24 - Stanley talks to Petercar | conversing | leading lady | leading man | playful | wedding | wedding

In This Our Life (1942)

Stanley (Shimmery)0:32:33 - Stanley smilescar | kissing | leading lady | leading man | magical | wedding | wedding

In This Our Life (1942)

Java Jive0:32:41 - A dance halldance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

This Time the Dream’s on Me0:33:03 - Stanley and Peter sit at a tableconversing | dance hall | dance scene | dancing | leading lady | leading man | on-screen music | popular music | source music | upbeat

In This Our Life (1942)

Flirting0:37:31 - Peter goes to Stanleyconversing | flirting | happy | leading lady | leading man | love scene | room

In This Our Life (1942)

Stanley (Grazioso)0:37:56 - Stanley talks to Peterconversing | flirting | happy | leading lady | leading man | love scene | pleasant | room | sultry

In This Our Life (1942)

Driving0:38:19 - Roy and Craig in a carcalm | car | conversing | driving | leading lady | leading man | love interest | love scene

In This Our Life (1942)

Driving + Love Theme0:39:07 - Roy and Craig in a carcalm | car | combination of themes | conversing | driving | leading lady | leading man | love interest | love scene | romantic

In This Our Life (1942)

Danger0:39:54 - A forest rangerconversing | danger | fire | forest ranger | leading lady | leading man | love interest | love scene | outdoors | tense

In This Our Life (1942)

Forest Fire0:40:10 - A forest fireconversing | dangerous | eerie | fire | leading lady | leading man | love interest | love scene | outdoors

In This Our Life (1942)

Love Theme (Molto Expressivo)0:40:44 - Roy and Craig sit on the groundcalm | conversing | fire | leading lady | leading man | love interest | love scene | outdoors | romantic

In This Our Life (1942)

Blues in the Night0:42:47 - Stanley puts a record on the phonographarguing | blues | conflict | leading lady | leading man | record player | room | source music | upbeat

In This Our Life (1942)

Blues in the Night (Transition)0:43:37 - Craig's office doorarriving | assistant | calm | friend | leading lady | love scene | office | pleasant | source to score

In This Our Life (1942)

Roy (Expressivo)0:43:43 - Roy talks with Parryassistant | calm | conversing | friend | leading lady | love scene | office | pleasant

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:44:06 - Roy and Craig embracecalm | conversing | leading lady | leading man | love scene | office | romantic | waltz

In This Our Life (1942)

Love Theme (Valse Sentimentale)0:46:31 - Roy talks with her uncleconversing | leading lady | leading man | love scene | pleasant | proposal | room | tender | uncle | waltz

In This Our Life (1942)

Funereal0:48:25 - Asa calls for the othersbad news | conversing | father | leading lady | leading man | room | solemn | stinger | turning point | uncle

In This Our Life (1942)

Underscoring (Somber)0:48:46 - Asa relates the bad newsbad news | conversing | father | leading lady | leading man | room | somber | turning point | uncle | underscoring

In This Our Life (1942)

Underscoring (Dark)0:49:21 - Asa tells them Peter committed suicideconversing | dark | father | leading lady | leading man | room | stinger | suicide | turning point | uncle | underscoring

In This Our Life (1942)

Stanley B (Agitato)0:49:32 - Uncle Fitzroy asks about Stanleyagitated | arguing | father | leading lady | leading man | room | suicide | tense | turning point | uncle

In This Our Life (1942)

Roy (Morendo 2)0:49:54 - Roy reacts to the bad newsconversing | father | leading lady | leading man | room | serious | somber | suicide | turning point | uncle

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanleyadvance plot | arriving | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedsideadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:56 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley criesadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:53:23 - Roy comforts Stanleyadvance plot | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanleyadvance plot | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanleyadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bedadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Roy0:54:15 - Roy tucks Stanley inadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Blues in the Night0:54:51 - Stanley dressesadvance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow

In This Our Life (1942)

How Do I Know It’s Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Uncle Fitzroy1:04:26 - Uncle Fitzroy talks to Stanleyconflict | conversing | crying | dancing | flirting | leading lady | room | solemn | uncle | widow

In This Our Life (1942)

Anger1:04:56 - Stanley gets angryangry | arguing | conflict | leading lady | leaving | room | running | tense | uncle | upset | widow | yelling

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Stanley Introduction (Appassionato)1:07:01 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leavesadvance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

South American Way1:07:39 - Stanley in a baradvance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting

In This Our Life (1942)

Driving + Stanley1:08:53 - Stanley drivingcar | car | child | combination of themes | crime scene | criminal | driving | drunk | leading lady | mysterious | street | tense | uneasy | victim | walking

In This Our Life (1942)

Underscoring (Dramatic)1:09:01 - Stanley has an accidentcar | child | crashing | crime scene | criminal | dramatic | driving | drunk | leading lady | street | victim

In This Our Life (1942)

Car crash1:09:01 - Stanley hits two pedestriansaccident | car | car crash | crashing | crime scene | criminal | dramatic | driving | drunk | dying | falling | hit and run | leading lady | mickey-mousing | street | victim

In This Our Life (1942)

Turning around1:09:06 - Stanley turns aroundaccident | car | car crash | crime scene | criminal | dramatic | drunk | glaring | hit and run | leading lady | mickey-mousing | stinger | street | turning

In This Our Life (1942)

Driving1:09:12 - Stanley drives awayaccident | car | car | car crash | crime scene | criminal | driving | drunk | fleeing | hit and run | leading lady | mysterious | tense

In This Our Life (1942)

Underscoring (Tense)1:09:25 - Policemen approach the housearriving | conversing | criminal | investigation scene | leading lady | mysterious | police | room | tense | walking | watching

In This Our Life (1942)

Stanley1:09:49 - Policemen enter the housearriving | conversing | criminal | investigating | investigation scene | leading lady | mysterious | police | room | sneaking | tense | walking | watching

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Royadvance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Royadvance plot | calm | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

Stanley (Packing)1:14:36 - Newspaper headline about the accidentarriving | conflict | conversing | headline | lawyer | leading lady | leading man | mysterious | newspaper | office

In This Our Life (1942)

Underscoring (Tense)1:15:04 - Craig refuses Parry's caseconflict | conversing | denying | lawyer | leading lady | leading man | office | ominous | refusing | tritone | underscoring

In This Our Life (1942)

Stanley (Molto Accell)1:15:15 - Craig talks about Stanleyanxious | conflict | conversing | defending | denying | lawyer | leading lady | leading man | office | refusing | tense

In This Our Life (1942)

Roy (Molto Modto)1:15:51 - Roy leavesangry | conflict | lawyer | leading lady | leading man | leaving | office

In This Our Life (1942)

You’re a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Autumn Nocturne1:17:45 - Stanley puts on a recordaccusing | arguing | conflict | criminal | defending | leading lady | lying | popular music | record player | room | sentimental | source music

In This Our Life (1942)

Underscoring (Tense)1:20:10 - Craig's car pulls up to the jailarriving | car | car | conflict | conversing | criminal | lawyer | leading lady | leading man | street | tense | underscoring | uneasy

In This Our Life (1942)

Stanley (Slowly 2)1:20:46 - Men playing checkerscheckers | conflict | criminal | dark | game | lawyer | leading lady | leading man | playing | prison | prisoner | somber | suspect | victim

In This Our Life (1942)

Underscoring (Somber)1:21:07 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | prison | prisoner | somber | suspect | underscoring | victim

In This Our Life (1942)

Minerva and Parry1:21:28 - Parry in his jail cellconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | somber | suspect | tender | testifying | victim

In This Our Life (1942)

Minerva and Parry (Triste)1:22:39 - Parry talks to Stanleyconflict | conversing | criminal | lawyer | leading lady | leading man | lying | prison | prisoner | solemn | somber | suspect | testifying | victim

In This Our Life (1942)

Stanley Introduction (Extended 4)1:23:09 - Stanley and Craig leave the jailcar | conflict | criminal | lawyer | leading lady | leading man | leaving | street | tense

In This Our Life (1942)

London Bridge is Falling Down (Molto Expressivo)1:23:33 - Craig talks to Stanleycar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | somber

In This Our Life (1942)

London Bridge is Falling Down (Mysterious)1:23:45 - Craig and Stanley arguecar | children’s song | conflict | conversing | criminal | familiar tune | lawyer | leading lady | leading man | lying | mysterious | ominous

In This Our Life (1942)

Stanley (Agitato)1:25:21 - Craig talks to Stanleyagitated | climax | conversing | criminal | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Underscoring (Tense) + South American Way1:25:34 - Stanley reactsaccusing | climax | criminal | father | lawyer | leading lady | leading man | lying | mother | mysterious | ominous | remembered source music | remembering | room | source and scoring overlap | source music | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Valse Triste)1:26:23 - Stanley confessesarguing | climax | confessing | confession | criminal | crying | dramatic | father | lawyer | leading lady | leading man | mother | room | suspect

In This Our Life (1942)

Stanley B (Slowly Extended)1:26:39 - Stanley confessesagitated | arguing | climax | confessing | confession | criminal | crying | father | lawyer | leading lady | leading man | lying | mother | room | suspect

In This Our Life (1942)

Expressivo (Extended 2)1:27:04 - Lavinia risesarguing | climax | criminal | emotional | father | lawyer | leading lady | leading man | mother | pleading | room | suspect

In This Our Life (1942)

Underscoring (Tense)1:27:23 - Stanley reactsclimax | conversing | criminal | father | lawyer | leading lady | leading man | mother | plotting | room | suspect | tense | underscoring

In This Our Life (1942)

Stanley (Extended)1:27:33 - Stanley goes upstairsclimax | conversing | criminal | crying | father | lawyer | leading lady | leading man | mother | room | somber | suspect | uneasy

In This Our Life (1942)

Love Theme (Gentle)1:27:58 - Roy talks to Craigaccusing | climax | conversing | criminal | crying | embracing | gentle | lawyer | leading lady | leading man | room | sneaking | tender

In This Our Life (1942)

Underscoring (Dramatic)1:28:57 - Stanley escapesclimax | criminal | dramatic | driving | escaping | lawyer | leading lady | leading man | room | underscoring | watching

In This Our Life (1942)

Driving1:29:17 - Stanley driving her carcriminal | driving | escaping | leading lady | street | tense | transition

In This Our Life (1942)

Stanley B (Agitato)1:29:27 - Stanley runs insideagitated | butler | criminal | leading lady | room | running | street | transition

In This Our Life (1942)

Stanley (Triste)1:29:42 - Stanley enters the houseagitated | criminal | leading lady | room | running | somber | tense | transition | uncle

In This Our Life (1942)

Anger (Agitato)1:31:34 - Stanley yells at her uncleagitated | angry | arguing | conflict | criminal | distressed | leading lady | room | uncle | yelling

In This Our Life (1942)

Maestoso1:31:51 - Stanley runs off cryingconflict | criminal | crying | departing | dramatic | leading lady | room | running | street | uncle | yelling

In This Our Life (1942)

Stanley B (Agitato Extended)1:32:15 - Stanley hides from the policeagitated | conflict | criminal | hiding | leading lady | mysterious | police | room | running | rushing | street

In This Our Life (1942)

Underscoring (Dramatic)1:32:30 - Stanley dashes through the gateconflict | criminal | dramatic | hiding | leading lady | police | running | rushing | street | underscoring

In This Our Life (1942)

Police (Chase)1:32:36 - Stanley runs for her carconflict | criminal | driving | fleeing | hiding | leading lady | police | running | rushing | street | tense

In This Our Life (1942)

Stanley (Chase)1:32:59 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Fleeing)1:33:12 - The police chase after Stanleychase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:33:29 - Two other policeman see Stanleychase scene | chasing | climax | criminal | dark | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring | watching

In This Our Life (1942)

Stanley (Crying)1:33:37 - Stanley crying in her carchase scene | chasing | climax | criminal | crying | dark | dramatic | driving | fleeing | leading lady | police | somber | street | tense

In This Our Life (1942)

Stanley B (Rising Tension)1:33:49 - The police in hot pursuitchase scene | chasing | climax | criminal | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Stanley (Desperate)1:34:02 - The police in hot pursuitchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense

In This Our Life (1942)

Underscoring (Dramatic)1:34:09 - Stanley's eyes in the rear-view mirrorchase scene | chasing | climax | criminal | crying | desperate | dramatic | driving | fleeing | leading lady | police | street | tense | underscoring

In This Our Life (1942)

Car crash 21:34:17 - Stanley's car crashesbrash | car | car crash | chase scene | climax | crashing | criminal | dramatic | driving | dying | falling | fire | leading lady | mickey-mousing | police | street | tense

In This Our Life (1942)

Stanley (Tragic)1:34:28 - Police run to Stanley's carbrash | car | car crash | chase scene | climax | criminal | dramatic | dying | fire | helping | leading lady | mournful | police | reporting | rescuing | rushing | somber | street | tragic

In This Our Life (1942)

Love Theme (Slowly)1:35:39 - Craig answers a phone callcomforting | conversing | leading lady | leading man | resolution | room | solemn | somber | tender | The End
The Informer (1935)Underscoring (Subtle)0:04:22 - Close-up on Katieestablish character | leading lady | linear chromaticism | mysterious | staring | street | underscoring

The Informer (1935)

Katie0:04:31 - Katie walks down the streetestablish character | foreign key modulation | leading lady | parallelism | seductive | staring | street | sultry | walking

The Informer (1935)

Match strike0:05:03 - Man strikes a match on the lamp postestablish character | leading lady | lighting | match | mickey-mousing | playful | street

The Informer (1935)

Underscoring (Tense)0:05:04 - Gypo sees the man and walks towards himestablish character | leading lady | leading man | mysterious | street | tense | underscoring | walking | whole-tone

The Informer (1935)

Blowing smoke0:05:16 - Man blows smoke into Katie's faceblowing | establish character | leading lady | mickey-mousing | mysterious | smoke | street | whole-tone

The Informer (1935)

Katie Calls Gypo0:05:38 - Katie says Gypo's nameconversing | diminished 7th chord | dissonant bass | establish character | leading lady | leading man | mickey-mousing | somber | staring | street

The Informer (1935)

Katie (Tired and Sad)0:05:49 - Katie talks to Gypoconversing | crying | diminished 7th chord | establish character | leading lady | leading man | parallelism | Scotch snap | sobbing gesture | somber | street

The Informer (1935)

Yankee Doodle (Octatonic)0:06:21 - Katie looks at the poster about a trip to AmericaAmerican | comical | conversing | dark | diminished 7th chord | establish character | leading lady | leading man | octatonic | parallelism | patriotic tune | source music | street

The Informer (1935)

Katie (Hurt)0:06:58 - Katie is upset with Gypo and walks away upsetagitated | chromatic scale | crying | establish character | leading lady | leading man | leaving | street | tritone | upset

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

Katie (Mistaken Identity)0:52:34 - Gypo thinks he sees Katie, but it's someone elseadvance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear

The Informer (1935)

The Informer (Drunk)1:03:23 - Gypo walks down the street drunkadvance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin’ o’ the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying

The Informer (1935)

Blood Money (Ostinato)1:22:00 - Gypo confesses to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | money | ostinato | room | tense | traitor | whole-tone

The Informer (1935)

Katie (Allegro Appassionato)1:22:20 - Gypo talks to Katieantagonist | confessing | leading lady | leading man | love interest | love scene | room | sequence | tense | traitor

The Informer (1935)

By the fire1:22:36 - Gypo rests by the fireantagonist | half-diminished 7th chord | leading lady | leading man | love interest | love scene | romantic | room | suspension | traitor | yearning

The Informer (1935)

Katie (Dolcissimo)1:22:57 - Gypo talks to Katieantagonist | chromatic sequence | leading lady | leading man | love | love interest | love scene | romantic | room | traitor | yearning

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Begging)1:25:50 - Katie pleads for Gypoadvance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Sympathetic)1:26:35 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord
Key Largo (1948)Largo Hotel (Quasi Misterioso)0:11:00 - Frank and Nora talk in the hotelconversing | establish character | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco 20:11:30 - Frank and Nora talk about Roccoconversing | establish character | harsh | hotel | leading lady | leading man

Key Largo (1948)

McCloud0:11:41 - Nora talks about her husband Georgeconversing | establish character | heroic | hotel | leading lady | leading man | memorializing | noble

Key Largo (1948)

Rocco 2 (Subito)0:12:07 - Nora sees Curlydangerous | establish character | gangster | hotel | leading lady | mysterious | watching

Key Largo (1948)

McCloud (Misterioso)0:12:13 - Nora walks downstairsestablish character | gangster | hotel | leading lady | mysterious | walking | watching

Key Largo (1948)

Underscoring (Somber)0:13:51 - Frank talks with Mr. Templeadvance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring

Key Largo (1948)

McCloud (Noble)0:14:28 - Frank talks about George and the waradvance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war

Key Largo (1948)

McCloud (Tense)0:14:56 - Nora and Frank talk about Georgeadvance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war

Key Largo (1948)

McCloud (Molto Expressivo)0:15:36 - Frank and Mr. Temple talk about Georgeadvance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

Burial Place0:16:11 - Frank talks about George's burial placeadvance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

McCloud (Bugle Call) + Taps0:16:31 - Mr. Temple asks Frank about George's burial placeadvance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war

Key Largo (1948)

McCloud (Broad)0:17:00 - Nora and Frank go outsideadvance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war

Key Largo (1948)

Nora0:17:32 - Nora and Frank walk to the boatconversing | dock | falling in love scene | leading lady | leading man | romantic | triadic | wind

Key Largo (1948)

Nora (Nervous)0:17:53 - Nora sees the gangstersconversing | dock | falling in love scene | gangster | leading lady | leading man | nervous | wind

Key Largo (1948)

Wind0:18:21 - Frank helps prepare for the stormconversing | dock | falling in love scene | gangster | leading lady | leading man | storm | tense | wind

Key Largo (1948)

Tosses rope0:18:32 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | rope | tense | throwing

Key Largo (1948)

Nora (Con Moto)0:18:40 - Nora smiles at Frankdock | falling in love scene | leading lady | leading man | romantic | smiling | watching

Key Largo (1948)

Tosses rope 20:18:47 - Frank tosses the rope to Noradock | falling in love scene | leading lady | leading man | mickey-mousing | romantic | rope | throwing

Key Largo (1948)

Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

McCloud (Noble)0:21:22 - Nora and Frank talk about her lifeadvance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling

Key Largo (1948)

Rocco 3 (Misterioso)0:28:45 - Sawyer starts moaning in the other roomboss | conflict | gangster | gun | hostage | hotel | leading lady | leading man | menacing | mysterious | threatening

Key Largo (1948)

Rocco (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut from Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

TensionNIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco (Tense 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Misterioso)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 3 (Cut From Film 2)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

McCloud (Cut From Film)NIF - not in filmboss | conversing | cut from film | cut from film | father | gangster | hostage | hotel | leading lady | leading man

Key Largo (1948)

Rocco 2 (Slowly) + McCloud (Tritone)0:32:57 - McCloud quotes FDRangry | boss | combination of themes | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | mysterious | quoting | stinger

Key Largo (1948)

Underscoring (Dramatic)0:33:17 - Mr. Temple rises to attack Roccoangry | arguing | attacking | boss | conflict | dramatic | father | gangster | hostage | hotel | laughing | leading lady | leading man | tense | underscoring

Key Largo (1948)

Falling0:33:38 - Mr. Temple falls to the groundangry | boss | conflict | dramatic | falling | father | gangster | hostage | hotel | landing | leading lady | leading man | mickey-mousing | tense

Key Largo (1948)

Underscoring (Dramatic)0:33:43 - Nora rises to attack Roccoangry | attacking | boss | conflict | dramatic | father | gangster | hitting | horror | hostage | hotel | kissing | leading lady | leading man | tense | underscoring | violence

Key Largo (1948)

Rocco 20:33:53 - Rocco talks to Noraboss | conflict | dangerous | father | gangster | hostage | hotel | leading lady | leading man | mysterious | threatening

Key Largo (1948)

McCloud (Tragic)0:34:05 - McCloud and Nora help Mr. Temple upboss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber

Key Largo (1948)

Rocco 30:39:45 - Rocco looks at Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mysterious | tense | watching

Key Largo (1948)

Rocco Whispers0:39:53 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Rocco 30:40:06 - Rocco follows Noraboss | conflict | creepy | father | following | gangster | hostage | hotel | leading lady | leading man | mysterious | tense

Key Largo (1948)

Rocco Whispers0:40:10 - Rocco whispers to Noraboss | conflict | creepy | father | gangster | hostage | hotel | leading lady | leading man | mickey-mousing | mysterious | tense | whispering

Key Largo (1948)

Underscoring (Dramatic)0:40:21 - Nora spits in Rocco's faceangry | boss | conflict | father | gangster | hostage | hotel | leading lady | leading man | spitting | staring | stinger | underscoring

Key Largo (1948)

McCloud (Dissonant)0:40:25 - McCloud walks over to Noraangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | protecting

Key Largo (1948)

Rocco 3 (Angry)0:40:32 - Rocco gets angryangry | boss | conflict | dramatic | father | gangster | hostage | hotel | leading lady | leading man | stinger | taunting

Key Largo (1948)

Rocco 2 (Agitato)0:46:26 - Look of horror on Gaye's faceboss | conflict | father | fear | gangster | horror | hostage | hotel | leading lady | leading man | look of horror | moll | stinger | watching

Key Largo (1948)

Underscoring (Tense)0:46:30 - Rocco tells McCloud to shoot himboss | conflict | conversing | father | gangster | hostage | hotel | leading lady | leading man | moll | tense | underscoring

Key Largo (1948)

Rocco 3 (Shrill)0:46:38 - Rocco mocks McCloudboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening

Key Largo (1948)

Tension (Violent)0:46:44 - McCloud decides whether to shootboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | tense | threatening | violence | violent

Key Largo (1948)

Rocco + Tension0:46:48 - Rocco's grinning faceboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

Rocco 3 + Tension + Laughing0:46:53 - Gangsters laugh at McCloudboss | combination of themes | conflict | dangerous | father | gangster | gun | hostage | hotel | laughing | leading lady | leading man | mocking | moll | tense | violence | violent

Key Largo (1948)

Tosses gun0:47:06 - McCloud tosses the gun onto a chairboss | conflict | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense | tossing | violence

Key Largo (1948)

Rocco 3 (Extended)0:47:08 - Mr. Temple asks for the gunboss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | moll | staring | tense | threatening | violence | violent

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber

Key Largo (1948)

Scrambling0:47:31 - Deputy runs for the gun boss | conflict | dangerous | father | gangster | gun | hostage | hotel | leading lady | leading man | mickey-mousing | moll | running | scrambling | tense | violent

Key Largo (1948)

Rocco (Conflict)0:47:39 - Gaye looks terrifiedboss | conflict | danger | father | fear | gangster | gun | horror | hostage | hotel | leading lady | leading man | look of horror | moll | staring | stinger | threatening | violence

Key Largo (1948)

Underscoring (Dramatic)0:48:10 - Rocco shoots Deputy Sawyerboss | conflict | death | dramatic | father | fear | gangster | gun | gunshot | horror | hostage | hotel | leading lady | leading man | look of horror | moll | shooting | stinger | tense

Key Largo (1948)

Falling and dying0:48:19 - Deputy Sawyer falls dead off-screenboss | conflict | death | dramatic | dying | falling | father | gangster | gun | gunshot | hostage | hotel | leading lady | leading man | mickey-mousing | moll | tense

Key Largo (1948)

Ominous0:51:32 - Lights begin to go out in the hotelboss | conversing | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll | ominous | preparing | storm | tense

Key Largo (1948)

Expressivo0:52:37 - Mr. Temple is helped down the stairsadvance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs

Key Largo (1948)

Rocco 2 (Menacing)0:52:59 - Rocco stares at McCloud and Noraadvance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring

Key Largo (1948)

Moanin’ Low0:56:55 - Gaye sings "Moanin' Low"awkward | blues | bluesy | boss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | on-screen music | singer | singing | source music

Key Largo (1948)

Moanin’ Low (Quasi Appassionato)0:58:38 - McCloud gets a drink for Gayealcohol | bluesy | boss | crying | develop character | familiar tune | father | gangster | helping | hostage | hotel | leading lady | leading man | moll | somber | source to score

Key Largo (1948)

Moanin’ Low (Tense)0:59:24 - Gaye takes a drinkalcohol | boss | develop character | drinking | familiar tune | father | gangster | hostage | hotel | leading lady | leading man | moll | slapping | tense | whole-tone

Key Largo (1948)

Underscoring (Tense)0:59:37 - McCloud and Gaye exchange glancesboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | staring | tense | underscoring

Key Largo (1948)

Rocco Pacing1:02:01 - Rocco paces back and forthboss | develop character | father | gangster | hostage | hotel | leading lady | leading man | moll | nervous | ominous | pacing | sinister | walking

Key Largo (1948)

Rocco 3 (Nervous)1:02:52 - Rocco yells at Gayearguing | boss | dark | develop character | father | gangster | hostage | hotel | leading lady | leading man | menacing | moll

Key Largo (1948)

McCloud (Molto Expressivo)1:07:31 - McCloud wakes Nora after the stormconversing | gentle | hotel | leading lady | leading man | love interest | love scene | resting | romance | waking | warm

Key Largo (1948)

McCloud (Delicato)1:08:14 - McCloud talks with Noraconversing | delicate | father | gentle | hotel | leading lady | leading man | love interest | love scene | warm

Key Largo (1948)

Underscoring (Tense)1:18:47 - They all walk to another roomboss | father | gangster | hostage | hotel | investigation scene | leading lady | leading man | moll | obeying | tense | underscoring

Key Largo (1948)

Rocco Whispers1:24:08 - Rocco whispers in Nora's earadvance plot | boss | gangster | hotel | leading lady | mysterious | tense | whispering

Key Largo (1948)

McCloud (Slowly)1:24:14 - McCloud and Nora exchange glancesadvance plot | hotel | leading lady | leading man | looking | love interest | somber

Key Largo (1948)

Rocco (Leaving)1:25:33 - Gangsters leave the hotel with McCloudadvance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking

Key Largo (1948)

Rocco (Tense)1:25:49 - Gangsters leave to board the boatadvance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking

Key Largo (1948)

Hurrying1:26:02 - Gangsters walk to the boatadvance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking

Key Largo (1948)

Underscoring (Dramatic)1:26:10 - Gangsters board the boat with McCloudadvance plot | boarding | boss | dock | dramatic | gangster | hostage | leading lady | leading man | moll | storm | tense | underscoring | wind

Key Largo (1948)

Underscoring (Somber)1:27:42 - Nora and Gaye enter the hoteladvance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking

Key Largo (1948)

McCloud (Tense)1:27:56 - Mr. Temple tries to make a phone calladvance plot | conversing | father | hotel | leading lady | moll | somber

Key Largo (1948)

Moanin’ Low (Triste)1:38:30 - Gaye leavesfamiliar tune | father | hotel | leading lady | moll | resolution | somber | thinking | waiting

Key Largo (1948)

Relief1:38:40 - Nora answers the phoneanswering | hopeful | hotel | leading lady | leading man | relieved | resolution | telephone

Key Largo (1948)

McCloud (Tenderly)1:39:12 - Nora tells her father the good newsfather | hopeful | hoping | hotel | leading lady | light | opening | relieved | resolution | sunlight | thinking | window
The Letter (1940)Hammond A (Mysterioissimo)0:04:42 - Worker looks around the roomhome | leading lady | light | looking | murder scene | mysterious | oscillation | parallel fifths | servant | turning on

The Letter (1940)

Hammond A (Crying)0:04:55 - Leslie cries in the other roomcrying | home | leading lady | murder scene | mysterious | oscillation

The Letter (1940)

Underscoring (Tense)0:12:42 - Leslie relates the situation before the murderadvance plot | home | leading lady | recounting | tense | underscoring

The Letter (1940)

Hammond A (The Story)0:13:14 - Leslie says she loves Robertadvance plot | home | leading lady | lying | recounting | tense | whole-tone

The Letter (1940)

Hammond A (Deception)0:13:28 - Leslie gets emotional and talks about the struggleadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | passionate | recounting | sequence

The Letter (1940)

Hammond A (Risoluto)0:14:07 - Leslie gets back up to continue her storyadvance plot | augmented triad | dramatic | fragmentation | home | leading lady | parallelism | pc set | polychord | recounting | tense

The Letter (1940)

Hammond A (Tragic)0:14:31 - Leslie tells her storyadvance plot | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:14:42 - Leslie tells her storyadvance plot | dramatic | emotional | home | leading lady | point of view | recounting | sequence

The Letter (1940)

Letter (Sarcastic)0:15:10 - Men accept Leslie's storyadvance plot | chromatic sequence | conversing | home | leading lady | mysterious

The Letter (1940)

Letter 20:15:28 - Robert comforts Leslieadvance plot | comforting | crying | gentle | home | leading lady | murder | pedal tone

The Letter (1940)

Murder0:18:36 - Howard explains that Leslie could be charged with murderadvance plot | eating | home | leading lady | murder | mysterious | stinger | tense

The Letter (1940)

Hammond A (Shimmery)0:18:55 - Leslie stares at the moonhome | leading lady | love scene | moon | mysterious | oscillation | sequence | staring

The Letter (1940)

Hammond B (Screwyoso)0:19:26 - Leslie closes the blindsdramatic | emotional | home | leading lady | love scene | sequence | walking

The Letter (1940)

Letter (Sarcastic)0:19:45 - Leslie looks at Robertchromatic sequence | glance | home | leading lady | longing | love scene | mysterious | staring

The Letter (1940)

Letter 20:20:07 - Robert embraces Leslieembracing | home | husband | leading lady | love scene | pedal tone | romantic

The Letter (1940)

Kiss0:20:33 - Robert kisses Lesliehome | husband | kissing | leading lady | love scene | romantic | suspension

The Letter (1940)

Hammond A (Delicato)0:21:46 - Men admire needlepointadvance plot | conversing | delicate | gentle | home | lacework | lawyer | leading lady | oscillation | polychord | sequence

The Letter (1940)

Hammond A (The Story)0:22:26 - Leslie speaks with Howardadvance plot | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone chord

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | home | lawyer | leading lady | leaving | mysterious | passionate

The Letter (1940)

Hammond A (Ominous)0:22:58 - Leslie leaves the house and Mrs. Hammond appearsadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Hammond A (Walking)0:30:58 - Leslie leaves the cell to go to the visiting roomadvance plot | leading lady | mysterious | parallelism | prison | walking

The Letter (1940)

Hammond A (Tense)0:34:20 - Howard tells Leslie about the letterconversing | lawyer | leading lady | letter | parallelism | pivotal scene | prison | suspenseful | tense

The Letter (1940)

Deception0:34:35 - Leslie lies about the letterchromatic | deception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Deception)0:34:47 - Leslie starts to worry about the letteraugmented triad | chromatic parallelism | combination of themes | deception | denying | lawyer | leading lady | letter | lying | pivotal scene | prison | reading | sequence | tense

The Letter (1940)

Hammond A (Risoluto)0:35:11 - Leslie decides how to defend her having written the letterarguing | augmented triad | deception | fragmentation | lawyer | leading lady | letter | lying | parallelism | pc set | pivotal scene | polychord | prison | tense

The Letter (1940)

Denial0:35:39 - Leslie denies writing the letteraugmented triad | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Letter (Agitato)0:36:08 - Leslie changes her mind and admits to having written the letterdeception | lawyer | leading lady | letter | lying | pc set | pivotal scene | prison | sequence | tense

The Letter (1940)

Letter (Frantic)0:36:16 - Leslie defends her actions as having written the letterchromatic sequence | deception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Underscoring (Tense)0:36:22 - Leslie explains why she wrote the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense

The Letter (1940)

Hammond A (The Story)0:36:42 - Leslie tells Howard more lies about the letterdeception | lawyer | leading lady | letter | lying | pivotal scene | prison | tense | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:36:53 - Howard takes out the letterdeception | denying | lawyer | leading lady | letter | ominous | pivotal scene | prison | tense | tritone

The Letter (1940)

Hammond A (Risoluto)0:37:07 - Howard reads the letter to Leslieanxious | augmented triad | buildup | fearful | fragmentation | lawyer | leading lady | letter | parallelism | pc set | pivotal scene | polychord | prison | reading | tense

The Letter (1940)

Hammond A (Tragic)0:37:21 - Howard talks to Leslieanxious | climax | conversing | fearful | lawyer | leading lady | letter | oscillation | pivotal scene | prison | sequence | tense

The Letter (1940)

Hammond B (Screwyoso)0:37:34 - Howard talks to Leslieanxious | chromatic sequence | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Shimmery)0:37:54 - Howard talks to Leslieanxious | conversing | fearful | lawyer | leading lady | letter | pivotal scene | prison | stinger | tense

The Letter (1940)

Collapse0:38:20 - Leslie collapses on the groundanxious | collapsing | fainting | falling | fearful | lawyer | leading lady | letter | mickey-mousing | pivotal scene | prison | tense

The Letter (1940)

Hammond A (Resigned)0:38:57 - Howard talks to Leslie in the hospitaladvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence

The Letter (1940)

Hammond B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Hammond A (Plotting)0:39:32 - Howard and Leslie plot their next moveadvance plot | buildup | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honestadvance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Hammond A (Despair)0:40:33 - Leslie despairsadvance plot | anxious | conversing | despair | hospital | lawyer | leading lady | letter | oscillation | tense

The Letter (1940)

Hammond A (Deception)0:40:57 - Howard says he doesn't despise Leslieadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Letter 20:41:12 - Howard says he will do what he can to help Leslieadvance plot | calm | crying | deception | hospital | lawyer | leading lady | letter | pedal tone | somber | tender

The Letter (1940)

Letter 2 (Triste)0:42:17 - Howard disapproves of Leslie's lack of faithfulness to her husbandadvance plot | calm | crying | hospital | lawyer | leading lady | letter | pedal tone | resolution | somber | tender

The Letter (1940)

Sociable0:48:42 - People having dinnercheerful | conversing | dinner | happy | home | husband | lacework | lawyer | leading lady | party

The Letter (1940)

Hammond A (Uneasy)0:49:41 - They discuss the trialdinner | home | husband | lawyer | leading lady | planning | tense | tone cluster | trial | whole-tone chord

The Letter (1940)

Sociable (Ending)0:49:58 - Pleasant conversationcheerful | conversing | dinner | happy | home | husband | lawyer | leading lady | reverse picardy

The Letter (1940)

Lento Mysterioso0:50:37 - They plan to get the letteradvance plot | home | lawyer | leading lady | mysterious | pedal tone | planning | sad

The Letter (1940)

Lento Mysterioso (Expressivo)0:51:14 - Howard is upset about committing a crimeadvance plot | dark | home | lawyer | leading lady | planning

The Letter (1940)

Hammond A (Ominous)0:51:41 - Leslie and Howard sitting in the roomadvance plot | call and response | home | lawyer | leading lady | ominous | thinking

The Letter (1940)

Mrs. Hammond0:51:49 - Howard and Leslie wait for Ong Chi Sengadvance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting

The Letter (1940)

Hammond A (Delicato)0:52:07 - Howard and Leslie talk about laceworkadvance plot | conversing | home | lacework | lawyer | leading lady | mysterious | oscillation

The Letter (1940)

Hammond B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond A (Tragic)0:52:55 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond B (Screwyoso)0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | oscillation | tense

The Letter (1940)

Hammond A (Leaving)0:53:20 - Howard and Leslie leave the housefragmentation | lawyer | leading lady | leaving | mysterious | plantation | transition

The Letter (1940)

Hammond A (Screwyoso)0:53:35 - Howard and Leslie walk awaycall and response | lawyer | leading lady | leaving | plantation | tense | transition

The Letter (1940)

Mrs. Hammond (Grandioso)0:53:54 - Howard and Leslie drive to meet with Mrs. Hammondantagonist | Chinese | Chinese | driving | lawyer | leading lady | mysterious | open fifth | parallel fifths | pentatonic | plantation | transition

The Letter (1940)

Chinese Quarter0:54:15 - Howard and Leslie enter the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | driving | exotic | exoticism | lawyer | leading lady | parallelism | pentatonic | setting | transition

The Letter (1940)

Chinese Shop0:55:30 - Howard and Leslie enter a shop in the Chinese Quarterantagonist | Chinatown | Chinese | Chinese | exotic | exoticism | lawyer | layering | leading lady | Lydian mode | mysterious | open fifth | parallelism | polytonality | quintal chord | tense | transition | waiting | walking

The Letter (1940)

Mrs. Hammond (Mysterioso)0:56:29 - Howard and Leslie wait in the shopantagonist | Chinatown | Chinese | Chinese | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Dagger)0:57:04 - Leslie looks at a Chinese daggerantagonist | Chinatown | Chinese | Chinese | dagger | exotic | lawyer | leading lady | mysterious | open fifth | parallelism | pentatonic | polytonality | shop | tense | transition | waiting

The Letter (1940)

Mrs. Hammond (Slowly)0:57:27 - Howard and Leslie walk into the back roomantagonist | Chinatown | Chinese | Chinese | conflict | lawyer | leading lady | mysterious | pentatonic | quintal chord | shop | walking

The Letter (1940)

Glass Curtains0:59:08 - Mrs. Hammond enters through the glass curtainantagonist | Chinatown | Chinese | chromaticism | conflict | curtain | entering | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | waiting

The Letter (1940)

Mrs. Hammond (Glass Curtains)1:00:13 - Leslie pays Mrs. Hammondantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | paying | pentatonic | polyrhythm | shop | staring | tense | tinkling | waiting

The Letter (1940)

Hammond A (Glass Curtains)1:01:27 - Leslie removes the shawl from her headantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | conversing | curtain | glass | lawyer | layering | leading lady | mysterious | oscillation | ostinato | polyrhythm | sequence | shop | staring | tense | tinkling | waiting

The Letter (1940)

Hammond B (Glass Curtains)1:01:57 - Leslie approaches Mrs. Hammond with the moneyantagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling | walking

The Letter (1940)

Glass Curtains1:02:21 - Leslie faces Mrs. Hammond, then Mrs. Hammond throws down the letterantagonist | Chinatown | Chinese | conflict | confronting | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | polyrhythm | shop | staring | tense | tinkling

The Letter (1940)

Mrs. Hammond (Glass Curtains: Contempt)1:02:40 - Leslie stoops down to pick up the letterantagonist | Chinatown | Chinese | Chinese | conflict | confronting | contempt | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | stooping | tense | tinkling

The Letter (1940)

Hammond B (Glass Curtains: Dark)1:02:50 - Leslie faces Mrs. Hammond again and looks at the letterantagonist | Chinatown | Chinese | combination of themes | conflict | confronting | curtain | dark | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | staring | tense | tinkling

The Letter (1940)

Mrs. Hammond (Solemn)1:03:08 - Leslie and Howard leaveantagonist | Chinatown | Chinese | Chinese | combination of themes | conflict | curtain | glass | lawyer | layering | leading lady | mysterious | ostinato | pentatonic | polyrhythm | shop | solemn | staring | tinkling

The Letter (1940)

Mrs. Hammond (Bitter)1:08:54 - Leslie sees Mrs. Hammond as they leave the courtroomantagonist | Chinese | Chinese | chromatic parallelism | confronting | courtroom | dark | husband | leading lady | trial

The Letter (1940)

Sociable1:09:09 - Leslie and Robert meet with friendscelebrating | dinner music | drinking | happy | home | husband | lawyer | leading lady | party | reverse picardy

The Letter (1940)

Hammond A (Restless)1:14:42 - Robert asks about the letterarguing | conflict | fragmentation | home | husband | lawyer | leading lady | lying | sequence | tense

The Letter (1940)

Hammond A (Wild)1:14:57 - Robert waits for a responsearguing | chromatic parallelism | conflict | distress | home | husband | lawyer | leading lady | lying | tense

The Letter (1940)

Distress1:15:08 - Robert confronts the lawyerarguing | conflict | distress | home | husband | lawyer | leading lady | tense

The Letter (1940)

Hammond A (Molto Agitato)1:15:28 - Robert argues with Lesliearguing | conflict | distress | home | husband | lawyer | leading lady | parallelism | pc set | tense

The Letter (1940)

Underscoring (Dramatic)1:15:45 - Robert asks to see the letterarguing | conflict | dramatic | home | husband | lawyer | leading lady | letter | tense | underscoring

The Letter (1940)

Letter 2 (Tragic)1:16:14 - Robert reads the letterconflict | home | husband | lawyer | leading lady | letter | reading | somber | tense

The Letter (1940)

Hammond A (Confession)1:16:36 - Leslie confesses to Robertconfessing | conflict | dark | home | husband | lawyer | leading lady | letter | ostinato | recounting | serious | tritone | tritone

The Letter (1940)

Mrs. Hammond (Confession)1:17:35 - Leslie confesses to RobertChinese | confessing | conflict | home | husband | lawyer | leading lady | letter | open fifth | parallelism | pentatonic | recounting | serious | somber

The Letter (1940)

Hammond A (Deception)1:17:52 - Leslie confesses to Robertaugmented triad | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | parallelism | recounting | tense

The Letter (1940)

Hammond A (Tragic)1:17:59 - Leslie confesses to Robertconfessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Hammond B (Ethereal)1:18:13 - Leslie confesses to Robertchromatic sequence | confessing | conflict | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting

The Letter (1940)

Hammond A (Dramatic)1:18:32 - Leslie confesses to Robertconfessing | conflict | crying | dramatic | home | husband | lawyer | leading lady | letter | murder | oscillation | recounting | sequence

The Letter (1940)

Letter 2 (Mournful)1:19:00 - Robert cries after hearing the confessionconflict | crying | home | husband | lawyer | leading lady | letter | mournful | murder | pedal tone | sad

The Letter (1940)

Foxtrot No.1 A1:19:49 - Leslie getting ready for the partyadvance plot | calm | dance music | foxtrot | home | leading lady | sitting | source music

The Letter (1940)

Mrs. Hammond (Foxtrot)1:20:02 - Ong is seen in the mirror dropping somethingadvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallelism | pentatonic | source music

The Letter (1940)

Foxtrot No.1 B1:20:05 - Leslie getting ready for the partyadvance plot | calm | dance music | foxtrot | home | leading lady | source music | walking

The Letter (1940)

Hammond A (Foxtrot)1:20:53 - Leslie looks at the full moon, then sees the knifeadvance plot | dagger | dramatic | home | leading lady | looking | moon | polytonality | stinger

The Letter (1940)

Mrs. Hammond (Foxtrot 2)1:21:15 - Leslie looks around to see who left the knifeadvance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | polytonality | source music | tense

The Letter (1940)

Foxtrot No.1 C1:21:36 - Leslie goes to the partycalm | conversing | dance music | dancing | foxtrot | friend | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.21:22:12 - Leslie dances at the partyconversing | dance music | dancing | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Foxtrot No.31:23:25 - Robert talks to friends at the partyconversing | dance music | drinking | foxtrot | friend | happy | husband | leading lady | party | party | source music

The Letter (1940)

Hammond A (Foxtrot No.3)1:25:08 - Leslie leaves the party, stares at the moon, and is worriedclimax | combination of themes | dance music | foxtrot | home | lacework | leading lady | obsession | obsessive | oscillation | sequence | source music | tense | thinking

The Letter (1940)

Hammond A (Distraught)1:25:39 - Leslie criesclimax | crying | dramatic | emotional | home | leading lady | oscillation | sequence

The Letter (1940)

Underscoring (Mysterious)1:26:07 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | mysterious | staring | underscoring

The Letter (1940)

Hammond A (Ethereal)1:26:36 - Leslie and Robert look at each otherclimax | home | husband | leading lady | oscillation | staring | tense

The Letter (1940)

Underscoring (Tense)1:26:52 - Leslie talks to Robertclimax | conversing | home | husband | leading lady | staring | tense | underscoring

The Letter (1940)

Letter 2 (Tense)1:27:06 - Leslie talks to Robertclimax | conversing | gentle | home | husband | leading lady | pedal tone | tender | tense

The Letter (1940)

Deception (Lohengreenish)1:28:04 - Robert asks for Leslie's love and devotionclimax | conversing | home | husband | kissing | leading lady | romantic | sequence | tense

The Letter (1940)

Hammond A (Very Slow)1:29:01 - Leslie says she loves the man she killed then criesclimax | home | leading lady | oscillation | sequence | somber | stern | weeping

The Letter (1940)

Mrs. Hammond (Dirge)1:29:32 - Leslie heads towards the doorChinese | climax | dark | dirge | home | leading lady | somber | walking

The Letter (1940)

Mrs. Hammond (Missing Dagger)1:29:49 - Leslie opens the doorChinese | climax | dagger | door | gentle | home | leading lady | mysterious | opening | pentatonic

The Letter (1940)

Hammond A (Climactic)1:30:02 - Leslie finds that the knife is goneclimax | dagger | door | home | leading lady | looking | passionate

The Letter (1940)

Shadow1:30:30 - Leslie leaves the housechromatic parallelism | climax | leading lady | mysterious | plantation | shadow | walking

The Letter (1940)

Native (Climactic)1:30:42 - Leslie wanders through her gardenclimax | crying | exoticism | gamelan | Indonesian music | leading lady | mysterious | panning shot | parallelism | plantation | setting | somber | walking

The Letter (1940)

Deception (Appassionato)1:31:18 - Close-up of Leslieclimax | crying | leading lady | mysterious | plantation | polytonality | somber | walking

The Letter (1940)

Hammond A (The Moon)1:31:36 - Leslie watches the moon go behind a cloudclimax | cloud | crying | dramatic | leading lady | looking | moon | oscillation | plantation | sequence

The Letter (1940)

Mrs. Hammond (Ambush)1:31:55 - Leslie moves through the gateantagonist | Chinese | climax | dark | leading lady | mysterious | plantation | polytonality | walking

The Letter (1940)

Hammond A (Deliberate)1:32:48 - Mrs. Hammond approaches Leslie with a knifeantagonist | Chinese | climax | dagger | leading lady | plantation | somber | walking

The Letter (1940)

Mrs. Hammond (Revenge)1:33:01 - Mrs. Hammond stabs Leslieantagonist | Chinese | Chinese | climax | dagger | leading lady | murder | open fifth | parallelism | pentatonic | plantation | somber | walking

The Letter (1940)

Hammond A (Reckoning)1:33:42 - Mrs. Hammond walks away and we see Leslie's dead bodyantagonist | augmentation | body | Chinese | climax | death | leading lady | moon | oscillation | plantation | policeman | somber
Mildred Pierce (1945)Mildred (Pier)0:02:15 - Santa Monica pier at nightdock | establish character | heroine | leading lady | mickey-mousing | pondering | somber | walking | water | wave

Mildred Pierce (1945)

Mildred (Tragic)0:02:42 - Mildred walks out onto the dockdock | establish character | heroine | leading lady | mickey-mousing | pondering | somber | suicide | tragic | water | wave

Mildred Pierce (1945)

Waves rumbling0:03:15 - Policeman convinces Mildred not to jumpconversing | dock | establish character | heroine | leading lady | mickey-mousing | police | somber | suicide | water | wave

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby0:03:59 - Wally sees Mildred from the windowconversing | establish character | familiar tune | friend | heroine | jazz | leading lady | on-screen music | restaurant | source music | upbeat

Mildred Pierce (1945)

Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | dark | daughter | dramatic | heroine | leading lady | street | tense | worrying

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | conversing | dark | detective | heroine | leading lady | ominous | room

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | police | police station | walking

Mildred Pierce (1945)

Mildred sits0:14:11 - Mildred sits downadvance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting

Mildred Pierce (1945)

Drink to Me Only With Thine Eyes0:16:07 - Cop whistles to himselfadvance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling

Mildred Pierce (1945)

Flashback starts0:20:16 - Flashback to the pastdouble exposure | establish character | flashback | gentle | heroine | leading lady | mickey-mousing | street

Mildred Pierce (1945)

Bert0:20:18 - Bert comes homearriving | cooking | establish character | flashback | gentle | heroine | husband | leading lady | room | self-borrowing | street

Mildred Pierce (1945)

Bert (Triste)0:24:26 - Bert and Mildred separatebreaking up | crying | establish character | heroine | husband | leading lady | leaving | room | somber

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Ashamed)0:28:13 - Mildred overhears Veda complaining about her new dressadvance plot | child | heroine | leading lady | room | somber | watching

Mildred Pierce (1945)

Mildred (Lonely)0:28:20 - Mildred looks through her deskadvance plot | bills | flashback | gun | heroine | leading lady | lonely | photographs | room | somber | voice-over | writing

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | heroine | leading lady | room | tense | walking

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | room | up | walking

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadvance plot | child | conversing | heroine | leading lady | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | conversing | heroine | leading lady | room | sleeping | uneasy

Mildred Pierce (1945)

Mildred (Waltz Fantasy)0:32:38 - Veda fantasizes about her mother marrying Wallyadvance plot | child | dreaming | fantasy | greed | heroine | leading lady | room | uneasy

Mildred Pierce (1945)

Mildred (Dark)0:32:58 - Mildred scolds Vedaadvance plot | child | dark | heroine | leading lady | room | scolding

Mildred Pierce (1945)

Kay and Veda (Deception)0:33:08 - Veda lies to her motheradvance plot | child | deceiving | deception | heroine | leading lady | parallelism | room | selfish | unstable

Mildred Pierce (1945)

Mildred (Risoluto)0:33:23 - Mildred resolves to give her daughter nice thingsadvance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room

Mildred Pierce (1945)

Kay and Veda (Dolce Foxtrot)0:33:37 - Mildred puts Veda to bedadvance plot | child | dark | heroine | leading lady | optimistic | promising | room | tragic

Mildred Pierce (1945)

Mildred (Desperate)0:34:05 - Mildred looks for a jobapplying | depressed | heroine | leading lady | montage | searching | street | voice-over | walking

Mildred Pierce (1945)

Work0:36:12 - Mildred works as a waitresshectic | heroine | leading lady | montage | restaurant | rushing | serving | upbeat | voice-over | waitress | working

Mildred Pierce (1945)

Mildred (Hopeful)0:36:42 - Mildred bakes some piescooking | heroine | hopeful | kitchen | leading lady | montage | optimistic | restaurant | success | voice-over | waitress | working

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchenadvance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | working

Mildred Pierce (1945)

Work (Singing Lesson)0:37:17 - Veda singschild | double exposure | heroine | leading lady | montage | on-screen music | room | scored source music | singing | upbeat | voice-over | working

Mildred Pierce (1945)

Ballet Lesson0:37:25 - Kay dancesballet | child | dancing | double exposure | graceful | heroine | leading lady | montage | pleasant | room | voice-over

Mildred Pierce (1945)

South American Way0:37:36 - Veda sings and plays while Kay danceschild | dancing | heroine | leading lady | music scene | on-screen music | playing | popular music | room | singing | source music | upbeat

Mildred Pierce (1945)

Mazurka in B-Flat Major (Tense)0:38:47 - Veda plays a Chopin Mazurkaarguing | child | classical music | conflict | familiar tune | heroine | leading lady | on-screen music | playing | quotation | room | scored source music | source music | tense | upbeat | waltz

Mildred Pierce (1945)

Secret Revealed0:39:10 - Mildred argues with Vedaangry | arguing | child | conflict | harsh | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Appassionato)0:39:22 - Mildred argues with Vedaangry | arguing | child | conflict | heroine | leading lady | raising | room | standing | tense

Mildred Pierce (1945)

Mildred raises Veda0:39:22 - Mildred lifts her daughter up by the armangry | arguing | child | conflict | heroine | leading lady | mickey-mousing | raising | room | standing | tense

Mildred Pierce (1945)

Mildred B (Angry)0:39:30 - Mildred argues with Vedaangry | arguing | child | conflict | heroine | leading lady | room | slapping | tense

Mildred Pierce (1945)

Mildred (Regretful)0:39:37 - Mildred regrets slapping Vedaapologizing | child | conflict | heroine | hopeful | leading lady | regretting | room | somber

Mildred Pierce (1945)

Kay and Veda (Hopeful)0:40:09 - Veda asks if they are going to be richchild | conflict | greed | heroine | hopeful | leading lady | room

Mildred Pierce (1945)

Work (Excited)0:42:35 - Mildred and Wally leave excited | excitement | friend | heroine | leading lady | leaving | room | shadow | transition | work

Mildred Pierce (1945)

Beach House0:42:49 - They drive up to the beach housearriving | beach house | driving | friend | heroine | leading lady | ocean | peaceful | transition | water | wave

Mildred Pierce (1945)

Walking0:42:58 - Mildred and Wally walk to the housearriving | beach house | excited | friend | heroine | leading lady | mickey-mousing | ocean | transition | walking

Mildred Pierce (1945)

Bert (Sentimentale)0:48:03 - Mildred watches her children leaveheroine | husband | leading lady | leaving | room | serious | somber | thinking | transition

Mildred Pierce (1945)

Work (Molto Grazioso)0:48:16 - Mildred works at her restaurantcheerful | friend | heroine | ladder | leading lady | legs | restaurant | transition | working

Mildred Pierce (1945)

First Kiss0:49:40 - Monte steals a kiss from Mildredcheerful | falling in love scene | friend | heroine | kissing | leading lady | restaurant | romance

Mildred Pierce (1945)

Walking0:49:48 - Driving to the beach housebeach house | cheerful | driving | falling in love scene | friend | heroine | leading lady | room | traveling | walking

Mildred Pierce (1945)

Opens closet0:49:57 - Mildred slides open a doorcheerful | falling in love scene | heroine | leading lady | love interest | mickey-mousing | opening | room | sliding

Mildred Pierce (1945)

Disrobes0:50:47 - Monte takes off Mildred's robebeach house | cheerful | disrobing | falling | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing | robe

Mildred Pierce (1945)

Bathing Suit0:50:49 - Monte looks at Mildred in her bathing suitattraction | beach house | cheerful | falling in love scene | flirting | heroine | leading lady | love interest | mickey-mousing

Mildred Pierce (1945)

Mildred (Frolicking)0:51:01 - Mildred runs to the beachbeach | cheerful | falling in love scene | flirting | frolicking | heroine | jaunty | leading lady | love interest | running

Mildred Pierce (1945)

Frolicking in the Surf0:51:05 - Monte and Mildred run to the waterbeach | falling in love scene | frolicking | heroine | jaunty | leading lady | love interest | mickey-mousing | playful | running | splashing | swimming | water | waves

Mildred Pierce (1945)

Waves0:51:11 - Waves crash onto the beachbeach | calm | falling in love scene | heroine | leading lady | love interest | mickey-mousing | rolling | splashing | waves

Mildred Pierce (1945)

It Can’t Be Wrong0:51:16 - Monte plays a record for Mildredconversing | heroine | kissing | leading lady | love interest | love scene | popular music | record | record player | romantic | room | source music

Mildred Pierce (1945)

Kay and Veda (Misterioso)0:54:01 - Bert tells Mildred that Kay is sickbad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | mysterious | ominous | stinger | street | turning point

Mildred Pierce (1945)

Bert (Dark)0:54:14 - Bert and Mildred rush off to see Kaybad news | conversing | dark | death scene | distress | ex-husband | heroine | leading lady | leaving | street | turning point

Mildred Pierce (1945)

Pneumonia0:54:25 - A doctor works on Kaychild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | mickey-mousing | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Kay and Veda (Dying)0:55:05 - Kay's family waits and watcheschild | dark | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Pneumonia (Dying)0:55:24 - Kay passes awaychild | dark | death | death scene | doctor | dying | ex-husband | heroine | illness | leading lady | nurse | patient | room | sick person | somber | tense | treating | turning point | waiting | watching

Mildred Pierce (1945)

Mildred (Mourning)0:56:07 - Mildred mourns Kay's deathchild | death | death scene | doctor | ex-husband | heroine | leading lady | mourning | nurse | patient | room | sick person | somber | turning point

Mildred Pierce (1945)

Kay and Veda (Tenderly)0:56:34 - Veda and Mildred mourn for Kaycalm | child | death | death scene | ex-husband | heroine | hopeful | leading lady | mourning | room | somber | turning point

Mildred Pierce (1945)

T’Ain’t No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You’re Away0:59:47 - Monte arrives at the restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Please Think of Me1:01:54 - Monte dances with Vedaadvance plot | antagonist | celebrating | dancing | daughter | friend | heroine | jukebox | leading lady | love interest | on-screen music | popular music | restaurant | singing | source music | upbeat

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | restaurant | somber

Mildred Pierce (1945)

It Can’t Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | door | ex-husband | familiar tune | heroine | interrupting | kissing | leading lady | love interest | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can’t Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorceadvance plot | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can’t Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Flashback ends1:05:49 - Screen wipe back to the present dayadvance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe

Mildred Pierce (1945)

Mildred (Sweepingly)1:08:09 - Mildred greets customershappy | heroine | leading lady | montage | restaurant | smiling | voice-over | working

Mildred Pierce (1945)

Polo1:08:14 - Veda at a polo matchantagonist | cheering | daughter | field | heroine | leading lady | love interest | montage | playing | polo | sports | upbeat | voice-over | watching

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubadvance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - Mildred looks at Monte's billsadvance plot | conversing | friend | heroine | leading lady | room | subtle | voice-over

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradvance plot | car | child | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

Kay and Veda (Sly)1:13:55 - Mildred tells Monte to not see Vedaarguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:14:06 - Mildred and Monte arguearguing | breakup | conflict | disagreement | heroine | leading lady | love interest | ominous | room | sinister | tense

Mildred Pierce (1945)

Mildred (Agitato)1:14:37 - Mildred and Monte argueagitated | arguing | breakup | conflict | heroine | leading lady | love interest | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:14:53 - Mildred and Monte arguearguing | bitter | breakup | conflict | heroine | leading lady | love interest | room | tense | underscoring

Mildred Pierce (1945)

It Can’t Be Wrong (Bitter)1:15:29 - Mildred writes Monte a checkarguing | bitter | breakup | conflict | familiar tune | heroine | leading lady | love interest | mickey-mousing | popular music | room | source to score | tense

Mildred Pierce (1945)

Closes blinds1:15:59 - Mildred closes the blindsblinds | breakup | closing | conflict | down | heroine | leading lady | mickey-mousing | room | somber | window

Mildred Pierce (1945)

Mildred (Angry)1:18:21 - Mildred walks out of an argumentaggressive | angry | arriving | conflict | heroine | hurrying | leading lady | leaving | room | walking

Mildred Pierce (1945)

Underscoring (Tense)1:18:34 - Veda tells her mother she is marriedantagonist | conflict | conversing | daughter | friend | heroine | leading lady | reverse stinger | room | tense | underscoring

Mildred Pierce (1945)

Secret Revealed1:18:59 - Veda talks to her motherantagonist | conflict | conversing | daughter | fear | friend | heroine | leading lady | room | surprised | tense

Mildred Pierce (1945)

Kay and Veda (Coy)1:19:11 - Veda talks to her motherantagonist | apologizing | conflict | daughter | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:19:18 - Mildred talks to Vedaantagonist | comforting | conflict | daughter | dream-like | friend | heroine | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Tenderly)1:19:37 - Wally talks about a settlementantagonist | conflict | conversing | daughter | friend | heroine | leading lady | room | tender

Mildred Pierce (1945)

Kay and Veda (Troubled 2)1:21:34 - Veda looks at the divorce settlement checkantagonist | blackmail | conflict | daughter | heroine | laughing | leading lady | mickey-mousing | mocking | room | troubled | ugly

Mildred Pierce (1945)

Kay and Veda (Agitato)1:22:22 - Veda and her mother argueagitated | antagonist | arguing | blackmail | conflict | daughter | heroine | leading lady | room | tense

Mildred Pierce (1945)

Kay and Veda (Ominous)1:22:43 - Veda argues with her motherantagonist | arguing | conflict | dark | daughter | heroine | insulting | leading lady | ominous | room | ugly

Mildred Pierce (1945)

Mildred (Appassionato)1:23:00 - Veda expresses her disgust with her motherangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred B (Angry 2)1:23:09 - Mildred gets angry at Vedaangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | room | tense

Mildred Pierce (1945)

Mildred (Vicious)1:23:21 - Veda insults her motherangry | antagonist | arguing | conflict | daughter | heroine | insulting | leading lady | reverse stinger | room | tense

Mildred Pierce (1945)

Mildred B (Angry)1:23:38 - Mildred tears up Veda's check angry | antagonist | arguing | check | conflict | daughter | fighting | heroine | leading lady | room | slapping | tearing | tense | violence | yelling

Mildred Pierce (1945)

Stunned Reaction1:23:44 - Mildred is stunned after Veda slaps herangry | antagonist | conflict | daughter | dramatic | heroine | leading lady | room | staring | stunned | violence

Mildred Pierce (1945)

Mildred (Tragic)1:24:04 - Veda watches her daughter leaveangry | ascending | conflict | heroine | leading lady | leaving | mickey-mousing | room | stern

Mildred Pierce (1945)

Rushing train1:24:15 - A rushing traindouble exposure | excited | heroine | leading lady | mickey-mousing | train | train | transition | traveling

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts Wallyadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkadvance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Work (Montage)1:34:44 - Montage of Mildred and Monte's marriagecheerful | ex-husband | glass | heroine | leading lady | love interest | mickey-mousing | montage | newspaper | shadow

Mildred Pierce (1945)

Glasses clink1:35:44 - Mildred and Monte clink glasses togethercheerful | clinking | glass | heroine | leading lady | love interest | mickey-mousing | montage

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | conversing | ex-husband | heroine | leading lady | room | somber

Mildred Pierce (1945)

Mildred stands and walks to window1:38:02 - Mildred stands up and goes to the windowadvance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | conversing | daughter | emotional | happy | heroine | leading lady | loving | mother | room | warm | watching

Mildred Pierce (1945)

Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadvance plot | apologizing | daughter | embracing | forgiveness | happy | heroine | leading lady | loving | mother | returning | reuniting | room | warm

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

It Can’t Be Wrong (Molto Misterioso)1:42:42 - Mildred learns that Monte has betrayed her bankruptcy | betrayal | dark | familiar tune | friend | heroine | leading lady | love theme | memory | mysterious | popular music | realizing | room | somber | turning point

Mildred Pierce (1945)

Mildred (Mad)1:43:19 - Mildred makes a phone callanger | angry | calling | heroine | leading lady | room | tense | turbulent | turning point | walking

Mildred Pierce (1945)

Hopes Crushed1:43:38 - Mildred realizes Monte has left herdark | heroine | leading lady | lost hope | mickey-mousing | realizing | room | tritone | turning point

Mildred Pierce (1945)

Mildred (Revenge)1:43:57 - Mildred drives to the beach housecar | dark | dramatic | driving | flashback ends | gun | heroine | leading lady | street | transition

Mildred Pierce (1945)

Mildred (Waltz Fantasy)1:44:53 - Mildred tells Veda not to confessdetective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station

Mildred Pierce (1945)

Mildred B (Twist)1:45:20 - Mildred walks into the beach housearriving | climax | dark | flashback | heroine | leading lady | room

Mildred Pierce (1945)

Mildred (Ominous)1:45:25 - Mildred walks downstairsarriving | climax | dark | heroine | leading lady | ominous | room

Mildred Pierce (1945)

Kay and Veda (Agitato)1:46:05 - Veda reveals that she is in love with Monte antagonist | betrayal | betraying | climax | dark | daughter | heroine | leading lady | revealing | room | tense

Mildred Pierce (1945)

Kay and Veda (Very Slow)1:46:22 - Mildred reacts to Veda's betrayalantagonist | betrayal | climax | contemplating | dark | daughter | gun | heroine | leading lady | ominous | room

Mildred Pierce (1945)

Mildred (Tragic)1:46:43 - Mildred runs awayantagonist | arguing | betrayal | climax | daughter | dramatic | emotional | heroine | leading lady | room | running

Mildred Pierce (1945)

Mildred (Breakdown)1:47:11 - Mildred tries to start her carclimax | crying | dramatic | emotional | heroine | leading lady | leaving | street

Mildred Pierce (1945)

Kay and Veda (Ominous)1:47:42 - Mildred rushes in to check on Vedaantagonist | confessing | dark | daughter | heroine | leading lady | lying | murder | murderer | murder scene | ominous | room

Mildred Pierce (1945)

Mildred B (Angry)1:48:06 - Veda confesses to Mildredangry | antagonist | confessing | confession | daughter | heroine | leading lady | lying | murderer | murder scene | room | tense

Mildred Pierce (1945)

Kay and Veda (Troubled)1:48:22 - Veda pleads for help to escapeantagonist | begging | confessing | daughter | distressed | frantic | heroine | leading lady | murderer | murder scene | room

Mildred Pierce (1945)

Mildred (Ominous)1:48:41 - Mildred calls the policeantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | ominous | room | tense

Mildred Pierce (1945)

Underscoring (Tense)1:48:54 - Veda asks her mother not to turn her inantagonist | begging | daughter | heroine | leading lady | murderer | murder scene | room | tense | underscoring

Mildred Pierce (1945)

Kay and Veda (Returning Home 2)1:49:17 - Veda convinces her mother to not report herantagonist | crying | daughter | heroine | leading lady | loving | mother | murderer | murder scene | room | sacrificing | tender | warm

Mildred Pierce (1945)

Kay and Veda (Triste)1:49:37 - Veda is led out by the policeantagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | somber

Mildred Pierce (1945)

Mildred (The End)1:50:07 - Mildred leaves with Bertex-husband | heroine | leading lady | leaving | police station | resolution | triumphant
The Life of Vergie Winters (1934)Lullaby + Funeral March0:02:32 - Vergie in her jail cellclassical music | combination of themes | funeral | funeral march | leading lady | plagal cadence | pondering | prison | prisoner | sequence | somber | source music | suspect | watching

The Life of Vergie Winters (1934)

Lullaby (Slowly)0:04:07 - Vergie working in a shop window64 chord | establish character | leading lady | peaceful | plagal cadence | shop | working

The Life of Vergie Winters (1934)

Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Lullaby (Not in Score)0:32:18 - Vergie and John look at a baby pictureAABA structure | calm | common-chord modulation | conversing | cuddling | leading lady | leading man | love interest | love scene | lullaby | peaceful | room | score to source | secret love | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Park)0:36:28 - Nurse and baby in the parkAABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting

The Life of Vergie Winters (1934)

Stars and Stripes Forever (Allegro)0:46:04 - Newspaper montage64 chord | added-note chord | gentle | leading lady | leading man | love interest | montage | patriotic tune | pedal tone | politician | soldier

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Sentimental)0:53:43 - Vergie talks with John by the lakeconversing | leading lady | leading man | love scene | outside | pedal tone | secret love | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Flowing)0:53:59 - John talks with Vergie by the lakealtered dominant | conversing | diminished 7th chord | happy | leading lady | leading man | love scene | outside | pedal tone | reassuring | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Somber)0:54:14 - Vergie listens to Johnaltered dominant | conversing | leading lady | leading man | love scene | outside | secret love | secret lover | somber

The Life of Vergie Winters (1934)

Lullaby (Quasi Appassionato)0:54:24 - John expresses his love for Vergieconversing | direct modulation | dissonant bass | fragmentation | half-diminished 7th chord | leading lady | leading man | love scene | outside | passionate | secret love | secret lover

The Life of Vergie Winters (1934)

Lullaby (Poco Con Moto)0:54:53 - Joan and Vergie talk about the future13th chord | altered dominant | conversing | dissonant bass | gentle | leading lady | leading man | longing | love scene | outside | pedal tone | secret love | secret lover | sigh gesture

The Life of Vergie Winters (1934)

A Boy and a Girl1:07:00 - John and Vergie listen to the radioadvance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Cello Solo)1:08:38 - Vergie talks with Johnadded-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense

The Life of Vergie Winters (1934)

Lullaby + Here Comes the Bride1:10:07 - Vergie imagines the weddingadded-note chord | bride | calm | chromatic mediant | combination of themes | common-chord modulation | daughter | double exposure | familiar tune | groom | leading lady | leading man | peaceful | secret lover | ternary form | transcribed by ear | walking | wedding | wedding | wedding music

The Life of Vergie Winters (1934)

Lullaby (Dark)1:17:11 - Newspaper headline about John's murderdark | leading lady | secret lover | serious | transition

The Life of Vergie Winters (1934)

Lullaby (Ending) + Funeral March (Ending)1:18:06 - Vergie in her jail cellclassical music | combination of themes | crying | funeral | funeral march | leading lady | prisoner | somber | suspect

The Life of Vergie Winters (1934)

Lullaby (Very Ethereal)1:19:04 - Vergie exits the prisondaughter | dissonant bass | husband | leading lady | pedal tone | prison | prisoner | resolution | somber | suspect | tense | walking
Rockabye (1932)Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:39:24 - Judy sings a songAABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way0:40:21 - Judy sings on top of a truckadvance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat

Rockabye (1932)

You’ve Got What Gets Me0:55:05 - Judy at a partyABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music

Rockabye (1932)

Rockin’ Chair0:59:16 - Judy talks to her managerAABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music

Rockabye (1932)

Till the Real Thing Comes My Way1:01:37 - Judy sings at a partyadvance plot | cheerful | leading lady | love interest | on-screen music | party | playwright | singing | source music
Kid Galahad (1937)Swing for Sale0:04:26 - Dancing at a partyAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

The Ring0:06:38 - People at a partyAABA structure | crowd | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 10:08:50 - People at a partyblues scale | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

The Prizefighter and the Lady0:09:36 - Ward helps LouiseAABA structure | crowd | dancing | establish character | leading lady | leading man | manager | on-screen music | party | source music | stride piano | transcribed by ear | upbeat

Kid Galahad (1937)

Stride Piano Improvisation 20:13:24 - People dance at a partycrowd | dancing | establish character | leading lady | leading man | manager | party | partying | source music | transcribed by ear | upbeat

Kid Galahad (1937)

The Escape0:33:23 - Nick punches man on streetadvance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Love’s Sorrow)0:53:05 - Ward professes his love for Marieconversing | heartbroken | leading lady | leading man | love scene | newspaper | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Split Up0:56:59 - Louise and Nick break upappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is In Tears Tonight (Tender)0:57:14 - Louise thinks of Wardconversing | leading lady | love scene | manager | not by Steiner | room | tender | transcribed by ear

Kid Galahad (1937)

The Split Up0:57:45 - Louise says goodbye to Nickappoggiatura | conversing | heartbroken | leading lady | love scene | manager | not by Steiner | romantic | room | transcribed by ear

Kid Galahad (1937)

The Moon Is in Tears Tonight1:08:40 - Louise sings in a night clubleading lady | music scene | night club | on-screen music | playing music | sentimental | singing | source music | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear

Kid Galahad (1937)

Kid Galahad (Tender)1:39:15 - Nick speaks his final words9th chord | 64 chord | added-note chord | appoggiatura | climax | death | dying | fanfare | foreign key modulation | leading lady | leading man | manager | mode mixture | pedal tone | room | sister | somber | stretto imitation
Traveling Husbands (1931)Someone0:16:31 - Music is played in a hotel ballroomadvance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

There’s a Sob in My Heart (Strings)0:23:03 - Music is played in a night clubAABA structure | advance plot | dancing | leading lady | night club | popular song | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

Dance0:26:27 - Music is played in a night clubAB structure | advance plot | dancing | Latin-American | leading lady | night club | salesman | source music | tango | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Radio Dance Band)0:32:46 - Music is played on the radioAABA structure | chromatic mediant | comedy | dancing | leading lady | popular song | radio | room | salesman | source music | transcribed by ear | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Dixieland)0:34:27 - Music is played in a night clubbanjo | countermelody | dancing | Dixieland | double exposure | drums | improvisation | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Hello Beautiful0:35:04 - Music is played in a taxiAABA structure | banjo | dancing | drums | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

Millie0:35:09 - Hot jazz is played in a night clubAABA structure | banjo | dancing | Dixieland | drums | jazz | leading lady | montage | night club | popular song | salesman | source music | taxi | transcribed by ear | trombone | upbeat

Traveling Husbands (1931)

There’s a Sob in My Heart (Arabian)0:38:56 - Music is played on the radioadvance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Chimes0:49:36 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

Chimes 20:51:50 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

There’s a Sob in My Heart (Slow Waltz)0:57:47 - Music is played on the radioAABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Ring Around the Rosy1:09:30 - Men sing and dancechildren’s song | dancing | exciting | leading lady | leading man | on-screen music | resolution | room | salesman | singing | source music | transcribed by ear

Traveling Husbands (1931)

There’s a Sob in My Heart (Sentimental)1:10:39 - People are sad as the radio playsAABA structure | altered dominant | augmented sixth chord | countermelody | crying | leading lady | leading man | popular song | radio | resolution | room | salesman | sentimental | somber | transcribed by ear
The Unfaithful (1947)Chris0:01:26 - Chris arrives at homearriving | Beverly Hills | calm | establish character | house | leading lady

The Unfaithful (1947)

Chris 20:01:40 - Chris runs through the houseestablish character | graceful | joyful | leading lady | room | running

The Unfaithful (1947)

Unfaithful (Chris)0:01:46 - Chris answers the phoneestablish character | foreshadowing | leading lady | mode change | peaceful | room

The Unfaithful (1947)

Stride Piano0:03:20 - Larry arrives at the partyestablish character | jazz | lawyer | leading lady | on-screen music | party | sister | source music | upbeat

The Unfaithful (1947)

Deep Night0:05:47 - Roger arrives at party and argues with Paulaantagonist | arguing | establish character | lawyer | leading lady | on-screen music | party | sister | somber | source music

The Unfaithful (1947)

Chris0:07:27 - Chris drives homecalm | car | driving | leading lady | street | transition

The Unfaithful (1947)

Chris 2 (Minor)0:07:37 - Chris arrives homeantagonist | car | cheerful | dark | driving | house | leading lady | mode mixture | transition

The Unfaithful (1947)

Chris (Dark)0:07:46 - Chris walks from her car to her front dooradvance plot | antagonist | calm | danger | house | leading lady | ominous | shadow | tritone | tritone | walking

The Unfaithful (1947)

Danger0:08:19 - Man appears in the shadows and attacks Chrisadvance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking

The Unfaithful (1947)

Unfaithful (Attack)0:08:40 - Man takes Chris inside her house and attacks heradvance plot | antagonist | attacking | criminal | danger | fighting | house | leading lady | ostinato | pc set | shadow | sinister | victim

The Unfaithful (1947)

Chris screams0:08:53 - Chris screamsadvance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim

The Unfaithful (1947)

Unfaithful (Somber)0:22:24 - Bob comforts Chrisaugmented sixth chord | comfort | comforting | husband | leading lady | love scene | ostinato | room | somber | victim

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks away down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry answers a phone call and leavesadvance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Chris0:43:45 - Chris pulls up in a cabdriving | law office | leading lady | office | peaceful | spinning | transition

The Unfaithful (1947)

Chris 20:43:56 - Chris goes to visit Larry's officelaw office | leading lady | office | peaceful | transition | walking

The Unfaithful (1947)

Unfaithful (Dramatic)0:44:05 - Chris goes to visit Larry's office