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12 results for "change" — see also action | change | coin | effect | event | exchange | switch

FilmTheme nameInstanceTags
Are These Our Children? (1931)Dreams (Marcia Maestoso)0:08:58 - Eddie dreamsapplauding | common-chord modulation | double exposure | dreaming | dream sequence | fragmentation | leading man | meter change | montage | reciting | thematic transformation | transcribed by ear | triumphant
They Made Me a Criminal (1939)The Printing Press0:14:10 - A printing press64 chord | dark | dissonant bass | fanfare | headline | heroic | mode change | montage | montage | motoric | newspaper | oscillation | printing press
The Informer (1935)Rule, Britannia!0:02:32 - Close-up on the 20 pound reward on the posterBritish | dark | establish character | familiar tune | leading man | linear chromaticism | looking | mode change | patriotic tune | poster | source music | street | tense

The Informer (1935)

The Wearin' o' the Green (Rebel Jury)1:05:48 - Camera pans to show all of the faces of the rebel jury64 chord | bold | courtroom | courtroom scene | familiar tune | fanfare | folk song | headquarters | judging | jury | meter change | mode mixture | noble | panning shot | patriotic | plagal cadence | rebel | room
Key Largo (1948)Largo Hotel0:02:34 - Frank arrives at the Largo hotelbus | establish setting | hotel | mode change | peaceful | stopping | tense

Key Largo (1948)

McCloud (Tense)0:14:56 - Nora and Frank talk about Georgeadvance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war

Key Largo (1948)

McCloud (Tragic)0:34:05 - McCloud and Nora help Mr. Temple upboss | conflict | father | gangster | helping | hostage | hotel | leading lady | leading man | mode change | solemn | somber

Key Largo (1948)

McCloud (Triste)0:47:23 - Rocco mocks McCloudboss | conflict | conversing | father | gangster | gun | hostage | hotel | leading lady | leading man | mode change | moll | serious | somber
The Life of Vergie Winters (1934)Funeral March0:01:12 - A funeral marchaltered dominant | brass band | classical music | crowd | establish place | funeral | funeral march | marching | mode change | on-screen music | parallel 63s | pedal tone | performer | secondary dominant | somber | source music | street | watching
The Unfaithful (1947)Unfaithful (Chris)0:01:46 - Chris answers the phoneestablish character | foreshadowing | leading lady | mode change | peaceful | room
We Are Not Alone (1939)Surprise Symphony (Foreboding)0:00:09 - Main titleclassical music | dark | familiar tune | Haydn | main title | mode change | opening title sequence | quotation | title of film
The Woman in White (1948)Asylum + Ann1:24:50 - Close-up on Count Foscoantagonist | asylum | combination of themes | criminal | dark | husband | hypnosis | hypnotist | hypnotizing | leading lady | leading man | lighting change | mad scene | murderer | mysterious | thematic transference | victim