Tag Search

685 results for "sour" in 67 films — see also dark | off | turn | upset | work

Film	Theme name	Instance	Tags
All This, and Heaven Too (1940)	The War of the Roses	0:27:13 - Henriette plays the harpsichord	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	The War of the Roses	0:28:23 - The girls sing	advance plot \| child \| children's song \| dancing \| governess \| leading lady \| on-screen music \| pleasant \| room \| singing \| source music
All This, and Heaven Too (1940)	Lullaby	0:35:08 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Lullaby	0:35:39 - Henriette sings a lullaby	advance plot \| calm \| caring \| child \| duke \| gentle \| governess \| illness \| leading lady \| leading man \| lullaby \| room \| scored source music \| singing
All This, and Heaven Too (1940)	Armide	0:49:21 - The opera house	arriving \| audience \| child \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| opera \| regal \| source music \| theater \| upbeat \| watching
All This, and Heaven Too (1940)	La Parisienne (The King)	0:50:33 - The king enters	arriving \| audience \| bowing \| child \| concert scene \| duke \| governess \| king \| leading lady \| leading man \| not by Steiner \| patriotic tune \| regal \| source music \| theater \| watching
All This, and Heaven Too (1940)	Plainte de Cloris	0:51:08 - They listen to the musical prologue	audience \| calm \| child \| classical music \| concert scene \| conversing \| duke \| governess \| leading lady \| leading man \| listening \| passionate \| source music \| theater
All This, and Heaven Too (1940)	Air pour La Jeunesse	0:51:43 - A montage of people applauding	audience \| child \| classical music \| concert scene \| dramatic \| duke \| governess \| leading lady \| leading man \| listening \| source music \| theater \| watching
All This, and Heaven Too (1940)	Invitation to the Dance	1:04:19 - People waltzing	advance plot \| ballroom \| child \| classical music \| crowd \| dancing \| duchess \| duke \| leading lady \| leading man \| simulated source music \| upbeat \| waltz
All This, and Heaven Too (1940)	La Parisienne (The King)	1:06:08 - The children watch from the balcony	advance plot \| arriving \| ballroom \| child \| crowd \| governess \| king \| leading lady \| march \| patriotic tune \| regal \| simulated source music
All This, and Heaven Too (1940)	Loti's Song	1:24:31 - Apples roasting on a fire	9th chord \| child \| chromatic mediant \| chromatic parallelism \| chromatic scale \| cooking \| create suspense \| dissonant bass \| forest \| governess \| leading lady \| linear chromaticism \| old man \| pedal tone \| scary \| scored source music \| singer \| singing \| split-third chord \| spooky
The Amazing Dr. Clitterhouse (1938)	Una Voce Poco Fa	0:00:54 - A woman plays the piano	calm \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	The Last Rose of Summer	0:03:14 - A woman sings	calm \| doctor \| folk song \| Irish \| leading man \| listening \| on-screen music \| party \| pianist \| room \| singer \| singing \| sneaking \| source music \| stealing \| thief
The Amazing Dr. Clitterhouse (1938)	How Dry I Am	0:20:16 - People in a hotel lobby	advance plot \| dark \| gangster \| lobby \| mysterious \| on-screen music \| scored source music \| whistling
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:35:00 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	Eine kleine Nachtmusik	0:41:57 - Phonograph plays Mozart record	advance plot \| doctor \| gangster \| leading man \| moll \| Mozart \| neutral \| plotting \| record player \| room \| source music \| thief
The Amazing Dr. Clitterhouse (1938)	How Dry I Am (Nervous)	0:47:20 - Criminals talking	64 chord \| conversing \| criminal \| doctor \| gangster \| leading man \| nervous \| parallelism \| pedal tone \| robbery \| rooftop \| source music \| thief
Angels With Dirty Faces (1938)	Sidewalks of New York	0:00:58 - Organ grinder on the streets of New York	cheerful \| conversing \| establish place \| establish setting \| source music \| street \| teenager \| walking
Angels With Dirty Faces (1938)	I've Got a Heartfelt of Music	0:08:31 - People in the street	ABAC structure \| cheerful \| crowd \| driving \| headline \| newspaper \| radio \| source music \| street \| transition \| walking
Angels With Dirty Faces (1938)	Sanctus	0:09:13 - Church interior with boys singing in a choir loft	boys choir \| church \| conducting \| gangster \| leading man \| music scene \| nun \| on-screen music \| organ \| priest \| religious \| serious \| singer \| singing \| solemn \| source music
Angels With Dirty Faces (1938)	In My Merry Oldsmobile	0:12:55 - Rocky and Jerry singing	cheerful \| church \| gangster \| hymn \| laughing \| leading man \| music scene \| on-screen music \| popular music \| priest \| singing \| source music
Angels With Dirty Faces (1938)	When a Prince of a Fella Meets a Cinderella	0:16:49 - Rocky goes to a night club	advance plot \| cheerful \| conversing \| gambling \| gangster \| lawyer \| leading man \| night club \| parallel double period \| popular music \| source music
Angels With Dirty Faces (1938)	Monday Morning	0:18:15 - Rocky talks to Frazier in his office	advance plot \| cheerful \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| source music
Angels With Dirty Faces (1938)	So Help Me (If I Don't Love You)	0:19:36 - Rocky leaves the nightclub	advance plot \| conversing \| gangster \| lawyer \| leading man \| popular music \| room \| sentimental \| source music
Angels With Dirty Faces (1938)	Whistling	0:21:14 - Character whistles	advance plot \| cheerful \| gang \| on-screen music \| source music \| street \| teenager \| walking \| whistling
Angels With Dirty Faces (1938)	Shuffle Off to Buffalo	0:58:27 - Boys in pool hall	betting \| develop character \| gambling \| gang \| playful \| pool hall \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	From Me to You	0:58:56 - Boys in pool hall	betting \| develop character \| gambling \| gang \| leading man \| playful \| playing \| pool \| pool hall \| priest \| ragtime \| source music \| teenager
Angels With Dirty Faces (1938)	Saving Myself For You (I've Been)	1:02:30 - Rocky and Laury at a night club	AABA structure \| advance plot \| cheerful \| club \| drinking \| gambling \| gangster \| lawyer \| leading lady \| leading man \| on-screen music \| source music
Angels With Dirty Faces (1938)	Sanctus (Mysterioso)	1:05:33 - Jerry looks at note from Rocky	advance plot \| charity \| classical music \| common-chord modulation \| friendship \| leading man \| letter \| mode mixture \| money \| mysterious \| pedal tone \| priest \| room \| sacred \| source to score \| thinking
Are These Our Children? (1931)	Dreams (Whistling)	0:03:29 - Eddie walks home	cheerful \| establish character \| gentle \| leading man \| love scene \| on-screen music \| score to source \| source and scoring overlap \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Whistling 2)	0:03:59 - Eddie walks home	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Hold That Tiger	0:13:15 - Young people dancing	advance plot \| cheerful \| conversing \| dance hall \| friend \| leading man \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Flo Sings)	0:17:20 - Flo sings	advance plot \| cheerful \| dance hall \| love interest \| on-screen music \| singing \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:17:38 - Young people talking at a dance	advance plot \| cheerful \| conversing \| dance hall \| leading man \| love interest \| on-screen music \| seductive \| singing \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:18:46 - Eddie whistles on his way home	cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| transition \| walking \| whistling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:13 - Eddie sings to himself	cheerful \| leading man \| on-screen music \| singing \| source music \| street \| transcribed by ear \| transition \| walking
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:19:30 - Eddie arrives home	advance plot \| arriving \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:20:44 - Eddie eats	advance plot \| cheerful \| eating \| humming \| leading man \| on-screen music \| room \| source music \| transcribed by ear
Are These Our Children? (1931)	Makes You Forget Your Troubles (Dream Sequence)	0:20:51 - Eddie dreams	advance plot \| augmented sixth chord \| cheerful \| double exposure \| dreaming \| dream sequence \| eating \| fragmentation \| frantic \| half-diminished 7th chord \| humming \| leading man \| room \| scored source music \| sequence \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:23:11 - Eddie walks away	advance plot \| cheerful \| leading man \| on-screen music \| source music \| street \| transcribed by ear \| walking \| whistling
Are These Our Children? (1931)	Dreams (Washroom Sequence)	0:24:25 - Eddie talks with his friends	advance plot \| chromatic parallelism \| common-tone diminished 7th \| conversing \| dance hall \| friend \| leading man \| score to source \| somber \| source music \| transcribed by ear
Are These Our Children? (1931)	Moonbeams	0:25:39 - Eddie dances with Flo	added-note chord \| altered dominant \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| leading man \| love interest \| mode mixture \| on-screen music \| parallel double period \| romantic \| source music \| waltz
Are These Our Children? (1931)	Moonbeams (Dream Sequence)	0:27:23 - Eddie takes Flo home	added-note chord \| advance plot \| double exposure \| dream sequence \| entering \| friend \| hectic \| kissing \| leading man \| mode mixture \| romantic \| source to score \| street \| transcribed by ear \| waltz
Are These Our Children? (1931)	Makes You Forget Your Troubles (Moderato)	0:27:59 - Eddie walks outside	cheerful \| leading man \| leaving \| source to score \| street \| transition
Are These Our Children? (1931)	Makes You Forget Your Troubles (Whistling)	0:28:36 - Eddie arrives home	cheerful \| leading man \| on-screen music \| source music \| street \| transition \| walking \| whistling
Are These Our Children? (1931)	Humming	0:31:57 - Heinie hums	advance plot \| calm \| humming \| old man \| room \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles (Flo Sings)	0:32:32 - Flo sings	advance plot \| cheerful \| leading man \| love interest \| singing \| source music \| train \| train \| traveling
Are These Our Children? (1931)	Makes You Forget Your Troubles (Eddie Sings)	0:40:40 - The boys leave the scene of the crime	friend \| leading man \| murderer \| murder scene \| nervous \| singing \| source music \| street \| walking
Are These Our Children? (1931)	St. James Infirmary	0:41:24 - Young people lounging around	advance plot \| Dixieland \| friend \| lazy \| leading man \| lounging \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	St. James Infirmary	0:42:08 - Young people talking	advance plot \| conversing \| Dixieland \| friend \| lazy \| leading man \| love interest \| murderer \| radio \| room \| source music
Are These Our Children? (1931)	Hey! Hey!	0:50:14 - Eddie and Flo dance	9th chord \| AABA structure \| altered dominant \| augmented sixth chord \| cheerful \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:50:55 - Young people dancing	AABA structure \| arguing \| augmented sixth chord \| cheerful \| common-tone diminished 7th \| dance hall \| dance scene \| dancing \| friend \| leading man \| love interest \| murderer \| on-screen music \| source music
Are These Our Children? (1931)	Stars and Stripes Forever	0:52:14 - Young people cavorting in the street	advance plot \| cheerful \| dancing \| drunk \| friend \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music \| street
Are These Our Children? (1931)	Makes You Forget Your Troubles	0:53:07 - Drunken young people	advance plot \| cheerful \| dancing \| drunk \| friend \| hallway \| leading man \| love interest \| murderer \| on-screen music \| singing \| source music
Are These Our Children? (1931)	Dreams (Minor) + Makes You Forget Your Troubles (Minor)	1:15:51 - Newspaper headlines	combination of themes \| conversing \| double exposure \| headline \| minor-major 7th chord \| montage \| newspaper \| police \| preaching \| priest \| source to score \| spinning \| tense
Arsenic and Old Lace (1944)	Take Me Out to the Ball Game	0:01:20 - Fans yelling at a ball game	augmented sixth chord \| baseball \| baseball player \| bass drum \| cheering \| crowd \| enharmonic modulation \| establish place \| evaded cadence \| falling \| familiar tune \| field \| fighting \| musician \| parallel double period \| pep band \| playing \| popular song \| punching \| rushed \| saxophone \| simulated source music \| source music \| sporting event \| trombone \| umpire \| upbeat \| yelling
Arsenic and Old Lace (1944)	Two by Two	0:02:51 - The marriage clerk sings	clerk \| establish character \| marriage \| office \| on-screen music \| singing \| source music \| upbeat
Arsenic and Old Lace (1944)	Rondo Alla Turca	0:06:25 - Teddy plays the harpsichord	aunt \| brother \| classical music \| conversing \| crazy person \| establish character \| harpsichord \| leading lady \| old man \| on-screen music \| playing \| room \| source music \| upbeat \| victim
Arsenic and Old Lace (1944)	Here Comes the Bride (Full)	0:14:00 - Elaine appears in the window	aunt \| bride \| cheerful \| chromatic mediant \| common-chord modulation \| conversing \| crazy person \| familiar tune \| greeting \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| pleasant \| room \| score to source \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Modulating)	0:14:10 - Mortimer calls to Elaine	added-note chord \| aunt \| bride \| cemetery \| conversing \| deceptive resolution \| driver \| familiar tune \| flirting \| fragmentation \| groom \| hurrying \| leading lady \| leading man \| love \| love scene \| pump-up modulation \| rushed \| rushing \| sequence \| source to score \| street
Arsenic and Old Lace (1944)	Here Comes the Bride	0:16:37 - Elaine whistles	bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| source music \| street \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride	0:17:02 - Mortimer whistles	aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| love \| love scene \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:18:44 - Teddy sings	advance plot \| aunt \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| singing \| source music \| war song
Arsenic and Old Lace (1944)	Here Comes the Bride	0:19:52 - Mortimer at the window seat	advance plot \| familiar tune \| groom \| leading man \| on-screen music \| room \| source music \| upbeat \| whistling
Arsenic and Old Lace (1944)	Happy Land	0:20:06 - Abby sings	advance plot \| aunt \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| score to source \| sequence \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride (Elaine Whistles)	0:23:44 - Elaine whistles out of her window	agitated \| bride \| cheerful \| chromatic scale \| dark \| diminished 7th chord \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| scored source music \| source music \| turning point \| whistling
Arsenic and Old Lace (1944)	Here Comes the Bride (Running)	0:23:58 - Mortimer runs to the door	9th chord \| 13th chord \| aunt \| bride \| child \| chromatic scale \| crazy person \| dark \| familiar tune \| groom \| Halloween \| intervallic expansion \| leading lady \| leading man \| murderer \| room \| running \| rushing \| source music \| source to score \| trick-or-treating \| turning point
Arsenic and Old Lace (1944)	Happy Land	0:24:16 - Abby, Martha, and Mortimer in the kitchen	advance plot \| aunt \| cheerful \| child \| crazy person \| familiar tune \| groom \| leading lady \| leading man \| murderer \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:26:22 - Elaine whistles on the phone	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| telephone \| whistling
Arsenic and Old Lace (1944)	Break the News to Mother	0:29:30 - Mortimer listens to Teddy sing	advance plot \| brother \| cheerful \| crazy person \| familiar tune \| groom \| leading man \| on-screen music \| room \| singing \| source music
Arsenic and Old Lace (1944)	Here Comes the Bride	0:31:04 - Elaine whistles in Mortimer's ear	advance plot \| bride \| cheerful \| familiar tune \| groom \| leading lady \| leading man \| on-screen music \| room \| source music \| whistling
Arsenic and Old Lace (1944)	Underscoring (Tense)	0:49:45 - Jonathan follows Dr. Einstein	advance plot \| altered dominant \| brother \| conversing \| crazy person \| criminal \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| pc set \| plotting \| room \| source and scoring overlap \| tense \| tone cluster \| whistling
Arsenic and Old Lace (1944)	When Johnny Comes Marching Home	0:49:45 - Dr. Einstein spies on Teddy	advance plot \| brother \| crazy person \| criminal \| dark \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Scar (Dark)	0:50:14 - Jonathan and Dr. Einstein watch Teddy dig	advance plot \| brother \| conversing \| crazy person \| criminal \| dark \| digging \| dissonant bass \| doctor \| familiar tune \| leading man \| march \| murderer \| on-screen music \| patriotic tune \| room \| source and scoring overlap \| watching \| whistling
Arsenic and Old Lace (1944)	The Aunts (Frightened)	0:50:20 - Jonathan and Dr. Einstein talk	advance plot \| brother \| crazy person \| criminal \| digging \| doctor \| familiar tune \| leading man \| march \| murderer \| Neapolitan \| on-screen music \| parallel 63s \| patriotic tune \| pedal tone \| plotting \| room \| source and scoring overlap \| tense \| whistling
Arsenic and Old Lace (1944)	Happy Land	1:19:56 - Mortimer with the taxi driver	aunt \| brother \| calm \| conversing \| crazy person \| doctor \| driver \| funeral \| groom \| hymn \| leading lady \| leading man \| murderer \| on-screen music \| score to source \| singing \| source music \| street
Arsenic and Old Lace (1944)	Bugle Call	1:32:56 - Teddy plays the bugle	brother \| bugle \| bugle call \| captive \| conflict \| crazy person \| doctor \| dramatic \| fear \| leading man \| murderer \| on-screen music \| playing \| room \| source music \| victim
Arsenic and Old Lace (1944)	Bugle Call	1:49:14 - Mortimer blows the bugle	bugle \| bugle call \| climax \| dramatic \| leading man \| on-screen music \| playing \| room \| source music
Arsenic and Old Lace (1944)	Happy Land	1:50:41 - Mortimer sings	bugle call \| climax \| leading man \| on-screen music \| room \| singing \| source music \| upbeat
Beyond the Forest (1949)	Lewis (Moderato Quasi Rubato)	0:42:23 - Lewis talks to some men	advance plot \| calm \| conversing \| doctor \| leading man \| room \| somber \| source and scoring overlap \| street \| townsfolk \| walking \| warm
Beyond the Forest (1949)	Chicago	0:43:37 - Rosa sews	advance plot \| arriving \| familiar tune \| leading lady \| leading man \| on-screen music \| popular tune \| room \| score to source \| sewing \| singing \| source and scoring overlap \| source music \| upbeat \| wife
Beyond the Forest (1949)	I’m in a Jam with Baby	0:54:39 - Rosa walks down the street	advance plot \| arriving \| bouncer \| club \| crying \| departing \| jazz \| leading lady \| sentimental \| sitting \| source music \| stranger
Beyond the Forest (1949)	Whisper While You’re Waltzing	1:01:34 - People at a party	conversing \| crowd \| dance scene \| doctor \| eating \| folk music \| gentle \| leading lady \| leading man \| on-screen music \| party \| playing \| room \| source music \| waltz \| wife
Beyond the Forest (1949)	For He’s a Jolly Good Fellow	1:02:12 - Folk musicians	arriving \| cake \| cheerful \| conversing \| crowd \| dance scene \| doctor \| familiar tune \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| tuning \| wife \| wind
Beyond the Forest (1949)	The Arkansas Traveler	1:02:55 - Folk musicians	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Portland Fancy	1:03:11 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Devil’s Dream	1:03:26 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Little Brown Jug	1:03:57 - People dancing	crowd \| dancer \| dance scene \| dancing \| doctor \| folk music \| leading lady \| leading man \| love interest \| musician \| on-screen music \| party \| playing \| room \| singing \| source music \| square dance caller \| square dance music \| upbeat \| wife
Beyond the Forest (1949)	Varsovienne	1:04:52 - Moose talks with Mr. Latimer	conversing \| dance scene \| folk music \| friend \| friend \| leading lady \| leading man \| love interest \| on-screen music \| party \| plotting \| proposal \| room \| sneaking \| source music \| square dance music \| upbeat
Beyond the Forest (1949)	Chicago	1:27:10 - Rosa sings to herself	delirious \| familiar tune \| fever \| illness scene \| leading lady \| maid \| murderer \| on-screen music \| popular tune \| room \| score to source \| sickness \| singing \| source music
The Big Sleep (1946)	I Guess I'll Have to Change My Plan	1:00:50 - Vivian enters a restaurant	ABACA structure \| arriving \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	The Blue Room	1:02:15 - Vivan pays Marlowe	AABA structure \| club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	You Go to My Head	1:04:25 - Vivian and Marlowe talk in a restaurant	club \| conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pleasant \| private eye \| source music
The Big Sleep (1946)	And Her Tears Flowed Like Wine	1:05:55 - Marlowe arrives at Mars's place	advance plot \| arriving \| club \| leading lady \| leading man \| love interest \| musician \| on-screen music \| playing \| private eye \| singer \| singing \| source music \| upbeat
The Big Sleep (1946)	Wotta Life	1:08:09 - Marlowe talks to Mars	12-bar blues \| advance plot \| club \| criminal \| investigating \| leading man \| private eye \| source music \| suspect \| upbeat
The Big Sleep (1946)	I'm in a Jam With Baby	1:10:53 - Marlowe talks to people at the party	advance plot \| club \| gambler \| gambling \| leading lady \| leading man \| love interest \| private eye \| source music \| upbeat
The Big Sleep (1946)	Liza (All the Clouds'll Roll Away)	1:12:27 - Marlowe leaves the gambling joint	AABA structure \| conflict \| criminal \| investigating \| leading lady \| leading man \| love interest \| private eye \| source music \| street \| upbeat
The Big Sleep (1946)	What Are You Doin' the Rest of Your Life	1:14:35 - Marlowe and Vivian leave	conflict \| conversing \| leading lady \| leading man \| love interest \| parallel double period \| private eye \| source music \| street \| upbeat
The Breaking Point (1950)	En Mi Canto de Amor	0:08:57 - A dock at night	arriving \| art song \| boat \| conversing \| docking \| establish setting \| flirting \| floozy \| harbor \| leading lady \| leading man \| not by Steiner \| sailor \| source music \| upbeat \| working
The Breaking Point (1950)	La Adelita	0:09:56 - A Mexican village at night	arriving \| bar \| bartender \| conversing \| establish setting \| folk music \| leading man \| musician \| on-screen music \| performing \| sailor \| salesperson \| selling \| source music \| street \| upbeat \| working
The Breaking Point (1950)	Carmen, Carmela	0:11:11 - Harry talks to Duncan in a bar	AABA structure \| bar \| conversing \| criminal \| establish setting \| floozy \| folk music \| gambling \| leading lady \| leading man \| musician \| on-screen music \| performing \| pleasant \| sailor \| serenading \| singing \| source music
The Breaking Point (1950)	La Golondrina	0:12:21 - Harry sits down with Leona in the bar	advance plot \| bar \| calm \| conversing \| fisherman \| flirting \| floozy \| folk music \| leading lady \| leading man \| sailor \| source music
The Breaking Point (1950)	Mi Mariposa	0:15:21 - Harry talks to the bartender	advance plot \| arguing \| art song \| bar \| bartender \| calm \| conversing \| leading man \| on-screen music \| sailor \| source music
The Breaking Point (1950)	Eres Mujer	0:15:56 - Harry talks to Duncan	AABA structure \| advance plot \| bar \| calm \| conversing \| criminal \| leading man \| on-screen music \| performing \| sailor \| source music \| tango \| whispering
The Breaking Point (1950)	En Mi Canto de Amor	0:21:43 - Harry talks to Duncan	advance plot \| bar \| conversing \| criminal \| leading man \| planning \| pleasant \| sailor \| source music
The Breaking Point (1950)	Make Love With a Guitar	0:33:28 - Harry arrives home	advance plot \| arriving \| calm \| child \| conversing \| leading man \| musician \| neighbor \| on-screen music \| room \| sailor \| source music \| street \| wife \| yard
The Breaking Point (1950)	Please Don't Talk About Me When I'm Gone	0:39:07 - Harry arrives at a bar	AABA structure \| advance plot \| bar \| bartender \| criminal \| dancing \| floozy \| jukebox \| leading lady \| leading man \| on-screen music \| sailor \| singing \| source music \| upbeat
The Breaking Point (1950)	Ask Me No Questions	0:40:46 - Harry talks to Duncan	advance plot \| arguing \| bar \| bartender \| conversing \| criminal \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music
The Breaking Point (1950)	On an Ordinary Morning	0:43:33 - Leona and Harry sit together in a bar	advance plot \| bar \| conversing \| floozy \| jukebox \| leading lady \| leading man \| mellow \| sailor \| source music \| wife
The Breaking Point (1950)	Make Love With a Guitar	0:46:27 - A boy plays the accordion	advance plot \| calm \| child \| conversing \| drunk \| leading lady \| leading man \| neighbor \| on-screen music \| sailor \| source music \| street \| walking \| wife
The Breaking Point (1950)	Humming	0:54:33 - Wesley and Harry work on the boat	arriving \| calm \| criminal \| friend \| harbor \| humming \| leading man \| on-screen music \| sailor \| source music \| transition \| walking \| working
The Breaking Point (1950)	I Guess I'll Have to Change My Plan	1:00:26 - Harry in a restaurant	ABACA structure \| advance plot \| bartender \| conversing \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	You Missed the Boat	1:02:56 - Duncan talks to Harry in the restaurant	advance plot \| conversing \| criminal \| floozy \| leading lady \| leading man \| mellow \| restaurant \| sailor \| source music
The Breaking Point (1950)	Don't Take Your Love From Me	1:05:42 - Harry arrives at Leona's apartment	ABAC structure \| advance plot \| conversing \| floozy \| leading lady \| leading man \| mellow \| room \| sailor \| source music
The Breaking Point (1950)	First Call	1:15:04 - Sign for a horse race	crowd \| horse \| race track \| source music \| transition \| upbeat
Caged (1950)	Bird in a Cage	0:30:00 - Inmates sleeping	advance plot \| bed \| crazy person \| folk song \| gentle \| humming \| leading lady \| on-screen music \| prison \| prisoner \| singing \| source music
His Greatest Gamble (1934)	Home Sweet Home	0:03:14 - Philip and Alice go home	child \| establish character \| gentle \| humming \| leading man \| on-screen music \| room \| sleeping \| source music
His Greatest Gamble (1934)	Russian Waltz	0:30:05 - Philip arrives at Florence's home	9th chord \| arriving \| calm \| chromatic sequence \| common-tone diminished 7th \| establish setting \| fugitive \| leading man \| mansion \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| source music \| waltz \| wandering
His Greatest Gamble (1934)	Nocturne in E-flat Major	0:36:29 - Philip looks for Alice	advance plot \| calm \| conversing \| daughter \| fugitive \| leading lady \| leading man \| mansion \| nocturne \| pleasant \| searching \| source music \| wandering
His Greatest Gamble (1934)	Waltz in C-sharp Minor	0:40:28 - Philip talks with Alice and Florence	advance plot \| conversing \| daughter \| ex-wife \| fugitive \| leading lady \| leading man \| mansion \| serious \| source music \| waltz
His Greatest Gamble (1934)	Blue Ridge Moon	0:53:16 - Philip talks with Alice	advance plot \| conversing \| daughter \| gentle \| leading lady \| love interest \| mansion \| popular music \| radio \| sentimental \| source music \| waltz
His Greatest Gamble (1934)	Morning Glory Waltz (Radio)	0:57:06 - Philip talks with Alice	9th chord \| advance plot \| conversing \| daughter \| fugitive \| gentle \| leading lady \| leading man \| mansion \| mode mixture \| radio \| score to source \| sentimental \| source music \| transcribed by ear \| walking
City for Conquest (1940)	Sidewalks of New York	0:03:10 - A New York street corner	AABA structure \| child \| conversing \| crowd \| dancing \| old man \| on-screen music \| organ grinder \| playing \| pleasant \| score to source \| source music \| street \| street organ \| thief \| transition \| upbeat \| walking
City for Conquest (1940)	The Bowery	0:05:00 - People on a New York street	child \| conversing \| crowd \| establish character \| on-screen music \| playing \| pleasant \| source music \| street \| street organ \| upbeat
City for Conquest (1940)	Scales	0:09:16 - Danny and Peggy go upstairs	arguing \| conversing \| establish character \| leading lady \| leading man \| mother \| on-screen music \| piano \| room \| source music \| tedious \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:10:50 - Eddie plays the piano	brother \| composer \| conversing \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| score to source \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Very Broad)	0:12:16 - Eddie plays the piano	13th chord \| brother \| chromatic parallelism \| chromatic scale \| composer \| conversing \| describing \| dissonant bass \| establish character \| explaining \| leading man \| musician \| name of film \| pentatonic \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Unattainable Stars)	0:12:37 - Eddie plays the piano	brother \| chromatic parallelism \| composer \| conversing \| describing \| establish character \| explaining \| leading man \| musician \| piano \| playing \| romantic \| room \| somber \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:13:03 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| brother \| common-chord modulation \| composer \| conversing \| deceptive resolution \| establish character \| leading man \| musician \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	My Old Kentucky Home	0:16:04 - Mickey sings to himself	advance plot \| boxer \| calm \| conversing \| folk music \| leading man \| locker room \| manager \| singing \| source music
City for Conquest (1940)	Lullaby of Broadway	0:17:00 - A sign for Rose Gardens Casino	boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Latin For Manhattan	0:18:29 - Peggy and Danny sit down	AABA structure \| blue note \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	The Continental	0:19:53 - Peggy dances with Murray	AABA structure \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| phrase extension \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:20:39 - Danny sitting at a table	ABAC structure \| boxer \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:21:28 - Peggy dances with Murray	ABAC structure \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz	0:21:46 - Peggy dances with Murray	ABAC structure \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| dancing \| leading lady \| on-screen music \| playing \| popular music \| source music \| upbeat
City for Conquest (1940)	Fanfare	0:22:58 - A trophy is brought out	award \| bold \| chromatic mediant \| crowd \| dance band \| dance hall \| dancer \| dance scene \| fanfare \| leading lady \| on-screen music \| parallelism \| presenting \| source music \| transcribed by ear \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:23:07 - Close-up of Lily	ABAC structure \| award \| boxer \| conversing \| crowd \| dance band \| dance hall \| dancer \| dance scene \| friend \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
City for Conquest (1940)	Shadow Waltz (Ethereal)	0:24:48 - Peggy peeks out of her door	added-note chord \| advance plot \| arriving \| chromatic parallelism \| chromatic wedge \| common-tone diminished 7th \| entering \| gentle \| leading lady \| mysterious \| parallelism \| room \| sneaking \| source to score
City for Conquest (1940)	I'm Just Wild About Harry (Delicato)	0:25:06 - Peggy calls Murray	11th chord \| added-note chord \| advance plot \| altered dominant \| calling \| common-tone diminished 7th \| conversing \| leading lady \| mode mixture \| pleasant \| room \| source to score \| telephone \| upbeat
City for Conquest (1940)	Tone Poem A	0:27:25 - Eddie composes at the piano	advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| parallelism \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:40 - Eddie plays the piano	13th chord \| advance plot \| brother \| composer \| composing \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A	0:27:59 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| composer \| composing \| deceptive resolution \| enharmonic respelling \| leading man \| musician \| on-screen music \| piano \| playing \| romantic \| room \| source music \| transcribed by ear
City for Conquest (1940)	The Words Are in My Heart	0:29:31 - Peggy dances with Murray	applause \| augmented triad \| crowd \| dance hall \| dancer \| dancing \| double exposure \| gentle \| leading lady \| montage \| source music \| waltz
City for Conquest (1940)	Original Rhumba	0:29:38 - Peggy dances with Murray	applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| rhumba \| source music \| upbeat
City for Conquest (1940)	Original Bolero	0:29:43 - Peggy dances with Murray	applause \| bolero \| chromatic mediant \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	Jalousie	0:29:51 - Peggy dances with Murray	added-note chord \| applause \| crowd \| dance hall \| dancer \| dancing \| double exposure \| leading lady \| montage \| source music \| tango \| upbeat
City for Conquest (1940)	Original Foxtrot	0:29:57 - Peggy dances with Murray	applause \| common-tone diminished 7th \| crowd \| dance hall \| dancer \| dancing \| double exposure \| foxtrot \| leading lady \| montage \| source music \| upbeat
City for Conquest (1940)	I'm Just Wild About Harry	0:34:32 - Man operating a spotlight	audience \| clapping \| dancer \| dancing \| double exposure \| leading lady \| marquee \| montage \| source music \| stage \| upbeat
City for Conquest (1940)	Liberty Day	0:39:19 - A boxing match	boxing \| boxing ring \| contrasting double period \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Liberty Day	0:39:41 - Old timer talks to worker	boxer \| boxing ring \| celebrating \| contrasting double period \| conversing \| crowd \| fanfare \| leading man \| manager \| montage \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Negra Consentida	0:41:21 - The Carleton Plaza Towers	advance plot \| arriving \| boxer \| dance band \| dancer \| dancing \| leading man \| musician \| on-screen music \| parallel double period \| party \| playing \| source music \| upbeat
City for Conquest (1940)	Tone Poem A	0:42:10 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| advance plot \| boxer \| brother \| common-chord modulation \| composer \| conversing \| crowd \| deceptive resolution \| leading man \| musician \| on-screen music \| party \| piano \| playing \| romantic \| source music \| transcribed by ear
City for Conquest (1940)	Tone Poem A (Stride Piano)	0:43:27 - Eddie plays the piano	9th chord \| 11th chord \| 13th chord \| added-note chord \| advance plot \| augmented sixth chord \| boxer \| brother \| chord substitution \| common-tone diminished 7th \| composer \| conversing \| crowd \| foreign key modulation \| leading man \| mode mixture \| musician \| on-screen music \| parallelism \| party \| piano \| playing \| ragtime \| source music \| syncopation \| upbeat
City for Conquest (1940)	In the Evening	0:45:08 - Peggy in her dressing room	arguing \| boxer \| conflict \| conversing \| crying \| dancer \| dressing room \| leading lady \| leading man \| parallel double period \| punching \| source music \| upbeat
City for Conquest (1940)	A Girl Like You	0:46:49 - Danny in Peggy's dressing room	boxer \| conflict \| crying \| dancer \| dressing room \| leading lady \| leading man \| leaving \| parallel double period \| source music \| upbeat
City for Conquest (1940)	Peggy runs	0:47:31 - Peggy runs down the stairs	boxer \| chromatic parallelism \| chromatic sequence \| dancer \| descending \| leading lady \| leading man \| love scene \| mickey-mousing \| running \| source and scoring overlap \| street \| tense
City for Conquest (1940)	Adios Muchachos	0:50:27 - Peggy arrives home	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| parallel double period \| record player \| room \| source music \| tango
City for Conquest (1940)	Adios Muchachos	0:51:19 - Peggy talks with Murray	advance plot \| arriving \| cheerful \| conversing \| dancer \| leading lady \| parallel double period \| record player \| room \| source music \| tango
City for Conquest (1940)	42nd Street	0:51:52 - People arriving at a dance	AABA structure \| advance plot \| club \| crowd \| dance band \| dancer \| dancing \| musician \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Drum Roll	0:52:51 - Peggy and Danny at the dance	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Drum Roll	0:53:08 - People applaud for Danny	advance plot \| announcer \| announcing \| club \| crowd \| dance band \| dramatic \| on-screen music \| source music
City for Conquest (1940)	Corn Pickin'	0:53:35 - People dancing the jitterbug	AABA structure \| advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Japanese Sandman	0:54:33 - Danny and Peggy at the dance	advance plot \| boxer \| club \| crowd \| dance band \| dancer \| dancing \| leading lady \| leading man \| on-screen music \| source music \| upbeat
City for Conquest (1940)	Underscoring (Gentle)	0:55:19 - A taxi approaches	11th chord \| appoggiatura \| arriving \| farewell scene \| gentle \| leading lady \| leading man \| source and scoring overlap \| street \| taxi \| underscoring
City for Conquest (1940)	Where Were You When the Moon Came Out (Fragment)	0:56:56 - Eddie plays the piano	advance plot \| composer \| composing \| musician \| on-screen music \| piano \| room \| source music
City for Conquest (1940)	Garden of the Moon	1:00:04 - Backstage at the Club Madrid	AABA structure \| advance plot \| conversing \| dancer \| dressing room \| leading lady \| preparing \| source music \| upbeat
City for Conquest (1940)	Miramar	1:00:44 - Danny prepares for a fight	advance plot \| boxer \| conversing \| leading man \| locker room \| manager \| march \| parallel double period \| preparing \| source music \| upbeat
City for Conquest (1940)	Piggy Wiggy Woo	1:10:52 - Peggy cries	advance plot \| conversing \| crying \| dancer \| dressing room \| leading lady \| source music \| upbeat
City for Conquest (1940)	Where Were You When the Moon Came Out	1:19:38 - Danny resting in bed	advance plot \| blur \| brother \| composer \| dancing \| leading man \| listening \| musician \| on-screen music \| parallel double period \| playing \| room \| singer \| singing \| source music \| upbeat \| victim
City for Conquest (1940)	Where Were You When the Moon Came Out (Sad)	1:20:48 - Eddie plays the piano	advance plot \| altered dominant \| blur \| brother \| composer \| leading man \| musician \| on-screen music \| playing \| room \| sentimental \| source music \| victim \| watching
City for Conquest (1940)	Tone Poem A (The Song of the City)	1:23:05 - Eddie plays the piano	9th chord \| 13th chord \| advance plot \| brother \| common-chord modulation \| composer \| diminished 7th chord \| leading man \| listening \| musician \| on-screen music \| playing \| romantic \| room \| source music \| transcribed by ear \| victim
City for Conquest (1940)	Powder My Back	1:23:34 - A burlesque marquee	advance plot \| conversing \| dancer \| dancing \| leading lady \| manager \| on-screen music \| phrase extension \| singer \| singing \| source music \| stage \| upbeat
City for Conquest (1940)	Tone Poem Introduction	1:32:01 - Orchestra playing in a concert hall	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| common-tone dominant 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| dominant 7th chord \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| score to source \| source music \| watching
City for Conquest (1940)	Tone Poem A	1:32:32 - Violins playing	9th chord \| 11th chord \| 13th chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| sequence \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem A (Tutti)	1:33:02 - Peggy watches from the audience	9th chord \| 11th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dramatic \| fragmentation \| Gershwinesque \| leading lady \| listening \| musician \| on-screen music \| orchestra \| playing \| point-of-view shot \| romantic \| source music \| watching \| zoom in
City for Conquest (1940)	Tone Poem Transition 1	1:33:15 - The conductor	9th chord \| added-note chord \| audience \| Carnegie Hall \| common-tone diminished 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| Dutch angle \| excited \| fragmentation \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem B	1:33:32 - The wind section plays	9th chord \| added-note chord \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Mixolydian mode \| musician \| on-screen music \| orchestra \| ostinato \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem Train Whistle	1:33:40 - The wind section plays	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| musician \| on-screen music \| orchestra \| pc set \| playing \| pump-up modulation \| source music
City for Conquest (1940)	Tone Poem Transition 2	1:33:48 - Orchestra playing	9th chord \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem Introduction (Abbreviated)	1:34:01 - Orchestra playing	9th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| concert \| concert hall \| concert scene \| conducting \| conductor \| dissonant bass \| double exposure \| Dutch angle \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| radio \| source music \| watching
City for Conquest (1940)	Tone Poem A (Very Broad)	1:34:24 - Peggy reacts to the music	9th chord \| 13th chord \| audience \| bold \| Carnegie Hall \| chromatic parallelism \| chromatic scale \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| dissonant bass \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| radio \| romantic \| source music \| street \| watching \| zoom out
City for Conquest (1940)	Tone Poem A (Lento)	1:35:02 - Orchestra playing	9th chord \| audience \| Carnegie Hall \| chromatic parallelism \| chromatic sequence \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| leading lady \| linear chromaticism \| listening \| musician \| on-screen music \| orchestra \| playing \| polychord \| romantic \| somber \| source music \| tender \| watching
City for Conquest (1940)	Tone Poem Transition 1 (Abbreviated)	1:35:34 - Harp playing in the orchestra	added-note chord \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| dramatic \| Gershwinesque \| musician \| on-screen music \| orchestra \| playing \| source music
City for Conquest (1940)	Tone Poem B	1:35:43 - Danny listens to the radio	9th chord \| added-note chord \| audience \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| excited \| Gershwinesque \| leading man \| listening \| Mixolydian mode \| musician \| newspaper \| newspaper stand \| on-screen music \| orchestra \| playing \| pump-up modulation \| radio \| source music \| street \| watching
City for Conquest (1940)	Tone Poem Train Whistle	1:35:50 - Danny listens to the radio	added-note chord \| bold \| concert \| concert scene \| dissonant bass \| excited \| fragmentation \| Gershwinesque \| leading man \| listening \| on-screen music \| pc set \| pump-up modulation \| radio \| source music \| street
City for Conquest (1940)	Tone Poem Transition 2 (Allargando)	1:35:58 - Orchestra playing in the concert hall	audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| direct modulation \| dramatic \| Gershwinesque \| grand \| listening \| musician \| on-screen music \| orchestra \| pedal tone \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Grandioso)	1:36:11 - Audience enjoying the performance	9th chord \| 13th chord \| altered dominant \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading lady \| leading man \| listening \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching
City for Conquest (1940)	Tone Poem A (Tutti 2)	1:36:41 - Danny's figure appears in the concert hall	9th chord \| 13th chord \| AABA structure \| added-note chord \| audience \| bold \| Carnegie Hall \| concert \| concert hall \| concert scene \| conducting \| conductor \| crying \| deceptive resolution \| double exposure \| dramatic \| Gershwinesque \| leading man \| listening \| mode mixture \| musician \| on-screen music \| orchestra \| playing \| romantic \| sentimental \| smiling \| source music \| watching \| zoom out
City for Conquest (1940)	Tone Poem Introduction (Abbreviated 2)	1:37:08 - The conductor leading the orchestra	added-note chord \| audience \| bold \| Carnegie Hall \| common-tone dominant 7th \| concert \| concert hall \| concert scene \| conducting \| conductor \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
City for Conquest (1940)	Tone Poem A (Coda)	1:37:16 - The conductor leading the orchestra	added-note chord \| audience \| bold \| Carnegie Hall \| chromatic mediant \| concert \| concert hall \| concert scene \| conducting \| conductor \| diminution \| dramatic \| Gershwinesque \| listening \| musician \| on-screen music \| orchestra \| playing \| source music \| watching
Crime School (1938)	Elephant Walk	0:04:57 - Kids whistle as cop walks away	comical \| establish character \| gang \| on-screen music \| source music \| street \| teenager \| whistling
Crime School (1938)	Put on Your Old Grey Bonnet	0:59:13 - The boys sing in the shoe repair shop	advance plot \| cheerful \| gang \| hammering \| on-screen music \| reformatory \| singing \| source music \| teenager \| worker \| working
They Made Me a Criminal (1939)	M-O-T-H-E-R	0:05:01 - Drunken man sings	comical \| drunk \| establish character \| on-screen music \| room \| singing \| source music
They Made Me a Criminal (1939)	So Help Me (If I Don't Love You)	0:05:54 - Johnnie and Goldie relaxing	drinking \| floozy \| jaunty \| kissing \| leading man \| murder scene \| popular song \| radio \| room \| source music
They Made Me a Criminal (1939)	When a Prince of a Fella Meets a Cinderella	0:06:23 - Johnnie talks to his manager	dancing \| drinking \| floozy \| jaunty \| laughing \| leading man \| murder scene \| parallel double period \| partying \| radio \| room \| source music
They Made Me a Criminal (1939)	Saving Myself For You (I've Been)	0:08:02 - Johnnie at a party	AABA structure \| attacking \| conversing \| drinking \| fighting \| floozy \| jaunty \| leading man \| murder \| murdering \| murder scene \| partying \| radio \| room \| source music \| violence
They Made Me a Criminal (1939)	They Say	0:13:05 - Doc and Goldie in Johnnie's car	action scene \| car \| car \| criminal \| drinking \| driving \| floozy \| happy \| murderer \| radio \| source music
They Made Me a Criminal (1939)	Cowboy From Brooklyn	0:25:04 - A young man whistles	establish character \| jaunty \| on-screen music \| ranch \| source music \| teenager \| whistling \| working
They Made Me a Criminal (1939)	By a Waterfall	0:55:35 - A shower sign	advance plot \| cheerful \| comical \| hero \| leading man \| on-screen music \| popular music \| ranch \| showering \| singing \| source music \| teenager \| whistling
They Made Me a Criminal (1939)	The Whip	1:10:16 - People at the carnival	arena \| boxer \| cheerful \| entering \| excited \| fighting \| hero \| leading man \| march \| sitting \| source music \| sport scene \| teenager
They Made Me a Criminal (1939)	World's Record	1:13:45 - Boxers prepare for the fight	arena \| boxer \| cheerful \| conversing \| excited \| hero \| leading man \| march \| parallel double period \| source music \| sport scene
They Made Me a Criminal (1939)	Spirit of Independence	1:14:53 - Johnnie marches into the ring	arena \| cheerful \| excited \| hero \| leading lady \| leading man \| march \| preparing \| source music \| sport scene \| teenager
Death of a Scoundrel (1956)	Columbia, the Gem of the Ocean	0:14:05 - Boat sails into New York harbor	America \| boat \| flashback \| ocean \| patriotic \| source music
Death of a Scoundrel (1956)	Bridget (Gershwin)	0:16:46 - Clementi and Bridget talk in a bar, then Clementi is searched by the police to see if he had stolen a man's wallet	flashback \| Gershwin \| jazz \| radio \| source music
Death of a Scoundrel (1956)	Waltz	0:59:28 - People dancing at a fancy party	dancing \| flashback \| on screen music \| source music \| waltz
Death of a Scoundrel (1956)	Waltz 2	1:02:27 - Bridget talks with a rich man at the party	dancing \| flashback \| on screen music \| source music \| waltz
Death of a Scoundrel (1956)	Waltz 3	1:03:04 - Stephanie (Mrs. Ryan's secretary) joins the party	dancing \| flashback \| on screen music \| source music \| waltz
Dust Be My Destiny (1939)	Here Comes the Bride	0:31:19 - Crowd sings and claps at a wedding	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| source music \| theater \| wedding
Dust Be My Destiny (1939)	Here Comes the Bride	0:32:48 - Joe kisses Mabel	crowd \| happy \| leading lady \| leading man \| marriage \| on-screen music \| pianist \| source music \| theater \| wedding
Dust Be My Destiny (1939)	In a Moment of Weakness	0:33:37 - Mabel looks at her wedding ring	develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	Radio Fanfare	0:34:20 - Mabel talks to Joe	chromatic mediant \| develop character \| happy \| leading lady \| leading man \| radio \| source music \| theater
Dust Be My Destiny (1939)	My Wild Irish Rose	0:40:51 - Joe and Mabel in Nick's Diner	accompanied source music \| altered dominant \| common-chord modulation \| diner \| establish character \| familiar tune \| friend \| happy \| leading lady \| leading man \| mode mixture \| parallel double period \| popular song \| radio \| shopkeeper \| singing \| source music \| ternary form
Dust Be My Destiny (1939)	Dust Be My Destiny (Irish Rose)	0:42:25 - They go to work in the kitchen	diner \| establish character \| friend \| happy \| leading lady \| leading man \| score to source \| shopkeeper
Dust Be My Destiny (1939)	My Wild Irish Rose (Waltz)	0:44:17 - Mabel and Nick talk	develop character \| diner \| familiar tune \| friend \| gentle \| leading lady \| leading man \| on-screen music \| pedal tone \| popular song \| shopkeeper \| singing \| source music
Dust Be My Destiny (1939)	Whistling	0:45:44 - Joe whistles as he walks	64 chord \| cheerful \| chromatic mediant \| deceptive resolution \| foreign key modulation \| leading man \| on-screen music \| scored source music \| source music \| street \| traveling scene \| whistling
Dust Be My Destiny (1939)	Whistling (Suspenseful)	0:46:25 - Mabel looks out the window	anxious \| cheerful \| concerned \| create suspense \| harmonic sequence \| leading lady \| leading man \| on-screen music \| police \| polytonality \| room \| scored source music \| source music \| whistling
Dust Be My Destiny (1939)	Dust Be My Destiny (Radio)	0:52:28 - Mabel in an apartment	conflict \| leading lady \| leading man \| popular song \| radio \| room \| score to source \| somber \| source music
Each Dawn I Die (1939)	Don’t Give Up the Ship	0:26:47 - Prison orchestra plays	arriving \| entering \| military band \| murder scene \| on-screen music \| orchestra \| parallel double period \| patriotic \| prison \| prisoner \| source music
Each Dawn I Die (1939)	Wings Over the Navy	0:28:04 - Prisoners watch a movie	dying \| film music \| knife \| movie \| murdering \| murder scene \| patriotic \| prison \| prisoner \| source music \| watching
The FBI Story (1959)	Liebesträume	0:21:33 - Chip and Lucy get married	church \| classical music \| familiar tune \| flashback \| organ \| source music \| wedding
The FBI Story (1959)	Wedding March	0:22:25 - Chip and Lucy leave the chapel, now married	church \| classical music \| familiar tune \| flashback \| organ \| source music \| wedding
The FBI Story (1959)	Bye Bye Blackbird	0:39:13 - Chip walks down the street of the western town	familiar tune \| flashback \| source music
The FBI Story (1959)	Street Music	0:51:13 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Pretty Baby	0:51:13 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	I'm Just Wild About Harry	0:51:22 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Cheyenne	0:52:08 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	I May Be Wrong (But I Think You're Wonderful)	0:52:07 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Please Don’t Talk About Me When I'm Gone	0:54:29 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Little Brown Jug	0:56:24 - Chip walks down the street in Ute City	familiar tune \| flashback \| source music
The FBI Story (1959)	Jingle Bells	1:03:00 - Chip works on the Christmas tree	Christmas \| familiar tune \| flashback \| record \| record player \| source music \| tree
The FBI Story (1959)	Yankee Doodle	1:21:55 - Chip puts on a music-playing beanie hat	familiar tune \| flashback \| hat \| patriotic tune \| source music
The FBI Story (1959)	Yankee Doodle	1:22:44 - Chip spins a music-playing beanie hat	familiar tune \| flashback \| hat \| patriotic tune \| source music
The FBI Story (1959)	Yankee Doodle	1:24:48 - Close up of the propeller hat as the seasons change outside the window	beanie \| familiar tune \| flashback \| hat \| mickey-mousing \| snow \| source music \| wind
The FBI Story (1959)	I'll String Along With You	1:37:41 - Chip comforts his daughter in the car	flashback \| radio \| source music
The FBI Story (1959)	Too Marvelous For Words	1:44:51 - Music playing at a backyard barbecue	familiar tune \| flashback \| record player \| source music
The FBI Story (1959)	The Marines' Hymn	1:46:14 - Music playing at a backyard barbecue	familiar tune \| flashback \| patriotic tune \| record player \| source music
The FBI Story (1959)	Jeepers Creepers	2:01:12 - Man plays Jeeper Creepers on the piano at George's anniversary party	flashback \| on-screen music \| piano \| popular music \| source music \| stride piano
The FBI Story (1959)	Oh You Beautiful Doll	2:01:41 - People at the party sing Oh You Beautiful Doll at the party	flashback \| on-screen music \| popular music \| singing \| source music
The FBI Story (1959)	Church	2:07:34 - View of a church	church \| flashback \| organ \| source music
The FBI Story (1959)	Santa Lucia	2:24:26 - Communist enters a restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Santa Lucia	2:25:07 - Two communists meet in the restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Santa Lucia	2:25:48 - FBI agents enter restaurant	familiar tune \| flashback \| radio \| restaurant \| source music
The FBI Story (1959)	Yankee Doodle	2:27:55 - Chip's family drives around	familiar tune \| flashback \| hat \| patriotic tune \| source music
Flamingo Road (1949)	Lute Mae	0:01:26 - Lute Mae's Roadhouse	13th chord \| added-note chord \| altered dominant \| bluesy \| club \| countermelody \| dancing \| eating \| establish setting \| musician \| on-screen music \| playing \| self-borrowing \| simulated source music \| voice-over
Flamingo Road (1949)	Ain't We Got Fun	0:01:41 - A carnival scene	carnival \| carny \| establish setting \| on-screen music \| parallel double period \| playing \| source music \| townsfolk \| upbeat \| voice-over
Flamingo Road (1949)	Vision of Salome	0:02:12 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Arabian Riff	0:02:36 - Exotic dancers	announcing \| carnival \| carny \| dancer \| dancing \| establish setting \| exotic \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	Vision of Salome	0:03:12 - Two men argue	arguing \| carnival \| carny \| dancer \| establish setting \| exotic \| Gypsy minor scale \| leading lady \| mysterious \| on-screen music \| source music
Flamingo Road (1949)	If I Could Be With You	0:07:53 - Field hears music playing	carny \| conversing \| establish character \| leading lady \| leading man \| on-screen music \| parallel period \| police \| radio \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	Arabian Riff (Not in Film)	NIF - not in film	conversing \| cut from film \| cut from film \| deceptive resolution \| leading lady \| leading man \| lovers meet \| pedal tone \| police \| room \| source to score
Flamingo Road (1949)	If I Could Be With You (Timidly)	NIF - not in film	chromatic parallelism \| conversing \| cut from film \| cut from film \| leading lady \| leading man \| lovers meet \| police \| room \| source to score
Flamingo Road (1949)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:12:05 - The Eagle Cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| source music \| upbeat
Flamingo Road (1949)	Can't We Be Friends	0:13:38 - Lane and Field at the cafe	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| police \| popular music \| restaurant \| sentimental \| source music
Flamingo Road (1949)	If I Could Be With You (Dolce)	0:17:22 - Lane and Field talk	conversing \| falling in love scene \| leading lady \| leading man \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	If I Could Be With You (Ethereal)	0:18:06 - Lane watches Field drive away	common-tone diminished 7th \| falling in love scene \| leading lady \| leading man \| leaving \| love interest \| pedal tone \| police \| porch \| sentimental \| source to score
Flamingo Road (1949)	Cheatin' on Me	0:19:12 - Lane works at the café	AABA structure \| advance plot \| café \| leading lady \| leading man \| leaving \| police \| source music \| upbeat \| waitress \| working
Flamingo Road (1949)	South American Way	0:22:08 - Field and Titus arrive at Lute Mae's Tavern	advance plot \| club \| dancer \| dancing \| gambling \| leading man \| musician \| on-screen music \| playing \| police \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	It Had to Be You	0:23:44 - Politicians gamble and talk	ABAC structure \| advance plot \| club \| gambling \| leading man \| police \| politician \| sentimental \| sheriff \| source music \| waitress
Flamingo Road (1949)	Somebody Loves Me	0:25:19 - Politicians plot	AABA structure \| advance plot \| club \| leading man \| plotting \| police \| politician \| sentimental \| sheriff \| source music
Flamingo Road (1949)	If I Could Be With You	0:26:58 - People gamble and dance	club \| dancer \| dance scene \| dancing \| fighting \| gambling \| leading lady \| leading man \| musician \| on-screen music \| playing \| police \| sentimental \| sheriff \| singer \| singing \| source music
Flamingo Road (1949)	If I Could Be With You (Tenderly)	0:29:32 - Lane and Field prepare to leave	11th chord \| 13th chord \| altered dominant \| common-tone diminished 7th \| kissing \| lake \| leading lady \| leading man \| love interest \| love scene \| romance \| romantic \| secondary dominant \| source to score
Flamingo Road (1949)	You Must Have Been a Beautiful Baby	0:43:13 - A woman sings and plays the piano	advance plot \| conversing \| employer \| leading lady \| on-screen music \| room \| sentimental \| singer \| singing \| source music
Flamingo Road (1949)	The Blue Room	0:44:58 - Lane dresses for work	AABA structure \| advance plot \| club \| conversing \| leading lady \| politician \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Jalousie	0:46:06 - Woman dances	club \| conversing \| dance scene \| dancing \| employer \| leading lady \| on-screen music \| playing \| sheriff \| source music \| upbeat \| waitress
Flamingo Road (1949)	Through a Thousand Dreams	0:56:41 - The Olympic City hotel	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Don't Take Your Love From Me	0:58:50 - Dan and Lane sit at a table	ABAC structure \| club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	If I Could Be With You	0:59:52 - A woman sings with the dance band	club \| conversing \| dance scene \| dancing \| dining \| leading lady \| leading man \| love interest \| on-screen music \| politician \| sentimental \| sheriff \| singer \| singing \| source music \| wife
Flamingo Road (1949)	I Guess I'll Have to Change My Plan	1:01:40 - Lane and Dan talk at their table	club \| conversing \| dance scene \| leading lady \| leading man \| love interest \| politician \| sentimental \| sheriff \| source music \| wife
Flamingo Road (1949)	Agitato (Angry)	1:29:00 - Lane goes to confront Titus	advance plot \| angry \| car \| chromatic parallelism \| chromatic scale \| chromatic wedge \| dramatic \| driving \| leading lady \| polychord \| source and scoring overlap \| tense
Flamingo Road (1949)	The Girl With the Spanish Drawl	1:29:10 - Lane arrives at Lute Mae's	arriving \| climax \| club \| dancer \| dancing \| leading lady \| musician \| on-screen music \| playing \| source and scoring overlap \| source music \| upbeat
Hell on Frisco Bay (1955)	The Very Thought of You	0:21:51 - Marcia singing at a club	club \| conductor score \| establish character \| familiar tune \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| popular music \| romantic \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	0:23:26 - Marcia talks to Steve	club \| conductor score \| conversing \| establish character \| investigator \| leading lady \| leading man \| on-screen music \| pianist \| playing \| popular music \| sentimental \| source music \| source score
Hell on Frisco Bay (1955)	Adoramus te Christe	0:38:32 - A funeral	church \| conversing \| friend \| funeral \| investigator \| leading man \| somber \| source music
Hell on Frisco Bay (1955)	Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea	0:40:24 - A dance hall	advance plot \| club \| conversing \| dancer \| dancing \| investigator \| jazz \| jazz band \| leading man \| on screen music \| source music \| upbeat
Hell on Frisco Bay (1955)	How Many Hearts Have You Broken	0:40:22 - A dance hall	advance plot \| club \| conversing \| drowning \| fighting \| gangster \| interrogating \| investigator \| jazz \| leading man \| mellow \| source music
Hell on Frisco Bay (1955)	It Can't Be Wrong	1:09:26 - Amato talks to Lye	advance plot \| antagonist \| calm \| conversing \| gangster \| leading man \| room \| source music
Hell on Frisco Bay (1955)	It Had to Be You	1:17:06 - Marcia sings at a club	advance plot \| calm \| club \| jazz \| leading lady \| leading man \| on screen music \| pianist \| singer \| singing \| source music
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:17:47 - Marcia and Steve talk	advance plot \| calm \| club \| conductor score \| conversing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| source score
Hell on Frisco Bay (1955)	Hell on Frisco Bay	1:18:13 - Marcia and Steve talk	calm \| club \| conductor score \| conversing \| leading lady \| leading man \| love scene \| source to score
Her Kind of Man (1946)	Night Clubs	0:01:12 - Montage of night clubs	bar \| bluesy \| club \| crowd \| dancer \| dancing \| double exposure \| eating \| journalist \| montage \| montage \| performer \| performing \| simulated source music \| street \| voice-over
Her Kind of Man (1946)	You Do Something to Me	0:02:52 - A night club	AABA structure \| celebrating \| club \| conversing \| dancing \| establish character \| flashback \| mickey-mousing \| on-screen music \| playing \| popular music \| ripple effect \| source music \| upbeat \| working
Her Kind of Man (1946)	Something to Remember You By	0:06:59 - Floor show at a night club	club \| dancer \| dancing \| music scene \| popular music \| source music \| stage \| upbeat
Her Kind of Man (1946)	Sailor's Hornpipe	0:07:02 - Dancing sailors	club \| dancer \| dancing \| music scene \| popular music \| source music \| stage \| upbeat
Her Kind of Man (1946)	Something to Remember You By	0:07:16 - Georgia enters	AABA structure \| club \| dancer \| dancing \| leading lady \| music scene \| on-screen music \| popular music \| singer \| singing \| source music \| stage \| upbeat
Her Kind of Man (1946)	Something to Remember You By	0:08:02 - Georgia sings	AABA structure \| club \| dancer \| dancing \| leading lady \| leading man \| music scene \| on-screen music \| popular music \| sentimental \| singer \| singing \| source music \| stage
Her Kind of Man (1946)	Lady Play Your Mandolin	0:11:03 - Audience applauding	AABA structure \| applauding \| applauding \| club \| crowd \| dancing \| leading man \| music scene \| popular music \| source music \| upbeat
Her Kind of Man (1946)	It Had to Be You	0:12:33 - Steve whistles	establish character \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| room \| sentimental \| singer \| source music \| whistling
Her Kind of Man (1946)	April in Paris	0:12:48 - Steve enters Georgia's dressing room	AABA structure \| conversing \| establish character \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| popular music \| room \| sentimental \| singer \| source music
Her Kind of Man (1946)	It Had to Be You (Kissing)	0:18:22 - Steve kisses Georgia	action scene \| augmented triad \| gambler \| kissing \| leading lady \| leading man \| love interest \| minor-major 7th chord \| room \| singer \| source to score \| tense
Her Kind of Man (1946)	Gay White Way	0:19:54 - Georgia looks at her jewelry	advance plot \| cheery \| conversing \| crew \| dancer \| jewelry \| leading lady \| love interest \| manager \| on-screen music \| piano \| source music \| stage
Her Kind of Man (1946)	Just Make Believe	0:20:58 - Don talks to a man	advance plot \| conversing \| gentle \| leading man \| manager \| on-screen music \| piano \| reporter \| source music \| stage
Her Kind of Man (1946)	Speak to Me of Love	0:28:06 - City skyline at night	balcony \| conversing \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| record player \| reporter \| romantic \| singing \| source music
Her Kind of Man (1946)	It Had to Be You	0:29:37 - Georgia and Don	balcony \| cheery \| conversing \| gambler \| leading lady \| leading man \| love interest \| love scene \| on-screen music \| reporter \| room \| source music \| whistling
Her Kind of Man (1946)	Bulletin Board	0:32:45 - Don leaves	bluesy \| conversing \| crew \| departing \| gambler \| leading man \| reporter \| room \| source and scoring overlap \| stage \| transition \| upbeat
Her Kind of Man (1946)	Gay White Way	0:33:01 - Don talks to some men	advance plot \| cheery \| conversing \| crew \| leading man \| manager \| on-screen music \| playing \| reporter \| source music \| theater
Her Kind of Man (1946)	Too Many Tears	0:41:11 - Saratoga Casino	AABA structure \| advance plot \| club \| conversing \| crowd \| gambler \| leading lady \| leading man \| love interest \| manager \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	My Darling	0:45:05 - Georgia and Don in a restaurant	conversing \| crowd \| leading lady \| leading man \| love interest \| love scene \| photograph \| photographer \| reporter \| restaurant \| romantic \| source music \| waiter
Her Kind of Man (1946)	Can't We Talk It Over	0:45:42 - Georgia and Don in a photograph	advance plot \| club \| conversing \| crowd \| dancing \| husband \| leading lady \| newspaper \| on-screen music \| photograph \| playing \| source music \| upbeat \| waiter
Her Kind of Man (1946)	Please Don't Talk About Me When I'm Gone	0:46:03 - Steve dances with a girl	AABA structure \| advance plot \| club \| conversing \| criminal \| dancing \| floozy \| gambler \| henchman \| leading man \| on-screen music \| source music \| upbeat
Her Kind of Man (1946)	It Had to Be You	0:47:09 - Georgia gets ready for bed	advance plot \| cheery \| gambler \| leading lady \| leading man \| love interest \| on-screen music \| preparing \| room \| source music \| waiting \| whistling
Her Kind of Man (1946)	It Had to Be You (Passionate)	0:47:50 - Georgia talks with Steve	arguing \| conversing \| dark \| gambler \| kissing \| leading lady \| leading man \| love interest \| love scene \| passionate \| romantic \| room \| sequence \| source to score \| turbulent
Her Kind of Man (1946)	Body and Soul	0:56:43 - Georgia sings in a night club	AABA structure \| applauding \| club \| conductor \| crowd \| leading lady \| musician \| music scene \| on-screen music \| performing \| performing \| romantic \| score to source \| singer \| singing \| source music \| watching \| wife
Her Kind of Man (1946)	Love Is Sweeping the Country	0:58:02 - The crowd applauds	advance plot \| club \| conversing \| criminal \| crowd \| gambler \| henchman \| husband \| leading lady \| leading man \| on-screen music \| owner \| performing \| reporter \| singer \| sister \| source music \| upbeat \| wife
Her Kind of Man (1946)	Shanty in Old Shanty Town	0:59:36 - A cop waits	advance plot \| arguing \| club \| conversing \| leading man \| observing \| on-screen music \| police \| reporter \| source music \| upbeat \| waiting
Her Kind of Man (1946)	It Had to Be You (Sneaky)	1:05:51 - Georgia hides Candy	advance plot \| criminal \| familiar tune \| henchman \| leading lady \| leading man \| mysterious \| popular music \| reporter \| room \| singer \| sneaking \| sneaky \| source to score \| wife
Her Kind of Man (1946)	It Had to Be You	1:09:05 - Georgia approaches the warehouse	advance plot \| criminal \| familiar tune \| gambler \| henchman \| leading lady \| leading man \| murderer \| neutral \| popular music \| score to source \| singer \| warehouse \| whistling \| wife
Her Kind of Man (1946)	It Had to Be You (Secret Rendezvous)	1:09:09 - Georgia enters the warehouse	advance plot \| arriving \| conversing \| embracing \| familiar tune \| gambler \| kissing \| leading lady \| leading man \| murderer \| popular music \| romantic \| singer \| source to score \| uneasy \| warehouse \| wife
Her Kind of Man (1946)	It Had to Be You (Tempo di Foxtrot)	1:11:50 - Steve talks to Candy	advance plot \| common-tone diminished 7th \| conversing \| criminal \| familiar tune \| gambler \| henchman \| leading man \| murderer \| popular music \| remembered source music \| reminiscing \| upbeat \| warehouse
I Was a Communist for the FBI (1951)	I'm in a Jam with Baby	0:15:20 - Matt enters a bar	ABAB structure \| advance plot \| agent \| arriving \| bar \| calling \| conversing \| customer \| dialing \| jazz \| jukebox \| leading man \| source music \| sultry \| telephone \| undercover agent \| walking
I Was a Communist for the FBI (1951)	(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)	0:39:06 - Matt goes to a record shop	advance plot \| agent \| arguing \| arriving \| conversing \| jazz \| leading man \| record player \| record shop \| shopkeeper \| source music \| undercover agent \| upbeat \| walking
I Was a Communist for the FBI (1951)	Don'cha Go 'Way Mad	0:42:08 - Matt talks to agents in a back room	advance plot \| agent \| conversing \| jazz \| planning \| record player \| record shop \| sentimental \| source music
I Was a Communist for the FBI (1951)	Ice Cold Katy	0:53:21 - Matt follows Eve	advance plot \| arguing \| communist \| jazz \| leading lady \| leading man \| source music \| spy \| street \| teacher \| undercover agent \| upbeat
Illegal (1955)	I Gotta Right to Sing the Blues	0:42:41 - Vic goes into Garland's office, where woman is playing the piano	jazz \| on-screen music \| piano \| source music
Illegal (1955)	Too Marvelous For Words	0:53:06 - Angel sings and plays the piano	jazz \| on-screen music \| piano \| source music
In This Our Life (1942)	South American Way	0:24:06 - A spinning record	AABA structure \| advance plot \| conversing \| dancing \| Latin-American \| leading lady \| leading man \| love interest \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Java Jive	0:32:41 - A dance hall	dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	This Time the Dream's on Me	0:33:03 - Stanley and Peter sit at a table	AABA structure \| conversing \| dance hall \| dance scene \| dancing \| leading lady \| leading man \| on-screen music \| popular music \| source music \| upbeat
In This Our Life (1942)	Blues in the Night	0:42:47 - Stanley puts a record on the phonograph	arguing \| blue note \| blues \| conflict \| leading lady \| leading man \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Blues in the Night (Transition)	0:43:37 - Craig's office door	9th chord \| arriving \| assistant \| calm \| friend \| leading lady \| love scene \| office \| pleasant \| source to score
In This Our Life (1942)	Blues in the Night	0:54:51 - Stanley dresses	advance plot \| blues \| dressing \| leading lady \| record player \| room \| source music \| upbeat \| widow
In This Our Life (1942)	How Do I Know It's Sunday	0:57:12 - Stanley starts a record playing	AABA structure \| advance plot \| conversing \| crying \| dancing \| father \| flirting \| leading lady \| leading man \| popular music \| record player \| room \| sister \| source music \| upbeat \| widow
In This Our Life (1942)	You're a Lucky Guy	1:16:20 - Stanley dances	AABA structure \| advance plot \| arriving \| conversing \| criminal \| dancing \| drinking \| leading lady \| popular music \| record player \| room \| source music \| upbeat
In This Our Life (1942)	Autumn Nocturne	1:17:45 - Stanley puts on a record	AABA structure \| accusing \| arguing \| conflict \| criminal \| defending \| leading lady \| lying \| popular music \| record player \| room \| sentimental \| source music
In This Our Life (1942)	Underscoring (Tense) + South American Way	1:25:34 - Stanley reacts	accusing \| climax \| criminal \| father \| lawyer \| leading lady \| leading man \| lying \| mother \| mysterious \| ominous \| remembered source music \| remembering \| room \| source and scoring overlap \| source music \| suspect \| tense \| underscoring
The Informer (1935)	Drinking Song	0:02:15 - Gypo and Frankie sing at a pub	cheerful \| drinking \| establish character \| flashback \| leading man \| on-screen music \| pub \| remembering \| singing \| somber \| source music \| street
The Informer (1935)	Rule, Britannia!	0:02:32 - Close-up on the 20 pound reward on the poster	British \| dark \| establish character \| familiar tune \| leading man \| linear chromaticism \| looking \| mode change \| patriotic tune \| poster \| source music \| street \| tense
The Informer (1935)	The Rose of Tralee	0:02:54 - Man sings an Irish folk song by a lamp post	calm \| establish character \| familiar tune \| folk song \| Irish \| leading man \| on-screen music \| poster \| singing \| source music \| street \| walking
The Informer (1935)	Yankee Doodle (Octatonic)	0:06:21 - Katie looks at the poster about a trip to America	American \| comical \| conversing \| dark \| diminished 7th chord \| establish character \| leading lady \| leading man \| octatonic \| parallelism \| patriotic tune \| source music \| street
The Informer (1935)	The Wearin' o' the Green	0:07:32 - Frankie looks at reward poster with his picture on it	64 chord \| dark \| establish character \| folk song \| hero \| Irish \| marching \| mickey-mousing \| mysterious \| source music \| street \| thinking
The Informer (1935)	Drinking Song 2	0:40:12 - Gypo sings a drunken song	advance plot \| antagonist \| drunk \| leading man \| on-screen music \| singing \| source music \| street
The Informer (1935)	The Irish Washerwoman	0:43:45 - People sing and dance in a pub	advance plot \| antagonist \| bar \| familiar tune \| folk song \| happy \| Irish \| leading man \| source music \| whistling
The Informer (1935)	The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer	0:44:52 - People celebrate in the pub	advance plot \| antagonist \| bar \| chaotic \| chromatic scale \| close-up \| combination of themes \| crowd \| dark \| dissonant bass \| excited \| familiar tune \| folk song \| foreign key modulation \| happy \| heroic \| Irish \| layering \| leading man \| mob \| mobbing \| octatonic \| parallelism \| pedal tone \| polytonality \| rebel \| serving \| source to score \| spying \| tense \| whole-tone \| yelling \| zoom in
The Informer (1935)	My Man	0:50:19 - Gypo talks with his friend	AB structure \| advance plot \| antagonist \| cheerful \| conversing \| leading man \| party \| source music \| street
The Informer (1935)	Dardanella	0:53:41 - Gypo buys drinks at a party	AB structure \| advance plot \| antagonist \| celebrating \| cheerful \| crowd \| drinking \| leading man \| on-screen music \| party \| partying \| source music
The Informer (1935)	Believe Me If All Those Endearing Young Charms	0:55:32 - A woman prepares to sing a song at a party	advance plot \| antagonist \| cheerful \| crowd \| leading man \| on-screen music \| party \| playing \| source music
Key Largo (1948)	I Gotta Right to Sing the Blues	0:04:21 - Frank speaks with people in the bar	conversing \| establish character \| gangster \| hotel \| jazz \| leading man \| moll \| radio \| sentimental \| source music
Key Largo (1948)	Moanin’ Low	0:56:55 - Gaye sings "Moanin' Low"	awkward \| blues \| bluesy \| boss \| develop character \| father \| gangster \| hostage \| hotel \| leading lady \| leading man \| moll \| nervous \| on-screen music \| singer \| singing \| source music
Key Largo (1948)	Moanin’ Low (Quasi Appassionato)	0:58:38 - McCloud gets a drink for Gaye	alcohol \| bluesy \| boss \| crying \| develop character \| familiar tune \| father \| gangster \| helping \| hostage \| hotel \| leading lady \| leading man \| moll \| somber \| source to score
The Letter (1940)	Foxtrot No. 1	1:19:49 - Leslie getting ready for the party	9th chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| sitting \| source music
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1	1:20:02 - Ong is seen in the mirror	advance plot \| antagonist \| calm \| combination of themes \| dagger \| dance music \| dropping \| foxtrot \| home \| leading lady \| mysterious \| open fifth \| parallel fifths \| pentatonic \| source music
The Letter (1940)	Foxtrot No. 1 B	1:20:05 - Leslie getting ready for the party	added-note chord \| advance plot \| calm \| dance music \| foxtrot \| home \| leading lady \| source music \| walking
The Letter (1940)	Mrs. Hammond + Foxtrot No. 1 B	1:21:15 - Leslie looks around	advance plot \| Chinese \| combination of themes \| dagger \| dance music \| foxtrot \| home \| leading lady \| looking \| mysterious \| open fifth \| parallel fifths \| pentatonic \| polymeter \| polytonality \| source music \| tense
The Letter (1940)	Foxtrot No.1 C	1:21:36 - Leslie goes to the party	added-note chord \| altered dominant \| calm \| conversing \| dance music \| dancing \| foreign key modulation \| foxtrot \| friend \| leading lady \| party \| party \| plagal cadence \| source music
The Letter (1940)	Foxtrot No. 2	1:22:12 - Leslie joins the party	9th chord \| AABA structure \| altered dominant \| conversing \| dance music \| dancing \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| pump-up modulation \| secondary dominant \| source music
The Letter (1940)	Foxtrot No. 3	1:23:25 - Robert talks to friends at the party	9th chord \| added-note chord \| common-tone diminished 7th \| contrasting period \| conversing \| dance music \| drinking \| foxtrot \| friend \| happy \| husband \| leading lady \| party \| party \| source music
The Letter (1940)	Leslie + Foxtrot No. 3	1:25:08 - Leslie looks out the window	added-note chord \| climax \| combination of themes \| common-chord modulation \| dance music \| foreign key modulation \| foxtrot \| home \| lacework \| leading lady \| obsession \| obsessive \| oscillation \| sequence \| source music \| tense \| thinking
The Letter (1940)	Foxtrot No. 3	1:33:58 - Camera pans to the party	added-note chord \| calm \| dance music \| foxtrot \| plantation \| resolution \| source music \| zoom in
The Letter (1940)	Leslie (Fast) + Foxtrot No. 3	1:34:18 - Leslie's lacework	calm \| combination of themes \| dance music \| fragmentation \| lacework \| oscillation \| plantation \| pump-up modulation \| resolution \| sequence \| source music
Lightning Strikes Twice (1951)	Chiapanecas	0:33:40 - People dancing outside	actor \| advance plot \| congregation \| conversing \| dancer \| dancing \| leading lady \| Mexican \| on-screen music \| performer \| playing \| priest \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	Underneath a Western Sky	0:56:48 - A chuckwagon dinner	actor \| advance plot \| calm \| campfire \| chuckwagon \| conversing \| cowboy song \| crowd \| drinking \| eating \| father \| flirting \| food \| friend \| leading lady \| love interest \| mother \| on-screen music \| owner \| playing \| ranch \| source music
Lightning Strikes Twice (1951)	Too Much Love	0:59:02 - Shelly looks at Trev's portrait	actor \| advance plot \| calm \| conversing \| flirting \| friend \| leading lady \| love interest \| party \| popular music \| portrait \| ranch \| source music
Lightning Strikes Twice (1951)	Mi Caballero	1:00:08 - People dancing outside	actor \| advance plot \| crowd \| dancing \| friend \| Latin American \| leading lady \| love interest \| on-screen music \| party \| playing \| ranch \| source music \| upbeat
Lightning Strikes Twice (1951)	Ave Maria (Religioso)	1:10:24 - Justice of the Peace sign	actor \| chapel \| classical \| familiar tune \| justice of the peace \| leading lady \| leading man \| love interest \| marrying \| religious \| ring \| Schubert \| source music \| suspect \| tender \| wedding \| wedding
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	0:03:59 - Wally sees Mildred from the window	conversing \| establish character \| familiar tune \| friend \| heroine \| jazz \| leading lady \| on-screen music \| restaurant \| source music \| upbeat
Mildred Pierce (1945)	Drink to Me Only With Thine Eyes	0:16:07 - Cop whistles to himself	advance plot \| detective \| familiar tune \| heroine \| leading lady \| on-screen music \| police \| police station \| source music \| tense \| ticking \| whistling
Mildred Pierce (1945)	Waltz Brillante	0:26:39 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| dancing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| parallel period \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Waltz Brillante	0:27:21 - Veda plays the piano	advance plot \| child \| classical music \| conversing \| familiar tune \| gentle \| heroine \| leading lady \| on-screen music \| playing \| room \| source music \| waltz
Mildred Pierce (1945)	Work (Singing Lesson)	0:37:17 - Veda sings	added-note chord \| child \| double exposure \| heroine \| leading lady \| montage \| on-screen music \| room \| scored source music \| self-borrowing \| singing \| upbeat \| voice-over \| working
Mildred Pierce (1945)	South American Way	0:37:36 - Veda sings and plays while Kay dances	child \| dancing \| heroine \| leading lady \| music scene \| on-screen music \| playing \| popular music \| room \| sequence \| singing \| source music \| upbeat
Mildred Pierce (1945)	Mazurka in B-Flat Major (Tense)	0:38:47 - Veda plays a Chopin Mazurka	arguing \| child \| classical music \| common-tone diminished 7th \| conflict \| familiar tune \| half-diminished 7th chord \| heroine \| leading lady \| on-screen music \| playing \| quotation \| room \| scored source music \| source music \| tense \| upbeat \| waltz
Mildred Pierce (1945)	Mazurka in B-Flat Major + Mildred	NIF - not in film	added-note chord \| classical music \| combination of themes \| cut from film \| familiar tune \| on-screen music \| scored source music \| source music \| three-phrase period
Mildred Pierce (1945)	It Can't Be Wrong	0:51:16 - Monte plays a record for Mildred	AABA structure \| conversing \| heroine \| kissing \| leading lady \| love interest \| love scene \| popular music \| record \| record player \| romantic \| room \| score to source borrowing \| source music
Mildred Pierce (1945)	T'Ain't No Good	0:57:37 - Mildred at the opening of her restaurant	advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	While You're Away	0:59:47 - Monte arrives at the restaurant	ABAC structure \| advance plot \| antagonist \| busy \| conversing \| daughter \| dining \| friend \| guest \| heroine \| leading lady \| love interest \| parallel double period \| popular music \| restaurant \| serving \| source music \| upbeat \| working
Mildred Pierce (1945)	Please Think of Me	1:01:54 - Monte dances with Veda	antagonist \| celebrating \| dance scene \| dancing \| daughter \| friend \| heroine \| jukebox \| leading lady \| love interest \| on-screen music \| popular music \| restaurant \| singing \| source music \| upbeat
Mildred Pierce (1945)	It Can't Be Wrong (Romantic)	1:04:11 - Monte kisses Mildred	advance plot \| chromatic mediant \| door \| ex-husband \| familiar tune \| foreign key modulation \| heroine \| interrupting \| kissing \| leading lady \| love interest \| mode mixture \| popular music \| restaurant \| romantic \| slamming \| source to score \| stinger
Mildred Pierce (1945)	It Can't Be Wrong (Troubled)	1:04:30 - Bert interrupts Mildred and Monte's kiss	advance plot \| conversing \| dark \| ex-husband \| familiar tune \| heroine \| leading lady \| love interest \| popular music \| restaurant \| source to score \| suspension \| tense \| troubled
Mildred Pierce (1945)	It Can't Be Wrong (Uneasy)	1:05:36 - Bert stares angrily at Monte	advance plot \| dark \| ex-husband \| familiar tune \| glaring \| heroine \| leading lady \| leaving \| love interest \| pedal tone \| popular music \| restaurant \| source to score \| tense \| uneasy
Mildred Pierce (1945)	How Sweet You Are	1:08:28 - Veda dances at a club	ABAB structure \| advance plot \| club \| conversing \| dance music \| dancing \| heroine \| leading lady \| love interest \| on-screen music \| relaxed \| source music
Mildred Pierce (1945)	It Can't Be Wrong (Bitter)	1:15:29 - Mildred writes Monte a check	arguing \| bitter \| breakup \| conflict \| dissonant bass \| familiar tune \| fragmentation \| heroine \| leading lady \| love interest \| mickey-mousing \| popular music \| room \| source to score \| tense
Mildred Pierce (1945)	It Can't Be Wrong (Not in Film)	NIF - not in film	9th chord \| cut from film \| familiar tune \| mickey-mousing \| popular music \| source to score
Mildred Pierce (1945)	You Must Have Been a Beautiful Baby	1:16:01 - Wally and Veda in a restaurant	advance plot \| antagonist \| cheerful \| conversing \| daughter \| drinking \| friend \| popular music \| restaurant \| source music \| toasting
Mildred Pierce (1945)	Oceana Roll	1:27:46 - Veda sings at a restaurant	advance plot \| antagonist \| cheerful \| club \| dancing \| daughter \| ex-husband \| heroine \| leading lady \| on-screen music \| playing \| popular music \| singing \| source music
Mildred Pierce (1945)	Sweet Georgia Brown	1:29:05 - Mildred confronts Wally	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
Mildred Pierce (1945)	It Had to Be You	1:30:25 - Mildred and Veda talk	ABAC structure \| advance plot \| antagonist \| club \| conversing \| daughter \| heroine \| jazz \| leading lady \| on-screen music \| popular music \| source music \| upbeat
The Life of Vergie Winters (1934)	Funeral March	0:01:12 - A funeral march	altered dominant \| brass band \| classical music \| crowd \| establish place \| funeral \| funeral march \| marching \| mode change \| on-screen music \| parallel 63s \| pedal tone \| performer \| secondary dominant \| somber \| source music \| street \| watching
The Life of Vergie Winters (1934)	Lullaby + Funeral March	0:02:32 - Vergie in her jail cell	classical music \| combination of themes \| funeral \| funeral march \| leading lady \| plagal cadence \| pondering \| prison \| prisoner \| sequence \| somber \| source music \| suspect \| watching
The Life of Vergie Winters (1934)	There'll Be a Hot Time in the Old Town Tonight	0:12:17 - People rallying for John Shadwell	advance plot \| conversing \| crowd \| on-screen music \| popular song \| rally \| source music \| upbeat
The Life of Vergie Winters (1934)	For He's a Jolly Good Fellow	0:13:48 - Political rally for John Shadwell	advance plot \| conversing \| crowd \| folk song \| on-screen music \| politician \| rally \| source music \| spouse \| upbeat
The Life of Vergie Winters (1934)	Oh! You Beautiful Doll	0:17:47 - People in a bar	advance plot \| bar \| business man \| conversing \| mode mixture \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Ida (Sweet As Apple Cider)	0:28:55 - People in a bar	advance plot \| bar \| business man \| conversing \| parallel double period \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	Semper Fidelis	0:30:32 - A march is played outside	advance plot \| celebrating \| cheering \| child \| common-chord modulation \| conversing \| crowd \| gossiper \| leading lady \| leading man \| march \| patriotic tune \| politician \| source music \| spouse \| street \| upbeat
The Life of Vergie Winters (1934)	Lullaby (Not in Score)	0:32:18 - Vergie and John look at a baby picture	AABA structure \| calm \| common-chord modulation \| conversing \| cuddling \| leading lady \| leading man \| love interest \| love scene \| lullaby \| peaceful \| room \| score to source \| secret love \| transcribed by ear
The Life of Vergie Winters (1934)	Darktown Strutters' Ball	0:40:06 - Sadie and Mike in a bar	advance plot \| business man \| club \| common-chord modulation \| conversing \| friend \| love interest \| plotting \| ragtime \| source music \| upbeat
The Life of Vergie Winters (1934)	A Boy and a Girl	1:07:00 - John and Vergie listen to the radio	advance plot \| altered dominant \| common-chord modulation \| conversing \| leading lady \| leading man \| listening \| room \| secret lover \| sentimental \| simulated source music \| source to score \| transcribed by ear
The Life of Vergie Winters (1934)	Lullaby (Dolce)	1:08:00 - Vergie talks with John	9th chord \| advance plot \| common-chord modulation \| conversing \| leading lady \| leading man \| room \| score to source \| secret lover \| tender
The Life of Vergie Winters (1934)	Funeral March	1:17:18 - John's funeral procession	altered dominant \| brass band \| classical music \| crowd \| establish place \| funeral \| funeral march \| marching \| on-screen music \| parallel 63s \| somber \| source music \| street \| watching
Rockabye (1932)	Improvised Lullaby	0:11:04 - Elizabeth sings a lullaby	advance plot \| calm \| daughter \| doll \| leading lady \| lullaby \| mother \| on-screen music \| room \| singing \| source music
Rockabye (1932)	Sleep, My Sweet	0:11:20 - Judy sings with her daughter	advance plot \| calm \| daughter \| humming \| leading lady \| lullaby \| mother \| on-screen music \| room \| score to source \| singing \| source music
Rockabye (1932)	A Bird in a Gilded Cage	0:29:09 - Snooks sings to herself	advance plot \| drunk \| mother \| on-screen music \| room \| singing \| source music
Rockabye (1932)	Out of the Blue	0:33:38 - People at a party	advance plot \| calm \| club \| conversing \| friend \| leading lady \| on-screen music \| pianist \| playing \| playwright \| singer \| singing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:33:55 - Judy at the party	advance plot \| club \| conversing \| dancing \| friend \| leading lady \| love interest \| on-screen music \| pianist \| playing \| playwright \| source music \| upbeat
Rockabye (1932)	Improvisation (in Rockabye)	0:35:35 - People at a party	advance plot \| club \| conversing \| drinking \| friend \| on-screen music \| playing \| source music \| upbeat
Rockabye (1932)	Out of the Blue (Piano Improvisation)	0:35:57 - Judy and Jacobs talk	AABA structure \| advance plot \| calm \| club \| conversing \| leading lady \| love interest \| on-screen music \| playwright \| score to source borrowing \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	0:39:24 - Judy sings a song	AABA structure \| advance plot \| club \| dancing \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| upbeat
Rockabye (1932)	Till the Real Thing Comes My Way	0:40:21 - Judy sings on top of a truck	advance plot \| leading lady \| love interest \| on-screen music \| pianist \| singing \| source music \| street \| upbeat
Rockabye (1932)	You've Got What Gets Me	0:53:27 - People at a party	ABAB structure \| advance plot \| cheerful \| conversing \| manager \| mother \| party \| source music
Rockabye (1932)	You've Got What Gets Me	0:55:05 - Judy at a party	ABAB structure \| advance plot \| celebrating \| cheerful \| leading lady \| maid \| mother \| party \| source music
Rockabye (1932)	Rockin' Chair	0:59:16 - Judy talks to her manager	AABA structure \| advance plot \| conversing \| drinking \| leading lady \| manager \| party \| somber \| source music
Rockabye (1932)	Till the Real Thing Comes My Way	1:01:37 - Judy sings at a party	advance plot \| cheerful \| leading lady \| love interest \| on-screen music \| party \| playwright \| singing \| source music
Out of the Fog (1941)	Concert in the Park	0:01:57 - Goff walks along the dock	arriving \| conversing \| criminal \| dock \| establish character \| gambling \| leading man \| popular music \| restaurant \| source and scoring overlap \| source music \| upbeat \| worker
Out of the Fog (1941)	Concert in the Park	0:25:09 - Jonah and Olaf walk down the street	advance plot \| arriving \| conversing \| dock \| father \| fisherman \| friend \| popular music \| source music \| upbeat \| walking
Out of the Fog (1941)	Trade Winds	0:28:40 - Stella enters a drugstore	AABA structure \| advance plot \| child \| conversing \| criminal \| leading lady \| leading man \| popular music \| shopping \| source music \| store \| upbeat \| worker
Out of the Fog (1941)	South American Way	0:30:00 - Stella listens to the radio	advance plot \| conversing \| leading lady \| mother \| popular music \| radio \| room \| source music \| upbeat
Out of the Fog (1941)	Comparsa Negra No.1	0:35:38 - People dancing in a conga line	ABAC structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| eating \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| parallel double period \| playing \| source music \| upbeat
Out of the Fog (1941)	No Digas	0:37:46 - Cuban dancers and musicians	AABA structure \| bartender \| club \| conversing \| criminal \| crowd \| dancer \| dance scene \| dancing \| Latin music \| leading lady \| leading man \| musician \| on-screen music \| playing \| source music \| upbeat
Out of the Fog (1941)	Whistle While You Work	0:43:46 - Eddie sets the table	AABA structure \| advance plot \| arguing \| boss \| conversing \| dock \| popular music \| restaurant \| source music \| upbeat \| worker
Out of the Fog (1941)	The Merry-Go-Round Broke Down	0:49:00 - Olaf and Jonah walk to the restaurant	AABA structure \| advance plot \| conversing \| crowd \| dancing \| dock \| father \| fisherman \| friend \| popular music \| source music \| upbeat
Out of the Fog (1941)	Russian Folk Song	0:54:43 - Jonah enters a room	advance plot \| arriving \| cheerful \| father \| fisherman \| folk music \| friend \| on-screen music \| room \| singing \| source music
Out of the Fog (1941)	Russian Barcarolle	0:55:11 - Sam sings a Russian folk song	advance plot \| cheerful \| father \| fisherman \| folk music \| friend \| on-screen music \| room \| score to source \| singing \| source music
Kid Galahad (1937)	Swing for Sale	0:04:26 - Dancing at a party	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Ring	0:06:38 - People at a party	AABA structure \| crowd \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 1	0:08:50 - People at a party	blues scale \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Prizefighter and the Lady	0:09:36 - Ward helps Louise	AABA structure \| crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| on-screen music \| party \| source music \| stride piano \| transcribed by ear \| upbeat
Kid Galahad (1937)	Stride Piano Improvisation 2	0:13:24 - People dance at a party	crowd \| dancing \| establish character \| leading lady \| leading man \| manager \| party \| partying \| source music \| transcribed by ear \| upbeat
Kid Galahad (1937)	The Moon Is in Tears Tonight	1:08:40 - Louise sings in a night club	leading lady \| music scene \| night club \| on-screen music \| playing music \| sentimental \| singing \| source music \| transcribed by ear
Kid Galahad (1937)	Sand In My Shoes	1:10:15 - Ward, Marie, and Louise talk in the club	advance plot \| cheerful \| conversing \| dancing \| leading lady \| leading man \| night club \| on-screen music \| sister \| source music \| transcribed by ear
Kid Galahad (1937)	Green Lady	1:12:08 - Ward, Marie, and Louise talk in the club	advance plot \| arguing \| cheerful \| fighting \| gangster \| night club \| source music \| trainer \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Whistling)	0:01:25 - A man whistles on a train	cheerful \| establish character \| on-screen music \| popular song \| salesman \| source music \| train \| train \| transcribed by ear \| whistling
Traveling Husbands (1931)	There's a Sob in My Heart (Singing)	0:01:44 - A man sings on a train	cheerful \| establish character \| on-screen music \| popular song \| salesman \| singing \| source music \| train \| train \| transcribed by ear
Traveling Husbands (1931)	Someone	0:16:31 - Music is played in a hotel ballroom	advance plot \| cheerful \| dancing \| hotel \| leading lady \| popular song \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Bicycle Built for Two	0:20:51 - Music is played in a bar room	AABC structure \| advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	Sidewalks of New York	0:21:01 - Music is played in a bar room	advance plot \| bar \| calm \| conversing \| eating \| leading lady \| popular song \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Strings)	0:23:03 - Music is played in a night club	AABA structure \| dance scene \| dancing \| leading lady \| night club \| popular song \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	Dance	0:26:27 - Music is played in a night club	AB structure \| dance scene \| dancing \| Latin-American \| leading lady \| night club \| salesman \| source music \| tango \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Duet)	0:28:54 - Two lovers sing in a hotel room	AABA structure \| comedy \| love \| popular song \| romantic \| room \| salesman \| singing \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Waltz)	0:32:02 - Music is played on the radio	comedy \| listening \| popular song \| radio \| romantic \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Jazz)	0:32:29 - Music is played on the radio	altered dominant \| comedy \| dancing \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Radio Dance Band)	0:32:46 - Music is played on the radio	AABA structure \| chromatic mediant \| comedy \| dancing \| leading lady \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Dixieland)	0:34:27 - Music is played in a night club	banjo \| countermelody \| dancing \| Dixieland \| double exposure \| drums \| improvisation \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Hello Beautiful	0:35:04 - Music is played in a taxi	AABA structure \| banjo \| dancing \| drums \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	Millie	0:35:09 - Hot jazz is played in a night club	AABA structure \| banjo \| dancing \| Dixieland \| drums \| jazz \| leading lady \| montage \| night club \| popular song \| salesman \| source music \| taxi \| transcribed by ear \| trombone \| upbeat
Traveling Husbands (1931)	There's a Sob in My Heart (Arabian)	0:35:46 - Music is played on the radio	AABA structure \| advance plot \| Arabian \| dancing \| exoticism \| popular song \| radio \| romantic \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	There's a Sob in My Heart (Arabian)	0:38:56 - Music is played on the radio	advance plot \| Arabian \| dancing \| exoticism \| leading lady \| popular song \| radio \| romantic \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Chimes	0:49:36 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	Chimes 2	0:51:50 - A tune is played on church bells	advance plot \| calm \| church bell \| leading lady \| leading man \| room \| salesman \| source music \| transcribed by ear \| waiting
Traveling Husbands (1931)	There's a Sob in My Heart (Slow Waltz)	0:57:47 - Music is played on the radio	AABA structure \| advance plot \| arguing \| calm \| leading lady \| leading man \| mode mixture \| popular song \| radio \| room \| salesman \| source music \| transcribed by ear
Traveling Husbands (1931)	Ring Around the Rosy	1:09:30 - Men sing and dance	children's song \| dancing \| exciting \| leading lady \| leading man \| on-screen music \| resolution \| room \| salesman \| singing \| source music \| transcribed by ear
The Unfaithful (1947)	Stride Piano	0:03:20 - Larry arrives at the party	establish character \| jazz \| lawyer \| leading lady \| on-screen music \| party \| sister \| source music \| upbeat
The Unfaithful (1947)	Deep Night	0:05:47 - Roger argues with Paula	AABA structure \| antagonist \| arguing \| establish character \| lawyer \| leading lady \| on-screen music \| party \| sister \| somber \| source music
The Unfaithful (1947)	Oh But I Do	0:32:27 - Ladies talk at a restaurant	AABA structure \| advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| sister \| source music \| transition \| victim
The Unfaithful (1947)	Deep Night	0:35:15 - Larry, Chris, and Bob at a restaurant	AABA structure \| advance plot \| calm \| conversing \| husband \| lawyer \| leading lady \| on-screen music \| restaurant \| source music \| transition \| victim
The Unfaithful (1947)	Ask Anyone Who Knows	1:34:08 - Paula reads the paper	ABA structure \| calm \| conversing \| friend \| husband \| radio \| reading \| resolution \| room \| source music
The Unfaithful (1947)	Would You Believe Me	1:36:54 - Paula talks with Bob	ABAC structure \| calm \| conversing \| friend \| husband \| radio \| reading \| resolution \| room \| source music
We Are Not Alone (1939)	Surprise Symphony (Glissando)	0:02:20 - David rides his bike home	bicycle \| classical music \| establish character \| familiar tune \| fragmentation \| glissando \| Haydn \| hero \| playful \| quotation \| score to source \| sequence \| source music \| street
We Are Not Alone (1939)	Surprise Symphony (Theme and Variations)	0:02:37 - David enters his home	augmented triad \| classical music \| deceptive resolution \| establish character \| familiar tune \| Haydn \| hero \| home \| playful \| quotation \| scored source music \| source music \| street \| whistling
We Are Not Alone (1939)	Jessica	0:10:01 - Jessica enters the room	9th chord \| antagonist \| chromatic parallelism \| chromatic scale \| establish character \| half-diminished 7th chord \| office \| sour \| wife
We Are Not Alone (1939)	Surprise Symphony	0:17:34 - David whistles while helping a patient	classical music \| comical \| diminution \| doctor \| establish character \| familiar tune \| Haydn \| hero \| heroine \| office \| on-screen music \| quotation \| source music \| whistling
We Are Not Alone (1939)	I Do Like to Be Beside the Seaside	0:17:49 - Exterior of a British dance hall	ABAC structure \| conflict \| doctor \| familiar tune \| helping \| hero \| heroine \| score to source \| source music \| street \| tense
We Are Not Alone (1939)	As You Walk Down the Strand	0:19:59 - David helps Leni	AABC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	Poor Old Adam Was My Father	0:20:32 - David talks to Leni by the seaside	ABAC structure \| advance plot \| calm \| doctor \| familiar tune \| hero \| heroine \| source music \| street
We Are Not Alone (1939)	It's Easy to Be a Lady if You Try	0:25:50 - Gerald and Leni ride a carousel	ABAC structure \| advance plot \| amusement park \| boy \| bright \| carnival \| carousel \| child \| conversing \| familiar tune \| father \| hero \| heroine \| playing \| source music
We Are Not Alone (1939)	Tuning	0:27:56 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:03 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:17 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Tuning	0:28:31 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| violin \| wife
We Are Not Alone (1939)	Surprise Symphony	0:29:13 - David whistles	advance plot \| cheerful \| classical music \| familiar tune \| Haydn \| hero \| home \| quotation \| source music \| whistling \| wife
We Are Not Alone (1939)	Tuning	0:29:20 - David tunes his violin	advance plot \| hero \| home \| neutral \| on-screen music \| source music \| tuning \| tuning \| violin \| wife
We Are Not Alone (1939)	Minuet	0:29:28 - David plays the violin	advance plot \| hero \| home \| on-screen music \| playing \| source music \| violin \| warm \| wife
We Are Not Alone (1939)	Surprise Symphony	0:29:45 - David plays the violin	advance plot \| hero \| home \| on-screen music \| playing \| source music \| violin \| warm \| wife
We Are Not Alone (1939)	Frohe Botschaft (At the Piano)	0:34:49 - Leni plays and sings	boy \| cheerful \| child \| establish character \| familiar tune \| father \| folk song \| foreign key modulation \| German \| hero \| heroine \| home \| on-screen music \| piano \| playing \| score to source \| singing \| source music \| transcribed by ear
We Are Not Alone (1939)	Frohe Botschaft	0:36:41 - Leni plays the piano	boy \| child \| establish character \| familiar tune \| folk song \| German \| heroine \| home \| on-screen music \| piano \| playing \| source music \| warm
We Are Not Alone (1939)	Jessica	0:45:10 - Jessica enters the room	9th chord \| advance plot \| antagonist \| chromatic parallelism \| chromatic scale \| conversing \| half-diminished 7th chord \| home \| mother \| room \| sour
We Are Not Alone (1939)	Eine kleine Nachtmusik	0:52:05 - Program for the concert at the party	advance plot \| classical music \| concert \| familiar tune \| home \| joyful \| Mozart \| room \| source music
We Are Not Alone (1939)	Die Krähe	0:52:36 - Leni asks David about his work	advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Schubert \| source music
We Are Not Alone (1939)	Celebre Romance	0:54:24 - Leni asks David for a reference	ABAC structure \| advance plot \| antagonist \| calm \| classical music \| concert \| conversing \| cook \| familiar tune \| hero \| heroine \| home \| room \| Rubinstein \| source music
We Are Not Alone (1939)	Tuning	0:59:20 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
We Are Not Alone (1939)	Tuning	1:00:57 - David tunes his violin	advance plot \| antagonist \| calm \| cook \| hero \| heroine \| home \| on-screen music \| room \| source music \| tuning \| violin
We Are Not Alone (1939)	Celebre Romance	1:01:03 - David plays the violin	advance plot \| antagonist \| classical music \| cook \| familiar tune \| hero \| heroine \| home \| on-screen music \| peaceful \| playing \| romantic \| room \| Rubinstein \| sentence form \| source music \| source to score \| violin
We Are Not Alone (1939)	Celebre Romance (Accompanied)	1:01:56 - Gerald sneaks inside	boy \| child \| classical music \| common-tone modulation \| familiar tune \| hero \| heroine \| home \| mode mixture \| on-screen music \| peaceful \| pivotal scene \| playing \| romantic \| room \| Rubinstein \| secondary dominant \| source music \| violin
We Are Not Alone (1939)	Celebre Romance (Accompanied B)	1:02:47 - Gerald accidentally mixes up the contents of two bottles	boy \| child \| classical music \| deceptive resolution \| familiar tune \| hero \| heroine \| home \| linear chromaticism \| mode mixture \| on-screen music \| peaceful \| pivotal scene \| playing \| romantic \| room \| Rubinstein \| source music \| violin
We Are Not Alone (1939)	God Save the King	1:09:06 - Mob sings "God Save the King" outside	advance plot \| antagonist \| British \| choral singing \| familiar tune \| home \| mob \| patriotic \| singing \| source music \| source to score \| street
We Are Not Alone (1939)	Fife and Drums	1:44:42 - David talks with the guards	advance plot \| hero \| patriotic \| pentatonic \| prison \| source music \| war
We Are Not Alone (1939)	It's a Long Long Way to Tipperary	1:45:21 - David talks with the guards	advance plot \| familiar tune \| hero \| patriotic \| prison \| source music \| war
We Are Not Alone (1939)	Surprise Symphony (Whistling)	1:48:34 - David whistles as he thinks	advance plot \| augmentation \| classical music \| deceptive resolution \| familiar tune \| gentle \| Haydn \| hero \| on-screen music \| pedal tone \| prison \| quotation \| score to source \| source music \| sweet \| whistling
We Are Not Alone (1939)	Surprise Symphony (Ghostly)	1:49:48 - Gerald talks to Susan	antagonist \| boy \| child \| classical music \| conclusion \| death \| eerie \| familiar tune \| Haydn \| home \| ominous \| on-screen music \| quotation \| remembered source music \| room \| source music \| tone cluster \| whistling
We Are Not Alone (1939)	Frohe Botschaft (Singing) + Surprise Symphony	1:50:50 - Gerald sings in the tub	augmented triad \| boy \| child \| classical music \| combination of themes \| conclusion \| death \| familiar tune \| folk song \| German \| Haydn \| home \| mode mixture \| on-screen music \| peaceful \| quotation \| room \| source music \| whistling
We Are Not Alone (1939)	Surprise Symphony (The End)	1:51:13 - Closing credits	bold \| classical music \| closing credits \| end title sequence \| familiar tune \| Haydn \| on-screen music \| quotation \| source music \| transcribed by ear \| whistling
White Heat (1949)	Five O'Clock Whistle	1:11:01 - Verna watches Ed	advance plot \| conversing \| gangster \| leading lady \| love interest \| moll \| popular music \| radio \| room \| source music \| upbeat
The Woman in White (1948)	Pavan (Harpsichord)	0:26:05 - Laura plays the harpsichord	advance plot \| butler \| conversing \| family \| gentle \| harpsichord \| leading lady \| leading man \| on-screen music \| playing \| Renaissance music \| room \| source music
The Woman in White (1948)	Improvisation	0:28:47 - A monkey plays the harpsichord	advance plot \| conversing \| harpsichord \| leading lady \| leading man \| monkey \| on-screen music \| playing \| room \| source music \| startled
The Woman in White (1948)	One, Two, Buckle My Shoe	1:33:39 - The porter takes keys off of the wall	accompanied source music \| asylum \| comedy \| comical \| key \| nursery rhyme \| on screen music \| singing \| worker \| working
The Woman in White (1948)	One, Two, Buckle My Shoe (Shuffling Around)	1:34:17 - The porter continues his work	accompanied source music \| asylum \| comedy \| comical \| key \| nursery rhyme \| on screen music \| shuffling \| walking \| worker \| working
High Stakes (1931)	Close to Me	0:01:09 - People at a party	conversing \| establish character \| friend \| on-screen music \| playing \| source music \| upbeat \| waiting \| wedding
High Stakes (1931)	Here Comes the Bride	0:04:05 - Bride walks down the aisle	advance plot \| bride \| calm \| crowd \| establish place \| familiar tune \| source music \| walking \| wedding
High Stakes (1931)	Hymn	0:04:46 - They get married	advance plot \| augmented sixth chord \| bride \| calm \| groom \| hymn \| marrying \| priest \| source music \| wedding
High Stakes (1931)	Wedding March	0:05:16 - They get married	advance plot \| bride \| cheerful \| crowd \| groom \| marrying \| priest \| source music \| wedding
The Public Defender (1931)	Beautiful Thing	0:05:58 - Dance music played at a dinner party	advance plot \| banker \| cheerful \| conversing \| crowd \| dance music \| on-screen music \| party \| police \| source music \| transcribed by ear
The Public Defender (1931)	An Armchair With An Armful of You	0:12:46 - Dance music played at a dinner party	ABAC structure \| advance plot \| arguing \| banker \| cheerful \| conversing \| crowd \| dance music \| party \| source music \| transcribed by ear \| waiter
The Public Defender (1931)	An Armchair With An Armful of You	0:15:33 - Waiter takes sandwich to man	advance plot \| banker \| cheerful \| dance music \| party \| serving \| source and scoring overlap \| source music \| transcribed by ear \| waiter
The Public Defender (1931)	Mystery (Note)	0:16:14 - Man discovers mysterious note in sandwich	advance plot \| augmented triad \| banker \| chromaticism \| discovery \| dramatic \| eating \| mysterious \| mystery \| party \| pc set \| sandwich \| source and scoring overlap \| transcribed by ear \| waiter
The Public Defender (1931)	An Armchair With An Armful of You	0:16:29 - Dance music played at a dinner party	advance plot \| banker \| cheerful \| dance music \| discovery \| mystery \| party \| reacting \| source and scoring overlap \| source music \| transcribed by ear \| waiter
The Public Defender (1931)	He Walked Right In, Turned Around and Walked Right Out Again	0:30:49 - Man sings to himself as he walks away	advance plot \| cheerful \| leading man \| on-screen music \| room \| singing \| source music \| transcribed by ear
Three Who Loved (1931)	My One Ambition is You	0:14:21 - Phil turns on the radio	AB structure \| advance plot \| cheerful \| conversing \| dancing \| pleasant \| radio \| room \| source music \| upbeat
Three Who Loved (1931)	Dance	0:17:09 - John and Helga talking	AB structure \| advance plot \| conversing \| pleasant \| radio \| room \| source music
Three Who Loved (1931)	St. Patrick's Day	0:18:32 - Organ grinder on street	cheerful \| musician \| on-screen music \| organ grinder \| playing \| source music \| street \| transition
Three Who Loved (1931)	Toy Harmonica	0:41:07 - Children at party	advance plot \| cheerful \| child \| on-screen music \| playing \| room \| source music \| toy
Three Who Loved (1931)	Toy Harmonica	0:42:54 - Children at party	advance plot \| cheerful \| child \| on-screen music \| playing \| room \| source music \| toy
Three Who Loved (1931)	Old Folks At Home	0:46:00 - Phil paces in a jail cell	advance plot \| jail \| leading man \| on-screen music \| playing \| prisoner \| somber \| source music
Three Who Loved (1931)	Forty-Nine Bottles	0:47:56 - Drunk man sings	advance plot \| drunk \| drunk \| on-screen music \| party \| singing \| source music
Three Who Loved (1931)	Forty-Nine Bottles	0:48:14 - People sing	advance plot \| drunk \| drunk \| on-screen music \| party \| singing \| source music
Transgression (1931)	Dance	0:08:10 - Elsie and Don Arturo at a club	AB structure \| calm \| club \| conversing \| establish character \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Waltz	0:18:26 - People at a party	advance plot \| calm \| club \| gambling \| leading lady \| linear chromaticism \| love interest \| parallel double period \| sophisticated \| source music \| waltz
Transgression (1931)	Igualada	0:23:20 - Elsie and Don Arturo talking	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	Igualada	0:24:58 - Elsie and Don Arturo dancing	calm \| club \| conversing \| dance scene \| dancing \| leading lady \| love interest \| sophisticated \| source music \| tango
Transgression (1931)	There's a Sob In My Heart (Ballroom)	0:28:18 - Robert arrives at the party	AABA structure \| augmented sixth chord \| calm \| club \| conversing \| dancing \| husband \| leading lady \| party \| self-borrowing \| sophisticated \| source music
Transgression (1931)	Flute Solo	0:43:22 - Don Arturo opens the door	calm \| conversing \| leading lady \| love interest \| love scene \| room \| source music
Transgression (1931)	Serenade	0:44:16 - Elsie and Don Arturo talking	ABAC structure \| calm \| conversing \| embracing \| kissing \| leading lady \| love interest \| love scene \| romantic \| room \| source music
Hell’s Highway (1932)	Hikin' Jerry	0:00:14 - Main titles and newspaper headlines	call and response \| establish setting \| guard \| headline \| montage \| newspaper \| opening title sequence \| prison \| prisoner \| singing \| solemn \| source music \| transcribed by ear \| working
Hell’s Highway (1932)	John Henry	0:06:08 - Men working on a chain gang	advance plot \| guard \| on-screen music \| pentatonic \| prison \| prisoner \| singing \| solemn \| source music \| transcribed by ear \| working
Hell’s Highway (1932)	Willie, the Weeper	0:13:52 - Men singing in prison	advance plot \| blue note \| guard \| on-screen music \| prison \| prisoner \| singing \| solemn \| source music \| spiritual \| transcribed by ear
Hell’s Highway (1932)	The Load is Heavy	0:17:26 - Men singing in prison	advance plot \| barbershop \| cheerful \| guard \| on-screen music \| prison \| prisoner \| singing \| source music \| transcribed by ear
Hell’s Highway (1932)	Frankie and Johnny	0:27:11 - Men singing in prison	advance plot \| calm \| guard \| on-screen music \| prison \| prisoner \| singing \| source music \| transcribed by ear
Hell’s Highway (1932)	Tuning of Violin	0:47:34 - A man tunes a violin	advance plot \| calm \| guard \| on-screen music \| playing \| prison \| prisoner \| source music \| tuning \| violin
Hold ‘Em Jail (1932)	Jingle Bells	0:07:51 - Spider sings	advance plot \| bothering \| business man \| comic \| comical \| goofing around \| on-screen music \| room \| salesman \| singing \| source music
Hold ‘Em Jail (1932)	Makes You Forget Your Troubles	0:11:18 - Spider and Curley talk to Steele	AABA structure \| advance plot \| club \| comic \| dancer \| dancing \| planning \| salesman \| self-borrowing \| source music \| upbeat
Hold ‘Em Jail (1932)	A Moment in the Dark	0:14:05 - Curley turns on the radio	AABA structure \| advance plot \| comic \| goofing around \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Ain't That the Way it Goes	0:14:53 - Spider and Curley look around	AABA structure \| advance plot \| comic \| conversing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	I'm Just a Vagabond Lover	0:17:00 - Curley talks to Barbara	ABAC structure \| advance plot \| comic \| conversing \| goofing around \| love interest \| office \| prisoner \| radio \| sentimental \| source music
Hold ‘Em Jail (1932)	I'm Wrapped Up in You	0:18:18 - Spider dances with Violet	advance plot \| comic \| conversing \| dancing \| goofing around \| love interest \| office \| prisoner \| radio \| source music \| upbeat
Hold ‘Em Jail (1932)	Improvisation	0:39:35 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Improvisation	0:40:44 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Improvisation	0:41:43 - Violet plays the piano and sings	advance plot \| comic \| comical \| conversing \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Chopsticks	0:42:09 - Violet and Spider play a piano duet	advance plot \| comic \| comical \| office \| on-screen music \| playing \| prisoner \| source music
Hold ‘Em Jail (1932)	Improvisation	0:42:44 - Violet plays the piano and sings	advance plot \| comic \| comical \| office \| on-screen music \| playing \| prisoner \| singing \| source music
Hold ‘Em Jail (1932)	Eldorania	0:59:14 - A doctor tends to Spider's leg	advance plot \| athlete \| comic \| conversing \| doctor \| field \| plotting \| prisoner \| referee \| relative key \| source music \| treating \| upbeat
Hold ‘Em Jail (1932)	El Capitan March	1:01:51 - Spider makes Whitey sign a confession	advance plot \| comic \| criminal \| field \| plotting \| prisoner \| source music \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:04:44 - Bidemore celebrates their victory	celebrating \| comic \| crowd \| field \| love interest \| politician \| prisoner \| resolution \| source music \| upbeat \| warden
Hold ‘Em Jail (1932)	The Prisoner's Song	1:05:19 - Spider talks to Violet	comic \| conversing \| field \| prisoner \| resolution \| source music \| upbeat
Hold ‘Em Jail (1932)	Bide-More Alma Mater	1:05:33 - End titles	end title sequence \| source music \| The End \| upbeat
Is My Face Red? (1932)	You Bunch of Fun	0:10:42 - Backstage at a Broadway show	advance plot \| Broadway \| cheerful \| dancer \| dancing \| leading man \| popular music \| singing \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	Burlesque	0:13:10 - Backstage at a Broadway show	ABAC structure \| advance plot \| arguing \| Broadway \| burlesque \| cheerful \| common-chord modulation \| dancer \| leading man \| pedal tone \| plagal cadence \| popular music \| source music \| stage \| transcribed by ear
Is My Face Red? (1932)	Close to Me	0:13:53 - William and Peggy talk in a dressing room	advance plot \| altered dominant \| augmented sixth chord \| Broadway \| common-tone diminished 7th \| conversing \| dancer \| Gypsy major scale \| leading man \| popular music \| romantic \| room \| source music \| transcribed by ear
Is My Face Red? (1932)	Comin' Thro' the Rye	0:46:54 - A man exercises to music on a boat	advance plot \| boat \| calm \| exercising \| leading lady \| leading man \| source music \| transcribed by ear
Is My Face Red? (1932)	Guilty	0:47:40 - A radio orchestra plays on a soundstage	advance plot \| band \| broadcast \| calm \| dance music \| leading lady \| leading man \| on-screen music \| radio \| source music \| stage \| transcribed by ear \| walking
Is My Face Red? (1932)	Trysting Place, The	0:50:25 - William talks to Peggy and Mildred	advance plot \| arguing \| band \| broadcast \| calm \| conversing \| dance music \| leading man \| radio \| sentence form \| source music \| stage \| transcribed by ear
Ladies of the Jury (1932)	El Capitan March	0:28:41 - Jurors deliberate	advance plot \| conversing \| juror \| jury room \| leading lady \| march \| radio \| source music \| upbeat
Ladies of the Jury (1932)	There's a Sob in My Heart (Radio)	0:45:27 - Jurors deliberate	AABA structure \| advance plot \| conversing \| dancing \| juror \| jury room \| leading lady \| radio \| self-borrowing \| sentimental \| source music
Ladies of the Jury (1932)	I'm Just Wild About Harry	0:52:40 - Spencer sings	advance plot \| juror \| jury room \| on-screen music \| singing \| source music \| upbeat
Ladies of the Jury (1932)	All in Favor of Taking a Ride Say Aye	0:56:03 - Mayme sings	advance plot \| juror \| jury room \| on-screen music \| singing \| source music \| upbeat
Men of America (1932)	Hey! Hey!	0:26:27 - Man turns on car radio	advance plot \| car \| criminal \| listening \| mode mixture \| radio \| self-borrowing \| source music \| upbeat
Men of America (1932)	Symphony no. 5: IV	0:26:35 - Car radio plays classical music	advance plot \| bold \| car \| conversing \| criminal \| radio \| source music \| tense
Men of America (1932)	Lace and Ruffles	0:30:53 - The criminals have a feast	advance plot \| criminal \| eating \| food \| pleasant \| source music
Men of America (1932)	Italian Folk Song	0:32:52 - Tony sings a folk song	advance plot \| cheerful \| grapes \| Italian \| on-screen music \| singing \| source music \| working
Secrets of the French Police (1932)	La marseillaise (Distressed)	0:01:00 - Cast list	cast list \| diminished 7th chord \| drumroll \| France \| newspaper \| on-screen music \| opening title sequence \| page turn \| patriotic tune \| source music \| tense
Secrets of the French Police (1932)	Taps	0:02:18 - Taps is played at a military funeral	bugle call \| familiar tune \| funeral \| funeral \| military \| on-screen music \| playing \| somber \| source music
State’s Attorney (1932)	Na Moku Eha	0:01:19 - Hula dancer	cheerful \| club \| conversing \| dancer \| dancing \| drinking \| establish character \| gambling \| Hawaiian \| leading man \| on-screen music \| playing \| politician \| singing \| source music
State’s Attorney (1932)	When I am Dead	0:12:59 - Tom sings to himself	advance plot \| cheerful \| humming \| lawyer \| on-screen music \| room \| singing \| source music
State’s Attorney (1932)	Blues (Piano)	0:18:14 - People talking in a club	advance plot \| blue note \| club \| conversing \| gangster \| leading lady \| leading man \| mistress \| score to source \| source music \| upbeat
State’s Attorney (1932)	Stack o' Lee Blues	0:43:17 - Jazz musicians playing in a club	club \| Dixieland \| musician \| music scene \| on-screen music \| playing \| singer \| singing \| source music \| upbeat
State’s Attorney (1932)	Blues (Swinging)	0:43:46 - Jazz musicians playing in a club	club \| conversing \| dancing \| daughter \| jazz \| lawyer \| leading man \| love interest \| music scene \| on-screen music \| source music \| upbeat
State’s Attorney (1932)	Beer Glasses	0:53:26 - Tom tunes his beer glasses to A	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| source music \| tuning
State’s Attorney (1932)	Wedding March	0:53:50 - Tom plays the Wedding March	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
State’s Attorney (1932)	Beer Glasses	0:54:08 - Tom strikes a beer glass	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
State’s Attorney (1932)	Beer Glasses	0:54:32 - Tom strikes a beer glass	advance plot \| bar \| drunk \| drunk \| lawyer \| leading man \| on-screen music \| playing \| source music
State’s Attorney (1932)	Bibelot	0:55:22 - Tom plays the piano	advance plot \| cheerful \| musician \| on-screen music \| playing \| room \| singing \| source music
The Phantom of Crestwood (1932)	Fanfare	0:00:16 - Fade-in to a seated orchestra	announcer \| broadcast \| dramatic \| fanfare \| on-screen music \| opening title sequence \| orchestra \| playing \| radio \| source music \| transcribed by ear
The Phantom of Crestwood (1932)	Misterioso No. 1	0:00:21 - A radio broadcast	announcer \| broadcast \| mysterious \| on-screen music \| opening title sequence \| orchestra \| playing \| radio \| source music \| transcribed by ear
The Phantom of Crestwood (1932)	I'm Wrapped Up in You	0:16:39 - People talk at a party	AABA structure \| advance plot \| conversing \| dance music \| jaunty \| party \| popular music \| radio \| source music \| transcribed by ear
The Phantom of Crestwood (1932)	Auld Lang Syne	0:19:50 - A man sings to himself at the party	advance plot \| drinking \| familiar tune \| on-screen music \| party \| peaceful \| singing \| source music \| transcribed by ear
The Roadhouse Murder (1932)	Three Little Words	0:04:41 - A woman undresses	advance plot \| cheerful \| floozy \| on-screen music \| room \| singing \| source music
The Roadhouse Murder (1932)	Three Little Words	0:05:23 - A woman in the bathtub	advance plot \| cheerful \| floozy \| on-screen music \| room \| singing \| source music
The Roadhouse Murder (1932)	Lady With a Past Fox Trot	0:35:34 - Chick and Mary talking	AABA structure \| cheerful \| conversing \| dancing \| diner \| girlfriend \| leading lady \| leading man \| love scene \| on-screen music \| reporter \| romantic \| self-borrowing \| source music
Thirteen Women (1932)	Blue Streak	0:01:54 - A circus poster	ABA structure \| circus \| circus music \| conversing \| cousin \| establish character \| establish place \| horoscope \| letter \| performer \| reading \| source music \| upbeat
Thirteen Women (1932)	Circus Music	0:03:44 - June talks to Hazel	AB structure \| circus \| circus music \| conversing \| cousin \| establish character \| performer \| source music \| upbeat
Thirteen Women (1932)	Spring, Beautiful Spring	0:04:48 - June and May perform	ABA structure \| circus \| circus music \| death scene \| performer \| performing \| source music \| swinging \| trapeze \| upbeat
Thirteen Women (1932)	Drum Roll	0:06:18 - June and May perform	circus \| death scene \| fear \| performer \| preparing \| source music \| tense \| trapeze
Thirteen Women (1932)	Serenade	0:28:11 - Jo plays the piano	advance plot \| calm \| common-tone diminished 7th \| conversing \| friend \| gentle \| on-screen music \| piano \| playing \| room \| secondary dominant \| self-borrowing \| sentence form \| source music \| transcribed by ear
Blind Adventure (1933)	When You're Far Away	0:26:45 - Rose and Richard crash a party	AABA structure \| advance plot \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| romantic \| source music
Blind Adventure (1933)	Marcellene	0:32:12 - Rose and Richard go downstairs	ABAC structure \| advance plot \| calm \| conversing \| leading lady \| leading man \| lying \| party \| popular song \| source music
Blind Adventure (1933)	The Prisoner's Song	0:35:12 - Holmes sings and whistles	advance plot \| calm \| criminal \| on-screen music \| rooftop \| singing \| source music \| whistling
Blind Adventure (1933)	The Prisoner's Song	1:02:08 - Holmes sings to himself	calm \| conclusion \| criminal \| on-screen music \| rooftop \| singing \| source music
Emergency Call (1933)	Fit as a Fiddle	0:15:50 - A woman sings	advance plot \| jaunty \| nurse \| on-screen music \| popular song \| singing \| source music \| transcribed by ear
Headline Shooter (1933)	He's Not the Marrying Kind	0:02:32 - Radio announcer talking	announcing \| beauty contestant \| conversing \| establish character \| filming \| film staff \| leading man \| modeling \| on-screen music \| pageant \| parallel period \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Ensemble Tuning	0:04:41 - Bill talks to business man	business man \| calm \| conversing \| establish character \| leading man \| pageant \| source music \| tuning
Headline Shooter (1933)	You Can Depend on Me	0:05:21 - Bathing beauties walk past	AABA structure \| announcing \| beauty contestant \| conversing \| drunk \| establish character \| filming \| film staff \| leading lady \| leading man \| modeling \| on-screen music \| pageant \| photographer \| pleasant \| radio announcer \| source music
Headline Shooter (1933)	Tell Me is It Love?	0:21:50 - Bill and Jane at a bar	advance plot \| bar \| conversing \| drunk \| leading lady \| leading man \| parallel double period \| pleasant \| source music
Headline Shooter (1933)	Isn't This a Night For Love	0:22:10 - Bill and Jane talk at a bar	AABA structure \| advance plot \| bar \| conversing \| leading lady \| leading man \| romantic \| source music
Headline Shooter (1933)	Come Easy, Go Easy, Love	0:46:07 - Bill talks to reporters	AABA structure \| advance plot \| calm \| conversing \| fiancé \| leading lady \| leading man \| reporter \| restaurant \| source music
Dangerous Corner (1934)	Chanson	0:22:05 - A man turns on the radio	alternate timeline \| calm \| classical music \| conversing \| pivotal scene \| radio \| room \| source music
Dangerous Corner (1934)	Wedding March	0:23:10 - A woman opens a cigarette case	alternate timeline \| cheerful \| classical music \| conversing \| friend \| music box \| pivotal scene \| room \| source music \| suspect
Dangerous Corner (1934)	Wedding March	0:47:11 - A man opens a cigarette case	alternate timeline \| cheerful \| classical music \| conversing \| friend \| music box \| pivotal scene \| room \| source music \| suspect
Dangerous Corner (1934)	Chanson	1:02:06 - A man turns on the radio	alternate timeline \| calm \| classical music \| conversing \| friend \| radio \| resolution \| room \| source music \| suspect
Dangerous Corner (1934)	Wedding March	1:03:10 - A woman opens a cigarette case	alternate timeline \| cheerful \| classical music \| conversing \| friend \| music box \| resolution \| room \| source music
Dangerous Corner (1934)	Won't You Believe	1:03:30 - A man adjusts the radio	AABA structure \| alternate timeline \| conversing \| dancing \| drinking \| friend \| popular music \| radio \| resolution \| room \| source music \| upbeat
Dangerous Corner (1934)	The Trysting Place	1:04:35 - Charles talks to Ann in the moonlight	alternate timeline \| balcony \| conversing \| friend \| mode mixture \| popular music \| proposal \| proposing \| radio \| resolution \| romantic \| sequence \| source music \| triadic transformation
Sing and Like It (1934)	Your Mother (Opening Title)	0:00:21 - Cast list	AABA structure \| added-note chord \| augmented sixth chord \| cast list \| jazz \| mode mixture \| opening title sequence \| radio \| room \| secondary dominant \| source music \| transcribed by ear \| upbeat
Sing and Like It (1934)	Indiana	0:01:30 - Ruby changes the radio station	ABAC structure \| boss \| conversing \| establish character \| gangster \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	Dinah	0:02:34 - Ruby and Fenny listen to the radio	AABA structure \| arguing \| boss \| conversing \| establish character \| gangster \| gum \| jazz \| leading lady \| leading man \| listening \| moll \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	It's Sunday Down in Caroline	0:04:11 - Fenny prepares for a meeting	AABA structure \| boss \| conversing \| establish character \| gangster \| jazz \| laughing \| leading lady \| leading man \| moll \| plotting \| radio \| room \| source music \| upbeat
Sing and Like It (1934)	O Du Lieber Augustin	0:09:09 - Annie and Oswald go in the theatre door	AABA structure \| ballad \| dancer \| dancing \| musician \| music scene \| on-screen music \| piano \| source music \| stage \| upbeat
Sing and Like It (1934)	Your Mother	0:10:15 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| robbery \| score to source \| sentimental \| singer \| singing \| source music \| stage \| stealing
Sing and Like It (1934)	Your Mother	0:13:55 - Annie sings on stage	AABA structure \| ballad \| boss \| crying \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Your Mother	0:23:01 - Call board for a dress rehearsal	AABA structure \| arguing \| ballad \| boss \| conversing \| gangster \| leading lady \| listening \| musician \| music scene \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Liebesträume	0:34:46 - Ruby enters the room	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Your Mother	0:35:20 - Toots plays the piano	advance plot \| ballad \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| sentimental \| singing \| source music \| teasing \| tone cluster
Sing and Like It (1934)	Liebesträume	0:35:31 - Toots plays the piano	advance plot \| calm \| classical music \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| piano \| playing \| room \| secondary dominant \| source music
Sing and Like It (1934)	Hearts and Flowers	0:36:11 - Toots plays the piano	advance plot \| conversing \| gangster \| leading lady \| moll \| musician \| on-screen music \| parallel period \| piano \| playing \| popular song \| room \| sentimental \| source music
Sing and Like It (1934)	Hi-De-Ho	0:37:46 - Fenny talks with Mr. Frink	AABA structure \| advance plot \| boss \| conversing \| dancing \| gangster \| laughing \| leading man \| on-screen music \| piano \| source music \| theater \| upbeat
Sing and Like It (1934)	Your Mother	0:44:50 - Annie sings with a tenor	AABA structure \| actor \| advance plot \| ballad \| boss \| gangster \| leading lady \| on-screen music \| piano \| sentimental \| singer \| singing \| source music \| stage
Sing and Like It (1934)	Hi-De-Ho	1:01:43 - The audience	AABA structure \| boss \| critic \| crowd \| dance \| dancing \| gangster \| moll \| musical \| music scene \| on-screen music \| performer \| performing \| singer \| singing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:02:44 - A man conducts the pit orchestra	AABA structure \| conducting \| conductor \| crowd \| dancer \| dancing \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:10 - The audience reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:03:34 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	My Imaginary Sweetheart	1:04:10 - The critic reacts	AABA structure \| boss \| conducting \| conductor \| critic \| crowd \| dancer \| dancing \| gangster \| gun \| laughing \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| source music \| theater \| threatening \| upbeat \| watching
Sing and Like It (1934)	Your Mother	1:04:54 - A man conducts the pit orchestra	AABA structure \| ballad \| boss \| conducting \| conductor \| critic \| crowd \| crying \| dancing \| gangster \| gun \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| performing \| playing \| sentimental \| singer \| singing \| source music \| theater \| threatening \| watching
Sing and Like It (1934)	Your Mother (Curtain Call)	1:07:57 - The audience applauds	AABA structure \| applauding \| boss \| bowing \| cheering \| conducting \| conductor \| critic \| crowd \| gangster \| leading lady \| moll \| musical \| musician \| music scene \| on-screen music \| performer \| playing \| secondary dominant \| singer \| source music \| theater \| transcribed by ear \| upbeat
Sing and Like It (1934)	Makes You Forget Your Troubles	1:08:27 - A man pours champagne	AABA structure \| announcing \| boss \| celebrating \| common-tone diminished 7th \| conversing \| crowd \| drinking \| gangster \| leading lady \| moll \| party \| party \| room \| singer \| source music \| upbeat
Sing and Like It (1934)	At Sunset	1:09:46 - The crowd leaves the party	boss \| conversing \| gangster \| leading lady \| moll \| parallel double period \| party \| party \| room \| sentimental \| singer \| source music
Gridiron Flash (1934)	Oh, Mama	0:22:48 - Pudge sings	athlete \| awkward \| crowd \| friend \| listening \| party \| room \| singing \| source music
Hat, Coat, and Glove (1934)	Tonight is Mine	0:11:24 - Dorothea plays the piano	advance plot \| conversing \| leading lady \| leading man \| mode mixture \| on-screen music \| piano \| playing \| pleasant \| room \| source music
Hat, Coat, and Glove (1934)	Wonderful	0:39:29 - Robert tells Dorothea goodbye	11th chord \| ABAC structure \| added-note chord \| advance plot \| calm \| club \| common-tone diminished 7th \| conversing \| lawyer \| leading lady \| leading man \| meeting \| self-borrowing \| source music \| transcribed by ear
Hat, Coat, and Glove (1934)	When You're Far Away	0:41:12 - Robert talks to Jerry	AABA structure \| advance plot \| club \| conversing \| lawyer \| leading man \| meeting \| pleasant \| source music \| suspect
Murder on the Blackboard (1934)	Clock Tower	0:02:12 - A clock tower	calm \| city \| clock tower \| source music \| tolling \| transition
Murder on the Blackboard (1934)	Clock Tower	0:12:17 - A clock tower	calm \| city \| clock tower \| source music \| tolling \| transition
Murder on the Blackboard (1934)	Scale	0:28:06 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| major scale \| music notes \| neutral \| on-screen music \| school \| singing \| sleuth \| source music
Murder on the Blackboard (1934)	The Clue	0:28:13 - Hildegarde whistles	advance plot \| detective \| leading lady \| leading man \| music notes \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	Unknown Tune	0:29:23 - Otto sings to himself	advance plot \| drunk \| janitor \| on-screen music \| school \| singing \| source music
Murder on the Blackboard (1934)	The Clue	0:32:55 - Hildegarde whistles	advance plot \| leading lady \| leading man \| neutral \| on-screen music \| school \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:40:59 - Hildegarde whistles	advance plot \| leading lady \| neutral \| on-screen music \| school \| school principal \| sleuth \| source music \| whistling
Murder on the Blackboard (1934)	The Clue	0:56:42 - Hildegarde whistles	advance plot \| detective \| hospital \| leading lady \| neutral \| on-screen music \| professor \| sleuth \| source music \| victim \| whistling
Murder on the Blackboard (1934)	The Clue	1:08:29 - Hildegarde whistles	advance plot \| café \| detective \| leading lady \| leading man \| neutral \| on-screen music \| sleuth \| source music \| whistling
Star of Midnight (1935)	Midnight in Manhattan (Tango)	0:08:56 - Dancers in a Broadway show	advance plot \| countermelody \| dancer \| dancing \| energetic \| mode mixture \| Neapolitan \| on-screen music \| pit orchestra \| score to source \| source music \| syncopation \| tango \| theater
Star of Midnight (1935)	Midnight in Manhattan (Exotic)	0:09:14 - Clay and Donna in the audience	advance plot \| altered dominant \| conversing \| countermelody \| exotic \| exotic \| leading lady \| leading man \| mode mixture \| on-screen music \| score to source \| source music \| theater
Star of Midnight (1935)	Midnight in Manhattan (Warm)	0:09:35 - Clay in the theater lobby	advance plot \| altered dominant \| conversing \| leading man \| mode mixture \| Neapolitan \| score to source \| sentimental \| source music \| theater
Star of Midnight (1935)	Swing it Sister	0:10:50 - Clay talks with Jim	AABA structure \| blackmail \| blackmailing \| conversing \| criminal \| detective \| establish character \| leading man \| radio \| room \| source music \| threatening \| upbeat
Star of Midnight (1935)	Pop Goes the Weasel	0:29:44 - Detective sits	advance plot \| cheerful \| conversing \| detective \| inspector \| leading man \| music box \| room \| source music
Star of Midnight (1935)	Pop Goes the Weasel	0:33:40 - Clay talks with Tim	advance plot \| cheerful \| conversing \| detective \| leading man \| music box \| room \| source music \| suspect
Star of Midnight (1935)	What a Night	0:37:08 - Clay in a restaurant	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| producer \| restaurant \| sentimental \| source music
Star of Midnight (1935)	If This Isn't Love	0:46:25 - Clay talks with Donna	ABAC structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Westminster Quarters	0:53:50 - Clay waits	advance plot \| calm \| detective \| detective \| leading man \| source music \| street \| waiting
Star of Midnight (1935)	Midnight in Manhattan (Restaurant)	0:55:00 - Detective talks on the phone	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| restaurant \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan B	0:55:55 - Clay and Donna talk in a restaurant	advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music \| suspension
Star of Midnight (1935)	Midnight in Manhattan	0:56:22 - Clay and Donna talk with Mr. Classon	advance plot \| conversing \| parallel double period \| restaurant \| sentimental \| source music
Star of Midnight (1935)	I'm in Love All Over Again	0:58:13 - Clay and Donna talk with Mr. Classon	AABA structure \| advance plot \| conversing \| detective \| leading lady \| leading man \| restaurant \| sentimental \| source music
Star of Midnight (1935)	Improvisation	1:00:53 - Clay plays the piano	advance plot \| detective \| leading lady \| leading man \| piano \| playing \| room \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:14:27 - Clay plays a record on the phonograph	advance plot \| conversing \| detective \| leading lady \| leading man \| parallel double period \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:19:18 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:20:25 - Clay goes to answer the door	advance plot \| conversing \| detective \| leading lady \| leading man \| phonograph \| room \| score to source \| sentimental \| source music
Star of Midnight (1935)	Midnight in Manhattan (Phonograph)	1:21:40 - Clay enters the room	advance plot \| conversing \| detective \| leading lady \| leading man \| murderer \| phonograph \| room \| score to source \| sentimental \| source music
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:39:42 - Grace turns on the radio	AABA structure \| arriving \| cheerful \| common-tone diminished 7th \| confronting \| conversing \| gangster \| gun \| leading man \| moll \| murderer \| murder scene \| popular music \| room \| source music \| staring \| threatening
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles (Dream Sequence)	0:39:59 - Bob (Bat) pulls a gun on Grace	augmented sixth chord \| cheerful \| confronting \| fragmentation \| frantic \| gangster \| gun \| gunshot \| half-diminished 7th chord \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| popular music \| reacting \| room \| screaming \| sequence \| shooting \| simulated source music \| source music \| staring \| tense \| threatening \| victim
Don’t Turn ‘em Loose (1936)	Makes You Forget Your Troubles	0:40:17 - Grace is shot	AABA structure \| cheerful \| common-tone diminished 7th \| gangster \| gun \| leading man \| mirror shot \| moll \| murder \| murderer \| murder scene \| planning \| popular music \| room \| source music \| staring \| victim
We're Only Human (1935)	Silver Lining	0:13:56 - Pete and Sally in a restaurant	conversing \| date \| detective \| flirting \| gentle \| leading lady \| leading man \| love interest \| love scene \| reporter \| restaurant \| source music
We're Only Human (1935)	Isn't This a Night For Love (Moonlight)	0:23:59 - Pete and Sally having dinner	AABA structure \| conversing \| date \| detective \| dinner \| leading lady \| leading man \| love interest \| love scene \| reporter \| romantic \| room \| source music
We're Only Human (1935)	Isn't This a Night For Love (Dance Band)	0:33:11 - Pete walks into a diner	AABA structure \| advance plot \| arguing \| conversing \| detective \| diner \| leading lady \| leading man \| reporter \| sentimental \| source music
We're Only Human (1935)	Midnight in Manhattan (Warm)	0:36:50 - Mary and Pete in a restaurant	advance plot \| altered dominant \| arguing \| conversing \| detective \| leading lady \| leading man \| mode mixture \| Neapolitan \| reporter \| restaurant \| sentimental \| source music
Another Face (1935)	You're an Angel	0:25:47 - A man knocks on a door	AABA structure \| actress \| advance plot \| arguing \| conversing \| embracing \| kissing \| maid \| manager \| proposal \| room \| sentimental \| source music
Another Face (1935)	Old Fashioned Love	0:38:13 - People at a pool party	ABAB structure \| actress \| advance plot \| conversing \| crowd \| diving \| maid \| mother \| pool \| room \| source music \| swimmer \| swimming \| upbeat
Another Face (1935)	I Never Saw a Better Night	0:39:50 - Sheila talks with her aunt	AABA structure \| actress \| advance plot \| aunt \| conversing \| criminal \| fiancé \| gangster \| maid \| mellow \| mother \| room \| source music
Another Face (1935)	Boys Will Be Boys	0:41:15 - The maid bakes a cake	AABA structure \| actress \| advance plot \| aunt \| conversing \| criminal \| diving \| fiancée \| gangster \| maid \| manager \| mellow \| mother \| room \| source music \| swimming
Girl of the Rio (1932)	Piano noise	0:00:52 - A busy street in Mexicana	crowd \| neutral \| on-screen text \| source music \| street \| transition \| walking
Girl of the Rio (1932)	Toreador Song	0:04:23 - A man cues the orchestra to play	arriving \| celebrity \| crowd \| establish character \| leading man \| night club \| source music \| Spanish \| three-phrase period \| upbeat \| walking
Girl of the Rio (1932)	Querida	0:06:40 - Don Jose admires a woman	ABAC structure \| arriving \| celebrity \| conversing \| crowd \| establish character \| laughing \| leading lady \| leading man \| night club \| on-screen music \| performing \| romantic \| singer \| singing \| source music \| Spanish
Girl of the Rio (1932)	Yo Con tu Amor	0:12:26 - Don Jose talks with Dolores	advance plot \| celebrity \| conversing \| flirting \| leading lady \| leading man \| night club \| parallel double period \| romantic \| singer \| source music \| Spanish
Girl of the Rio (1932)	Was it Wrong?	0:15:41 - Johnny rolls a pair of dice	conversing \| crowd \| dancing \| flirting \| leading lady \| leading man \| love interest \| lovers meet \| night club \| on-screen music \| performing \| romantic \| singer \| source music \| syncopation \| terrace \| upbeat
Girl of the Rio (1932)	Baile	0:23:15 - A close-up on Dolores	advance plot \| conversing \| dancing \| departing \| leading lady \| manager \| on-screen music \| performing \| room \| singer \| source music \| upbeat
Girl of the Rio (1932)	Querida	0:38:14 - Dolores sings and plays the guitar	ABAC structure \| advance plot \| conversing \| crowd \| leading lady \| night club \| on-screen music \| plotting \| prison \| romantic \| singer \| singing \| source music \| terrace \| whistling
Without Honor (1949)	Unidentified dance tune	0:19:04 - Bill turns on the radio	advance plot \| antagonist \| brother \| conversing \| leading lady \| leading man \| popular music \| reacting \| room \| source music \| upbeat
Without Honor (1949)	Tunes Radio	0:26:26 - Bill turns on the radio	antagonist \| brother \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| upbeat
Without Honor (1949)	Unidentified dance tune 2	0:27:06 - Bill turns on the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| reacting \| room \| source music \| taunting \| upbeat
Without Honor (1949)	First Call	0:27:58 - Jane looks at Bill	antagonist \| brother \| bugle call \| conflict \| leading lady \| leading man \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Unidentified dance tune 3	0:28:30 - Bill tunes the radio	antagonist \| brother \| conflict \| leading lady \| leading man \| popular music \| radio \| room \| source music \| taunting \| upbeat
Without Honor (1949)	Liszt Waltz	0:29:28 - Bill talks to Jane	antagonist \| arriving \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| taunting \| wife \| zoom in
Without Honor (1949)	Prelude in D-Flat Major, Op. 28, No. 15 "Raindrop"	0:33:17 - Mrs. Williams talks to Jane	antagonist \| brother \| calm \| classical music \| conflict \| conversing \| leading lady \| leading man \| radio \| room \| source music \| wife
Without Honor (1949)	Unidentified dance tune 4	0:34:19 - Bill tunes the radio	antagonist \| brother \| calling \| conflict \| conversing \| dialing \| leading lady \| leading man \| popular music \| radio \| room \| source music \| telephone \| upbeat \| wandering \| wife
Without Honor (1949)	Good Humor Truck + Underscoring (Tense)	0:37:46 - Jane runs to the road	\| action scene \| combination of themes \| escaping \| hiding \| ice cream truck \| leading lady \| running \| scored source music \| source music \| street \| tense \| underscoring
The Most Dangerous Game (1932)	A Moment In The Dark	0:04:39 - A picture of a hunting trip	boat \| conversing \| establish character \| friend \| hunter \| leading man \| radio \| radio \| source music \| upbeat
The Most Dangerous Game (1932)	Piano Noise	0:23:59 - Martin falls on the piano	brother \| castle \| count \| drunk \| establish character \| leading lady \| leading man \| neutral \| on-screen music \| source music \| stumbling
The Most Dangerous Game (1932)	Russian Waltz	0:24:22 - Zaroff plays the piano	brother \| castle \| conversing \| count \| dog \| drunk \| establish character \| leading lady \| leading man \| on-screen music \| piano \| playing \| recounting \| score to source \| somber \| source music \| warning
The Most Dangerous Game (1932)	Russian Waltz (Upstairs)	0:26:51 - Eve goes up the stairs	advance plot \| ascending \| brother \| castle \| conversing \| count \| departing \| drunk \| leading lady \| leading man \| mickey-mousing \| mute \| mysterious \| servant \| source to score \| stairs \| tense \| walking
The Most Dangerous Game (1932)	The Iron Door (Horn Call)	0:48:50 - Zaroff blows his hunting horn	action scene \| count \| dark \| horn \| horn call \| jungle \| leading lady \| leading man \| playing \| scored source music \| score to source \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Tremolo) + The Iron Door (Horn Call)	0:49:40 - The Count blows his hunting horn	chase scene \| chasing \| combination of themes \| count \| dog \| dramatic \| fog \| horn \| jungle \| leading lady \| leading man \| playing \| running \| scored source music \| score to source \| servant \| source music \| tense \| victim \| villain
The Most Dangerous Game (1932)	The Chase (Tense) + The Iron Door (Horn Call)	0:50:16 - Bob and Eve in the water	barking \| chase scene \| chasing \| combination of themes \| dog \| dramatic \| fog \| jungle \| leading lady \| leading man \| running \| scored source music \| servant \| source music \| stumbling \| tense \| victim
The Most Dangerous Game (1932)	Piano Improvisation	0:56:39 - The Count plays the piano	calm \| castle \| count \| listening \| on-screen music \| piano \| playing \| servant \| source music \| transition \| villain
The Most Dangerous Game (1932)	Russian Waltz (Grandioso)	0:57:09 - The Count plays the piano	advance plot \| calm \| castle \| count \| entering \| leading man \| on-screen music \| piano \| playing \| sneaking \| source music \| victim \| villain
Caged (1950)	Jingle Bells	1:08:01 - Woman plays harmonica	advance plot \| Christmas \| conversing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| source music \| upbeat \| warden
Caged (1950)	Bird in a Cage	1:08:07 - Woman plays harmonica	advance plot \| Christmas \| conversing \| dancing \| guard \| harmonica \| leading lady \| listening \| on-screen music \| playing \| prison \| prisoner \| singing \| source music \| upbeat \| warden
Caged (1950)	Harper Whistles	1:19:30 - Harper whistles	advance plot \| guard \| leading lady \| neutral \| on-screen music \| prison \| source music \| telephone \| waiting \| whistling
Caged (1950)	He Leadeth Me	1:27:53 - Women in prison	advance plot \| calm \| conversing \| crying \| hymn \| leading lady \| prison \| prisoner \| singing \| source music
Caged (1950)	Rock of Ages	1:30:31 - Women in prison	advance plot \| calm \| conversing \| guard \| hymn \| leading lady \| prison \| prisoner \| singing \| source music \| watching
Mara Maru (1952)	Baby Face	0:07:12 - Gregory arrives at a bar	advance plot \| arguing \| bar \| bartender \| conversing \| crowd \| fighting \| leading man \| partner \| sailor \| server \| source music \| upbeat
Mara Maru (1952)	Adoramus te Christe	0:49:05 - A cross and some candles	brother \| church \| conversing \| cross \| crowd \| crying \| embracing \| evidence \| funeral scene \| leading man \| mother \| mourner \| mourning \| police \| praying \| priest \| private eye \| somber \| source music \| worker
Mara Maru (1952)	Morena	0:50:56 - Gregory and Ranier walk down the street	advance plot \| antagonist \| bodyguard \| cafe \| conversing \| hurrying \| leading man \| private eye \| somber \| source music \| stree \| tango \| walking

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