| The Amazing Dr. Clitterhouse (1938) | The Amazing Doctor (Montage) | 0:33:03 - A news article about the doctor | chromatic parallelism | dissonant bass | Gershwinesque | jaunty | journal | montage | montage | newspaper | sequence | sign |
| City for Conquest (1940) | Tone Poem Introduction (Main Title) | 0:00:12 - Title of film over a city skyline | bold | cast list | city | common-tone dominant 7th | Gershwinesque | opening title sequence | skyline | title of film |
City for Conquest (1940) | Tone Poem A (Main Title) | 0:00:36 - Credits over a city skyline | 13th chord | added-note chord | bold | cast list | chromatic sequence | city | Gershwinesque | opening title sequence | skyline |
City for Conquest (1940) | Tone Poem Introduction | 1:32:01 - Orchestra playing in a concert hall | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | dissonant bass | dominant 7th chord | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | score to source | source music | watching |
City for Conquest (1940) | Tone Poem A | 1:32:32 - Violins playing | 9th chord | 11th chord | 13th chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | sequence | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem A (Tutti) | 1:33:02 - Peggy watches from the audience | 9th chord | 11th chord | 13th chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dramatic | fragmentation | Gershwinesque | leading lady | listening | musician | on-screen music | orchestra | playing | point-of-view shot | romantic | source music | watching | zoom in |
City for Conquest (1940) | Tone Poem Train Whistle | 1:33:40 - The wind section plays | added-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dissonant bass | excited | fragmentation | Gershwinesque | musician | on-screen music | orchestra | pc set | playing | pump-up modulation | source music |
City for Conquest (1940) | Tone Poem Transition 2 | 1:33:48 - Orchestra playing | 9th chord | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated) | 1:34:01 - Orchestra playing | 9th chord | audience | bold | Carnegie Hall | chromatic parallelism | concert | concert hall | concert scene | conducting | conductor | dissonant bass | double exposure | Dutch angle | Gershwinesque | listening | musician | on-screen music | orchestra | playing | radio | source music | watching |
City for Conquest (1940) | Tone Poem A (Very Broad) | 1:34:24 - Peggy reacts to the music | 9th chord | 13th chord | audience | bold | Carnegie Hall | chromatic parallelism | chromatic scale | chromatic sequence | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | dissonant bass | dramatic | Gershwinesque | leading lady | leading man | listening | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | radio | romantic | source music | street | watching | zoom out |
City for Conquest (1940) | Tone Poem Transition 1 (Abbreviated) | 1:35:34 - Harp playing in the orchestra | added-note chord | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | dramatic | Gershwinesque | musician | on-screen music | orchestra | playing | source music |
City for Conquest (1940) | Tone Poem B | 1:35:43 - Danny listens to the radio | 9th chord | added-note chord | audience | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | excited | Gershwinesque | leading man | listening | Mixolydian mode | musician | newspaper | newspaper stand | on-screen music | orchestra | playing | pump-up modulation | radio | source music | street | watching |
City for Conquest (1940) | Tone Poem Train Whistle | 1:35:50 - Danny listens to the radio | added-note chord | bold | concert | concert scene | dissonant bass | excited | fragmentation | Gershwinesque | leading man | listening | on-screen music | pc set | pump-up modulation | radio | source music | street |
City for Conquest (1940) | Tone Poem Transition 2 (Allargando) | 1:35:58 - Orchestra playing in the concert hall | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | direct modulation | dramatic | Gershwinesque | grand | listening | musician | on-screen music | orchestra | pedal tone | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Grandioso) | 1:36:11 - Audience enjoying the performance | 9th chord | 13th chord | altered dominant | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | deceptive resolution | double exposure | dramatic | Gershwinesque | leading lady | leading man | listening | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching |
City for Conquest (1940) | Tone Poem A (Tutti 2) | 1:36:41 - Danny's figure appears in the concert hall | 9th chord | 13th chord | AABA structure | added-note chord | audience | bold | Carnegie Hall | concert | concert hall | concert scene | conducting | conductor | crying | deceptive resolution | double exposure | dramatic | Gershwinesque | leading man | listening | mode mixture | musician | on-screen music | orchestra | playing | romantic | sentimental | smiling | source music | watching | zoom out |
City for Conquest (1940) | Tone Poem Introduction (Abbreviated 2) | 1:37:08 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | common-tone dominant 7th | concert | concert hall | concert scene | conducting | conductor | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
City for Conquest (1940) | Tone Poem A (Coda) | 1:37:16 - The conductor leading the orchestra | added-note chord | audience | bold | Carnegie Hall | chromatic mediant | concert | concert hall | concert scene | conducting | conductor | diminution | dramatic | Gershwinesque | listening | musician | on-screen music | orchestra | playing | source music | watching |
| Crime School (1938) | Gangster Blues | 0:01:16 - New York City streets | 13th chord | added-note chord | altered dominant | blues | cut from film | establish setting | fun | Gershwinesque | main title | setting | street | upbeat |
Crime School (1938) | Sue (Quasi Blues) | 0:11:08 - Sue talks to Frankie | bluesy | chromatic parallelism | common-chord modulation | conversing | crying | establish character | foreign key modulation | Gershwinesque | heroine | leading lady | room | somber |
Crime School (1938) | Sue (End Credits) | 1:24:49 - Cast list | added-note chord | bluesy | chromatic parallelism | closing credits | end title sequence | Gershwinesque | mode mixture | not by Steiner | upbeat |
| Death of a Scoundrel (1956) | Bridget | 0:00:37 - Bridget arrives at her destination and talks to the butler looking for Mr. Sabourin | female | Gershwinesque | jazz |
Death of a Scoundrel (1956) | Bridget | 0:06:24 - Bridget begins to tell her story about Clementi | female | Gershwinesque | jazz |
Death of a Scoundrel (1956) | Bridget (Gershwin) | 0:16:46 - Clementi and Bridget talk in a bar, then Clementi is searched by the police to see if he had stolen a man's wallet | flashback | Gershwin | jazz | radio | source music |
| Flamingo Road (1949) | Flamingo Road | 0:00:18 - Book cover for Flamingo Road | blues | bluesy | book cover | cast list | establish setting | Gershwinesque | mode mixture | parallelism | self-borrowing | title of film |
Flamingo Road (1949) | Lute Mae (A Reminiscence) | 0:42:04 - A female prisoner talks about Lute Mae's | 13th chord | added-note chord | advance plot | altered dominant | bluesy | conversing | countermelody | Gershwinesque | leading lady | prison | prisoner | self-borrowing |
| State’s Attorney (1932) | Transition | 0:00:20 - Title and starring list | blues | bluesy | fanfare | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues | 0:00:29 - Title and starring list, cast list | altered dominant | blue note | blues | bluesy | cast list | Gershwinesque | opening title sequence | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Blues (Double Time) | 0:01:04 - Cast list | blue note | blues | bluesy | cast list | diminution | exciting | Gershwinesque | opening title sequence | parallelism | starring list | title of film | transcribed by ear |
State’s Attorney (1932) | Bluesy Transition | 0:01:15 - Black screen | blues | bluesy | exciting | Gershwinesque | opening title sequence | pedal tone | transcribed by ear |
State’s Attorney (1932) | Blues (The End) | 1:18:41 - The End | blue note | blues | bluesy | end title sequence | Gershwinesque | The End | transcribed by ear |
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