| Beyond the Forest (1949) | Train | 0:03:12 - A departing train | departing | establish setting | mysterious | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Train + Chicago | 0:03:20 - A departing train | accompanied dialogue | combination of themes | departing | establish setting | familiar tune | mysterious | popular tune | tense | train | train effect | train station | voice-over |
Beyond the Forest (1949) | Rosa (Sulking) | 0:28:33 - Rosa watches the train | advance plot | leading lady | solemn | train | train station | walking | watching |
Beyond the Forest (1949) | Chicago (Mink Coat) | 0:29:01 - Rosa sees Carol's mink coat | advance plot | conversing | familiar tune | jealousy | leading lady | popular tune | sentimental | train station |
Beyond the Forest (1949) | Chicago (Carol) | 0:29:17 - Rosa meets Carol | advance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station |
Beyond the Forest (1949) | Chicago (Jealous) | 0:29:33 - Rosa glares at Carol | advance plot | conversing | dark | familiar tune | jealousy | leading lady | popular tune | sentimental | train station |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 1:30:36 - Darkness | agitated | climax | combination of themes | leading lady | madness | mad scene | murderer | stumbling | tense | train | train station | walking | whistle effect |
Beyond the Forest (1949) | Train | 1:30:52 - A locomotive | agitated | climax | cut from film | leading lady | madness | mad scene | murderer | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train + Chicago (Shrill) | 1:30:54 - Rosa stumbles towards the train | agitated | climax | combination of themes | cut from film | familiar tune | leading lady | madness | mad scene | murderer | popular tune | shrill | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Train (Heating Up) + Chicago (Fragmented) | 1:31:05 - Rosa stumbles towards the train | agitated | climax | combination of themes | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train effect | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:21 - Rosa stumbles towards the train | climax | desperate | familiar tune | leading lady | madness | mad scene | murderer | popular tune | stumbling | tense | train | train station | walking |
Beyond the Forest (1949) | Chicago | 1:31:26 - The train leaves the station | agitated | climax | departing | familiar tune | leading lady | madness | mad scene | murderer | obsessive | popular tune | shrill | tense | train | train station |
Beyond the Forest (1949) | Stinger | 1:31:51 - Rosa dead | arriving | climax | dark | death | doctor | husband | leading lady | leading man | mad scene | murderer | solemn | stinger | train | train station | walking |
Beyond the Forest (1949) | Rosa | 1:32:10 - Lewis arrives | arriving | checking | climax | dark | death | doctor | dramatic | husband | leading lady | leading man | mad scene | murderer | reacting | tender | train | train station |
| They Made Me a Criminal (1939) | The Fugitive (Ending) | 1:30:23 - A train rushes away | detective | foreign key modulation | leading man | mode mixture | optimistic | passionate | plagal cadence | resolution | resolution | running | teenager | train station | triumphant |
They Made Me a Criminal (1939) | Running | 1:30:35 - Johnnie runs to Tommy | leading man | mickey-mousing | optimistic | passionate | resolution | resolution | running | teenager | train station | triumphant |
| Death of a Scoundrel (1956) | Train Station | 0:07:01 - Train arrives in the station in Europe | flashback | Italy | nighttime | train station |
| Dust Be My Destiny (1939) | Speeding train | 0:51:13 - A train approaches | dissonant bass | dramatic | escape | mickey-mousing | train | train station | traveling |
Dust Be My Destiny (1939) | Dust Be My Destiny (Thankful) | 0:51:24 - Joe, Mabel, and Nick talk in the car | augmented sixth chord | escape | friend | leading lady | leading man | shopkeeper | thankful | train station |
Dust Be My Destiny (1939) | My Wild Irish Rose (Goodbye) | 0:51:35 - Joe and Mabel say goodbye to Nick | 9th chord | escape | familiar tune | foreign key modulation | friend | leading lady | leading man | linear chromaticism | mode mixture | popular song | shopkeeper | tender | train station |
Dust Be My Destiny (1939) | My Wild Irish Rose (Grandioso) | 0:52:06 - Joe and Mabel leave on a train | 9th chord | 64 chord | calm | escape | familiar tune | friend | leading lady | leading man | popular song | shopkeeper | sweet | tender | train station | triumphant |
| Flamingo Road (1949) | Somber Phone Call | 1:19:54 - Dan calls Lane from the station | calling | conflict | half-diminished 7th chord | husband | leading lady | leading man | politician | somber | tone cluster | train station | wife |
Flamingo Road (1949) | Titus (Triste 2) | 1:20:10 - Dan and Lane talk on the phone | calling | conflict | husband | leading lady | leading man | politician | room | somber | train station | wife |
Flamingo Road (1949) | Titus 2 (Triste) | NIF - not in film | cut from film | cut from film | police station | resolution | self-borrowing |
Flamingo Road (1949) | Lane (Not in Film 3) | NIF - not in film | cut from film | cut from film | foreign key modulation | mode mixture | police station | resolution |
| Hell on Frisco Bay (1955) | Menace | 1:24:38 - Amato talks to detective | advance plot | detective | gangster | leading man | mysterious | plotting | police station | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:24:53 - Amato talks to detective | advance plot | detective | gangster | leading man | plotting | police station | tense |
Hell on Frisco Bay (1955) | Amato | 1:25:21 - Amato sets up Lye and Kay | advance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense |
| Her Kind of Man (1946) | Underscoring (Dramatic [Deutsch]) | 0:54:59 - Cop takes a witness | departing | dramatic | leading man | letter | mysterious | police | police station | reporter | signature | tense | turning point | typing | underscoring | waiter | witness |
Her Kind of Man (1946) | Police Radio | 1:04:40 - Policeman on the radio | action scene | announcing | police | radio | radio effect | station | tense |
| Illegal (1955) | Typewriter | 0:01:21 - Typewriter filling out an APB for the suspected murderer | police station | typewriter | typing |
Illegal (1955) | Fingerprints | 0:01:35 - Man getting his fingerprints taken | fingerprints | police station |
| In This Our Life (1942) | Fast Driving (Dark) | 1:35:07 - Policemen on the radio | calling | oscillation | pc set | police | police station | reporting | resolution | room | solemn | somber | stinger |
In This Our Life (1942) | Underscoring (Tense) | 1:35:22 - Policemen on the radio | altered dominant | calling | police | police station | reporting | resolution | room | solemn | somber | tense | underscoring |
| The Informer (1935) | Katie (Fateful Decision) | 0:13:48 - Gypo heads towards the British headquarters | American | church bell | contemplating | deciding | diminished 7th chord | familiar tune | leading man | mickey-mousing | mysterious | parallelism | patriotic tune | pedal tone | pivotal scene | police station | street | tense |
The Informer (1935) | Blood Money (Extended) | 0:18:55 - British officer tosses money down on the table | antagonist | augmented triad | grabbing | leading man | money | mysterious | pivotal scene | police | police station | tense | tossing | tritone | whole-tone |
| Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking |
Mildred Pierce (1945) | Mildred sits | 0:14:11 - Mildred sits down | advance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting |
Mildred Pierce (1945) | Drink to Me Only With Thine Eyes | 0:16:07 - Cop whistles to himself | advance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling |
Mildred Pierce (1945) | Flashback ends | 1:05:49 - Screen wipe back to the present day | advance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe |
Mildred Pierce (1945) | Kay and Veda (Coy 2) | 1:44:37 - Veda is brought in by the police | antagonist | chromatic parallelism | daughter | deceiving | deception | detective | entering | interrogating | interrogation | parallelism | police station | questioning | tense |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 1:44:53 - Mildred tells Veda not to confess | 9th chord | appoggiatura | chromatic parallelism | detective | harsh | heroine | interrogating | interrogation | leading lady | pleading | police station |
Mildred Pierce (1945) | Mildred (Dark) | 1:45:09 - Mildred realizes that she cannot save Veda | crime | heroine | interrogating | interrogation | police station | somber |
Mildred Pierce (1945) | Kay and Veda (Triste) | 1:49:37 - Veda is led out by the police | antagonist | conversing | daughter | defeat | detective | heroine | leading lady | leaving | mother | murderer | police station | resigned | resolution | sigh gesture | somber |
Mildred Pierce (1945) | Mildred (The End) | 1:50:07 - Mildred leaves with Bert | added-note chord | ex-husband | heroine | leading lady | leaving | pedal tone | police station | resolution | triumphant |
| The Unfaithful (1947) | Unfaithful (Tragic) | 0:24:34 - Mrs. Tanner walks down the street | advance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow |
The Unfaithful (1947) | Tanner (Headlines) | 1:24:17 - Chris is suspected of murder | altered dominant | chromatic scale | climax | fragmentation | friend | hurrying | montage | newspaper | newspaper boy | panicked | police station | polychord | polytonality | quartal chord | radio | reporter | room | rushing | street | surprise | tritone oscillation | widow |
| We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station |
We Are Not Alone (1939) | Frohe Botschaft (Drifting) | 1:14:30 - David gives Leni money for her travels | altered dominant | arrest | arresting | chromatic parallelism | conflict | conversing | dark | death | familiar tune | folk song | gentle | German | happy | hero | heroine | mode mixture | murder | police | quotation | sad | sweet | tense | train station | whole-tone chord |
We Are Not Alone (1939) | Underscoring (Tense) | 1:15:25 - David is taken away by the police | 9th chord | added-note chord | arresting | conflict | hero | heroine | pedal tone | police | tense | train station | underscoring |
| White Heat (1949) | Plotting (Mysterious) | 0:29:13 - Verna and Ma leave the police station | agent | leading lady | leading man | moll | mother | mysterious | police station | transition | walking |
White Heat (1949) | Cody 2 | 0:29:18 - Newspaper headline | agent | bold | dark | dramatic | headline | leading man | newspaper | police station | transition | typing |
White Heat (1949) | Underscoring (Tense) | 1:33:58 - Hank talks to the gas station attendant | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working |
White Heat (1949) | Mirror | 1:34:10 - Hank writes a message on the mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | rushing | tense | undercover agent | writing |
White Heat (1949) | Underscoring (Tense) | 1:34:25 - Attendant fixes the truck | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working |
White Heat (1949) | Mirror | 1:34:34 - Gangster goes to check on Hank | advance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing |
White Heat (1949) | Message on the Mirror | 1:34:49 - Message on the washroom mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing |
White Heat (1949) | Agents (Message) | 1:37:03 - Gas station attendant goes to washroom | conversing | gas station | message | mirror | police | radio | tense | transition | worker |
White Heat (1949) | Pursuit (Tracking) | 1:37:43 - Policemen pursue the truck | agent | antenna | car | car | chase scene | map | police station | pursuing | radio | speeding | street | tense |
White Heat (1949) | Agents + Pursuit (Antenna) | 1:37:59 - | agent | chase scene | combination of themes | conversing | cut from film | police station | radio | tense |
White Heat (1949) | T-Men (The Station) | 1:38:03 - Agents track progress of truck on the map | agent | chase scene | heroic | map | mapping | planning | police station |
White Heat (1949) | Agents + Pursuit (Montage) | 1:38:33 - Police car in pursuit | agent | antenna | car | car | chase scene | combination of themes | double exposure | electronic effect | montage | mysterious | police station | pursuing | radio | radio effect | speeding | street | tense |
White Heat (1949) | T-Men (The Map) | 1:38:58 - Agents map coordinates of the truck | agent | chase scene | map | mapping | noble | planning | police station | radio |
White Heat (1949) | Pursuit (Frantic) | 1:39:12 - Police car in pursuit | agent | antenna | car | car | chase scene | double exposure | montage | police station | pursuing | radio | speeding | street | tense |
White Heat (1949) | Underscoring (Dramatic) | 1:39:16 - Agent at the control board | agent | antenna | car | car | chase scene | double exposure | dramatic | mapping | montage | police station | pursuing | radio | speeding | street | underscoring |
White Heat (1949) | Underscoring (Tense) | 1:39:35 - Agents map coordinates of the truck | agent | chase scene | map | mapping | police station | tense | underscoring |
White Heat (1949) | Underscoring (Dramatic) | 1:41:22 - Agents map coordinates of the truck | agent | chase scene | dramatic | fanfare | map | mapping | police station | radio | underscoring |
White Heat (1949) | Agents (Extended) | 1:41:31 - Agents map coordinates of the truck | agent | chase scene | map | mapping | police station | radio | tense |
| The Woman in White (1948) | The Spring is Coming | 0:01:37 - A train station | cheerful | conversing | establish setting | folk music | leading man | light | train | train station | voice-over | waiting | worker |
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