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1259 results for "advance plot" in 63 films

FilmTheme nameInstanceTags
All This, and Heaven Too (1940)Illness0:26:16 - The Duke asks about Raynaldadvance plot | delicate | duke | gentle | governess | leading lady | leading man | parallelism | room | worrying

All This, and Heaven Too (1940)

Henriette (Molto tranquillo)0:26:30 - The Duke talks to Henrietteadded-note chord | advance plot | conversing | countermelody | delicate | duke | gentle | governess | leading lady | room | worrying

All This, and Heaven Too (1940)

The War of the Roses0:27:13 - Henriette plays the harpsichordadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

The War of the Roses0:28:23 - The girls singadvance plot | child | children's song | dancing | governess | leading lady | on-screen music | pleasant | room | singing | source music

All This, and Heaven Too (1940)

Underscoring (Tense)NIF - not in filmadvance plot | child | chromatic wedge | conversing | cut from film | duchess | governess | leading lady | room | tense | underscoring

All This, and Heaven Too (1940)

RubatoNIF - not in film9th chord | added-note chord | advance plot | arguing | child | cut from film | deceptive resolution | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Desperation (Very Dramatic)NIF - not in filmadvance plot | altered dominant | arguing | child | cut from film | duchess | governess | leading lady | room | tense

All This, and Heaven Too (1940)

Rubato (Carriage)NIF - not in film9th chord | advance plot | carriage | child | cut from film | deceptive resolution | duchess | governess | leading lady | leaving | parallelism | passionate | street

All This, and Heaven Too (1940)

Desperation (Carriage Starts)NIF - not in filmadded-note chord | advance plot | carriage | child | cut from film | duchess | gentle | governess | leading lady | leaving | pedal tone | street

All This, and Heaven Too (1940)

Underscoring (Tense)0:30:19 - Henriette dresses Raynald9th chord | advance plot | arguing | caring | child | duke | governess | illness | leading lady | leading man | room | sequence | tense | underscoring

All This, and Heaven Too (1940)

Underscoring (Gentle)0:30:34 - Henriette puts Raynald in bedadvance plot | arguing | caring | child | chromatic sequence | duke | gentle | governess | illness | leading lady | leading man | mode mixture | room | tense | underscoring

All This, and Heaven Too (1940)

Romance0:30:48 - Henriette talks with the Dukeadded-note chord | advance plot | arguing | child | duke | governess | illness | leading lady | leading man | romantic | room | sequence

All This, and Heaven Too (1940)

Henriette (Andante)0:31:04 - The Duke apologizes to Henriette9th chord | 64 chord | advance plot | apologizing | child | conversing | duke | foreign-key modulation | governess | illness | leading lady | leading man | romantic | room

All This, and Heaven Too (1940)

The Duke (Tranquillo)0:31:41 - The doctor treats Raynaldadvance plot | caring | child | conversing | doctor | duke | gentle | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

The Sick Room0:32:12 - The doctor talks to the Duke64 chord | advance plot | child | chromatic sequence | conversing | doctor | duke | fragmentation | gentle | governess | illness | leading lady | leading man | pedal tone | room

All This, and Heaven Too (1940)

Raynald0:32:53 - Henriette helps Raynaldadvance plot | caring | child | common-chord modulation | conversing | delicate | duke | gentle | governess | illness | leading lady | leading man | room | sweet

All This, and Heaven Too (1940)

Counting0:33:30 - Henriette counts tangerine slicesadvance plot | calm | child | chromatic sequence | conversing | counting | distracting | duke | governess | illness | leading lady | leading man | pc set | room | tense | wedge | zoom in

All This, and Heaven Too (1940)

Henriette (Molto Tranquillo 2)0:34:17 - Henriette comforts Raynaldadvance plot | augmented sixth chord | child | comforting | common-chord modulation | conversing | dark | delicate | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room | suspension

All This, and Heaven Too (1940)

Raynald (Dark)0:34:52 - Raynald talks with Henrietteadvance plot | child | comforting | conversing | dark | death | duke | foreign-key modulation | governess | illness | leading lady | leading man | room

All This, and Heaven Too (1940)

Lullaby0:35:08 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Raynald (Lullaby)0:35:24 - Henriette talks to the Dukeadvance plot | calm | caring | child | conversing | duke | gentle | governess | illness | leading lady | leading man | lullaby | mode mixture | room

All This, and Heaven Too (1940)

Lullaby0:35:39 - Henriette sings a lullabyadvance plot | calm | caring | child | duke | gentle | governess | illness | leading lady | leading man | lullaby | room | scored source music | singing

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:35:57 - The Duke thanks Henrietteadvance plot | calm | child | common-chord modulation | conversing | duke | gentle | governess | illness | leading lady | leading man | mode mixture | parallel 63s | room

All This, and Heaven Too (1940)

Lullaby (Morendo)0:36:25 - Henriette sings a lullabyadvance plot | calm | caring | child | chromatic mediant | duke | gentle | governess | illness | leading lady | leading man | room | singing

All This, and Heaven Too (1940)

Raynald (Adagio)0:38:26 - The doctor takes Raynald's pulse9th chord | advance plot | caring | child | chromatic scale | conversing | doctor | duke | governess | governess | illness | leading lady | leading man | room | solemn

All This, and Heaven Too (1940)

Raynald (Triste)0:39:16 - The Duke talks to Henriette64 chord | advance plot | child | conversing | duke | governess | illness | leading lady | leading man | room | somber

All This, and Heaven Too (1940)

Henriette (Appassionato)0:44:08 - Raynald plays outside64 chord | added-note chord | advance plot | child | common-tone diminished 7th | conversing | courtyard | duke | foreign-key modulation | governess | happy | leading lady | leading man | passionate | playing

All This, and Heaven Too (1940)

Raynald (Mysterioso)0:44:22 - Raynald talks with Henrietteadvance plot | child | conversing | courtyard | deceptive resolution | duke | governess | happy | leading lady | leading man | mysterious

All This, and Heaven Too (1940)

The Duchess (Molto Expressivo)0:44:33 - Henriette reads a letter from the Duchessadvance plot | common-chord modulation | governess | leading lady | letter | on-screen text | positive | reading | room

All This, and Heaven Too (1940)

The Duchess (Molto Screwieoso)0:44:50 - Henriette looks at a gift from the Duchess64 chord | advance plot | chromatic parallelism | distressed | gift | governess | leading lady | looking | opening | pedal tone | room | stinger

All This, and Heaven Too (1940)

Henriette (Very Emotional)0:49:01 - The Duke looks at Henrietteadvance plot | child | chromatic scale | common-chord modulation | common-tone diminished 7th chord | conversing | delicate | duke | gentle | governess | leading lady | leading man | looking | romance | romantic | room

All This, and Heaven Too (1940)

Fanfan la Tulipe0:51:48 - Henriette plays the harpsichordadvance plot | child | dancing | duke | folk music | governess | leading lady | leading man | on-screen music | playing | room | upbeat

All This, and Heaven Too (1940)

Louise0:52:39 - Louise hugs her fatheradded-note chord | advance plot | appoggiatura | child | conversing | duke | excited | governess | happy | hugging | leading lady | leading man | mode mixture | room

All This, and Heaven Too (1940)

The Duke (Lohengrin)0:52:53 - The Duke gives Louise his roseadvance plot | calm | child | conversing | countermelody | duke | fragmentation | governess | hugging | kind | leading lady | leading man | room | sequence

All This, and Heaven Too (1940)

Louise (Poco Animato)0:53:39 - Louise talks to Henrietteadvance plot | child | conversing | excited | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Poco Animato)0:53:44 - Henriette puts out the lightsadvance plot | child | conversing | excited | fragmentation | governess | happy | leading lady | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Music Box)0:54:04 - Henriette puts Louise to bedadvance plot | augmented sixth chord | calm | child | common-tone diminished 7th chord | conversing | goodnight | governess | happy | leading lady | lullaby | mode mixture | music box | room

All This, and Heaven Too (1940)

Gossip0:55:36 - Scissors cut a newspaper clipping9th chord | advance plot | chromatic parallelism | cutting | dissonant bass | gossiper | gossiping | harsh | newspaper | room | scissors | tense

All This, and Heaven Too (1940)

The Duchess (Broadly)0:55:55 - A newspaper clippingadvance plot | distressed | gossiper | newspaper | reading | romantic | room

All This, and Heaven Too (1940)

Henriette (Mysterioso)0:56:02 - A newspaper clippingadvance plot | gossiper | gossiping | mysterious | newspaper | room | tense

All This, and Heaven Too (1940)

Underscoring (Mysterious)0:56:57 - The Duchess entersadvance plot | child | conversing | governess | half-diminished 7th chord | leading lady | maid | mysterious | room | tense | trouble | underscoring

All This, and Heaven Too (1940)

Invitation to the Dance1:04:19 - People waltzingadvance plot | ballroom | child | classical music | crowd | dancing | duchess | duke | leading lady | leading man | simulated source music | upbeat | waltz

All This, and Heaven Too (1940)

La Parisienne (The King)1:06:08 - The children watch from the balconyadvance plot | arriving | ballroom | child | crowd | governess | king | leading lady | march | patriotic tune | regal | simulated source music

All This, and Heaven Too (1940)

La Parisienne (Expressivo)1:06:51 - The children prayadvance plot | calm | child | governess | leading lady | mode mixture | praying | room

All This, and Heaven Too (1940)

Henriette (Goodnight)1:06:59 - Henriette puts the children to bedadvance plot | calm | child | fragmentation | goodnight | governess | leading lady | peaceful | pedal tone | room | tucking in

All This, and Heaven Too (1940)

Isabelle1:07:33 - Isabelle criesadvance plot | augmented sixth chord | child | chromatic sequence | comforting | crying | governess | leading lady | room | sequence | serious | somber

All This, and Heaven Too (1940)

Isabelle 21:08:44 - Isabelle talks to Henrietteadvance plot | child | comforting | countermelody | crying | governess | leading lady | room | serious | somber

All This, and Heaven Too (1940)

Henriette (Duet)1:09:26 - Isabelle talks to Henriette9th chord | advance plot | child | chromatic parallelism | comforting | crying | gentle | governess | leading lady | Neapolitan | room | sweet

All This, and Heaven Too (1940)

Henriette (Cello Solo)1:10:09 - Henriette comforts Isabelleadvance plot | child | comforting | crying | gentle | governess | leading lady | pedal tone | room

All This, and Heaven Too (1940)

The Duchess (Expressivo)1:10:42 - The Duke complains to Henrietteabrupt | advance plot | angry | chromatic parallelism | complaining | duke | governess | leading lady | leading man | room | sequential modulation

All This, and Heaven Too (1940)

Henriette (Transition)1:10:55 - The Duke talks to Henrietteadvance plot | calm | common-tone diminished 7th | conversing | duke | enharmonic modulation | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Henriette (Rubato)1:11:14 - The Duke talks to Henriette9th chord | added-note chord | advance plot | calm | conversing | duke | governess | leading lady | leading man | mode mixture | peaceful | room

All This, and Heaven Too (1940)

Henriette + Falling Snow1:12:16 - The Duke talks to Henrietteadvance plot | augmented triad | chromatic parallelism | combination of themes | conversing | duke | governess | leading lady | leading man | mickey-mousing | mode mixture | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Falling Snow1:12:39 - Henriette watches the falling snow64 chord | advance plot | chromatic parallelism | chromatic scale | chromatic sequence | conversing | dissonant bass | duke | governess | leading lady | leading man | mickey-mousing | pedal tone | point-of-view shot | room | snow | snow globe | snowing | uneasy

All This, and Heaven Too (1940)

Henriette (Sad Waltz)1:12:55 - Henriette watches the people dancing9th chord | 64 chord | advance plot | ballroom | crowd | dancing | dissolve | governess | leading lady | pedal tone | point-of-view shot | room | somber | watching

All This, and Heaven Too (1940)

Underscoring (Dramatic)1:13:19 - Henriette watches the falling snowadvance plot | arriving | butler | dissonant bass | dramatic | duchess | duke | leading lady | leading man | outside | panning shot | pc set | point-of-view shot | room | sigh gesture | underscoring | watching

All This, and Heaven Too (1940)

The Duchess (Con Moto)1:13:45 - Henriette watches the Duke and Duchessadvance plot | dramatic | duchess | duke | leading lady | leading man | leaving | painful | point-of-view shot | room | sequential modulation | watching

All This, and Heaven Too (1940)

Desperation (Dark)1:13:56 - Henriette watches the Duke leaving9th chord | advance plot | altered dominant | dark | dissonant bass | duke | leading man | leaving | parallelism | point-of-view shot | room | watching

All This, and Heaven Too (1940)

Henriette (Agitato)1:14:39 - The Duke paces anxiously9th chord | advance plot | agitated | conflicted | dissonant bass | duke | half-diminished 7th chord | leading man | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

The Duchess (The Letter)1:14:48 - A letter is pushed under the door9th chord | advance plot | agitated | chromatic parallelism | conflicted | deceptive resolution | duke | fragmentation | leading man | letter | pacing | pondering | room | turbulent

All This, and Heaven Too (1940)

Henriette (Somber)1:15:09 - Henriette looks out the windowadvance plot | governess | leading lady | longing | pedal tone | room | somber

All This, and Heaven Too (1940)

Henriette (Quasi Agitato)1:17:45 - Henriette paces anxiouslyacceleration | advance plot | agitated | conflicted | dissonant bass | fragmentation | gift | governess | half-diminished 7th chord | leading lady | pacing | pondering | room | sequence | turbulent

All This, and Heaven Too (1940)

Henriette (Tristan)1:18:13 - Henriette opens a gift9th chord | advance plot | fragmentation | gift | governess | happy | leading lady | opening | pump-up modulation | room | snow globe

All This, and Heaven Too (1940)

Henriette + Falling Snow1:18:26 - Snow swirling in a snow globeadvance plot | calm | chromatic parallelism | combination of themes | deceptive resolution | gift | governess | leading lady | room | snow | snow globe | snowing | swirling

All This, and Heaven Too (1940)

Spring Time1:25:18 - The Duke talks with his childrenadvance plot | cheerful | child | duke | forest | governess | leading lady | leading man | recognizing | relief

All This, and Heaven Too (1940)

Underscoring (Gentle)1:25:28 - Henriette smiles at the Dukeadvance plot | child | conversing | duke | forest | gentle | governess | leading lady | leading man | tender | underscoring

All This, and Heaven Too (1940)

Henriette (All Hallows' Eve)1:25:46 - The Duke talks with Henrietteadvance plot | conversing | duke | forest | gentle | governess | leading lady | leading man | spooky | sweet | tender

All This, and Heaven Too (1940)

Spring Time (Grazioso)1:26:48 - The Duke talks with the servantsadvance plot | arriving | conversing | duke | gentle | governess | leading lady | leading man | light | room | servant

All This, and Heaven Too (1940)

Grazioso1:27:26 - Madame Gauthier talks about the childrenadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Raynald1:27:35 - Madame Gauthier talks about Raynaldadvance plot | cheerful | conversing | duke | governess | leading lady | leading man | room | servant

All This, and Heaven Too (1940)

Underscoring (Gentle)1:27:58 - The Duke talks to Henriette by the fireplaceadvance plot | conversing | duke | gentle | governess | leading lady | leading man | room

All This, and Heaven Too (1940)

Underscoring (Agitated)1:35:05 - Henriette with the childrenadvance plot | agitated | child | conversing | governess | leading lady | room | worried

All This, and Heaven Too (1940)

Spring Time (Shimmery)1:35:12 - Henriette opens a giftadvance plot | cheerful | child | conversing | gift | governess | leading lady | light | opening | room

All This, and Heaven Too (1940)

The Duchess (Distracted)1:35:21 - Henriette opens a giftadvance plot | agitated | child | conversing | gift | governess | leading lady | opening | room | worried

All This, and Heaven Too (1940)

Spring Time (Harry Cohn Moto)1:35:26 - Henriette opens a giftadvance plot | cheerful | child | gift | governess | happy | leading lady | opening | room | tense | unwrapping

All This, and Heaven Too (1940)

Spring Time (Moderato)1:35:45 - Henriette opens a giftadvance plot | calm | child | gift | governess | leading lady | locket | opening | room | tender

All This, and Heaven Too (1940)

Henriette (Dolschissimo)1:36:07 - Henriette reads the locket inscriptionadvance plot | calm | child | conversing | crying | gift | governess | leading lady | locket | room | stinger | tender | tense

All This, and Heaven Too (1940)

Heaven Theme (Expressivo)2:05:06 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Dolce2:05:51 - Henriette talks to Henryadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Underscoring (Tense)2:06:17 - Henriette argues with Henryadvance plot | arguing | leading lady | minister | prison | prisoner | suspect | tense | underscoring

All This, and Heaven Too (1940)

Heaven Theme (Delicato)2:06:34 - Henry talks to Henrietteadvance plot | calm | conversing | gentle | leading lady | minister | pleasant | prison | prisoner | suspect

All This, and Heaven Too (1940)

Raynald (Delicato)2:06:46 - Henry talks to Henrietteadvance plot | conversing | delicate | leading lady | minister | prison | prisoner | suspect | tender | tense | worrying

All This, and Heaven Too (1940)

Heaven Theme (Dolce)2:06:58 - Henry talks to Henrietteadvance plot | conversing | gentle | leading lady | minister | prison | prisoner | suspect

All This, and Heaven Too (1940)

Henriette (The Truth)2:07:07 - Henry talks to Henrietteadvance plot | calm | conversing | leading lady | minister | prison | prisoner | suspect
The Amazing Dr. Clitterhouse (1938)The Amazing Doctor0:20:05 - Dr. Clitterhouse enters Hotel Sequin42 chord | advance plot | chromatic parallelism | dark | dissonant bass | doctor | half-diminished 7th chord | leading man | lobby | mysterious | quartal chord | sign | thief | walking

The Amazing Dr. Clitterhouse (1938)

How Dry I Am0:20:16 - People in a hotel lobbyadvance plot | dark | gangster | lobby | mysterious | on-screen music | scored source music | whistling

The Amazing Dr. Clitterhouse (1938)

The Amazing Doctor (Meeting)0:21:30 - Dr. Clitterhouse is taken upstairs64 chord | advance plot | chromatic parallelism | conversing | doctor | fragmentation | gangster | leading man | lobby | mysterious | pedal tone | sequence | thief

The Amazing Dr. Clitterhouse (1938)

Eine kleine Nachtmusik0:35:00 - Phonograph plays Mozart recordadvance plot | doctor | gangster | leading man | Mozart | neutral | plotting | record player | room | source music | thief

The Amazing Dr. Clitterhouse (1938)

Eine kleine Nachtmusik0:41:57 - Phonograph plays Mozart recordadvance plot | doctor | gangster | leading man | moll | Mozart | neutral | plotting | record player | room | source music | thief

The Amazing Dr. Clitterhouse (1938)

I Wanna Go Back to Bali0:53:48 - Gangsters meet in an apartmentadvance plot | conversing | criminal | dance music | doctor | gangster | hero | leading man | lying | playful | radio | room | thief

The Amazing Dr. Clitterhouse (1938)

Doctor Leaves0:57:38 - Dr. Clitterhouse leavesadvance plot | doctor | door | exiting | gangster | hero | leading lady | leading man | leaving | linear chromaticism | opening | room | tense | wedge | whole-tone chord

The Amazing Dr. Clitterhouse (1938)

Rocks0:57:55 - Rocks has an ideaadvance plot | antagonist | gangster | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Jo (At the Phone)0:59:24 - Rocks takes the phone apart9th chord | advance plot | antagonist | combination of themes | dark | gangster | leading lady | ominous | plotting | room | tense

The Amazing Dr. Clitterhouse (1938)

Underscoring (Tense)1:00:10 - Jo and Rocks quarreladvance plot | antagonist | arguing | dissonant bass | gangster | half-diminished 7th chord | leading lady | quarreling | room | tense
Angels With Dirty Faces (1938)Underscoring (Mysterious)0:07:26 - Rocky talks with his lawyeradvance plot | conversing | dark | dissonant bass | gangster | lawyer | leading man | mysterious | prison | prisoner | underscoring

Angels With Dirty Faces (1938)

When a Prince of a Fella Meets a Cinderella0:16:49 - Rocky goes to a night club advance plot | cheerful | conversing | gambling | gangster | lawyer | leading man | night club | parallel double period | popular music | source music

Angels With Dirty Faces (1938)

Monday Morning0:18:15 - Rocky talks to Frazier in his officeadvance plot | cheerful | conversing | gangster | lawyer | leading man | popular music | room | source music

Angels With Dirty Faces (1938)

So Help Me (If I Don't Love You)0:19:36 - Rocky leaves the nightclubadvance plot | conversing | gangster | lawyer | leading man | popular music | room | sentimental | source music

Angels With Dirty Faces (1938)

Whistling0:21:14 - Character whistlesadvance plot | cheerful | gang | on-screen music | source music | street | teenager | walking | whistling

Angels With Dirty Faces (1938)

Car slowing down0:42:10 - Car slows downadvance plot | arriving | car | gangster | garage | lawyer | linear chromaticism | mysterious | sequence | slowing | stopping

Angels With Dirty Faces (1938)

Stickup0:42:30 - Rocky points a gun at Frazier64 chord | advance plot | assaulting | dramatic | gangster | garage | grabbing | lawyer | leading man | mickey-mousing

Angels With Dirty Faces (1938)

The Gangster (Elevator Music)0:42:40 - Elevator goes upadvance plot | chromatic parallelism | elevator | gangster | half-diminished 7th chord | lawyer | leading man | mickey-mousing | rising | room | tense

Angels With Dirty Faces (1938)

Saving Myself For You (I've Been)1:02:30 - Rocky and Laury at a night clubAABA structure | advance plot | cheerful | club | drinking | gambling | gangster | lawyer | leading lady | leading man | on-screen music | source music

Angels With Dirty Faces (1938)

The Cartoon1:04:49 - Jerry looks at newspaper cartoon of Rocky9th chord | advance plot | cartoon | chromatic parallelism | comical | leading man | priest | reading | room

Angels With Dirty Faces (1938)

The Cook1:05:06 - The cook hands a package to Jerryadvance plot | comical | conversing | cook | Irish | leading man | parallel fifths | priest | room

Angels With Dirty Faces (1938)

Sanctus (Mysterioso)1:05:33 - Jerry looks at note from Rockyadvance plot | charity | classical music | common-chord modulation | friendship | leading man | letter | mode mixture | money | mysterious | pedal tone | priest | room | sacred | source to score | thinking

Angels With Dirty Faces (1938)

Underscoring (Dramatic)NIF - not in filmadvance plot | altered dominant | chromatic scale | cut from film

Angels With Dirty Faces (1938)

Underscoring (Mysterious)1:05:58 - Jerry goes to meet Rockyadvance plot | arriving | gangster | leading man | mickey-mousing | mysterious | pedal tone | priest | room | underscoring | waiting

Angels With Dirty Faces (1938)

Pleading1:11:08 - Laury pleads for Rocky9th chord | advance plot | appoggiatura | circle of fifths | common-chord modulation | crying | leading lady | leading man | love interest | pleading | priest | room | somber

Angels With Dirty Faces (1938)

Jerry1:11:35 - Jerry talks to Laury9th chord | advance plot | deceptive resolution | foreign key modulation | leading lady | leading man | love interest | memory | pleading | priest | room | tender
Are These Our Children? (1931)Dreams (Whistling 2)0:03:59 - Eddie walks homeadvance plot | cheerful | leading man | on-screen music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Hold That Tiger0:13:15 - Young people dancingadvance plot | cheerful | conversing | dance hall | friend | leading man | on-screen music | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles (Flo Sings)0:17:20 - Flo singsadvance plot | cheerful | dance hall | love interest | on-screen music | singing | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles0:17:38 - Young people talking at a danceadvance plot | cheerful | conversing | dance hall | leading man | love interest | on-screen music | seductive | singing | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:19:30 - Eddie arrives homeadvance plot | arriving | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Eddie Sings)0:20:44 - Eddie eatsadvance plot | cheerful | eating | humming | leading man | on-screen music | room | source music | transcribed by ear

Are These Our Children? (1931)

Makes You Forget Your Troubles (Dream Sequence)0:20:51 - Eddie dreamsadvance plot | augmented sixth chord | cheerful | double exposure | dreaming | dream sequence | eating | fragmentation | half-diminished 7th chord | humming | leading man | room | scored source music | sequence | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles (Whistling)0:23:11 - Eddie walks awayadvance plot | cheerful | leading man | on-screen music | source music | street | transcribed by ear | walking | whistling

Are These Our Children? (1931)

Introduction0:24:14 - Boys in the washroomadvance plot | conversing | dance hall | friend | leading man | mysterious | transcribed by ear

Are These Our Children? (1931)

Dreams (Washroom Sequence)0:24:25 - Eddie talks with his friendsadvance plot | chromatic parallelism | common-tone diminished 7th | conversing | dance hall | friend | leading man | score to source | somber | source music | transcribed by ear

Are These Our Children? (1931)

Moonbeams (Dream Sequence)0:27:23 - Eddie takes Flo homeadded-note chord | advance plot | double exposure | dream sequence | entering | friend | hectic | kissing | leading man | mode mixture | romantic | source to score | street | transcribed by ear | waltz

Are These Our Children? (1931)

Humming0:31:57 - Heinie humsadvance plot | calm | humming | old man | room | source music

Are These Our Children? (1931)

Makes You Forget Your Troubles (Flo Sings)0:32:32 - Flo singsadvance plot | cheerful | leading man | love interest | singing | source music | train | train | traveling

Are These Our Children? (1931)

St. James Infirmary0:41:24 - Young people lounging aroundadvance plot | Dixieland | friend | lazy | leading man | lounging | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

St. James Infirmary0:42:08 - Young people talkingadvance plot | conversing | Dixieland | friend | lazy | leading man | love interest | murderer | radio | room | source music

Are These Our Children? (1931)

Stars and Stripes Forever0:52:14 - Young people cavorting in the streetadvance plot | cheerful | dancing | drunk | friend | leading man | love interest | murderer | on-screen music | singing | source music | street

Are These Our Children? (1931)

Makes You Forget Your Troubles0:53:07 - Drunken young peopleadvance plot | cheerful | dancing | drunk | friend | hallway | leading man | love interest | murderer | on-screen music | singing | source music

Are These Our Children? (1931)

Dreams (Risoluto 2)0:53:55 - Newspaper headlinesadvance plot | arresting | dark | detective | double exposure | fragmentation | friend | headline | leading man | love interest | murderer | newspaper | ominous | room | sequential modulation | spinning | thematic transformation | underscoring
Arsenic and Old Lace (1944)The Aunts0:12:26 - Reverend leavesadvance plot | aunt | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | street

Arsenic and Old Lace (1944)

Happy Land (Lento)0:12:31 - The aunts talkadvance plot | aunt | brother | conversing | crazy person | familiar tune | foreign key modulation | gentle | leading lady | mysterious | plotting | room | sequence | tender | whole-tone chord | whole-tone scale

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:13:16 - The aunts talkadvance plot | aunt | brother | cheerful | conversing | crazy person | delicate | foreign key modulation | gentle | harmonic sequence | leading lady | plotting | room

Arsenic and Old Lace (1944)

Happy Land (Grazioso)0:13:34 - The aunts talkadvance plot | aunt | conversing | leading lady | magical | plotting | room | whole-tone chord

Arsenic and Old Lace (1944)

Wind blowing0:13:48 - Wind blows the curtains at the windowadvance plot | aunt | blowing | chromatic parallelism | leading lady | looking | mysterious | room | wind | wind effect

Arsenic and Old Lace (1944)

The Aunts (Allegretto)0:13:52 - The aunts run to the windowadvance plot | aunt | cheerful | harmonic sequence | leading lady | mode mixture | pedal tone | room | running

Arsenic and Old Lace (1944)

Opens window0:13:59 - The aunts open the windowadvance plot | aunt | half-diminished 7th chord | leading lady | mickey-mousing | opening | raising | room | upbeat | window

Arsenic and Old Lace (1944)

Break the News to Mother0:18:44 - Teddy singsadvance plot | aunt | brother | cheerful | crazy person | familiar tune | groom | leading lady | leading man | on-screen music | room | singing | source music | war song

Arsenic and Old Lace (1944)

Jonathan0:18:54 - Jonathan Brewster's picture is shownadvance plot | aunt | conversing | diminished 7th chord | groom | leading lady | leading man | ominous | pc set | picture | room | sinister | stinger

Arsenic and Old Lace (1944)

Here Comes the Bride0:19:52 - Mortimer at the window seatadvance plot | familiar tune | groom | leading man | on-screen music | room | source music | upbeat | whistling

Arsenic and Old Lace (1944)

Happy Land0:20:06 - Abby singsadvance plot | aunt | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | score to source | sequence | singing | source music

Arsenic and Old Lace (1944)

Happy Land0:24:16 - Abby, Martha, and Mortimer in the kitchenadvance plot | aunt | cheerful | child | crazy person | familiar tune | groom | leading lady | leading man | murderer | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:26:22 - Elaine whistles on the phoneadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | telephone | whistling

Arsenic and Old Lace (1944)

Break the News to Mother0:29:30 - Mortimer listens to Teddy singadvance plot | brother | cheerful | crazy person | familiar tune | groom | leading man | on-screen music | room | singing | source music

Arsenic and Old Lace (1944)

Here Comes the Bride0:31:04 - Elaine whistles in Mortimer's earadvance plot | bride | cheerful | familiar tune | groom | leading lady | leading man | on-screen music | room | source music | whistling

Arsenic and Old Lace (1944)

The Aunts0:39:01 - The aunts talkadvance plot | aunt | cleaning | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | room | upbeat

Arsenic and Old Lace (1944)

Happy Land (Screwyoso)0:39:06 - The aunts talkadded-note chord | advance plot | altered dominant | aunt | calm | cleaning | conversing | crazy person | familiar tune | hat | leading lady | murderer | ominous | room | stinger | suspension

Arsenic and Old Lace (1944)

Happy Land (String Quartet)0:39:28 - The aunts set the tableadvance plot | aunt | cleaning | conversing | crazy person | direct modulation | evaded cadence | familiar tune | hymn-like | leading lady | murderer | peaceful | room

Arsenic and Old Lace (1944)

Jonathan 20:49:12 - Jonathan threatens the auntsadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | criminal | dark | dissonant bass | doctor | fear | leading lady | leading man | murderer | ominous | pc set | room | threatening

Arsenic and Old Lace (1944)

Scar0:49:36 - Dr. Einstein calls to Jonathanadvance plot | aunt | brother | crazy person | criminal | dark | doctor | fear | leading lady | leading man | murderer | ominous | pc set | polychord | room | threatening

Arsenic and Old Lace (1944)

Underscoring (Tense)0:49:45 - Jonathan follows Dr. Einsteinadvance plot | altered dominant | brother | conversing | crazy person | criminal | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | pc set | plotting | room | source and scoring overlap | tense | tone cluster | whistling

Arsenic and Old Lace (1944)

When Johnny Comes Marching Home0:49:45 - Dr. Einstein spies on Teddyadvance plot | brother | crazy person | criminal | dark | digging | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

Scar (Dark)0:50:14 - Jonathan and Dr. Einstein watch Teddy digadvance plot | brother | conversing | crazy person | criminal | dark | digging | dissonant bass | doctor | familiar tune | leading man | march | murderer | on-screen music | patriotic tune | room | source and scoring overlap | watching | whistling

Arsenic and Old Lace (1944)

The Aunts (Frightened)0:50:20 - Jonathan and Dr. Einstein talkadvance plot | brother | crazy person | criminal | digging | doctor | familiar tune | leading man | march | murderer | Neapolitan | on-screen music | parallel 63s | patriotic tune | pedal tone | plotting | room | source and scoring overlap | tense | whistling

Arsenic and Old Lace (1944)

The Aunts (Grazioso Con Moto)0:52:20 - The aunts move through the kitchenadvance plot | aunt | calm | conversing | crazy person | foreign key modulation | harmonic sequence | leading lady | murderer | pleasant | room

Arsenic and Old Lace (1944)

Wind blowing 20:52:32 - The aunts walk to the windowadvance plot | aunt | blowing | chromatic parallelism | crazy person | half-diminished 7th chord | leading lady | looking | murderer | mysterious | room | wind | wind effect | window

Arsenic and Old Lace (1944)

Stinger0:52:41 - Jonathan suddenly appears at the windowadvance plot | aunt | brother | crazy person | dramatic | harsh | leading lady | leading man | murderer | opening | room | stinger | surprise | whole-tone chord | window

Arsenic and Old Lace (1944)

Jonathan 20:52:48 - Jonathan comes in the windowadvance plot | aunt | brother | chromatic scale | chromatic wedge | crazy person | dark | darkness | dissonant bass | doctor | intimidating | leading lady | leading man | murderer | ominous | pc set | room | staring | tense

Arsenic and Old Lace (1944)

Jonathan (Fragmented)0:53:35 - Jonathan and the doctor go up the stairsadvance plot | aunt | brother | conversing | crazy person | dark | darkness | doctor | fragmentation | intimidating | leading lady | leading man | murderer | ominous | pc set | room | tense

Arsenic and Old Lace (1944)

The Aunts0:53:55 - Aunt Abby goes to the front dooradvance plot | aunt | brother | calm | crazy person | darkness | harmonic sequence | leading lady | leading man | murderer | room | silhouette | staring | upbeat | walking

Arsenic and Old Lace (1944)

Underscoring (Mysterious)0:54:01 - Aunt Abby goes up the stairsadvance plot | aunt | brother | crazy person | darkness | intimidating | leading lady | leading man | murderer | mysterious | room | silhouette | staring | underscoring

Arsenic and Old Lace (1944)

The Aunts (Molto Misterioso)0:54:12 - Aunt Abby faces Jonathanadvance plot | aunt | brother | crazy person | darkness | foreign key modulation | fragmentation | intimidating | leading lady | leading man | murderer | mysterious | parallel 63s | pedal tone | room | staring | walking

Arsenic and Old Lace (1944)

Underscoring (Tense)0:54:30 - Jonathan goes up the stairsadvance plot | brother | crazy person | darkness | leading man | murderer | mysterious | room | sneaking | tense | tone cluster | underscoring | walking

Arsenic and Old Lace (1944)

Happy Land (Dirge)0:54:54 - Teddy looks for the body in the darkadvance plot | brother | corpse | crazy person | creaking | darkness | dirge | familiar tune | mysterious | opening | pc set | room | sneaking | tense | walking | whole-tone chord

Arsenic and Old Lace (1944)

Funeral March0:55:21 - Teddy carries the body down the stairsadvance plot | brother | carrying | chromatic scale | corpse | crazy person | darkness | diminution | dirge | familiar tune | foreign key modulation | funeral march | linear chromaticism | ominous | ostinato | room | tritone | walking

Arsenic and Old Lace (1944)

Underscoring (Dark)0:56:27 - Einstein looks around in the darkadvance plot | brother | crazy person | dark | darkness | descending | doctor | leading man | match | murderer | plotting | room | sneaking | underscoring

Arsenic and Old Lace (1944)

Blows out match0:56:48 - Einstein blows out the matchadvance plot | blowing | brother | crazy person | darkness | doctor | extinguishing | leading man | match | mickey-mousing | murderer | room | tense | whole-tone scale

Arsenic and Old Lace (1944)

Jonathan 2 (Dark)0:57:04 - Jonathan exitsadvance plot | brother | chromatic scale | chromatic wedge | conversing | crazy person | dark | darkness | dissonant bass | doctor | falling | leading man | murderer | mysterious | pc set | polychord | room | stinger

Arsenic and Old Lace (1944)

Underscoring (Tense)0:58:10 - Someone knocks at the dooradvance plot | brother | chromatic scale | conversing | corpse | crazy person | darkness | doctor | knocking | leading man | murderer | pc set | room | sequence | sneaking | tense | underscoring

Arsenic and Old Lace (1944)

Here Comes the Bride (Tense)0:58:28 - Elaine comes in the dooradvance plot | bride | calling | darkness | entering | familiar tune | half-diminished 7th chord | leading lady | room | sequence | sneaking | tense

Arsenic and Old Lace (1944)

Scar (Tense)0:58:39 - Close-up on Dr. Einstein's faceadvance plot | bride | brother | calling | close-up | crazy person | darkness | doctor | entering | fear | fragmentation | leading lady | leading man | murderer | polychord | room | sneaking | tense

Arsenic and Old Lace (1944)

Jonathan 20:58:55 - Jonathan emerges from the shadowsadvance plot | bride | brother | chromatic scale | chromatic wedge | conversing | crazy person | darkness | dissonant bass | doctor | fear | leading lady | leading man | murderer | pc set | questioning | room | sinister

Arsenic and Old Lace (1944)

Jonathan 2 (Ominous)1:00:36 - Jonathan backs Elaine into a corneradvance plot | anger | augmented triad | bride | brother | chromatic scale | crazy person | dissonant bass | doctor | fear | hurting | leading lady | leading man | murderer | ominous | polychord | questioning | room | stinger | tense | threatening

Arsenic and Old Lace (1944)

Symphony No. 5: I1:27:02 - Teddy plays the bugleadvance plot | crazy person | familiar tune | groom | leading man | playing | room | singing | startled
Beyond the Forest (1949)Drunk0:14:08 - Moose is drinkingadvance plot | cabin | collapsing | drinking | drunk | drunk effect | friend | leading lady | liquor | mickey-mousing | stumbling | wife

Beyond the Forest (1949)

Falling down0:14:27 - Moose falls on a bedadvance plot | cabin | collapsing | dramatic | falling | friend | leading lady | mickey-mousing | pushing | wife

Beyond the Forest (1949)

Underscoring (Mysterious)0:14:31 - Rosa grabs the keyadvance plot | cabin | friend | key | leading lady | mysterious | underscoring | walking | wife

Beyond the Forest (1949)

Running0:14:40 - Rosa runs to the lodgeadvance plot | leading lady | mickey-mousing | mysterious | ominous | outside | running | wife

Beyond the Forest (1949)

Rosa (Grazioso)0:15:01 - Rosa enters the lodgeadvance plot | arriving | cheerful | leading lady | room | wife | working

Beyond the Forest (1949)

Hurrying0:15:09 - Rosa lights a fireadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Rosa (Grazioso)0:15:23 - Rosa gets a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Hurrying0:15:35 - Rosa carries a drinkadvance plot | hurrying | leading lady | room | upbeat | wife | working

Beyond the Forest (1949)

Loyalton 2 (Andante)0:22:47 - Lewis helps a patientadvance plot | doctor | gentle | healing | helping | leading man | patient | room | sickness | somber | tender

Beyond the Forest (1949)

Underscoring (Gentle)0:23:29 - Lewis arrives homeadvance plot | arriving | doctor | gentle | leading man | room | tender | underscoring

Beyond the Forest (1949)

Lewis (Triste)0:23:53 - Lewis at homeadvance plot | arriving | doctor | leading man | room | tender | tense

Beyond the Forest (1949)

Rosa (Sulking)0:28:33 - Rosa watches the trainadvance plot | leading lady | solemn | train | train station | walking | watching

Beyond the Forest (1949)

Chicago (Mink Coat)0:29:01 - Rosa sees Carol's mink coatadvance plot | conversing | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Chicago (Carol)0:29:17 - Rosa meets Caroladvance plot | conversing | familiar tune | gentle | jealousy | leading lady | popular tune | train station

Beyond the Forest (1949)

Chicago (Jealous)0:29:33 - Rosa glares at Caroladvance plot | conversing | dark | familiar tune | jealousy | leading lady | popular tune | sentimental | train station

Beyond the Forest (1949)

Rosa (Turbulent)0:30:21 - Rosa checks her mailadvance plot | leading lady | mail | post office | reading | turbulent | upset

Beyond the Forest (1949)

Chicago (Mail)0:30:30 - Rosa reads her mailadvance plot | familiar tune | hurried | leading lady | mail | optimistic | popular tune | post office | reading

Beyond the Forest (1949)

Underscoring (Mysterious)0:30:40 - Rosa reacts to her mailadvance plot | crumpling | leading lady | mail | mysterious | post office | reading | underscoring

Beyond the Forest (1949)

Hurrying (Rather Slowly)0:30:48 - Rosa leaves the post officeadvance plot | child | departing | leading lady | mother | neighbor | post office | upset

Beyond the Forest (1949)

Courthouse (Agitato Quasi Rubato)0:31:12 - Rosa arrives homeadvance plot | angry | arriving | leading lady | room | upset | yelling

Beyond the Forest (1949)

Rosa (Sombre)0:32:36 - Rosa walks awayadvance plot | leading lady | room | somber | sulking | tense | upset | walking

Beyond the Forest (1949)

Sawmill0:32:53 - The sawmilladvance plot | factory | fire | industrious | leading lady | machinery effect | porch | sulking | watching

Beyond the Forest (1949)

Sawmill + Steam Whistle0:33:06 - Rosa on her porchadvance plot | combination of themes | factory | fire | harsh | industrious | leading lady | machinery effect | porch | sulking | watching | whistle effect

Beyond the Forest (1949)

Sawmill + Rosa0:33:25 - Rosa lies downadvance plot | combination of themes | factory | fire | leading lady | machinery effect | porch | sulking | upset | watching

Beyond the Forest (1949)

Underscoring (Gentle)0:33:36 - A car pulls upadvance plot | gentle | leading lady | porch | sleeping | underscoring | waking

Beyond the Forest (1949)

Insolence0:37:06 - Rosa argues with her maid Jennyadvance plot | cleaning | comical | kitchen | leading lady | maid | obeying | wife

Beyond the Forest (1949)

Chicago (Molto Expressivo)0:37:20 - Rosa sees the mink coatadvance plot | coat | contemplating | expressive | familiar tune | jealousy | leading lady | popular tune | room | wife

Beyond the Forest (1949)

Chicago (Misterioso)0:38:47 - Rosa lights a matchadvance plot | contemplating | dramatic | familiar tune | jealousy | leading lady | obsession | obsessive | passage of time | popular tune | room | smoking | tense | wife

Beyond the Forest (1949)

Rosa (Slower)0:39:05 - Rosa in bedadvance plot | calm | contemplating | dark | leading lady | leading man | panning shot | restlessness | room | smoking | wife

Beyond the Forest (1949)

Sawmill (Agitato)0:39:25 - Fire from the sawmilladvance plot | agitated | bedroom | factory | fire | leading lady | leading man | restlessness | wife | yelling

Beyond the Forest (1949)

Rosa (Molto Misterioso)0:41:50 - Rosa smokes in bedadvance plot | bedroom | contemplating | leading lady | leading man | mysterious | smoking | wife

Beyond the Forest (1949)

Running (Quasi Misterioso)0:42:06 - Rosa looks through the account bookadvance plot | leading lady | mysterious | ominous | reading | room | wife | writing

Beyond the Forest (1949)

Lewis (Moderato Quasi Rubato)0:42:23 - Lewis talks to some menadvance plot | calm | conversing | doctor | leading man | room | somber | source and scoring overlap | street | townsfolk | walking | warm

Beyond the Forest (1949)

Chicago0:43:37 - Rosa sewsadvance plot | arriving | familiar tune | leading lady | leading man | on-screen music | popular tune | room | score to source | sewing | singing | source and scoring overlap | source music | upbeat | wife

Beyond the Forest (1949)

Rosa (Telephone)0:44:52 - Rosa makes a phone calladvance plot | calling | hotel | leading lady | mysterious | telephone | telephone effect

Beyond the Forest (1949)

Underscoring (Gentle)0:45:21 - Rosa sits downadvance plot | gentle | hotel | leading lady | underscoring | waiting

Beyond the Forest (1949)

Rosa (Moderato 2)0:45:30 - Rosa in her hotel roomadvance plot | calling | hotel | leading lady | somber | telephone | waiting | worrisome

Beyond the Forest (1949)

Flowers0:46:12 - Flowersadvance plot | cheerful | flower | leading lady | optimistic | street | walking

Beyond the Forest (1949)

Rosa (Slowly)0:47:08 - Rosa reads a magazineadvance plot | cut from film | leading lady | office | reading | receptionist | solemn | waiting

Beyond the Forest (1949)

Chicago (Somber)0:48:32 - Rosa sits in a coffee shopadvance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | somber | thinking

Beyond the Forest (1949)

Chicago (Tense)0:49:00 - Rosa drinks coffeeadvance plot | angry | audible thoughts | cafe | familiar tune | leading lady | popular tune | tense | thinking

Beyond the Forest (1949)

Underscoring (Tense)0:49:07 - Rosa gets upadvance plot | cafe | conversing | hurrying | leading lady | tense | underscoring | waitress

Beyond the Forest (1949)

Rosa (She Runs)0:49:22 - Rosa runs to the phoneadvance plot | cafe | leading lady | optimistic | running | rushing | telephone

Beyond the Forest (1949)

Hurrying (Phone Call)0:49:32 - Rosa talks on the phoneadvance plot | cafe | conversing | leading lady | optimistic | telephone

Beyond the Forest (1949)

Rosa (Dejected)0:49:45 - Rosa hangs up the phoneadvance plot | cafe | crying | leading lady | somber | telephone

Beyond the Forest (1949)

I’m in a Jam with Baby0:54:39 - Rosa walks down the streetadvance plot | arriving | bouncer | club | crying | departing | jazz | leading lady | sentimental | sitting | source music | stranger

Beyond the Forest (1949)

Threat1:16:14 - Rosa lunges forwardadvance plot | dark | harsh | leading lady | lunging | murderer | ominous | room | staring | stinger | threatening | violent

Beyond the Forest (1949)

Underscoring (Mysterious)1:16:20 - Rosa stares out the windowadvance plot | departing | leading lady | maid | murderer | mysterious | plotting | room | street | underscoring | walking | watching

Beyond the Forest (1949)

Running (A Little Heavier)1:16:28 - Rosa heads downstairsadvance plot | hurrying | leading lady | murderer | mysterious | plotting | room | tense

Beyond the Forest (1949)

Rosa (Listesso)1:16:48 - Rosa takes the maid's thingsadvance plot | dark | disguise | dressing | harsh | leading lady | murderer | ominous | room | stealing | violent

Beyond the Forest (1949)

Rosa (On the Run)1:17:21 - Rosa approaches a busadvance plot | bus | disguise | doctor | leading lady | leading man | murderer | mysterious | office | patient | runaway | running away | sneaking | street | watching

Beyond the Forest (1949)

Rosa (Sombre)1:17:53 - Lewis talks to a patientadvance plot | conversing | doctor | leading man | mysterious | office | patient | working

Beyond the Forest (1949)

Rosa (Not in Film)NIF - not in filmadvance plot | cut from film

Beyond the Forest (1949)

Rosa (Cello Solo)1:18:09 - Rosa sitting in a chairadvance plot | disguise | leading lady | leading man | murderer | mysterious | office | sitting

Beyond the Forest (1949)

Rosa (Molto Tranquillo 2)1:20:12 - Rosa in bedadvance plot | calm | leading lady | murderer | recovering | resting | room | sickness | sleeping | sultry | waking

Beyond the Forest (1949)

Chicago (Molto Tranquillo)1:20:35 - Rosa in bedadvance plot | banging | calm | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness

Beyond the Forest (1949)

Chicago (Molto Expressivo)1:20:43 - The maid in the kitchenadvance plot | familiar tune | leading lady | maid | murderer | popular tune | recovering | resting | room | sentimental | sickness | upbeat
The Big Sleep (1946)Chevalier Audubon0:13:14 - Marlowe writes on note cardadvance plot | heroic | leading man | library | private eye | researching | writing

The Big Sleep (1946)

Marlowe (Molto Misterioso)0:13:20 - Marlowe goes to talk to librarianadvance plot | leading man | library | mysterious | pedal tone | private eye | researching | writing

The Big Sleep (1946)

Walking0:13:39 - Marlowe walks down the streetadvance plot | calm | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:13:46 - Marlowe puts on a disguiseadded-note chord | advance plot | disguise | disguising | half-diminished 7th chord | leading man | mysterious | private eye | street

The Big Sleep (1946)

Walking (Extended)0:15:03 - Marlowe walks across the streetadvance plot | calm | chromatic sequence | foreign key modulation | fragmentation | investigating | leading man | parallelism | pedal tone | private eye | street | walking

The Big Sleep (1946)

Walking0:25:22 - Vivian walks down the halladvance plot | butler | calm | inserted scene | leading lady | leading man | not in score | parallelism | pedal tone | private eye | reused recording | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:25:28 - Marlowe asks Vivian to help with Carmenadded-note chord | advance plot | butler | conversing | femme fatale | half-diminished 7th chord | inserted scene | leading lady | leading man | mysterious | not in score | private eye | reused recording | room

The Big Sleep (1946)

Walking0:32:10 - Marlowe walks to his officeadvance plot | arriving | calm | leading lady | leading man | parallelism | pedal tone | private eye | room | walking

The Big Sleep (1946)

Marlowe (Grazioso)0:32:29 - Marlowe talks with Vivianadvance plot | conversing | half-diminished 7th chord | leading lady | leading man | mysterious | private eye | room

The Big Sleep (1946)

Marlowe (Ear Music)0:46:52 - Marlowe thinksadvance plot | chromatic scale | fragmentation | leading man | mysterious | private eye | room | tense | thinking | whole-tone chord

The Big Sleep (1946)

Marlowe (Decisive)0:47:04 - Marlowe walks out the dooradded-note chord | advance plot | bold | decisive | leading man | leaving | pedal tone | private eye | room

The Big Sleep (1946)

Vivian + Marlowe (Ear Business)NIF - not in filmadvance plot | altered dominant | combination of themes | conversing | cut from film | deleted scene | deleted scene | leading lady | leading man | love interest | mysterious | private eye | romantic | room | thinking | whole-tone

The Big Sleep (1946)

Marlowe (Phone Call)NIF - not in filmadvance plot | bold | calling | cut from film | deleted scene | deleted scene | dialing | leading man | phone | private eye | room | sequence | tense | whole-tone chord

The Big Sleep (1946)

CarmenNIF - not in filmadvance plot | burning | calling | cut from film | deleted scene | deleted scene | half-diminished 7th chord | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

Carmen (Clues)NIF - not in filmadvance plot | calling | cut from film | deleted scene | deleted scene | leading man | mysterious | phone | private eye | room | tense | whole-tone chord

The Big Sleep (1946)

And Her Tears Flowed Like Wine1:05:55 - Marlowe arrives at Mars's placeadvance plot | arriving | club | leading lady | leading man | love interest | musician | on-screen music | playing | private eye | singer | singing | source music | upbeat

The Big Sleep (1946)

Wotta Life1:08:09 - Marlowe talks to Mars12-bar blues | advance plot | club | criminal | investigating | leading man | private eye | source music | suspect | upbeat

The Big Sleep (1946)

I'm in a Jam With Baby1:10:53 - Marlowe talks to people at the partyadvance plot | club | gambler | gambling | leading lady | leading man | love interest | private eye | source music | upbeat

The Big Sleep (1946)

Marlowe (Not in Film)NIF - not in film9th chord | 11th chord | advance plot | conversing | cut from film | femme fatale | leading man | private eye | room

The Big Sleep (1946)

Drops hatNIF - not in film9th chord | advance plot | cut from film | dropping | femme fatale | hat | leading man | mickey-mousing | private eye | room

The Big Sleep (1946)

Sternwood (Extended)NIF - not in filmadded-note chord | advance plot | altered dominant | chromatic scale | conversing | cut from film | femme fatale | leading man | private eye | room | whole-tone chord

The Big Sleep (1946)

Underscoring (Tense)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | diminished 7th chord | femme fatale | leading man | oscillation | private eye | room | tritone | underscoring | whole-tone chord

The Big Sleep (1946)

You!NIF - not in filmadvance plot | chromatic scale | conversing | cut from film | femme fatale | fragmentation | leading man | private eye | room | tone cluster

The Big Sleep (1946)

Marlowe (Major)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | femme fatale | leading man | mode mixture | pc set | private eye | room

The Big Sleep (1946)

Bites handNIF - not in filmadvance plot | biting | chromatic parallelism | cut from film | femme fatale | leading man | mickey-mousing | pc set | private eye | room | stinger

The Big Sleep (1946)

Carmen (Not in Film)NIF - not in filmadvance plot | conversing | cut from film | femme fatale | leading man | oscillation | private eye | room | whole-tone chord

The Big Sleep (1946)

Marlowe (Thinking)1:20:49 - Marlowe sits in a diner11th chord | added-note chord | advance plot | café | chromatic parallelism | fragmentation | leading man | mysterious | private eye | tense | thinking

The Big Sleep (1946)

Coin in phone1:21:04 - Marlowe puts a coin in the phoneadvance plot | café | coin | diminished 7th chord | dropping | leading man | mickey-mousing | mysterious | phone call | private eye | telephone

The Big Sleep (1946)

Phone dialing1:21:07 - Marlowe dials a phone number11th chord | advance plot | café | dialing | leading man | mickey-mousing | mysterious | ostinato | phone call | private eye | telephone | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:19 - Marlowe speaks on the phoneadvance plot | café | chromatic scale | conversing | leading man | mysterious | pc set | phone call | private eye | tense | underscoring

The Big Sleep (1946)

Marlowe (Mysterious Organ)1:21:42 - Marlowe speaks to waitressadvance plot | café | conversing | leading lady | leading man | love interest | mysterious | pc set | phone call | private eye | tense

The Big Sleep (1946)

Underscoring (Mysterious)1:21:57 - Marlowe speaks with Vivian on the phoneadvance plot | café | chromatic parallelism | conversing | leading lady | leading man | linear chromaticism | love interest | mysterious | phone call | private eye | stinger | tense | underscoring

The Big Sleep (1946)

Jones1:23:24 - Jones entersadvance plot | chromatic parallelism | leading man | mysterious | parallelism | pedal tone | private eye | street | tense | walking

The Big Sleep (1946)

Marlowe (Beaten)1:23:35 - Jones helps Marlowe upadvance plot | chromatic parallelism | dazed | half-diminished 7th chord | leading man | lifting | mickey-mousing | pain | private eye | rising | street | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Dazed)1:23:48 - Marlowe recoversadvance plot | conversing | dazed | leading man | pain | private eye | street | whole-tone chord

The Big Sleep (1946)

Recovering1:24:06 - Jones helps Marlowe upadvance plot | augmented triad | conversing | impressionism | leading man | mysterious | pain | private eye | street | whole-tone chord | whole-tone scale

The Big Sleep (1946)

Marlowe (Sostenuto)1:24:25 - Marlowe cleans upadvance plot | half-diminished 7th chord | leading man | pain | private eye | recovering | room | somber | tender | weary
The Breaking Point (1950)La Golondrina0:12:21 - Harry sits down with Leona in the baradvance plot | bar | calm | conversing | fisherman | flirting | floozy | folk music | leading lady | leading man | sailor | source music

The Breaking Point (1950)

Mi Mariposa0:15:21 - Harry talks to the bartenderadvance plot | arguing | art song | bar | bartender | calm | conversing | leading man | on-screen music | sailor | source music

The Breaking Point (1950)

Eres Mujer0:15:56 - Harry talks to Duncanadvance plot | bar | calm | conversing | criminal | leading man | on-screen music | performing | sailor | source music | tango | whispering

The Breaking Point (1950)

En Mi Canto de Amor0:21:43 - Harry talks to Duncanadvance plot | bar | conversing | criminal | leading man | planning | pleasant | sailor | source music

The Breaking Point (1950)

Make Love With a Guitar0:33:28 - Harry arrives homeadvance plot | arriving | calm | child | conversing | leading man | musician | neighbor | on-screen music | room | sailor | source music | street | wife | yard

The Breaking Point (1950)

Please Don’t Talk About Me When I’m Gone0:39:07 - Harry arrives at a baradvance plot | bar | bartender | criminal | dancing | floozy | jukebox | leading lady | leading man | on-screen music | sailor | singing | source music | upbeat

The Breaking Point (1950)

Ask Me No Questions0:40:46 - Harry talks to Duncanadvance plot | arguing | bar | bartender | conversing | criminal | floozy | jukebox | leading lady | leading man | mellow | sailor | source music

The Breaking Point (1950)

On an Ordinary Morning0:43:33 - Leona and Harry sit together in a baradvance plot | bar | conversing | floozy | jukebox | leading lady | leading man | mellow | sailor | source music | wife

The Breaking Point (1950)

Make Love With a Guitar0:46:27 - Harry and his wife come homeadvance plot | calm | child | conversing | drunk | leading lady | leading man | neighbor | on-screen music | sailor | source music | street | walking | wife

The Breaking Point (1950)

I Guess I’ll Have to Change My Plan1:00:26 - Harry in a restaurantadvance plot | bartender | conversing | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

You Missed the Boat1:02:56 - Duncan talks to Harry in the restaurantadvance plot | conversing | criminal | floozy | leading lady | leading man | mellow | restaurant | sailor | source music

The Breaking Point (1950)

Don’t Take Your Love From Me1:05:42 - Harry arrives at Leona's apartmentadvance plot | conversing | floozy | leading lady | leading man | mellow | room | sailor | source music
Caged (1950)Marie (Tragic)NIF - not in filmadvance plot | cut from film | guard | leading lady | prison | prisoner | standing | uneasy

Caged (1950)

SwimmyNIF - not in filmadvance plot | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | reacting | realization | tense

Caged (1950)

Molto ExpressivoNIF - not in filmadvance plot | arriving | cut from film | disbelief | guard | leading lady | pregnancy | prison | prisoner | realization | somber | stinger | tense | walking

Caged (1950)

Bird in a Cage0:30:00 - Inmates sleepingadvance plot | bed | crazy person | folk song | gentle | humming | leading lady | on-screen music | prison | prisoner | singing | source music

Caged (1950)

Marie (Slowly)0:35:14 - Marie talks to Kittyadvance plot | conversing | friend | leading lady | prison | prisoner | sickness | solemn | uneasy

Caged (1950)

Swimmy (Poco Agitato)0:43:53 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | phone call | playing | prison | telephone | tense | warden

Caged (1950)

Swimmy (Party)NIF - not in filmadvance plot | cut from film

Caged (1950)

Mrs. Benton0:44:07 - Mrs. Benton on the phoneadvance plot | calling | cards | conversing | gentle | phone call | prison | telephone | warden

Caged (1950)

Caged (Main Title)0:49:00 - Mrs. Benton at her deskadvance plot | dark | nursery | prison | thinking | uneasy | warden

Caged (1950)

Nursery0:49:22 - Marie goes to see her newborn babyadvance plot | baby | gentle | hopeful | leading lady | nurse | nursery | optimistic | prison | prisoner | walking

Caged (1950)

Lullaby0:49:51 - Marie holds her new babyadvance plot | baby | conversing | gentle | leading lady | nurse | nursery | prison | prisoner

Caged (1950)

Marie 20:50:22 - Marie holds her new babyadvance plot | baby | conversing | gentle | happy | leading lady | nurse | nursery | prison | prisoner
His Greatest Gamble (1934)Nocturne in E-flat Major0:36:29 - Philip looks for Aliceadvance plot | calm | conversing | daughter | fugitive | leading lady | leading man | mansion | nocturne | pleasant | searching | source music | wandering

His Greatest Gamble (1934)

Waltz in C-sharp Minor0:40:28 - Philip talks with Alice and Florenceadvance plot | conversing | daughter | ex-wife | fugitive | leading lady | leading man | mansion | serious | source music | waltz

His Greatest Gamble (1934)

Blue Ridge Moon0:53:16 - Philip talks with Aliceadvance plot | conversing | daughter | gentle | leading lady | love interest | mansion | popular music | radio | sentimental | source music | waltz

His Greatest Gamble (1934)

Morning Glory Waltz (Radio)0:57:06 - Philip talks with Alice9th chord | advance plot | conversing | daughter | fugitive | gentle | leading lady | leading man | mansion | mode mixture | radio | score to source | sentimental | source music | transcribed by ear | walking
City for Conquest (1940)My Old Kentucky Home0:16:04 - Mickey sings to himselfadvance plot | boxer | calm | conversing | folk music | leading man | locker room | manager | singing | source music

City for Conquest (1940)

Shadow Waltz (Ethereal)0:24:48 - Peggy peeks out of her dooradded-note chord | advance plot | arriving | chromatic parallelism | chromatic wedge | common-tone diminished 7th | entering | gentle | leading lady | mysterious | parallelism | room | sneaking | source to score

City for Conquest (1940)

I'm Just Wild About Harry (Delicato)0:25:06 - Peggy calls Murray11th chord | added-note chord | advance plot | altered dominant | calling | common-tone diminished 7th | conversing | leading lady | mode mixture | pleasant | room | source to score | telephone | upbeat

City for Conquest (1940)

Tone Poem A0:27:25 - Eddie composes at the pianoadvance plot | brother | composer | composing | leading man | musician | on-screen music | parallelism | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:40 - Eddie plays the piano13th chord | advance plot | brother | composer | composing | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A0:27:59 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | composer | composing | deceptive resolution | enharmonic respelling | leading man | musician | on-screen music | piano | playing | romantic | room | source music | transcribed by ear

City for Conquest (1940)

Negra Consentida0:41:21 - The Carleton Plaza Towersadvance plot | arriving | boxer | dance band | dancer | dancing | leading man | musician | on-screen music | parallel double period | party | playing | source music | upbeat

City for Conquest (1940)

Tone Poem A0:42:10 - Eddie plays the piano9th chord | 11th chord | 13th chord | advance plot | boxer | brother | common-chord modulation | composer | conversing | crowd | deceptive resolution | leading man | musician | on-screen music | party | piano | playing | romantic | source music | transcribed by ear

City for Conquest (1940)

Tone Poem A (Stride Piano)0:43:27 - Eddie plays the piano9th chord | 11th chord | 13th chord | added-note chord | advance plot | augmented sixth chord | boxer | brother | chord substitution | common-tone diminished 7th | composer | conversing | crowd | foreign key modulation | leading man | mode mixture | musician | on-screen music | parallelism | party | piano | playing | ragtime | source music | syncopation | upbeat

City for Conquest (1940)

Adios Muchachos0:50:27 - Peggy arrives homeadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

Adios Muchachos0:51:19 - Peggy talks with Murrayadvance plot | arriving | cheerful | conversing | dancer | leading lady | parallel double period | record player | room | source music | tango

City for Conquest (1940)

42nd Street0:51:52 - People arriving at a danceAABA structure | advance plot | club | crowd | dance band | dancer | dancing | musician | on-screen music | source music | upbeat

City for Conquest (1940)

Drum Roll0:52:51 - Peggy and Danny at the danceadvance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music

City for Conquest (1940)

Drum Roll0:53:08 - People applaud for Dannyadvance plot | announcer | announcing | club | crowd | dance band | dramatic | on-screen music | source music

City for Conquest (1940)

Corn Pickin'0:53:35 - People dancing the jitterbugAABA structure | advance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Japanese Sandman0:54:33 - Danny and Peggy at the danceadvance plot | boxer | club | crowd | dance band | dancer | dancing | leading lady | leading man | on-screen music | source music | upbeat

City for Conquest (1940)

Where Were You When the Moon Came Out (Fragment)0:56:56 - Eddie plays the pianoadvance plot | composer | composing | musician | on-screen music | piano | room | source music

City for Conquest (1940)

Garden of the Moon1:00:04 - Backstage at the Club MadridAABA structure | advance plot | conversing | dancer | dressing room | leading lady | preparing | source music | upbeat

City for Conquest (1940)

Miramar1:00:44 - Danny prepares for a fightadvance plot | boxer | conversing | leading man | locker room | manager | march | parallel double period | preparing | source music | upbeat

City for Conquest (1940)

Piggy Wiggy Woo1:10:52 - Peggy criesadvance plot | conversing | crying | dancer | dressing room | leading lady | source music | upbeat

City for Conquest (1940)

Where Were You When the Moon Came Out1:19:38 - Danny resting in bedadvance plot | blur | brother | composer | dancing | leading man | listening | musician | on-screen music | parallel double period | playing | room | singer | singing | source music | upbeat | victim

City for Conquest (1940)

Where Were You When the Moon Came Out (Sad)1:20:48 - Eddie plays the pianoadvance plot | altered dominant | blur | brother | composer | leading man | musician | on-screen music | playing | room | sentimental | source music | victim | watching

City for Conquest (1940)

Tone Poem A (The Song of the City)1:23:05 - Eddie plays the piano9th chord | 13th chord | advance plot | brother | common-chord modulation | composer | diminished 7th chord | leading man | listening | musician | on-screen music | playing | romantic | room | source music | transcribed by ear | victim

City for Conquest (1940)

Powder My Back1:23:34 - A burlesque marqueeadvance plot | conversing | dancer | dancing | leading lady | manager | on-screen music | phrase extension | singer | singing | source music | stage | upbeat

City for Conquest (1940)

Tone Poem A (Lento 2)1:28:11 - Peggy cries9th chord | advance plot | altered dominant | conversing | crying | foreign key modulation | friend | leading lady | room | sequence | somber

City for Conquest (1940)

Tone Poem D (Dolce)1:28:33 - Gladys talks to Peggy9th chord | 11th chord | advance plot | blue note | chromatic sequence | comforting | common-tone diminished 7th | conversing | crying | friend | gentle | leading lady | mode mixture | newspaper | parallel fifths | room | sweet

City for Conquest (1940)

Tone Poem A (Maestoso)1:29:11 - Peggy looks upadvance plot | friend | hopeful | leading lady | mode mixture | newspaper | reading | room | suspension
Crime School (1938)Sue (Policeman)0:12:34 - Cop comes to the houseadvance plot | building | mysterious | police

Crime School (1938)

Policeman walks up stairs0:12:47 - Cop walks up the stairs to Sue's flatadvance plot | ascending | building | mickey-mousing | mysterious | police | quartal chord | up

Crime School (1938)

Underscoring (Mysterious)0:24:12 - Gang settles into their roomadvance plot | conversing | dissonant bass | gang | mysterious | pedal tone | reformatory | teenager | underscoring

Crime School (1938)

Underscoring (Gentle)0:35:46 - Mark visits Frankie in the sick roomadvance plot | caring | conversing | dark | hospital | leading man | reformatory | teenager | tender | underscoring | warden

Crime School (1938)

Marks0:36:14 - Mark looks at the whip marks on Frankie's backadvance plot | dark | hospital | leading man | looking | reformatory | teenager | violence | warden | wounded

Crime School (1938)

The Warden (Punishment)0:36:22 - Warden defends his punishmentadvance plot | chromatic wedge | conversing | dark | evil | hospital | leading man | reformatory | teenager | warden | whole-tone chord

Crime School (1938)

The Drunken Doctor0:36:35 - Drunk doctor comes inadvance plot | alcohol | altered dominant | comical | doctor | drinking | drunk | drunk | hospital | parallel period | reformatory

Crime School (1938)

Underscoring (Subtle)0:37:09 - Transition to cafeteriaadvance plot | conversing | hospital | leading man | reformatory | somber | teenager | underscoring | warden

Crime School (1938)

Sue (Hospital)0:57:38 - The doctor takes care of Squirt in the hospitaladvance plot | calm | conversing | doctor | hero | hospital | leading man | nurse | peaceful | reformatory | teenager | treating

Crime School (1938)

Put on Your Old Grey Bonnet0:59:13 - The boys sing in the shoe repair shopadvance plot | cheerful | gang | hammering | on-screen music | reformatory | singing | source music | teenager | worker | working

Crime School (1938)

Underscoring (Tense)1:06:17 - Spike talks to Frankie about his sisteradvance plot | anger | arguing | mysterious | pc set | reformatory | teenager | tense | underscoring

Crime School (1938)

Underscoring (Dramatic)1:06:55 - Frankie hits Spikeadvance plot | anger | arguing | chromatic parallelism | chromatic wedge | dramatic | reformatory | teenager | underscoring

Crime School (1938)

Sue (Mysterious)1:07:09 - Spike talks to Frankie about his sisteradvance plot | arguing | mysterious | reformatory | teenager | thinking | worrying

Crime School (1938)

Sue (Troubled)1:07:37 - Frankie is troubled about his sisteradvance plot | chromatic parallelism | chromatic sequence | conversing | gang | reformatory | teenager | thinking | troubled | worried

Crime School (1938)

Sue (Prison Moods)1:08:48 - Boys talk to Frankie about his sisteradvance plot | chromatic parallelism | dissonant | dissonant bass | distortion | gang | minor second | mysterious | plotting | reformatory | teenager | tense | tone cluster

Crime School (1938)

Underscoring (Tense)1:09:46 - Boys talk to Frankieadvance plot | chromatic parallelism | gang | gun | keys | mickey-mousing | mysterious | ominous | pc set | plotting | reformatory | teenager | tense | underscoring

Crime School (1938)

Keys1:09:50 - Spike tosses keys on bedadvance plot | dropping | gang | keys | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing

Crime School (1938)

Gun toss1:10:32 - Spike tosses gun on bedadvance plot | dropping | gang | gun | mickey-mousing | mysterious | pc set | reformatory | teenager | tense | tossing
They Made Me a Criminal (1939)The Awakening0:14:48 - Johnnie wakes upadvance plot | chromatic scale | confusion | deceptive resolution | leading man | metric modulation | mysterious | octatonic chord | octatonic scale | pc set | room | waking | whole-tone chord

They Made Me a Criminal (1939)

Reading0:15:29 - Johnnie reads a newspaperadvance plot | chromatic scale | dissonant bass | leading man | newspaper | reading | room | tense | whole-tone chord

They Made Me a Criminal (1939)

Underscoring (Dramatic)0:16:01 - Johnnie rushes insideadvance plot | chromatic scale | dramatic | leading man | minor-major 7th chord | newspaper | room | rushing | underscoring

They Made Me a Criminal (1939)

Underscoring (Somber)0:22:16 - Close-up on Johnnieadvance plot | leading man | money | realizing | room | somber | stinger | underscoring

They Made Me a Criminal (1939)

The Fugitive (Triste)0:23:12 - Johnnie at a diner9th chord | advance plot | diner | leading man | money | somber | thinking | underscoring

They Made Me a Criminal (1939)

Drops money0:23:19 - Johnnie drops his moneyadvance plot | diner | dropping | leading man | mickey-mousing | money | somber

They Made Me a Criminal (1939)

Underscoring (Mysterious)0:23:21 - Men at the diner stand upadded-note chord | advance plot | diner | dissonant bass | fighting | half-diminished 7th chord | leading man | linear chromaticism | money | mysterious | sitting | sneaking | underscoring | whole-tone chord

They Made Me a Criminal (1939)

Steps on money0:23:30 - A man steps on Johnnie's moneyadvance plot | diner | half-diminished 7th chord | leading man | mickey-mousing | money | mysterious | stepping

They Made Me a Criminal (1939)

Jumps off train0:24:21 - Johnnie jumps off the moving trainadvance plot | diminished 7th chord | dissonant bass | dramatic | escaping | jumping | leading man | mickey-mousing | train | train

They Made Me a Criminal (1939)

The Fugitive0:24:29 - Johnnie walks9th chord | advance plot | altered dominant | desert | foreign key modulation | leading man | Neapolitan | tired | traveling | walking | wandering

They Made Me a Criminal (1939)

On the Make (Extended)0:53:21 - Johnnie and Peggy drive in a carABAB structure | added-note chord | advance plot | altered dominant | car | car | cheerful | conversing | driving | hero | kissing | leading lady | leading man | linear chromaticism | mode mixture | phrase extension | romantic | traveling

They Made Me a Criminal (1939)

By a Waterfall0:55:35 - A shower signadvance plot | cheerful | comical | hero | leading man | on-screen music | popular music | ranch | showering | singing | source music | teenager | whistling

They Made Me a Criminal (1939)

The Arena1:01:22 - A fight posteradvance plot | augmented sixth chord | dark | detective | fanfare | leading man | light | polytonality | poster | street | thinking

They Made Me a Criminal (1939)

Marcia Grotesque1:01:48 - Johnnie talks to another boxeradvance plot | altered dominant | comical | conversing | hero | leading man | march | mode mixture | room

They Made Me a Criminal (1939)

Underscoring (Tense)1:02:14 - Johnnie overhears the detectiveadvance plot | chromatic scale | detective | dissonant bass | hiding | leading man | ominous | room | tense | underscoring

They Made Me a Criminal (1939)

The Fugitive (Hiding)1:02:31 - Detective buys tickets to Johnnie's matchadvance plot | detective | hiding | leading man | pedal tone | room | suspenseful | tense

They Made Me a Criminal (1939)

Marche Funebre1:02:45 - Boys look at poster of a boxer64 chord | advance plot | Chopin | classical music | conversing | dark | death | poster | room | teenager
Deep Valley (1947)Homestead (Sordini)0:16:14 - Ellie talks with Libbyadvance plot | calm | conversing | delicate | leading lady | memory | mother | past | room | sentimental

Deep Valley (1947)

Underscoring (Tense)0:17:06 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | stinger | tense | underscoring

Deep Valley (1947)

Homestead (Triste)0:17:34 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | tense

Deep Valley (1947)

Underscoring (Somber)0:17:55 - Libby talks with Ellieadvance plot | conversing | dark | leading lady | mother | room | somber | underscoring

Deep Valley (1947)

Homestead (Somber)0:18:26 - Ellie talks with Libbyadvance plot | conversing | dark | leading lady | mother | room | somber

Deep Valley (1947)

Barry (Misterioso)0:28:31 - Libby talks with Jeffadvance plot | boss | conversing | dark | leading lady | leading man | mysterious | room | somber

Deep Valley (1947)

Homestead (Morendo)0:29:17 - Jeff talks with Libbyadvance plot | boss | conversing | leading lady | leading man | room | somber

Deep Valley (1947)

Libby 30:29:40 - Close-up on Libbyadvance plot | boss | conversing | dance-like | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)0:29:58 - Libby pulls away from Jeff's graspadvance plot | boss | dark | leading lady | leading man | leaving | lightning | room | running | storm | thunder

Deep Valley (1947)

Libby 30:30:31 - Libby watches the stormadvance plot | arriving | boss | hesitant | leading lady | leading man | leaving | lightning | room | storm | thunder | watching

Deep Valley (1947)

Homestead (Slowly)0:37:05 - Ellie in her roomadvance plot | arriving | father | mother | room | somber | street | waiting

Deep Valley (1947)

Libby 2 (Misterioso)0:37:32 - Cliff looks for Libbyadvance plot | calling | father | mysterious | room | searching | tense

Deep Valley (1947)

Libby 3 (Dolce)0:37:47 - Cliff looks for Libbyadvance plot | father | room | searching | tender

Deep Valley (1947)

JoeNIF - not in filmadvance plot | cut from film

Deep Valley (1947)

Drudge0:38:02 - Ellie looks out the windowadvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Libby 3 (Brief)0:38:54 - Cliff closes a dooradvance plot | father | mother | room | tender | waiting

Deep Valley (1947)

Joe (Allegretto Grazioso)0:39:06 - Libby in the woodsadvance plot | dog | forest | happy | leading lady | running | upbeat | walking

Deep Valley (1947)

Love Theme (Full)0:39:50 - Libby in the cabinadvance plot | arriving | cabin | calm | dog | leading lady | noble

Deep Valley (1947)

Underscoring (Tense)0:40:24 - Barry in the woodsadvance plot | convict | forest | fugitive | leading man | searching | tense | underscoring

Deep Valley (1947)

Barry (Hiding)0:40:45 - Barry hidesadvance plot | convict | forest | fugitive | leading man | mysterious | rushing | tense

Deep Valley (1947)

Woods0:40:58 - Libby swimmingadvance plot | cheerful | convict | dog | forest | fugitive | leading lady | leading man | searching | swimming | upbeat

Deep Valley (1947)

Woods (Misterioso)0:41:27 - Barry goes to the cabinadvance plot | convict | forest | fugitive | leading man | mysterious | searching

Deep Valley (1947)

Barry (Dark)0:41:38 - Barry explores the cabinadvance plot | cabin | convict | fugitive | leading man | mysterious | searching | tense

Deep Valley (1947)

Woods0:42:41 - Libby arrives at the cabinadvance plot | arriving | cabin | cheerful | convict | dog | fugitive | leading lady | leading man | upbeat

Deep Valley (1947)

Barry (Ferroce)0:42:50 - Libby sees Barryadvance plot | cabin | convict | dark | dog | fierce | fugitive | leading lady | leading man | threatening

Deep Valley (1947)

Underscoring (Dramatic)1:02:02 - Libby in her roomadvance plot | arriving | dramatic | father | leading lady | police | room | searching | street | tense | underscoring | watching

Deep Valley (1947)

Law (Misterioso)1:02:41 - Libby looks out the windowadvance plot | father | leading lady | manhunt | mysterious | police | room | searching | street | tense

Deep Valley (1947)

Barry (Misterioso)1:02:50 - Libby runs to the dooradvance plot | leading lady | mother | mysterious | room | rushing | tense

Deep Valley (1947)

Law (Tense)1:02:57 - Libby goes down the stairsadvance plot | leading lady | mother | room | sneaking | tense

Deep Valley (1947)

Barry (Misterioso)1:03:09 - Ellie approachesadvance plot | leading lady | mother | mysterious | room | sneaking

Deep Valley (1947)

Libby 31:03:21 - Ellie talks with LIbbyadvance plot | conversing | hesitant | leading lady | lying | mother | room

Deep Valley (1947)

Libby (Stormy)1:03:40 - Ellie talks with Libbyadvance plot | conversing | hesitant | leading lady | lying | mother | room | tense

Deep Valley (1947)

Underscoring (Tense)1:03:52 - Libby sneaks awayadvance plot | leading lady | packing | room | rushing | tense | underscoring

Deep Valley (1947)

Barry (Contrary Motion)1:04:10 - Libby gathers thingsadvance plot | leading lady | mickey-mousing | packing | police | rolling | room | rushing | tense

Deep Valley (1947)

Homestead (Lento)1:07:51 - Ellie and Cliff play cardsadvance plot | calm | cards | conversing | father | leading lady | mother | playing | room

Deep Valley (1947)

Homestead (Morendo)1:08:13 - Libby talks with her parentsadvance plot | conversing | father | leading lady | mother | room | somber

Deep Valley (1947)

Libby 31:08:56 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room

Deep Valley (1947)

Libby (Stormy)1:09:20 - Jeff talks with Libbyadvance plot | conversing | hesitant | leading lady | leading man | room | tense

Deep Valley (1947)

Underscoring (Tense)1:09:40 - Jeff talks with Libbyadvance plot | conversing | leading lady | leading man | room | stinger | tense | underscoring

Deep Valley (1947)

Barry (Tense 2)1:15:38 - Barry drops his gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense

Deep Valley (1947)

Barry (Tender)1:15:59 - Barry apologizes to Libbyadvance plot | apologizing | barn | convict | embracing | fugitive | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Kiss)1:16:19 - Barry kisses Libbyadvance plot | barn | convict | crying | embracing | fugitive | kissing | leading lady | leading man | love interest | tender

Deep Valley (1947)

Deep Valley (Sostenuto)1:16:37 - Libby talks with Barryadvance plot | barn | calm | conversing | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:17:04 - Barry picks up the gunadvance plot | barn | conversing | convict | fugitive | leading lady | leading man | love interest | tense | underscoring

Deep Valley (1947)

Deep Valley (Dolce)1:17:25 - Barry talks with Libbyadvance plot | barn | conversing | convict | fugitive | gentle | leading lady | leading man | love interest | tender

Deep Valley (1947)

Underscoring (Dramatic)1:17:55 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | sneaking | stinger | tense | walking

Deep Valley (1947)

Drops gun1:18:35 - Libby drops the gun down a welladvance plot | dropping | gun | leading lady | mickey-mousing | tense | yard

Deep Valley (1947)

Deep Valley (Lonely)1:18:43 - Barry looks aroundadvance plot | barn | leading lady | leaving | lonely | yard

Deep Valley (1947)

My Bonnie Lies Over the Ocean1:21:19 - Barry listens at the dooradvance plot | barn | cheerful | convict | father | fugitive | leading man | love interest | singing

Deep Valley (1947)

Deep Valley (Misterioso)1:23:23 - Barry looks at Libbyadvance plot | barn | calm | convict | embracing | fugitive | kissing | leading lady | leading man | love interest | mysterious

Deep Valley (1947)

Underscoring (Dramatic)1:23:43 - Barry hears a noiseadvance plot | barn | convict | dramatic | fugitive | leading lady | leading man | love interest | rushing | tense | worrying

Deep Valley (1947)

Homestead (Walking)1:23:47 - Cliff on the porchadvance plot | arriving | calm | convict | father | fugitive | leading lady | leading man | love interest | porch

Deep Valley (1947)

Joe (Running)1:23:58 - Barry talks to Libbyadvance plot | barn | calm | conversing | convict | fugitive | leading lady | leading man | love interest

Deep Valley (1947)

Underscoring (Tense)1:24:11 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying

Deep Valley (1947)

Libby (Sneaking)1:24:14 - Libby talks to Barryadvance plot | barn | convict | fugitive | leading lady | leading man | love interest | tense | worrying | worrying effect

Deep Valley (1947)

Deep Valley1:24:39 - Libby talks to Barryadvance plot | barn | calm | convict | fugitive | hopeful | hoping | leading lady | leading man | love interest

Deep Valley (1947)

Law (Tense)1:25:09 - Posse on the prowladvance plot | forest | police | tense | walking

Deep Valley (1947)

Barry (Misterioso)1:25:16 - Barry shavingadvance plot | arriving | convict | fugitive | leading lady | leading man | love interest | mysterious | street

Deep Valley (1947)

Running (Extended)1:29:26 - Libby runs to the barnadvance plot | barn | convict | father | fugitive | hesitating | leading lady | leading man | love interest | mickey-mousing | running | tense | uneasy | yard

Deep Valley (1947)

Barry (Very Slowly)1:30:02 - Libby climbs the ladderadvance plot | arriving | barn | climbing | convict | fugitive | leading lady | leading man | love interest | somber | uneasy | walking

Deep Valley (1947)

Libby (Somber) + Barry (Somber)1:30:26 - Libby talks to Barryadvance plot | barn | combination of themes | comforting | convict | fugitive | leading lady | leading man | love interest | somber

Deep Valley (1947)

Deep Valley (Quasi Appassionato)1:30:51 - Barry looks at Libbyadvance plot | barn | comforting | conflicted | convict | fugitive | hopeful | leading lady | leading man | love interest

Deep Valley (1947)

Barry (Drunk)1:31:10 - Barry talks to Libbyadvance plot | anxious | anxious effect | barn | conversing | convict | fugitive | leading lady | leading man | love interest | worried | worrying

Deep Valley (1947)

Deep Valley (Delicato)1:31:30 - Barry embraces Libbyadvance plot | barn | comforting | convict | fugitive | hopeful | leading lady | leading man | love interest | street | tense

Deep Valley (1947)

Underscoring (Tense)1:33:08 - The Sheriff talks with Ellieadvance plot | conversing | evidence | mother | ominous | porch | sheriff | stinger | tense

Deep Valley (1947)

Love Theme1:33:30 - A shot of the barnadvance plot | mellow | mother | porch | sheriff | uneasy | walking

Deep Valley (1947)

Libby 2 (Molto Expressivo)1:33:40 - Ellie walks to the barnadvance plot | barn | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | sneaking | tense | walking | yard

Deep Valley (1947)

Libby 2 (Misterioso)1:34:15 - Ellie climbs the ladderadvance plot | barn | climbing | convict | eavesdropping | fugitive | leading lady | leading man | love interest | mother | mysterious | sneaking | tense
Dust Be My Destiny (1939)Train whistle0:17:18 - A distant train whistle soundsadvance plot | dissonant | leading man | mickey-mousing | pc set | prison | train whistle

Dust Be My Destiny (1939)

Escape Plan0:17:23 - Joe talks with the boysadvance plot | leading man | pc set | prison | quotation | sincere

Dust Be My Destiny (1939)

Dust Be My Destiny (Pleading)0:17:41 - Mabel pleads for Joeadvance plot | intervallic expansion | leading lady | pleading | prison | sincere | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Medical Report)0:17:58 - Warden talks about Charlieadvance plot | leading lady | oppressive | parallelism | prison | warden

Dust Be My Destiny (1939)

Dust Be My Destiny (Expectant)0:18:08 - Mabel leavesadvance plot | expectant | gentle | guard | hopeful | leading lady | leading man | pedal tone | prison | prisoner | sweet

Dust Be My Destiny (1939)

Dust Be My Destiny (In Love)0:27:22 - Joe and Mabel talk9th chord | added-note chord | advance plot | common-tone diminished 7th | freedom | gentle | leading lady | leading man | mode mixture | runaway | secondary dominant | street | walking

Dust Be My Destiny (1939)

Dust Be My Destiny (Milkman)0:27:38 - Joe and Mabel talk to the milkmanadvance plot | comical | glass | leading lady | leading man | milk | milkman | pizzicato | street

Dust Be My Destiny (1939)

Dust Be My Destiny (A Hotel)0:28:47 - Joe mentions going to a hoteladvance plot | altered dominant | concerned | leading lady | leading man | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Hiding)0:47:35 - Nick talks with Joe42 chord | advance plot | anxious | diminished 7th chord | diner | fragmentation | friend | hiding | leading man | money | runaway | shopkeeper | suspense

Dust Be My Destiny (1939)

Headlines1:03:23 - Headline about the robberyadvance plot | augmented triad | chromatic sequence | diner | dramatic | newspaper | newspaper boy | selling | street

Dust Be My Destiny (1939)

Dust Be My Destiny (Mysterioso)1:05:26 - Joe talks to Mikeadvance plot | chromatic parallelism | chromatic sequence | dark | leading man | linear chromaticism | newspaper editor | office | ominous | somber

Dust Be My Destiny (1939)

Dust Be My Destiny (Relief)1:06:54 - Mike talks with Joeadvance plot | hopeful | leading man | mode mixture | newspaper editor | office | relieved

Dust Be My Destiny (1939)

Dust Be My Destiny (Dolceeessimo)1:08:53 - Joe and Mabel talkadvance plot | chromatic mediant | foreign key modulation | hopeful | intervallic expansion | leading lady | leading man | peaceful | room

Dust Be My Destiny (1939)

Dust Be My Destiny (Emergency Room)1:11:01 - The hospital waiting room64 chord | advance plot | concern | hospital | leading lady | pedal tone | police | reporter

Dust Be My Destiny (1939)

Dust Be My Destiny (Reunited)1:11:25 - Mabel embraces Joe after she meets him64 chord | advance plot | doctor | embracing | happy | hero | hospital | leading lady | leading man | nurse

Dust Be My Destiny (1939)

Dust Be My Destiny (Simply)1:11:50 - Mabel and Joe talkadvance plot | doctor | hero | hospital | leading lady | leading man | nurse | peaceful

Dust Be My Destiny (1939)

Dust Be My Destiny (Leaving Hospital)1:11:57 - Mabel and Joe start to leave11th chord | advance plot | hero | hospital | leading lady | leading man | peaceful | pedal tone | photographer | reporter
Each Dawn I Die (1939)Walking0:22:22 - Man paces back and forth in the prison yardadvance plot | anxious | crazed | mickey-mousing | mysterious | pacing | pc set | prison | prisoner | walking
Flamingo Road (1949)Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:12:05 - The Eagle CafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | source music | upbeat

Flamingo Road (1949)

Can't We Be Friends0:13:38 - Lane and Field at the cafeAABA structure | advance plot | conversing | leading lady | leading man | police | popular music | restaurant | sentimental | source music

Flamingo Road (1949)

Cheatin' on Me0:19:12 - Lane works at the caféAABA structure | advance plot | café | leading lady | leading man | leaving | police | source music | upbeat | waitress | working

Flamingo Road (1949)

South American Way0:22:08 - Field and Titus arrive at Lute Mae's Tavernadvance plot | club | dancer | dancing | gambling | leading man | musician | on-screen music | playing | police | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

It Had to Be You0:23:44 - Politicians gamble and talkABAC structure | advance plot | club | gambling | leading man | police | politician | sentimental | sheriff | source music | waitress

Flamingo Road (1949)

Somebody Loves Me0:25:19 - Politicians plotAABA structure | advance plot | club | leading man | plotting | police | politician | sentimental | sheriff | source music

Flamingo Road (1949)

Titus (Inverted)0:30:13 - Townsfolk talk about Titusadvance plot | dark | inversion | newspaper | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus 2 (Extended)0:30:27 - Field overhears people talking about Titusadvance plot | chromatic sequence | dark | leading man | mysterious | newspaper | parallelism | reading | self-borrowing | street | townsfolk

Flamingo Road (1949)

Titus (Ostinato)NIF - not in filmadvance plot | arguing | café | cut from film | cut from film | employer | leading lady | lying | ostinato | self-borrowing | waitress

Flamingo Road (1949)

Lane (Not in Film 2)NIF - not in film9th chord | advance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | whole-tone chord

Flamingo Road (1949)

Titus 2 (Not in Film)NIF - not in filmadvance plot | chromatic parallelism | conversing | cut from film | cut from film | leading lady | newspaper editor | office | self-borrowing

Flamingo Road (1949)

Titus 2 (Pete Lies)0:40:11 - Field asks why Lane was firedadvance plot | café | conversing | employer | leading man | mysterious | politician | self-borrowing

Flamingo Road (1949)

If I Could Be With You (Somber)0:40:31 - Field talks to Lane's co-worker9th chord | 11th chord | advance plot | café | common-tone diminished 7th | conversing | coworker | deceptive resolution | diminished 7th chord | leading man | linear chromaticism | politician | reverse picardy | sigh gesture | somber

Flamingo Road (1949)

Titus 2 (Maestoso)0:41:11 - Women enter the prison advance plot | dark | dramatic | leading lady | prison | prisoner | self-borrowing | walking

Flamingo Road (1949)

Lane (Lonely)0:41:27 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | leading lady | lonely | prison | prisoner | reverse picardy | somber

Flamingo Road (1949)

Lane (Grazioso)0:41:46 - Lane talks to a fellow prisoneradvance plot | conversing | foreign key modulation | hopeful | leading lady | prison | prisoner | upbeat

Flamingo Road (1949)

Lane (Hopeful)0:41:58 - Lane talks to a fellow prisoneradvance plot | conversing | deceptive resolution | gentle | hopeful | leading lady | pedal tone | prison | prisoner

Flamingo Road (1949)

Lute Mae (A Reminiscence)0:42:04 - A female prisoner talks about Lute Mae's13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing

Flamingo Road (1949)

Lane (Fragmented)0:42:21 - Lane talks to a fellow prisoneradvance plot | conversing | fragmentation | leading lady | prison | prisoner | somber

Flamingo Road (1949)

You Must Have Been a Beautiful Baby0:43:13 - A woman sings and plays the pianoadvance plot | conversing | employer | leading lady | on-screen music | room | sentimental | singer | singing | source music

Flamingo Road (1949)

The Blue Room0:44:58 - Lane dresses for workAABA structure | advance plot | club | conversing | leading lady | politician | sheriff | source music | upbeat | waitress

Flamingo Road (1949)

Titus (Angry)0:45:24 - Titus sees Laneadvance plot | anger | angry | club | dark | leading lady | noticing | ominous | politician | retrograde | self-borrowing | sheriff | sinister | waitress

Flamingo Road (1949)

Agitato (Angry)0:45:50 - Dan argues with Titusadvance plot | anger | angry | arguing | chromatic parallelism | chromatic scale | chromatic wedge | club | leading lady | politician | polychord | self-borrowing | sheriff | smashing | stinger | waitress

Flamingo Road (1949)

Lute Mae (Tenderly)1:03:37 - Dan is grateful for Lane's gift to him13th chord | added-note chord | advance plot | comical | common-chord modulation | conversing | embracing | happy | husband | leading lady | leading man | maid | room | self-borrowing | tender | wife

Flamingo Road (1949)

Flamingo Road (Tenderly)1:03:58 - Dan and Lane have teaadvance plot | conversing | gentle | husband | leading lady | leading man | mode mixture | room | self-borrowing | serving | tea | wife

Flamingo Road (1949)

Flamingo Road (Tense) + Titus1:04:16 - Titus enters the roomadvance plot | combination of themes | conversing | leading lady | leading man | politician | room | self-borrowing | sheriff | tense | whole-tone scale

Flamingo Road (1949)

Flamingo Road (Misterioso) + Titus1:04:33 - Titus talks to Danadvance plot | combination of themes | conversing | distortion | fragmentation | leading lady | leading man | mysterious | politician | room | self-borrowing | sequence | sheriff

Flamingo Road (1949)

Titus 2 (Threatening)1:04:45 - Titus threatens Laneadvance plot | chromatic parallelism | leading lady | room | self-borrowing | sheriff | threatening | threatening

Flamingo Road (1949)

Titus1:04:55 - Titus insults Laneadvance plot | dark | leading lady | leading man | ominous | politician | room | self-borrowing | sheriff | threatening

Flamingo Road (1949)

Titus1:06:35 - Titus leavesadvance plot | dark | leading man | leaving | ominous | politician | room | self-borrowing | sheriff

Flamingo Road (1949)

Titus 2 (Slowly)1:06:43 - Dan talks to Lane about Titusadvance plot | chromatic parallelism | leading lady | leading man | lying | room | self-borrowing | tense

Flamingo Road (1949)

Agitato (Angry)1:09:25 - Titus leavesadvance plot | agitated | angry | chromatic parallelism | chromatic scale | chromatic wedge | leading man | leaving | politician | polychord | sheriff | street | tense

Flamingo Road (1949)

Titus + Titus 21:09:43 - Titus bullies Fieldadvance plot | bullying | chromatic parallelism | combination of themes | commanding | dark | leading man | ominous | ostinato | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus (Menacing)1:09:59 - Titus and Field leaveadvance plot | bullying | commanding | dark | leading man | menacing | ominous | politician | self-borrowing | sheriff | street

Flamingo Road (1949)

Titus1:11:01 - Annabelle leaves Titusadvance plot | conversing | dark | ominous | porch | self-borrowing | sheriff | wife

Flamingo Road (1949)

Lane (Lonely)1:21:12 - Lane in her roomadvance plot | leading lady | lonely | mickey-mousing | pondering | rising | room | somber | waiting

Flamingo Road (1949)

Lane (Ominous)1:21:22 - A hand rings the doorbelladvance plot | leading lady | mysterious | ominous | pausing | pedal tone | ringing | room

Flamingo Road (1949)

Lane (Descending the Staircase)1:21:31 - Lane descends the stairsadvance plot | delicate | descending | leading lady | leading man | love interest | mickey-mousing | mysterious | parallelism | room | walking

Flamingo Road (1949)

If I Could Be With You (Maestoso)1:26:31 - Dan reads a telegram about Field's deathadvance plot | chromatic parallelism | diminished 7th chord | lawyer | leading man | linear chromaticism | politician | reading | suicide | telegram | tragic | train | violent

Flamingo Road (1949)

Mob1:28:20 - A mob forms outside of Lane's homeadvance plot | angry | anxious | augmented triad | chromatic parallelism | chromatic scale | friend | leading lady | minor-major 7th chord | mob | mobbing | ostinato | polyrhythm | room | tense | whole-tone chord

Flamingo Road (1949)

Titus1:28:52 - Lane says Titus's nameadvance plot | conversing | dark | friend | leading lady | mob | ominous | room | self-borrowing | zoom in

Flamingo Road (1949)

Agitato (Angry)1:29:00 - Lane goes to confront Titusadvance plot | angry | car | chromatic parallelism | chromatic scale | chromatic wedge | dramatic | driving | leading lady | polychord | source and scoring overlap | tense
Hell on Frisco Bay (1955)Steve0:11:11 - Steve knocks on dooradvance plot | arriving | conductor score | investigator | leading man | pleasant | porch | walking

Hell on Frisco Bay (1955)

Amato0:13:04 - Steve talks to manadvance plot | brash | conductor score | conversing | dark | investigator | leading man | ominous | porch

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:15 - Steve goes homeadvance plot | arriving | conductor score | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:24:44 - Steve packsadvance plot | conductor score | leading lady | leading man | packing | room | troubled

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:00 - Marcia entersadvance plot | conductor score | entering | leading lady | leading man | room | sentimental

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:14 - Marcia and Steve argueadvance plot | arguing | conductor score | leading lady | leading man | room | tense

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:27 - Marcia and Steve talkadvance plot | agitated | conductor score | conversing | leading lady | leading man | room

Hell on Frisco Bay (1955)

Hell on Frisco Bay0:25:56 - Marcia and Steve talkadvance plot | conductor score | conversing | leading lady | leading man | room | somber

Hell on Frisco Bay (1955)

Picks up suitcase0:26:22 - Steve picks up his suitcaseadvance plot | conductor score | hurried | leading man | mickey-mousing | picking up | room | rushing

Hell on Frisco Bay (1955)

Walking0:26:31 - Marcia walks to the dooradvance plot | conductor score | gangster | hurried | leading lady | leading man | mickey-mousing | room | walking

Hell on Frisco Bay (1955)

Menace0:29:01 - Steve cleans upadvance plot | cleaning | conductor score | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace0:31:38 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Menace 20:32:00 - Steve talks with the detectiveadvance plot | conductor score | conversing | dark | detective | investigator | leading man | ominous | room

Hell on Frisco Bay (1955)

Steve0:32:34 - Steve investigatesadvance plot | arriving | conductor score | investigator | leading man | neutral | street | walking

Hell on Frisco Bay (1955)

Disappointment0:36:18 - Steve leavesadvance plot | conductor score | dark | disappointed | investigator | leading man | leaving | somber | street

Hell on Frisco Bay (1955)

Georgie0:36:40 - George talks to his sonadvance plot | caring | child | conductor score | embracing | father | gentle | room | tender

Hell on Frisco Bay (1955)

Boy running0:36:50 - Georgie runs down the stairsadvance plot | child | conductor score | down | hurried | mickey-mousing | running | street

Hell on Frisco Bay (1955)

Steve0:38:01 - Steve shakes Georgie's handadvance plot | cheerful | child | conductor score | gentle | investigator | leading man | street | thanking

Hell on Frisco Bay (1955)

Dead Man0:38:18 - Dead man on the rocksadvance plot | body | brash | conductor score | dark | death | discovering | dock | violence

Hell on Frisco Bay (1955)

Headline0:38:23 - Newspaper headlineadvance plot | body | brash | dock | headline | newspaper | not in score

Hell on Frisco Bay (1955)

Put 'Em in a Box, Tie 'Em with a Ribbon, and Throw 'Em in the Deep Blue Sea0:40:24 - A dance halladvance plot | club | conversing | dancer | dancing | investigator | jazz | jazz band | leading man | on screen music | source music | upbeat

Hell on Frisco Bay (1955)

How Many Hearts Have You Broken0:40:22 - A dance halladvance plot | club | conversing | drowning | fighting | gangster | interrogating | investigator | jazz | leading man | mellow | source music

Hell on Frisco Bay (1955)

Amato0:47:01 - Amato talks with Lyeadvance plot | antagonist | brash | conductor score | conversing | gangster | harsh | leading man | room

Hell on Frisco Bay (1955)

Face twitching0:47:44 - Amato talks with Lyeadvance plot | antagonist | conductor score | conversing | gangster | leading man | room | uneasy

Hell on Frisco Bay (1955)

Amato0:48:03 - Amato teases Lyeadvance plot | agitated | antagonist | arguing | conductor score | gangster | leading man | room

Hell on Frisco Bay (1955)

Amato0:48:11 - Amato threatens Lyeadvance plot | antagonist | arguing | brash | conductor score | dark | gangster | leading man | room | threatening

Hell on Frisco Bay (1955)

Anna0:48:38 - Anna comforts Marioadvance plot | comforting | conductor score | gangster | gentle | room | sentimental | wife

Hell on Frisco Bay (1955)

Underscoring (Tense)0:52:13 - Dan waits for Steveadvance plot | conductor score | friend | gangster | investigator | leading man | pacing | street | tense | underscoring | waiting

Hell on Frisco Bay (1955)

Steve0:52:23 - Steve arrivesadvance plot | conductor score | conversing | friend | gangster | investigator | leading man | neutral | street

Hell on Frisco Bay (1955)

Steve runs0:52:55 - Steve runsadvance plot | conductor score | gangster | investigator | leading man | mickey-mousing | running | street | tense

Hell on Frisco Bay (1955)

Menace0:53:06 - Steve talks with Danadvance plot | conductor score | conversing | dark | gangster | investigator | leading man | sinister | street

Hell on Frisco Bay (1955)

Menace1:04:15 - Steve answers the phoneadvance plot | conductor score | dark | investigator | leading man | mysterious | room | waiting

Hell on Frisco Bay (1955)

Steve1:04:47 - Steve hangs up the phoneadvance plot | conductor score | dark | gentle | investigator | leading man | room | waiting

Hell on Frisco Bay (1955)

Anna1:04:54 - Anna talks to Amatoadvance plot | antagonist | conductor score | conversing | dark | gangster | gentle | leading man | room | wife

Hell on Frisco Bay (1955)

Menace1:08:27 - Amato threatens Brodyadvance plot | antagonist | conductor score | dark | gangster | leading man | street | threatening

Hell on Frisco Bay (1955)

Amato1:08:39 - Amato arrivesadvance plot | antagonist | arriving | brash | conductor score | dark | gangster | leading man | stinger | street

Hell on Frisco Bay (1955)

Lye1:09:00 - Amato calls Lyeadvance plot | antagonist | calling | conductor score | conversing | gangster | leading man | stinger | street | uneasy

Hell on Frisco Bay (1955)

It Can't Be Wrong1:09:26 - Amato talks to Lyeadvance plot | antagonist | calm | conversing | gangster | leading man | room | source music

Hell on Frisco Bay (1955)

It Had to Be You1:17:06 - Marcia sings at a clubadvance plot | calm | club | jazz | leading lady | leading man | on screen music | pianist | singer | singing | source music

Hell on Frisco Bay (1955)

Hell on Frisco Bay1:17:47 - Marcia and Steve talkadvance plot | calm | club | conductor score | conversing | leading lady | leading man | on-screen music | popular music | source music | source score

Hell on Frisco Bay (1955)

Underscoring (Mysterious)1:24:05 - Amato calls detectiveadvance plot | calling | gangster | leading man | mysterious | room | statue | tense | underscoring

Hell on Frisco Bay (1955)

Anna1:24:31 - Amato calls detectiveadvance plot | conversing | gangster | leading man | mysterious | religious | religious | room

Hell on Frisco Bay (1955)

Menace1:24:38 - Amato talks to detectiveadvance plot | detective | gangster | leading man | mysterious | plotting | police station | tense

Hell on Frisco Bay (1955)

Underscoring (Tense)1:24:53 - Amato talks to detectiveadvance plot | detective | gangster | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Amato1:25:21 - Amato sets up Lye and Kayadvance plot | betraying | detective | gangster | harsh | leading man | plotting | police station | tense

Hell on Frisco Bay (1955)

Anna1:25:41 - Amato looks at the statueadvance plot | gangster | leading man | looking | mysterious | religious | room | tense

Hell on Frisco Bay (1955)

Underscoring (Dramatic)1:30:27 - Steve tells Anna that Mario was murderedadvance plot | conversing | dark | investigator | leading man | murder | ominous | priest | room | shock | wife

Hell on Frisco Bay (1955)

Anna1:30:35 - Anna tells Steve where to find Amatoadvance plot | betraying | conversing | dark | investigator | leading man | ominous | priest | room | somber | wife
Her Kind of Man (1946)Gay White Way0:19:54 - Georgia looks at her jewelryadvance plot | cheery | conversing | crew | dancer | jewelry | leading lady | love interest | manager | on-screen music | piano | source music | stage

Her Kind of Man (1946)

Just Make Believe0:20:58 - Don talks to a manadvance plot | conversing | gentle | leading man | manager | on-screen music | piano | reporter | source music | stage

Her Kind of Man (1946)

Gay White Way0:33:01 - Don talks to some menadvance plot | cheery | conversing | crew | leading man | manager | on-screen music | playing | reporter | source music | theater

Her Kind of Man (1946)

Too Many Tears0:41:11 - Saratoga Casinoadvance plot | club | conversing | crowd | gambler | leading lady | leading man | love interest | manager | on-screen music | source music | upbeat

Her Kind of Man (1946)

Can't We Talk It Over0:45:42 - Georgia and Don in a photographadvance plot | club | conversing | crowd | dancing | husband | leading lady | newspaper | on-screen music | photograph | playing | source music | upbeat | waiter

Her Kind of Man (1946)

Please Don't Talk About Me When I'm Gone0:46:03 - Steve dances with a girladvance plot | club | conversing | criminal | dancing | floozy | gambler | henchman | leading man | on-screen music | source music | upbeat

Her Kind of Man (1946)

It Had to Be You0:47:09 - Georgia gets ready for bedadvance plot | cheery | gambler | leading lady | leading man | love interest | on-screen music | preparing | room | source music | waiting | whistling

Her Kind of Man (1946)

Newspaper0:51:32 - A newspaper articleadvance plot | leading man | newspaper | reporter | room | tense | uneasy | writing

Her Kind of Man (1946)

Love Is Sweeping the Country0:58:02 - The crowd applaudsadvance plot | club | conversing | criminal | crowd | gambler | henchman | husband | leading lady | leading man | on-screen music | owner | performing | reporter | singer | sister | source music | upbeat | wife

Her Kind of Man (1946)

Shanty in Old Shanty Town0:59:36 - A cop waitsadvance plot | arguing | club | conversing | leading man | observing | on-screen music | police | reporter | source music | upbeat | waiting

Her Kind of Man (1946)

Underscoring (Mysterious)1:05:01 - A dark dooradvance plot | arriving | conversing | husband | leading man | mysterious | reporter | room | underscoring | widow

Her Kind of Man (1946)

It Had to Be You (Sneaky)1:05:51 - Georgia hides Candyadvance plot | criminal | familiar tune | henchman | leading lady | leading man | mysterious | popular music | reporter | room | singer | sneaking | sneaky | source to score | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:07:50 - Don leavesadvance plot | arriving | car | car | criminal | driving | familiar tune | gambler | henchman | leading lady | leading man | murderer | mysterious | popular music | signaling | singer | street | warehouse | wife

Her Kind of Man (1946)

It Had to Be You1:09:05 - Georgia approaches the warehouseadvance plot | criminal | familiar tune | gambler | henchman | leading lady | leading man | murderer | neutral | popular music | score to source | singer | warehouse | whistling | wife

Her Kind of Man (1946)

It Had to Be You (Secret Rendezvous)1:09:09 - Georgia enters the warehouseadvance plot | arriving | conversing | embracing | familiar tune | gambler | kissing | leading lady | leading man | murderer | popular music | romantic | singer | source to score | uneasy | warehouse | wife

Her Kind of Man (1946)

It Had to Be You (Mysterious)1:11:11 - Georgia leavesadvance plot | departing | familiar tune | gambler | leading lady | leading man | murderer | mysterious | popular music | singer | warehouse | wife

Her Kind of Man (1946)

Candy1:11:27 - Candy approaches the warehouseadvance plot | arriving | criminal | gambler | henchman | leading man | murderer | tense | walking | warehouse

Her Kind of Man (1946)

It Had to Be You (Tense)1:11:43 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | tense | warehouse

Her Kind of Man (1946)

It Had to Be You (Tempo di Foxtrot)1:11:50 - Steve talks to Candyadvance plot | conversing | criminal | familiar tune | gambler | henchman | leading man | murderer | popular music | remembered source music | reminiscing | upbeat | warehouse

Her Kind of Man (1946)

Underscoring (Tense [Steiner])1:12:07 - Steve talks to Candyadvance plot | arguing | conversing | criminal | gambler | henchman | leading man | murderer | slapping | tense | underscoring | warehouse

Her Kind of Man (1946)

Underscoring (Dark [Steiner])1:12:32 - Candy reactsadvance plot | arguing | conversing | criminal | dark | gambler | henchman | leading man | murderer | ominous | underscoring | warehouse
I Was a Communist for the FBI (1951)I'm in a Jam with Baby0:15:20 - Matt enters a baradvance plot | agent | arriving | bar | calling | conversing | customer | dialing | jazz | jukebox | leading man | source music | sultry | telephone | undercover agent | walking

I Was a Communist for the FBI (1951)

Family0:25:26 - Matt looks at a photo albumadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Molto Expressivo)0:26:15 - Matt writes a letter to his sonadvance plot | baby | double exposure | flashback | gentle | leading man | letter | looking | love | memory | photograph | room | self-borrowing | sentimental | smiling | son | tender | thinking | undercover agent | voice-over | writing

I Was a Communist for the FBI (1951)

Family (Triste)0:38:00 - Matt enters his homeadvance plot | leading man | pacing | room | self-borrowing | solemn | somber | thinking | undercover agent

I Was a Communist for the FBI (1951)

Agitato Molto Misterioso0:38:32 - Matt notices that he has lost his letteradvance plot | leading man | letter | mysterious | reacting | room | searching | tense | undercover agent

I Was a Communist for the FBI (1951)

Undercover Agent (Ominous) + Family0:38:46 - Matt leaves his apartmentadvance plot | combination of themes | communist | dark | discovery | leading lady | letter | ominous | reacting | reading | self-borrowing | spy | street | teacher | tense | tritone

I Was a Communist for the FBI (1951)

(I'm Gonna Wait) A Little Bit Longer (For That Never-on-Time Baby of Mine)0:39:06 - Matt goes to a record shopadvance plot | agent | arguing | arriving | conversing | jazz | leading man | record player | record shop | shopkeeper | source music | undercover agent | upbeat | walking

I Was a Communist for the FBI (1951)

Don'cha Go 'Way Mad0:42:08 - Matt talks to agents in a back roomadvance plot | agent | conversing | jazz | planning | record player | record shop | sentimental | source music

I Was a Communist for the FBI (1951)

Ice Cold Katy0:53:21 - Matt follows Eveadvance plot | arguing | communist | jazz | leading lady | leading man | source music | spy | street | teacher | undercover agent | upbeat
In This Our Life (1942)Caring0:13:08 - Roy talks to Peteradvance plot | conversing | leading lady | leading man | packing | passionate | room | tender

In This Our Life (1942)

Stanley (Peter Lies)0:13:28 - Peter talks about his tripadvance plot | conversing | leading lady | leading man | lying | musical clue | packing | room | serious | somber

In This Our Life (1942)

Roy0:13:39 - Roy is relievedadvance plot | calm | conversing | leading lady | leading man | room

In This Our Life (1942)

Stanley (Divisi)0:13:57 - Roy helps Peter packadvance plot | conversing | leading lady | leading man | passionate | room

In This Our Life (1942)

Discussion0:14:09 - Roy talks with Peteradvance plot | conversing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Roy (Rubato)0:14:34 - Roy talks with Peteradvance plot | conversing | dark | leading lady | leading man | playful | room

In This Our Life (1942)

Pleadingly0:14:53 - Roy looks at Peteradvance plot | conversing | leading lady | leading man | room | yearning

In This Our Life (1942)

Roy (Lento)0:14:59 - Roy talks about their futureadvance plot | conversing | dark | embracing | leading lady | leading man | room | sweet

In This Our Life (1942)

Stanley B (Agitato)0:15:19 - Peter replies to Royadvance plot | agitated | arguing | leading lady | leading man | room | tense

In This Our Life (1942)

Roy (Morendo)0:15:43 - Roy responds to Peteradvance plot | conversing | embracing | leading lady | leading man | room | serious | somber

In This Our Life (1942)

Stanley (Maestoso)0:16:11 - Peter closes the dooradvance plot | brash | dark | leading lady | leading man | leaving | room | serious

In This Our Life (1942)

Stanley (Valse Triste)0:16:22 - Roy looks out the windowadvance plot | dark | leading lady | leading man | leaving | room | somber | waltz | watching | window

In This Our Life (1942)

Stanley B (Valse Triste)0:16:33 - Craig arrivesadvance plot | arriving | dark | leading lady | leading man | somber | street | waltz | watching | window

In This Our Life (1942)

Stanley (Valse Triste)0:16:44 - Craig comes insideadvance plot | dark | father | leading lady | leading man | room | somber | waltz

In This Our Life (1942)

Stanley Introduction0:16:56 - Craig talks with Asaadvance plot | conversing | father | fiancé | leading lady | room | tense | underscoring

In This Our Life (1942)

Stanley0:17:11 - Stanley comes down the stairsadvance plot | conversing | fiancé | kissing | leading lady | room | sultry

In This Our Life (1942)

Stanley B (Slowly)0:17:20 - Stanley talks with Craigadvance plot | conversing | dramatic | fiancé | kissing | leading lady | lying | room | sultry

In This Our Life (1942)

Stanley B (Poco Agitato)0:17:44 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Stanley (Packing)0:17:51 - Stanley packs her thingsadvance plot | agitated | leading lady | packing | room | tense

In This Our Life (1942)

Stanley B (Agitato)0:18:08 - Asa arrives in a caradvance plot | agitated | arriving | butler | father | room | tense

In This Our Life (1942)

South American Way0:24:06 - A spinning recordadvance plot | conversing | dancing | Latin-American | leading lady | leading man | love interest | popular music | record player | room | source music | upbeat

In This Our Life (1942)

Stanley0:28:32 - Roy walking in the parkadvance plot | dark | depressed | leading lady | leading man | park | sitting

In This Our Life (1942)

Roy (Rubato)0:29:00 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Pleadingly0:29:23 - Roy talks to Craigadvance plot | conversing | leading lady | leading man | park | uneasy

In This Our Life (1942)

Stanley (Morendo)0:29:32 - Craig talks with Royadvance plot | conversing | leading lady | leading man | park | somber

In This Our Life (1942)

Roy (Encouragement)0:29:56 - Roy tries to cheer Craig upadvance plot | conversing | encouraging | leading lady | leading man | park | uplifting

In This Our Life (1942)

Roy0:30:21 - Craig talks to Royadvance plot | conversing | gentle | leading lady | leading man | park | sweet

In This Our Life (1942)

Roy0:50:40 - Roy arrives at Stanley's apartmentadvance plot | arriving | friend | gentle | leading lady | room | sweet

In This Our Life (1942)

Underscoring (Gentle)0:50:58 - Roy talks with Bettyadvance plot | conversing | friend | gentle | leading lady | room | tender | underscoring

In This Our Life (1942)

Door opens0:51:37 - Betty opens the dooradvance plot | door | friend | gentle | leading lady | mickey-mousing | opening | room

In This Our Life (1942)

Caring0:51:39 - Roy greets Stanleyadvance plot | arriving | gentle | leading lady | room | sister | tender | widow

In This Our Life (1942)

Stanley (Peter Lies)0:51:55 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Slowly)0:52:05 - Roy at Stanley's bedsideadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Packing)0:52:23 - Roy at Stanley's bedsideadvance plot | conversing | gentle | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:42 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:52:48 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:52:56 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Discussion0:53:04 - Stanley talks to Royadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley B (Valse Triste)0:53:17 - Stanley criesadvance plot | agitated | conversing | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Valse Triste)0:53:23 - Roy comforts Stanleyadvance plot | comforting | crying | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Stanley Introduction0:53:32 - Roy comforts Stanleyadvance plot | comforting | crying | leading lady | room | sister | tense | widow

In This Our Life (1942)

Stanley0:53:46 - Roy comforts Stanleyadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Stanley (Morendo)0:53:56 - Roy puts Stanley to bedadvance plot | calm | comforting | leading lady | room | sister | widow

In This Our Life (1942)

Roy0:54:15 - Roy tucks Stanley inadvance plot | conversing | gentle | leading lady | room | sister | widow

In This Our Life (1942)

Blues in the Night0:54:51 - Stanley dressesadvance plot | blues | dressing | leading lady | record player | room | source music | upbeat | widow

In This Our Life (1942)

How Do I Know It's Sunday0:57:12 - Stanley starts a record playingadvance plot | conversing | crying | dancing | father | flirting | leading lady | leading man | popular music | record player | room | sister | source music | upbeat | widow

In This Our Life (1942)

Underscoring (Tense)1:05:14 - Craig in his officeadvance plot | arriving | lawyer | leading lady | leading man | office | tense | underscoring

In This Our Life (1942)

Stanley Introduction (Extended 2)1:05:31 - Stanley in Craig's officeadvance plot | conversing | lawyer | leading lady | leading man | office | reading | uneasy

In This Our Life (1942)

Stanley (Extended)1:05:53 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | solemn | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:06:13 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Triste)1:06:29 - Stanley talks to Craigadvance plot | conversing | lawyer | leading lady | leading man | office | uneasy

In This Our Life (1942)

Stanley (Misterioso)1:06:47 - Stanley hesitates at the dooradvance plot | hesitating | lawyer | leading lady | leading man | mysterious | office

In This Our Life (1942)

Stanley Introduction (Appassionato)1:07:01 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | passionate

In This Our Life (1942)

Stanley1:07:11 - Stanley talks to Craigadvance plot | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

Stanley B (Slowly)1:07:19 - Stanley talks to Craigadvance plot | anxious | lawyer | leading lady | leading man | manipulating | office | tense

In This Our Life (1942)

Stanley (Dark)1:07:32 - Stanley leavesadvance plot | dark | lawyer | leading lady | leading man | manipulating | office | uneasy

In This Our Life (1942)

South American Way1:07:39 - Stanley in a baradvance plot | bar | bartender | dancing | drinking | jukebox | leading lady | upbeat | waiting

In This Our Life (1942)

Stanley Introduction (Extended 3)1:12:42 - Stanley talks with Royadvance plot | conversing | criminal | leading lady | lying | room | tense

In This Our Life (1942)

Stanley (Molto Expressivo)1:12:57 - Stanley talks with Royadvance plot | calm | conversing | criminal | leading lady | lying | room

In This Our Life (1942)

Roy (Triste 2)1:13:12 - Roy talks with Minervaadvance plot | conversing | leading lady | maid | mother | questioning | room | solemn | somber

In This Our Life (1942)

Minerva and Parry1:13:29 - Minerva talks with Royadvance plot | calm | conversing | leading lady | maid | mellow | mother | questioning | room | sentimental | solemn | spiritual

In This Our Life (1942)

You're a Lucky Guy1:16:20 - Stanley dancesadvance plot | arriving | conversing | criminal | dancing | drinking | leading lady | popular music | record player | room | source music | upbeat
The Informer (1935)Blood Money (Counting Money)0:19:21 - Gypo closes the dooradvance plot | antagonist | counting | leading man | money | mysterious | street | tense | tritone

The Informer (1935)

Blind Man0:19:29 - Gypo meets the blind man64 chord | advance plot | antagonist | blind man | leading man | mysterious | street | walking

The Informer (1935)

Blood Money + Blind Man0:20:27 - Gypo looks at Frankie's poster againadvance plot | antagonist | combination of themes | leading man | looking | mysterious | poster | street | tense | whole-tone

The Informer (1935)

The Informer (Whiskey)0:20:46 - Gypo enters a pub64 chord | advance plot | antagonist | entering | hurrying | leading man | mysterious | pub | Scotch snap

The Informer (1935)

Blood Money (Whiskey)0:21:03 - Gypo takes his money out to pay the bartenderadvance plot | antagonist | bartender | leading man | money | mysterious | paying | pub | tense

The Informer (1935)

The Informer (Drinking)0:21:23 - Gypo takes a drinkadvance plot | antagonist | bartender | drinking | leading man | mysterious | octatonic | pub | Scotch snap | tense | tritone | whole-tone | whole-tone chord

The Informer (1935)

Blood Money (Worrying)0:21:57 - Gypo worries about what he has doneadvance plot | antagonist | augmented triad | drinking | hearing voices | leading man | mysterious | planning | pub | tense | thinking | tritone | whole-tone | worrying

The Informer (1935)

Katie (Triste)0:22:38 - Katie appears at the window64 chord | advance plot | antagonist | conversing | foreign key modulation | leading lady | leading man | parallelism | pub | sultry | watching

The Informer (1935)

Blood Money (Four Coins)0:23:15 - Bartender puts four coins on the tableadvance plot | antagonist | augmented triad | bartender | coin | counting | half-diminished 7th chord | leading lady | leading man | mickey-mousing | money | mysterious | placing | pub | tense

The Informer (1935)

The Informer (Lying)0:23:40 - Gypo lies about where he got the moneyadvance plot | antagonist | chromatic sequence | conversing | diminished 7th chord | dissonant bass | half-diminished 7th chord | leading lady | leading man | lying | octatonic | pub | Scotch snap | tense

The Informer (1935)

Blind Man + Blood Money0:24:45 - Blind man wanders in and Gypo gives him moneyadvance plot | antagonist | augmented triad | blind man | combination of themes | giving | leading lady | leading man | money | mysterious | ominous | street | walking

The Informer (1935)

The Informer (Bold)0:25:26 - Gypo storms off down the street64 chord | advance plot | antagonist | bold | determined | hurrying | leading lady | leading man | Scotch snap | street | walking

The Informer (1935)

The Minstrel Boy0:25:32 - Man sings a folk tune at the street corner9th chord | AABA structure | advance plot | angelic | antagonist | calm | familiar tune | folk song | gentle | leading man | listening | mode mixture | mourner | mourning | on-screen music | playing | praying | singer | singing | street | violinist | watching

The Informer (1935)

The Informer (Walking Fast)0:30:13 - Gypo storms off down the street64 chord | advance plot | antagonist | chromatic parallelism | diminished 7th chord | hurrying | leading man | Scotch snap | street | tense | walking

The Informer (1935)

The Wearin' o' the Green (Headquarters)0:31:29 - Irish rebel headquarters64 chord | advance plot | deceptive resolution | dissonant bass | familiar tune | folk song | Irish | rebel | room | tense | waiting

The Informer (1935)

Fanfare0:31:44 - Irish rebel headquartersadvance plot | fanfare | mysterious | rebel | room | underscoring | waiting

The Informer (1935)

The Informer (Burning Poster) + Blood Money0:32:03 - Gypo in rebel headquartersadvance plot | antagonist | burning | combination of themes | diminished 7th chord | fire | headquarters | leading man | mickey-mousing | mysterious | octatonic | rebel | rising | room | Scotch snap | tense | tone cluster

The Informer (1935)

The Informer (Accused)0:38:40 - Rebel accuses Gypo of being the informer64 chord | advance plot | conversing | headquarters | parallelism | rebel | room | suspicion | tense

The Informer (1935)

Mary0:38:47 - Rebels talk about Frankie's sister Mary64 chord | advance plot | augmented sixth chord | conversing | deceptive resolution | headquarters | love | mode mixture | rebel | romantic | room | Scotch snap

The Informer (1935)

Underscoring (Tense)0:39:05 - Rebels talk about Gypoadvance plot | conversing | half-diminished 7th chord | headquarters | rebel | room | tense | underscoring

The Informer (1935)

The Wearin' o' the Green (Bugle Call)0:39:25 - Rebels plan to watch Gypoadvance plot | conversing | familiar tune | folk song | headquarters | Irish | parallelism | rebel | room | tense

The Informer (1935)

Drinking Song 20:40:12 - Gypo sings a drunken songadvance plot | antagonist | drunk | leading man | on-screen music | singing | source music | street

The Informer (1935)

The Irish Washerwoman0:43:45 - People sing and dance in a pubadvance plot | antagonist | bar | familiar tune | folk song | happy | Irish | leading man | source music | whistling

The Informer (1935)

Blood Money0:44:44 - Gypo tosses money to the pub-keeperadvance plot | antagonist | bar | bartender | excited | giving | leading man | money

The Informer (1935)

The Irish Washerwoman (Pub) + Blood Money + The Wearin' o' the Green + The Informer0:44:52 - People celebrate in the pubadvance plot | antagonist | bar | chaotic | chromatic scale | close-up | combination of themes | crowd | dark | dissonant bass | excited | familiar tune | folk song | foreign key modulation | happy | heroic | Irish | layering | leading man | mob | mobbing | octatonic | parallelism | pedal tone | polytonality | rebel | serving | source to score | spying | tense | whole-tone | yelling | zoom in

The Informer (1935)

Katie (Gypo is Drunk)0:46:36 - Gypo tells the rebel about "somebody waiting for me"advance plot | antagonist | augmented sixth chord | breaking | drunk | leading man | street | transcribed by ear | walking

The Informer (1935)

He Is Me Darling-O0:47:03 - Gypo and another man sing drunkenly advance plot | Aeolian mode | antagonist | drunk | familiar tune | folk song | Irish | leading man | street | transcribed by ear | walking

The Informer (1935)

Katie (Poster)0:47:58 - Gypo looks at the America posteradvance plot | antagonist | leading man | pondering | poster | sentimental | street | transcribed by ear

The Informer (1935)

Blood money (Thinking)0:48:58 - Gypo pulls out and counts his moneyadvance plot | antagonist | conversing | leading man | money | mysterious | ostinato | pondering | street

The Informer (1935)

Katie (Thinking)0:49:37 - Gypo looks at the money and the poster9th chord | advance plot | antagonist | leading man | money | pondering | sentimental | street

The Informer (1935)

Here Comes the Bride0:49:55 - Dream sequence of a voyage to America64 chord | advance plot | antagonist | boat | double exposure | dreaming | familiar tune | leading lady | leading man | pedal tone | romantic | ship | street | vision | wedding

The Informer (1935)

My Man0:50:19 - Gypo talks with his friendAB structure | advance plot | antagonist | cheerful | conversing | leading man | party | source music | street

The Informer (1935)

Katie (Mistaken Identity)0:52:34 - Gypo thinks he sees Katie, but it's someone elseadvance plot | antagonist | augmented sixth chord | hallucinating | hallucination | leading lady | leading man | party | sentimental | transcribed by ear

The Informer (1935)

Dardanella0:53:41 - Gypo buys drinks at a partyAB structure | advance plot | antagonist | celebrating | cheerful | crowd | drinking | leading man | on-screen music | party | partying | source music

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:55:32 - A woman prepares to sing a song at a partyadvance plot | antagonist | cheerful | crowd | leading man | on-screen music | party | playing | source music

The Informer (1935)

Believe Me If All Those Endearing Young Charms0:58:23 - Singing continues (from the previous scene)advance plot | antagonist | crowd | crying | familiar tune | folk song | leading man | on-screen music | party | sentimental | singing

The Informer (1935)

Blood Money1:00:57 - Rebels see Gypo spending moneyadvance plot | augmented triad | dark | money | party | rebel | spying | tritone

The Informer (1935)

The Informer (King Gypo)1:01:03 - Gypo's friend brags about himadvance plot | antagonist | bragging | cheerful | crowd | friend | leading man | party | proud

The Informer (1935)

The Informer (Quiet!)1:01:27 - The rebels enter and start an argument64 chord | advance plot | antagonist | arguing | bold | crowd | dark | friend | interrupting | leading man | matching speech | mickey-mousing | party | rebel

The Informer (1935)

The Informer (Drunk)1:03:23 - Gypo walks down the street drunkadvance plot | antagonist | drunk | leading lady | leading man | marching | rebel | street

The Informer (1935)

The Informer (Molto Agitato)1:03:45 - Katie worries for Gypoadvance plot | antagonist | chromatic parallelism | conversing | drunk | half-diminished 7th chord | leading lady | leading man | rebel | street

The Informer (1935)

The Wearin' o' the Green (Fighting)1:03:51 - Gypo struggles with the rebels64 chord | advance plot | antagonist | chromatic parallelism | conversing | dominant 7th chord | drunk | familiar tune | fighting | folk song | fragmentation | leading lady | leading man | reassuring | rebel | sequence | street | struggling | syncopation

The Informer (1935)

Blood Money (Ostinato)1:04:10 - The rebels overhear Gypo talking about the moneyadvance plot | antagonist | conversing | drunk | leading lady | leading man | money | mysterious | ostinato | rebel | street | whole-tone chord

The Informer (1935)

Katie (Tragic)1:04:39 - Katie is left alone on the streetadvance plot | appoggiatura | leading lady | minor-major 7th chord | money | somber | street | worrying

The Informer (1935)

Blood Money (Ostinato)1:17:10 - Gypo waits in his cell while the rebels draw strawsadvance plot | antagonist | dripping | escaping | gun | headquarters | leading man | mysterious | ostinato | prison | rebel | room | shooting | tense | traitor | whispering | worrying

The Informer (1935)

The Escape1:19:46 - Gypo escapes and a chase ensuesadvance plot | antagonist | chromatic scale | dramatic | escaping | headquarters | hurrying | leading man | mickey-mousing | prison | rebel | room | running | traitor | whole-tone | whole-tone chord

The Informer (1935)

The Informer (Risoluto)1:20:12 - Rebels plan to catch Gypoadvance plot | arriving | headquarters | octatonic | planning | rebel | room | tense | whole-tone chord

The Informer (1935)

Underscoring (Dramatic)1:20:24 - Rebels plan how to catch Gypo9th chord | 64 chord | advance plot | bold | fanfare | headquarters | hurrying | planning | rebel | room | tense

The Informer (1935)

Katie (Begging)1:24:42 - Katie pleads for Gypo64 chord | advance plot | begging | leading lady | love interest | rebel | room | sequence | serious | tense

The Informer (1935)

Begging1:25:13 - Katie pleads for Gypoadvance plot | begging | diminished 7th chord | dissonant bass | leading lady | love interest | pedal tone | rebel | room | sequence | serious | tense

The Informer (1935)

The Informer (Begging)1:25:50 - Katie pleads for Gypoadvance plot | begging | dramatic | leading lady | love interest | main theme | rebel | room

The Informer (1935)

Dan and Mary (Begging)1:25:53 - Katie talks to Mary about loving Gypoadvance plot | begging | gentle | leading lady | love interest | rebel | room | sequence | tender

The Informer (1935)

The Informer (Sympathetic)1:26:35 - Katie tells Dan where Gypo isadvance plot | eavesdropping | leading lady | love interest | main theme | rebel | room | spying | tense

The Informer (1935)

Begging 21:26:41 - Katie begs for Gypo's lifeadvance plot | anxiety | begging | chromatic scale | despair | leading lady | love interest | rebel | room | sequence | tense

The Informer (1935)

Katie (Furioso)1:26:55 - Katie becomes desperateadvance plot | anxiety | begging | chromatic parallelism | despair | dissonant bass | fragmentation | leading lady | love interest | rebel | room | sentence form | sequence | tense | whole-tone chord
Key Largo (1948)Underscoring (Somber)0:13:51 - Frank talks with Mr. Templeadvance plot | conversing | father | hotel | leading lady | leading man | prelude | somber | underscoring

Key Largo (1948)

McCloud (Noble)0:14:28 - Frank talks about George and the waradvance plot | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling | war

Key Largo (1948)

McCloud (Tense)0:14:56 - Nora and Frank talk about Georgeadvance plot | agitated | death | father | hotel | leading lady | leading man | memory | mode change | remembering | storytelling | tense | war

Key Largo (1948)

McCloud (Molto Expressivo)0:15:36 - Frank and Mr. Temple talk about Georgeadvance plot | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

Burial Place0:16:11 - Frank talks about George's burial placeadvance plot | death | father | hotel | hymn | leading lady | leading man | memory | remembering | somber | storytelling | tender | war

Key Largo (1948)

McCloud (Bugle Call) + Taps0:16:31 - Mr. Temple asks Frank about George's burial placeadvance plot | bugle call | combination of themes | death | father | heroic | hotel | leading lady | leading man | memory | noble | remembering | somber | storytelling | taps | war

Key Largo (1948)

McCloud (Broad)0:17:00 - Nora and Frank go outsideadvance plot | bright | death | father | hotel | leading lady | leading man | memory | remembering | somber | storytelling | tender | walking | war

Key Largo (1948)

Seminoles0:19:11 - Seminole Indians arriveadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | rowing | serious

Key Largo (1948)

Seminoles (Grandma)0:19:46 - Elderly Indian woman talks to Noraadvance plot | arriving | boat | conversing | dock | grandmother | Indian | Indian | leading lady | leading man | old woman | serious | smoking

Key Largo (1948)

Seminoles (Brothers)0:20:29 - Nora talks with Seminole Indiansadvance plot | arriving | boat | conversing | dock | Indian | Indian | leading lady | leading man | serious

Key Largo (1948)

McCloud (Noble)0:21:22 - Nora and Frank talk about her lifeadvance plot | heroic | hotel | leading lady | leading man | memory | noble | remembering | storytelling

Key Largo (1948)

Expressivo0:52:37 - Mr. Temple is helped down the stairsadvance plot | boss | father | gangster | gentle | helping | hostage | hotel | leading lady | leading man | noble | stairs

Key Largo (1948)

Rocco 2 (Menacing)0:52:59 - Rocco stares at McCloud and Noraadvance plot | boss | dark | father | gangster | hostage | hotel | leading lady | leading man | menacing | staring

Key Largo (1948)

Rocco (Agitato)1:08:53 - Gangsters see that their boat is missingadvance plot | angry | announcing | boss | danger | discovering | gangster | hotel | stinger | tense | violent

Key Largo (1948)

Underscoring (Tense)1:20:19 - Rocco speaks with Ziggyadvance plot | boss | gangster | giving | hotel | tense | underscoring

Key Largo (1948)

Rocco 2 (Counterfeit Money)1:20:36 - Gangster examines the counterfeit moneyadvance plot | boss | gangster | hotel | money | mysterious | observing

Key Largo (1948)

Rocco 3 (Counterfeit Money)1:20:45 - Gangster examines the counterfeit moneyadvance plot | boss | gangster | hotel | money | mysterious | observing

Key Largo (1948)

Rocco (Heavily)1:21:28 - Gangsters handle the counterfeit moneyadvance plot | brash | gangster | hotel | money | observing | tense | villain

Key Largo (1948)

Rocco 31:24:03 - Rocco approaches Noraadvance plot | boss | conversing | father | gangster | hotel | tense | violent

Key Largo (1948)

Rocco Whispers1:24:08 - Rocco whispers in Nora's earadvance plot | boss | gangster | hotel | leading lady | mysterious | tense | whispering

Key Largo (1948)

McCloud (Slowly)1:24:14 - McCloud and Nora exchange glancesadvance plot | hotel | leading lady | leading man | looking | love interest | somber

Key Largo (1948)

Walking1:24:21 - Gangsters go down the stairsadvance plot | gangster | hotel | mickey-mousing | tense | walking

Key Largo (1948)

Rocco (Packing Up)1:24:28 - Gangsters pack up their thingsadvance plot | boss | gangster | hotel | leaving | packing | preparing | tense

Key Largo (1948)

Underscoring (Tense)1:24:37 - Gaye watches Roccoadvance plot | boss | gangster | hotel | leaving | mysterious | packing | preparing | tense | underscoring

Key Largo (1948)

Moanin’ Low (Appassionato)1:25:01 - Gaye pleads for Rocco to take her alongadvance plot | boss | deceiving | deception | desperate | desperation | familiar tune | gangster | hotel | moll | pleading | sentimental

Key Largo (1948)

Moanin’ Low (Ominous)1:25:21 - Gaye hands Rocco's gun to McCloudadvance plot | boss | deceiving | deception | familiar tune | gangster | gun | hotel | moll | ominous | tense

Key Largo (1948)

Rocco (Leaving)1:25:33 - Gangsters leave the hotel with McCloudadvance plot | boss | father | gangster | hostage | hotel | leading lady | leading man | leaving | moll | ominous | walking

Key Largo (1948)

Rocco (Tense)1:25:49 - Gangsters leave to board the boatadvance plot | boss | dock | father | gangster | hostage | leading lady | leading man | moll | tense | walking

Key Largo (1948)

Hurrying1:26:02 - Gangsters walk to the boatadvance plot | boss | dock | father | gangster | hostage | hurrying | leading lady | leading man | mickey-mousing | moll | tense | walking

Key Largo (1948)

Underscoring (Dramatic)1:26:10 - Gangsters board the boat with McCloudadvance plot | boarding | boss | dock | dramatic | gangster | hostage | leading lady | leading man | moll | storm | tense | underscoring | wind

Key Largo (1948)

Tension (The Boat)1:26:31 - McCloud tries to start the boatadvance plot | boat | boat | boss | dramatic | gangster | hostage | leading man | leaving | motor | sputtering | starting | stinger | tense

Key Largo (1948)

Underscoring (Somber)1:27:42 - Nora and Gaye enter the hoteladvance plot | conversing | hotel | leading lady | moll | somber | underscoring | walking

Key Largo (1948)

McCloud (Tense)1:27:56 - Mr. Temple tries to make a phone calladvance plot | conversing | father | hotel | leading lady | moll | somber
The Letter (1940)Leslie (Not in Film)NIF - not in filmadvance plot | cut from film | deceptive resolution | suspension

The Letter (1940)

Underscoring (Tense)0:12:42 - Leslie gets upadvance plot | home | leading lady | recounting | tense | underscoring | whole-tone | whole-tone chord

The Letter (1940)

Leslie (The Story)0:13:14 - Leslie gives her storyadvance plot | changing meter | home | leading lady | lying | oscillation | recounting | tense | whole-tone chord

The Letter (1940)

Leslie (Rising) + Deception0:13:28 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | combination of themes | crying | dramatic | emotional | home | leading lady | oscillation | ostinato | passionate | pc set | recounting | sequence

The Letter (1940)

Leslie (Risoluto)0:14:07 - Leslie continues her storyadvance plot | augmented triad | chromatic parallelism | dramatic | fragmentation | home | leading lady | pc set | polychord | recounting | sequence | tense

The Letter (1940)

Leslie (Tragic)0:14:31 - The scene of the crimeadvance plot | changing meter | composer reference | dramatic | home | leading lady | oscillation | point of view | recounting | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B (Screwyoso)0:14:42 - The bottom of the stairsadvance plot | common-chord modulation | dramatic | emotional | home | leading lady | point of view | recounting | sequence

The Letter (1940)

Letter (Sarcastic)0:15:10 - Robert comforts Leslieadvance plot | chromatic sequence | conversing | dissonant bass | home | leading lady | mysterious | sequence

The Letter (1940)

Robert and Leslie0:15:28 - Robert comforts Leslieadvance plot | appoggiatura | comforting | crying | gentle | home | leading lady | love theme | murder | pedal tone | sigh gesture | suspension

The Letter (1940)

Andante Doloroso + Leslie0:15:53 - Men go to look at dead bodyadvance plot | combination of themes | dark | death | murder | parallelism | plantation | reveal | servant | sinister | walking

The Letter (1940)

Leslie (Dark)0:16:09 - Men look at dead bodyadvance plot | augmented major 7th chord | changing meter | chromatic parallelism | creeping | dark | death | dissonant bass | investigating | murder | pc set | plantation | servant | shadow | sinister

The Letter (1940)

Creeping0:16:38 - Man creeping in the darkadvance plot | creeping | exoticism | Locrian mode | mickey-mousing | open fifth | parallel fifths | parallelism | pedal tone | plantation | sequential modulation | servant | sneaky

The Letter (1940)

Film wipe0:16:48 - Film wipeadvance plot | arpeggiation | mickey-mousing | plantation | wipe

The Letter (1940)

Murder0:18:36 - Leslie reacts to the mention of murderadvance plot | eating | home | leading lady | major 7th chord | murder | mysterious | oscillation | stinger | tense

The Letter (1940)

Leslie (Delicato)0:21:46 - Men admire needlepointadvance plot | changing meter | conversing | delicate | foreign key modulation | gentle | home | lacework | lawyer | leading lady | minor-major 7th chord | oscillation | polychord | sequence

The Letter (1940)

Leslie (The Story)0:22:26 - Leslie speaks with Howardadvance plot | changing meter | home | lawyer | leading lady | lying | oscillation | recounting | tense | whole-tone | whole-tone chord

The Letter (1940)

Letter (Sarcastic)0:22:41 - Leslie and Howard leaveadvance plot | chromatic sequence | dissonant bass | home | lawyer | leading lady | leaving | mysterious | passionate | sequence

The Letter (1940)

Leslie (Ominous)0:22:58 - The site of the murderadvance plot | augmentation | call and response | Chinese | dramatic | leading lady | leaving | mysterious | plantation | reveal | shadow | spying | stinger | tense | watching | widow

The Letter (1940)

Leslie (Mysterioso)0:30:04 - Howard in his officeadvance plot | augmented major 7th chord | lawyer | mysterious | office | oscillation | pc set | quartal chord | suspension | tense | thinking

The Letter (1940)

Leslie B (Screwyoso 2)0:30:23 - Howard grabs the letteradvance plot | lawyer | letter | mysterious | office | sequence | tense | thinking

The Letter (1940)

Mrs. Hammond (Lawyer)0:30:45 - Ong speaks to Howardadvance plot | Chinese | lawyer | leaving | mysterious | office | pc set | tritone

The Letter (1940)

Leslie (Walking)0:30:58 - Leslie in jail64 chord | advance plot | chromatic parallelism | fragmentation | leading lady | mysterious | oscillation | prison | walking

The Letter (1940)

Waiting0:31:24 - Howard waits for Leslieadvance plot | lawyer | pacing | prison | tense | waiting | whole-tone chord

The Letter (1940)

Leslie (Triste)0:38:57 - Howard helps Leslie recoveradvance plot | calm | conversing | hospital | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension

The Letter (1940)

Leslie B (Con Moto)0:39:25 - Leslie asks Howard about the letteradvance plot | conversing | hospital | lawyer | leading lady | letter | sequence | tense

The Letter (1940)

Leslie (Plotting)0:39:32 - Howard and Leslie plot their next move9th chord | advance plot | buildup | changing meter | chromatic sequence | fragmentation | hospital | lawyer | leading lady | letter | minor-major 7th chord | ominous | oscillation | plotting | tense

The Letter (1940)

Law Office (The Plea)0:40:00 - Howard asks Leslie to be honest9th chord | advance plot | anxious | artwork in score | chromatic sequence | conversing | hospital | lawyer | leading lady | letter | refusing | tense

The Letter (1940)

Leslie (Despair)0:40:33 - Leslie despairsadvance plot | anxious | changing meter | conversing | despair | dissonant bass | hospital | lawyer | leading lady | letter | oscillation | sequence | tense

The Letter (1940)

Leslie (Rising) + Deception0:40:57 - Leslie talks to Howardadvance plot | angry | augmented triad | chromatic parallelism | combination of themes | conversing | deception | hospital | lawyer | leading lady | letter | sequence | staring | tense

The Letter (1940)

Robert and Leslie0:41:12 - Howard says he will help Leslieadvance plot | appoggiatura | calm | chromatic mediant | crying | deception | hospital | lawyer | leading lady | letter | love theme | sigh gesture | somber | suspension | tender

The Letter (1940)

Robert and Leslie (Triste)0:42:17 - Leslie and Howard talk about her husbandadvance plot | appoggiatura | calm | chromatic mediant | crying | hospital | lawyer | leading lady | letter | love theme | resolution | sigh gesture | somber | suspension | tender

The Letter (1940)

Lento Mysterioso0:50:37 - Leslie and Howard aloneadvance plot | altered dominant | home | lawyer | leading lady | mysterious | planning | sad | upper pedal tone | whole-tone chord

The Letter (1940)

Underscoring (Tense)0:51:14 - Leslie talks to Howardadvance plot | altered dominant | dark | foreign key modulation | home | lawyer | leading lady | planning

The Letter (1940)

Leslie (Ominous)0:51:41 - Howard gets up to leaveadvance plot | call and response | diminished 7th chord | dissonant bass | home | lawyer | leading lady | ominous | stretto imitation | thinking

The Letter (1940)

Mrs. Hammond0:51:49 - Howard and Leslie aloneadvance plot | Chinese | home | lawyer | leading lady | mysterious | open fifth | pacing | parallel fifths | pentatonic | waiting

The Letter (1940)

Leslie (Lacework 2)0:52:07 - Leslie does her laceworkadvance plot | changing meter | conversing | foreign key modulation | home | lacework | lawyer | leading lady | mysterious | oscillation | sequence

The Letter (1940)

Leslie B (Ethereal)0:52:33 - Howard and Leslie talkadvance plot | chromatic sequence | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Leslie (Tragic)0:52:55 - Howard and Leslie talkadvance plot | changing meter | conversing | home | lawyer | leading lady | oscillation | sequence | sequential modulation | suspension | tense

The Letter (1940)

Leslie B0:53:10 - Howard and Leslie talkadvance plot | conversing | home | lawyer | leading lady | sequence | tense

The Letter (1940)

Foxtrot No. 11:19:49 - Leslie getting ready for the party9th chord | advance plot | calm | dance music | foxtrot | home | leading lady | sitting | source music

The Letter (1940)

Mrs. Hammond + Foxtrot No. 11:20:02 - Ong is seen in the mirroradvance plot | antagonist | calm | combination of themes | dagger | dance music | dropping | foxtrot | home | leading lady | mysterious | open fifth | parallel fifths | pentatonic | source music

The Letter (1940)

Foxtrot No. 1 B1:20:05 - Leslie getting ready for the partyadded-note chord | advance plot | calm | dance music | foxtrot | home | leading lady | source music | walking

The Letter (1940)

Leslie (Guilty) + Foxtrot No. 11:20:53 - Leslie looks at the full moonadvance plot | combination of themes | dagger | dramatic | home | leading lady | looking | moon | oscillation | polytonality | stinger | suspension

The Letter (1940)

Mrs. Hammond + Foxtrot No. 1 B1:21:15 - Leslie looks aroundadvance plot | Chinese | combination of themes | dagger | dance music | foxtrot | home | leading lady | looking | mysterious | open fifth | parallel fifths | pentatonic | polymeter | polytonality | source music | tense
Lightning Strikes Twice (1951)Chiapanecas0:33:40 - People dancing outsideactor | advance plot | congregation | conversing | dancer | dancing | leading lady | Mexican | on-screen music | performer | playing | priest | ranch | source music | upbeat

Lightning Strikes Twice (1951)

Trev (Triste)0:38:59 - Trev enters the storeactor | advance plot | arriving | leading lady | leading man | looking | somber | staring | store | suspect | watching | whispering | worker

Lightning Strikes Twice (1951)

Searching0:40:06 - Shelly looks for Trevactor | advance plot | agitated | leading lady | rancher | searching | street | walking

Lightning Strikes Twice (1951)

Trev (Misterioso)0:40:30 - Shelly and Liza talkactor | advance plot | conversing | glass | leading lady | mysterious | rancher | street | underscoring | uneasy | walking

Lightning Strikes Twice (1951)

Shelly and Trev (Tenderly)0:41:54 - Pedro tells Shelly where Trev isactor | advance plot | conversing | friend | gentle | leading lady | ranch | tender | worker

Lightning Strikes Twice (1951)

Underneath a Western Sky0:56:48 - A chuckwagon dinneractor | advance plot | calm | campfire | chuckwagon | conversing | cowboy song | crowd | drinking | eating | father | flirting | food | friend | leading lady | love interest | mother | on-screen music | owner | playing | ranch | source music

Lightning Strikes Twice (1951)

Too Much Love0:59:02 - Shelly looks at Trev's portraitactor | advance plot | calm | conversing | flirting | friend | leading lady | love interest | party | popular music | portrait | ranch | source music

Lightning Strikes Twice (1951)

Mi Caballero1:00:08 - People dancing outsideactor | advance plot | crowd | dancing | friend | Latin American | leading lady | love interest | on-screen music | party | playing | ranch | source music | upbeat

Lightning Strikes Twice (1951)

Shelly and Trev (Misterioso)1:09:40 - Shelly and Myra talkactor | advance plot | conversing | leading lady | mother | mysterious | owner | room | tense

Lightning Strikes Twice (1951)

Allargando1:10:03 - Shelly learns that Liza loves Trevactor | advance plot | concerned | conversing | dark | leading lady | mother | owner | room | tense
Mildred Pierce (1945)Mildred (Sehr Dramatic)0:12:06 - Mildred arrives homeadvance plot | arriving | chromatic scale | chromatic sequence | dark | daughter | diminished 7th chord | dramatic | half-diminished 7th chord | heroine | imitation | leading lady | street | tense | tritone | worrying

Mildred Pierce (1945)

Mildred (Ominous)0:12:43 - The detectives talk to Mildredadvance plot | chromatic sequence | conversing | dark | detective | fragmentation | heroine | imitation | leading lady | ominous | room

Mildred Pierce (1945)

Underscoring (Tense)0:13:03 - Mildred leaves with the detectivesadvance plot | conversing | detective | foreign key modulation | heroine | leading lady | murder | street | tense | underscoring

Mildred Pierce (1945)

Hall of Justice0:13:35 - The Los Angeles Hall of Justiceadvance plot | arriving | bold | detective | entering | heroine | justice | leading lady | parallelism | pedal tone | police | police station | walking

Mildred Pierce (1945)

Mildred sits0:14:11 - Mildred sits downadvance plot | heroine | leading lady | mickey-mousing | mysterious | police station | sitting

Mildred Pierce (1945)

Drink to Me Only With Thine Eyes0:16:07 - Cop whistles to himselfadvance plot | detective | familiar tune | heroine | leading lady | on-screen music | police | police station | source music | tense | ticking | whistling

Mildred Pierce (1945)

Waltz Brillante0:26:39 - Veda plays the pianoadvance plot | child | classical music | conversing | dancing | familiar tune | gentle | heroine | leading lady | on-screen music | parallel period | playing | room | source music | waltz

Mildred Pierce (1945)

Waltz Brillante0:27:21 - Veda plays the pianoadvance plot | child | classical music | conversing | familiar tune | gentle | heroine | leading lady | on-screen music | playing | room | source music | waltz

Mildred Pierce (1945)

Kay and Veda (Ashamed)0:28:13 - Mildred overhears Veda complaining about her new dressadvance plot | child | heroine | leading lady | Neapolitan | room | sigh gesture | somber | watching

Mildred Pierce (1945)

Mildred (Lonely)0:28:20 - Mildred looks through her deskadvance plot | bill | flashback | foreign key modulation | gun | heroine | leading lady | lonely | mode mixture | photograph | room | somber | voice-over | writing

Mildred Pierce (1945)

Mildred (Tense)0:28:43 - Mildred goes to open the dooradvance plot | fragmentation | heroine | leading lady | pedal tone | room | tense | walking

Mildred Pierce (1945)

Mildred (Delicate)0:32:04 - Mildred walks up the stairsadvance plot | gentle | heroine | leading lady | parallelism | pedal tone | room | up | walking

Mildred Pierce (1945)

Kay and Veda (Dolce)0:32:13 - Mildred and Veda talk about Kayadded-note chord | advance plot | child | conversing | heroine | leading lady | mode mixture | room | sleeping | sweet

Mildred Pierce (1945)

Kay and Veda (Coy)0:32:32 - Veda talks to her motheradvance plot | child | chromatic parallelism | conversing | heroine | leading lady | parallelism | room | sleeping | uneasy

Mildred Pierce (1945)

Mildred (Waltz Fantasy)0:32:38 - Veda fantasizes about her mother marrying Wally9th chord | advance plot | appoggiatura | child | chromatic parallelism | dreaming | fantasy | greed | heroine | leading lady | room | uneasy

Mildred Pierce (1945)

Mildred (Dark)0:32:58 - Mildred scolds Vedaadvance plot | child | dark | heroine | leading lady | room | scolding

Mildred Pierce (1945)

Kay and Veda (Deception)0:33:08 - Veda lies to her mother64 chord | advance plot | child | chromatic parallelism | deceiving | deception | heroine | leading lady | room | selfishness | unstable | whole-tone

Mildred Pierce (1945)

Mildred (Risoluto)0:33:23 - Mildred resolves to give her daughter nice things64 chord | advance plot | child | determined | heroic | heroine | leading lady | noble | promising | resolved | room

Mildred Pierce (1945)

Kay and Veda (Dolce Foxtrot)0:33:37 - Mildred puts Veda to bed64 chord | added-note chord | advance plot | child | chromatic parallelism | dark | heroine | leading lady | mode mixture | optimistic | promising | room | tragic

Mildred Pierce (1945)

The Maid0:36:57 - Mildred's maid in the kitchen9th chord | advance plot | comical | conversing | cooking | heroine | kitchen | leading lady | maid | sequence | working

Mildred Pierce (1945)

Work (Grand Opening)0:57:26 - View of Mildred's restaurantadded-note chord | advance plot | foreign key modulation | restaurant | self-borrowing | tritone | upbeat | voice-over | working

Mildred Pierce (1945)

T'Ain't No Good0:57:37 - Mildred at the opening of her restaurantadvance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

While You're Away0:59:47 - Monte arrives at the restaurantABAC structure | advance plot | antagonist | busy | conversing | daughter | dining | friend | guest | heroine | leading lady | love interest | parallel double period | popular music | restaurant | serving | source music | upbeat | working

Mildred Pierce (1945)

Work (Success)1:01:42 - People work in Mildred's restaurant9th chord | added-note chord | advance plot | busy | cook | foreign key modulation | restaurant | secondary dominant | self-borrowing | server | upbeat | working

Mildred Pierce (1945)

Order wheel spins1:01:45 - Restaurant order wheel spinsadvance plot | busy | cook | mickey-mousing | restaurant | server | spinning | upbeat

Mildred Pierce (1945)

Mildred (Sorrow)1:03:41 - Monte asks about Kayadvance plot | conversing | heroine | leading lady | love interest | minor-major 7th chord | mode mixture | restaurant | somber

Mildred Pierce (1945)

It Can't Be Wrong (Romantic)1:04:11 - Monte kisses Mildredadvance plot | chromatic mediant | door | ex-husband | familiar tune | foreign key modulation | heroine | interrupting | kissing | leading lady | love interest | mode mixture | popular music | restaurant | romantic | slamming | source to score | stinger

Mildred Pierce (1945)

It Can't Be Wrong (Troubled)1:04:30 - Bert interrupts Mildred and Monte's kissadvance plot | conversing | dark | ex-husband | familiar tune | heroine | leading lady | love interest | popular music | restaurant | source to score | suspension | tense | troubled

Mildred Pierce (1945)

Bert (Regretful)1:04:43 - Bert tells Mildred about the divorce9th chord | advance plot | chromatic mediant | common-chord modulation | conversing | divorce | ex-husband | heroine | leading lady | love interest | regretting | restaurant | somber

Mildred Pierce (1945)

Breaks glass1:05:35 - Bert slaps the glass out of Monte's handadvance plot | breaking | down | ex-husband | falling | glass | heroine | leading lady | love interest | mickey-mousing | restaurant | tense | throwing | violence

Mildred Pierce (1945)

It Can't Be Wrong (Uneasy)1:05:36 - Bert stares angrily at Monteadvance plot | dark | ex-husband | familiar tune | glaring | heroine | leading lady | leaving | love interest | pedal tone | popular music | restaurant | source to score | tense | uneasy

Mildred Pierce (1945)

Flashback ends1:05:49 - Screen wipe back to the present dayadvance plot | flashback | heroine | leading lady | mickey-mousing | police station | wipe

Mildred Pierce (1945)

Flashback starts 21:07:59 - Flashback to the pastadvance plot | double exposure | flashback | mickey-mousing

Mildred Pierce (1945)

How Sweet You Are1:08:28 - Veda dances at a clubABAB structure | advance plot | club | conversing | dance music | dancing | heroine | leading lady | love interest | on-screen music | relaxed | source music

Mildred Pierce (1945)

Kay and Veda (Subtle)1:09:27 - bill; photograph; gunadvance plot | augmented sixth chord | conversing | friend | heroine | leading lady | mode mixture | room | subtle | voice-over

Mildred Pierce (1945)

Kay and Veda (Excited)1:13:21 - Veda drives away in her new caradded-note chord | advance plot | altered dominant | car | child | deceptive resolution | driving | excited | happy | heroine | kissing | leading lady | love interest | room | running

Mildred Pierce (1945)

You Must Have Been a Beautiful Baby1:16:01 - Wally and Veda in a restaurantadvance plot | antagonist | cheerful | conversing | daughter | drinking | friend | popular music | restaurant | source music | toasting

Mildred Pierce (1945)

Oceana Roll1:27:46 - Veda sings at a restaurantadvance plot | antagonist | cheerful | club | dancing | daughter | ex-husband | heroine | leading lady | on-screen music | playing | popular music | singing | source music

Mildred Pierce (1945)

Sweet Georgia Brown1:29:05 - Mildred confronts WallyABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

It Had to Be You1:30:25 - Mildred and Veda talkABAC structure | advance plot | antagonist | club | conversing | daughter | heroine | jazz | leading lady | on-screen music | popular music | source music | upbeat

Mildred Pierce (1945)

Bert (Somber)1:37:06 - Bert talks with Mildred in her new houseadvance plot | augmented sixth chord | conversing | ex-husband | heroine | leading lady | pedal tone | room | somber

Mildred Pierce (1945)

Mildred stands and walks to window1:38:02 - Mildred stands up and goes to the windowadvance plot | delicate | graceful | heroine | leading lady | mickey-mousing | peaceful | rising | room | standing | up | walking

Mildred Pierce (1945)

Kay and Veda (Returning Home)1:38:10 - Mildred looks at Veda through the windowadvance plot | chromatic mediant | conversing | daughter | deceptive resolution | emotional | foreign key modulation | happy | heroine | leading lady | loving | mode mixture | mother | room | warm | watching

Mildred Pierce (1945)

Mildred (Happy Homecoming)1:38:50 - Mildred and her daughter embraceadded-note chord | advance plot | apologizing | chromatic mediant | daughter | embracing | foreign key modulation | forgiveness | happy | heroine | leading lady | loving | mode mixture | mother | returning | reuniting | room | warm

Mildred Pierce (1945)

Bert (Tenderly)1:39:33 - Mildred thanks Bertadvance plot | ex-husband | gentle | heroine | leading lady | mother | room | sweet | thanking

Mildred Pierce (1945)

Kay and Veda (Allegretto Grazioso)1:39:47 - Monte is happy to see Vedaadded-note chord | advance plot | antagonist | cheerful | conversing | daughter | deceptive resolution | reuniting | room | welcoming
The Life of Vergie Winters (1934)There'll Be a Hot Time in the Old Town Tonight0:12:17 - People rallying for John Shadwelladvance plot | conversing | crowd | on-screen music | popular song | rally | source music | upbeat

The Life of Vergie Winters (1934)

For He's a Jolly Good Fellow0:13:48 - Political rally for John Shadwelladvance plot | conversing | crowd | folk song | on-screen music | politician | rally | source music | spouse | upbeat

The Life of Vergie Winters (1934)

Oh! You Beautiful Doll0:17:47 - People in a baradvance plot | bar | business man | conversing | mode mixture | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Hospital Scene)0:27:51 - The sign for a hospitaladvance plot | calm | child | childbirth | conversing | fragmentation | hospital | leading lady | lullaby | peaceful | plagal cadence

The Life of Vergie Winters (1934)

Ida (Sweet As Apple Cider)0:28:55 - People in a baradvance plot | bar | business man | conversing | parallel double period | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Semper Fidelis0:30:32 - A march is played outsideadvance plot | celebrating | cheering | child | common-chord modulation | conversing | crowd | gossiper | leading lady | leading man | march | patriotic tune | politician | source music | spouse | street | upbeat

The Life of Vergie Winters (1934)

Lullaby (Park)0:36:28 - Nurse and baby in the parkAABA structure | added-note chord | advance plot | calm | child | common-chord modulation | conversing | leading lady | lullaby | nurse | park | peaceful | waiting

The Life of Vergie Winters (1934)

Darktown Strutters' Ball0:40:06 - Sadie and Mike in a baradvance plot | business man | club | common-chord modulation | conversing | friend | love interest | plotting | ragtime | source music | upbeat

The Life of Vergie Winters (1934)

Lullaby (Joan)0:50:31 - Joan enters Vergie's shopadvance plot | child | conversing | daughter | distortion | entering | foreign key modulation | fragmentation | gentle | harmonic sequence | leading lady | meeting | mother | octatonic scale | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:06 - Joan talks with Vergie9th chord | advance plot | altered dominant | augmented sixth chord | child | chromatic parallelism | conversing | daughter | foreign key modulation | gentle | half-diminished 7th chord | leading lady | mother | reunion | secret | shop | timid

The Life of Vergie Winters (1934)

Lullaby (Delicato)0:51:39 - Joan talks with Vergie9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | parallel 63s | reunion | secret | shop

The Life of Vergie Winters (1934)

Underscoring (Gentle)0:51:52 - Vergie gives Joan a fan9th chord | advance plot | child | conversing | daughter | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Solo Violin)0:52:06 - Vergie gets a ribbon for Joanadvance plot | child | common-chord modulation | conversing | daughter | fragmentation | gentle | leading lady | mother | reunion | secret | shop

The Life of Vergie Winters (1934)

Lullaby (Strings)0:52:30 - Vergie puts a ribbon in Joan's hairadvance plot | child | chromatic mediant | conversing | countermelody | daughter | direct modulation | gentle | leading lady | mode mixture | mother | pedal tone | reunion | secret | shop

The Life of Vergie Winters (1934)

A Boy and a Girl1:07:00 - John and Vergie listen to the radioadvance plot | altered dominant | common-chord modulation | conversing | leading lady | leading man | listening | room | secret lover | sentimental | simulated source music | source to score | transcribed by ear

The Life of Vergie Winters (1934)

Lullaby (Dolce)1:08:00 - Vergie talks with John9th chord | advance plot | common-chord modulation | conversing | leading lady | leading man | room | score to source | secret lover | tender

The Life of Vergie Winters (1934)

Lullaby (Cello Solo)1:08:38 - Vergie talks with Johnadded-note chord | advance plot | common-chord modulation | confident | hopeful | hoping | leading lady | leading man | room | secret lover | sweet | warm

The Life of Vergie Winters (1934)

Lullaby (Passionate)1:09:39 - John and Vergie embrace9th chord | advance plot | embracing | leading lady | leading man | pedal tone | romantic | room | secret lover | tense
Rockabye (1932)Improvised Lullaby0:11:04 - Elizabeth sings a lullabyadvance plot | calm | daughter | doll | leading lady | lullaby | mother | on-screen music | room | singing | source music

Rockabye (1932)

Sleep, My Sweet0:11:20 - Judy sings with her daughteradvance plot | calm | daughter | humming | leading lady | lullaby | mother | on-screen music | room | score to source | singing | source music

Rockabye (1932)

A Bird in a Gilded Cage0:29:09 - Snooks sings to herselfadvance plot | drunk | mother | on-screen music | room | singing | source music

Rockabye (1932)

Out of the Blue0:33:38 - People at a partyadvance plot | calm | club | conversing | friend | leading lady | on-screen music | pianist | playing | playwright | singer | singing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:33:55 - Judy at the partyadvance plot | club | conversing | dancing | friend | leading lady | love interest | on-screen music | pianist | playing | playwright | source music | upbeat

Rockabye (1932)

Improvisation (in Rockabye)0:35:35 - People at a partyadvance plot | club | conversing | drinking | friend | on-screen music | playing | source music | upbeat

Rockabye (1932)

Out of the Blue (Piano Improvisation)0:35:57 - Judy and Jacobs talkAABA structure | advance plot | calm | club | conversing | leading lady | love interest | on-screen music | playwright | score to source borrowing | source music

Rockabye (1932)

Till the Real Thing Comes My Way0:39:24 - Judy sings a songAABA structure | advance plot | club | dancing | leading lady | love interest | on-screen music | pianist | singing | source music | upbeat

Rockabye (1932)

Till the Real Thing Comes My Way0:40:21 - Judy sings on top of a truckadvance plot | leading lady | love interest | on-screen music | pianist | singing | source music | street | upbeat

Rockabye (1932)

You've Got What Gets Me0:53:27 - People at a partyABAB structure | advance plot | cheerful | conversing | manager | mother | party | source music

Rockabye (1932)

You've Got What Gets Me0:55:05 - Judy at a partyABAB structure | advance plot | celebrating | cheerful | leading lady | maid | mother | party | source music

Rockabye (1932)

Rockin' Chair0:59:16 - Judy talks to her managerAABA structure | advance plot | conversing | drinking | leading lady | manager | party | somber | source music

Rockabye (1932)

Till the Real Thing Comes My Way1:01:37 - Judy sings at a partyadvance plot | cheerful | leading lady | love interest | on-screen music | party | playwright | singing | source music
Out of the Fog (1941)Fishing0:13:46 - Catching a fishadvance plot | boat | boat | chef | comical | conversing | fish | fishing | friend | mickey-mousing | transcribed by ear

Out of the Fog (1941)

Drab0:24:36 - Stella in bedadvance plot | father | ignoring | knocking | leading lady | room | smoking | somber | tense | thinking | whispering

Out of the Fog (1941)

Concert in the Park0:25:09 - Jonah and Olaf walk down the streetadvance plot | arriving | conversing | dock | father | fisherman | friend | popular music | source music | upbeat | walking

Out of the Fog (1941)

Trade Winds0:28:40 - Stella enters a drugstoreAABA structure | advance plot | child | conversing | criminal | leading lady | leading man | popular music | shopping | source music | store | upbeat | worker

Out of the Fog (1941)

South American Way0:30:00 - Stella listens to the radioadvance plot | conversing | leading lady | mother | popular music | radio | room | source music | upbeat

Out of the Fog (1941)

Father and Daughter0:33:12 - Jonah talks to Stellaadvance plot | conversing | crying | father | gentle | hugging | leading lady | mode mixture | room | tender

Out of the Fog (1941)

Whistle While You Work0:43:46 - Eddie sets the tableAABA structure | advance plot | arguing | boss | conversing | dock | popular music | restaurant | source music | upbeat | worker

Out of the Fog (1941)

The Merry-Go-Round Broke Down0:49:00 - Olaf and Jonah walk to the restaurantAABA structure | advance plot | conversing | crowd | dancing | dock | father | fisherman | friend | popular music | source music | upbeat

Out of the Fog (1941)

Father and Daughter (Tender)0:51:32 - Maps of Cubaadvance plot | arriving | conversing | father | fisherman | leading lady | mirror shot | packing | room | tender | tense

Out of the Fog (1941)

Drab (Extended)0:51:50 - Stella talks with her fatheradvance plot | conversing | father | fisherman | foreign key modulation | leading lady | packing | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Dark)0:52:49 - Jonah reactsadvance plot | conversing | dark | father | fisherman | leading lady | room

Out of the Fog (1941)

Drab0:53:05 - Stella talks with her fatheradvance plot | conversing | father | fisherman | leading lady | room | sequence | somber | uneasy

Out of the Fog (1941)

Russian Barcarolle (Troubled)0:53:43 - Stella talks with her fatheradvance plot | bold | conversing | dark | father | fisherman | leading lady | ominous | room

Out of the Fog (1941)

Father and Daughter (Short)0:54:23 - Stella and Jonah embraceadvance plot | conversing | departing | father | fisherman | leading lady | room | tender

Out of the Fog (1941)

Russian Folk Song0:54:43 - Jonah enters a roomadvance plot | arriving | cheerful | father | fisherman | folk music | friend | on-screen music | room | singing | source music

Out of the Fog (1941)

Russian Barcarolle0:55:11 - Sam sings a Russian folk songadvance plot | cheerful | father | fisherman | folk music | friend | on-screen music | room | score to source | singing | source music
Kid Galahad (1937)City Fanfare0:32:24 - Bright lights of the cityadvance plot | augmented triad | bold | city | light | not by Steiner | sign | street | transcribed by ear

Kid Galahad (1937)

New York Scene0:32:31 - Ward and Louise ride in a taxiadvance plot | driving | hurried | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

The Escape0:33:23 - Nick punches man on streetadvance plot | boxer | car | hurried | hurrying | leading lady | leading man | not by Steiner | street | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Yearning)0:44:11 - Ward and Nick leave the farmadvance plot | altered dominant | car | deceptive resolution | driving | farm | leading man | leaving | manager | mother | not by Steiner | parting | sentimental | sister | transcribed by ear | yearning gesture

Kid Galahad (1937)

Kid Galahad (Montage)0:46:47 - Montage of newspaper headlines64 chord | advance plot | appoggiatura | boxer | boxing | boxing ring | cheering | chromatic parallelism | fanfare | fragmentation | harmonic sequence | heroic | leading man | montage | newspaper

Kid Galahad (1937)

Yearning0:48:47 - Marie speaks with her motheradvance plot | chromatic mediant | conversing | deceptive resolution | foreign key modulation | home | mother | nervous | newspaper | not by Steiner | sister | transcribed by ear | yearning

Kid Galahad (1937)

Heart's Affair0:49:16 - Marie speaks with her motheradvance plot | altered dominant | conversing | harmonic sequence | home | mode mixture | mother | newspaper | romantic | sister | transcribed by ear | yearning

Kid Galahad (1937)

The Moon Is In Tears Tonight (The Kid)0:50:05 - Louise looks at her Kid Galahad scrapbookadvance plot | cheerful | countermelody | not by Steiner | organizing | parallelism | room | scrapbook | sister | transcribed by ear

Kid Galahad (1937)

Sand In My Shoes1:10:15 - Ward, Marie, and Louise talk in the clubadvance plot | cheerful | conversing | dancing | leading lady | leading man | night club | on-screen music | sister | source music | transcribed by ear

Kid Galahad (1937)

Green Lady1:12:08 - Ward, Marie, and Louise talk in the clubadvance plot | arguing | cheerful | fighting | gangster | night club | source music | trainer | transcribed by ear

Kid Galahad (1937)

Doublecross1:15:33 - Nick reads a newspaper headlineadvance plot | driving | hotel | manager | newspaper | not by Steiner | passionate | reading | sequence | transcribed by ear

Kid Galahad (1937)

Heart's Affair (Trouble)1:15:53 - Ward talks to Marie at the farmadvance plot | deceptive resolution | embracing | farm | kissing | leading man | romantic | sister | transcribed by ear

Kid Galahad (1937)

Doublecross (Heated)1:16:02 - Nick arrives at the farmadvance plot | arguing | arriving | chromatic mediant | farm | leading man | manager | not by Steiner | sister | tense | transcribed by ear

Kid Galahad (1937)

Doublecross (Entanglements)1:17:24 - Nick falls to the groundadvance plot | dark | descending tetrachord | farm | fighting | leading man | manager | mother | not by Steiner | sister | somber | tragic | transcribed by ear
Traveling Husbands (1931)Someone0:16:31 - Music is played in a hotel ballroomadvance plot | cheerful | dancing | hotel | leading lady | popular song | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Bicycle Built for Two0:20:51 - Music is played in a bar roomAABC structure | advance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

Sidewalks of New York0:21:01 - Music is played in a bar roomadvance plot | bar | calm | conversing | eating | leading lady | popular song | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:35:46 - Music is played on the radioAABA structure | advance plot | Arabian | dancing | exoticism | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

There's a Sob in My Heart (Arabian)0:38:56 - Music is played on the radioadvance plot | Arabian | dancing | exoticism | leading lady | popular song | radio | romantic | room | salesman | source music | transcribed by ear

Traveling Husbands (1931)

Chimes0:49:36 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

Chimes 20:51:50 - A tune is played on church bellsadvance plot | calm | church bell | leading lady | leading man | room | salesman | source music | transcribed by ear | waiting

Traveling Husbands (1931)

There's a Sob in My Heart (Slow Waltz)0:57:47 - Music is played on the radioAABA structure | advance plot | arguing | calm | leading lady | leading man | mode mixture | popular song | radio | room | salesman | source music | transcribed by ear
The Unfaithful (1947)Chris (Dark)0:07:46 - Chris continues driving9th chord | advance plot | antagonist | calm | danger | dissonant bass | foreign key modulation | house | leading lady | ominous | sequential modulation | shadow | tritone | tritone oscillation | walking

The Unfaithful (1947)

Danger0:08:19 - A man in the shadowsadvance plot | antagonist | danger | fear | house | leading lady | monophonic | shadow | sinister | walking

The Unfaithful (1947)

Unfaithful (Attack)0:08:40 - The man attacks Chrisadvance plot | antagonist | attacking | chromatic scale | criminal | danger | fighting | house | leading lady | ostinato | pc set | sequence | shadow | sinister | victim | whole-tone

The Unfaithful (1947)

Chris screams0:08:53 - Chris screamsadvance plot | antagonist | criminal | danger | house | leading lady | mickey-mousing | pc set | screaming | shadow | sinister | victim

The Unfaithful (1947)

Tanner0:23:46 - Mrs. Tanner boards a trolleyadvance plot | altered dominant | antagonist | fragmentation | irregular meter | newspaper | pc set | quartal chord | reading | street | tense | traveling | trolley | widow

The Unfaithful (1947)

Tanner (Panic)0:24:21 - Mrs. Tanner sees her husband's name in the paperadvance plot | antagonist | newspaper | ostinato | panicked | panicking | street | trolley | widow

The Unfaithful (1947)

Unfaithful (Tragic)0:24:34 - Mrs. Tanner walks down the streetadvance plot | antagonist | husband | leading lady | newspaper | ostinato | panicked | panicking | pedal tone | police station | street | transition | trolley | victim | widow

The Unfaithful (1947)

Oh But I Do0:32:27 - Ladies talk at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | sister | source music | transition | victim

The Unfaithful (1947)

Deep Night0:35:15 - Larry, Chris, and Bob at a restaurantAABA structure | advance plot | calm | conversing | husband | lawyer | leading lady | on-screen music | restaurant | source music | transition | victim

The Unfaithful (1947)

Unfaithful (Plotting)0:42:32 - Larry storms out of the art collector's shopadvance plot | antagonist | dissonant bass | door | plotting | shop | sinister | slamming

The Unfaithful (1947)

Underscoring (Tense)0:43:21 - Lady talks to Larryadvance plot | conversing | law office | lawyer | office | pedal tone | tense | underscoring

The Unfaithful (1947)

Unfaithful (Ominous)0:43:39 - Secretary makes a calladvance plot | dialing | law office | lawyer | monophonic | office | ominous | phone call | sinister | spinning

The Unfaithful (1947)

Unfaithful (Dramatic)0:44:05 - Chris goes to Larry's officeadvance plot | arriving | fanfare | heroic | law office | leading lady | mode mixture | office

The Unfaithful (1947)

Unfaithful (Ostinato)0:50:56 - Chris leaves Larry's officeadvance plot | exiting | law office | lawyer | leading lady | office | pedal tone | somber

The Unfaithful (1947)

Unfaithful (Drone)0:51:08 - Chris enters the art shopadvance plot | arriving | leading lady | ostinato | shop | shopkeeper | somber

The Unfaithful (1947)

Stinger0:52:10 - Chris reactsadvance plot | leading lady | shop | shopkeeper | stinger | surprise | suspenseful | zoom in

The Unfaithful (1947)

Unfaithful (Distressed)0:52:17 - The maid turns on a lamp9th chord | advance plot | arriving | foreign key modulation | forlorn | leading lady | maid | obsession | ostinato | pc set | room | tense

The Unfaithful (1947)

Unfaithful (Agitated)0:53:11 - Chris sees the place where the body wasadvance plot | distressed | fearful | leading lady | obsession | ostinato | room | sequential modulation | staring

The Unfaithful (1947)

Attorney (Doorbell)0:53:31 - Chris takes off her jacketadvance plot | arriving | enharmonic respelling | heroic | lawyer | leading lady | room | stinger | surprise

The Unfaithful (1947)

Unfaithful (Somber 2)1:00:01 - Chris thinks9th chord | advance plot | altered dominant | augmented sixth chord | chromatic mediant | common-chord modulation | conversing | foreign key modulation | husband | leading lady | mode mixture | ostinato | room | somber | tender

The Unfaithful (1947)

Unfaithful (Ominous)1:09:06 - Chris on the phoneadvance plot | lawyer | leading lady | monophonic | office | phone call | room | tense | thinking
We Are Not Alone (1939)As You Walk Down the Strand0:19:59 - David helps LeniAABC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Poor Old Adam Was My Father0:20:32 - David talks to Leni by the seasideABAC structure | advance plot | calm | doctor | familiar tune | hero | heroine | source music | street

We Are Not Alone (1939)

Surprise Symphony (Glissando)0:22:35 - David rides home on his bikeadvance plot | bicycle | classical music | familiar tune | fragmentation | glissando | happy | Haydn | hero | home | peaceful | quotation | sequence | walking

We Are Not Alone (1939)

Surprise Symphony (Worried)0:22:57 - David hears Gerald cryingadvance plot | boy | child | classical music | dark | familiar tune | father | fragmentation | Haydn | hero | home | hurrying | mode mixture | quotation | tense

We Are Not Alone (1939)

Surprise Symphony (Fixing the Lights)0:23:27 - David tries to fix the lights11th chord | advance plot | boy | child | classical music | familiar tune | father | foreign key modulation | fragmentation | Haydn | helping | hero | home | mysterious | playful | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Lighting the House)0:23:40 - David lights candles in the houseadvance plot | boy | candle | child | chromatic sequence | classical music | dissonant bass | familiar tune | father | Haydn | helping | hero | home | lighting | positive | quotation | working

We Are Not Alone (1939)

Surprise Symphony (Better)0:23:55 - David puts his son in bed9th chord | advance plot | boy | calm | child | classical music | conversing | dark | familiar tune | father | foreign key modulation | Haydn | hero | home | playing | quotation | warm

We Are Not Alone (1939)

Whee!0:23:57 - David flips his son upside down playfullyadvance plot | boy | child | father | hero | home | jumping | mickey-mousing | parallel 63s | parallelism | playful | playing | spinning

We Are Not Alone (1939)

Surprise Symphony (Death Bed)0:24:11 - David discusses death with his son advance plot | augmentation | boy | child | classical music | conversing | dark | death | familiar tune | father | Haydn | hero | home | quotation

We Are Not Alone (1939)

Jessica (Upset)0:24:32 - Jessica enters and stops the conversationadvance plot | antagonist | chromatic scale | conversing | dark | home | parallelism | upset | wife

We Are Not Alone (1939)

Surprise Symphony (Dolce)0:25:02 - Gerald asks to go with his father on a tripadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | mode mixture | quotation | sweet | warm

We Are Not Alone (1939)

Frohe Botschaft (Ethereal)0:25:12 - David tells his son about his patient, Leni9th chord | 64 chord | advance plot | boy | child | conversing | familiar tune | father | folk song | German | hero | home | mode mixture | pedal tone | quotation | sweet

We Are Not Alone (1939)

Surprise Symphony (Lullaby)0:25:36 - David asks his son to help Leniadvance plot | boy | child | classical music | conversing | familiar tune | father | Haydn | hero | home | pedal tone | quotation | sweet

We Are Not Alone (1939)

It's Easy to Be a Lady if You Try0:25:50 - Gerald and Leni ride a carouselABAC structure | advance plot | amusement park | boy | bright | carnival | carousel | child | conversing | familiar tune | father | hero | heroine | playing | source music

We Are Not Alone (1939)

Tuning0:27:56 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:03 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:17 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Tuning0:28:31 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | violin | wife

We Are Not Alone (1939)

Surprise Symphony0:29:13 - David whistles advance plot | cheerful | classical music | familiar tune | Haydn | hero | home | quotation | source music | whistling | wife

We Are Not Alone (1939)

Tuning0:29:20 - David tunes his violinadvance plot | hero | home | neutral | on-screen music | source music | tuning | tuning | violin | wife

We Are Not Alone (1939)

Minuet0:29:28 - David plays the violinadvance plot | hero | home | on-screen music | playing | source music | violin | warm | wife

We Are Not Alone (1939)

Surprise Symphony0:29:45 - David plays the violinadvance plot | hero | home | on-screen music | playing | source music | violin | warm | wife

We Are Not Alone (1939)

I Do Like to Be Beside the Seaside (Subconscious)0:31:36 - Jessica says goodnight to David added-note chord | advance plot | common-tone diminished 7th | conversing | goodnight | happy | hero | home | wife

We Are Not Alone (1939)

Frohe Botschaft (Viennese)0:32:51 - Gerald rushes in to see Leni11th chord | advance plot | boy | child | familiar tune | folk song | foreign key modulation | German | greeting | heroine | home | hugging | joyful | lifting | mickey-mousing | quotation

We Are Not Alone (1939)

Frolic0:33:45 - Leni and Gerald run through the parkadvance plot | antagonist | boy | child | chromatic mediant | diminished 7th chord | foreign key modulation | gossiping | heroine | joyful | park | pedal tone | playing | running

We Are Not Alone (1939)

Captain Gerald0:43:23 - Gerald tells Leni a storyadded-note chord | advance plot | boy | child | exoticism | foreign key modulation | heroine | home | imagination | room | somber | telling a story

We Are Not Alone (1939)

Barcarolle0:44:06 - Gerald talks about sailing9th chord | advance plot | barcarolle | boy | child | dissonant bass | heroine | home | hopeful | imagination | pedal tone | room | telling a story

We Are Not Alone (1939)

Frohe Botschaft (Like a Sigh)0:44:30 - Leni tells Gerald to not be afraidadvance plot | conversing | heroine | home | kindness | promise | room | sad | sigh gesture

We Are Not Alone (1939)

Jessica0:45:10 - Jessica enters the room9th chord | advance plot | antagonist | chromatic parallelism | chromatic scale | conversing | half-diminished 7th chord | home | mother | room | sour

We Are Not Alone (1939)

Surprise Symphony (Expanded)0:45:36 - Leni hugs Geraldadvance plot | boy | child | chromatic parallelism | classical music | dissonant bass | familiar tune | Haydn | heroine | home | hugging | quotation | room | sweet

We Are Not Alone (1939)

Frohe Botschaft (Crying)0:45:45 - Leni kisses Gerald9th chord | 64 chord | advance plot | antagonist | boy | child | crying | deceptive resolution | familiar tune | folk song | fragmentation | German | heroine | home | leaving | mode mixture | mother | quotation | room | sequence | somber | tritone

We Are Not Alone (1939)

Tragico0:46:40 - Gerald faces his motheradvance plot | antagonist | appoggiatura | boy | child | conversing | dark | home | mother | pedal tone | room | sad | stinger | tragic

We Are Not Alone (1939)

Surprise Symphony (Tragico)0:47:06 - Jessica gathers clothes for Gerald advance plot | antagonist | boy | child | classical music | conversing | dark | familiar tune | Haydn | home | mother | quotation | room | sad | tragic

We Are Not Alone (1939)

Triste0:50:45 - David talks to Leniadvance plot | common-chord modulation | conversing | gentle | hero | heroine | home | room | sad

We Are Not Alone (1939)

Frohe Botschaft (Triste)0:51:10 - David talks to Leni9th chord | added-note chord | advance plot | conversing | deceptive resolution | familiar tune | folk song | foreign key modulation | fragmentation | German | hero | heroine | home | quotation | room | somber

We Are Not Alone (1939)

Surprise Symphony (Sneaky)0:51:52 - David goes to bedadded-note chord | advance plot | antagonist | classical music | cook | diminution | familiar tune | Haydn | hero | heroine | home | mickey-mousing | mysterious | quotation | room | sneaking | somber

We Are Not Alone (1939)

Eine kleine Nachtmusik0:52:05 - Program for the concert at the partyadvance plot | classical music | concert | familiar tune | home | joyful | Mozart | room | source music

We Are Not Alone (1939)

Die Krähe0:52:36 - Leni asks David about his workadvance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Schubert | source music

We Are Not Alone (1939)

Celebre Romance0:54:24 - Leni asks David for a referenceABAC structure | advance plot | antagonist | calm | classical music | concert | conversing | cook | familiar tune | hero | heroine | home | room | Rubinstein | source music

We Are Not Alone (1939)

Surprise Symphony0:56:18 - David whistles on his way to breakfastadvance plot | calm | classical music | familiar tune | Haydn | hero | home | quotation | room | whistling

We Are Not Alone (1939)

Tuning0:59:20 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Tuning1:00:57 - David tunes his violinadvance plot | antagonist | calm | cook | hero | heroine | home | on-screen music | room | source music | tuning | violin

We Are Not Alone (1939)

Celebre Romance1:01:03 - David plays the violinadvance plot | antagonist | classical music | cook | familiar tune | hero | heroine | home | on-screen music | peaceful | playing | romantic | room | Rubinstein | sentence form | source music | source to score | violin

We Are Not Alone (1939)

God Save the King1:09:06 - Mob sings "God Save the King" outsideadvance plot | antagonist | British | choral singing | familiar tune | home | mob | patriotic | singing | source music | source to score | street

We Are Not Alone (1939)

Surprise Symphony (Allegretto)1:14:16 - David helps Leni buy a ticketadvance plot | classical music | conversing | familiar tune | fragmentation | gentle | Haydn | hero | heroine | optimistic | pedal tone | quotation | sequence | sweet | train station

We Are Not Alone (1939)

La Marseillaise1:15:41 - News bulletins in a windowadvance plot | announcing | deceptive resolution | familiar tune | French | patriotic | shop | sign | street | war | window

We Are Not Alone (1939)

Frohe Botschaft (War Bulletin)1:22:12 - News bulletins about the trialadvance plot | announcing | familiar tune | fanfare | folk song | German | news | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Surprise Symphony (Tense)1:31:42 - News bulletins about the trial9th chord | advance plot | announcing | classical music | dark | familiar tune | Haydn | main theme | quotation | shop | sign | street | tense | window

We Are Not Alone (1939)

Underscoring (Mysterious)1:36:37 - David walks down a prison corridoradvance plot | anticipation | guard | hero | heroine | mysterious | prison | underscoring | walking

We Are Not Alone (1939)

Underscoring (Subtle)1:40:57 - David helps Leni9th chord | advance plot | conversing | delicate | helping | hero | heroine | octatonic scale | prison | underscoring

We Are Not Alone (1939)

Surprise Symphony (Semplice)1:41:10 - Guards help Leniadvance plot | augmented triad | classical music | conversing | delicate | familiar tune | fragmentation | Haydn | helping | hero | heroine | lullaby | prison | quotation

We Are Not Alone (1939)

Underscoring (Subtle)1:41:29 - David walks down the prison corridoradvance plot | augmented triad | conversing | delicate | diminished 7th chord | helping | hero | pedal tone | prison | underscoring | whole-tone chord

We Are Not Alone (1939)

Frohe Botschaft (Restful)1:41:47 - David watches Leni sleep9th chord | advance plot | delicate | familiar tune | folk song | German | hero | heroine | mode mixture | plagal cadence | prison | quotation | watching

We Are Not Alone (1939)

Fife and Drums1:44:42 - David talks with the guardsadvance plot | hero | patriotic | pentatonic | prison | source music | war

We Are Not Alone (1939)

It's a Long Long Way to Tipperary1:45:21 - David talks with the guardsadvance plot | familiar tune | hero | patriotic | prison | source music | war

We Are Not Alone (1939)

Waiting1:46:39 - David asks about his execution9th chord | advance plot | hero | prison | somber | waiting

We Are Not Alone (1939)

Surprise Symphony (Acceptance)1:47:27 - David talks to the prison guardsadvance plot | classical music | familiar tune | gentle | Haydn | hero | mode mixture | plagal cadence | prison | quotation | reverse picardy | sweet

We Are Not Alone (1939)

Surprise Symphony (Whistling)1:48:34 - David whistles as he thinksadvance plot | augmentation | classical music | deceptive resolution | familiar tune | gentle | Haydn | hero | on-screen music | pedal tone | prison | quotation | score to source | source music | sweet | whistling
White Heat (1949)Rushing0:10:49 - A gangster comes in the dooradvance plot | arguing | dark | gangster | leading lady | leading man | moll | mother | murderer | punching | room | storm | tense | victim | wind

White Heat (1949)

Underscoring (Tense)0:18:58 - Agents pull up in a caradvance plot | agent | arriving | car | driving | street | tense

White Heat (1949)

T-Men (Marcia)0:19:03 - Agents see the marker on the caradvance plot | agent | car | following | heroic | noble | observing | planning | street | telephone

White Heat (1949)

Agents (Planning)0:19:32 - Agents talk on the car phoneadvance plot | agent | car | conversing | dark | following | mysterious | observing | planning | street | telephone

White Heat (1949)

Pursuit (Ominous)0:22:08 - Agents arrive at the moteladvance plot | agent | arriving | car | driving | motor effect | ominous | pursuing | street | telephone | tense

White Heat (1949)

Agents (Chase)0:22:33 - The agents notice Ma's caradvance plot | agent | car | looking | observing | panning shot | stinger | street | tense

White Heat (1949)

Pursuit0:22:38 - The agents drive awayadvance plot | agent | car | driving | motor effect | pursuing | street | tense

White Heat (1949)

Misterioso (Tense)0:40:12 - Hank looks aroundadvance plot | gangster | leading man | looking | murderer | mysterious | photograph | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

T-Men (Expressivo)0:40:26 - Hank looks at the photographadvance plot | conversing | gangster | leading man | murderer | photograph | prison | prisoner | undercover agent | uneasy

White Heat (1949)

Jumping on bed0:40:41 - Hank jumps up on his bedadvance plot | ascending | gangster | jumping | leading man | mickey-mousing | murderer | prison | prisoner | undercover agent | uneasy

White Heat (1949)

Misterioso (Ominous)0:40:51 - The prisoners talkadvance plot | conversing | gangster | leading man | murderer | mysterious | ominous | prison | prisoner | tense | undercover agent | underscoring

White Heat (1949)

Whispering0:41:06 - The prisoner reads lipsadvance plot | gangster | leading man | listening | murderer | prison | prisoner | spying | tense | undercover agent | uneasy | whisper effect | whispering

White Heat (1949)

Thinking0:41:34 - Prisoners talk about moneyadvance plot | conversing | gangster | leading man | murderer | mysterious | prison | prisoner | tense | thinking | undercover agent

White Heat (1949)

Underscoring (Tense)0:42:03 - Ma talks to the gangstersadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Cody (Expressivo)0:42:17 - Ma talks to Big Edadvance plot | conversing | gangster | leading lady | love interest | moll | mother | room | tense

White Heat (1949)

Agitato0:42:32 - Verna leaves the roomadvance plot | agitated | conversing | departing | gangster | leading lady | love interest | moll | mother | room | tense | underscoring

White Heat (1949)

Big Ed0:42:41 - Big Ed leaves the roomadvance plot | gangster | leading lady | love interest | moll | mother | room | tense | walking

White Heat (1949)

Underscoring (Dramatic)0:42:52 - Big Ed talks to Vernaadvance plot | anger | angry | arguing | dramatic | gangster | leading lady | love interest | moll | porch | underscoring

White Heat (1949)

Five O'Clock Whistle1:11:01 - Verna watches Edadvance plot | conversing | gangster | leading lady | love interest | moll | popular music | radio | room | source music | upbeat

White Heat (1949)

T-Men (Misterioso)1:27:39 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | mysterious | stinger | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:27:53 - Hank talks to Codyadvance plot | arguing | conversing | fugitive | gangster | leading man | murderer | tense | undercover agent | underscoring | yard

White Heat (1949)

Verna (Cello Solo)1:28:30 - Cody talks about Vernaadvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | somber | undercover agent | yard

White Heat (1949)

Ma (Molto Expressivo)1:28:38 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Plotting (Agitato)1:29:03 - Cody talks about his familyadvance plot | conversing | fugitive | gangster | insanity | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody (Climbing)1:29:15 - Cody talks about his pastadvance plot | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Ma (Triste)1:29:29 - Cody talks about his motheradvance plot | character mention | conversing | fugitive | gangster | leading man | memory | murderer | tense | undercover agent | uneasy | yard

White Heat (1949)

Cody 3 (Molto Misterioso)1:31:42 - Hank works on the transmitteradvance plot | leading man | radio | tense | transmitter | undercover agent | working | yard

White Heat (1949)

Danger (Sneaky)1:31:56 - Hank puts the transmitter on the truckadvance plot | fugitive | gangster | hiding | leading lady | leading man | moll | murderer | sneaking | tense | transmitter | truck | undercover agent | yard

White Heat (1949)

Cody 3 (Tense)1:32:12 - Cody approaches the truckadvance plot | conversing | fugitive | gangster | leading lady | leading man | lying | moll | murderer | tense | transmitter | truck | undercover agent | yard

White Heat (1949)

Underscoring (Tense)1:33:58 - Hank talks to the gas station attendantadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | truck | undercover agent | underscoring | worker | working

White Heat (1949)

Mirror1:34:10 - Hank writes a message on the mirroradvance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | rushing | tense | undercover agent | writing

White Heat (1949)

Underscoring (Tense)1:34:25 - Attendant fixes the truckadvance plot | conversing | fugitive | gangster | gas station | leading man | murderer | tense | underscoring | waiting | worker | working

White Heat (1949)

Mirror1:34:34 - Gangster goes to check on Hankadvance plot | bathroom | dramatic | fanfare | fugitive | gangster | gas station | hurrying | leading man | message | mirror | murderer | tense | undercover agent | worker | writing

White Heat (1949)

Message on the Mirror1:34:49 - Message on the washroom mirroradvance plot | bathroom | dramatic | fanfare | gas station | leading man | message | mirror | Morse code | radio effect | radio signal | tense | undercover agent | writing

White Heat (1949)

Bo Creel1:35:51 - Bo Creel comes outsideadvance plot | conversing | dark | fugitive | gangster | leading man | murderer | ominous | preparing | stinger | tense | truck | undercover agent | worker | working | yard

White Heat (1949)

Verna (Gum)1:36:15 - Verna spits out her gumadvance plot | conversing | fugitive | gangster | gum | kissing | leading lady | leading man | moll | murderer | preparing | spitting | tense | undercover agent | uneasy | worker | yard

White Heat (1949)

Danger1:36:32 - The gangsters hide in the truckadvance plot | fugitive | gangster | hiding | leading man | murderer | preparing | tense | truck | truck | undercover agent | worker

White Heat (1949)

Truck1:36:45 - The truck engine startsadvance plot | driving | fugitive | gangster | leading man | mickey-mousing | murderer | starting | tense | truck | truck | undercover agent | worker
The Woman in White (1948)The Carman’s Whistle (Sordini)0:11:18 - Count Fosco talks with Walteradvance plot | conversing | gentle | leading man | mansion

The Woman in White (1948)

Ann0:11:38 - Walter talks with Count Foscoadvance plot | butler | conversing | leading man | mansion | mysterious

The Woman in White (1948)

Fairlie0:18:35 - Walter leaves Mr. Fairlieadvance plot | butler | gentle | leading man | room | walking

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:19:09 - Walter walks to the windowadvance plot | gentle | leading man | room | walking

The Woman in White (1948)

Fosco (Molto Misterioso)0:19:16 - Fosco walks outsideadvance plot | garden | leading man | mysterious | room | tense | walking | watching

The Woman in White (1948)

Pavan0:26:05 - Laura plays the harpsichordadvance plot | butler | conversing | family | gentle | harpsichord | leading lady | leading man | on-screen music | playing | Renaissance music | room | source music

The Woman in White (1948)

Improvisation0:28:47 - A monkey plays the harpsichordadvance plot | conversing | harpsichord | leading lady | leading man | monkey | on-screen music | playing | room | source music | startled

The Woman in White (1948)

Ann (Misterioso)0:29:34 - Fosco sees Laura outsideadvance plot | conversing | leading lady | leading man | mysterious | room | tense | watching

The Woman in White (1948)

Limmeridge0:30:46 - Marian talks to Walteradvance plot | conversing | cousin | leading lady | leading man | noble | refined | room

The Woman in White (1948)

Fairlie (Expressivo)0:30:58 - Marian talks to Walteradvance plot | conversing | cousin | gentle | leading lady | leading man | refined | room

The Woman in White (1948)

Fosco (Spying)0:31:31 - Fosco spies on Laura and Walteradvance plot | garden | leading lady | leading man | mysterious | point-of-view shot | snooping | spying | watching

The Woman in White (1948)

Laura (Harp Countermelody)0:36:14 - Laura runs insideadvance plot | arriving | fiancé | gentle | leading lady | leading man | mansion | running

The Woman in White (1948)

Underscoring (Mysterious)0:36:22 - Laura greets Sir Percivaladvance plot | conversing | fiancé | leading lady | mansion | mysterious | underscoring

The Woman in White (1948)

The Self Banished (Slowly)0:36:40 - Laura leaves with Sir Percivaladvance plot | calm | cousin | fiancé | leading lady | mansion | walking

The Woman in White (1948)

The Self Banished (Con Moto)0:36:48 - Marian walks outsideadvance plot | agitated | calm | cousin | leading lady | leading man | mansion | walking

The Woman in White (1948)

Underscoring (Mysterious)0:38:37 - Marian talks to Walteradvance plot | bad news | conversing | cousin | dark | garden | leading lady | leading man | mysterious | stinger | underscoring

The Woman in White (1948)

The Self Banished (Somber)0:39:27 - Marian talks to Walteradvance plot | bad news | conversing | cousin | garden | gentle | heartbroken | leading lady | leading man | somber

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:39:58 - Walter wanders the groundsadvance plot | crying | garden | gentle | leading lady | leading man | listening | walking | wandering

The Woman in White (1948)

Ann 20:40:33 - Walter talks to the woman in whiteadvance plot | conversing | crying | garden | gentle | leading lady | leading man | remembering | tender

The Woman in White (1948)

Ann0:40:45 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious | tense

The Woman in White (1948)

Ann 20:41:22 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

Ann (Quasi Misterioso)0:41:28 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:41:49 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man | tender

The Woman in White (1948)

Hypnosis0:42:04 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tense | underscoring

The Woman in White (1948)

Fosco (Misterioso)0:42:23 - The woman in white talks about Foscoadvance plot | conversing | garden | leading lady | leading man | tense

The Woman in White (1948)

Ann (Molto Misterioso)0:42:52 - Walter talks to the woman in whiteadvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Underscoring (Dark)0:43:00 - The woman in white talks to Walteradvance plot | conversing | dark | garden | leading lady | leading man | ominous | stinger | underscoring

The Woman in White (1948)

Ann0:43:08 - The woman in white talks to Walteradvance plot | agitated | conversing | garden | leading lady | leading man | mysterious

The Woman in White (1948)

Ann 20:43:17 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tender

The Woman in White (1948)

The Carman’s Whistle (Rubato)0:43:24 - The woman in white talks to Walteradvance plot | conversing | garden | leading lady | leading man | tender

The Woman in White (1948)

The Carman’s Whistle (Accompaniment)0:43:31 - The woman in white talks to Walteradvance plot | conversing | garden | gentle | leading lady | leading man

The Woman in White (1948)

Fosco (Slowly)0:43:36 - Walter and the woman in white approach the houseadvance plot | garden | leading lady | leading man | tense | walking

The Woman in White (1948)

Appearing0:43:56 - The woman in white runs from Foscoadvance plot | garden | leading lady | leading man | magical | mysterious | running

The Woman in White (1948)

Ann0:43:58 - The woman in white runs awayadvance plot | garden | leading lady | leading man | mysterious | running

The Woman in White (1948)

Fairlie (Meno)0:51:08 - Marian looks at Limmeridge Houseadvance plot | arriving | conversing | cousin | gentle | leading lady | mansion | servant | warm

The Woman in White (1948)

Hypnosis0:51:33 - The servants greet Marianadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | tense

The Woman in White (1948)

Fosco (Misterioso 2)0:51:57 - Marian learns that the countess is in the houseadvance plot | arriving | butler | conversing | cousin | leading lady | mansion | servant | stinger | tense

The Woman in White (1948)

Pavan (Garden 2)0:55:17 - Marian talks to Mr. Fairlieadvance plot | conversing | cousin | father | leading lady | room | somber

The Woman in White (1948)

Laura0:55:43 - Sitting at the dining tableadvance plot | antagonist | butler | cigarette | conversing | cousin | eating | happy | husband | leading lady | light | mansion | monkey | servant | smoking | somber

The Woman in White (1948)

Underscoring (Mysterious)0:56:12 - Sir Percival and a monkeyadvance plot | antagonist | butler | cigarette | conversing | cousin | husband | leading lady | mansion | monkey | mysterious | servant | smoking | stinger | underscoring

The Woman in White (1948)

Ann (Misterioso Rubato)0:58:22 - The countess excuses herselfadvance plot | antagonist | butler | conversing | cousin | departing | husband | leading lady | mansion | mysterious | servant | somber

The Woman in White (1948)

Fosco (Spying)0:58:37 - Marian writes in her journaladvance plot | cousin | journal | leading lady | mysterious | room | somber | thinking | voice-over | writing

The Woman in White (1948)

Pavan (Agitato 2)0:58:59 - Laura enters Marian's roomadvance plot | conversing | cousin | greeting | leading lady | passionate | room | tense

The Woman in White (1948)

The Self Banished (Somber)0:59:47 - Marian talks to Lauraadvance plot | conversing | cousin | gentle | leading lady | room | somber

The Woman in White (1948)

The Self Banished (Tenderly)1:00:22 - Laura talks to Marianadvance plot | conversing | cousin | leading lady | room | tender

The Woman in White (1948)

Pavan (Distressed)1:00:51 - Laura talks to Marianadvance plot | agitated | conversing | cousin | distressed | leading lady | room

The Woman in White (1948)

Pavan (Agitato)1:01:02 - Laura talks to Marianadvance plot | agitated | conversing | cousin | leading lady | room

The Woman in White (1948)

Asylum1:01:26 - Laura suffers from a headacheaching | advance plot | agitated | conversing | cousin | headache | illness | illness effect | leading lady | pain | room | somber | tense | victim

The Woman in White (1948)

Asylum (Molto Expressivo)1:01:37 - Laura talks to Marianadvance plot | calm | conversing | cousin | headache | illness | leading lady | pain | recovering | recovery | room | victim

The Woman in White (1948)

Pavan (Slow)1:01:49 - Marian closes the dooradvance plot | cousin | departing | leading lady | room | somber | victim

The Woman in White (1948)

Sneaking1:02:12 - Marian leaves wearing a cloakadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | room | sneaking | somber | tense

The Woman in White (1948)

Fosco (Misterioso Slowly)1:04:48 - Count Fosco leaves the roomadvance plot | antagonist | conversing | cousin | criminal | eavesdropping | father | husband | leading lady | leading man | lightning | mysterious | room | sneaking | storm | tense

The Woman in White (1948)

Pavan (Basses)1:05:32 - Marian gets dressedadvance plot | antagonist | cousin | criminal | dressing | leading lady | leading man | mysterious | room | shadow | somber | stinger | surprising

The Woman in White (1948)

Asylum (Dolce)1:09:46 - Laura senses someone in the roomadvance plot | appearing | calm | conversing | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Ann (Poco Agitato)1:09:55 - The woman in white talks to Lauraadvance plot | agitated | calm | conversing | gentle | headache | illness | leading lady | pain | room | superimposed shot | victim

The Woman in White (1948)

Appearing1:10:28 - The woman in white disappearsadvance plot | antagonist | criminal | doctor | hiding | husband | leading lady | leading man | magical | mysterious | room | running | superimposed shot | victim

The Woman in White (1948)

Fosco (Screwy)1:13:05 - The countess enters quietlyadvance plot | arriving | helping | mysterious | room | sneaking | tense | time lapse | victim | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:18 - The countess sneaks into Laura's roomadvance plot | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Adagio1:13:26 - The countess helps Lauraadvance plot | gentle | helping | illness | leading lady | room | servant | sleeping | tense | victim | whispering | wife

The Woman in White (1948)

Fosco (Sneaking)1:13:48 - The maid leavesadvance plot | departing | helping | illness | leading lady | mysterious | room | servant | sleeping | sneaking | tense | victim | wife

The Woman in White (1948)

Underscoring (Mysterious)1:13:57 - The countess looks aroundadvance plot | helping | illness | leading lady | mysterious | room | sleeping | sneaking | tense | underscoring | victim | wife

The Woman in White (1948)

Ann (Waltz)1:14:30 - The countess opens a secret dooradvance plot | foreshadowing | helping | leading lady | room | secret passageway | sneaking | tender | victim | waltz | wife

The Woman in White (1948)

Ann (Lyrical)1:15:15 - The countess approaches the woman in whiteadvance plot | gentle | helping | leading lady | lyrical | room | sleeping | sneaking | victim | wife

The Woman in White (1948)

Ann 21:15:31 - The countess tends to the woman in whiteadvance plot | gentle | helping | leading lady | room | sleeping | sneaking | stinger | tender | victim | wife

The Woman in White (1948)

Pavan (Distressed)1:37:17 - Walter reads a note from Marianadvance plot | dark | leading lady | leading man | note | patient | reading | room | victim | wife

The Woman in White (1948)

Fosco (Molto Moderato)1:38:43 - Fosco looks at Marianadvance plot | criminal | friend | leading lady | leading man | love interest | menacing | murderer | pacing | room | somber

The Woman in White (1948)

Underscoring (Tense)1:39:05 - The butler entersadvance plot | butler | conversing | criminal | friend | leading lady | leading man | love interest | murderer | room | tense | underscoring

The Woman in White (1948)

Fosco (Molto Moderato)1:39:33 - Fosco talks to Marianadvance plot | conversing | criminal | friend | leading lady | leading man | love interest | menacing | murderer | room | somber
High Stakes (1931)Here Comes the Bride0:04:05 - Bride walks down the aisleadvance plot | bride | calm | crowd | establish place | familiar tune | source music | walking | wedding

High Stakes (1931)

Hymn0:04:46 - They get marriedadvance plot | augmented sixth chord | bride | calm | groom | hymn | marrying | priest | source music | wedding

High Stakes (1931)

Wedding March0:05:16 - They get marriedadvance plot | bride | cheerful | crowd | groom | marrying | priest | source music | wedding
The Public Defender (1931)Beautiful Thing0:05:58 - Dance music played at a dinner partyadvance plot | banker | cheerful | conversing | crowd | dance music | on-screen music | party | police | source music | transcribed by ear

The Public Defender (1931)

An Armchair With An Armful of You0:12:46 - Dance music played at a dinner partyABAC structure | advance plot | arguing | banker | cheerful | conversing | crowd | dance music | party | source music | transcribed by ear | waiter

The Public Defender (1931)

Mystery (Sandwich)0:15:25 - A mysterious hand puts a secret note in a sandwich advance plot | antagonist | chromaticism | hand | mysterious | mystery | party | pc set | sneaking | transcribed by ear

The Public Defender (1931)

An Armchair With An Armful of You0:15:33 - Waiter takes sandwich to manadvance plot | banker | cheerful | dance music | party | serving | source and scoring overlap | source music | transcribed by ear | waiter

The Public Defender (1931)

Mystery (Note)0:16:14 - Man discovers mysterious note in sandwichadvance plot | augmented triad | banker | chromaticism | discovery | dramatic | eating | mysterious | mystery | party | pc set | sandwich | source and scoring overlap | transcribed by ear | waiter

The Public Defender (1931)

An Armchair With An Armful of You0:16:29 - Dance music played at a dinner partyadvance plot | banker | cheerful | dance music | discovery | mystery | party | reacting | source and scoring overlap | source music | transcribed by ear | waiter

The Public Defender (1931)

He Walked Right In, Turned Around and Walked Right Out Again0:30:49 - Man sings to himself as he walks awayadvance plot | cheerful | leading man | on-screen music | room | singing | source music | transcribed by ear
Three Who Loved (1931)My One Ambition is You0:14:21 - Phil turns on the radioAB structure | advance plot | cheerful | conversing | dancing | pleasant | radio | room | source music | upbeat

Three Who Loved (1931)

Dance0:17:09 - John and Helga talkingAB structure | advance plot | conversing | pleasant | radio | room | source music

Three Who Loved (1931)

Toy Harmonica0:41:07 - Children at partyadvance plot | cheerful | child | on-screen music | playing | room | source music | toy

Three Who Loved (1931)

Toy Harmonica0:42:54 - Children at partyadvance plot | cheerful | child | on-screen music | playing | room | source music | toy

Three Who Loved (1931)

Old Folks At Home0:46:00 - Phil paces in a jail celladvance plot | jail | leading man | on-screen music | playing | prisoner | somber | source music

Three Who Loved (1931)

Forty-Nine Bottles0:47:56 - Drunk man singsadvance plot | drunk | drunk | on-screen music | party | singing | source music

Three Who Loved (1931)

Forty-Nine Bottles0:48:14 - People singadvance plot | drunk | drunk | on-screen music | party | singing | source music
Transgression (1931)Waltz0:18:26 - People at a partyadvance plot | calm | club | gambling | leading lady | linear chromaticism | love interest | parallel double period | sophisticated | source music | waltz
Hell’s Highway (1932)John Henry0:06:08 - Men working on a chain gangadvance plot | guard | on-screen music | pentatonic | prison | prisoner | singing | solemn | source music | transcribed by ear | working

Hell’s Highway (1932)

Willie, the Weeper0:13:52 - Men singing in prisonadvance plot | blue note | guard | on-screen music | prison | prisoner | singing | solemn | source music | spiritual | transcribed by ear

Hell’s Highway (1932)

The Load is Heavy0:17:26 - Men singing in prisonadvance plot | barbershop | cheerful | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear

Hell’s Highway (1932)

Frankie and Johnny0:27:11 - Men singing in prisonadvance plot | calm | guard | on-screen music | prison | prisoner | singing | source music | transcribed by ear

Hell’s Highway (1932)

Tuning of Violin0:47:34 - A man tunes a violinadvance plot | calm | guard | on-screen music | playing | prison | prisoner | source music | tuning | violin
Hold ‘Em Jail (1932)Jingle Bells0:07:51 - Spider singsadvance plot | bothering | business man | comic | comical | goofing around | on-screen music | room | salesman | singing | source music

Hold ‘Em Jail (1932)

Makes You Forget Your Troubles0:11:18 - Spider and Curley talk to SteeleAABA structure | advance plot | club | comic | dancer | dancing | planning | salesman | self-borrowing | source music | upbeat

Hold ‘Em Jail (1932)

A Moment in the Dark0:14:05 - Curley turns on the radioAABA structure | advance plot | comic | goofing around | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Ain't That the Way it Goes0:14:53 - Spider and Curley look aroundAABA structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

I'm Just a Vagabond Lover0:17:00 - Curley talks to BarbaraABAC structure | advance plot | comic | conversing | goofing around | love interest | office | prisoner | radio | sentimental | source music

Hold ‘Em Jail (1932)

I'm Wrapped Up in You0:18:18 - Spider dances with Violetadvance plot | comic | conversing | dancing | goofing around | love interest | office | prisoner | radio | source music | upbeat

Hold ‘Em Jail (1932)

Improvisation0:39:35 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:40:44 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Improvisation0:41:43 - Violet plays the piano and singsadvance plot | comic | comical | conversing | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Chopsticks0:42:09 - Violet and Spider play a piano duetadvance plot | comic | comical | office | on-screen music | playing | prisoner | source music

Hold ‘Em Jail (1932)

Improvisation0:42:44 - Violet plays the piano and singsadvance plot | comic | comical | office | on-screen music | playing | prisoner | singing | source music

Hold ‘Em Jail (1932)

Eldorania0:59:14 - A doctor tends to Spider's legadvance plot | athlete | comic | conversing | doctor | field | plotting | prisoner | referee | relative key | source music | treating | upbeat

Hold ‘Em Jail (1932)

El Capitan March1:01:51 - Spider makes Whitey sign a confessionadvance plot | comic | criminal | field | plotting | prisoner | source music | upbeat
Is My Face Red? (1932)You Bunch of Fun0:10:42 - Backstage at a Broadway showadvance plot | Broadway | cheerful | dancer | dancing | leading man | popular music | singing | source music | stage | transcribed by ear

Is My Face Red? (1932)

Burlesque0:13:10 - Backstage at a Broadway showABAC structure | advance plot | arguing | Broadway | burlesque | cheerful | common-chord modulation | dancer | leading man | pedal tone | plagal cadence | popular music | source music | stage | transcribed by ear

Is My Face Red? (1932)

Close to Me0:13:53 - William and Peggy talk in a dressing roomadvance plot | altered dominant | augmented sixth chord | Broadway | common-tone diminished 7th | conversing | dancer | Gypsy major scale | leading man | popular music | romantic | room | source music | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic0:15:16 - William on the deck of a busy shipAB structure | advance plot | boat | bustling | chromatic sequence | crowd | hurried | leading man | metric dissonance | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

I Love Thee0:16:08 - Two people embraceadvance plot | boat | embrace | embracing | leading man | quotation | romantic | transcribed by ear

Is My Face Red? (1932)

Strolling the Deck (Argument)0:16:14 - Camera moves from one window to anotheradvance plot | boat | cheerful | eavesdropping | fragmentation | leading man | parallelism | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Argument)0:16:24 - Two people argueadvance plot | arguing | boat | eavesdropping | leading man | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Strolling the Deck0:16:29 - Camera moves from one window to anotheradvance plot | boat | cheerful | common-tone diminished 7th | eavesdropping | leading man | mode mixture | searching | transcribed by ear

Is My Face Red? (1932)

Sailing of the Olympic (Commotion)0:16:39 - Four people talk at once to Mildredadvance plot | arguing | argument | boat | chromatic sequence | eavesdropping | hurried | leading lady | leading man | metric dissonance | parallelism | tense | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:20:18 - Mildred has a drink with WilliamABA structure | advance plot | altered dominant | augmented sixth chord | boat | calm | diminished 7th chord | drinking | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz (Tipsy)0:21:09 - Mildred is drunkadvance plot | altered dominant | augmented triad | boat | drinking | drunk | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:21:43 - Mildred talks with Williamadvance plot | augmented sixth chord | boat | calm | conversing | diminished 7th chord | leading lady | leading man | transcribed by ear

Is My Face Red? (1932)

Hurrying0:22:00 - Mildred and William hurry offadvance plot | boat | hurried | hurrying | jumping | leading lady | leading man | transcribed by ear | up

Is My Face Red? (1932)

Mildred Waltz (Rushing)0:22:05 - Mildred and William leaveadvance plot | boat | hurried | hurrying | leading lady | leading man | mode mixture | Neapolitan | transcribed by ear

Is My Face Red? (1932)

Mildred Waltz0:44:47 - Mildred and William ride in a motorboatABA structure | advance plot | boat | calm | leading lady | leading man | sailing | transcribed by ear

Is My Face Red? (1932)

Comin' Thro' the Rye0:46:54 - A man exercises to music on a boatadvance plot | boat | calm | exercising | leading lady | leading man | source music | transcribed by ear

Is My Face Red? (1932)

Guilty0:47:40 - A radio orchestra plays on a soundstageadvance plot | band | broadcast | calm | dance music | leading lady | leading man | on-screen music | radio | source music | stage | transcribed by ear | walking

Is My Face Red? (1932)

Trysting Place, The0:50:25 - William talks to Peggy and Mildredadvance plot | arguing | band | broadcast | calm | conversing | dance music | leading man | radio | sentence form | source music | stage | transcribed by ear
Ladies of the Jury (1932)El Capitan March0:28:41 - Jurors deliberateadvance plot | conversing | juror | jury room | leading lady | march | radio | source music | upbeat

Ladies of the Jury (1932)

There's a Sob in My Heart (Radio)0:45:27 - Jurors deliberateAABA structure | advance plot | conversing | dancing | juror | jury room | leading lady | radio | self-borrowing | sentimental | source music

Ladies of the Jury (1932)

I'm Just Wild About Harry0:52:40 - Spencer singsadvance plot | juror | jury room | on-screen music | singing | source music | upbeat

Ladies of the Jury (1932)

All in Favor of Taking a Ride Say Aye0:56:03 - Mayme singsadvance plot | juror | jury room | on-screen music | singing | source music | upbeat
Men of America (1932)Hey! Hey!0:26:27 - Man turns on car radioadvance plot | car | criminal | listening | mode mixture | radio | self-borrowing | source music | upbeat

Men of America (1932)

Symphony no. 5: IV0:26:35 - Car radio plays classical musicadvance plot | bold | car | conversing | criminal | radio | source music | tense

Men of America (1932)

Lace and Ruffles0:30:53 - The criminals have a feastadvance plot | criminal | eating | food | pleasant | source music

Men of America (1932)

Italian Folk Song0:32:52 - Tony sings a folk songadvance plot | cheerful | grapes | Italian | on-screen music | singing | source music | working
Secrets of the French Police (1932)Valse Lente0:10:24 - A man and a flower girl talk in a cafeAB structure | advance plot | cheerful | conversing | flower | leading lady | leading man | restaurant

Secrets of the French Police (1932)

Berceuse0:13:09 - The flower girl talks with her fatheradvance plot | conversing | father | leading lady | restaurant | somber | waltz

Secrets of the French Police (1932)

Russian National Anthem0:25:25 - A group of people sing the Russian national anthemadvance plot | anthem | balalaika | familiar tune | on-screen music | patriotic | patriotic tune | playing | room | Russia | singing
State’s Attorney (1932)When I am Dead0:12:59 - Tom sings to himselfadvance plot | cheerful | humming | lawyer | on-screen music | room | singing | source music

State’s Attorney (1932)

Blues (Piano)0:18:14 - People talking in a clubadvance plot | blue note | club | conversing | gangster | leading lady | leading man | mistress | score to source | source music | upbeat

State’s Attorney (1932)

Beer Glasses0:53:26 - Tom tunes his beer glasses to Aadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | source music | tuning

State’s Attorney (1932)

Wedding March0:53:50 - Tom plays the Wedding Marchadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:08 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Beer Glasses0:54:32 - Tom strikes a beer glassadvance plot | bar | drunk | drunk | lawyer | leading man | on-screen music | playing | source music

State’s Attorney (1932)

Bibelot0:55:22 - Tom plays the pianoadvance plot | cheerful | musician | on-screen music | playing | room | singing | source music
The Phantom of Crestwood (1932)I'm Wrapped Up in You0:16:39 - People talk at a partyAABA structure | advance plot | conversing | dance music | jaunty | party | popular music | radio | source music | transcribed by ear

The Phantom of Crestwood (1932)

Transgression0:18:54 - Ms. Wren descends the staircase9th chord | AABA structure | advance plot | arriving | common-chord modulation | conversing | party | radio | romantic | self-borrowing | transcribed by ear

The Phantom of Crestwood (1932)

Auld Lang Syne0:19:50 - A man sings to himself at the partyadvance plot | drinking | familiar tune | on-screen music | party | peaceful | singing | source music | transcribed by ear

The Phantom of Crestwood (1932)

Lady0:20:17 - People talk at a party9th chord | AAB structure | advance plot | common-chord modulation | conversing | dinner | party | peaceful | radio | sequence | transcribed by ear

The Phantom of Crestwood (1932)

Sleeping Rose0:21:00 - People talk around the dinner tableABA structure | advance plot | conversing | dinner | party | peaceful | radio | transcribed by ear

The Phantom of Crestwood (1932)

Cimarron Theme0:23:24 - Two people look at some portraitsAABC structure | advance plot | common-chord modulation | conversing | peaceful | portrait | room | self-borrowing | transcribed by ear
The Roadhouse Murder (1932)Three Little Words0:04:41 - A woman undressesadvance plot | cheerful | floozy | on-screen music | room | singing | source music

The Roadhouse Murder (1932)

Three Little Words0:05:23 - A woman in the bathtubadvance plot | cheerful | floozy | on-screen music | room | singing | source music
Thirteen Women (1932)Ursula (Horoscope)0:10:57 - Ursula looks at the horoscopeadvance plot | antagonist | appoggiatura | horoscope | leading lady | march-like | mysterious | reading | room | transcribed by ear

Thirteen Women (1932)

Ursula (Agitato)0:11:16 - Ursula tears up the horoscopeaccented dissonance | advance plot | agitated | antagonist | destroying | horoscope | leading lady | room | tearing | tense | transcribed by ear

Thirteen Women (1932)

Ursula (Dark)0:11:28 - Ursula reads a horoscope64 chord | advance plot | antagonist | dark | funeral march | horoscope | leading lady | reading | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:11:45 - Ursula forges the swami's signatureadvance plot | antagonist | dark | exotic | exoticism | forging | Gypsy major scale | horoscope | leading lady | mysterious | ostinato | room | signing | transcribed by ear

Thirteen Women (1932)

Serenade0:28:11 - Jo plays the pianoadvance plot | calm | common-tone diminished 7th | conversing | friend | gentle | on-screen music | piano | playing | room | secondary dominant | self-borrowing | sentence form | source music | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:32:54 - Burns enters the houseadvance plot | entering | exotic | exoticism | Gypsy major scale | leading lady | love interest | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Romance 2)0:33:10 - Burns kisses Ursula9th chord | advance plot | kissing | leading lady | love interest | Neapolitan | romantic | room | secondary dominant | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Mysterious Waltz)0:33:37 - Ursula talks to Burns64 chord | advance plot | chromatic parallelism | conversing | half-diminished 7th chord | leading lady | love interest | mode mixture | romantic | room | transcribed by ear | waltz

Thirteen Women (1932)

Ursula (Exotic 2)0:33:52 - Ursula talks to Burnsadvance plot | conversing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear

Thirteen Women (1932)

Ursula (Exotic)0:34:06 - Ursula argues with Burnsadvance plot | arguing | dark | exotic | exoticism | Gypsy major scale | leading lady | love interest | mysterious | ostinato | room | transcribed by ear
Blind Adventure (1933)When You're Far Away0:26:45 - Rose and Richard crash a partyAABA structure | advance plot | conversing | leading lady | leading man | lying | party | popular song | romantic | source music

Blind Adventure (1933)

Marcellene0:32:12 - Rose and Richard go downstairsABAC structure | advance plot | calm | conversing | leading lady | leading man | lying | party | popular song | source music

Blind Adventure (1933)

The Prisoner's Song0:35:12 - Holmes sings and whistlesadvance plot | calm | criminal | on-screen music | rooftop | singing | source music | whistling
Emergency Call (1933)Fit as a Fiddle0:15:50 - A woman singsadvance plot | jaunty | nurse | on-screen music | popular song | singing | source music | transcribed by ear

Emergency Call (1933)

Whistling1:00:04 - A commemorative sign is unveiledadvance plot | solemn | transcribed by ear | whistler | whistling
Headline Shooter (1933)Tell Me is It Love?0:21:50 - Bill and Jane at a baradvance plot | bar | conversing | drunk | leading lady | leading man | parallel double period | pleasant | source music

Headline Shooter (1933)

Isn't This a Night For Love0:22:10 - Bill and Jane talk at a barAABA structure | advance plot | bar | conversing | leading lady | leading man | romantic | source music

Headline Shooter (1933)

Come Easy, Go Easy, Love0:46:07 - Bill talks to reportersAABA structure | advance plot | calm | conversing | fiancé | leading lady | leading man | reporter | restaurant | source music
Sing and Like It (1934)Liebesträume0:34:46 - Ruby enters the roomadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music

Sing and Like It (1934)

Your Mother0:35:20 - Toots plays the pianoadvance plot | ballad | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | sentimental | singing | source music | teasing | tone cluster

Sing and Like It (1934)

Liebesträume0:35:31 - Toots plays the pianoadvance plot | calm | classical music | conversing | gangster | leading lady | moll | musician | on-screen music | piano | playing | room | secondary dominant | source music

Sing and Like It (1934)

Hearts and Flowers0:36:11 - Toots plays the pianoadvance plot | conversing | gangster | leading lady | moll | musician | on-screen music | parallel period | piano | playing | popular song | room | sentimental | source music

Sing and Like It (1934)

Hi-De-Ho0:37:46 - Fenny talks with Mr. FrinkAABA structure | advance plot | boss | conversing | dancing | gangster | laughing | leading man | on-screen music | piano | source music | theater | upbeat

Sing and Like It (1934)

Your Mother0:44:50 - Annie sings with a tenorAABA structure | actor | advance plot | ballad | boss | gangster | leading lady | on-screen music | piano | sentimental | singer | singing | source music | stage

Sing and Like It (1934)

King Kong March0:58:31 - Annie's name in lights9th chord | 11th chord | 13th chord | added-note chord | advance plot | arriving | binary form | boss | common-tone diminished 7th | critic | crowd | dressing room | fanfare | fanfare | gangster | leading lady | lobby | mode mixture | neon lights | parallelism | self-borrowing | singer | street | theater | worker
Gridiron Flash (1934)Dunlap Commandery0:43:59 - Eddie in his roomadvance plot | cheering | leading man | march | room | thinking | upbeat

Gridiron Flash (1934)

Gridiron Flash0:45:19 - Eddie in his roomadded-note chord | advance plot | cheering | countermelody | leading man | march | room | upbeat

Gridiron Flash (1934)

Marching Band Tune0:56:19 - A marching bandadvance plot | athlete | football | football game | march | playing | upbeat
Hat, Coat, and Glove (1934)Tonight is Mine0:11:24 - Dorothea plays the pianoadvance plot | conversing | leading lady | leading man | mode mixture | on-screen music | piano | playing | pleasant | room | source music

Hat, Coat, and Glove (1934)

Wonderful0:39:29 - Robert tells Dorothea goodbye11th chord | ABAC structure | added-note chord | advance plot | calm | club | common-tone diminished 7th | conversing | lawyer | leading lady | leading man | meeting | self-borrowing | source music | transcribed by ear

Hat, Coat, and Glove (1934)

When You're Far Away0:41:12 - Robert talks to JerryAABA structure | advance plot | club | conversing | lawyer | leading man | meeting | pleasant | source music | suspect
Murder on the Blackboard (1934)Scale0:28:06 - Hildegarde whistlesadvance plot | detective | leading lady | leading man | major scale | music notes | neutral | on-screen music | school | singing | sleuth | source music

Murder on the Blackboard (1934)

The Clue0:28:13 - Hildegarde whistlesadvance plot | detective | leading lady | leading man | music notes | neutral | on-screen music | school | sleuth | source music | whistling

Murder on the Blackboard (1934)

Unknown Tune0:29:23 - Otto sings to himselfadvance plot | drunk | janitor | on-screen music | school | singing | source music

Murder on the Blackboard (1934)

The Clue0:32:55 - Hildegarde whistlesadvance plot | leading lady | leading man | neutral | on-screen music | school | sleuth | source music | whistling

Murder on the Blackboard (1934)

The Clue0:40:59 - Hildegarde whistlesadvance plot | leading lady | neutral | on-screen music | school | school principal | sleuth | source music | whistling

Murder on the Blackboard (1934)

The Clue0:56:42 - Hildegarde whistlesadvance plot | detective | hospital | leading lady | neutral | on-screen music | professor | sleuth | source music | victim | whistling

Murder on the Blackboard (1934)

The Clue1:08:29 - Hildegarde whistlesadvance plot | café | detective | leading lady | leading man | neutral | on-screen music | sleuth | source music | whistling
Star of Midnight (1935)Midnight in Manhattan (Tango)0:08:56 - Dancers in a Broadway showadvance plot | countermelody | dancer | dancing | energetic | mode mixture | Neapolitan | on-screen music | pit orchestra | score to source | source music | syncopation | tango | theater

Star of Midnight (1935)

Midnight in Manhattan (Exotic)0:09:14 - Clay and Donna in the audienceadvance plot | altered dominant | conversing | countermelody | exotic | exotic | leading lady | leading man | mode mixture | on-screen music | score to source | source music | theater

Star of Midnight (1935)

Midnight in Manhattan (Warm)0:09:35 - Clay in the theater lobbyadvance plot | altered dominant | conversing | leading man | mode mixture | Neapolitan | score to source | sentimental | source music | theater

Star of Midnight (1935)

Pop Goes the Weasel0:29:44 - Detective sitsadvance plot | cheerful | conversing | detective | inspector | leading man | music box | room | source music

Star of Midnight (1935)

Pop Goes the Weasel0:33:40 - Clay talks with Timadvance plot | cheerful | conversing | detective | leading man | music box | room | source music | suspect

Star of Midnight (1935)

What a Night0:37:08 - Clay in a restaurantABAC structure | advance plot | conversing | detective | leading lady | leading man | producer | restaurant | sentimental | source music

Star of Midnight (1935)

If This Isn't Love0:46:25 - Clay talks with DonnaABAC structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Westminster Quarters0:53:50 - Clay waitsadvance plot | calm | detective | detective | leading man | source music | street | waiting

Star of Midnight (1935)

Midnight in Manhattan (Restaurant)0:55:00 - Detective talks on the phoneadvance plot | conversing | detective | leading lady | leading man | parallel double period | restaurant | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan B0:55:55 - Clay and Donna talk in a restaurantadvance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music | suspension

Star of Midnight (1935)

Midnight in Manhattan0:56:22 - Clay and Donna talk with Mr. Classonadvance plot | conversing | parallel double period | restaurant | sentimental | source music

Star of Midnight (1935)

I'm in Love All Over Again0:58:13 - Clay and Donna talk with Mr. ClassonAABA structure | advance plot | conversing | detective | leading lady | leading man | restaurant | sentimental | source music

Star of Midnight (1935)

Improvisation1:00:53 - Clay plays the pianoadvance plot | detective | leading lady | leading man | piano | playing | room | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:14:27 - Clay plays a record on the phonographadvance plot | conversing | detective | leading lady | leading man | parallel double period | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:19:18 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:20:25 - Clay goes to answer the dooradvance plot | conversing | detective | leading lady | leading man | phonograph | room | score to source | sentimental | source music

Star of Midnight (1935)

Midnight in Manhattan (Phonograph)1:21:40 - Clay enters the roomadvance plot | conversing | detective | leading lady | leading man | murderer | phonograph | room | score to source | sentimental | source music
Don’t Turn ‘em Loose (1936)Mildred Waltz0:24:13 - Bob and Letty go for a walkABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | diminished 7th chord | gangster | imposter | leading man | love interest | street | transcribed by ear | walking | waltz

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:00 - Bob walksadvance plot | appoggiatura | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:12 - Bob walksadded-note chord | advance plot | gangster | imposter | leading man | oscillation | pacing | room | street | tense | walking

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:17 - Bob walksadded-note chord | advance plot | calm | gangster | imposter | leading man | mode mixture | oscillation | pacing | reverse picardy | room | waiting | walking

Don’t Turn ‘em Loose (1936)

Gimpy Walk0:26:34 - Bob walksadded-note chord | advance plot | calm | double exposure | gangster | imposter | leading man | oscillation | pacing | room | waiting | walking
We're Only Human (1935)Old Lavender (Gentle)0:22:34 - A man scoops up some pasta64 chord | advance plot | altered dominant | buying | detective | food | leading lady | leading man | love interest | ordering | peaceful | pedal tone | reporter | store | worker | working

We're Only Human (1935)

Old Lavender0:22:44 - Packaged-up food9th chord | added-note chord | advance plot | altered dominant | buying | common-chord modulation | detective | direct modulation | food | harmonic sequence | leading lady | leading man | light | love interest | optimistic | ordering | reporter | store | worker | working

We're Only Human (1935)

Old Lavender (Celeste Solo)0:23:14 - Pete and Sally buying foodadvance plot | buying | detective | direct modulation | food | leading lady | leading man | love interest | ordering | peaceful | reporter | store | street | worker | working

We're Only Human (1935)

Isn't This a Night For Love (Dance Band)0:33:11 - Pete walks into a dinerAABA structure | advance plot | arguing | conversing | detective | diner | leading lady | leading man | reporter | sentimental | source music

We're Only Human (1935)

Midnight in Manhattan (Warm)0:36:50 - Mary and Pete in a restaurantadvance plot | altered dominant | arguing | conversing | detective | leading lady | leading man | mode mixture | Neapolitan | reporter | restaurant | sentimental | source music

We're Only Human (1935)

Mildred Waltz0:46:46 - Pete looks at police sketchesABA structure | advance plot | altered dominant | augmented sixth chord | calm | conversing | detective | diminished 7th chord | leading lady | leading man | reporter | room

We're Only Human (1935)

Waiting0:47:49 - Sally leavesadvance plot | calm | conversing | departing | detective | leading lady | leading man | reporter | room
Another Face (1935)Russian Waltz (Poco Agitato)0:04:46 - Nurse argues with doctoradvance plot | arguing | blackmail | doctor | nurse | operating room | tense

Another Face (1935)

Zaroff (Poco Agitato)0:05:01 - Nurse argues with doctoradvance plot | arguing | blackmail | chromatic parallelism | doctor | half-diminished 7th chord | nurse | operating room | tense

Another Face (1935)

Courage (Hiding)0:05:09 - Doctor threatens nurseadvance plot | arguing | blackmail | doctor | nurse | operating room | tense | whole-tone chord

Another Face (1935)

You're an Angel0:25:47 - A man knocks on a doorAABA structure | actress | advance plot | arguing | conversing | embracing | kissing | maid | manager | proposal | room | sentimental | source music

Another Face (1935)

Old Fashioned Love0:38:13 - People at a pool partyABAB structure | actress | advance plot | conversing | crowd | diving | maid | mother | pool | room | source music | swimmer | swimming | upbeat

Another Face (1935)

I Never Saw a Better Night0:39:50 - Sheila talks with her auntAABA structure | actress | advance plot | aunt | conversing | criminal | fiancé | gangster | maid | mellow | mother | room | source music

Another Face (1935)

Boys Will Be Boys0:41:15 - The maid bakes a cakeAABA structure | actress | advance plot | aunt | conversing | criminal | diving | fiancée | gangster | maid | manager | mellow | mother | room | source music | swimming
Girl of the Rio (1932)Yo Con tu Amor0:12:26 - Don Jose talks with Doloresadvance plot | celebrity | conversing | flirting | leading lady | leading man | night club | parallel double period | romantic | singer | source music | Spanish

Girl of the Rio (1932)

Baile0:23:15 - A close-up on Doloresadvance plot | conversing | dancing | departing | leading lady | manager | on-screen music | performing | room | singer | source music | upbeat

Girl of the Rio (1932)

Querida0:38:14 - Dolores sings and plays the guitarABAC structure | advance plot | conversing | crowd | leading lady | night club | on-screen music | plotting | prison | romantic | singer | singing | source music | terrace | whistling
Without Honor (1949)Here Comes the Bride (Misterioso)0:12:40 - Jane's wedding pictureadvance plot | audible thoughts | leading lady | mysterious | photograph | room | thinking

Without Honor (1949)

Underscoring (Tense)0:12:58 - Jane walks forwardadvance plot | leading lady | room | telephone | tense | thinking | underscoring

Without Honor (1949)

Agitation0:13:26 - Jane puts down the phoneadvance plot | agitated | leading lady | preparing | room | telephone | thinking | underscoring

Without Honor (1949)

Appassionato 2 (Molto Agitato)0:13:39 - Jane changes her clothesadvance plot | agitated | changing | clothes | leading lady | room

Without Honor (1949)

Twilight (Molto Agitato)0:14:01 - Jane looks in the mirroradvance plot | agitated | changing | clothes | leading lady | room

Without Honor (1949)

Appassionato 2 (Listesso)0:14:15 - Jane puts on lipstickadvance plot | agitated | changing | leading lady | mirror | room

Without Honor (1949)

Appassionato (Broad)0:14:20 - Jane puts on a necklaceadvance plot | agitated | changing | leading lady | mirror | room

Without Honor (1949)

Desperation (Wedding Ring)0:14:29 - Jane tries to take off her wedding ringadvance plot | changing | dramatic | leading lady | mirror | ring | room | underscoring

Without Honor (1949)

Underscoring (Tense)0:14:37 - Jane stares at herself in the mirroradvance plot | audible thoughts | blaming | crying | leading lady | mirror | room | tense | thinking | underscoring

Without Honor (1949)

Underscoring (Tense)0:15:21 - advance plot | calling | conversing | doorbell | fidgeting | leading lady | room | telephone | tense | underscoring | walking

Without Honor (1949)

Girl Scouts0:15:50 - Girl scouts at the dooradvance plot | child | conversing | leading lady | light | room | scout

Without Honor (1949)

Twilight (Very Slow)0:16:06 - Jane stops suddenlyadvance plot | child | dark | door | leading lady | ominous | room | scout | walking

Without Honor (1949)

Girl Scouts (Mysterious)0:16:31 - The girl scouts offer to helpadvance plot | child | conversing | leading lady | mysterious | room | scout

Without Honor (1949)

Chromatic Clarinet0:16:42 - Jane talks to the girl scoutsadvance plot | child | leading lady | reacting | room | scout | tense | underscoring | walking

Without Honor (1949)

Underscoring (Dramatic)0:16:50 - Jane brings her purseadvance plot | child | dramatic | leading lady | reacting | room | scout | walking

Without Honor (1949)

Underscoring (Tense)0:17:03 - Jane talks to the girl scoutsadvance plot | child | conversing | fidgeting | leading lady | room | scout | tense | underscoring

Without Honor (1949)

Girl Scouts (Extended)0:17:22 - The girl scouts leaveadvance plot | child | leading lady | light | reacting | room | scout | thinking | underscoring | walking

Without Honor (1949)

Twilight (Adagio)0:17:41 - Jane walksadvance plot | dark | leading lady | ominous | reacting | room | thinking | walking

Without Honor (1949)

Unidentified dance tune0:19:04 - Bill turns on the radioadvance plot | antagonist | brother | conversing | leading lady | leading man | popular music | reacting | room | source music | upbeat
The Most Dangerous Game (1932)Russian Waltz (Upstairs)0:26:51 - Eve goes up the stairsadvance plot | ascending | brother | castle | conversing | count | departing | drunk | leading lady | leading man | mickey-mousing | mute | mysterious | servant | source to score | stairs | tense | walking

The Most Dangerous Game (1932)

Zaroff (Stinger)0:27:05 - A closeup on Ivanadvance plot | brother | castle | close-up | conversing | count | drunk | leading lady | leading man | mute | mysterious | servant | stinger | tense

The Most Dangerous Game (1932)

Russian Waltz (Zoom In)0:27:16 - Zaroff looks up at Eveadvance plot | brother | castle | close-up | conversing | count | departing | drunk | frantic | leading lady | leading man | mute | ominous | servant | stinger | zoom in

The Most Dangerous Game (1932)

Russian Waltz (Grandioso)0:57:09 - The Count plays the pianoadvance plot | calm | castle | count | entering | leading man | on-screen music | piano | playing | sneaking | source music | victim | villain
Caged (1950)Underscoring (Dark)0:56:40 - Kitty and Harperadvance plot | dark | guard | low-angle shot | prison | prisoner | shadow | threatening | underscoring

Caged (1950)

Caged (Waiting)0:56:52 - Marie waits by the parole officeadvance plot | announcing | fidgeting | guard | leading lady | prison | prisoner | running | shadow | tense | waiting

Caged (1950)

Jingle Bells1:08:01 - Woman plays harmonicaadvance plot | Christmas | conversing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | source music | upbeat | warden

Caged (1950)

Bird in a Cage1:08:07 - Woman plays harmonicaadvance plot | Christmas | conversing | dancing | guard | harmonica | leading lady | listening | on-screen music | playing | prison | prisoner | singing | source music | upbeat | warden

Caged (1950)

Harper Whistles1:19:30 - Harper whistlesadvance plot | guard | leading lady | neutral | on-screen music | prison | source music | telephone | waiting | whistling

Caged (1950)

He Leadeth Me1:27:53 - Women in prisonadvance plot | calm | conversing | crying | hymn | leading lady | prison | prisoner | singing | source music

Caged (1950)

Rock of Ages1:30:31 - Women in prisonadvance plot | calm | conversing | guard | hymn | leading lady | prison | prisoner | singing | source music | watching

Caged (1950)

Underscoring (Dramatic)1:32:09 - Superintendent office dooradvance plot | bold | conversing | leading lady | leaving | prison | prisoner | unpacking | walking

Caged (1950)

Molto Expressivo (Not in Film)NIF - not in filmadvance plot | cut from film | prison | solemn

Caged (1950)

Underscoring (Tense)1:32:21 - Marie unpacks her belongingsadvance plot | leading lady | leaving | prison | prisoner | tense | underscoring | unpacking

Caged (1950)

Molto Expressivo (Rubato)1:32:37 - Marie checks outadvance plot | conversing | guard | leading lady | leaving | prison | prisoner | solemn | underscoring

Caged (1950)

Marie (Checking Out)1:32:47 - Marie opens an envelopeadvance plot | dramatic | guard | leading lady | leaving | looking | prison | prisoner | ring | solemn | throwing

Caged (1950)

Molto Expressivo (Slowly)1:32:59 - Marie's mugshotadvance plot | leading lady | leaving | looking | mug shot | prison | prisoner | solemn | throwing | warden