| All This, and Heaven Too (1940) | Illness | 0:26:16 - The Duke asks about Raynald | advance plot | delicate | duke | gentle | governess | leading lady | leading man | parallelism | room | worrying |
All This, and Heaven Too (1940) | Henriette (Molto tranquillo) | 0:26:30 - The Duke talks to Henriette | added-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying |
All This, and Heaven Too (1940) | The War of the Roses | 0:27:13 - Henriette plays the harpsichord | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | The War of the Roses | 0:28:23 - The girls sing | advance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music |
All This, and Heaven Too (1940) | Underscoring (Tense) | NIF - not in film | advance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring |
All This, and Heaven Too (1940) | Rubato | NIF - not in film | 9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense |
All This, and Heaven Too (1940) | Desperation (Very Dramatic) | NIF - not in film | advance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense |
All This, and Heaven Too (1940) | Rubato (Carriage) | NIF - not in film | 9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street |
All This, and Heaven Too (1940) | Desperation (Carriage Starts) | NIF - not in film | added-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street |
All This, and Heaven Too (1940) | Underscoring (Tense) | 0:30:19 - Henriette dresses Raynald | 9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring |
All This, and Heaven Too (1940) | Underscoring (Gentle) | 0:30:34 - Henriette puts Raynald in bed | advance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring |
All This, and Heaven Too (1940) | Romance | 0:30:48 - Henriette talks with the Duke | added-note chord | advance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room | sequence |
All This, and Heaven Too (1940) | Henriette (Andante) | 0:31:04 - The Duke apologizes to Henriette | 9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign key modulation | governess | illness | leading lady | leading man | romantic | room |
All This, and Heaven Too (1940) | The Duke (Tranquillo) | 0:31:41 - The doctor treats Raynald | advance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber |
All This, and Heaven Too (1940) | The Sick Room | 0:32:12 - The doctor talks to the Duke | 64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room |
All This, and Heaven Too (1940) | Raynald | 0:32:53 - Henriette helps Raynald | advance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet |
All This, and Heaven Too (1940) | Counting | 0:33:30 - Henriette counts tangerine slices | advance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in |
All This, and Heaven Too (1940) | Henriette (Molto Tranquillo 2) | 0:34:17 - Henriette comforts Raynald | advance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension |
All This, and Heaven Too (1940) | Raynald (Dark) | 0:34:52 - Raynald talks with Henriette | advance plot | child | comforting | conversing | dark | death | duke | foreign key modulation | governess | illness | leading lady | leading man | room |
All This, and Heaven Too (1940) | Lullaby | 0:35:08 - Henriette sings a lullaby | advance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing |
All This, and Heaven Too (1940) | Raynald (Lullaby) | 0:35:24 - Henriette talks to the Duke | advance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room |
All This, and Heaven Too (1940) | Lullaby | 0:35:39 - Henriette sings a lullaby | advance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing |
All This, and Heaven Too (1940) | Henriette (Very Emotional) | 0:35:57 - The Duke thanks Henriette | advance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room |
All This, and Heaven Too (1940) | Lullaby (Morendo) | 0:36:25 - Henriette sings a lullaby | advance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing |
All This, and Heaven Too (1940) | Raynald (Adagio) | 0:38:26 - The doctor takes Raynald's pulse | 9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn |
All This, and Heaven Too (1940) | Raynald (Triste) | 0:39:16 - The Duke talks to Henriette | 64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber |
All This, and Heaven Too (1940) | Henriette (Appassionato) | 0:44:08 - Raynald plays outside | 64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign key modulation | governess | happy | leading lady | leading man | passionate | playing |
All This, and Heaven Too (1940) | Raynald (Mysterioso) | 0:44:22 - Raynald talks with Henriette | advance plot | child | conversing | courtyard | deceptive resolution | duke | governess | happy | leading lady | leading man | mysterious |
All This, and Heaven Too (1940) | The Duchess (Molto Expressivo) | 0:44:33 - Henriette reads a letter from the Duchess | advance plot | common-chord modulation | governess | leading lady | letter | on-screen text | positive | reading | room |
All This, and Heaven Too (1940) | The Duchess (Molto Screwieoso) | 0:44:50 - Henriette looks at a gift from the Duchess | 64 chord | advance plot | chromatic parallelism | distressed | gift | governess | leading lady | looking | opening | pedal tone | room | stinger |
All This, and Heaven Too (1940) | Henriette (Very Emotional) | 0:49:01 - The Duke looks at Henriette | advance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room |
All This, and Heaven Too (1940) | Fanfan la Tulipe | 0:51:48 - Henriette plays the harpsichord | advance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat |
All This, and Heaven Too (1940) | Louise | 0:52:39 - Louise hugs her father | added-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room |
All This, and Heaven Too (1940) | The Duke (Lohengrin) | 0:52:53 - The Duke gives Louise his rose | advance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence |
All This, and Heaven Too (1940) | Louise (Poco Animato) | 0:53:39 - Louise talks to Henriette | advance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation |
All This, and Heaven Too (1940) | Henriette (Poco Animato) | 0:53:44 - Henriette puts out the lights | advance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation |
All This, and Heaven Too (1940) | Henriette (Music Box) | 0:54:04 - Henriette puts Louise to bed | advance plot | augmented sixth chord | calm | child | common-tone diminished 7th | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room |
All This, and Heaven Too (1940) | Gossip | 0:55:36 - Scissors cut a newspaper clipping | 9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | minor second | newspaper | room | scissors | tense |
All This, and Heaven Too (1940) | The Duchess (Broadly) | 0:55:55 - A newspaper clipping | advance plot | distressed | gossiper | newspaper | reading | romantic | room |
All This, and Heaven Too (1940) | Henriette (Mysterioso) | 0:56:02 - A newspaper clipping | advance plot | gossiper | gossiping | half-diminished 7th chord | mysterious | newspaper | room | tense |
All This, and Heaven Too (1940) | Underscoring (Mysterious) | 0:56:57 - The Duchess enters | advance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring |
All This, and Heaven Too (1940) | Invitation to the Dance | 1:04:19 - People waltzing | advance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz |
All This, and Heaven Too (1940) | La Parisienne (The King) | 1:06:08 - The children watch from the balcony | advance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music |
All This, and Heaven Too (1940) | La Parisienne (Expressivo) | 1:06:51 - The children pray | advance plot | calm | child | governess | leading lady | mode mixture | praying | room |
All This, and Heaven Too (1940) | Henriette (Goodnight) | 1:06:59 - Henriette puts the children to bed | advance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in |
All This, and Heaven Too (1940) | Isabelle | 1:07:33 - Isabelle cries | advance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber |
All This, and Heaven Too (1940) | Isabelle 2 | 1:08:44 - Isabelle talks to Henriette | advance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber |
All This, and Heaven Too (1940) | Henriette (Gentle) | 1:09:26 - Isabelle talks to Henriette | 9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet |
All This, and Heaven Too (1940) | Henriette (Cello Solo) | 1:10:09 - Henriette comforts Isabelle | advance plot | child | comforting | crying | gentle | governess | leading lady | pedal tone | room |
All This, and Heaven Too (1940) | The Duchess (Expressivo) | 1:10:42 - The Duke complains to Henriette | abrupt | advance plot | angry | chromatic parallelism | complaining | duke | governess | leading lady | leading man | room | sequential modulation |
All This, and Heaven Too (1940) | Henriette (Transition) | 1:10:55 - The Duke talks to Henriette | advance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room |
All This, and Heaven Too (1940) | Henriette (Rubato) | 1:11:14 - The Duke talks to Henriette | 9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room |
All This, and Heaven Too (1940) | Henriette + Falling Snow | 1:12:16 - The Duke talks to Henriette | advance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Falling Snow | 1:12:39 - Henriette watches the falling snow | 64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy |
All This, and Heaven Too (1940) | Henriette (Sad Waltz) | 1:12:55 - Henriette watches the people dancing | 9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching |
All This, and Heaven Too (1940) | Underscoring (Dramatic) | 1:13:19 - Henriette watches the falling snow | advance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching |
All This, and Heaven Too (1940) | The Duchess (Con Moto) | 1:13:45 - Henriette watches the Duke and Duchess | advance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching |
All This, and Heaven Too (1940) | Desperation (Dark) | 1:13:56 - Henriette watches the Duke leaving | 9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching |
All This, and Heaven Too (1940) | Henriette (Agitato) | 1:14:39 - The Duke paces anxiously | 9th chord | advance plot | agitated | conflicted | dissonant bass | duke | half-diminished 7th chord | leading man | pacing | pondering | room | turbulent |
All This, and Heaven Too (1940) | The Duchess (The Letter) | 1:14:48 - A letter is pushed under the door | 9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent |
All This, and Heaven Too (1940) | Henriette (Somber) | 1:15:09 - Henriette looks out the window | advance plot | governess | leading lady | longing | pedal tone | room | somber |
All This, and Heaven Too (1940) | Henriette (Quasi Agitato) | 1:17:45 - Henriette paces anxiously | acceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent |
All This, and Heaven Too (1940) | Henriette (Tristan) | 1:18:13 - Henriette opens a gift | 9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe |
All This, and Heaven Too (1940) | Henriette + Falling Snow | 1:18:26 - Snow swirling in a snow globe | advance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling |
All This, and Heaven Too (1940) | Spring Time | 1:25:18 - The Duke talks with his children | 64 chord | advance plot | cheerful | child | chromatic sequence | common-tone diminished 7th | duke | forest | governess | leading lady | leading man | pedal tone | recognizing | relief |
All This, and Heaven Too (1940) | Underscoring (Gentle) | 1:25:28 - Henriette smiles at the Duke | advance plot | child | chromatic sequence | conversing | duke | foreign key modulation | forest | gentle | governess | leading lady | leading man | Neapolitan | tender | underscoring |
All This, and Heaven Too (1940) | Henriette (All Hallows Eve) | 1:25:46 - The Duke talks with Henriette | 64 chord | advance plot | conversing | deceptive resolution | duke | forest | gentle | governess | leading lady | leading man | mode mixture | spooky | sweet | tender | whole-tone chord |
All This, and Heaven Too (1940) | Underscoring (Tender) | 1:26:48 - The Duke talks with the servants | 11th chord | 13th chord | 64 chord | added-note chord | advance plot | arriving | common-tone diminished 7th | conversing | duke | gentle | governess | leading lady | leading man | light | pentatonic | room | servant |
All This, and Heaven Too (1940) | Grazioso | 1:27:26 - Madame Gauthier talks about the children | 9th chord | 64 chord | added-note chord | advance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Raynald | 1:27:35 - Madame Gauthier talks about Raynald | 64 chord | advance plot | cheerful | chromatic sequence | conversing | deceptive resolution | duke | governess | leading lady | leading man | room | servant |
All This, and Heaven Too (1940) | Underscoring (Gentle) | 1:27:58 - The Duke talks to Henriette by the fireplace | advance plot | conversing | duke | gentle | governess | leading lady | leading man | pedal tone | room |
All This, and Heaven Too (1940) | Underscoring (Agitated) | 1:35:05 - Henriette with the children | advance plot | agitated | child | chromatic parallelism | chromatic scale | chromatic sequence | conversing | governess | leading lady | room | worried |
All This, and Heaven Too (1940) | Spring Time (Shimmery) | 1:35:12 - Henriette opens a gift | 9th chord | 64 chord | added-note chord | advance plot | cheerful | child | conversing | foreign key modulation | gift | governess | leading lady | light | opening | room |
All This, and Heaven Too (1940) | The Duchess (Distracted) | 1:35:21 - Henriette opens a gift | advance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried |
All This, and Heaven Too (1940) | Spring Time (Harry Cohn Moto) | 1:35:26 - Henriette opens a gift | advance plot | cheerful | child | chromatic sequence | gift | governess | happy | leading lady | opening | pedal tone | room | tense | unwrapping |
All This, and Heaven Too (1940) | Spring Time (Moderato) | 1:35:45 - Henriette opens a gift | 9th chord | 64 chord | advance plot | augmentation | calm | child | chromatic mediant | foreign key modulation | gift | governess | leading lady | locket | opening | parallelism | room | tender |
All This, and Heaven Too (1940) | Henriette (Dolschissimo) | 1:36:07 - Henriette reads the locket inscription | 64 chord | advance plot | calm | child | chromatic mediant | conversing | crying | dissonant bass | foreign key modulation | gift | governess | leading lady | locket | mode mixture | room | stinger | tender | tense |
All This, and Heaven Too (1940) | Heaven Theme (Expressivo) | 2:05:06 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect | suspension |
All This, and Heaven Too (1940) | Dolce | 2:05:51 - Henriette talks to Henry | 9th chord | 11th chord | advance plot | calm | common-chord modulation | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Underscoring (Tense) | 2:06:17 - Henriette argues with Henry | advance plot | arguing | fragmentation | leading lady | minister | pedal tone | prison | prisoner | sequence | suspect | tense | underscoring |
All This, and Heaven Too (1940) | Heaven Theme (Delicato) | 2:06:34 - Henry talks to Henriette | advance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Raynald (Delicato) | 2:06:46 - Henry talks to Henriette | advance plot | conversing | delicate | leading lady | minister | mode change | prison | prisoner | suspect | tender | tense | worrying |
All This, and Heaven Too (1940) | Heaven Theme (Dolce) | 2:06:58 - Henry talks to Henriette | advance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect |
All This, and Heaven Too (1940) | Henriette (The Truth) | 2:07:07 - Henry talks to Henriette | advance plot | calm | conversing | deceptive resolution | leading lady | minister | prison | prisoner | suspect |
| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor | 0:20:05 - Dr. Clitterhouse enters Hotel Sequin | 42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking |
The Amazing Dr. Clitterhouse (1938) | How Dry I Am | 0:20:16 - People in a hotel lobby | advance plot | dark | gangster | lobby | mysterious | on-screen music | scored source music | whistling |
The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Meeting) | 0:21:30 - Dr. Clitterhouse is taken upstairs | 64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief |
The Amazing Dr. Clitterhouse (1938) | Eine kleine Nachtmusik | 0:35:00 - Phonograph plays Mozart record | advance plot | doctor | gangster | leading man | Mozart | neutral | plotting | record player | room | source music | thief |
The Amazing Dr. Clitterhouse (1938) | Eine kleine Nachtmusik | 0:41:57 - Phonograph plays Mozart record | advance plot | doctor | gangster | leading man | moll | Mozart | neutral | plotting | record player | room | source music | thief |
The Amazing Dr. Clitterhouse (1938) | I Wanna Go Back to Bali | 0:53:48 - Gangsters meet in an apartment | advance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief |
The Amazing Dr. Clitterhouse (1938) | Doctor Leaves | 0:57:38 - Dr. Clitterhouse leaves | advance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord |
The Amazing Dr. Clitterhouse (1938) | Rocks | 0:57:55 - Rocks has an idea | advance plot | antagonist | gangster | plotting | room | tense |
The Amazing Dr. Clitterhouse (1938) | Jo (At the Phone) | 0:59:24 - Rocks takes the phone apart | 9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense |
The Amazing Dr. Clitterhouse (1938) | Underscoring (Tense) | 1:00:10 - Jo and Rocks quarrel | advance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense |
| Angels With Dirty Faces (1938) | Underscoring (Mysterious) | 0:07:26 - Rocky talks with his lawyer | advance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring |
Angels With Dirty Faces (1938) | When a Prince of a Fella Meets a Cinderella | 0:16:49 - Rocky goes to a night club | advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music |
Angels With Dirty Faces (1938) | Monday Morning | 0:18:15 - Rocky talks to Frazier in his office | advance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music |
Angels With Dirty Faces (1938) | So Help Me (If I Don't Love You) | 0:19:36 - Rocky leaves the nightclub | advance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music |
Angels With Dirty Faces (1938) | Whistling | 0:21:14 - Character whistles | advance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling |
Angels With Dirty Faces (1938) | Car slowing down | 0:42:10 - Car slows down | advance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping |
Angels With Dirty Faces (1938) | Stickup | 0:42:30 - Rocky points a gun at Frazier | 64 chord | advance plot | assaulting | dramatic | gangster | garage | grabbing | lawyer | leading man | mickey-mousing |
Angels With Dirty Faces (1938) | The Gangster (Elevator Music) | 0:42:40 - Elevator goes up | advance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense |
Angels With Dirty Faces (1938) | Saving Myself For You (I've Been) | 1:02:30 - Rocky and Laury at a night club | AABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music |
Angels With Dirty Faces (1938) | The Cartoon | 1:04:49 - Jerry looks at newspaper cartoon of Rocky | 9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room |
Angels With Dirty Faces (1938) | The Cook | 1:05:06 - The cook hands a package to Jerry | advance plot | comical | conversing | cook | Irish | leading man | parallel fifths | priest | room |
Angels With Dirty Faces (1938) | Sanctus (Mysterioso) | 1:05:33 - Jerry looks at note from Rocky | advance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking |
Angels With Dirty Faces (1938) | Underscoring (Dramatic) | NIF - not in film | advance plot | altered dominant | chromatic scale | cut from film |
Angels With Dirty Faces (1938) | Underscoring (Mysterious) | 1:05:58 - Jerry goes to meet Rocky | advance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting |
Angels With Dirty Faces (1938) | Pleading | 1:11:08 - Laury pleads for Rocky | 9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber |
Angels With Dirty Faces (1938) | Jerry | 1:11:35 - Jerry talks to Laury | 9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender |
| Are These Our Children? (1931) | Dreams (Whistling 2) | 0:03:59 - Eddie walks home | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Hold That Tiger | 0:13:15 - Young people dancing | advance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Flo Sings) | 0:17:20 - Flo sings | advance plot | cheerful | dance hall | love interest | on-screen music | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:17:38 - Young people talking at a dance | advance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:19:30 - Eddie arrives home | advance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Eddie Sings) | 0:20:44 - Eddie eats | advance plot | cheerful | eating | humming | leading man | on-screen music | room | source music | transcribed by ear |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Dream Sequence) | 0:20:51 - Eddie dreams | advance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | frantic | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Whistling) | 0:23:11 - Eddie walks away | advance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling |
Are These Our Children? (1931) | Introduction | 0:24:14 - Boys in the washroom | advance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear |
Are These Our Children? (1931) | Dreams (Washroom Sequence) | 0:24:25 - Eddie talks with his friends | advance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear |
Are These Our Children? (1931) | Moonbeams (Dream Sequence) | 0:27:23 - Eddie takes Flo home | added-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz |
Are These Our Children? (1931) | Humming | 0:31:57 - Heinie hums | advance plot | calm | humming | old man | room | source music |
Are These Our Children? (1931) | Makes You Forget Your Troubles (Flo Sings) | 0:32:32 - Flo sings | advance plot | cheerful | leading man | love interest | singing | source music | train | train | traveling |
Are These Our Children? (1931) | St. James Infirmary | 0:41:24 - Young people lounging around | advance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | St. James Infirmary | 0:42:08 - Young people talking | advance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music |
Are These Our Children? (1931) | Stars and Stripes Forever | 0:52:14 - Young people cavorting in the street | advance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street |
Are These Our Children? (1931) | Makes You Forget Your Troubles | 0:53:07 - Drunken young people | advance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music |
Are These Our Children? (1931) | Dreams (Risoluto 2) | 0:53:55 - Newspaper headlines | advance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring |
| Arsenic and Old Lace (1944) | The Aunts | 0:12:26 - Reverend leaves | advance plot | aunt | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | street |
Arsenic and Old Lace (1944) | Happy Land (Lento) | 0:12:31 - The aunts talk | advance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:13:16 - The aunts talk | advance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room |
Arsenic and Old Lace (1944) | Happy Land (Grazioso) | 0:13:34 - The aunts talk | advance plot | aunt | conversing | leading lady | magical | plotting | room | whole-tone chord |
Arsenic and Old Lace (1944) | Wind blowing | 0:13:48 - Wind blows the curtains at the window | advance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect |
Arsenic and Old Lace (1944) | The Aunts (Allegretto) | 0:13:52 - The aunts run to the window | advance plot | aunt | cheerful | harmonic sequence | leading lady | mode mixture | pedal tone | room | running |
Arsenic and Old Lace (1944) | Opens window | 0:13:59 - The aunts open the window | advance plot | aunt | half-diminished 7th chord | leading lady | mickey-mousing | opening | raising | room | upbeat | window |
Arsenic and Old Lace (1944) | Break the News to Mother | 0:18:44 - Teddy sings | advance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song |
Arsenic and Old Lace (1944) | Jonathan | 0:18:54 - Jonathan Brewster's picture is shown | advance plot | aunt | conversing | diminished 7th chord | groom | leading lady | leading man | ominous | pc set | picture | room | sinister | stinger |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:19:52 - Mortimer at the window seat | advance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling |
Arsenic and Old Lace (1944) | Happy Land | 0:20:06 - Abby sings | advance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | sequence | singing | source music |
Arsenic and Old Lace (1944) | Happy Land | 0:24:16 - Abby, Martha, and Mortimer in the kitchen | advance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:26:22 - Elaine whistles on the phone | advance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling |
Arsenic and Old Lace (1944) | Break the News to Mother | 0:29:30 - Mortimer listens to Teddy sing | advance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music |
Arsenic and Old Lace (1944) | Here Comes the Bride | 0:31:04 - Elaine whistles in Mortimer's ear | advance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling |
Arsenic and Old Lace (1944) | The Aunts | 0:39:01 - The aunts talk | advance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat |
Arsenic and Old Lace (1944) | Happy Land (Screwyoso) | 0:39:06 - The aunts talk | added-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension |
Arsenic and Old Lace (1944) | Happy Land (String Quartet) | 0:39:28 - The aunts set the table | advance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:49:12 - Jonathan threatens the aunts | advance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening |
Arsenic and Old Lace (1944) | Scar | 0:49:36 - Dr. Einstein calls to Jonathan | advance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:49:45 - Jonathan follows Dr. Einstein | advance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling |
Arsenic and Old Lace (1944) | When Johnny Comes Marching Home | 0:49:45 - Dr. Einstein spies on Teddy | advance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | Scar (Dark) | 0:50:14 - Jonathan and Dr. Einstein watch Teddy dig | advance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling |
Arsenic and Old Lace (1944) | The Aunts (Frightened) | 0:50:20 - Jonathan and Dr. Einstein talk | advance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling |
Arsenic and Old Lace (1944) | The Aunts (Grazioso Con Moto) | 0:52:20 - The aunts move through the kitchen | advance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room |
Arsenic and Old Lace (1944) | Wind blowing 2 | 0:52:32 - The aunts walk to the window | advance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window |
Arsenic and Old Lace (1944) | Stinger | 0:52:41 - Jonathan suddenly appears at the window | advance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:52:48 - Jonathan comes in the window | advance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense |
Arsenic and Old Lace (1944) | Jonathan (Fragmented) | 0:53:35 - Jonathan and the doctor go up the stairs | advance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense |
Arsenic and Old Lace (1944) | The Aunts | 0:53:55 - Aunt Abby goes to the front door | advance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking |
Arsenic and Old Lace (1944) | Underscoring (Mysterious) | 0:54:01 - Aunt Abby goes up the stairs | advance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring |
Arsenic and Old Lace (1944) | The Aunts (Molto Misterioso) | 0:54:12 - Aunt Abby faces Jonathan | advance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:54:30 - Jonathan goes up the stairs | advance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking |
Arsenic and Old Lace (1944) | Happy Land (Dirge) | 0:54:54 - Teddy looks for the body in the dark | advance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord |
Arsenic and Old Lace (1944) | Funeral March | 0:55:21 - Teddy carries the body down the stairs | advance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking |
Arsenic and Old Lace (1944) | Underscoring (Dark) | 0:56:27 - Einstein looks around in the dark | advance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring |
Arsenic and Old Lace (1944) | Blows out match | 0:56:48 - Einstein blows out the match | advance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale |
Arsenic and Old Lace (1944) | Jonathan 2 (Dark) | 0:57:04 - Jonathan exits | advance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger |
Arsenic and Old Lace (1944) | Underscoring (Tense) | 0:58:10 - Someone knocks at the door | advance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring |
Arsenic and Old Lace (1944) | Here Comes the Bride (Tense) | 0:58:28 - Elaine comes in the door | advance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense |
Arsenic and Old Lace (1944) | Scar (Tense) | 0:58:39 - Close-up on Dr. Einstein's face | advance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense |
Arsenic and Old Lace (1944) | Jonathan 2 | 0:58:55 - Jonathan emerges from the shadows | advance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister |
Arsenic and Old Lace (1944) | Jonathan 2 (Ominous) | 1:00:36 - Jonathan backs Elaine into a corner | advance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening |
Arsenic and Old Lace (1944) | Symphony No. 5: I | 1:27:02 - Teddy plays the bugle | advance plot | crazy person | familiar tune | groom | leading man | playing | room | singing | startled |
| Beyond the Forest (1949) | Drunk | 0:14:08 - Moose is drinking | advance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife |
Beyond the Forest (1949) | Falling down | 0:14:27 - Moose falls on a bed | advance plot | cabin | collapsing | dramatic | falling | friend | leading lady | mickey-mousing | pushing | wife |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:14:31 - Rosa grabs the key | advance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife |
Beyond the Forest (1949) | Running | 0:14:40 - Rosa runs to the lodge | advance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife |
Beyond the Forest (1949) | Rosa (Grazioso) | 0:15:01 - Rosa enters the lodge | advance plot | arriving | cheerful | leading lady | room | wife | working |
Beyond the Forest (1949) | Hurrying | 0:15:09 - Rosa lights a fire | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Rosa (Grazioso) | 0:15:23 - Rosa gets a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Hurrying | 0:15:35 - Rosa carries a drink | advance plot | hurrying | leading lady | room | upbeat | wife | working |
Beyond the Forest (1949) | Loyalton 2 (Andante) | 0:22:47 - Lewis helps a patient | advance plot | doctor | gentle | healing | helping | leading man | patient | room | sickness | somber | tender |
Beyond the Forest (1949) | Underscoring (Gentle) | 0:23:29 - Lewis arrives home | advance plot | arriving | doctor | gentle | leading man | room | tender | underscoring |
Beyond the Forest (1949) | Lewis (Triste) | 0:23:53 - Lewis at home | advance plot | arriving | doctor | leading man | room | tender | tense |
Beyond the Forest (1949) | Rosa (Sulking) | 0:28:33 - Rosa watches the train | advance plot | leading lady | solemn | train | train station | walking | watching |
Beyond the Forest (1949) | Chicago (Mink Coat) | 0:29:01 - Rosa sees Carol's mink coat | advance plot | conversing | familiar tune | jealousy | leading lady | popular tune | sentimental | train station |
Beyond the Forest (1949) | Chicago (Carol) | 0:29:17 - Rosa meets Carol | advance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station |
Beyond the Forest (1949) | Chicago (Jealous) | 0:29:33 - Rosa glares at Carol | advance plot | conversing | dark | familiar tune | jealousy | leading lady | popular tune | sentimental | train station |
Beyond the Forest (1949) | Rosa (Turbulent) | 0:30:21 - Rosa checks her mail | advance plot | leading lady | mail | post office | reading | turbulent | upset |
Beyond the Forest (1949) | Chicago (Mail) | 0:30:30 - Rosa reads her mail | advance plot | familiar tune | hurried | leading lady | mail | optimistic | popular tune | post office | reading |
Beyond the Forest (1949) | Underscoring (Mysterious) | 0:30:40 - Rosa reacts to her mail | advance plot | crumpling | leading lady | mail | mysterious | post office | reading | underscoring |
Beyond the Forest (1949) | Hurrying (Rather Slowly) | 0:30:48 - Rosa leaves the post office | advance plot | child | departing | leading lady | mother | neighbor | post office | upset |
Beyond the Forest (1949) | Courthouse (Agitato Quasi Rubato) | 0:31:12 - Rosa arrives home | advance plot | angry | arriving | leading lady | room | upset | yelling |
Beyond the Forest (1949) | Rosa (Sombre) | 0:32:36 - Rosa walks away | advance plot | leading lady | room | somber | sulking | tense | upset | walking |
Beyond the Forest (1949) | Sawmill | 0:32:53 - The sawmill | advance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching |
Beyond the Forest (1949) | Sawmill + Steam Whistle | 0:33:06 - Rosa on her porch | advance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect |
Beyond the Forest (1949) | Sawmill + Rosa | 0:33:25 - Rosa lies down | advance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching |
Beyond the Forest (1949) | Underscoring (Gentle) | 0:33:36 - A car pulls up | advance plot | gentle | leading lady | porch | sleeping | underscoring | waking |
Beyond the Forest (1949) | Insolence | 0:37:06 - Rosa argues with her maid Jenny | advance plot | cleaning | comical | kitchen | leading lady | maid | obeying | wife |
Beyond the Forest (1949) | Chicago (Molto Expressivo) | 0:37:20 - Rosa sees the mink coat | advance plot | coat | contemplating | expressive | familiar tune | jealousy | leading lady | popular tune | room | wife |
Beyond the Forest (1949) | Chicago (Misterioso) | 0:38:47 - Rosa lights a match | advance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife |
Beyond the Forest (1949) | Rosa (Slower) | 0:39:05 - Rosa in bed | advance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife |
Beyond the Forest (1949) | Sawmill (Agitato) | 0:39:25 - Fire from the sawmill | advance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling |
Beyond the Forest (1949) | Rosa (Molto Misterioso) | 0:41:50 - Rosa smokes in bed | advance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife |
Beyond the Forest (1949) | Running (Quasi Misterioso) | 0:42:06 - Rosa looks through the account book | advance plot | leading lady | mysterious | ominous | reading | room | wife | writing |
Beyond the Forest (1949) | Lewis (Moderato Quasi Rubato) | 0:42:23 - Lewis talks to some men | advance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm |
Beyond the Forest (1949) | Chicago | 0:43:37 - Rosa sews | advance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife |
Beyond the Forest (1949) | Rosa (Telephone) | 0:44:52 - Rosa makes a phone call | advance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect |
Beyond the Forest (1949) | Underscoring (Gentle) | 0:45:21 - Rosa sits down | advance plot | gentle | hotel | leading lady | underscoring | waiting |
Beyond the Forest (1949) | Rosa (Moderato 2) | 0:45:30 - Rosa in her hotel room | advance plot | calling | hotel | leading lady | somber | telephone | waiting | worrisome |
Beyond the Forest (1949) | Flowers | 0:46:12 - Flowers | advance plot | cheerful | flower | leading lady | optimistic | street | walking |
Beyond the Forest (1949) | Rosa (Slowly) | 0:47:08 - Rosa reads a magazine | advance plot | cut from film | leading lady | office | reading | receptionist | solemn | waiting |
Beyond the Forest (1949) | Chicago (Somber) | 0:48:32 - Rosa sits in a coffee shop | advance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | somber | thinking |
Beyond the Forest (1949) | Chicago (Tense) | 0:49:00 - Rosa drinks coffee | advance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | tense | thinking |
Beyond the Forest (1949) | Underscoring (Tense) | 0:49:07 - Rosa gets up | advance plot | cafe | conversing | hurrying | leading lady | tense | underscoring | waitress |
Beyond the Forest (1949) | Rosa (She Runs) | 0:49:22 - Rosa runs to the phone | advance plot | cafe | leading lady | optimistic | running | rushing | telephone |
Beyond the Forest (1949) | Hurrying (Phone Call) | 0:49:32 - Rosa talks on the phone | advance plot | cafe | conversing | leading lady | optimistic | telephone |
Beyond the Forest (1949) | Rosa (Dejected) | 0:49:45 - Rosa hangs up the phone | advance plot | cafe | crying | leading lady | somber | telephone |
Beyond the Forest (1949) | I’m in a Jam with Baby | 0:54:39 - Rosa walks down the street | advance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger |
Beyond the Forest (1949) | Threat | 1:16:14 - Rosa lunges forward | advance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent |
Beyond the Forest (1949) | Underscoring (Mysterious) | 1:16:20 - Rosa stares out the window | advance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching |
Beyond the Forest (1949) | Running (A Little Heavier) | 1:16:28 - Rosa heads downstairs | advance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense |
Beyond the Forest (1949) | Rosa (Listesso) | 1:16:48 - Rosa takes the maid's things | advance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent |
Beyond the Forest (1949) | Rosa (On the Run) | 1:17:21 - Rosa approaches a bus | advance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching |
Beyond the Forest (1949) | Rosa (Sombre) | 1:17:53 - Lewis talks to a patient | advance plot | conversing | doctor | leading man | mysterious | office | patient | working |
Beyond the Forest (1949) | Rosa (Not in Film) | NIF - not in film | advance plot | cut from film |
Beyond the Forest (1949) | Rosa (Cello Solo) | 1:18:09 - Rosa sitting in a chair | advance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting |
Beyond the Forest (1949) | Rosa (Molto Tranquillo 2) | 1:20:12 - Rosa in bed | advance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking |
Beyond the Forest (1949) | Chicago (Molto Tranquillo) | 1:20:35 - Rosa in bed | advance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness |
Beyond the Forest (1949) | Chicago (Molto Expressivo) | 1:20:43 - The maid in the kitchen | advance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat |
| The Big Sleep (1946) | Chevalier Audubon | 0:13:14 - Marlowe writes on note card | advance plot | heroic | leading man | library | private eye | researching | writing |
The Big Sleep (1946) | Marlowe (Molto Misterioso) | 0:13:20 - Marlowe goes to talk to librarian | advance plot | leading man | library | mysterious | pedal tone | private eye | researching | writing |
The Big Sleep (1946) | Walking | 0:13:39 - Marlowe walks down the street | advance plot | calm | investigating | leading man | parallelism | pedal tone | private eye | street | walking |
The Big Sleep (1946) | Marlowe (Grazioso) | 0:13:46 - Marlowe puts on a disguise | added-note chord | advance plot | disguise | disguising | half-diminished 7th chord | leading man | mysterious | private eye | street |
The Big Sleep (1946) | Walking (Extended) | 0:15:03 - Marlowe walks across the street | advance plot | calm | chromatic sequence | foreign key modulation | fragmentation | investigating | leading man | parallelism | pedal tone | private eye | street | walking |
The Big Sleep (1946) | Walking | 0:25:22 - Vivian walks down the hall | advance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking |
The Big Sleep (1946) | Marlowe (Grazioso) | 0:25:28 - Marlowe asks Vivian to help with Carmen | added-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room |
The Big Sleep (1946) | Walking | 0:32:10 - Marlowe walks to his office | advance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking |
The Big Sleep (1946) | Marlowe (Grazioso) | 0:32:29 - Marlowe talks with Vivian | advance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room |
The Big Sleep (1946) | Marlowe (Ear Music) | 0:46:52 - Marlowe thinks | advance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord |
The Big Sleep (1946) | Marlowe (Decisive) | 0:47:04 - Marlowe walks out the door | added-note chord | advance plot | bold | decisive | leading man | leaving | pedal tone | private eye | room |
The Big Sleep (1946) | Vivian + Marlowe (Ear Business) | NIF - not in film | advance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone |
The Big Sleep (1946) | Marlowe (Phone Call) | NIF - not in film | advance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord |
The Big Sleep (1946) | Carmen | NIF - not in film | advance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord |
The Big Sleep (1946) | Carmen (Clues) | NIF - not in film | advance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord |
The Big Sleep (1946) | And Her Tears Flowed Like Wine | 1:05:55 - Marlowe arrives at Mars's place | advance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat |
The Big Sleep (1946) | Wotta Life | 1:08:09 - Marlowe talks to Mars | 12-bar blues | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat |
The Big Sleep (1946) | I'm in a Jam With Baby | 1:10:53 - Marlowe talks to people at the party | advance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat |
The Big Sleep (1946) | Marlowe (Not in Film) | NIF - not in film | 9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room |
The Big Sleep (1946) | Drops hat | NIF - not in film | 9th chord | advance plot | cut from film | dropping | femme fatale | hat | leading man | mickey-mousing | private eye | room |
The Big Sleep (1946) | Sternwood (Extended) | NIF - not in film | added-note chord | advance plot | altered dominant | chromatic scale | conversing | cut from film | femme fatale | leading man | private eye | room | whole-tone chord |
The Big Sleep (1946) | Underscoring (Tense) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | diminished 7th chord | femme fatale | leading man | oscillation | private eye | room | tritone | underscoring | whole-tone chord |
The Big Sleep (1946) | You! | NIF - not in film | advance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster |
The Big Sleep (1946) | Marlowe (Major) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | femme fatale | leading man | mode mixture | pc set | private eye | room |
The Big Sleep (1946) | Bites hand | NIF - not in film | advance plot | biting | chromatic parallelism | cut from film | femme fatale | leading man | mickey-mousing | pc set | private eye | room | stinger |
The Big Sleep (1946) | Carmen (Not in Film) | NIF - not in film | advance plot | conversing | cut from film | femme fatale | leading man | oscillation | private eye | room | whole-tone chord |
The Big Sleep (1946) | Marlowe (Thinking) | 1:20:49 - Marlowe sits in a diner | 11th chord | added-note chord | advance plot | café | chromatic parallelism | fragmentation | leading man | mysterious | private eye | tense | thinking |
The Big Sleep (1946) | Coin in phone | 1:21:04 - Marlowe puts a coin in the phone | advance plot | café | coin | diminished 7th chord | dropping | leading man | mickey-mousing | mysterious | phone call | private eye | telephone |
The Big Sleep (1946) | Phone dialing | 1:21:07 - Marlowe dials a phone number | 11th chord | advance plot | café | dialing | leading man | mickey-mousing | mysterious | ostinato | phone call | private eye | telephone | tense |
The Big Sleep (1946) | Underscoring (Mysterious) | 1:21:19 - Marlowe speaks on the phone | advance plot | café | chromatic scale | conversing | leading man | mysterious | pc set | phone call | private eye | tense | underscoring |
The Big Sleep (1946) | Marlowe (Mysterious Organ) | 1:21:42 - Marlowe speaks to waitress | advance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense |
The Big Sleep (1946) | Underscoring (Mysterious) | 1:21:57 - Marlowe speaks with Vivian on the phone | advance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring |
The Big Sleep (1946) | Jones | 1:23:24 - Jones enters | advance plot | chromatic parallelism | leading man | mysterious | parallelism | pedal tone | private eye | street | tense | walking |
The Big Sleep (1946) | Marlowe (Beaten) | 1:23:35 - Jones helps Marlowe up | advance plot | chromatic parallelism | dazed | half-diminished 7th chord | leading man | lifting | mickey-mousing | pain | private eye | rising | street | whole-tone chord | whole-tone scale |
The Big Sleep (1946) | Marlowe (Dazed) | 1:23:48 - Marlowe recovers | advance plot | conversing | dazed | leading man | pain | private eye | street | whole-tone chord |
The Big Sleep (1946) | Recovering | 1:24:06 - Jones helps Marlowe up | advance plot | augmented triad | conversing | impressionism | leading man | mysterious | pain | private eye | street | whole-tone chord | whole-tone scale |
The Big Sleep (1946) | Marlowe (Sostenuto) | 1:24:25 - Marlowe cleans up | advance plot | half-diminished 7th chord | leading man | pain | private eye | recovering | room | somber | tender | weary |
| The Breaking Point (1950) | La Golondrina | 0:12:21 - Harry sits down with Leona in the bar | advance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music |
The Breaking Point (1950) | Mi Mariposa | 0:15:21 - Harry talks to the bartender | advance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music |
The Breaking Point (1950) | Eres Mujer | 0:15:56 - Harry talks to Duncan | AABA structure | advance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering |
The Breaking Point (1950) | En Mi Canto de Amor | 0:21:43 - Harry talks to Duncan | advance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music |
The Breaking Point (1950) | Make Love With a Guitar | 0:33:28 - Harry arrives home | advance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard |
The Breaking Point (1950) | Please Don't Talk About Me When I'm Gone | 0:39:07 - Harry arrives at a bar | AABA structure | advance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat |
The Breaking Point (1950) | Ask Me No Questions | 0:40:46 - Harry talks to Duncan | advance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music |
The Breaking Point (1950) | On an Ordinary Morning | 0:43:33 - Leona and Harry sit together in a bar | advance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife |
The Breaking Point (1950) | Make Love With a Guitar | 0:46:27 - A boy plays the accordion | advance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife |
The Breaking Point (1950) | I Guess I'll Have to Change My Plan | 1:00:26 - Harry in a restaurant | ABACA structure | advance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
The Breaking Point (1950) | You Missed the Boat | 1:02:56 - Duncan talks to Harry in the restaurant | advance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music |
The Breaking Point (1950) | Don't Take Your Love From Me | 1:05:42 - Harry arrives at Leona's apartment | ABAC structure | advance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music |
| Caged (1950) | Marie (Tragic) | NIF - not in film | advance plot | augmented sixth chord | cut from film | dissonant bass | foreign key modulation | guard | leading lady | pc set | prison | prisoner | standing | uneasy |
Caged (1950) | Swimmy | NIF - not in film | advance plot | chromatic parallelism | chromatic scale | cut from film | disbelief | dissonant bass | fragmentation | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense |
Caged (1950) | Molto Expressivo | NIF - not in film | 9th chord | advance plot | arriving | cut from film | disbelief | foreign key modulation | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking |
Caged (1950) | Bird in a Cage | 0:30:00 - Inmates sleeping | advance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music |
Caged (1950) | Marie (Slowly) | 0:35:14 - Marie talks to Kitty | advance plot | augmented sixth chord | chromatic mediant | conversing | foreign key modulation | friend | leading lady | oscillation | pc set | prison | prisoner | sickness | sigh gesture | solemn | uneasy |
Caged (1950) | Swimmy (Poco Agitato) | 0:43:53 - Mrs. Benton on the phone | advance plot | calling | cards | chromatic parallelism | conversing | dissonant bass | phone call | playing | prison | telephone | tense | warden |
Caged (1950) | Swimmy (Party) | NIF - not in film | advance plot | chromatic parallelism | cut from film | pedal tone | syncopation |
Caged (1950) | Mrs. Benton | 0:44:07 - Mrs. Benton on the phone | added-note chord | advance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden |
Caged (1950) | Caged (Main Title) | 0:49:00 - Mrs. Benton at her desk | advance plot | chromatic scale | dark | dissonant bass | nursery | oscillation | prison | sigh gesture | thinking | uneasy | warden | whole-tone chord |
Caged (1950) | Nursery | 0:49:22 - Marie goes to see her newborn baby | added-note chord | advance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking |
Caged (1950) | Lullaby | 0:49:51 - Marie holds her new baby | 9th chord | added-note chord | advance plot | altered dominant | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner | sequential modulation |
Caged (1950) | Marie 2 | 0:50:22 - Marie holds her new baby | advance plot | baby | conversing | gentle | happy | leading lady | mode mixture | nurse | nursery | prison | prisoner | sigh gesture |
| His Greatest Gamble (1934) | Nocturne in E-flat Major | 0:36:29 - Philip looks for Alice | advance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering |
His Greatest Gamble (1934) | Waltz in C-sharp Minor | 0:40:28 - Philip talks with Alice and Florence | advance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz |
His Greatest Gamble (1934) | Blue Ridge Moon | 0:53:16 - Philip talks with Alice | advance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz |
His Greatest Gamble (1934) | Morning Glory Waltz (Radio) | 0:57:06 - Philip talks with Alice | 9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking |
| City for Conquest (1940) | My Old Kentucky Home | 0:16:04 - Mickey sings to himself | advance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music |
City for Conquest (1940) | Shadow Waltz (Ethereal) | 0:24:48 - Peggy peeks out of her door | added-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score |
City for Conquest (1940) | I'm Just Wild About Harry (Delicato) | 0:25:06 - Peggy calls Murray | 11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat |
City for Conquest (1940) | Tone Poem A | 0:27:25 - Eddie composes at the piano | advance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:27:40 - Eddie plays the piano | 13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A | 0:27:59 - Eddie plays the piano | 9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear |
City for Conquest (1940) | Negra Consentida | 0:41:21 - The Carleton Plaza Towers | advance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat |
City for Conquest (1940) | Tone Poem A | 0:42:10 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear |
City for Conquest (1940) | Tone Poem A (Stride Piano) | 0:43:27 - Eddie plays the piano | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat |
City for Conquest (1940) | Adios Muchachos | 0:50:27 - Peggy arrives home | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
City for Conquest (1940) | Adios Muchachos | 0:51:19 - Peggy talks with Murray | advance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango |
City for Conquest (1940) | 42nd Street | 0:51:52 - People arriving at a dance | AABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat |
City for Conquest (1940) | Drum Roll | 0:52:51 - Peggy and Danny at the dance | advance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music |
City for Conquest (1940) | Drum Roll | 0:53:08 - People applaud for Danny | advance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music |
City for Conquest (1940) | Corn Pickin' | 0:53:35 - People dancing the jitterbug | AABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Japanese Sandman | 0:54:33 - Danny and Peggy at the dance | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat |
City for Conquest (1940) | Where Were You When the Moon Came Out (Fragment) | 0:56:56 - Eddie plays the piano | advance plot | composer | composing | musician | on-screen music | piano | room | source music |
City for Conquest (1940) | Garden of the Moon | 1:00:04 - Backstage at the Club Madrid | AABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat |
City for Conquest (1940) | Miramar | 1:00:44 - Danny prepares for a fight | advance plot | boxer | conversing | leading man | locker room | manager | march | parallel double period | preparing | source music | upbeat |
City for Conquest (1940) | Piggy Wiggy Woo | 1:10:52 - Peggy cries | advance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat |
City for Conquest (1940) | Where Were You When the Moon Came Out | 1:19:38 - Danny resting in bed | advance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim |
City for Conquest (1940) | Where Were You When the Moon Came Out (Sad) | 1:20:48 - Eddie plays the piano | advance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching |
City for Conquest (1940) | Tone Poem A (The Song of the City) | 1:23:05 - Eddie plays the piano | 9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim |
City for Conquest (1940) | Powder My Back | 1:23:34 - A burlesque marquee | advance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat |
City for Conquest (1940) | Tone Poem A (Lento 2) | 1:28:11 - Peggy cries | 9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber |
City for Conquest (1940) | Tone Poem D (Dolce) | 1:28:33 - Gladys talks to Peggy | 9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet |
City for Conquest (1940) | Tone Poem A (Maestoso) | 1:29:11 - Peggy looks up | advance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension |
| Crime School (1938) | Sue (Policeman) | 0:12:34 - Cop comes to the house | advance plot | building | mysterious | police |
Crime School (1938) | Policeman walks up stairs | 0:12:47 - Cop walks up the stairs to Sue's flat | advance plot | ascending | building | mickey-mousing | mysterious | police | quartal chord | up |
Crime School (1938) | Underscoring (Mysterious) | 0:24:12 - Gang settles into their room | advance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring |
Crime School (1938) | Underscoring (Gentle) | 0:35:46 - Mark visits Frankie in the sick room | advance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden |
Crime School (1938) | Marks | 0:36:14 - Mark looks at the whip marks on Frankie's back | advance plot | dark | hospital | leading man | looking | reformatory | teenager | violence | warden | wounded |
Crime School (1938) | The Warden (Punishment) | 0:36:22 - Warden defends his punishment | advance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord |
Crime School (1938) | The Drunken Doctor | 0:36:35 - Drunk doctor comes in | advance plot | alcohol | altered dominant | comical | doctor | drinking | drunk | drunk | hospital | parallel period | reformatory |
Crime School (1938) | Underscoring (Subtle) | 0:37:09 - Transition to cafeteria | advance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden |
Crime School (1938) | Sue (Hospital) | 0:57:38 - The doctor takes care of Squirt in the hospital | advance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating |
Crime School (1938) | Put on Your Old Grey Bonnet | 0:59:13 - The boys sing in the shoe repair shop | advance plot | cheerful | gang | hammering | on-screen music | reformatory | singing | source music | teenager | worker | working |
Crime School (1938) | Underscoring (Tense) | 1:06:17 - Spike talks to Frankie about his sister | advance plot | anger | arguing | mysterious | pc set | reformatory | teenager | tense | underscoring |
Crime School (1938) | Underscoring (Dramatic) | 1:06:55 - Frankie hits Spike | advance plot | anger | arguing | chromatic parallelism | chromatic wedge | dramatic | reformatory | teenager | underscoring |
Crime School (1938) | Sue (Mysterious) | 1:07:09 - Spike talks to Frankie about his sister | advance plot | arguing | mysterious | reformatory | teenager | thinking | worrying |
Crime School (1938) | Sue (Troubled) | 1:07:37 - Frankie is troubled about his sister | advance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried |
Crime School (1938) | Sue (Prison Moods) | 1:08:48 - Boys talk to Frankie about his sister | advance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster |
Crime School (1938) | Underscoring (Tense) | 1:09:46 - Boys talk to Frankie | advance plot | chromatic parallelism | gang | gun | keys | mickey-mousing | mysterious | ominous | pc set | plotting | reformatory | teenager | tense | underscoring |
Crime School (1938) | Keys | 1:09:50 - Spike tosses keys on bed | advance plot | dropping | gang | keys | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing |
Crime School (1938) | Gun toss | 1:10:32 - Spike tosses gun on bed | advance plot | dropping | gang | gun | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing |
| They Made Me a Criminal (1939) | The Awakening | 0:14:48 - Johnnie wakes up | advance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord |
They Made Me a Criminal (1939) | Reading | 0:15:29 - Johnnie reads a newspaper | advance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord |
They Made Me a Criminal (1939) | Underscoring (Dramatic) | 0:16:01 - Johnnie rushes inside | advance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring |
They Made Me a Criminal (1939) | Underscoring (Somber) | 0:22:16 - Close-up on Johnnie | advance plot | leading man | money | realizing | room | somber | stinger | underscoring |
They Made Me a Criminal (1939) | The Fugitive (Triste) | 0:23:12 - Johnnie at a diner | 9th chord | advance plot | diner | leading man | money | somber | thinking | underscoring |
They Made Me a Criminal (1939) | Drops money | 0:23:19 - Johnnie drops his money | advance plot | diner | dropping | leading man | mickey-mousing | money | somber |
They Made Me a Criminal (1939) | Underscoring (Mysterious) | 0:23:21 - Men at the diner stand up | added-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord |
They Made Me a Criminal (1939) | Steps on money | 0:23:30 - A man steps on Johnnie's money | advance plot | diner | half-diminished 7th chord | leading man | mickey-mousing | money | mysterious | stepping |
They Made Me a Criminal (1939) | Jumps off train | 0:24:21 - Johnnie jumps off the moving train | advance plot | diminished 7th chord | dissonant bass | dramatic | escaping | jumping | leading man | mickey-mousing | train | train |
They Made Me a Criminal (1939) | The Fugitive | 0:24:29 - Johnnie walks | 9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering |
They Made Me a Criminal (1939) | On the Make (Extended) | 0:53:21 - Johnnie and Peggy drive in a car | ABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling |
They Made Me a Criminal (1939) | By a Waterfall | 0:55:35 - A shower sign | advance plot | cheerful | comical | hero | leading man | on-screen music | popular music | ranch | showering | singing | source music | teenager | whistling |
They Made Me a Criminal (1939) | The Arena | 1:01:22 - A fight poster | advance plot | augmented sixth chord | dark | detective | fanfare | leading man | light | polytonality | poster | street | thinking |
They Made Me a Criminal (1939) | Marcia Grotesque | 1:01:48 - Johnnie talks to another boxer | advance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room |
They Made Me a Criminal (1939) | Underscoring (Tense) | 1:02:14 - Johnnie overhears the detective | advance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring |
They Made Me a Criminal (1939) | The Fugitive (Hiding) | 1:02:31 - Detective buys tickets to Johnnie's match | advance plot | detective | hiding | leading man | pedal tone | room | suspenseful | tense |
They Made Me a Criminal (1939) | Marche Funebre | 1:02:45 - Boys look at poster of a boxer | 64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager |
| Deep Valley (1947) | Homestead (Sordini) | 0:16:14 - Ellie talks with Libby | advance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental |
Deep Valley (1947) | Underscoring (Tense) | 0:17:06 - Ellie talks with Libby | advance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring |
Deep Valley (1947) | Homestead (Triste) | 0:17:34 - Ellie talks with Libby | advance plot | conversing | dark | leading lady | mother | room | tense |
Deep Valley (1947) | Underscoring (Somber) | 0:17:55 - Libby talks with Ellie | advance plot | conversing | dark | leading lady | mother | room | somber | underscoring |
Deep Valley (1947) | Homestead (Somber) | 0:18:26 - Ellie talks with Libby | advance plot | conversing | dark | leading lady | mother | room | somber |
Deep Valley (1947) | Barry (Misterioso) | 0:28:31 - Libby talks with Jeff | advance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber |
Deep Valley (1947) | Homestead (Morendo) | 0:29:17 - Jeff talks with Libby | advance plot | boss | conversing | leading lady | leading man | room | somber |
Deep Valley (1947) | Libby 3 | 0:29:40 - Close-up on Libby | advance plot | boss | conversing | dance-like | hesitant | leading lady | leading man | room |
Deep Valley (1947) | Libby (Stormy) | 0:29:58 - Libby pulls away from Jeff's grasp | advance plot | boss | dark | leading lady | leading man | leaving | lightning | room | running | storm | thunder |
Deep Valley (1947) | Libby 3 | 0:30:31 - Libby watches the storm | advance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching |
Deep Valley (1947) | Homestead (Slowly) | 0:37:05 - Ellie in her room | advance plot | arriving | father | mother | room | somber | street | waiting |
Deep Valley (1947) | Libby 2 (Misterioso) | 0:37:32 - Cliff looks for Libby | advance plot | calling | father | mysterious | room | searching | tense |
Deep Valley (1947) | Libby 3 (Dolce) | 0:37:47 - Cliff looks for Libby | advance plot | father | room | searching | tender |
Deep Valley (1947) | Joe | NIF - not in film | advance plot | cut from film |
Deep Valley (1947) | Drudge | 0:38:02 - Ellie looks out the window | advance plot | father | mother | room | tender | waiting |
Deep Valley (1947) | Libby 3 (Brief) | 0:38:54 - Cliff closes a door | advance plot | father | mother | room | tender | waiting |
Deep Valley (1947) | Joe (Allegretto Grazioso) | 0:39:06 - Libby in the woods | advance plot | dog | forest | happy | leading lady | running | upbeat | walking |
Deep Valley (1947) | Love Theme (Full) | 0:39:50 - Libby in the cabin | advance plot | arriving | cabin | calm | dog | leading lady | noble |
Deep Valley (1947) | Underscoring (Tense) | 0:40:24 - Barry in the woods | advance plot | convict | forest | fugitive | leading man | searching | tense | underscoring |
Deep Valley (1947) | Barry (Hiding) | 0:40:45 - Barry hides | advance plot | convict | forest | fugitive | leading man | mysterious | rushing | tense |
Deep Valley (1947) | Woods | 0:40:58 - Libby swimming | advance plot | cheerful | convict | dog | forest | fugitive | leading lady | leading man | searching | swimming | upbeat |
Deep Valley (1947) | Woods (Misterioso) | 0:41:27 - Barry goes to the cabin | advance plot | convict | forest | fugitive | leading man | mysterious | searching |
Deep Valley (1947) | Barry (Dark) | 0:41:38 - Barry explores the cabin | advance plot | cabin | convict | fugitive | leading man | mysterious | searching | tense |
Deep Valley (1947) | Woods | 0:42:41 - Libby arrives at the cabin | advance plot | arriving | cabin | cheerful | convict | dog | fugitive | leading lady | leading man | upbeat |
Deep Valley (1947) | Barry (Ferroce) | 0:42:50 - Libby sees Barry | advance plot | cabin | convict | dark | dog | fierce | fugitive | leading lady | leading man | threatening |
Deep Valley (1947) | Underscoring (Dramatic) | 1:02:02 - Libby in her room | advance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching |
Deep Valley (1947) | Law (Misterioso) | 1:02:41 - Libby looks out the window | advance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense |
Deep Valley (1947) | Barry (Misterioso) | 1:02:50 - Libby runs to the door | advance plot | leading lady | mother | mysterious | room | rushing | tense |
Deep Valley (1947) | Law (Tense) | 1:02:57 - Libby goes down the stairs | advance plot | leading lady | mother | room | sneaking | tense |
Deep Valley (1947) | Barry (Misterioso) | 1:03:09 - Ellie approaches | advance plot | leading lady | mother | mysterious | room | sneaking |
Deep Valley (1947) | Libby 3 | 1:03:21 - Ellie talks with LIbby | advance plot | conversing | hesitant | leading lady | lying | mother | room |
Deep Valley (1947) | Libby (Stormy) | 1:03:40 - Ellie talks with Libby | advance plot | conversing | hesitant | leading lady | lying | mother | room | tense |
Deep Valley (1947) | Underscoring (Tense) | 1:03:52 - Libby sneaks away | advance plot | leading lady | packing | room | rushing | tense | underscoring |
Deep Valley (1947) | Barry (Contrary Motion) | 1:04:10 - Libby gathers things | advance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense |
Deep Valley (1947) | Homestead (Lento) | 1:07:51 - Ellie and Cliff play cards | advance plot | calm | cards | conversing | father | leading lady | mother | playing | room |
Deep Valley (1947) | Homestead (Morendo) | 1:08:13 - Libby talks with her parents | advance plot | conversing | father | leading lady | mother | room | somber |
Deep Valley (1947) | Libby 3 | 1:08:56 - Jeff talks with Libby | advance plot | conversing | hesitant | leading lady | leading man | room |
Deep Valley (1947) | Libby (Stormy) | 1:09:20 - Jeff talks with Libby | advance plot | conversing | hesitant | leading lady | leading man | room | tense |
Deep Valley (1947) | Underscoring (Tense) | 1:09:40 - Jeff talks with Libby | advance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring |
Deep Valley (1947) | Barry (Tense 2) | 1:15:38 - Barry drops his gun | advance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense |
Deep Valley (1947) | Barry (Tender) | 1:15:59 - Barry apologizes to Libby | advance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Deep Valley (Kiss) | 1:16:19 - Barry kisses Libby | advance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Deep Valley (Sostenuto) | 1:16:37 - Libby talks with Barry | advance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Underscoring (Tense) | 1:17:04 - Barry picks up the gun | advance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring |
Deep Valley (1947) | Deep Valley (Dolce) | 1:17:25 - Barry talks with Libby | advance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender |
Deep Valley (1947) | Underscoring (Dramatic) | 1:17:55 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking |
Deep Valley (1947) | Drops gun | 1:18:35 - Libby drops the gun down a well | advance plot | dropping | gun | leading lady | mickey-mousing | tense | yard |
Deep Valley (1947) | Deep Valley (Lonely) | 1:18:43 - Barry looks around | advance plot | barn | leading lady | leaving | lonely | yard |
Deep Valley (1947) | My Bonnie Lies Over the Ocean | 1:21:19 - Barry listens at the door | advance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing |
Deep Valley (1947) | Deep Valley (Misterioso) | 1:23:23 - Barry looks at Libby | advance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious |
Deep Valley (1947) | Underscoring (Dramatic) | 1:23:43 - Barry hears a noise | advance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying |
Deep Valley (1947) | Homestead (Walking) | 1:23:47 - Cliff on the porch | advance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch |
Deep Valley (1947) | Joe (Running) | 1:23:58 - Barry talks to Libby | advance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest |
Deep Valley (1947) | Underscoring (Tense) | 1:24:11 - Libby talks to Barry | advance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying |
Deep Valley (1947) | Libby (Sneaking) | 1:24:14 - Libby talks to Barry | advance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect |
Deep Valley (1947) | Deep Valley | 1:24:39 - Libby talks to Barry | advance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest |
Deep Valley (1947) | Law (Tense) | 1:25:09 - Posse on the prowl | advance plot | forest | police | tense | walking |
Deep Valley (1947) | Barry (Misterioso) | 1:25:16 - Barry shaving | advance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street |
Deep Valley (1947) | Running (Extended) | 1:29:26 - Libby runs to the barn | advance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard |
Deep Valley (1947) | Barry (Very Slowly) | 1:30:02 - Libby climbs the ladder | advance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking |
Deep Valley (1947) | Libby (Somber) + Barry (Somber) | 1:30:26 - Libby talks to Barry | advance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber |
Deep Valley (1947) | Deep Valley (Quasi Appassionato) | 1:30:51 - Barry looks at Libby | advance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest |
Deep Valley (1947) | Barry (Drunk) | 1:31:10 - Barry talks to Libby | advance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying |
Deep Valley (1947) | Deep Valley (Delicato) | 1:31:30 - Barry embraces Libby | advance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense |
Deep Valley (1947) | Underscoring (Tense) | 1:33:08 - The Sheriff talks with Ellie | advance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense |
Deep Valley (1947) | Love Theme | 1:33:30 - A shot of the barn | advance plot | mellow | mother | porch | sheriff | uneasy | walking |
Deep Valley (1947) | Libby 2 (Molto Expressivo) | 1:33:40 - Ellie walks to the barn | advance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard |
Deep Valley (1947) | Libby 2 (Misterioso) | 1:34:15 - Ellie climbs the ladder | advance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense |
| Dust Be My Destiny (1939) | Train whistle | 0:17:18 - A distant train whistle sounds | advance plot | dissonant | leading man | mickey-mousing | pc set | prison | train whistle |
Dust Be My Destiny (1939) | Escape Plan | 0:17:23 - Joe talks with the boys | advance plot | leading man | pc set | prison | quotation | sincere |
Dust Be My Destiny (1939) | Dust Be My Destiny (Pleading) | 0:17:41 - Mabel pleads for Joe | advance plot | intervallic expansion | leading lady | pleading | prison | sincere | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Medical Report) | 0:17:58 - Warden talks about Charlie | advance plot | leading lady | oppressive | parallelism | prison | warden |
Dust Be My Destiny (1939) | Dust Be My Destiny (Expectant) | 0:18:08 - Mabel leaves | advance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet |
Dust Be My Destiny (1939) | Dust Be My Destiny (In Love) | 0:27:22 - Joe and Mabel talk | 9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking |
Dust Be My Destiny (1939) | Dust Be My Destiny (Milkman) | 0:27:38 - Joe and Mabel talk to the milkman | advance plot | comical | glass | leading lady | leading man | milk | milkman | pizzicato | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (A Hotel) | 0:28:47 - Joe mentions going to a hotel | advance plot | altered dominant | concerned | leading lady | leading man | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Hiding) | 0:47:35 - Nick talks with Joe | 42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense |
Dust Be My Destiny (1939) | Headlines | 1:03:23 - Headline about the robbery | advance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street |
Dust Be My Destiny (1939) | Dust Be My Destiny (Mysterioso) | 1:05:26 - Joe talks to Mike | advance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber |
Dust Be My Destiny (1939) | Dust Be My Destiny (Relief) | 1:06:54 - Mike talks with Joe | advance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved |
Dust Be My Destiny (1939) | Dust Be My Destiny (Dolceeessimo) | 1:08:53 - Joe and Mabel talk | advance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room |
Dust Be My Destiny (1939) | Dust Be My Destiny (Emergency Room) | 1:11:01 - The hospital waiting room | 64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter |
Dust Be My Destiny (1939) | Dust Be My Destiny (Reunited) | 1:11:25 - Mabel embraces Joe after she meets him | 64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse |
Dust Be My Destiny (1939) | Dust Be My Destiny (Simply) | 1:11:50 - Mabel and Joe talk | advance plot | doctor | hero | hospital | leading lady | leading man | nurse | peaceful |
Dust Be My Destiny (1939) | Dust Be My Destiny (Leaving Hospital) | 1:11:57 - Mabel and Joe start to leave | 11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter |
| Each Dawn I Die (1939) | Walking | 0:22:22 - Man paces back and forth in the prison yard | advance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking |
| Flamingo Road (1949) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:12:05 - The Eagle Cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat |
Flamingo Road (1949) | Can't We Be Friends | 0:13:38 - Lane and Field at the cafe | AABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music |
Flamingo Road (1949) | Cheatin' on Me | 0:19:12 - Lane works at the café | AABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working |
Flamingo Road (1949) | South American Way | 0:22:08 - Field and Titus arrive at Lute Mae's Tavern | advance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | It Had to Be You | 0:23:44 - Politicians gamble and talk | ABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress |
Flamingo Road (1949) | Somebody Loves Me | 0:25:19 - Politicians plot | AABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music |
Flamingo Road (1949) | Titus (Inverted) | 0:30:13 - Townsfolk talk about Titus | advance plot | dark | inversion | newspaper | reading | self-borrowing | street | townsfolk |
Flamingo Road (1949) | Titus 2 (Extended) | 0:30:27 - Field overhears people talking about Titus | advance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk |
Flamingo Road (1949) | Titus (Ostinato) | NIF - not in film | advance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress |
Flamingo Road (1949) | Lane (Not in Film 2) | NIF - not in film | 9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord |
Flamingo Road (1949) | Titus 2 (Not in Film) | NIF - not in film | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing |
Flamingo Road (1949) | Titus 2 (Pete Lies) | 0:40:11 - Field asks why Lane was fired | advance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing |
Flamingo Road (1949) | If I Could Be With You (Somber) | 0:40:31 - Field talks to Lane's co-worker | 9th chord | 11th chord | advance plot | café | common-tone diminished 7th | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber |
Flamingo Road (1949) | Titus 2 (Maestoso) | 0:41:11 - Women enter the prison | advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking |
Flamingo Road (1949) | Lane (Lonely) | 0:41:27 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber |
Flamingo Road (1949) | Lane (Grazioso) | 0:41:46 - Lane talks to a fellow prisoner | advance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat |
Flamingo Road (1949) | Lane (Hopeful) | 0:41:58 - Lane talks to a fellow prisoner | advance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner |
Flamingo Road (1949) | Lute Mae (A Reminiscence) | 0:42:04 - A female prisoner talks about Lute Mae's | 13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing |
Flamingo Road (1949) | Lane (Fragmented) | 0:42:21 - Lane talks to a fellow prisoner | advance plot | conversing | fragmentation | leading lady | prison | prisoner | somber |
Flamingo Road (1949) | You Must Have Been a Beautiful Baby | 0:43:13 - A woman sings and plays the piano | advance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music |
Flamingo Road (1949) | The Blue Room | 0:44:58 - Lane dresses for work | AABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress |
Flamingo Road (1949) | Titus (Angry) | 0:45:24 - Titus sees Lane | advance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress |
Flamingo Road (1949) | Agitato (Angry) | 0:45:50 - Dan argues with Titus | advance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress |
Flamingo Road (1949) | Lute Mae (Tenderly) | 1:03:37 - Dan is grateful for Lane's gift to him | 13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife |
Flamingo Road (1949) | Flamingo Road (Tenderly) | 1:03:58 - Dan and Lane have tea | advance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife |
Flamingo Road (1949) | Flamingo Road (Tense) | 1:04:16 - Titus enters the room | advance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale |
Flamingo Road (1949) | Flamingo Road (Misterioso) | 1:04:33 - Titus talks to Dan | advance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff |
Flamingo Road (1949) | Titus 2 (Threatening) | 1:04:45 - Titus threatens Lane | advance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening |
Flamingo Road (1949) | Titus | 1:04:55 - Titus insults Lane | advance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening |
Flamingo Road (1949) | Titus | 1:06:35 - Titus leaves | advance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff |
Flamingo Road (1949) | Titus 2 (Slowly) | 1:06:43 - Dan talks to Lane about Titus | advance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense |
Flamingo Road (1949) | Agitato (Angry) | 1:09:25 - Titus leaves | advance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense |
Flamingo Road (1949) | Titus + Titus 2 | 1:09:43 - Titus bullies Field | advance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street |
Flamingo Road (1949) | Titus (Menacing) | 1:09:59 - Titus and Field leave | advance plot | bullying | commanding | dark | leading man | menacing | ominous | politician | self-borrowing | sheriff | street |
Flamingo Road (1949) | Titus | 1:11:01 - Annabelle leaves Titus | advance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife |
Flamingo Road (1949) | Lane (Lonely) | 1:21:12 - Lane in her room | advance plot | leading lady | lonely | mickey-mousing | pondering | rising | room | somber | waiting |
Flamingo Road (1949) | Lane (Ominous) | 1:21:22 - A hand rings the doorbell | advance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room |
Flamingo Road (1949) | Lane (Descending the Staircase) | 1:21:31 - Lane descends the stairs | advance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking |
Flamingo Road (1949) | If I Could Be With You (Maestoso) | 1:26:31 - Dan reads a telegram about Field's death | advance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent |
Flamingo Road (1949) | Mob | 1:28:20 - A mob forms outside of Lane's home | advance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord |
Flamingo Road (1949) | Titus | 1:28:52 - Lane says Titus's name | advance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in |
Flamingo Road (1949) | Agitato (Angry) | 1:29:00 - Lane goes to confront Titus | advance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense |
| Hell on Frisco Bay (1955) | Steve | 0:11:11 - Steve knocks on door | advance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking |
Hell on Frisco Bay (1955) | Amato | 0:13:04 - Steve talks to man | advance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:24:15 - Steve goes home | advance plot | arriving | conductor score | leading man | room | sentimental |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:24:44 - Steve packs | advance plot | conductor score | leading lady | leading man | packing | room | troubled |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:00 - Marcia enters | advance plot | conductor score | entering | leading lady | leading man | room | sentimental |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:14 - Marcia and Steve argue | advance plot | arguing | conductor score | leading lady | leading man | room | tense |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:27 - Marcia and Steve talk | advance plot | agitated | conductor score | conversing | leading lady | leading man | room |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 0:25:56 - Marcia and Steve talk | advance plot | conductor score | conversing | leading lady | leading man | room | somber |
Hell on Frisco Bay (1955) | Picks up suitcase | 0:26:22 - Steve picks up his suitcase | advance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing |
Hell on Frisco Bay (1955) | Walking | 0:26:31 - Marcia walks to the door | advance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking |
Hell on Frisco Bay (1955) | Menace | 0:29:01 - Steve cleans up | advance plot | cleaning | conductor score | leading man | ominous | room |
Hell on Frisco Bay (1955) | Menace | 0:31:38 - Steve talks with the detective | advance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room |
Hell on Frisco Bay (1955) | Menace 2 | 0:32:00 - Steve talks with the detective | advance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room |
Hell on Frisco Bay (1955) | Steve | 0:32:34 - Steve investigates | advance plot | arriving | conductor score | investigator | leading man | neutral | street | walking |
Hell on Frisco Bay (1955) | Disappointment | 0:36:18 - Steve leaves | advance plot | conductor score | dark | disappointed | investigator | leading man | leaving | somber | street |
Hell on Frisco Bay (1955) | Georgie | 0:36:40 - George talks to his son | advance plot | caring | child | conductor score | embracing | father | gentle | room | tender |
Hell on Frisco Bay (1955) | Boy running | 0:36:50 - Georgie runs down the stairs | advance plot | child | conductor score | down | hurried | mickey-mousing | running | street |
Hell on Frisco Bay (1955) | Steve | 0:38:01 - Steve shakes Georgie's hand | advance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking |
Hell on Frisco Bay (1955) | Dead Man | 0:38:18 - Dead man on the rocks | advance plot | body | brash | conductor score | dark | death | discovering | dock | violence |
Hell on Frisco Bay (1955) | Headline | 0:38:23 - Newspaper headline | advance plot | body | brash | dock | headline | newspaper | not in score |
Hell on Frisco Bay (1955) | Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea | 0:40:24 - A dance hall | advance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat |
Hell on Frisco Bay (1955) | How Many Hearts Have You Broken | 0:40:22 - A dance hall | advance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music |
Hell on Frisco Bay (1955) | Amato | 0:47:01 - Amato talks with Lye | advance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room |
Hell on Frisco Bay (1955) | Face twitching | 0:47:44 - Amato talks with Lye | advance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy |
Hell on Frisco Bay (1955) | Amato | 0:48:03 - Amato teases Lye | advance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room |
Hell on Frisco Bay (1955) | Amato | 0:48:11 - Amato threatens Lye | advance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening |
Hell on Frisco Bay (1955) | Anna | 0:48:38 - Anna comforts Mario | advance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 0:52:13 - Dan waits for Steve | advance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting |
Hell on Frisco Bay (1955) | Steve | 0:52:23 - Steve arrives | advance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street |
Hell on Frisco Bay (1955) | Steve runs | 0:52:55 - Steve runs | advance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense |
Hell on Frisco Bay (1955) | Menace | 0:53:06 - Steve talks with Dan | advance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street |
Hell on Frisco Bay (1955) | Menace | 1:04:15 - Steve answers the phone | advance plot | conductor score | dark | investigator | leading man | mysterious | room | waiting |
Hell on Frisco Bay (1955) | Steve | 1:04:47 - Steve hangs up the phone | advance plot | conductor score | dark | gentle | investigator | leading man | room | waiting |
Hell on Frisco Bay (1955) | Anna | 1:04:54 - Anna talks to Amato | advance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife |
Hell on Frisco Bay (1955) | Menace | 1:08:27 - Amato threatens Brody | advance plot | antagonist | conductor score | dark | gangster | leading man | street | threatening |
Hell on Frisco Bay (1955) | Amato | 1:08:39 - Amato arrives | advance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street |
Hell on Frisco Bay (1955) | Lye | 1:09:00 - Amato calls Lye | advance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy |
Hell on Frisco Bay (1955) | It Can't Be Wrong | 1:09:26 - Amato talks to Lye | advance plot | antagonist | calm | conversing | gangster | leading man | room | source music |
Hell on Frisco Bay (1955) | It Had to Be You | 1:17:06 - Marcia sings at a club | advance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music |
Hell on Frisco Bay (1955) | Hell on Frisco Bay | 1:17:47 - Marcia and Steve talk | advance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score |
Hell on Frisco Bay (1955) | Underscoring (Mysterious) | 1:24:05 - Amato calls detective | advance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring |
Hell on Frisco Bay (1955) | Anna | 1:24:31 - Amato calls detective | advance plot | conversing | gangster | leading man | mysterious | religious | religious | room |
Hell on Frisco Bay (1955) | Menace | 1:24:38 - Amato talks to detective | advance plot | detective | gangster | leading man | mysterious | plotting | police station | tense |
Hell on Frisco Bay (1955) | Underscoring (Tense) | 1:24:53 - Amato talks to detective | advance plot | detective | gangster | leading man | plotting | police station | tense |
Hell on Frisco Bay (1955) | Amato | 1:25:21 - Amato sets up Lye and Kay | advance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense |
Hell on Frisco Bay (1955) | Anna | 1:25:41 - Amato looks at the statue | advance plot | gangster | leading man | looking | mysterious | religious | room | tense |
Hell on Frisco Bay (1955) | Underscoring (Dramatic) | 1:30:27 - Steve tells Anna that Mario was murdered | advance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife |
Hell on Frisco Bay (1955) | Anna | 1:30:35 - Anna tells Steve where to find Amato | advance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife |
| Her Kind of Man (1946) | Gay White Way | 0:19:54 - Georgia looks at her jewelry | advance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage |
Her Kind of Man (1946) | Just Make Believe | 0:20:58 - Don talks to a man | advance plot | conversing | gentle | leading man | manager | on-screen music | piano | reporter | source music | stage |
Her Kind of Man (1946) | Gay White Way | 0:33:01 - Don talks to some men | advance plot | cheery | conversing | crew | leading man | manager | on-screen music | playing | reporter | source music | theater |
Her Kind of Man (1946) | Too Many Tears | 0:41:11 - Saratoga Casino | AABA structure | advance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat |
Her Kind of Man (1946) | Can't We Talk It Over | 0:45:42 - Georgia and Don in a photograph | advance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter |
Her Kind of Man (1946) | Please Don't Talk About Me When I'm Gone | 0:46:03 - Steve dances with a girl | AABA structure | advance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat |
Her Kind of Man (1946) | It Had to Be You | 0:47:09 - Georgia gets ready for bed | advance plot | cheery | gambler | leading lady | leading man | love interest | on-screen music | preparing | room | source music | waiting | whistling |
Her Kind of Man (1946) | Newspaper | 0:51:32 - A newspaper article | advance plot | leading man | newspaper | reporter | room | tense | uneasy | writing |
Her Kind of Man (1946) | Love Is Sweeping the Country | 0:58:02 - The crowd applauds | advance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife |
Her Kind of Man (1946) | Shanty in Old Shanty Town | 0:59:36 - A cop waits | advance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting |
Her Kind of Man (1946) | Underscoring (Mysterious) | 1:05:01 - A dark door | advance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow |
Her Kind of Man (1946) | It Had to Be You (Sneaky) | 1:05:51 - Georgia hides Candy | advance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:07:50 - Don leaves | advance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You | 1:09:05 - Georgia approaches the warehouse | advance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife |
Her Kind of Man (1946) | It Had to Be You (Secret Rendezvous) | 1:09:09 - Georgia enters the warehouse | advance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife |
Her Kind of Man (1946) | It Had to Be You (Mysterious) | 1:11:11 - Georgia leaves | advance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife |
Her Kind of Man (1946) | Candy | 1:11:27 - Candy approaches the warehouse | advance plot | arriving | criminal | gambler | henchman | leading man | murderer | pc set | tense | walking | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tense) | 1:11:43 - Steve talks to Candy | advance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse |
Her Kind of Man (1946) | It Had to Be You (Tempo di Foxtrot) | 1:11:50 - Steve talks to Candy | advance plot | common-tone diminished 7th | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse |
Her Kind of Man (1946) | Underscoring (Tense [Steiner]) | 1:12:07 - Steve talks to Candy | advance plot | arguing | chromatic parallelism | conversing | criminal | gambler | henchman | leading man | murderer | pedal tone | slapping | tense | underscoring | warehouse |
Her Kind of Man (1946) | Underscoring (Dark [Steiner]) | 1:12:32 - Candy reacts | 9th chord | advance plot | arguing | conversing | criminal | dark | gambler | half-diminished 7th chord | henchman | leading man | murderer | ominous | ostinato | underscoring | warehouse |
| I Was a Communist for the FBI (1951) | I'm in a Jam with Baby | 0:15:20 - Matt enters a bar | ABAB structure | advance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking |
I Was a Communist for the FBI (1951) | Family | 0:25:26 - Matt looks at a photo album | advance plot | baby | common-tone modulation | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | mode mixture | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Family (Molto Expressivo) | 0:26:15 - Matt writes a letter to his son | 9th chord | added-note chord | advance plot | baby | deceptive resolution | double exposure | flashback | foreign key modulation | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing |
I Was a Communist for the FBI (1951) | Family (Triste) | 0:38:00 - Matt enters his home | advance plot | common-chord modulation | foreign key modulation | leading man | pacing | room | self-borrowing | solemn | somber | thinking | undercover agent |
I Was a Communist for the FBI (1951) | Agitato Molto Misterioso | 0:38:32 - Matt notices that he has lost his letter | advance plot | chromatic parallelism | leading man | letter | mysterious | ostinato | pc set | polychord | reacting | room | searching | tense | undercover agent | whole-tone chord |
I Was a Communist for the FBI (1951) | Undercover Agent (Ominous) + Family | 0:38:46 - Matt leaves his apartment | advance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | polychord | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone oscillation |
I Was a Communist for the FBI (1951) | (I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine) | 0:39:06 - Matt goes to a record shop | advance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking |
I Was a Communist for the FBI (1951) | Don'cha Go 'Way Mad | 0:42:08 - Matt talks to agents in a back room | advance plot | agent | conversing | jazz | planning | record player | record shop | sentimental | source music |
I Was a Communist for the FBI (1951) | Ice Cold Katy | 0:53:21 - Matt follows Eve | advance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat |
| In This Our Life (1942) | Caring | 0:13:08 - Roy talks to Peter | 9th chord | advance plot | chromatic parallelism | conversing | leading lady | leading man | packing | parallelism | passionate | room | tender |
In This Our Life (1942) | Stanley (Peter Lies) | 0:13:28 - Peter talks about his trip | 9th chord | advance plot | appoggiatura | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber |
In This Our Life (1942) | Roy (In Love) | 0:13:39 - Roy is relieved | 64 chord | advance plot | calm | chromatic sequence | conversing | dissonant bass | leading lady | leading man | room | sequential modulation | whole-tone chord |
In This Our Life (1942) | Discussion | 0:13:57 - Roy talks with Peter | 9th chord | advance plot | altered dominant | conversing | leading lady | leading man | passionate | reverse picardy | room | serious | somber |
In This Our Life (1942) | Roy (Rubato) | 0:14:34 - Roy talks with Peter | 9th chord | advance plot | chromatic parallelism | conversing | dark | fragmentation | leading lady | leading man | major 7th chord | playful | room |
In This Our Life (1942) | Pleadingly | 0:14:53 - Roy looks at Peter | advance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | room | yearning |
In This Our Life (1942) | Roy (Lento) | 0:14:59 - Roy talks about their future | 64 chord | advance plot | common-chord modulation | conversing | dark | deceptive resolution | dissonant bass | embracing | leading lady | leading man | room | sweet |
In This Our Life (1942) | Stanley B (Agitato) | 0:15:19 - Peter replies to Roy | advance plot | agitated | arguing | chromatic scale | dissonant bass | half-diminished 7th chord | leading lady | leading man | room | tense | whole-tone chord |
In This Our Life (1942) | Roy (Morendo) | 0:15:43 - Roy responds to Peter | added-note chord | advance plot | augmented sixth chord | conversing | embracing | leading lady | leading man | room | serious | somber |
In This Our Life (1942) | Stanley (Maestoso) | 0:16:11 - Peter closes the door | advance plot | brash | dark | half-diminished 7th chord | leading lady | leading man | leaving | room | serious |
In This Our Life (1942) | Stanley (Valse Triste) | 0:16:22 - Roy looks out the window | 9th chord | advance plot | altered dominant | appoggiatura | circle of fifths | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:16:33 - Craig arrives | 9th chord | advance plot | arriving | dark | dissonant bass | leading lady | leading man | somber | street | waltz | watching | window |
In This Our Life (1942) | Stanley | 0:16:44 - Craig comes inside | 9th chord | advance plot | appoggiatura | circle of fifths | dark | father | leading lady | leading man | room | somber | waltz |
In This Our Life (1942) | Stanley Introduction | 0:16:56 - Craig talks with Asa | 9th chord | advance plot | chromatic scale | conversing | father | fiancé | leading lady | room | tense | underscoring |
In This Our Life (1942) | Stanley | 0:17:11 - Stanley comes down the stairs | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | fiancé | kissing | leading lady | room | sultry |
In This Our Life (1942) | Stanley B (Slowly) | 0:17:20 - Stanley talks with Craig | advance plot | conversing | dramatic | fiancé | half-diminished 7th chord | kissing | leading lady | lying | room | sultry |
In This Our Life (1942) | Stanley B (Poco Agitato) | 0:17:44 - Stanley packs her things | advance plot | agitated | chromatic sequence | fragmentation | leading lady | packing | room | tense |
In This Our Life (1942) | Stanley (Packing) | 0:17:51 - Stanley packs her things | 9th chord | advance plot | agitated | appoggiatura | circle of fifths | leading lady | packing | room | tense |
In This Our Life (1942) | Stanley B (Agitato) | 0:18:08 - Asa arrives in a car | advance plot | agitated | arriving | butler | chromatic scale | chromatic sequence | dissonant bass | father | half-diminished 7th chord | room | tense |
In This Our Life (1942) | South American Way | 0:24:06 - A spinning record | AABA structure | advance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat |
In This Our Life (1942) | Stanley (Gloomy) | 0:28:32 - Roy walking in the park | 9th chord | advance plot | altered dominant | appoggiatura | chromatic parallelism | dark | depressed | leading lady | leading man | park | sigh gesture | sitting | tritone substitution |
In This Our Life (1942) | Roy (Rubato) | 0:29:00 - Roy talks to Craig | 9th chord | advance plot | chromatic parallelism | conversing | fragmentation | leading lady | leading man | major 7th chord | park | uneasy |
In This Our Life (1942) | Pleadingly | 0:29:23 - Roy talks to Craig | advance plot | altered dominant | common-tone dominant 7th | conversing | leading lady | leading man | park | uneasy |
In This Our Life (1942) | Stanley (Morendo) | 0:29:32 - Craig talks with Roy | 9th chord | advance plot | appoggiatura | chromatic parallelism | conversing | harmonic sequence | leading lady | leading man | park | somber |
In This Our Life (1942) | Roy (Encouragement) | 0:29:56 - Roy tries to cheer Craig up | 9th chord | advance plot | common-chord modulation | conversing | encouraging | leading lady | leading man | park | sequential modulation | uplifting |
In This Our Life (1942) | Roy (Tender) | 0:30:21 - Craig talks to Roy | 64 chord | advance plot | conversing | deceptive resolution | gentle | leading lady | leading man | mode mixture | park | sweet |
In This Our Life (1942) | Roy (Delicate) | 0:50:40 - Roy arrives at Stanley's apartment | advance plot | arriving | deceptive resolution | foreign key modulation | friend | gentle | leading lady | room | sweet |
In This Our Life (1942) | Underscoring (Gentle) | 0:50:58 - Roy talks with Betty | added-note chord | advance plot | chromatic parallelism | conversing | friend | gentle | leading lady | parallelism | room | tender | underscoring | whole-tone chord |
In This Our Life (1942) | Door opens | 0:51:37 - Betty opens the door | advance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room | whole-tone chord |
In This Our Life (1942) | Caring | 0:51:39 - Roy greets Stanley | 9th chord | advance plot | arriving | chromatic parallelism | gentle | leading lady | room | sister | tender | widow |
In This Our Life (1942) | Stanley (Peter Lies) | 0:51:55 - Roy at Stanley's bedside | 9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley B (Slowly) | 0:52:05 - Roy at Stanley's bedside | 9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | dissonant bass | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley (Packing) | 0:52:23 - Roy at Stanley's bedside | 9th chord | advance plot | appoggiatura | conversing | gentle | leading lady | room | sister | tense | widow |
In This Our Life (1942) | Stanley (Valse Triste) | 0:52:42 - Stanley talks to Roy | 9th chord | advance plot | agitated | altered dominant | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:52:48 - Stanley talks to Roy | 9th chord | advance plot | agitated | conversing | dissonant bass | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley | 0:52:56 - Stanley talks to Roy | 9th chord | advance plot | agitated | appoggiatura | circle of fifths | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Discussion | 0:53:04 - Stanley talks to Roy | 9th chord | advance plot | agitated | altered dominant | conversing | leading lady | room | sister | whole-tone chord | widow |
In This Our Life (1942) | Stanley B (Valse Triste) | 0:53:17 - Stanley cries | 9th chord | advance plot | agitated | chromatic scale | chromatic sequence | conversing | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley | 0:53:23 - Roy comforts Stanley | 9th chord | advance plot | appoggiatura | circle of fifths | comforting | crying | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley Introduction | 0:53:32 - Roy comforts Stanley | 9th chord | advance plot | chromatic scale | comforting | crying | leading lady | room | sister | tense | widow |
In This Our Life (1942) | Stanley | 0:53:46 - Roy comforts Stanley | 9th chord | advance plot | appoggiatura | calm | circle of fifths | comforting | leading lady | room | sister | widow |
In This Our Life (1942) | Stanley (Morendo) | 0:53:56 - Roy puts Stanley to bed | 9th chord | advance plot | calm | comforting | harmonic sequence | leading lady | room | sister | widow |
In This Our Life (1942) | Roy (Tender) | 0:54:15 - Roy tucks Stanley in | 64 chord | advance plot | augmented sixth chord | conversing | foreign key modulation | gentle | leading lady | room | sister | widow |
In This Our Life (1942) | Blues in the Night | 0:54:51 - Stanley dresses | advance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow |
In This Our Life (1942) | How Do I Know It's Sunday | 0:57:12 - Stanley starts a record playing | AABA structure | advance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow |
In This Our Life (1942) | Underscoring (Tense) | 1:05:14 - Craig in his office | advance plot | arriving | augmented triad | lawyer | leading lady | leading man | office | pc set | pedal tone | tense | underscoring |
In This Our Life (1942) | Stanley Introduction (Extended 2) | 1:05:31 - Stanley in Craig's office | 9th chord | advance plot | chromatic scale | conversing | lawyer | leading lady | leading man | office | reading | uneasy | whole-tone chord |
In This Our Life (1942) | Stanley (Extended) | 1:05:53 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | solemn | uneasy |
In This Our Life (1942) | Stanley B (Slowly) | 1:06:13 - Stanley talks to Craig | 9th chord | advance plot | chromatic parallelism | chromatic scale | conversing | dissonant bass | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley (Triste) | 1:06:29 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | conversing | lawyer | leading lady | leading man | office | uneasy |
In This Our Life (1942) | Stanley (Misterioso) | 1:06:47 - Stanley hesitates at the door | advance plot | fragmentation | hesitating | lawyer | leading lady | leading man | mysterious | office | pc set |
In This Our Life (1942) | Stanley Introduction | 1:07:01 - Stanley talks to Craig | 9th chord | advance plot | chromatic scale | lawyer | leading lady | leading man | manipulating | office | passionate |
In This Our Life (1942) | Stanley | 1:07:11 - Stanley talks to Craig | 9th chord | advance plot | appoggiatura | circle of fifths | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | Stanley B (Slowly) | 1:07:19 - Stanley talks to Craig | advance plot | anxious | chromatic sequence | dissonant bass | lawyer | leading lady | leading man | manipulating | office | tense |
In This Our Life (1942) | Stanley (Dark) | 1:07:32 - Stanley leaves | 9th chord | advance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy |
In This Our Life (1942) | South American Way | 1:07:39 - Stanley in a bar | advance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting |
In This Our Life (1942) | Stanley Introduction (Extended 3) | 1:12:42 - Stanley talks with Roy | 9th chord | advance plot | conversing | criminal | leading lady | lying | room | tense |
In This Our Life (1942) | Stanley (Molto Expressivo) | 1:12:57 - Stanley talks with Roy | 13th chord | advance plot | augmented sixth chord | calm | chromatic parallelism | conversing | criminal | leading lady | lying | room |
In This Our Life (1942) | Roy (Triste 2) | 1:13:12 - Roy talks with Minerva | advance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber |
In This Our Life (1942) | Minerva and Parry | 1:13:29 - Minerva talks with Roy | 9th chord | 11th chord | advance plot | blue note | calm | chromatic mediant | common-tone diminished 7th | conversing | foreign key modulation | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual |
In This Our Life (1942) | You're a Lucky Guy | 1:16:20 - Stanley dances | AABA structure | advance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat |
| The Informer (1935) | Blood Money (Counting Money) | 0:19:21 - Gypo closes the door | advance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone |
The Informer (1935) | Blind Man | 0:19:29 - Gypo meets the blind man | 64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking |
The Informer (1935) | Blood Money + Blind Man | 0:20:27 - Gypo looks at Frankie's poster again | advance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone |
The Informer (1935) | The Informer (Whiskey) | 0:20:46 - Gypo enters a pub | 64 chord | advance plot | antagonist | entering | hurrying | leading man | mysterious | pub | Scotch snap |
The Informer (1935) | Blood Money (Whiskey) | 0:21:03 - Gypo takes his money out to pay the bartender | advance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense |
The Informer (1935) | The Informer (Drinking) | 0:21:23 - Gypo takes a drink | advance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord |
The Informer (1935) | Blood Money (Worrying) | 0:21:57 - Gypo worries about what he has done | advance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying |
The Informer (1935) | Katie (Triste) | 0:22:38 - Katie appears at the window | 64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching |
The Informer (1935) | Blood Money (Four Coins) | 0:23:15 - Bartender puts four coins on the table | advance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense |
The Informer (1935) | The Informer (Lying) | 0:23:40 - Gypo lies about where he got the money | advance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense |
The Informer (1935) | Blind Man + Blood Money | 0:24:45 - Blind man wanders in and Gypo gives him money | advance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking |
The Informer (1935) | The Informer (Bold) | 0:25:26 - Gypo storms off down the street | 64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking |
The Informer (1935) | The Minstrel Boy | 0:25:32 - Man sings a folk tune at the street corner | 9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching |
The Informer (1935) | The Informer (Walking Fast) | 0:30:13 - Gypo storms off down the street | 64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking |
The Informer (1935) | The Wearin' o' the Green (Headquarters) | 0:31:29 - Irish rebel headquarters | 64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting |
The Informer (1935) | Fanfare | 0:31:44 - Irish rebel headquarters | advance plot | fanfare | mysterious | rebel | room | underscoring | waiting |
The Informer (1935) | The Informer (Burning Poster) + Blood Money | 0:32:03 - Gypo in rebel headquarters | advance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster |
The Informer (1935) | The Informer (Accused) | 0:38:40 - Rebel accuses Gypo of being the informer | 64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense |
The Informer (1935) | Mary | 0:38:47 - Rebels talk about Frankie's sister Mary | 64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap |
The Informer (1935) | Underscoring (Tense) | 0:39:05 - Rebels talk about Gypo | advance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring |
The Informer (1935) | The Wearin' o' the Green (Bugle Call) | 0:39:25 - Rebels plan to watch Gypo | advance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense |
The Informer (1935) | Drinking Song 2 | 0:40:12 - Gypo sings a drunken song | advance plot | antagonist | drunk | leading man | on-screen music | singing | source music | street |
The Informer (1935) | The Irish Washerwoman | 0:43:45 - People sing and dance in a pub | advance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling |
The Informer (1935) | Blood Money | 0:44:44 - Gypo tosses money to the pub-keeper | advance plot | antagonist | bar | bartender | excited | giving | leading man | money |
The Informer (1935) | The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer | 0:44:52 - People celebrate in the pub | advance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in |
The Informer (1935) | Katie (Gypo is Drunk) | 0:46:36 - Gypo tells the rebel about "somebody waiting for me" | advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking |
The Informer (1935) | He Is Me Darling-O | 0:47:03 - Gypo and another man sing drunkenly | advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking |
The Informer (1935) | Katie (Poster) | 0:47:58 - Gypo looks at the America poster | advance plot | antagonist | leading man | pondering | poster | sentimental | street | transcribed by ear |
The Informer (1935) | Blood money (Thinking) | 0:48:58 - Gypo pulls out and counts his money | advance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street |
The Informer (1935) | Katie (Thinking) | 0:49:37 - Gypo looks at the money and the poster | 9th chord | advance plot | antagonist | leading man | money | pondering | sentimental | street |
The Informer (1935) | Here Comes the Bride | 0:49:55 - Dream sequence of a voyage to America | 64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding |
The Informer (1935) | My Man | 0:50:19 - Gypo talks with his friend | AB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street |
The Informer (1935) | Katie (Mistaken Identity) | 0:52:34 - Gypo thinks he sees Katie, but it's someone else | advance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear |
The Informer (1935) | Dardanella | 0:53:41 - Gypo buys drinks at a party | AB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:55:32 - A woman prepares to sing a song at a party | advance plot | antagonist | cheerful | crowd | leading man | on-screen music | party | playing | source music |
The Informer (1935) | Believe Me If All Those Endearing Young Charms | 0:58:23 - Singing continues (from the previous scene) | advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing |
The Informer (1935) | Blood Money | 1:00:57 - Rebels see Gypo spending money | advance plot | augmented triad | dark | money | party | rebel | spying | tritone |
The Informer (1935) | The Informer (King Gypo) | 1:01:03 - Gypo's friend brags about him | advance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud |
The Informer (1935) | The Informer (Quiet!) | 1:01:27 - The rebels enter and start an argument | 64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel |
The Informer (1935) | The Informer (Drunk) | 1:03:23 - Gypo walks down the street drunk | advance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street |
The Informer (1935) | The Informer (Molto Agitato) | 1:03:45 - Katie worries for Gypo | advance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street |
The Informer (1935) | The Wearin' o' the Green (Fighting) | 1:03:51 - Gypo struggles with the rebels | 64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation |
The Informer (1935) | Blood Money (Ostinato) | 1:04:10 - The rebels overhear Gypo talking about the money | advance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord |
The Informer (1935) | Katie (Tragic) | 1:04:39 - Katie is left alone on the street | advance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying |
The Informer (1935) | Blood Money (Ostinato) | 1:17:10 - Gypo waits in his cell while the rebels draw straws | advance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying |
The Informer (1935) | The Escape | 1:19:46 - Gypo escapes and a chase ensues | advance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord |
The Informer (1935) | The Informer (Risoluto) | 1:20:12 - Rebels plan to catch Gypo | advance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord |
The Informer (1935) | Underscoring (Dramatic) | 1:20:24 - Rebels plan how to catch Gypo | 9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense |
The Informer (1935) | Katie (Begging) | 1:24:42 - Katie pleads for Gypo | 64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense |
The Informer (1935) | Begging | 1:25:13 - Katie pleads for Gypo | advance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense |
The Informer (1935) | The Informer (Begging) | 1:25:50 - Katie pleads for Gypo | advance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room |
The Informer (1935) | Dan and Mary (Begging) | 1:25:53 - Katie talks to Mary about loving Gypo | advance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender |
The Informer (1935) | The Informer (Sympathetic) | 1:26:35 - Katie tells Dan where Gypo is | advance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense |
The Informer (1935) | Begging 2 | 1:26:41 - Katie begs for Gypo's life | advance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense |
The Informer (1935) | Katie (Furioso) | 1:26:55 - Katie becomes desperate | advance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord |
| Key Largo (1948) | Underscoring (Somber) | 0:13:51 - Frank talks with Mr. Temple | advance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring |
Key Largo (1948) | McCloud (Noble) | 0:14:28 - Frank talks about George and the war | advance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war |
Key Largo (1948) | McCloud (Tense) | 0:14:56 - Nora and Frank talk about George | advance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war |
Key Largo (1948) | McCloud (Molto Expressivo) | 0:15:36 - Frank and Mr. Temple talk about George | advance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | Burial Place | 0:16:11 - Frank talks about George's burial place | advance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war |
Key Largo (1948) | McCloud (Bugle Call) + Taps | 0:16:31 - Mr. Temple asks Frank about George's burial place | advance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war |
Key Largo (1948) | McCloud (Broad) | 0:17:00 - Nora and Frank go outside | advance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war |
Key Largo (1948) | Seminoles | 0:19:11 - Seminole Indians arrive | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious |
Key Largo (1948) | Seminoles (Grandma) | 0:19:46 - Elderly Indian woman talks to Nora | advance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking |
Key Largo (1948) | Seminoles (Brothers) | 0:20:29 - Nora talks with Seminole Indians | advance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious |
Key Largo (1948) | McCloud (Noble) | 0:21:22 - Nora and Frank talk about her life | advance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling |
Key Largo (1948) | Expressivo | 0:52:37 - Mr. Temple is helped down the stairs | advance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs |
Key Largo (1948) | Rocco 2 (Menacing) | 0:52:59 - Rocco stares at McCloud and Nora | advance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring |
Key Largo (1948) | Rocco (Agitato) | 1:08:53 - Gangsters see that their boat is missing | advance plot | angry | announcing | boss | danger | discovering | gangster | hotel | stinger | tense | violent |
Key Largo (1948) | Underscoring (Tense) | 1:20:19 - Rocco speaks with Ziggy | advance plot | boss | gangster | giving | hotel | tense | underscoring |
Key Largo (1948) | Rocco 2 (Counterfeit Money) | 1:20:36 - Gangster examines the counterfeit money | advance plot | boss | gangster | hotel | money | mysterious | observing |
Key Largo (1948) | Rocco 3 (Counterfeit Money) | 1:20:45 - Gangster examines the counterfeit money | advance plot | boss | gangster | hotel | money | mysterious | observing |
Key Largo (1948) | Rocco (Heavily) | 1:21:28 - Gangsters handle the counterfeit money | advance plot | brash | gangster | hotel | money | observing | tense | villain |
Key Largo (1948) | Rocco 3 | 1:24:03 - Rocco approaches Nora | advance plot | boss | conversing | father | gangster | hotel | tense | violent |
Key Largo (1948) | Rocco Whispers | 1:24:08 - Rocco whispers in Nora's ear | advance plot | boss | gangster | hotel | leading lady | mysterious | tense | whisper effect | whispering |
Key Largo (1948) | McCloud (Slowly) | 1:24:14 - McCloud and Nora exchange glances | advance plot | hotel | leading lady | leading man | looking | love interest | somber |
Key Largo (1948) | Walking | 1:24:21 - Gangsters go down the stairs | advance plot | gangster | hotel | mickey-mousing | tense | walking |
Key Largo (1948) | Rocco (Packing Up) | 1:24:28 - Gangsters pack up their things | advance plot | boss | gangster | hotel | leaving | packing | preparing | tense |
Key Largo (1948) | Underscoring (Tense) | 1:24:37 - Gaye watches Rocco | advance plot | boss | gangster | hotel | leaving | mysterious | packing | preparing | tense | underscoring |
Key Largo (1948) | Moanin’ Low (Appassionato) | 1:25:01 - Gaye pleads for Rocco to take her along | advance plot | boss | deceiving | deception | desperate | desperation | familiar tune | gangster | hotel | moll | pleading | sentimental |
Key Largo (1948) | Moanin’ Low (Ominous) | 1:25:21 - Gaye hands Rocco's gun to McCloud | advance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense |
Key Largo (1948) | Rocco (Leaving) | 1:25:33 - Gangsters leave the hotel with McCloud | advance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking |
Key Largo (1948) | Rocco (Tense) | 1:25:49 - Gangsters leave to board the boat | advance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking |
Key Largo (1948) | Hurrying | 1:26:02 - Gangsters walk to the boat | advance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking |
Key Largo (1948) | Underscoring (Dramatic) | 1:26:10 - Gangsters board the boat with McCloud | advance plot | boarding | boss | dock | dramatic | gangster | hostage | leading lady | leading man | moll | storm | tense | underscoring | wind |
Key Largo (1948) | Tension (The Boat) | 1:26:31 - McCloud tries to start the boat | advance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense |
Key Largo (1948) | Underscoring (Somber) | 1:27:42 - Nora and Gaye enter the hotel | advance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking |
Key Largo (1948) | McCloud (Tense) | 1:27:56 - Mr. Temple tries to make a phone call | advance plot | conversing | father | hotel | leading lady | moll | somber |
| The Letter (1940) | Leslie (Not in Film) | NIF - not in film | advance plot | cut from film | deceptive resolution | suspension |
The Letter (1940) | Underscoring (Tense) | 0:12:42 - Leslie gets up | advance plot | home | leading lady | recounting | tense | underscoring | whole-tone | whole-tone chord |
The Letter (1940) | Leslie (The Story) | 0:13:14 - Leslie gives her story | advance plot | changing meter | home | leading lady | lying | oscillation | recounting | tense | whole-tone chord |
The Letter (1940) | Leslie (Rising) + Deception | 0:13:28 - Leslie continues her story | advance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence |
The Letter (1940) | Leslie (Risoluto) | 0:14:07 - Leslie continues her story | advance plot | augmented triad | chromatic parallelism | dramatic | fragmentation | home | leading lady | pc set | polychord | recounting | sequence | tense |
The Letter (1940) | Leslie (Tragic) | 0:14:31 - The scene of the crime | advance plot | changing meter | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | sequential modulation | suspension | tense |
The Letter (1940) | Leslie B (Screwyoso) | 0:14:42 - The bottom of the stairs | advance plot | common-chord modulation | dramatic | emotional | home | leading lady | point of view | recounting | sequence |
The Letter (1940) | Letter (Sarcastic) | 0:15:10 - Robert comforts Leslie | advance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence |
The Letter (1940) | Robert and Leslie | 0:15:28 - Robert comforts Leslie | advance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension |
The Letter (1940) | Andante Doloroso + Leslie | 0:15:53 - Men go to look at dead body | advance plot | combination of themes | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking |
The Letter (1940) | Leslie (Dark) | 0:16:09 - Men look at dead body | advance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister |
The Letter (1940) | Creeping | 0:16:38 - Man creeping in the dark | advance plot | creeping | exoticism | Locrian mode | mickey-mousing | open fifth | parallel fifths | parallelism | pedal tone | plantation | sequential modulation | servant | sneaky |
The Letter (1940) | Film wipe | 0:16:48 - Film wipe | advance plot | arpeggiation | mickey-mousing | plantation | wipe |
The Letter (1940) | Murder | 0:18:36 - Leslie reacts to the mention of murder | advance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense |
The Letter (1940) | Leslie (Delicato) | 0:21:46 - Men admire needlepoint | advance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence |
The Letter (1940) | Leslie (The Story) | 0:22:26 - Leslie speaks with Howard | advance plot | changing meter | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone | whole-tone chord |
The Letter (1940) | Letter (Sarcastic) | 0:22:41 - Leslie and Howard leave | advance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence |
The Letter (1940) | Leslie (Ominous) | 0:22:58 - The site of the murder | advance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow |
The Letter (1940) | Leslie (Mysterioso) | 0:30:04 - Howard in his office | advance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking |
The Letter (1940) | Leslie B (Screwyoso 2) | 0:30:23 - Howard grabs the letter | advance plot | lawyer | letter | mysterious | office | sequence | tense | thinking |
The Letter (1940) | Mrs. Hammond (Lawyer) | 0:30:45 - Ong speaks to Howard | advance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone |
The Letter (1940) | Leslie (Walking) | 0:30:58 - Leslie in jail | 64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking |
The Letter (1940) | Waiting | 0:31:24 - Howard waits for Leslie | advance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord |
The Letter (1940) | Leslie (Triste) | 0:38:57 - Howard helps Leslie recover | advance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension |
The Letter (1940) | Leslie B (Con Moto) | 0:39:25 - Leslie asks Howard about the letter | advance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense |
The Letter (1940) | Leslie (Plotting) | 0:39:32 - Howard and Leslie plot their next move | 9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense |
The Letter (1940) | Law Office (The Plea) | 0:40:00 - Howard asks Leslie to be honest | 9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense |
The Letter (1940) | Leslie (Despair) | 0:40:33 - Leslie despairs | advance plot | anxious | changing meter | conversing | despair | dissonant bass | hospital | lawyer | leading lady | letter | oscillation | sequence | tense |
The Letter (1940) | Leslie (Rising) + Deception | 0:40:57 - Leslie talks to Howard | advance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense |
The Letter (1940) | Robert and Leslie | 0:41:12 - Howard says he will help Leslie | advance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender |
The Letter (1940) | Robert and Leslie (Triste) | 0:42:17 - Leslie and Howard talk about her husband | advance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender |
The Letter (1940) | Lento Mysterioso | 0:50:37 - Leslie and Howard alone | advance plot | altered dominant | home | lawyer | leading lady | mysterious | planning | sad | upper pedal tone | whole-tone chord |
The Letter (1940) | Underscoring (Tense) | 0:51:14 - Leslie talks to Howard | advance plot | altered dominant | dark | foreign key modulation | home | lawyer | leading lady | planning |
The Letter (1940) | Leslie (Ominous) | 0:51:41 - Howard gets up to leave | advance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking |
The Letter (1940) | Mrs. Hammond | 0:51:49 - Howard and Leslie alone | advance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting |
The Letter (1940) | Leslie (Lacework 2) | 0:52:07 - Leslie does her lacework | advance plot | changing meter | conversing | foreign key modulation | home | lacework | lawyer | leading lady | mysterious | oscillation | sequence |
The Letter (1940) | Leslie B (Ethereal) | 0:52:33 - Howard and Leslie talk | advance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense |
The Letter (1940) | Leslie (Tragic) | 0:52:55 - Howard and Leslie talk | advance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense |
The Letter (1940) | Leslie B | 0:53:10 - Howard and Leslie talk | advance plot | conversing | home | lawyer | leading lady | sequence | tense |
The Letter (1940) | Foxtrot No. 1 | 1:19:49 - Leslie getting ready for the party | 9th chord | advance plot | calm | dance music | foxtrot | home | leading lady | sitting | source music |
The Letter (1940) | Mrs. Hammond + Foxtrot No. 1 | 1:20:02 - Ong is seen in the mirror | advance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music |
The Letter (1940) | Foxtrot No. 1 B | 1:20:05 - Leslie getting ready for the party | added-note chord | advance plot | calm | dance music | foxtrot | home | leading lady | source music | walking |
The Letter (1940) | Leslie (Guilty) + Foxtrot No. 1 | 1:20:53 - Leslie looks at the full moon | advance plot | combination of themes | dagger | dramatic | home | leading lady | looking | moon | oscillation | polytonality | stinger | suspension |
The Letter (1940) | Mrs. Hammond + Foxtrot No. 1 B | 1:21:15 - Leslie looks around | advance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | open fifth | parallel fifths | pentatonic | polymeter | polytonality | source music | tense |
| Lightning Strikes Twice (1951) | Chiapanecas | 0:33:40 - People dancing outside | actor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat |
Lightning Strikes Twice (1951) | Trev (Triste) | 0:38:59 - Trev enters the store | actor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker |
Lightning Strikes Twice (1951) | Searching | 0:40:06 - Shelly looks for Trev | actor | advance plot | agitated | leading lady | rancher | searching | street | walking |
Lightning Strikes Twice (1951) | Trev (Misterioso) | 0:40:30 - Shelly and Liza talk | actor | advance plot | conversing | glass | leading lady | mysterious | rancher | street | underscoring | uneasy | walking |
Lightning Strikes Twice (1951) | Shelly and Trev (Tenderly) | 0:41:54 - Pedro tells Shelly where Trev is | actor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker |
Lightning Strikes Twice (1951) | Underneath a Western Sky | 0:56:48 - A chuckwagon dinner | actor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music |
Lightning Strikes Twice (1951) | Too Much Love | 0:59:02 - Shelly looks at Trev's portrait | actor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music |
Lightning Strikes Twice (1951) | Mi Caballero | 1:00:08 - People dancing outside | actor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat |
Lightning Strikes Twice (1951) | Shelly and Trev (Misterioso) | 1:09:40 - Shelly and Myra talk | actor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense |
Lightning Strikes Twice (1951) | Allargando | 1:10:03 - Shelly learns that Liza loves Trev | actor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense |
| Mildred Pierce (1945) | Mildred (Sehr Dramatic) | 0:12:06 - Mildred arrives home | advance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying |
Mildred Pierce (1945) | Mildred (Ominous) | 0:12:43 - The detectives talk to Mildred | advance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room |
Mildred Pierce (1945) | Underscoring (Tense) | 0:13:03 - Mildred leaves with the detectives | advance plot | conversing | detective | foreign key modulation | heroine | leading lady | murder | street | tense | underscoring |
Mildred Pierce (1945) | Hall of Justice | 0:13:35 - The Los Angeles Hall of Justice | advance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking |
Mildred Pierce (1945) | Mildred sits | 0:14:11 - Mildred sits down | advance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting |
Mildred Pierce (1945) | Drink to Me Only With Thine Eyes | 0:16:07 - Cop whistles to himself | advance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling |
Mildred Pierce (1945) | Waltz Brillante | 0:26:39 - Veda plays the piano | advance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz |
Mildred Pierce (1945) | Waltz Brillante | 0:27:21 - Veda plays the piano | advance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz |
Mildred Pierce (1945) | Kay and Veda (Ashamed) | 0:28:13 - Mildred overhears Veda complaining about her new dress | advance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching |
Mildred Pierce (1945) | Mildred (Lonely) | 0:28:20 - Mildred looks through her desk | advance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing |
Mildred Pierce (1945) | Mildred (Tense) | 0:28:43 - Mildred goes to open the door | advance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking |
Mildred Pierce (1945) | Mildred (Delicate) | 0:32:04 - Mildred walks up the stairs | advance plot | gentle | heroine | leading lady | parallelism | pedal tone | room | up | walking |
Mildred Pierce (1945) | Kay and Veda (Dolce) | 0:32:13 - Mildred and Veda talk about Kay | added-note chord | advance plot | child | conversing | heroine | leading lady | mode mixture | room | sleeping | sweet |
Mildred Pierce (1945) | Kay and Veda (Coy) | 0:32:32 - Veda talks to her mother | advance plot | child | chromatic parallelism | conversing | heroine | leading lady | parallelism | room | sleeping | uneasy |
Mildred Pierce (1945) | Mildred (Waltz Fantasy) | 0:32:38 - Veda fantasizes about her mother marrying Wally | 9th chord | advance plot | appoggiatura | child | chromatic parallelism | dreaming | fantasy | greed | heroine | leading lady | room | uneasy |
Mildred Pierce (1945) | Mildred (Dark) | 0:32:58 - Mildred scolds Veda | advance plot | child | dark | heroine | leading lady | room | scolding |
Mildred Pierce (1945) | Kay and Veda (Deception) | 0:33:08 - Veda lies to her mother | 64 chord | advance plot | child | chromatic parallelism | deceiving | deception | heroine | leading lady | room | selfishness | unstable | whole-tone |
Mildred Pierce (1945) | Mildred (Risoluto) | 0:33:23 - Mildred resolves to give her daughter nice things | 64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room |
Mildred Pierce (1945) | Kay and Veda (Dolce Foxtrot) | 0:33:37 - Mildred puts Veda to bed | 64 chord | added-note chord | advance plot | child | chromatic parallelism | dark | heroine | leading lady | mode mixture | optimistic | promising | room | tragic |
Mildred Pierce (1945) | The Maid | 0:36:57 - Mildred's maid in the kitchen | 9th chord | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | sequence | working |
Mildred Pierce (1945) | Work (Grand Opening) | 0:57:26 - View of Mildred's restaurant | added-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working |
Mildred Pierce (1945) | T'Ain't No Good | 0:57:37 - Mildred at the opening of her restaurant | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | While You're Away | 0:59:47 - Monte arrives at the restaurant | ABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working |
Mildred Pierce (1945) | Work (Success) | 1:01:42 - People work in Mildred's restaurant | 9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working |
Mildred Pierce (1945) | Order wheel spins | 1:01:45 - Restaurant order wheel spins | advance plot | busy | cook | mickey-mousing | restaurant | server | spinning | upbeat |
Mildred Pierce (1945) | Mildred (Sorrow) | 1:03:41 - Monte asks about Kay | advance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber |
Mildred Pierce (1945) | It Can't Be Wrong (Romantic) | 1:04:11 - Monte kisses Mildred | advance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger |
Mildred Pierce (1945) | It Can't Be Wrong (Troubled) | 1:04:30 - Bert interrupts Mildred and Monte's kiss | advance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled |
Mildred Pierce (1945) | Bert (Regretful) | 1:04:43 - Bert tells Mildred about the divorce | 9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber |
Mildred Pierce (1945) | Breaks glass | 1:05:35 - Bert slaps the glass out of Monte's hand | advance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence |
Mildred Pierce (1945) | It Can't Be Wrong (Uneasy) | 1:05:36 - Bert stares angrily at Monte | advance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy |
Mildred Pierce (1945) | Flashback ends | 1:05:49 - Screen wipe back to the present day | advance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe |
Mildred Pierce (1945) | Flashback starts 2 | 1:07:59 - Flashback to the past | advance plot | double exposure | flashback | mickey-mousing |
Mildred Pierce (1945) | How Sweet You Are | 1:08:28 - Veda dances at a club | ABAB structure | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music |
Mildred Pierce (1945) | Kay and Veda (Subtle) | 1:09:27 - bill; photograph; gun | advance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over |
Mildred Pierce (1945) | Kay and Veda (Excited) | 1:13:21 - Veda drives away in her new car | added-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running |
Mildred Pierce (1945) | You Must Have Been a Beautiful Baby | 1:16:01 - Wally and Veda in a restaurant | advance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting |
Mildred Pierce (1945) | Oceana Roll | 1:27:46 - Veda sings at a restaurant | advance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music |
Mildred Pierce (1945) | Sweet Georgia Brown | 1:29:05 - Mildred confronts Wally | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | It Had to Be You | 1:30:25 - Mildred and Veda talk | ABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat |
Mildred Pierce (1945) | Bert (Somber) | 1:37:06 - Bert talks with Mildred in her new house | advance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber |
Mildred Pierce (1945) | Mildred stands and walks to window | 1:38:02 - Mildred stands up and goes to the window | advance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking |
Mildred Pierce (1945) | Kay and Veda (Returning Home) | 1:38:10 - Mildred looks at Veda through the window | advance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching |
Mildred Pierce (1945) | Mildred (Happy Homecoming) | 1:38:50 - Mildred and her daughter embrace | added-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm |
Mildred Pierce (1945) | Bert (Tenderly) | 1:39:33 - Mildred thanks Bert | advance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking |
Mildred Pierce (1945) | Kay and Veda (Allegretto Grazioso) | 1:39:47 - Monte is happy to see Veda | added-note chord | advance plot | antagonist | cheerful | conversing | daughter | deceptive resolution | reuniting | room | welcoming |
| The Life of Vergie Winters (1934) | There'll Be a Hot Time in the Old Town Tonight | 0:12:17 - People rallying for John Shadwell | advance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat |
The Life of Vergie Winters (1934) | For He's a Jolly Good Fellow | 0:13:48 - Political rally for John Shadwell | advance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat |
The Life of Vergie Winters (1934) | Oh! You Beautiful Doll | 0:17:47 - People in a bar | advance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Lullaby (Hospital Scene) | 0:27:51 - The sign for a hospital | advance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence |
The Life of Vergie Winters (1934) | Ida (Sweet As Apple Cider) | 0:28:55 - People in a bar | advance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Semper Fidelis | 0:30:32 - A march is played outside | advance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat |
The Life of Vergie Winters (1934) | Lullaby (Park) | 0:36:28 - Nurse and baby in the park | AABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting |
The Life of Vergie Winters (1934) | Darktown Strutters' Ball | 0:40:06 - Sadie and Mike in a bar | advance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat |
The Life of Vergie Winters (1934) | Lullaby (Joan) | 0:50:31 - Joan enters Vergie's shop | advance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid |
The Life of Vergie Winters (1934) | Underscoring (Gentle) | 0:51:06 - Joan talks with Vergie | 9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid |
The Life of Vergie Winters (1934) | Lullaby (Delicato) | 0:51:39 - Joan talks with Vergie | 9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop |
The Life of Vergie Winters (1934) | Underscoring (Gentle) | 0:51:52 - Vergie gives Joan a fan | 9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop |
The Life of Vergie Winters (1934) | Lullaby (Solo Violin) | 0:52:06 - Vergie gets a ribbon for Joan | advance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop |
The Life of Vergie Winters (1934) | Lullaby (Strings) | 0:52:30 - Vergie puts a ribbon in Joan's hair | advance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop |
The Life of Vergie Winters (1934) | A Boy and a Girl | 1:07:00 - John and Vergie listen to the radio | advance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear |
The Life of Vergie Winters (1934) | Lullaby (Dolce) | 1:08:00 - Vergie talks with John | 9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender |
The Life of Vergie Winters (1934) | Lullaby (Cello Solo) | 1:08:38 - Vergie talks with John | added-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm |
The Life of Vergie Winters (1934) | Lullaby (Passionate) | 1:09:39 - John and Vergie embrace | 9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense |
| Rockabye (1932) | Improvised Lullaby | 0:11:04 - Elizabeth sings a lullaby | advance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music |
Rockabye (1932) | Sleep, My Sweet | 0:11:20 - Judy sings with her daughter | advance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music |
Rockabye (1932) | A Bird in a Gilded Cage | 0:29:09 - Snooks sings to herself | advance plot | drunk | mother | on-screen music | room | singing | source music |
Rockabye (1932) | Out of the Blue | 0:33:38 - People at a party | advance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:33:55 - Judy at the party | advance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat |
Rockabye (1932) | Improvisation (in Rockabye) | 0:35:35 - People at a party | advance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat |
Rockabye (1932) | Out of the Blue (Piano Improvisation) | 0:35:57 - Judy and Jacobs talk | AABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:39:24 - Judy sings a song | AABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat |
Rockabye (1932) | Till the Real Thing Comes My Way | 0:40:21 - Judy sings on top of a truck | advance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat |
Rockabye (1932) | You've Got What Gets Me | 0:53:27 - People at a party | ABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music |
Rockabye (1932) | You've Got What Gets Me | 0:55:05 - Judy at a party | ABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music |
Rockabye (1932) | Rockin' Chair | 0:59:16 - Judy talks to her manager | AABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music |
Rockabye (1932) | Till the Real Thing Comes My Way | 1:01:37 - Judy sings at a party | advance plot | cheerful | leading lady | love interest | on-screen music | party | playwright | singing | source music |
| Out of the Fog (1941) | Fishing | 0:13:46 - Catching a fish | advance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear |
Out of the Fog (1941) | Drab | 0:24:36 - Stella in bed | advance plot | father | ignoring | knocking | leading lady | room | smoking | somber | tense | thinking | whispering |
Out of the Fog (1941) | Concert in the Park | 0:25:09 - Jonah and Olaf walk down the street | advance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking |
Out of the Fog (1941) | Trade Winds | 0:28:40 - Stella enters a drugstore | AABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker |
Out of the Fog (1941) | South American Way | 0:30:00 - Stella listens to the radio | advance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat |
Out of the Fog (1941) | Father and Daughter | 0:33:12 - Jonah talks to Stella | advance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender |
Out of the Fog (1941) | Whistle While You Work | 0:43:46 - Eddie sets the table | AABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker |
Out of the Fog (1941) | The Merry-Go-Round Broke Down | 0:49:00 - Olaf and Jonah walk to the restaurant | AABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat |
Out of the Fog (1941) | Father and Daughter (Tender) | 0:51:32 - Maps of Cuba | advance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense |
Out of the Fog (1941) | Drab (Extended) | 0:51:50 - Stella talks with her father | advance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy |
Out of the Fog (1941) | Russian Barcarolle (Dark) | 0:52:49 - Jonah reacts | advance plot | conversing | dark | father | fisherman | leading lady | room |
Out of the Fog (1941) | Drab | 0:53:05 - Stella talks with her father | advance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy |
Out of the Fog (1941) | Russian Barcarolle (Troubled) | 0:53:43 - Stella talks with her father | advance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room |
Out of the Fog (1941) | Father and Daughter (Short) | 0:54:23 - Stella and Jonah embrace | advance plot | conversing | departing | father | fisherman | leading lady | room | tender |
Out of the Fog (1941) | Russian Folk Song | 0:54:43 - Jonah enters a room | advance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music |
Out of the Fog (1941) | Russian Barcarolle | 0:55:11 - Sam sings a Russian folk song | advance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music |
| Kid Galahad (1937) | City Fanfare | 0:32:24 - Bright lights of the city | advance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear |
Kid Galahad (1937) | New York Scene | 0:32:31 - Ward and Louise ride in a taxi | advance plot | driving | hurried | not by Steiner | street | transcribed by ear |
Kid Galahad (1937) | The Escape | 0:33:23 - Nick punches man on street | advance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Yearning) | 0:44:11 - Ward and Nick leave the farm | advance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture |
Kid Galahad (1937) | Kid Galahad (Montage) | 0:46:47 - Montage of newspaper headlines | 64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper |
Kid Galahad (1937) | Yearning | 0:48:47 - Marie speaks with her mother | advance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning |
Kid Galahad (1937) | Heart's Affair | 0:49:16 - Marie speaks with her mother | advance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning |
Kid Galahad (1937) | The Moon Is In Tears Tonight (The Kid) | 0:50:05 - Louise looks at her Kid Galahad scrapbook | advance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear |
Kid Galahad (1937) | Sand In My Shoes | 1:10:15 - Ward, Marie, and Louise talk in the club | advance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear |
Kid Galahad (1937) | Green Lady | 1:12:08 - Ward, Marie, and Louise talk in the club | advance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear |
Kid Galahad (1937) | Doublecross | 1:15:33 - Nick reads a newspaper headline | advance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear |
Kid Galahad (1937) | Heart's Affair (Trouble) | 1:15:53 - Ward talks to Marie at the farm | advance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear |
Kid Galahad (1937) | Doublecross (Heated) | 1:16:02 - Nick arrives at the farm | advance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear |
Kid Galahad (1937) | Doublecross (Entanglements) | 1:17:24 - Nick falls to the ground | advance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear |
| Traveling Husbands (1931) | Someone | 0:16:31 - Music is played in a hotel ballroom | advance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Bicycle Built for Two | 0:20:51 - Music is played in a bar room | AABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | Sidewalks of New York | 0:21:01 - Music is played in a bar room | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:35:46 - Music is played on the radio | AABA structure | advance plot | Arabian | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | There's a Sob in My Heart (Arabian) | 0:38:56 - Music is played on the radio | advance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear |
Traveling Husbands (1931) | Chimes | 0:49:36 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
Traveling Husbands (1931) | Chimes 2 | 0:51:50 - A tune is played on church bells | advance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting |
Traveling Husbands (1931) | There's a Sob in My Heart (Slow Waltz) | 0:57:47 - Music is played on the radio | AABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear |
| The Unfaithful (1947) | Chris (Dark) | 0:07:46 - Chris continues driving | 9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking |
The Unfaithful (1947) | Danger | 0:08:19 - A man in the shadows | advance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking |
The Unfaithful (1947) | Unfaithful (Attack) | 0:08:40 - The man attacks Chris | advance plot | antagonist | attacking | chromatic scale | criminal | danger | fighting | house | leading lady | ostinato | pc set | sequence | shadow | sinister | victim | whole-tone |
The Unfaithful (1947) | Chris screams | 0:08:53 - Chris screams | advance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim |
The Unfaithful (1947) | Tanner | 0:23:46 - Mrs. Tanner boards a trolley | advance plot | altered dominant | antagonist | fragmentation | irregular meter | newspaper | pc set | quartal chord | reading | street | tense | traveling | trolley | widow |
The Unfaithful (1947) | Tanner (Panic) | 0:24:21 - Mrs. Tanner sees her husband's name in the paper | advance plot | antagonist | newspaper | ostinato | panicked | panicking | street | trolley | widow |
The Unfaithful (1947) | Unfaithful (Tragic) | 0:24:34 - Mrs. Tanner walks down the street | advance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow |
The Unfaithful (1947) | Oh But I Do | 0:32:27 - Ladies talk at a restaurant | AABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim |
The Unfaithful (1947) | Deep Night | 0:35:15 - Larry, Chris, and Bob at a restaurant | AABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim |
The Unfaithful (1947) | Unfaithful (Plotting) | 0:42:32 - Larry storms out of the art collector's shop | advance plot | antagonist | dissonant bass | door | plotting | shop | sinister | slamming |
The Unfaithful (1947) | Underscoring (Tense) | 0:43:21 - Lady talks to Larry | advance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring |
The Unfaithful (1947) | Unfaithful (Ominous) | 0:43:39 - Secretary makes a call | advance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning |
The Unfaithful (1947) | Unfaithful (Dramatic) | 0:44:05 - Chris goes to Larry's office | advance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office |
The Unfaithful (1947) | Unfaithful (Ostinato) | 0:50:56 - Chris leaves Larry's office | advance plot | exiting | law office | lawyer | leading lady | office | pedal tone | somber |
The Unfaithful (1947) | Unfaithful (Drone) | 0:51:08 - Chris enters the art shop | advance plot | arriving | leading lady | ostinato | shop | shopkeeper | somber |
The Unfaithful (1947) | Stinger | 0:52:10 - Chris reacts | advance plot | leading lady | shop | shopkeeper | stinger | surprise | suspenseful | zoom in |
The Unfaithful (1947) | Unfaithful (Distressed) | 0:52:17 - The maid turns on a lamp | 9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense |
The Unfaithful (1947) | Unfaithful (Agitated) | 0:53:11 - Chris sees the place where the body was | advance plot | distressed | fearful | leading lady | obsession | ostinato | room | sequential modulation | staring |
The Unfaithful (1947) | Attorney (Doorbell) | 0:53:31 - Chris takes off her jacket | advance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise |
The Unfaithful (1947) | Unfaithful (Somber 2) | 1:00:01 - Chris thinks | 9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender |
The Unfaithful (1947) | Unfaithful (Ominous) | 1:09:06 - Chris on the phone | advance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking |
| We Are Not Alone (1939) | As You Walk Down the Strand | 0:19:59 - David helps Leni | AABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street |
We Are Not Alone (1939) | Poor Old Adam Was My Father | 0:20:32 - David talks to Leni by the seaside | ABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street |
We Are Not Alone (1939) | Surprise Symphony (Glissando) | 0:22:35 - David rides home on his bike | advance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking |
We Are Not Alone (1939) | Surprise Symphony (Worried) | 0:22:57 - David hears Gerald crying | advance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense |
We Are Not Alone (1939) | Surprise Symphony (Fixing the Lights) | 0:23:27 - David tries to fix the lights | 11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Lighting the House) | 0:23:40 - David lights candles in the house | advance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working |
We Are Not Alone (1939) | Surprise Symphony (Better) | 0:23:55 - David puts his son in bed | 9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm |
We Are Not Alone (1939) | Whee! | 0:23:57 - David flips his son upside down playfully | advance plot | boy | child | father | hero | home | jumping | mickey-mousing | parallel 63s | parallelism | playful | playing | spinning |
We Are Not Alone (1939) | Surprise Symphony (Death Bed) | 0:24:11 - David discusses death with his son | advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation |
We Are Not Alone (1939) | Jessica (Upset) | 0:24:32 - Jessica enters and stops the conversation | advance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife |
We Are Not Alone (1939) | Surprise Symphony (Dolce) | 0:25:02 - Gerald asks to go with his father on a trip | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm |
We Are Not Alone (1939) | Frohe Botschaft (Ethereal) | 0:25:12 - David tells his son about his patient, Leni | 9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet |
We Are Not Alone (1939) | Surprise Symphony (Lullaby) | 0:25:36 - David asks his son to help Leni | advance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet |
We Are Not Alone (1939) | It's Easy to Be a Lady if You Try | 0:25:50 - Gerald and Leni ride a carousel | ABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music |
We Are Not Alone (1939) | Tuning | 0:27:56 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:03 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:17 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Tuning | 0:28:31 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife |
We Are Not Alone (1939) | Surprise Symphony | 0:29:13 - David whistles | advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife |
We Are Not Alone (1939) | Tuning | 0:29:20 - David tunes his violin | advance plot | hero | home | neutral | on-screen music | source music | tuning | tuning | violin | wife |
We Are Not Alone (1939) | Minuet | 0:29:28 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | Surprise Symphony | 0:29:45 - David plays the violin | advance plot | hero | home | on-screen music | playing | source music | violin | warm | wife |
We Are Not Alone (1939) | I Do Like to Be Beside the Seaside (Subconscious) | 0:31:36 - Jessica says goodnight to David | added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife |
We Are Not Alone (1939) | Frohe Botschaft (Viennese) | 0:32:51 - Gerald rushes in to see Leni | 11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation |
We Are Not Alone (1939) | Frolic | 0:33:45 - Leni and Gerald run through the park | advance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running |
We Are Not Alone (1939) | Captain Gerald | 0:43:23 - Gerald tells Leni a story | added-note chord | advance plot | boy | child | exoticism | foreign key modulation | heroine | home | imagination | room | somber | telling a story |
We Are Not Alone (1939) | Barcarolle | 0:44:06 - Gerald talks about sailing | 9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story |
We Are Not Alone (1939) | Frohe Botschaft (Like a Sigh) | 0:44:30 - Leni tells Gerald to not be afraid | advance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture |
We Are Not Alone (1939) | Jessica | 0:45:10 - Jessica enters the room | 9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour |
We Are Not Alone (1939) | Surprise Symphony (Expanded) | 0:45:36 - Leni hugs Gerald | advance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet |
We Are Not Alone (1939) | Frohe Botschaft (Crying) | 0:45:45 - Leni kisses Gerald | 9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone |
We Are Not Alone (1939) | Tragico | 0:46:40 - Gerald faces his mother | advance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic |
We Are Not Alone (1939) | Surprise Symphony (Tragico) | 0:47:06 - Jessica gathers clothes for Gerald | advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic |
We Are Not Alone (1939) | Triste | 0:50:45 - David talks to Leni | advance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad |
We Are Not Alone (1939) | Frohe Botschaft (Triste) | 0:51:10 - David talks to Leni | 9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber |
We Are Not Alone (1939) | Surprise Symphony (Sneaky) | 0:51:52 - David goes to bed | added-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber |
We Are Not Alone (1939) | Eine kleine Nachtmusik | 0:52:05 - Program for the concert at the party | advance plot | classical music | concert | familiar tune | home | joyful | Mozart | room | source music |
We Are Not Alone (1939) | Die Krähe | 0:52:36 - Leni asks David about his work | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music |
We Are Not Alone (1939) | Celebre Romance | 0:54:24 - Leni asks David for a reference | ABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music |
We Are Not Alone (1939) | Surprise Symphony | 0:56:18 - David whistles on his way to breakfast | advance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling |
We Are Not Alone (1939) | Tuning | 0:59:20 - David tunes his violin | advance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin |
We Are Not Alone (1939) | Tuning | 1:00:57 - David tunes his violin | advance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin |
We Are Not Alone (1939) | Celebre Romance | 1:01:03 - David plays the violin | advance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin |
We Are Not Alone (1939) | God Save the King | 1:09:06 - Mob sings "God Save the King" outside | advance plot | antagonist | British | choral singing | familiar tune | home | mob | patriotic | singing | source music | source to score | street |
We Are Not Alone (1939) | Surprise Symphony (Allegretto) | 1:14:16 - David helps Leni buy a ticket | advance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station |
We Are Not Alone (1939) | La Marseillaise | 1:15:41 - News bulletins in a window | advance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window |
We Are Not Alone (1939) | Frohe Botschaft (War Bulletin) | 1:22:12 - News bulletins about the trial | advance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Surprise Symphony (Tense) | 1:31:42 - News bulletins about the trial | 9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window |
We Are Not Alone (1939) | Underscoring (Mysterious) | 1:36:37 - David walks down a prison corridor | advance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking |
We Are Not Alone (1939) | Underscoring (Subtle) | 1:40:57 - David helps Leni | 9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring |
We Are Not Alone (1939) | Surprise Symphony (Semplice) | 1:41:10 - Guards help Leni | advance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation |
We Are Not Alone (1939) | Underscoring (Subtle) | 1:41:29 - David walks down the prison corridor | advance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord |
We Are Not Alone (1939) | Frohe Botschaft (Restful) | 1:41:47 - David watches Leni sleep | 9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching |
We Are Not Alone (1939) | Fife and Drums | 1:44:42 - David talks with the guards | advance plot | hero | patriotic | pentatonic | prison | source music | war |
We Are Not Alone (1939) | It's a Long Long Way to Tipperary | 1:45:21 - David talks with the guards | advance plot | familiar tune | hero | patriotic | prison | source music | war |
We Are Not Alone (1939) | Waiting | 1:46:39 - David asks about his execution | 9th chord | advance plot | hero | prison | somber | waiting |
We Are Not Alone (1939) | Surprise Symphony (Acceptance) | 1:47:27 - David talks to the prison guards | advance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet |
We Are Not Alone (1939) | Surprise Symphony (Whistling) | 1:48:34 - David whistles as he thinks | advance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling |
| White Heat (1949) | Rushing | 0:10:49 - A gangster comes in the door | advance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind |
White Heat (1949) | Underscoring (Tense) | 0:18:58 - Agents pull up in a car | advance plot | agent | arriving | car | driving | street | tense |
White Heat (1949) | T-Men (Marcia) | 0:19:03 - Agents see the marker on the car | advance plot | agent | car | following | heroic | noble | observing | planning | street | telephone |
White Heat (1949) | Agents (Planning) | 0:19:32 - Agents talk on the car phone | advance plot | agent | car | conversing | dark | following | mysterious | observing | planning | street | telephone |
White Heat (1949) | Pursuit (Ominous) | 0:22:08 - Agents arrive at the motel | advance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense |
White Heat (1949) | Agents (Chase) | 0:22:33 - The agents notice Ma's car | advance plot | agent | car | looking | observing | panning shot | stinger | street | tense |
White Heat (1949) | Pursuit | 0:22:38 - The agents drive away | advance plot | agent | car | driving | motor effect | pursuing | street | tense |
White Heat (1949) | Misterioso (Tense) | 0:40:12 - Hank looks around | advance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | T-Men (Expressivo) | 0:40:26 - Hank looks at the photograph | advance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Jumping on bed | 0:40:41 - Hank jumps up on his bed | advance plot | ascending | gangster | jumping | leading man | mickey-mousing | murderer | prison | prisoner | undercover agent | uneasy |
White Heat (1949) | Misterioso (Ominous) | 0:40:51 - The prisoners talk | advance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring |
White Heat (1949) | Whispering | 0:41:06 - The prisoner reads lips | advance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering |
White Heat (1949) | Thinking | 0:41:34 - Prisoners talk about money | advance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent |
White Heat (1949) | Underscoring (Tense) | 0:42:03 - Ma talks to the gangsters | advance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring |
White Heat (1949) | Cody (Expressivo) | 0:42:17 - Ma talks to Big Ed | advance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense |
White Heat (1949) | Agitato | 0:42:32 - Verna leaves the room | advance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring |
White Heat (1949) | Big Ed | 0:42:41 - Big Ed leaves the room | advance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking |
White Heat (1949) | Underscoring (Dramatic) | 0:42:52 - Big Ed talks to Verna | advance plot | anger | angry | arguing | dramatic | gangster | leading lady | love interest | moll | porch | underscoring |
White Heat (1949) | Five O'Clock Whistle | 1:11:01 - Verna watches Ed | advance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat |
White Heat (1949) | T-Men (Misterioso) | 1:27:39 - Hank talks to Cody | advance plot | arguing | conversing | fugitive | gangster | leading man | murderer | mysterious | stinger | undercover agent | yard |
White Heat (1949) | Underscoring (Tense) | 1:27:53 - Hank talks to Cody | advance plot | arguing | conversing | fugitive | gangster | leading man | murderer | tense | undercover agent | underscoring | yard |
White Heat (1949) | Verna (Cello Solo) | 1:28:30 - Cody talks about Verna | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | somber | undercover agent | yard |
White Heat (1949) | Ma (Molto Expressivo) | 1:28:38 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Plotting (Agitato) | 1:29:03 - Cody talks about his family | advance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Cody (Climbing) | 1:29:15 - Cody talks about his past | advance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Ma (Triste) | 1:29:29 - Cody talks about his mother | advance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard |
White Heat (1949) | Cody 3 (Molto Misterioso) | 1:31:42 - Hank works on the transmitter | advance plot | leading man | radio | tense | transmitter | undercover agent | working | yard |
White Heat (1949) | Danger (Sneaky) | 1:31:56 - Hank puts the transmitter on the truck | advance plot | fugitive | gangster | hiding | leading lady | leading man | moll | murderer | sneaking | tense | transmitter | truck | undercover agent | yard |
White Heat (1949) | Cody 3 (Tense) | 1:32:12 - Cody approaches the truck | advance plot | conversing | fugitive | gangster | leading lady | leading man | lying | moll | murderer | tense | transmitter | truck | undercover agent | yard |
White Heat (1949) | Underscoring (Tense) | 1:33:58 - Hank talks to the gas station attendant | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working |
White Heat (1949) | Mirror | 1:34:10 - Hank writes a message on the mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | rushing | tense | undercover agent | writing |
White Heat (1949) | Underscoring (Tense) | 1:34:25 - Attendant fixes the truck | advance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working |
White Heat (1949) | Mirror | 1:34:34 - Gangster goes to check on Hank | advance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing |
White Heat (1949) | Message on the Mirror | 1:34:49 - Message on the washroom mirror | advance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing |
White Heat (1949) | Bo Creel | 1:35:51 - Bo Creel comes outside | advance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard |
White Heat (1949) | Verna (Gum) | 1:36:15 - Verna spits out her gum | advance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard |
White Heat (1949) | Danger | 1:36:32 - The gangsters hide in the truck | advance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker |
White Heat (1949) | Truck | 1:36:45 - The truck engine starts | advance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker |
| The Woman in White (1948) | The Carman's Whistle (Sordini) | 0:11:18 - Count Fosco talks with Walter | advance plot | conversing | gentle | leading man | mansion |
The Woman in White (1948) | Ann | 0:11:38 - Walter talks with Count Fosco | advance plot | butler | conversing | leading man | mansion | mysterious |
The Woman in White (1948) | Fairlie | 0:18:35 - Walter leaves Mr. Fairlie | advance plot | butler | gentle | leading man | room | walking |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 0:19:09 - Walter walks to the window | advance plot | gentle | leading man | room | walking |
The Woman in White (1948) | Fosco (Molto Misterioso) | 0:19:16 - Fosco walks outside | advance plot | garden | leading man | mysterious | room | tense | walking | watching |
The Woman in White (1948) | Pavan (Harpsichord) | 0:26:05 - Laura plays the harpsichord | advance plot | butler | conversing | family | gentle | harpsichord | leading lady | leading man | on-screen music | playing | Renaissance music | room | source music |
The Woman in White (1948) | Improvisation | 0:28:47 - A monkey plays the harpsichord | advance plot | conversing | harpsichord | leading lady | leading man | monkey | on-screen music | playing | room | source music | startled |
The Woman in White (1948) | Ann (Misterioso) | 0:29:34 - Fosco sees Laura outside | advance plot | conversing | leading lady | leading man | mysterious | room | tense | watching |
The Woman in White (1948) | Limmeridge | 0:30:46 - Marian talks to Walter | advance plot | conversing | cousin | leading lady | leading man | noble | refined | room |
The Woman in White (1948) | Fairlie (Expressivo) | 0:30:58 - Marian talks to Walter | advance plot | conversing | cousin | gentle | leading lady | leading man | refined | room |
The Woman in White (1948) | Fosco (Spying) | 0:31:31 - Fosco spies on Laura and Walter | advance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching |
The Woman in White (1948) | Laura (Harp Countermelody) | 0:36:14 - Laura runs inside | advance plot | arriving | fiancé | gentle | leading lady | leading man | mansion | running |
The Woman in White (1948) | Underscoring (Mysterious) | 0:36:22 - Laura greets Sir Percival | advance plot | conversing | fiancé | leading lady | mansion | mysterious | underscoring |
The Woman in White (1948) | The Self Banished (Slowly) | 0:36:40 - Laura leaves with Sir Percival | advance plot | calm | cousin | fiancé | leading lady | mansion | walking |
The Woman in White (1948) | The Self Banished (Con Moto) | 0:36:48 - Marian walks outside | advance plot | agitated | calm | cousin | leading lady | leading man | mansion | walking |
The Woman in White (1948) | Underscoring (Mysterious) | 0:38:37 - Marian talks to Walter | advance plot | bad news | conversing | cousin | dark | garden | leading lady | leading man | mysterious | stinger | underscoring |
The Woman in White (1948) | The Self Banished (Somber) | 0:39:27 - Marian talks to Walter | advance plot | bad news | conversing | cousin | garden | gentle | heartbroken | leading lady | leading man | somber |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 0:39:58 - Walter wanders the grounds | advance plot | crying | garden | gentle | leading lady | leading man | listening | walking | wandering |
The Woman in White (1948) | Ann 2 | 0:40:33 - Walter talks to the woman in white | advance plot | conversing | crying | garden | gentle | leading lady | leading man | remembering | tender |
The Woman in White (1948) | Ann | 0:40:45 - The woman in white talks to Walter | advance plot | conversing | garden | leading lady | leading man | mysterious | tense |
The Woman in White (1948) | Ann 2 | 0:41:22 - The woman in white talks to Walter | advance plot | conversing | garden | gentle | leading lady | leading man | tender |
The Woman in White (1948) | Ann (Quasi Misterioso) | 0:41:28 - The woman in white talks to Walter | advance plot | conversing | garden | leading lady | leading man | mysterious |
The Woman in White (1948) | Ann 2 | 0:41:49 - The woman in white talks to Walter | advance plot | conversing | garden | gentle | leading lady | leading man | tender |
The Woman in White (1948) | Hypnosis | 0:42:04 - The woman in white talks to Walter | advance plot | conversing | garden | leading lady | leading man | tense | underscoring |
The Woman in White (1948) | Fosco (Misterioso) | 0:42:23 - The woman in white talks about Fosco | advance plot | conversing | garden | leading lady | leading man | tense |
The Woman in White (1948) | Ann (Molto Misterioso) | 0:42:52 - Walter talks to the woman in white | advance plot | agitated | conversing | garden | leading lady | leading man | mysterious |
The Woman in White (1948) | Underscoring (Dark) | 0:43:00 - The woman in white talks to Walter | advance plot | conversing | dark | garden | leading lady | leading man | ominous | stinger | underscoring |
The Woman in White (1948) | Ann | 0:43:08 - The woman in white talks to Walter | advance plot | agitated | conversing | garden | leading lady | leading man | mysterious |
The Woman in White (1948) | Ann 2 | 0:43:17 - The woman in white talks to Walter | advance plot | conversing | garden | leading lady | leading man | tender |
The Woman in White (1948) | The Carman's Whistle (Rubato) | 0:43:24 - The woman in white talks to Walter | advance plot | conversing | garden | leading lady | leading man | tender |
The Woman in White (1948) | The Carman's Whistle (Accompaniment) | 0:43:31 - The woman in white talks to Walter | advance plot | conversing | garden | gentle | leading lady | leading man |
The Woman in White (1948) | Fosco (Slowly) | 0:43:36 - Walter and the woman in white approach the house | advance plot | garden | leading lady | leading man | tense | walking |
The Woman in White (1948) | Appearing | 0:43:56 - The woman in white runs from Fosco | advance plot | garden | leading lady | leading man | magical | mysterious | running |
The Woman in White (1948) | Ann | 0:43:58 - The woman in white runs away | advance plot | garden | leading lady | leading man | mysterious | running |
The Woman in White (1948) | Fairlie (Meno) | 0:51:08 - Marian looks at Limmeridge House | advance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm |
The Woman in White (1948) | Hypnosis | 0:51:33 - The servants greet Marian | advance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | tense |
The Woman in White (1948) | Fosco (Misterioso 2) | 0:51:57 - Marian learns that the countess is in the house | advance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | stinger | tense |
The Woman in White (1948) | Pavan (Garden 2) | 0:55:17 - Marian talks to Mr. Fairlie | advance plot | conversing | cousin | father | leading lady | room | somber |
The Woman in White (1948) | Laura (At Dinner) | 0:55:43 - Sitting at the dining table | advance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber |
The Woman in White (1948) | Underscoring (Mysterious) | 0:56:12 - Sir Percival and a monkey | advance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring |
The Woman in White (1948) | Ann (Misterioso Rubato) | 0:58:22 - The countess excuses herself | advance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber |
The Woman in White (1948) | Fosco (Spying) | 0:58:37 - Marian writes in her journal | advance plot | cousin | journal | leading lady | mysterious | room | somber | thinking | voice-over | writing |
The Woman in White (1948) | Pavan (Agitato 2) | 0:58:59 - Laura enters Marian's room | advance plot | conversing | cousin | greeting | leading lady | passionate | room | tense |
The Woman in White (1948) | The Self Banished (Somber) | 0:59:47 - Marian talks to Laura | advance plot | conversing | cousin | gentle | leading lady | room | somber |
The Woman in White (1948) | The Self Banished (Tenderly) | 1:00:22 - Laura talks to Marian | advance plot | conversing | cousin | leading lady | room | tender |
The Woman in White (1948) | Pavan (Distressed) | 1:00:51 - Laura talks to Marian | advance plot | agitated | conversing | cousin | distressed | leading lady | room |
The Woman in White (1948) | Pavan (Agitato) | 1:01:02 - Laura talks to Marian | advance plot | agitated | conversing | cousin | leading lady | room |
The Woman in White (1948) | Asylum | 1:01:26 - Laura suffers from a headache | aching | advance plot | agitated | conversing | cousin | headache | illness | illness effect | leading lady | pain | room | somber | tense | victim |
The Woman in White (1948) | Asylum (Molto Expressivo) | 1:01:37 - Laura talks to Marian | advance plot | calm | conversing | cousin | headache | illness | leading lady | pain | recovering | recovery | room | victim |
The Woman in White (1948) | Pavan (Slow) | 1:01:49 - Marian closes the door | advance plot | cousin | departing | leading lady | room | somber | victim |
The Woman in White (1948) | Sneaking | 1:02:12 - Marian leaves wearing a cloak | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense |
The Woman in White (1948) | Fosco (Misterioso Slowly) | 1:04:48 - Count Fosco leaves the room | advance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense |
The Woman in White (1948) | Pavan (Basses) | 1:05:32 - Marian gets dressed | advance plot | antagonist | cousin | criminal | dressing | leading lady | leading man | mysterious | room | shadow | somber | stinger | surprising |
The Woman in White (1948) | Asylum (Dolce) | 1:09:46 - Laura senses someone in the room | advance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Ann (Poco Agitato) | 1:09:55 - The woman in white talks to Laura | advance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim |
The Woman in White (1948) | Appearing | 1:10:28 - The woman in white disappears | advance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim |
The Woman in White (1948) | Fosco (Screwy) | 1:13:05 - The countess enters quietly | advance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:18 - The countess sneaks into Laura's room | advance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Adagio | 1:13:26 - The countess helps Laura | advance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife |
The Woman in White (1948) | Fosco (Sneaking) | 1:13:48 - The maid leaves | advance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife |
The Woman in White (1948) | Underscoring (Mysterious) | 1:13:57 - The countess looks around | advance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife |
The Woman in White (1948) | Ann (Waltz) | 1:14:30 - The countess opens a secret door | advance plot | foreshadowing | helping | leading lady | room | secret passageway | sneaking | tender | victim | waltz | wife |
The Woman in White (1948) | Ann (Lyrical) | 1:15:15 - The countess approaches the woman in white | advance plot | gentle | helping | leading lady | lyrical | room | sleeping | sneaking | victim | wife |
The Woman in White (1948) | Ann 2 | 1:15:31 - The countess tends to the woman in white | advance plot | gentle | helping | leading lady | room | sleeping | sneaking | stinger | tender | victim | wife |
The Woman in White (1948) | Pavan (Distressed) | 1:37:17 - Walter reads a note from Marian | advance plot | dark | leading lady | leading man | note | patient | reading | room | victim | wife |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:38:43 - Fosco looks at Marian | advance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber |
The Woman in White (1948) | Underscoring (Tense) | 1:39:05 - The butler enters | advance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring |
The Woman in White (1948) | Fosco (Molto Moderato) | 1:39:33 - Fosco talks to Marian | advance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber |
| High Stakes (1931) | Here Comes the Bride | 0:04:05 - Bride walks down the aisle | advance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding |
High Stakes (1931) | Hymn | 0:04:46 - They get married | advance plot | augmented sixth chord | bride | calm | groom | hymn | marrying | priest | source music | wedding |
High Stakes (1931) | Wedding March | 0:05:16 - They get married | advance plot | bride | cheerful | crowd | groom | marrying | priest | source music | wedding |
| The Public Defender (1931) | Beautiful Thing | 0:05:58 - Dance music played at a dinner party | advance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:12:46 - Dance music played at a dinner party | ABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter |
The Public Defender (1931) | Mystery (Sandwich) | 0:15:25 - A mysterious hand puts a secret note in a sandwich | advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear |
The Public Defender (1931) | An Armchair With An Armful of You | 0:15:33 - Waiter takes sandwich to man | advance plot | banker | cheerful | dance music | party | serving | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | Mystery (Note) | 0:16:14 - Man discovers mysterious note in sandwich | advance plot | augmented triad | banker | chromaticism | discovery | dramatic | eating | mysterious | mystery | party | pc set | sandwich | source and scoring overlap | transcribed by ear | waiter |
The Public Defender (1931) | An Armchair With An Armful of You | 0:16:29 - Dance music played at a dinner party | advance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter |
The Public Defender (1931) | He Walked Right In, Turned Around and Walked Right Out Again | 0:30:49 - Man sings to himself as he walks away | advance plot | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear |
| Three Who Loved (1931) | My One Ambition is You | 0:14:21 - Phil turns on the radio | AB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat |
Three Who Loved (1931) | Dance | 0:17:09 - John and Helga talking | AB structure | advance plot | conversing | pleasant | radio | room | source music |
Three Who Loved (1931) | Toy Harmonica | 0:41:07 - Children at party | advance plot | cheerful | child | on-screen music | playing | room | source music | toy |
Three Who Loved (1931) | Toy Harmonica | 0:42:54 - Children at party | advance plot | cheerful | child | on-screen music | playing | room | source music | toy |
Three Who Loved (1931) | Old Folks At Home | 0:46:00 - Phil paces in a jail cell | advance plot | jail | leading man | on-screen music | playing | prisoner | somber | source music |
Three Who Loved (1931) | Forty-Nine Bottles | 0:47:56 - Drunk man sings | advance plot | drunk | drunk | on-screen music | party | singing | source music |
Three Who Loved (1931) | Forty-Nine Bottles | 0:48:14 - People sing | advance plot | drunk | drunk | on-screen music | party | singing | source music |
| Transgression (1931) | Waltz | 0:18:26 - People at a party | advance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz |
| Hell’s Highway (1932) | John Henry | 0:06:08 - Men working on a chain gang | advance plot | guard | on-screen music | pentatonic | prison | prisoner | singing | solemn | source music | transcribed by ear | working |
Hell’s Highway (1932) | Willie, the Weeper | 0:13:52 - Men singing in prison | advance plot | blue note | guard | on-screen music | prison | prisoner | singing | solemn | source music | spiritual | transcribed by ear |
Hell’s Highway (1932) | The Load is Heavy | 0:17:26 - Men singing in prison | advance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
Hell’s Highway (1932) | Frankie and Johnny | 0:27:11 - Men singing in prison | advance plot | calm | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear |
Hell’s Highway (1932) | Tuning of Violin | 0:47:34 - A man tunes a violin | advance plot | calm | guard | on-screen music | playing | prison | prisoner | source music | tuning | violin |
| Hold ‘Em Jail (1932) | Jingle Bells | 0:07:51 - Spider sings | advance plot | bothering | business man | comic | comical | goofing around | on-screen music | room | salesman | singing | source music |
Hold ‘Em Jail (1932) | Makes You Forget Your Troubles | 0:11:18 - Spider and Curley talk to Steele | AABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat |
Hold ‘Em Jail (1932) | A Moment in the Dark | 0:14:05 - Curley turns on the radio | AABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Ain't That the Way it Goes | 0:14:53 - Spider and Curley look around | AABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | I'm Just a Vagabond Lover | 0:17:00 - Curley talks to Barbara | ABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music |
Hold ‘Em Jail (1932) | I'm Wrapped Up in You | 0:18:18 - Spider dances with Violet | advance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat |
Hold ‘Em Jail (1932) | Improvisation | 0:39:35 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:40:44 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:41:43 - Violet plays the piano and sings | advance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Chopsticks | 0:42:09 - Violet and Spider play a piano duet | advance plot | comic | comical | office | on-screen music | playing | prisoner | source music |
Hold ‘Em Jail (1932) | Improvisation | 0:42:44 - Violet plays the piano and sings | advance plot | comic | comical | office | on-screen music | playing | prisoner | singing | source music |
Hold ‘Em Jail (1932) | Eldorania | 0:59:14 - A doctor tends to Spider's leg | advance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat |
Hold ‘Em Jail (1932) | El Capitan March | 1:01:51 - Spider makes Whitey sign a confession | advance plot | comic | criminal | field | plotting | prisoner | source music | upbeat |
| Is My Face Red? (1932) | You Bunch of Fun | 0:10:42 - Backstage at a Broadway show | advance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Burlesque | 0:13:10 - Backstage at a Broadway show | ABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear |
Is My Face Red? (1932) | Close to Me | 0:13:53 - William and Peggy talk in a dressing room | advance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic | 0:15:16 - William on the deck of a busy ship | AB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | I Love Thee | 0:16:08 - Two people embrace | advance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck (Argument) | 0:16:14 - Camera moves from one window to another | advance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Argument) | 0:16:24 - Two people argue | advance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Strolling the Deck | 0:16:29 - Camera moves from one window to another | advance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear |
Is My Face Red? (1932) | Sailing of the Olympic (Commotion) | 0:16:39 - Four people talk at once to Mildred | advance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:20:18 - Mildred has a drink with William | ABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz (Tipsy) | 0:21:09 - Mildred is drunk | advance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:21:43 - Mildred talks with William | advance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear |
Is My Face Red? (1932) | Hurrying | 0:22:00 - Mildred and William hurry off | advance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up |
Is My Face Red? (1932) | Mildred Waltz (Rushing) | 0:22:05 - Mildred and William leave | advance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear |
Is My Face Red? (1932) | Mildred Waltz | 0:44:47 - Mildred and William ride in a motorboat | ABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear |
Is My Face Red? (1932) | Comin' Thro' the Rye | 0:46:54 - A man exercises to music on a boat | advance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear |
Is My Face Red? (1932) | Guilty | 0:47:40 - A radio orchestra plays on a soundstage | advance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking |
Is My Face Red? (1932) | Trysting Place, The | 0:50:25 - William talks to Peggy and Mildred | advance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear |
| Ladies of the Jury (1932) | El Capitan March | 0:28:41 - Jurors deliberate | advance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat |
Ladies of the Jury (1932) | There's a Sob in My Heart (Radio) | 0:45:27 - Jurors deliberate | AABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music |
Ladies of the Jury (1932) | I'm Just Wild About Harry | 0:52:40 - Spencer sings | advance plot | juror | jury room | on-screen music | singing | source music | upbeat |
Ladies of the Jury (1932) | All in Favor of Taking a Ride Say Aye | 0:56:03 - Mayme sings | advance plot | juror | jury room | on-screen music | singing | source music | upbeat |
| Men of America (1932) | Hey! Hey! | 0:26:27 - Man turns on car radio | advance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat |
Men of America (1932) | Symphony no. 5: IV | 0:26:35 - Car radio plays classical music | advance plot | bold | car | conversing | criminal | radio | source music | tense |
Men of America (1932) | Lace and Ruffles | 0:30:53 - The criminals have a feast | advance plot | criminal | eating | food | pleasant | source music |
Men of America (1932) | Italian Folk Song | 0:32:52 - Tony sings a folk song | advance plot | cheerful | grapes | Italian | on-screen music | singing | source music | working |
| Secrets of the French Police (1932) | Valse Lente | 0:10:24 - A man and a flower girl talk in a cafe | AB structure | advance plot | cheerful | conversing | flower | leading lady | leading man | restaurant |
Secrets of the French Police (1932) | Berceuse | 0:13:09 - The flower girl talks with her father | advance plot | conversing | father | leading lady | restaurant | somber | waltz |
Secrets of the French Police (1932) | Russian National Anthem | 0:25:25 - A group of people sing the Russian national anthem | advance plot | anthem | balalaika | familiar tune | on-screen music | patriotic | patriotic tune | playing | room | Russia | singing |
| State’s Attorney (1932) | When I am Dead | 0:12:59 - Tom sings to himself | advance plot | cheerful | humming | lawyer | on-screen music | room | singing | source music |
State’s Attorney (1932) | Blues (Piano) | 0:18:14 - People talking in a club | advance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat |
State’s Attorney (1932) | Beer Glasses | 0:53:26 - Tom tunes his beer glasses to A | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning |
State’s Attorney (1932) | Wedding March | 0:53:50 - Tom plays the Wedding March | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:08 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Beer Glasses | 0:54:32 - Tom strikes a beer glass | advance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music |
State’s Attorney (1932) | Bibelot | 0:55:22 - Tom plays the piano | advance plot | cheerful | musician | on-screen music | playing | room | singing | source music |
| The Phantom of Crestwood (1932) | I'm Wrapped Up in You | 0:16:39 - People talk at a party | AABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Transgression | 0:18:54 - Ms. Wren descends the staircase | 9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear |
The Phantom of Crestwood (1932) | Auld Lang Syne | 0:19:50 - A man sings to himself at the party | advance plot | drinking | familiar tune | on-screen music | party | peaceful | singing | source music | transcribed by ear |
The Phantom of Crestwood (1932) | Lady | 0:20:17 - People talk at a party | 9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear |
The Phantom of Crestwood (1932) | Sleeping Rose | 0:21:00 - People talk around the dinner table | ABA structure | advance plot | conversing | dinner | party | peaceful | radio | transcribed by ear |
The Phantom of Crestwood (1932) | Cimarron Theme | 0:23:24 - Two people look at some portraits | AABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear |
| The Roadhouse Murder (1932) | Three Little Words | 0:04:41 - A woman undresses | advance plot | cheerful | floozy | on-screen music | room | singing | source music |
The Roadhouse Murder (1932) | Three Little Words | 0:05:23 - A woman in the bathtub | advance plot | cheerful | floozy | on-screen music | room | singing | source music |
| Thirteen Women (1932) | Ursula (Horoscope) | 0:10:57 - Ursula looks at the horoscope | advance plot | antagonist | appoggiatura | horoscope | leading lady | march-like | mysterious | reading | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Agitato) | 0:11:16 - Ursula tears up the horoscope | accented dissonance | advance plot | agitated | antagonist | destroying | horoscope | leading lady | room | tearing | tense | transcribed by ear |
Thirteen Women (1932) | Ursula (Dark) | 0:11:28 - Ursula reads a horoscope | 64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:11:45 - Ursula forges the swami's signature | advance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear |
Thirteen Women (1932) | Serenade | 0:28:11 - Jo plays the piano | advance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:32:54 - Burns enters the house | advance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Romance 2) | 0:33:10 - Burns kisses Ursula | 9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Mysterious Waltz) | 0:33:37 - Ursula talks to Burns | 64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz |
Thirteen Women (1932) | Ursula (Exotic 2) | 0:33:52 - Ursula talks to Burns | advance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
Thirteen Women (1932) | Ursula (Exotic) | 0:34:06 - Ursula argues with Burns | advance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear |
| Blind Adventure (1933) | When You're Far Away | 0:26:45 - Rose and Richard crash a party | AABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music |
Blind Adventure (1933) | Marcellene | 0:32:12 - Rose and Richard go downstairs | ABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music |
Blind Adventure (1933) | The Prisoner's Song | 0:35:12 - Holmes sings and whistles | advance plot | calm | criminal | on-screen music | rooftop | singing | source music | whistling |
| Emergency Call (1933) | Fit as a Fiddle | 0:15:50 - A woman sings | advance plot | jaunty | nurse | on-screen music | popular song | singing | source music | transcribed by ear |
Emergency Call (1933) | Whistling | 1:00:04 - A commemorative sign is unveiled | advance plot | solemn | transcribed by ear | whistler | whistling |
| Headline Shooter (1933) | Tell Me is It Love? | 0:21:50 - Bill and Jane at a bar | advance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music |
Headline Shooter (1933) | Isn't This a Night For Love | 0:22:10 - Bill and Jane talk at a bar | AABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music |
Headline Shooter (1933) | Come Easy, Go Easy, Love | 0:46:07 - Bill talks to reporters | AABA structure | advance plot | calm | conversing | fiancé | leading lady | leading man | reporter | restaurant | source music |
| Sing and Like It (1934) | Liebesträume | 0:34:46 - Ruby enters the room | advance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music |
Sing and Like It (1934) | Your Mother | 0:35:20 - Toots plays the piano | advance plot | ballad | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | sentimental | singing | source music | teasing | tone cluster |
Sing and Like It (1934) | Liebesträume | 0:35:31 - Toots plays the piano | advance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music |
Sing and Like It (1934) | Hearts and Flowers | 0:36:11 - Toots plays the piano | advance plot | conversing | gangster | leading lady | moll | musician | on-screen music | parallel period | piano | playing | popular song | room | sentimental | source music |
Sing and Like It (1934) | Hi-De-Ho | 0:37:46 - Fenny talks with Mr. Frink | AABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat |
Sing and Like It (1934) | Your Mother | 0:44:50 - Annie sings with a tenor | AABA structure | actor | advance plot | ballad | boss | gangster | leading lady | on-screen music | piano | sentimental | singer | singing | source music | stage |
Sing and Like It (1934) | King Kong March | 0:58:31 - Annie's name in lights | 9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker |
| Gridiron Flash (1934) | Dunlap Commandery | 0:43:59 - Eddie in his room | advance plot | cheering | leading man | march | room | thinking | upbeat |
Gridiron Flash (1934) | Gridiron Flash | 0:45:19 - Eddie in his room | added-note chord | advance plot | cheering | countermelody | leading man | march | room | upbeat |
Gridiron Flash (1934) | Marching Band Tune | 0:56:19 - A marching band | advance plot | athlete | football | football game | march | playing | upbeat |
| Hat, Coat, and Glove (1934) | Tonight is Mine | 0:11:24 - Dorothea plays the piano | advance plot | conversing | leading lady | leading man | mode mixture | on-screen music | piano | playing | pleasant | room | source music |
Hat, Coat, and Glove (1934) | Wonderful | 0:39:29 - Robert tells Dorothea goodbye | 11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear |
Hat, Coat, and Glove (1934) | When You're Far Away | 0:41:12 - Robert talks to Jerry | AABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect |
| Murder on the Blackboard (1934) | Scale | 0:28:06 - Hildegarde whistles | advance plot | detective | leading lady | leading man | major scale | music notes | neutral | on-screen music | school | singing | sleuth | source music |
Murder on the Blackboard (1934) | The Clue | 0:28:13 - Hildegarde whistles | advance plot | detective | leading lady | leading man | music notes | neutral | on-screen music | school | sleuth | source music | whistling |
Murder on the Blackboard (1934) | Unknown Tune | 0:29:23 - Otto sings to himself | advance plot | drunk | janitor | on-screen music | school | singing | source music |
Murder on the Blackboard (1934) | The Clue | 0:32:55 - Hildegarde whistles | advance plot | leading lady | leading man | neutral | on-screen music | school | sleuth | source music | whistling |
Murder on the Blackboard (1934) | The Clue | 0:40:59 - Hildegarde whistles | advance plot | leading lady | neutral | on-screen music | school | school principal | sleuth | source music | whistling |
Murder on the Blackboard (1934) | The Clue | 0:56:42 - Hildegarde whistles | advance plot | detective | hospital | leading lady | neutral | on-screen music | professor | sleuth | source music | victim | whistling |
Murder on the Blackboard (1934) | The Clue | 1:08:29 - Hildegarde whistles | advance plot | café | detective | leading lady | leading man | neutral | on-screen music | sleuth | source music | whistling |
| Star of Midnight (1935) | Midnight in Manhattan (Tango) | 0:08:56 - Dancers in a Broadway show | advance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater |
Star of Midnight (1935) | Midnight in Manhattan (Exotic) | 0:09:14 - Clay and Donna in the audience | advance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater |
Star of Midnight (1935) | Midnight in Manhattan (Warm) | 0:09:35 - Clay in the theater lobby | advance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater |
Star of Midnight (1935) | Pop Goes the Weasel | 0:29:44 - Detective sits | advance plot | cheerful | conversing | detective | inspector | leading man | music box | room | source music |
Star of Midnight (1935) | Pop Goes the Weasel | 0:33:40 - Clay talks with Tim | advance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect |
Star of Midnight (1935) | What a Night | 0:37:08 - Clay in a restaurant | ABAC structure | advance plot | conversing | detective | leading lady | leading man | producer | restaurant | sentimental | source music |
Star of Midnight (1935) | If This Isn't Love | 0:46:25 - Clay talks with Donna | ABAC structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music |
Star of Midnight (1935) | Westminster Quarters | 0:53:50 - Clay waits | advance plot | calm | detective | detective | leading man | source music | street | waiting |
Star of Midnight (1935) | Midnight in Manhattan (Restaurant) | 0:55:00 - Detective talks on the phone | advance plot | conversing | detective | leading lady | leading man | parallel double period | restaurant | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan B | 0:55:55 - Clay and Donna talk in a restaurant | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music | suspension |
Star of Midnight (1935) | Midnight in Manhattan | 0:56:22 - Clay and Donna talk with Mr. Classon | advance plot | conversing | parallel double period | restaurant | sentimental | source music |
Star of Midnight (1935) | I'm in Love All Over Again | 0:58:13 - Clay and Donna talk with Mr. Classon | AABA structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music |
Star of Midnight (1935) | Improvisation | 1:00:53 - Clay plays the piano | advance plot | detective | leading lady | leading man | piano | playing | room | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:14:27 - Clay plays a record on the phonograph | advance plot | conversing | detective | leading lady | leading man | parallel double period | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:19:18 - Clay goes to answer the door | advance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:20:25 - Clay goes to answer the door | advance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music |
Star of Midnight (1935) | Midnight in Manhattan (Phonograph) | 1:21:40 - Clay enters the room | advance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music |
| Don’t Turn ‘em Loose (1936) | Mildred Waltz | 0:24:13 - Bob and Letty go for a walk | ABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:00 - Bob walks | advance plot | appoggiatura | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:12 - Bob walks | added-note chord | advance plot | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:17 - Bob walks | added-note chord | advance plot | calm | gangster | imposter | leading man | mode mixture | oscillation | pacing | reverse picardy | room | waiting | walking |
Don’t Turn ‘em Loose (1936) | Gimpy Walk | 0:26:34 - Bob walks | added-note chord | advance plot | calm | double exposure | gangster | imposter | leading man | oscillation | pacing | room | waiting | walking |
| We're Only Human (1935) | Old Lavender (Gentle) | 0:22:34 - A man scoops up some pasta | 64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working |
We're Only Human (1935) | Old Lavender | 0:22:44 - Packaged-up food | 9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working |
We're Only Human (1935) | Old Lavender (Celeste Solo) | 0:23:14 - Pete and Sally buying food | advance plot | buying | detective | direct modulation | food | leading lady | leading man | love interest | ordering | peaceful | reporter | store | street | worker | working |
We're Only Human (1935) | Isn't This a Night For Love (Dance Band) | 0:33:11 - Pete walks into a diner | AABA structure | advance plot | arguing | conversing | detective | diner | leading lady | leading man | reporter | sentimental | source music |
We're Only Human (1935) | Midnight in Manhattan (Warm) | 0:36:50 - Mary and Pete in a restaurant | advance plot | altered dominant | arguing | conversing | detective | leading lady | leading man | mode mixture | Neapolitan | reporter | restaurant | sentimental | source music |
We're Only Human (1935) | Mildred Waltz | 0:46:46 - Pete looks at police sketches | ABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | detective | diminished 7th chord | leading lady | leading man | reporter | room |
We're Only Human (1935) | Waiting | 0:47:49 - Sally leaves | advance plot | calm | conversing | departing | detective | leading lady | leading man | reporter | room |
| Another Face (1935) | Russian Waltz (Poco Agitato) | 0:04:46 - Nurse argues with doctor | advance plot | arguing | blackmail | doctor | nurse | operating room | tense |
Another Face (1935) | Zaroff (Poco Agitato) | 0:05:01 - Nurse argues with doctor | advance plot | arguing | blackmail | chromatic parallelism | doctor | half-diminished 7th chord | nurse | operating room | tense |
Another Face (1935) | Courage (Hiding) | 0:05:09 - Doctor threatens nurse | advance plot | arguing | blackmail | doctor | nurse | operating room | tense | whole-tone chord |
Another Face (1935) | You're an Angel | 0:25:47 - A man knocks on a door | AABA structure | actress | advance plot | arguing | conversing | embracing | kissing | maid | manager | proposal | room | sentimental | source music |
Another Face (1935) | Old Fashioned Love | 0:38:13 - People at a pool party | ABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat |
Another Face (1935) | I Never Saw a Better Night | 0:39:50 - Sheila talks with her aunt | AABA structure | actress | advance plot | aunt | conversing | criminal | fiancé | gangster | maid | mellow | mother | room | source music |
Another Face (1935) | Boys Will Be Boys | 0:41:15 - The maid bakes a cake | AABA structure | actress | advance plot | aunt | conversing | criminal | diving | fiancée | gangster | maid | manager | mellow | mother | room | source music | swimming |
| Girl of the Rio (1932) | Yo Con tu Amor | 0:12:26 - Don Jose talks with Dolores | advance plot | celebrity | conversing | flirting | leading lady | leading man | night club | parallel double period | romantic | singer | source music | Spanish |
Girl of the Rio (1932) | Baile | 0:23:15 - A close-up on Dolores | advance plot | conversing | dancing | departing | leading lady | manager | on-screen music | performing | room | singer | source music | upbeat |
Girl of the Rio (1932) | Querida | 0:38:14 - Dolores sings and plays the guitar | ABAC structure | advance plot | conversing | crowd | leading lady | night club | on-screen music | plotting | prison | romantic | singer | singing | source music | terrace | whistling |
| Without Honor (1949) | Here Comes the Bride (Misterioso) | 0:12:40 - Jane's wedding picture | advance plot | audible thoughts | leading lady | mysterious | photograph | room | thinking |
Without Honor (1949) | Underscoring (Tense) | 0:12:58 - Jane walks forward | advance plot | leading lady | room | telephone | tense | thinking | underscoring |
Without Honor (1949) | Agitation | 0:13:26 - Jane puts down the phone | advance plot | agitated | leading lady | preparing | room | telephone | thinking | underscoring |
Without Honor (1949) | Appassionato 2 (Molto Agitato) | 0:13:39 - Jane changes her clothes | advance plot | agitated | changing | clothes | leading lady | room |
Without Honor (1949) | Twilight (Molto Agitato) | 0:14:01 - Jane looks in the mirror | advance plot | agitated | changing | clothes | leading lady | room |
Without Honor (1949) | Appassionato 2 (Listesso) | 0:14:15 - Jane puts on lipstick | advance plot | agitated | changing | leading lady | mirror | room |
Without Honor (1949) | Appassionato (Broad) | 0:14:20 - Jane puts on a necklace | advance plot | agitated | changing | leading lady | mirror | room |
Without Honor (1949) | Desperation (Wedding Ring) | 0:14:29 - Jane tries to take off her wedding ring | advance plot | changing | dramatic | leading lady | mirror | ring | room | underscoring |
Without Honor (1949) | Underscoring (Tense) | 0:14:37 - Jane stares at herself in the mirror | advance plot | audible thoughts | blaming | crying | leading lady | mirror | room | tense | thinking | underscoring |
Without Honor (1949) | Underscoring (Tense) | 0:15:21 - | advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking |
Without Honor (1949) | Girl Scouts | 0:15:50 - Girl scouts at the door | advance plot | child | conversing | leading lady | light | room | scout |
Without Honor (1949) | Twilight (Very Slow) | 0:16:06 - Jane stops suddenly | advance plot | child | dark | door | leading lady | ominous | room | scout | walking |
Without Honor (1949) | Girl Scouts (Mysterious) | 0:16:31 - The girl scouts offer to help | advance plot | child | conversing | leading lady | mysterious | room | scout |
Without Honor (1949) | Chromatic Clarinet | 0:16:42 - Jane talks to the girl scouts | advance plot | child | leading lady | reacting | room | scout | tense | underscoring | walking |
Without Honor (1949) | Underscoring (Dramatic) | 0:16:50 - Jane brings her purse | advance plot | child | dramatic | leading lady | reacting | room | scout | walking |
Without Honor (1949) | Underscoring (Tense) | 0:17:03 - Jane talks to the girl scouts | advance plot | child | conversing | fidgeting | leading lady | room | scout | tense | underscoring |
Without Honor (1949) | Girl Scouts (Extended) | 0:17:22 - The girl scouts leave | advance plot | child | leading lady | light | reacting | room | scout | thinking | underscoring | walking |
Without Honor (1949) | Twilight (Adagio) | 0:17:41 - Jane walks | advance plot | dark | leading lady | ominous | reacting | room | thinking | walking |
Without Honor (1949) | Unidentified dance tune | 0:19:04 - Bill turns on the radio | advance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat |
| The Most Dangerous Game (1932) | Russian Waltz (Upstairs) | 0:26:51 - Eve goes up the stairs | advance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking |
The Most Dangerous Game (1932) | Zaroff (Stinger) | 0:27:05 - A closeup on Ivan | advance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense |
The Most Dangerous Game (1932) | Russian Waltz (Zoom In) | 0:27:16 - Zaroff looks up at Eve | advance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in |
The Most Dangerous Game (1932) | Russian Waltz (Grandioso) | 0:57:09 - The Count plays the piano | advance plot | calm | castle | count | entering | leading man | on-screen music | piano | playing | sneaking | source music | victim | villain |
| Caged (1950) | Underscoring (Dark) | 0:56:40 - Kitty and Harper | advance plot | chromatic parallelism | dark | guard | low-angle shot | pc set | pedal tone | prison | prisoner | shadow | threatening | underscoring |
Caged (1950) | Caged (Waiting) | 0:56:52 - Marie waits by the parole office | advance plot | announcing | dissonant bass | fidgeting | guard | leading lady | prison | prisoner | running | shadow | sigh gesture | tense | waiting |
Caged (1950) | Jingle Bells | 1:08:01 - Woman plays harmonica | advance plot | Christmas | conversing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | source music | upbeat | warden |
Caged (1950) | Bird in a Cage | 1:08:07 - Woman plays harmonica | advance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden |
Caged (1950) | Harper Whistles | 1:19:30 - Harper whistles | advance plot | guard | leading lady | neutral | on-screen music | prison | source music | telephone | waiting | whistling |
Caged (1950) | He Leadeth Me | 1:27:53 - Women in prison | advance plot | calm | conversing | crying | hymn | leading lady | prison | prisoner | singing | source music |
Caged (1950) | Rock of Ages | 1:30:31 - Women in prison | advance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching |
Caged (1950) | Underscoring (Dramatic) | 1:32:09 - Superintendent office door | advance plot | bold | conversing | leading lady | leaving | mode mixture | prison | prisoner | unpacking | walking |
Caged (1950) | Molto Expressivo (Not in Film) | NIF - not in film | advance plot | chromatic parallelism | cut from film | prison | solemn | whole-tone chord |
Caged (1950) | Underscoring (Tense) | 1:32:21 - Marie unpacks her belongings | advance plot | chromatic parallelism | leading lady | leaving | prison | prisoner | tense | underscoring | unpacking | whole-tone chord |
Caged (1950) | Molto Expressivo (Rubato) | 1:32:37 - Marie checks out | advance plot | chromatic parallelism | conversing | guard | leading lady | leaving | prison | prisoner | solemn | underscoring |
Caged (1950) | Marie (Checking Out) | 1:32:47 - Marie opens an envelope | advance plot | chromatic parallelism | chromatic wedge | dramatic | guard | leading lady | leaving | looking | polychord | prison | prisoner | ring | solemn | throwing |
Caged (1950) | Molto Expressivo (Slowly) | 1:32:59 - Marie's mugshot | advance plot | leading lady | leaving | looking | mode mixture | mug shot | Neapolitan | prison | prisoner | solemn | throwing | warden |
| Mara Maru (1952) | Baby Face | 0:07:12 - Gregory arrives at a bar | advance plot | arguing | bar | bartender | conversing | crowd | fighting | leading man | partner | sailor | server | source music | upbeat |
Mara Maru (1952) | Underscoring (Dramatic) | 0:15:56 - Gregory picks up the phone | advance plot | arriving | conversing | discovering | dramatic | knocking | leading man | police | room | stinger | telephone | underscoring | worker |
Mara Maru (1952) | Gregory (Quasi Misterioso) | 0:38:51 - Stella talks to Benedict | | advance plot | antagonist | conversing | leading lady | mysterious | room |
Mara Maru (1952) | Lovers | 0:39:18 - Stella talks to Benedict | | advance plot | antagonist | conversing | leading lady | room | sentimental |
Mara Maru (1952) | Appassionato | 0:39:32 - Benedict talks to Stella | | advance plot | antagonist | conversing | leading lady | passionate | room |
Mara Maru (1952) | Stella (Sentimentale) | 0:46:13 - Gregory reacts to Stella's departure | advance plot | departing | distrust | leading man | room | somber | worker |
Mara Maru (1952) | Morena | 0:50:56 - Gregory and Ranier walk down the street | advance plot | antagonist | bodyguard | cafe | conversing | hurrying | leading man | private eye | somber | source music | stree | tango | walking |
Mara Maru (1952) | Gregory (Tranquillo) | 0:56:00 - Gregory steering the ship | advance plot | calm | conversing | distraction | leading man | peaceful | pondering | sailing | ship | ship | worker |
Mara Maru (1952) | Appassionato (Tenderly) | 0:56:26 - Gregory looks ahead | advance plot | calm | conversing | distraction | leading man | peaceful | pondering | sailing | ship | ship | worker |
Mara Maru (1952) | Underscoring (Tense) | 1:10:06 - The compass | advance plot | captain | leading man | map | planning | rain | sailing | ship | ship | tense | thinking | underscoring |
Mara Maru (1952) | Charting a Course | 1:10:18 - A map of Manila Bay | advance plot | captain | charting | dramatic | leading man | map | mapping | planning | rain | ship | ship | tense |
Mara Maru (1952) | Underscoring (Dramatic) | 1:10:53 - Gregory breaks the compass | advance plot | breaking | captain | compass | dramatic | glass | leading man | planning | rain | ship | ship | smashing | thinking | underscoring |
Mara Maru (1952) | The Storm | 1:11:04 - A wild storm at sea | advance plot | double exposure | dramatic | ocean | rain | raining | ship | storm | waves | wind |
Mara Maru (1952) | Molto Misterioso | 1:31:38 - Gregory explores the catacombs | advance plot | catacomb | cave | cross | echo | echo effect | following | leading man | mysterious | searching | suspsect | tunnel |
Mara Maru (1952) | Underscoring (Dramatic) | 1:31:56 - Ortega tries to escape | advance plot | catacomb | cave | cross | dramatic | following | leading man | mysterious | searching | suspsect | throwing | tunnel | underscoring |
Mara Maru (1952) | Grabbing | 1:32:13 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | mysterious | suspsect | tunnel |
Mara Maru (1952) | Underscoring (Tense) | 1:32:18 - Gregory interrogates Ortega | advance plot | arguing | catacomb | cave | cross | grabbing | interrogating | leading man | suspsect | tense | tunnel | underscoring |
Mara Maru (1952) | Cross (Fragment) | 1:32:29 - Ortega explains himself | advance plot | arguing | catacomb | cave | cross | dark | grabbing | interrogating | leading man | suspsect | tunnel |
Mara Maru (1952) | Benedict (Agitato) | 1:32:39 - Ortega accuses Benedict | advance plot | agitated | arguing | catacomb | cave | cross | interrogating | leading man | mysterious | suspsect | tunnel | uneasy |
Mara Maru (1952) | Grabbing 2 | 1:32:55 - Gregory grabs Ortega | advance plot | arguing | catacomb | cave | cross | dramatic | grabbing | interrogating | leading man | mickey-mousing | suspsect | tunnel |
Mara Maru (1952) | Cross (Maestoso Religioso) | 1:33:02 - Ortega offers Gregory the cross | advance plot | arguing | catacomb | cave | cross | giving | hymn-like | leading man | pleading | reacting | religious | suspsect | tense | tunnel |
Mara Maru (1952) | Underscoring (Tense) | 1:33:38 - Ortega pleads with Gregory | advance plot | arguing | catacomb | cave | cross | leading man | pleading | suspsect | tense | tunnel | underscoring |
Mara Maru (1952) | Cross (Fragment 2) | 1:33:52 - Gregory leaves with the cross | advance plot | catacomb | cave | cross | departing | leading man | leaving | suspsect | tunnel | uneasy |
Tag Search Results